| STORY LOOP FURRY PORN GAMES • C • SERVICES [?] [R] RND POPULAR | Archived flashes: 228080 |
| /disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2560 · P5120 |
| STORY LOOP FURRY PORN GAMES • C • SERVICES [?] [R] RND POPULAR | Archived flashes: 228080 |
| /disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2560 · P5120 |
 | This is the info page for Flash #140679 |
| When was it again? |
| Sitting under a sky aglow with dusk, |
| our little boat lingered onward dreamily. |
| Children three nestled near with eager eye and willing ear. |
| Long has paled that sunny sky. |
| The echoes of their laughter and the memories of our joy |
| have all been slain by autumn frosts. |
| Where has she gone, |
| having rivaled the sun itself? |
| In a wonderland they lie, dreaming as the days go by. |
| Dreaming as the summers die. |
| Ever we drift down the stream, floating through its golden gleam. |
| Mirror Capital |
| Ever we drift down the stream, floating through its golden gleam. |
| Life, what is it but a dream? |
| CapitaL CraZe |
| CapitaL CraZe |
| CapitaL CraZe |
| CapitaL CraZe |
| CapitaL CraZe |
| Thus spake Koto, our protagonist |
| Thus spake Koto, our protagonist |
| Thus spake Koto, our protagonist |
| Whatever life may hold, I'll regret nothing. |
| That's what I decided. That's what I believed. |
| That pride walks by my side as an old friend. |
| So it has, and so it will. |
| CHILDHOOD |
| I have to get going. |
| Okay. |
| Sure is a gloomy face there! |
| What a moody little brat! |
| Shut it. |
| CENTRAL AXIS UNION |
| SHRINE |
| It won't be long. |
| Okay. |
| Thanks. |
| Take care of the cottage. |
| Okay. |
| If anything is wrong, just tell the priests. |
| Okay. |
| Also... |
| Count your tears, crybaby! |
| Inari won't be around to save the day, coward! |
| That's enough, you two. |
| The familiars don't mean it like that. |
| Don't mind them. |
| You have to stand your ground now that you're part of the shrine people. |
| Planetary Union Shrine |
| Don't let it get to you, whatever they say. |
| Okay, Master. |
| I can't believe that kid the fox took in is one of us now. |
| He's sort of a free spirit, you know? |
| What's the fox thinking? |
| Is she human or spirit to begin with? |
| Just look at her red eyes. |
| Don't skip practice. |
| Be strong and pay the boys back. |
| I'm sure your mother wants that too, Koto. |
| Do your best, kiddo! |
| Next time we meet we'll play with you. |
| Take care! |
| He didn't really tell me anything, |
| but it sounded like my mom's alive somewhere. |
| I was surrounded by many adults who hated me and only a few who liked me, |
| but that thought was enough keep me going. |
| You're not gonna stop Koto? |
| Koto! |
| If you're going to beat him up, pay attention to your stance! |
| Okay! |
| Those two are abnormal! |
| The bearer of the fox mask should know how to behave! |
| I demand that the chief priest hear about this! |
| Inari, Koto! |
| You heard the man. |
| I think it's his fault because he was messing around during practice! |
| I also think he should have apologized! |
| And he shouldn't be so weak! |
| You should take a few days off. |
| I can take care of your students in the meantime. |
| No! No! I don't want that, Master! |
| But he feels he is at an impasse with his educational ideas. |
| No, no, no, no! |
| Someone should help him with his job. |
| That wasn't the point! |
| In a wonderland they lie, dreaming as the days go by. |
| Good morning! |
| You're mumbling to yourself again. |
| Mumbling? |
| You were thinking about the Mirror Capital again, weren't you? |
| I wonder. |
| You're always lying! |
| I know it! |
| Ouch! |
| You put your whole weight into that kick, didn't you? |
| I guess I should praise you for taking practice so seriously. |
| Of course! |
| I'll be the strongest one the shrine has! |
| And you used to cry so much... |
| There's no greater joy for a teacher than seeing your students develop. |
| I might be stronger than you one day. |
| That'd make you the new master. |
| I wanna go and look for my mom. |
| I want to meet her and talk to her. |
| It'd be nice if she was pretty. |
| She'd be surprised, right? |
| I wanna ask about Dad too. |
| But you know the truth, don't you, Master? |
| Yeah. |
| Koto, |
| I'm sure you'll make it there one day. |
| Where summer dies and is born anew. |
| Paradise lost. |
| The place beyond the mirror, where the gravestones of memories stand in neat rows. |
| I'm sure. |
| How are you doing, Master? |
| I'm doing great! |
| There! Stop them! |
| Do it! |
| Gosh, the city is lively again. |
| I'm happy to see everyone's having fun. |
| Do enjoy the food, now. |
| There are two kinds of people in the world. |
| Those who cause me trouble and those who don't. |
| You with me? |
| Ouch! |
| You little... |
| I'm having a fair amount of fun here, |
| but I still want to meet you all again, Master. |
| I don't know when I can go back, |
| but I know one day we will all... |
| To be continued! |
ActionScript [AS3]
Section 1
Library Items
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| ExportAssets (56) | Timeline Frame 1013 | Symbol 38 as "35" |
| ExportAssets (56) | Timeline Frame 1027 | Symbol 39 as "36" |
| ExportAssets (56) | Timeline Frame 1034 | Symbol 40 as "37" |
| ExportAssets (56) | Timeline Frame 1053 | Symbol 41 as "38" |
| ExportAssets (56) | Timeline Frame 1061 | Symbol 42 as "39" |
| ExportAssets (56) | Timeline Frame 1075 | Symbol 43 as "40" |
| ExportAssets (56) | Timeline Frame 1094 | Symbol 44 as "41" |
| ExportAssets (56) | Timeline Frame 1102 | Symbol 45 as "42" |
| ExportAssets (56) | Timeline Frame 1127 | Symbol 46 as "43" |
| ExportAssets (56) | Timeline Frame 1133 | Symbol 47 as "44" |
| ExportAssets (56) | Timeline Frame 1150 | Symbol 48 as "45" |
| ExportAssets (56) | Timeline Frame 1177 | Symbol 49 as "46" |
| ExportAssets (56) | Timeline Frame 1204 | Symbol 50 as "47" |
| ExportAssets (56) | Timeline Frame 1255 | Symbol 51 as "48" |
| ExportAssets (56) | Timeline Frame 1318 | Symbol 52 as "49" |
| ExportAssets (56) | Timeline Frame 1335 | Symbol 53 as "50" |
| ExportAssets (56) | Timeline Frame 1377 | Symbol 54 as "51" |
| ExportAssets (56) | Timeline Frame 1380 | Symbol 55 as "52" |
| ExportAssets (56) | Timeline Frame 1411 | Symbol 56 as "53" |
| ExportAssets (56) | Timeline Frame 1443 | Symbol 57 as "54" |
| ExportAssets (56) | Timeline Frame 1485 | Symbol 58 as "55" |
| ExportAssets (56) | Timeline Frame 1497 | Symbol 59 as "56" |
| ExportAssets (56) | Timeline Frame 1517 | Symbol 60 as "57" |
| ExportAssets (56) | Timeline Frame 1540 | Symbol 61 as "58" |
| ExportAssets (56) | Timeline Frame 1570 | Symbol 62 as "59" |
| ExportAssets (56) | Timeline Frame 1584 | Symbol 63 as "60" |
| ExportAssets (56) | Timeline Frame 1665 | Symbol 64 as "61" |
| ExportAssets (56) | Timeline Frame 1702 | Symbol 65 as "62" |
| ExportAssets (56) | Timeline Frame 1748 | Symbol 66 as "63" |
| ExportAssets (56) | Timeline Frame 1770 | Symbol 67 as "64" |
| ExportAssets (56) | Timeline Frame 1793 | Symbol 68 as "65" |
| ExportAssets (56) | Timeline Frame 1850 | Symbol 69 as "66" |
| ExportAssets (56) | Timeline Frame 1882 | Symbol 70 as "67" |
| ExportAssets (56) | Timeline Frame 1916 | Symbol 71 as "68" |
| ExportAssets (56) | Timeline Frame 1985 | Symbol 72 as "69" |
| ExportAssets (56) | Timeline Frame 2000 | Symbol 73 as "70" |
| ExportAssets (56) | Timeline Frame 2104 | Symbol 74 as "71" |
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| ExportAssets (56) | Timeline Frame 2153 | Symbol 76 as "73" |
| ExportAssets (56) | Timeline Frame 2163 | Symbol 77 as "74" |
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| ExportAssets (56) | Timeline Frame 2245 | Symbol 79 as "76" |
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| ExportAssets (56) | Timeline Frame 2850 | Symbol 103 as "100" |
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| ExportAssets (56) | Timeline Frame 2995 | Symbol 109 as "106" |
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| ExportAssets (56) | Timeline Frame 3190 | Symbol 114 as "111" |
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| ExportAssets (56) | Timeline Frame 3322 | Symbol 119 as "116" |
| ExportAssets (56) | Timeline Frame 3345 | Symbol 120 as "117" |
| ExportAssets (56) | Timeline Frame 3376 | Symbol 121 as "118" |
| ExportAssets (56) | Timeline Frame 3400 | Symbol 122 as "119" |
| ExportAssets (56) | Timeline Frame 3495 | Symbol 123 as "120" |
| ExportAssets (56) | Timeline Frame 3507 | Symbol 124 as "121" |
| ExportAssets (56) | Timeline Frame 3561 | Symbol 125 as "122" |
| ExportAssets (56) | Timeline Frame 3570 | Symbol 126 as "123" |
| ExportAssets (56) | Timeline Frame 3590 | Symbol 127 as "124" |
| ExportAssets (56) | Timeline Frame 3604 | Symbol 128 as "125" |
| ExportAssets (56) | Timeline Frame 3714 | Symbol 129 as "126" |
| ExportAssets (56) | Timeline Frame 3799 | Symbol 130 as "127" |
| ExportAssets (56) | Timeline Frame 3825 | Symbol 131 as "128" |
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| ExportAssets (56) | Timeline Frame 3872 | Symbol 133 as "130" |
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| ExportAssets (56) | Timeline Frame 4061 | Symbol 136 as "133" |
| ExportAssets (56) | Timeline Frame 4087 | Symbol 137 as "134" |
| ExportAssets (56) | Timeline Frame 4102 | Symbol 138 as "135" |
| ExportAssets (56) | Timeline Frame 4363 | Symbol 139 as "136" |
| ExportAssets (56) | Timeline Frame 4693 | Symbol 140 as "137" |
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