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<div style="position:absolute;top:-99px;left:-99px;"><img src="http://swfchan.com:57475/58406523?noj=FRM58406523-3DC" width="1" height="1"></div>

vib_ribbon.swf

This is the info page for
Flash #143427

(Click the ID number above for more basic data on this flash file.)


Text
skip introduction

vibri vision

movie downloads

wallpaper

screenshots

replay introduction

who is vibri?

music interaction

game controls

competition

2000

release information

vibri music vibe

skunk anansie

dj cam

moloko

utah saints

Move the mouse around to find the menu buttons.

Block

Loop

Pit

Wave

Menu

Vib

Ribbon
is
due
for
release
in
Europe
on
30th
August
2000

There are only
four controls
used in
this game.

Left      L
Right    R
Down   V
Cross   X

Each one
corresponds to
one of the
four features.

Music a bit sad?  Change the CD.   This game moves to your melody.

Load the game , follow the beat

Load the game, follow the beat,

make the jump, this is neat

Once the game is loaded you can put your own music CD into PlayStation.  The beat of the music dictates the game.

vib ribbon can be played with any
music CD. Utah Saints, Moloko,
Skunk Anansie and DJ Cam played
the game using their own music;
download the mpg movies to see
how they got on and hear some of
their music.

Click on the artist for more information.

1. frog evolves to vibri the rabbit: vib1.zip (1.81MB) mpg 29 seconds

2. see the obstacles interact: vib2.zip (1.81MB) mpg 29 seconds

3. vibri gets her wings: vib1.zip (1.84MB) mpg 30 seconds

4. slow and easy way to wings: (1.82MB) mpg 29 seconds

5. music changes the obstacles: (1.81MB) mpg 29 seconds

6. obstacles twist and slide: (1.71MB) mpg 27 seconds

To download a movie simply click on the text, once on
your hard disc unzip it and then double click to view.

Sony Music artist DJ Cam the 'Parisian master of hip-
hop blunts' is an avid gamer and is into vib-ribbon. He
has already played the game to his new album.  His
music is showcased in the down loadable movies listed
below and demonstrates the music interaction feature
of the game, especially the hypnotic twists and turns
of higher levels.

To stand still is to die. This is what DJ Cam - whose groundbreaking skills
are widely respected -  implicitly claims in his work. Never close, nor far
from, where you expect him, Cam manages to assimilate his influences
without forgetting his hip-hop background, and has established his own
style by messing around with musical tags. Up to now, he seemed to be
driven by his ambition to fight against the media and public need to
pigeonhole him. With the Loa Project, his latest and most accomplished
album to date, DJ Cam seems at last to be at peace with himself and the
rest of the world. In fact, the Loa Project is what he always did best,
which is DJ Cam style.

Skunk Anansie  play vib ribbon  mpg (1.6MB) 30 seconds

2. Skunk Anansie  play vib ribbon clip two (1.6MB) 30 seconds

skunk anansie            play vib ribbon

Featured Track. "The Skank Heads" performed by Skunk Anansie
Produced and mixed by Andy Wallac. Written by Skin, Cass Lewis, M.Richardson, Ace
Published by Chrysalis Music Limited
(P) 1999 Virgin Records Limited, Taken from the album "Post Orgasmic Chill"

vib ribbon can be played with any music CD.  Skunk Anansie played the
game using their own music; download the mpg movies to see how they got
on and hear some of their music.

Moloko  play vib ribbon mpg (1.6MB) 30 seconds

2. Moloko play vib ribbon clip two (1.6MB) 30 seconds

"Pure Pleasure Seeker" performed by Moloko
Produced by Moloko
Engineered by Mark Brydon & Matt Sime
Written by Mark Brydon & Roisin Murphy
Published by Chrysalis Music Limited
Mixed by Mark Brydon
(P) 2000 The Echo Label Limited
Taken from the album "Things To Make And Do"

Moloko play vib ribbon

vib ribbon can be played with any music CD.
Moloko played the game using their own
music; download the mpg movies to see how
they got on and hear some of their music.

Utah Saints play vib ribbon mpg (1.6MB) 30 seconds

2. Utah Saints play vib ribbon clip two (1.6MB) 30 seconds

utah saints play vib ribbon

"Power to the Beats" performed by Utah Saints,
Special Guest Appearance by Chuck D
Produced and mixed by Utah Saints
Written by J. Willis/Carlton Ridenhour/James Hetfield/Lars Ulrich/Kirk Hammett
Published by Zomba Music/Notting Hill Music/Bucks Music/Reach International/Creeping Death
Music/Universal Music "Power to the Beats" contains a portion of "Enter Sandman" performed by
Metallica.  Courtesy of Metallica and E/M Ventures"
(P) 2000 The Echo Label Limited. Taken from the forthcoming album "Two" by Utah Saints

vib ribbon can be played with any music CD.
Utah Saints played the game using their own
music; download the mpg movies to see how
they got on and hear some of their music.

Click on your choice for a more detailed screenshot

1

Go to
screenshot
gallery

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

* 640x480

* 800x600

*1024x768

Your computer screen is most likely
to be set at 1024x768, 800x600 or
640x480 pixel resolution. Choose the
wallpaper size to suite.

Choose the image you like, then, once it
has downloaded into a new window right
click on the image and press 'Set as
Wallpaper' then close the window.

vib ribbon wallpaper

Masaya Matsuura is the world famous creator of Parappa the
Rapper and UM Jammer Lammy. His love of games is so great
that he now runs his own company - NanOn-Sha Games.
Once Matsuura had come up with the concept for Vib Ribbon, he
called on the skills of a 25-year-old American programmer called
John Belmonte who had sent an e-mail to Matsuura to tell him
how much he admired him - 6 months later they were working
together!
Click on the arrow for an interview with Masay Matsuura

the vibri vision - meet the man behind the rabbit.

You set up your own company, NanOn-Sha.
What does "NanaOn-Sha" mean?

"Nana" means 7th, "On" means sound, and
"Sha" means company in Japanese.  When
put together, it's called "NanaOn-sha".
There is no significant meaning to "NanaOn-
Sha" but it sounded good when all these 3
words are put together, and I thought
anyone in the world will be able to
pronounce this name in a similar way.

1

Click on the arrow for an interview with Masay Matsuura

Masaya Matsuura is the world famous creator of Parappa the
Rapper and UM Jammer Lammy. His love of games is so great
that he now runs his own company - NanOn-Sha Games.

Once Matsuura had come up with the concept for Vib Ribbon,
he called on the skills of a 25-year-old American programmer
called John Belmonte who had sent an e-mail to Matsuura to
tell him how much he admired him - 6 months later they
were working together!

Where does vibri come from?

If we were to say that the world of digital
data has dimension just like that of ours,
vibri would be a character who accidentally
popped out from the digital world and into
ours.

2

Is there a story behind the design of the game?

Originally, the game was going to be completely different in
style and gameplay.  The only feature that didn't change was
playing with your own CDs.  We were thinking of creating
more colorful/vivid worlds and characters in the beginning,
however, it started to bother me to see that the game sets off
a specific world of music to the players.  In fact, this made
me stop working on the project entirely, after a year and a
half into developing the game.  It took a lot of my courage to
simply abandon the game, but was the very important
decision at the same time.  I appreciate all the SCE people for
understanding my decision.  After all, I was able to seek the
world of music in a broader sense, and it turned out to be this
current simple and non-detailed game.  vibri was born in the
circumstance like this.

3

We've heard that vib-ribbon was developed with NTT
- what made the engine so complex?

What we did with NTT was, to vocalize vibri's voice through NTT's
Speech Synthesizer.  This system is really great because it enables
you to not only vocalize speech but also to sing songs.  I consider
creating an album of a vocalist who does not exist in reality to be
one of my life's works, and vib-ribbon is like a starting point for this.
The game actually wasn't developed with the Speech Synthesizer,
but in future, NanaOn-Sha will be utilizing this technology in games.
When a person speaks, the sound waves are transformed
continuously.  With NTT's system, each sound is picked up from the
Database of tiny waves which, and connected in order to vocalize.

Therefore, the part that analyzes a sentence and puts the sounds
together and the Database itself are all very complicated in
structure.  This system is a standard format in terms of sound
synthesizing technology, but vib-ribbon successfully integrated this
system into the game.

4

You work very closely with John Belmonte,
programmer for vib-ribbon, how did you meet?

Through the internet, I was introduced to him by a friend
of mine who used to work for a computer manufacturer.
John probably knew of me through the fact that NanaOn-
Sha was the developer of Parappa the Rapper.   After
exchanging e-mails for a while, he called up one day and
told me that he was near by my office, and our
partnership started from then.
He's been in Japan for more than 3 years.  There are
about 10 people in the development team for vib-ribbon,
and every member was irreplaceable in creating the
concept and world of the game.

5

How did you come up with the completely unique
concept of playing a game along with your own CDs?

Wouldn't you agree that there is nothing more boring than
seeing and sensing an object in the exact way every time you
look at it?  Many times, I think that new inventions are not
simply new existences, but a result of a difference in
perception.  I came to realize this while creating music and
wanted to express it through a game.

6

Were there any particular music artists or tracks
that you had in mind while creating vib-ribbon?

As I mentioned previously, one of my objectives was to
avoid having any particular music tied too strongly to this
game, so I purposely tried not to have any in mind while
working on this project.  One of the game designers was
using a track from the Fat Boy Slim's album while working
on the game, and since it fitted so well with the game, I
think it had some effect on vib-ribbon's music.

7

Who created the game's music in your team?
What were their inspirations?

A band called Laugh and Beats together with a vocalist named Yoko Fujita.
It was truly arduous to produce their music, because what we were
doing was creating music that fitted the world of vib-ribbon, without
giving players the impression that a particular style of music is
associated with the game, which is somewhat contradictory.  For the
first song and more simple levels of the game, I asked them to write
a song that emphasizes the sychronization of the obstacles and the
sound.  And for the later levels, I asked them to add more variations to
the sound of the music, to make the players want to play with their own
CDs.  You should ask the band directly what inspired them, but I personally
think that the music turned out to be a good reflection of their impression
of vibri.   However, I had many detailed requests for the music and turned
down their songs many times, so they might not want to work with me ever
again!

8

When you play vib-ribbon yourself, which music
CDs do you choose? Is the style more Celine Dion or
Aphex Twin?

Regardless of games, I'm personally into the mid-70's
music right now.  I did a 2-hour game play to this type of
music auto demo play.

9

If you had to develop a video game with a music
artist, who would you chose? A DJ? A pop artist?

I don't have any specific artist in my mind.  I haven't
done it, but it would seem Jamiroquai's music would
match the game's sound analysis system.  Skunk
Anansie would be good too.
By the way, Blur just released DVD, and the front
cover seemed really similar to 'the world' of vibri.
Check it out because it's quite funny.  I should ask Blur
to provide a song for our game.

10

Do music and computer games go hand in hand?
Do you feel more of a games developer or musician?

I believe that music and computer games go hand in
hand, but the two, as industries do not, though I think
this will change in time.  I guess I would consider myself
more as a musician, even though people may see me as
a game creater especially through media.

11

How important is it for you to keep
designing revolutionary new games - do you feel that
you provide inspiration for other developers and an
incentive to be creative?

Nothing besides exciting inventions interests me, and I
believe that this excitement can be shared among
everyone.   A lot of products nowadays only appeal to
people locally, but a game is a medium that's relatively
easily conveyed to people worldwide, and I hope it
continues to be so.  American developers can create better
basketball games than I can, just like European developers
can create better football games.  But at the same time.  I
want those developers to understand that those sports
games do not appeal as much to Japanese gamers, and to
make increasing efforts to succeed in the Japanese market.

12

It is a few months before the
launch of PlayStation 2 in Europe, can you explain
why there is so much enthusiasm and hype about such a
new and simple concept, as opposed to the profusion of
games with high resolution graphics
nowadays?

If that's true all the enthusiasm and hype, as you say,
that's definitely flattering.  Despite PlayStation 2's high
technical performance, it cannot change a boring game
into an exciting one. I believe the game fans in Europe are
wise and aware of this and that's why they have found
vib-ribbon attractive.
Furthermore, we were able to create vib-ribbon because
of PlayStation 1, and for the PlayStation 2, we are
planning to create games that are even more unique, so
look forward to it.

13

14

What's next for the legendary Masaya Matsuura?

In order to figure that out, I would like to visit Europe
around the launch of vib-ribbon, and to check out how it's
doing, only if I have the time, that is!

15

Win this cool  vib-ribbon Hawaiian shirt.
Daniel Poole (well-known London based
clothes designer) has created the vib-
ribbon Hawaiian shirt - this summer's
must-have item! It could be yours.We've
10 to give away. Simply click on the shirt
to reach the entry form.

Go to competition form

Here comes vibri, the coolest bunny on the block. A mean little
mover, vibri loves to skip and jump to music as she meanders
along the vib ribbon. This line stretches into infinity but it's no
straight and easy road. Your floppy-eared friend will come
across lots of obstacles. As the music tempo shifts, so does the
rate at which the obstacles appear and vibri the rabbit may
soon devolve into vibri the frog. Can your bunny bounce to the
beat and become a beautiful winged princess? Load up your
soundtrack and watch vibri go!

vibri can ride the ribbon to all kinds of music. The game CD
includes 6 songs from Japanese group "Laugh and Beats" but the
fun feature of this game is that you can use your own music! Just
drop your CD in and watch as vib ribbon works its magic, creating
a level that matches the tempo and tone of the music.
Stroll along to smooth jazz, groove to house and garage, or roll
with it to raucous rock  - it's up to you! From Daft Punk to Frank
Sinatra, The Rolling Stones to Britney Spears - vib ribbon can be
as cool or as cheesy as you choose!

track 1: Polaroid

turn the
music off

track 5: Universal Dance

track 6: Overflowing Emotions

track 4: Laugh and Peace

track 2: Roll Along

track 3: Sunny Day

For now you have a more limited choice; click on one
of the six Laugh and Beats tracks from the game.

You have chosen

It will take a few seconds to start downloading.

You have chosen to turn the music off,
you can turn it back on by returning to this section.

Are you sure you want to turn the music off?

Yes

No

ActionScript [AS1/AS2]

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on (release) { getURL ("../../vibhtml/english/wallpaper/pages/wallpaper3_m.html", "_blank"); }
Symbol 473 Button
on (release) { getURL ("../../vibhtml/english/wallpaper/pages/wallpaper3_b.html", "_blank"); }
Symbol 474 Button
on (release) { getURL ("../../vibhtml/english/wallpaper/pages/wallpaper4_s.html", "_blank"); }
Symbol 475 Button
on (release) { getURL ("../../vibhtml/english/wallpaper/pages/wallpaper4_m.html", "_blank"); }
Symbol 476 Button
on (release) { getURL ("../../vibhtml/english/wallpaper/pages/wallpaper4_b.html", "_blank"); }
Symbol 490 Button
on (release) { gotoAndPlay (2442); }
Symbol 491 Button
on (release) { gotoAndPlay (2383); }
Symbol 497 Button
on (release) { gotoAndPlay (2432); }
Symbol 502 Button
on (release) { gotoAndPlay (2422); }
Symbol 503 Button
on (release) { gotoAndPlay (2452); }
Symbol 504 Button
on (release) { gotoAndPlay (2432); }
Symbol 508 Button
on (release) { gotoAndPlay (2462); }
Symbol 509 Button
on (release) { gotoAndPlay (2442); }
Symbol 513 Button
on (release) { gotoAndPlay (2472); }
Symbol 514 Button
on (release) { gotoAndPlay (2452); }
Symbol 518 Button
on (release) { gotoAndPlay (2482); }
Symbol 519 Button
on (release) { gotoAndPlay (2462); }
Symbol 523 Button
on (release) { gotoAndPlay (2492); }
Symbol 524 Button
on (release) { gotoAndPlay (2472); }
Symbol 528 Button
on (release) { gotoAndPlay (2502); }
Symbol 529 Button
on (release) { gotoAndPlay (2482); }
Symbol 533 Button
on (release) { gotoAndPlay (2512); }
Symbol 534 Button
on (release) { gotoAndPlay (2492); }
Symbol 538 Button
on (release) { gotoAndPlay (2522); }
Symbol 539 Button
on (release) { gotoAndPlay (2502); }
Symbol 543 Button
on (release) { gotoAndPlay (2532); }
Symbol 544 Button
on (release) { gotoAndPlay (2512); }
Symbol 548 Button
on (release) { gotoAndPlay (2542); }
Symbol 549 Button
on (release) { gotoAndPlay (2522); }
Symbol 555 Button
on (release) { gotoAndPlay (2552); }
Symbol 556 Button
on (release) { gotoAndPlay (2532); }
Symbol 560 Button
on (release) { gotoAndPlay (2562); }
Symbol 561 Button
on (release) { gotoAndPlay (2542); }
Symbol 568 Button
on (release) { gotoAndPlay (2422); }
Symbol 569 Button
on (release) { gotoAndPlay (2552); }
Symbol 576 Button
on (release) { getURL ("../competition/competition.html", "_blank"); }
Symbol 579 Button
on (release) { getURL ("../competition/competition.html", "_blank"); }
Symbol 580 Button
on (release) { getURL ("../../vibhtml/english/competition/competition.html", "_blank"); }
Symbol 581 Button
on (release) { getURL ("../../vibhtml/english/competition/competition.html", "_blank"); }
Symbol 616 Button
on (release) { unloadMovieNum (2); loadMovieNum ("../music/music1.swf", 2); gotoAndPlay (2779); }
Symbol 618 Button
on (release) { gotoAndStop (2994); }
Symbol 620 Button
on (release) { unloadMovieNum (2); loadMovieNum ("../music/music5.swf", 2); gotoAndPlay (2904); }
Symbol 622 Button
on (release) { unloadMovieNum (2); loadMovieNum ("../music/music6.swf", 2); gotoAndPlay (2934); }
Symbol 624 Button
on (release) { unloadMovieNum (2); loadMovieNum ("../music/music4.swf", 2); gotoAndPlay (2869); }
Symbol 626 Button
on (release) { unloadMovieNum (2); loadMovieNum ("../music/music2.swf", 2); gotoAndPlay (2809); }
Symbol 628 Button
on (release) { unloadMovieNum (2); loadMovieNum ("../music/music3.swf", 2); gotoAndPlay (2839); }
Symbol 635 Button
on (release) { unloadMovieNum (2); gotoAndPlay (2964); }
Symbol 637 Button
on (release) { gotoAndStop (2759); }

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Symbol 488 GraphicUsed by:489 567
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Symbol 599 GraphicUsed by:600
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Labels

"Stars"Frame 2
"loader"Frame 30
"One"Frame 264
"menue loader"Frame 484
"loader menu"Frame 501
"Loop start"Frame 511
"Go and play from loop start"Frame 750
"Release info"Frame 782
"loader release"Frame 799
"start release"Frame 816
"Controls start"Frame 907
"loader controls"Frame 924
"how to play start"Frame 945
"Go and play end loop menu"Frame 1109
"Music interaction"Frame 1133
"loader music and game"Frame 1150
"Start music int"Frame 1167
"Movies start"Frame 1708
"loader movies"Frame 1725
"start movies"Frame 1747
"DJ Cam Movies start"Frame 1757
"loader DJ movies"Frame 1774
"start DJ movies"Frame 1791
"Movies DJ loop"Frame 1802
"skunk Movies start"Frame 1839
"loader skunk movies"Frame 1856
"start skunk movies"Frame 1874
"moloko Movies start"Frame 1925
"loader moloko movies"Frame 1942
"start moloko movies"Frame 1960
"utah Movies start"Frame 2011
"loader utah movies"Frame 2028
"start utah movies"Frame 2050
"screens start"Frame 2101
"loader screens"Frame 2118
"start screenshots"Frame 2140
"screen shot 1 large"Frame 2239
"screen shot 2 large"Frame 2244
"screen shot 3 large"Frame 2249
"screen shot 4 large"Frame 2254
"screen shot 5 large"Frame 2259
"screen shot 6 large"Frame 2264
"screen shot 7 large"Frame 2269
"screen shot 8 large"Frame 2274
"screen shot 9 large"Frame 2279
"screen shot 10 large"Frame 2284
"screen shot 11 large"Frame 2289
"screen shot 12 large"Frame 2294
"screen shot 13 large"Frame 2299
"screen shot 14 large"Frame 2304
"screen shot 15 large"Frame 2309
"screen shot 16 large"Frame 2314
"Start wallpaper"Frame 2328
"loader wallpaper"Frame 2345
"wllpaper start"Frame 2363
"stop"Frame 2375
"vv 0"Frame 2383
"loader vibri vision"Frame 2400
"vv0 start"Frame 2422
"vv 1"Frame 2432
"vv 2"Frame 2442
"vv 3"Frame 2452
"vv 4"Frame 2462
"vv 5"Frame 2472
"vv 6"Frame 2482
"vv 7"Frame 2492
"vv 8"Frame 2502
"vv 9"Frame 2512
"vv 10"Frame 2522
"vv 11"Frame 2532
"vv 12"Frame 2542
"vv 13"Frame 2552
"vv 14"Frame 2562
"vv 15"Frame 2572
"Comp start"Frame 2582
"loader comp"Frame 2599
"start comp"Frame 2616
"who is vibri start"Frame 2627
"loader who is vibri"Frame 2644
"start who is vibri"Frame 2662
"vibri vibe start"Frame 2720
"loader vibri vibe"Frame 2737
"start vibri vibe"Frame 2759
"track 1"Frame 2779
"track 2"Frame 2809
"track 3"Frame 2839
"track 4"Frame 2869
"track 5"Frame 2904
"track 6"Frame 2934
"no music"Frame 2964
"are you sure?"Frame 2994
"Stars"Symbol 42 MovieClip Frame 12
"Start"Symbol 46 MovieClip Frame 2
"Start"Symbol 50 MovieClip Frame 2
"Start"Symbol 54 MovieClip Frame 2
"Start"Symbol 58 MovieClip Frame 2
"Start"Symbol 62 MovieClip Frame 2
"Start"Symbol 78 MovieClip Frame 2
"Dance"Symbol 99 MovieClip Frame 80




http://swfchan.com/29/143427/info.shtml
Created: 27/10 -2018 09:52:09 Last modified: 27/10 -2018 09:52:09 Server time: 03/05 -2024 20:17:09