STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 228072 |
/disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2560 · P5120 |
This is the info page for Flash #144668 |
-2- |
-2- |
-3- |
-3- |
“Hello mom” Kodi says looking at Jenna. |
She comes closer and rubs her head against her son’s neck that does the same thing like a sign of a?ec?on. |
In that moment Mister Simpson frees Kodi and the rest of the dogs of the mail team. |
They dispersed immediately. Jenna and Kodi walk side by side on Nome’s streets. |
“Where is dad?” Kodi asks looking at his mother. |
“Your father again is away on a trip” Jenna responds looking at Kodi. |
He looks at her with a certain amount of surprise. |
“Again?” Kodi asks looking at his mother that nods lightly while she sighs with sadness. |
“Did you speak it with dad?” Kodi asks looking at Jenna that nods. |
“Balto and I argued every ?me that we touched upon the issue” Jenna responds looking at her son that looks her |
with evident worry on his face. |
“Kodi; will you hate me? if I begin a new rela?on with other dog?” Jenna asks looking at Kodi. |
He gets surprised by his mother’s ques?on; she looks at him a?en?vely expec?ng his answer. |
“Mom, if you believe that it is the best for you life, I would not do it; but ?rst try speak it with dad; I know that |
he s?ll loves you” Kodi says looking at your mother that looks at you and nods with the head. |
Two days a?er, Jenna walks to Nome, she returns to her house feeling very angry with Balto, both had argued |
again and this ?me it had been something very serious because both mutually broke o? their rela?on. |
She walks slowly while she feels like the sun warms up her fur. Jenna thinks in her argued with Balto un?l a snow |
? |
ball hits her on the nape of the neck. Jenna loses balance and falls on snow. |
She gets up and shakes o? the snow while she sees behind her and no?ces that Ralph and Kirby rapidly run to |
? |
ward her. |
“I am sorry” Ralph says while he looks at Jenna. |
She sees like the friend of his son is stand next to Kirby. |
“That ball was meant for Kirby” Ralph says looking at Jenna that looks at him with frown. |
“That is truth, Ralph did not make it with bad intension” Kirby says while he looks at Jenna. |
She sees him a moment before turning around and beginning to walk. |
“I thought that she was going to shout me” Ralph says surprised while he looks at Kirby. |
“You are very lucky, my friend” Kirby says looking at his friend that looks at him a?en?vely. |
In that moment the two dogs receive several blows of |
snowballs that knock down |
them on the ground while |
snowballs fall on them. They look like Jenna use her hind legs to throw snowballs for some moments un?l he |
stops. |
Jenna laughs seeing that both dogs are buried under a great snow quan?ty. She gets close to the snow pile where |
Kirby and Ralph are buried, they get up and come out of snow while they sake their bodies to take o? the snow. |
“That was sensa?onal, you are the best pitcher of snowballs that I have seen” Kirby says looking at Jenna. |
CHANGES |
It is a sunny and calm day in Nome, Jenna walks on the town streets while she sighs of sadness. Balto is out of |
the town with Duke. |
It passed close to a year since the rescue of the airplane, |
now Balto ?ies constantly |
with his new master for long |
?me periods; she misses a lot her mate. |
Jenna was feeling forgo?en by Balto that only thinks about ?ying; Jenna in ?rst instance had felt happy because |
he kept his dream, but now that was an obstacle in their rela?on that started to break. |
She and |
Balto argued a lot for a |
couple of months, Balto felt that he must be with his master while Jenna thought |
that he should be with her because she is his mate. |
Jenna looks at people and Nome’s dogs that walk on the streets. The red female dog stops in front of boiler |
room’s door and enters there. |
“Hello girls” Jenna says looking at his girlfriends that greeted her animatedly. |
“How are you, Jenna?” Dixie asks looking at her friend that sits next to her. |
“Very well” Jenna responds looking at |
her friend that sees sadness in her |
friend’s voice. |
“Do you s?ll have problems with Balto?” Dipsy asks looking at Jenna. |
She looks at her and nods lightly. |
“Balto and I have grown apart a lot, I do not know if I can con?nue on this situa?on” Jenna says. |
She sighs with great sorrow while she thinks about her mate. |
Her mind tells her that she loves Balto, but she feels that in her heart she begins to doubt if that is the truth. |
“You should perhaps begin to see other op?ons” Dipsy says looking at Jenna that looks at her with a lot of sur |
? |
prise. |
“It is truth, you s?ll are a beau?ful female dog that a?racts the looks of Nome’s masculine dogs” Dixie says look |
? |
ing at Jenna that looks at her a?en?vely. |
“I suppose that it is truth, but I am not simply comfortable in thinking having a new mate; Balto and I have a long |
history and we have a family” Jenna says looking at her two friends. |
“Your children are adult dogs, they do not need be care; you are free to ?nd a new mate, if you feel that your |
rela?on with Balto no longer is the best for you” Dipsy says looking at Jenna |
She sighs with sadness. |
“I will have that in my mind” Jenna says looking at her two friends that nod approvingly. |
A?er two hours, Jenna and her friends come out of the boiler room and walk on Nome’s streets while they con |
? |
?nue cha?ng about several themes in which they are interested. |
They see as the team of mail enters in Nome and it stops in front of the post o?ce. |
Jenna smiles seeing that her son, Kodi pants intensely for the physical e?ort of having pulled the sleigh. |
Jenna says good?bye to her friends and gets close to the place where the mail team is si?ng. |
“Hello Kodi” Jenna says while she gets close to her son. |
-4- |
-4- |
-5- |
-5- |
“You are happy |
, I see a smile on your face, and it reminds me the ?me that you and dad were together” Kodi |
answers looking at Jenna. |
She blushes a li?le and feels somewhat sad thinking about those moments. |
“Well I am not sure if it is a rela?on yet” Jenna says looking at Kodi that looks at her a?en?vely. |
“Who is?” Kodi asks while he looks at his mother. |
“I will not tell it to you un?l I am sure what I really feel” Jenna says looking at Kodi hoping that he would under |
? |
stand her. |
“All right, never mind” Kodi says while he looks at Jenna that smile. |
In that moment Kodi and Jenna heard two voices that call to Jenna from the exterior of the house. Jenna and |
Kodi get out of the house and see to Ralph and Kirby that are wai?ng for Jenna. |
“What you two are you doing here?” Kodi asks while he gets close to his two friends along with Jenna. |
“We will take out Jenna for a walk… I mean your mother” Ralph says looking at Kodi that gets surprised and looks |
at his mother that smiles at him smoothly and shrugs her shoulders. |
“So, she is your secret friend” Kodi says looking at his mother that feels ashamed a li?le while her son looks at |
her. |
“I want that you take care of her very well” Kodi says looking at his friends. |
They look between themselves and laugh. |
“Do not get worried mister Kodi, we will return your daughter in one piece” Ralph says looking at Kodi. |
“Not get worry dad, I will be home on ?me” Jenna says looking at his son that laughs. |
“I expect that, I will wait for you, be careful of them” Kodi says looking at Jenna. |
The four dogs burst into a deafening laugh that lasts for a couple of minutes before they stop, feeling pain in |
their stomachs. |
“Let’s go” Kirby says looking at Jenna and Ralph that nod lightly. |
Kirby and Ralph begin to walk, Kodi retains to Jenna some moments. |
“Seriously mom, beware of them, their games can be a li?le rude some?mes I know it” Kodi says looking at |
Jenna that nods while she smiles and nuzzles Kodi a?ec?onately before mee?ng with Ralph and Kirby that are |
wai?ng for her. |
Kodi sees as the three dogs go away, he smiles smoothly at the thinking that his two friends are a good shape |
that his mother does not feel sad by her rupture with his father. |
The group come out of Nome and gets on the road toward the forest where they enter. They walk a couple of |
minutes un?l they feel that the environment begins to get warm. A?er some minutes they get to a great pond |
of hot water. |
“Here we are here, the thermal waters” Kirby says looking at Jenna and Ralph. |
Jenna looks the thermal waters without |
realizing that dogs sit and grab her by her four legs. |
“Boys, what are you doing?” Jenna asks scandalized and surprised by Kirby’s and Ralph’s a?tude. |
She smiles feeling herself a li?le proud. |
“I was the best among my brothers” Jenna says smiling smoothly while she remembers the days in which she |
was a cub and played with her brothers with snow while her parents were looking at them. |
“If it is truth, you have not lost your touch” Ralph says looking at Jenna while he shakes o? some snow of his fur. |
“Thank you” Jenna says in the mean?me she again forms a snowball with her forepaws and throws it to Kirby |
that receive the blow of the ball on the ?p of his nose. |
Kirby forms a new ball and launches it towards Jenna; she dodges the ball and begins to throw snowballs against |
the two dogs that do the same thing against Jenna. The three dogs play with snow while they laugh and have fun. |
They stop close to the evening, Jenna and the friends of her children walk on Nome’s streets while they laugh by |
jokes of Ralph’s and Kirby’s jokes. |
Jenna feels very happy and comfortable with her son’s friends; they do not see her as the mother of her friend, |
but like a friend of their same age. The three dogs stop in front of Jenna’s house. |
“Thank you boys for accompany me to my home” Jenna says while she sees the dogs. |
“It was pleasure Mrs. Jenna” Ralph says looking at Jenna. |
“Yes, we had a really good ?me this a?ernoon” Kirby says looking at Jenna that agrees with him. |
“From now just call me Jenna, Ok?” Jenna asks looking at the two dogs that nod. |
“Tomorrow; we can have more fun” Jenna says looking at Ralph and Kirby. |
They nod before beginning to walk down by the street heading for their homes. |
Jenna gets in her house and heads toward the room of Rosy. She caresses to Jenna with a lot of love. Jenna and |
his girl spend together the rest of the immediate hours un?l Rosy has to go to bed. |
Jenna comes out of her girl’s room and walks towards her shed where she enters, he leans back on her bed and |
curls herself before falling asleep rapidly feeling ?red and content by the fun that she had with the friends of his |
son. |
In the following days, Jenna spends a long ?me with Kirby and Ralph. She shows them the interes?ng places that |
someone can ?nd in Nome’s surroundings. She did not see Balto since their break, because he spends with Duke |
a lot more of ?me than before. |
Two weeks later Jenna is in her home ge?ng some rest. She thinks about the last few weeks and the fun that she |
has with Ralph and Kirby. Jenna thinks about them, when she listens a dog that enters in her home. |
“Kodi” Jenna says looking at her son that appears in her room’s door. |
“Hello mom” Kodi says smiling while he gets close to his mother that nuzzles him a?ec?onately for some mo |
? |
ments. |
“I am here to see how you are” Kodi says looking at his mother that looks at him and smiles smoothly. |
“Very well, Kodi” Jenna says looking at her son that smiles at her and nods. |
“Are you seeing somebody?” Kodi asks looking at his mother that gets surprised by Kodi’s ques?on. |
“No, I am not seeing anybody, why do you ask it?” Jenna asks looking at Kodi that looks at her and smiles. |
-6- |
-6- |
-7- |
-7- |
Jenna puts her right paw on the penis of Ralph. He moans feeling like Jenna begins to masturbate him slowly. |
Jenna places her head under Kirby’s belly. |
He moans of pleasure feeling Jenna’s licks on his penis. |
The female dog enjoys the taste of the penis of the friend of her son that moans of pleasure feeling like the |
tongue of Jenna goes over by the length of his penis to get to his knot. |
Jenna bites Kirby’s knot. He wags his tail content feeling that Jenna licks his knot smoothly. She stops her task |
and proceeds to place her head below the belly of Ralph. |
“Uhmmm!” Ralph moans feeling as Jenna moans lick his balls. |
Jenna licks the ?p of Ralph’s penis. He moans of pleasure while Jenna’s tongue moves by his penis slowly ge?ng |
to the knot of Ralph. |
She licks it some moments more un?l she stops. |
“The taste of both is delicious” Jenna says while she gets up and sees that the two males smile. |
Jenna posi?ons herself ahead of them and li?s up her tail. |
The two dogs rapidly begin to lick the pink |
opening of Jenna that moans of pleasure feeling like the two tongues |
of Ralph and Kirby give her pleasure. She li? |
s more high her tail. |
Ralph and Kirby lick the vagina of Jenna that moans of pleasure while her two lovers’ tongues move on her va |
? |
gina. She feels like the tongue of Kirby gets in her vagina while Ralph’s tongue hits her pink point again and again. |
Some minutes later Jenna pants with more speed while she feels like orgasm is close, she moans strongly when |
her body becomes tense when she has one orgasm. |
Ralph and Kirby are surprised by Jenna’s abundant juices that come out of the vagina of the female dog that |
moans strongly feeling like the males lick desperate her pink swollen opening searching not to waste those tasty |
juices. |
They stop when the ?ow runs out; they try to con?nue licking the opening of Jenna that gets ahead a couple of |
steps ahead of them. |
“There are more things for to do” Jenna says looking at the males that look between themselves and rapidly |
posi?on themselves behind her. |
Kirby mounts Jenna and holds her hips, but Ralph pushes him and tries to take the place of his friend that pre |
? |
vents it. Both dogs reveal their teeth and begin to growl threateningly against the other one. |
“Calm down, there are much for both” Jenna says while she posi?ons herself among both dogs that are |
close to |
?ght. |
“There is much of me for both” Jenna says looking at the two dogs with a smile. |
Jenna gets close to Ralph and kisses him while she pushes him smoothly leaning him on the cave’s ground. She |
climbs on top of Ralph that sees like his friend’s mother takes her penis and aims it at her vagina. |
“Uhmmm” Jenna moans when the ?p of Ralph’s penis enters in her vagina. |
She slowly sits on the penis of Ralph. He feels like her penis slowly slides in Jenna’s wet inside. Jenna feels like |
some moments later Ralph’s knot touches the entrance of her vagina. |
“Now you, in the same place” Jenna says looking at Kirby that gets surprised hearing Jenna. |
They begin to rock Jenna’s body ge?ng ready to jump her into water. |
“NOOO NOOO don’t do that or I will get angry” Jenna says trying to liberate herself of the grasp of the two dogs |
that laugh and nod. |
Ralph and Kirby release Jenna throwing her in water, they see a great splashing of water when Jenna falls in the |
water. |
She emerges some moments later and takes air while she looks at Ralph and Kirby that roar with laughter while |
they look at her. They jump in the water close to Jenna she tries to cover herself of the water that dogs provoke. |
When Ralph and Kirby are in water, they look at Jenna. The three dogs look at each other and begin to laugh and |
begin |
to play with water. Kirby and Ralph take advantage of Jenna that try to countera?ack the two dogs. |
A month later, Kirby and Ralph walk on Nome’s streets laughing while they head toward Jenna’s house for an |
? |
other morning of fun. They laugh animatedly when they see that Dixie gets close to them. |
“Hey boys, I bring you a Jenna’s message” Dixie says looking at the dogs that look at her a?en?vely. |
“She told me that she wants see both of you in the cave that is inside of the forest, close to the waterfall” Dixie |
says looking at the dogs and growling smoothly with emo?on while she looks to Ralph and Kirby look at her |
something surprised. |
“The be?er thing is that you two hurry up” Dixie says in the mean?me she winks an eye to the two dogs before |
going away. |
“What happens with her?” Kirby asks looking at his friend that shrugs his shoulders feeling missed by Dixie’s at |
? |
?tude just like Ralph. |
Both dogs begin to walk on Nome’s streets heading toward the town outskirts towards the forest. |
When Ralph and Kirby gets in the forest, they head toward the cave that Dixie had indicated them. When they |
are near they perceive one aroma that makes that both feel something like an electrical discharge through by |
their bodies. |
Ralph and Kirby increase the velocity of their steps feeling like their penises abandon their sheaths and grow |
rapidly. The two dogs pant while they feel that aroma begins to dominate their bodies. |
Both ?nally get to the cave and stop on the entrance, they feel like erec?ons are hard while they observe the |
inside of the cave where Jenna expects them. She comes out of semidarkness and looks at Ralph and Kirby. |
“I was wai?ng for you” Jenna says seduc?vely while she gets close to the two males that look at her desirously. |
They do not take o? their looks o? the body of Jenna that gets close to them. |
“I like that” Jenna says seeing the two penises of the dogs that hang bellow their bellies. |
Jenna kisses Ralph on his mouth, the tongues of both ?ghts among themselves some moments before breaking |
o? the kiss. She looks at Kirby, Jenna kiss him while Ralph looks at them a?en?vely un?l his friend and Jenna |
break o? the kiss. |
“Let’s go inside” Jenna says while she looks at the two dogs that docilely agree. |
Jenna turns over and begins to walk toward the inside of the cave, she has her tail raised for her son’s friends |
that follow Jenna while they do not take their looks o? of Jenna’s swollen and wet vulva. |
When the three dogs stop, Jenna turns over and looks at Ralph and Kirby that look at her lus?ully. Jenna gets |
among both dogs that see as Jenna sits among them. |
-8- |
-8- |
-9- |
-9- |
Ralph con?nues pushing his penis while he embraces Jenna at the same ?me as Kirby kiss her passionately for |
some moments, they break o? the kiss. Kirby sees as a thread of saliva ranges from his mouth to Jenna’s mouth. |
She moans and pants of pleasure feeling like the two penises of the friends of his son move inside her. |
Ralph pushes his knot pu?ng it with di?culty into the vagina of Jenna that moans of pleasure feeling as that ball |
of meat gets in her vagina. Kirby also pushes his knot wan?ng not be omi?ed. |
Jenna moans of pain feeling as her pink opening is stretched to permit the pass of Kirby’s knot, he growling man |
? |
ages to introduce his knot with much ado inside that pink and ?ght cave. |
Both males increase the rhythm of their pushes growling and moaning of pleasure feeling as the climax is close. |
Jenna’s head hangs from Ralph’s right shoulder, she moans of pleasure while she spreads even more her poste |
? |
rior legs. |
A couple of minutes later, Jenna howls when she feels as a great semen torrent invades her vagina. Kirby and |
Ralph growl with more force pushing his penises even more deeply to increase the quan?ty of semen in uterus |
of Jenna. |
The two males feel like their semen wrap up his penises that are stuck inside his friend’s mother. She pants re |
? |
covering herself of a great orgasm, as she had never before felt something equal in her life. |
Kirby kisses Jenna while Ralph rubs his snout on the neck of Jenna that enjoys that moment. |
Kirby with di?culty turns the back on Jenna and Ralph; he has to lean back while he feels as his penis is s?ll in |
? |
side Jenna’s vagina. Kirby tries to get some rest, in his mind he has the think that they have just made pregnant |
their best friend’s mother. |
The same thoughts are in Ralph’s mind while he enjoys the warmth of Jenna’s body that has her closed eyes |
enjoying his two friend’s penises. |
A?er close 20 minutes the three dogs growl in the moment that Kirby begins to pull out his penis, in spite that |
his knot had decreased in size, it was di?cult for him to withdraw his penis of Jenna’s vagina. |
A?er a couple of a?empts more, Kirby’s penis ?nally leaves Jenna’s vagina. Ralph feels like a ?ow of semen slides |
by the axle of his penis that slowly abandons the vagina of Jenna that feels a great vacuum when both males are |
not in her. |
Jenna gets up with a certain amount of di?culty and observes like Ralph is sit, she sees as the two males’ penises |
s?ll are erect. |
“Boys give me more” Jenna says while she turns over and move her ass invi?ng to the two males that look be |
? |
tween themselves very happy feeling like the aroma of Jenna ?ll their senses and only the word ma?ng exists in |
their brains. |
Ralph rapidly mounts Jenna. She feels the weight of the dog on her back; Kirby posi?ons himself in pro?le in |
front of Jenna that without hesita?on introduces her head below Kirby’s body. |
He gives a so? howl feeling Jenna’s tongue on his penis. |
She licks Kirby’s hard erec?on while she feels as Ralph slowly moves his hips looking for an entrance of her body. |
“Will you use that entrance?” Jenna asks laughing smoothly when she feels as Ralph’s penis ?p touches the en |
? |
trance of her anus. |
Ralph does not respond while he begins to push his penis against Jenna’s anus. She moans of pain feeling as the |
?p of Ralph’s penis |
tries |
to enter in her anus, she relaxes the entrance of her anus to clear Ralph’s penis. |
Ralph also gets surprised. |
“Both of us at the same ?me?” Ralph asks looking at Jenna. |
She smiles smoothly and nods. |
“Do not tell me that you have never listened of double penetra?on” Jenna says looking at Ralph and next to |
Kirby. |
“Well, no in the same place” Kirby says looking at Jenna that smiles seeing his son’s friend. |
“I want to be equitable with the two, but if you do not want it” Jenna says looking at Kirby. |
He rapidly posi?ons himself behind Jenna and mounts her. Jenna smiles pleased and opens her legs much more |
for Kirby that looks for the entrance of Jenna’s vagina. |
Ralph feels that his ?p’s penis touches in repeated occasions the penis of his friend. |
Kirby ?nally feels like his penis’s ?p touches the entrance of Jenna’s vagina. Kirby pushes slowly with di?culty |
feeling like the penis of his friend obstruct his way. |
Kirby holds with more force the hips of Jenna that tries to extend her posterior legs as much is possible for Kirby |
that con?nues pushing his penis with determina?on not to allow that his friend would be ?rst in pu?ng his pup |
? |
pies inside Jenna. |
Kirby con?nues trying to enter in Jenna un?l ?nally he feels like the ?p of his penis enters in Jenna’s vagina. |
She opens her eyes with surprise. Kirby breathes with relief knowing that now everything would be easier. |
Ralph feels like his friend’s penis grates on his own penis. Jenna breathes agitatedly feeling like the penis of the |
friend of his son enters in her vagina slowly. |
Kirby growls feeling like the vaginal walls of Jenna squeeze his penis strongly. |
That velvety cavity only is designed for a single penis, but now two penises stretch its ?exibility to the peak. |
When Kirby’s penis ?nally is in Jenna, she sighs with relief. |
She feels that her vagina’s walls are very stretched like never before in her life. She feels like her cave of love is |
completely full by Ralph’s and Kirby’s masculine meat. |
“Come on boys” Jenna says while she moves her hips for the dogs that begin to push and to withdraw his pe |
? |
nises of Jenna’s vagina. |
She moans of pleasure feeling like both penises move inside her. |
“This is amazing!” Kirby moans feeling like his penis and his friend’s penis rub on while they get in and get out of |
the vagina of Jenna that moans of pleasure feeling completely full. |
Ralph pushes feeling like his body and the Jenna’s body rubs to each push, he enjoys the ma?ng with his friend’s |
mother. |
Ralph and Kirby knew that they are ge?ng pregnant their friend’s mother, but they did not care not a bit; both |
just want to enjoy that moment of pleasure. |
Jenna moans lawlessly feeling like the pleasure dominate her body, her ma?ng season makes that the pleasure |
in her body becomes more intense. The female dog enjoys Ralph’s and Kirby’s penises. |
-10- |
-10- |
-11- |
-11- |
Ralph stops suddenly and shoots his semen inside of Jenna’s anus that closes his eyes feeling like the s?cky and |
hot semen of Ralph full her entrails. |
Jenna con?nues her job some seconds before savor the semen of Kirby, he growls of pleasure while he frees his |
semen in the mouth of the mother of his friend. Jenna enjoys the piquancy of Kirby’s semen. |
She con?nues sucking Kirby’s penis, the creamy substance slides through the throat of Jenna that feels as that |
delicious substance accumulates in her stomach. |
The female dog ?nally lets o? the penis of Kirby that abandons Jenna’s mouth and hangs below the dog’s belly. |
Kirby turns over to see like Jenna relicks her snout slowly enjoying the semen. |
Jenna looks at Kirby, he smiles at her smoothly at the moment of kissing her at the same ?me as Ralph nape the |
neck of Jenna of slow and a?ec?onate way. Kirby and break o? the kiss at the same ?me as Ralph crosses his le? |
leg on Jenna for to be tail with tail with the female dog. |
“I believe that only we can wait you” Kirby says looking at Jenna and Ralph that smile smoothly. |
Kirby leans back and smiles. He sees as his friend is joined with Jenna. |
Kirby knew that he and his friend are very fortunate in ma?ng with one of the most beau?ful female dogs of |
Nome, but he also knows the consequences of what they are doing. |
Before one hour for sunset, Jenna and the two dogs rest in the cave a?er three hours, they had tried each sexual |
posi?on that they had in the mind. |
“Let’s get some rest, next we will go to my home to con?nue” Jenna says looking at the two dogs that look at |
her and nod. |
Jenna feels as the semen of both dogs get out of her anus and vagina; both tunnels are ?ooded by the semen of |
her son’s two friends. Jenna feels very happy feeling the semen of the dogs inside her. |
Jenna thinks about the whole fun and happiness that those two young dogs gives to her, they took o? her of her |
depressive status a?er her rupture with Balto, in spite of |
the fact that their games were something rude they |
had never hurt her really. |
She also smiles at thinking how hard was for her admi?ng that she felt something for Ralph and Kirby. They are |
their son’s friends and they are two years more young than she is. |
Close to 30 minutes later, the group is on the road toward Nome. Ralph and Kirby escort Jenna with the inten?on |
of a?acking any dog or wolf that tries taking their female. |
Few minutes a?er sunset, the group gets to Nome, Ralph and Kirby with Jenna walk toward Jenna’s home. In the |
whole trajectory they do not forget to face the sides. |
Nome’s streets are deserted while a snowfall that covers Jenna’s bodies and his two lovers. |
When the three dogs get to Jenna’s home, she smiles thinking that her masters will not be in home a?er several |
hours. The three dogs get in the house and go toward Jenna’s room where they enter. |
She closes the door and turns on to see the males, she smiles seeing that the penises of both hang below their |
bellies. |
A couple of hours a?er, Ralph and Kirby rest back on the ?oor while Jenna licks and clean the penises of both |
dogs that pant and have glances of complete sa?sfac?on on their faces. |
When Jenna ?nishes cleaning the penises of both dogs, she posi?ons herself among Ralph and Kirby |
. |
The not much lubrica?on does painful the penetra?on for Jenna that gives forth a growl of pain when feeling as |
the ?p of Ralph’s penis enters in his anus. Ralph stops and holds Jenna’s hips with his le? paw while he closes his |
other paw around his penis beginning to masturbate himself. |
Ralph feels like li?le shots of his natural lubricant come out of his penis to deposit them into the inside of Jenna’s |
anus that again resumes his licks on Kirby’s red axle. |
Ralph stops some minutes later, he holds Jenna’s hips with his two forepaws in the moment that he begins to |
push his penis of slow way. Jenna sighs of relief feeling that Ralph’s penis enters in her anus trouble?free neither |
bothers more than she expects. |
Ralph’s penis is thicker than the penis of Balto, but Ralph’s precum |
helps a lot. |
Ralph’s knot ?nally touches the entrance of Jenna’s anus that moans feeling as her rectum is full with Ralph’s |
penis that begins to copulate with Jenna. She moans of pleasure feeling like the penis of Ralph in and out of her |
anus rapidly. |
Jenna opens her mouth and penis Kirby’s penis enters in its inside, she begins to suck the penis of the young dog |
that moans of pleasure feeling that Jenna’s tongue runs on its penis. |
“Oh Mrs. Jenna!” Ralph moans feeling as the anal walls of Jenna close strongly around his penis. |
“Just call me Jenna” Jenna says when she withdraws Kirby’s penis of her mouth and licks it slowly while she |
moans. |
“Show me your ass” Jenna says looking at Kirby that moves, |
He turns back while he li?s his tail for Jenna. She places her snout on the base of Kirby’s tail that moans of plea |
? |
sure feeling that Jenna begins to lick his anus slowly. |
“You are fantas?c!” Kirby moans feeling like Jenna licks his anus of slow way to give a great pleasure to Kirby. |
She moves her tongue in circles while she licks that brown wrinkle. |
Jenna con?nues her job while she moans feeling as the penis of Ralph gets in and gets out of her anus rapidly. |
She feels like the penis of Ralph moves rapidly while she feels as the fur of Ralph’s belly rubs her back. |
Ralph observes like his friend has his tail raised for Jenna that licks his anus. Ralph sees as the tongue of Jenna |
moves by his friend’s anus that is soaked in saliva. |
Jenna begins to take down her snout licking the region between the anus and Kirby’s tes?cles. |
Kirby feels as Jenna gets to his tes?cles, she licks those hairy and white orbs before pu?ng them into her mouth |
and sucking them. |
The female dog withdraws Kirby’s right tes?cle, she licks the knot of Kirby’s penis that hangs below the belly of |
the friend of her son that moans of pleasure feeling Jenna’s licks on his knot. |
Jenna licks the extension of Kirby’s penis that closes his eyes. At that moment a yelp of pain is listened in the |
cave when Ralph’s knot enters in Jenna’s anus. She moans of |
pain feeling as her posterior entrance is stretched |
to permit the pass of the great knot of Ralph; he increments the velocity of his pushes. |
Jenna uses her paw to take Kirby’s penis and direct it toward her mouth; she puts her lover’s penis into her |
mouth and sucks it. She desires that both males ?ll her with their cum at the same ?me. |
Kirby and Ralph moan noisily while |
both come closer to the |
climax. Jenna feels like the heavy tes?cles of Ralph |
slap the entrance of her vagina rapidly while she sucks Kirby’s penis. |
-12- |
-12- |
-13- |
-13- |
“Jenna I am sorry, you had reason about Duke, I focus me a great deal in ?ying with him; I suppose that I felt very |
worried for him, I felt that something could happen to him to ?y, I thought that I must be with him to protect |
him” Balto says. |
“All this ?me I tried taking o? you |
of my mind, but |
I realized that you are my mate, I should also take care of you |
and making you feel ladylove |
” Balto says looking at Jenna that rinses a tear feeling a great pain in her heart. |
“Jenna, I love you, Can you forgive me?” Balto asks looking at Jenna. |
“I…” Jenna says looking at Balto that smiles expec?ng Jenna’s answer. |
“I forgive you, but right now it is too late” Jenna says looking at Balto that opens his eyes with surprise Jenna. |
“What are you talking about?” Balto asks looking at Jenna that takes o? the blanket. |
Balto open his eyes with surprise and feel as his heart is broke seeing the swollen belly of Jenna. She looks at him |
a?en?vely while she sees as the face of Balto demonstrates surprise and pain. |
“Who is his father?” Balto asks looking at Jenna that down her look unknowingly how telling the truth to Balto |
that looks at her expec?ng an answer. |
At that moment both dogs hear steps on the living room. Balto listens as steps come closer to Jenna’s room. She |
looks toward the entrance of the room just like Balto that knows that soon he would see the dog that had made |
pregnant his mate. |
Ralph and Kirby enter by the door of Jenna’s room. They have two bunches of ?owers in their snouts; they open |
their eyes with surprise seeing to Balto that also looks at them surprised. |
“What does this mean?” Balto asks looking at Jenna that looks at Balto. |
“Ralph and Kirby are my cubs’ parents and my mates” |
Jenna answers looking at Balto that do not give credit to |
what he listens. |
Meanwhile Ralph and Kirby walk passing near of Balto, they sit at the sides of Jenna that looks at Balto. |
He looks at her with a lot of surprise and incredulity. Balto looks to the young dogs that swallow saliva. |
“Jenna, I am your mate” Balto says looking at Jenna that denies it with the head for surprise of Balto. |
“You and I broke our rela?on three months ago” Jenna says looking at Balto that looks at her with surprise. |
“But…but” Balto says looking at Jenna that looks to him with distaste on her face. |
“You had two months to apologize; you know very well the days when I am in heat, if you would have apologized, |
these cubs would be yours” Jenna says looking at Balto that looks at her. |
“I saved your job and this is how you pay me” Balto says with rage in his voice while he sees Ralph and Kirby. |
“I am sorry; Balto but if you do not take the |
opportunity, we do it” |
Ralph says looking at Balto that looks at him |
with rage in the eyes. |
“She is funny, amusing and beau?ful, you were very fool when you abandoned her” Kirby says looking at Balto |
that gets more furious. |
Balto feels like his ins?nct of wolf ?lls his mind, he has to ?ght to refrains them and not jump over the dogs that |
are close to Jenna. |
She looks with apprehension to Balto; she clearly can see Balto’s interior ?ght. |
“Boys, it is prac?cally a fact that I am pregnant” Jenna says looking at the two males that look between them |
? |
selves and smile thinking that they had done their job of making pregnant a female dog in heat. |
“I cannot have cubs that are not of my mate” Jenna says looking at Kirby ?rst and next looks to Ralph. |
They exchange looks and erase the smiles of their faces hearing Jenna that no?ces that both are sad. |
“ |
Who do you choose? If you elect Ralph, I will not get angry |
” Kirby says trying to maintain a ?rm voice. |
“I say the same thing about Kirby” Ralph says looking at Jenna that looks at them with surprise. |
“Why do you say that?” Jenna asks looking at the two dogs. |
“No ma?er whom you elect, one of both we will lose our cubs’ fatherhood” Kirby says looking at Jenna that looks |
at them with a so? smile. |
She licks the two dogs on their cheeks. |
“I want you two as my mates, both are my future cubs’ parents and both deserve my love” Jenna says looking at |
Ralph and Kirby that get surprised hearing Jenna’s words. |
Ralph and Kirby look between themselves and smile. The three dogs |
become a?ached and fall asleep completely |
happy thinking about the new life that expect them. |
A month later, Jenna is leant on the same basket where Kodi and his brothers born two years ago. A blanket cov |
? |
ers Jenna that smiles while she caresses her swollen stomach. |
She smiles while she feels as her new cubs grow inside her. |
Jenna thinks about Ralph and Kirby; they must arrive of their journey with the team of mail on that day. Both had |
to start to prepare Kodi for the news about his new brothers’ parents. |
Jenna knows that the bigger danger is Kodi, he would never hurt her, but her rela?on with her son can be dam |
? |
age for this news. |
She thinks about this when she listen that somebody enters in the house by the dog’s door. |
She feels content while she hears the sound of paws on the woods of the ?oor that creaks. Jenna aims her look |
at her room’s door wai?ng for her mates. |
Jenna gets surprised seeing to Balto that is on the entrance, he has a bunch of wild ?owers in his snout. |
“Balto” Jenna says completely surprised of seeing to her ?rst mate. |
She had not seen him in almost three months since the day which they had ?nished their rela?on. |
Balto gets close to Jenna and deposits the bunch from ?owers on the feet of Jenna. |
“Hello Jenna” Balto says in the mean?me he looks at Jenna that con?nue looking at him with surprise and in |
? |
credulity. |
“What brings to you here?” Jenna asks looking at Balto. |
“Jenn I have come to apologize with you” Balto says looking at Jenna that looks at him a?en?vely. |
“Balto” Jenna says unknowingly what say to Balto. |
Balto covers Jenna’s mouth smoothly while he smiles, of that way he asks her that she lets him talk. |
-14- |
-14- |
-15- |
-15- |
Balto can see that this is a great emo?onal shock for his son that has his look on the snow. |
“Did they never tell you anything?” Balto asks smoothly looking at his son. |
“No directly, in our last journey both kept on repea?ng me that both would be parents, I and Dusty thought that |
it was a joke, so we congratulated them” Kodi responds while he remembers the memories of a couple of hours |
ago. |
“I need see it with my own eyes” Kodi says while he gets up and heads toward Jenna’s house. |
Balto tries to stop him, but does not achieve it. |
Balto sighs with sadness while he sees that his son goes away. Balto gets up and walks towards his home with |
sadness. |
In Jenna’s home, she receives Ralph’s and Kirby’s |
caresses, they nuzzle a?ec?onately |
her. |
They have a nice ?me un?l they listen to that a dog enters at the house of a deafening way. Ralph and Kirby think |
that is Balto that has returned to square accounts with them. |
Both dogs get alert. |
The three dogs’ eyes open completely seeing that Kodi appears in the entrance of the room. |
“Kodi!” Jenna says looking at her son that looks at her and next put his look on his two friends that look at him |
with surprise. |
“You two, out of here” Kodi orders with the same voice which he gives orders when he drives the team. |
“Now¡” Kody says looking to Ralph and Kirby. |
They walk towards to the entrance of the room while they have their tails between their legs at the moment of |
ge?ng across the side of Kodi that looks at them with rage in the eyes. |
When the two dogs ?nally leave the room, Kodi directs his look toward Jenna that looks at him in silence with |
some fear in her look. |
She and your two companions knew that they should have prepared Kodi for the news; they had decided to do |
this in a gradual way giving innuendos to Kodi about what really en?ty happened. |
But now the whole plan had gone down because they had not planned Balto’s appearing. |
“Why?” Kodi asks looking at his mother that looks at him in silence. |
“Why didn’t you tell me about this?” Kodi asks looking at Jenna that looks at her and down her look. |
“They are your friends, Kodi” Jenna says while she raises the look to see Kodi that looks at her a?en?vely. |
“They are, but I requested you be honest about another mate” Kodi says looking at Jenna that looks at him with |
sad on her face. |
“I know it, but I did not know what you would think Kodi, a thing was being friend, but another one is that they |
would become your stepfathers” Jenna says looking at his son that looks at her a?en?vely. |
“They never will be it” Kodi says looking at his mother that looks at him a?en?vely. |
“Those cubs that you wait for, I will take care of them and I will protect because they are my younger brothers, |
but I never will love them” Kodi says looking at Jenna that looks at him completely surprised. |
Jenna sighs with relief seeing that Balto manages to control himself. |
“All right, but I warn you, if you do not her happy…” Balto says with hate in the mean?me he sees to Ralph and |
Kirby that swallow with di?culty listening the words of Balto that takes his bunch of ?owers and heads toward |
the entrance of the room. |
Jenna cleans some tears of her eyes when Balto gets out of the room. |
Balto gets out of Jenna’s house with the broken heart; he walks on Nome’s streets. |
He stops close to garbage. Balto posi?ons himself in two paws and put the bunch of ?owers on garbage. |
In that moment he listens that somebody calls him. Balto sees that his son Kodi comes closer rapidly and he |
stops in front of him. |
“Hello dad” Kodi says looking at his father that again puts his forepaws on the ground. |
“Are ?owers for mom?” Kodi asks seeing the bunch of ?owers that is in garbage. |
“Yes, they were for your mother” Balto responds looking at his son that looks at him with surprise. |
“Did not you achieve did the peace with her?” Kodi asks looking at his father that looks |
at him completely sur |
? |
prised. |
“Did you know it?” Balto asks looking at his son that looks at him. |
“What do you mean?” Kodi asks very confused by Balto’s ques?on. |
“ |
Come on Kodi, do not act like if you do not know what about I am referring” Balto says upset by his son’s. |
“ |
I am not feigning, do you want to tell me what happens?” |
Kodi asks looking at his father upset. |
“Don’t you know that your mother is pregnant?” Balto asks looking at Kodi that open his eyes with surprise hear |
? |
ing his father. |
“Who is the father?” Kodi asks with incredulity. |
Balto’s irrita?on disappears seeing that his son does not really know what happens with Jenna, neither her two |
new mates. |
“Who is his father?” Kodi asks looking at his father. |
Balto’ |
s silence causes fear in Kodi that thinks that his mother’s new mate perhaps is Steele, the enemy of his |
father. |
“The father is your two be?er friends” Balto responds looking to Kodi. |
He looks at him with confusion, but he opens his eyes with surprise understanding the words of his father. |
Balto sees his son’s expression of surprise. |
“Didn’t you know about your mother’s rela?on with them?” Balto asks looking at his son that denies it. |
“They and mom are friends, well they used to go for a ride and having fun, even I did accompany them some |
? |
?mes; I did not seem me anything bad because I never saw that they were in?mate, simply they seemed like |
friends” Kodi says looking at his father that looks at him. |
“Mom |
was very sad a?er the rupture, for that reason I did not resist their friendship because I thought that she |
should have had fun” Kodi says looking at his father that looks at him a?en?vely. |
-16- |
-16- |
-17- |
-17- |
“Everything is all right, nothing of what get worried, the veterinary says that I will recover completely in a week” |
Dusty says while she looks at Jenna. |
Close to an hour later, Balto walks on Nome’s streets while he sighs sadly, he has pain in his heart since he |
learned about Jenna and his son’s two friends. |
Balto cannot believe the idea that Jenna is pregnant of Ralph’s and Kirby’s cubs, but in his mind he also has the |
idea that everything is his fault. |
Balto walks on the street when he sees that Dusty walks in the opposite direc?on toward him. |
“What are you doing here? The mail team already gone” Balto says looking at Dusty that looks at him a?en?vely. |
“I know it, but my paw is hurt and I cannot go with them for a couple of days” Dusty says while she raises her |
right paw for Balto. |
“I understand that is painful” Balto says looking at Dusty that nods. |
“The good thing is that I have a sabba?cal ?me, but I get bored” Dusty says looking at Balto that looks at her. |
“There are places to visit close to Nome” Balto say looking at Dusty that looks enthusias?c hearing Balto. |
“Can you show them to me?” Dusty asks looking at Balto. |
“Why not? I have nothing to do” Balto says looking at Dusty with a smile. |
Balto and Dusty walk on Nome’s streets toward the forest near the town; they enter at the forest and walk be |
? |
tween the trees. Dusty goes in front of Balto while she observes everything with a lot of interest. |
“She is beau?ful, Kodi is very lucky” Balto thinks in the mean?me he looks at Dusty. |
He no?ces as the light enhances Dusty’s beauty. |
For Balto’s eyes, Dusty is a beau?ful female dog; in a way he looks like Jenna; in spite of the di?erences between |
them, Balto thought that there was something on her that reminds him Jenna. |
“Follow me” Balto says looking at Dusty; she follows Balto to the entrance of a cave. |
Dusty suddenly feels a heat stroke on his face that surprises her, the winter is on Alaska, to her the fact that a hot |
place exists in Alaska is something that seems impossible to her. |
“What is this?” Dusty asks looking at Balto. |
“It is a cave that I found long ?me ago, the heat that comes of the ground, warms up the environment more than |
the boiler room” Balto says looking at Dusty. |
“What good thing has a so hot cave?” Dusty asks looking at Balto that smiles hearing the female dog. |
“What good thing?” Balto asks while he enters in the cave. |
Dusty observes as Balto disappears inside of the cave, the female dog gets surprised seeing that Balto gets out |
of the cave with a great quan?ty of ?owers in his mouth. |
“They are beau?ful” |
Dusty says while she sees as Balto deposits the ?owers to her feet. |
Dusty looks at the di?erent ?owers with great detail, she looks at them while Balto observes her with a so? |
smile. Balto take a yellow ?ower and pulling out the stem he places the ?ower over the right ear of Dusty that |
gets surprised. |
“Kodi, they certainly will love you” Jenna says looking at Kodi. |
He looks at him with a cold look, but not of fury or hatred. |
“ |
Consider yourself luckily that I allow living to that two |
” Kodi says while he turns over |
and gets out of the room |
leaving alone and surprised to Jenna. |
Kodi gets out of the room and crosses the living room toward the kitchen; he uses the door of the dog to go out |
to the exterior. |
There he ?nds his two friends; they are accompanied by Dusty. |
“Kodi” Ralph says looking at Kodi. |
“Shut up¡” Kodi says looking to Ralph and Kirby that close their mouths rapidly while Dusty looks with surprise |
and fear Kodi’s expression of hatred. |
“If you are playing with her or you make her unhappy, I will not hesitate to kill you” Kodi before begin to walk on |
the street while Dusty looks at him with fear. |
She looks at her two friends; the female dog sees clearly the terror in Ralph’s and Kirby’s faces. Dusty had never |
before seen her two so friends terri?ed in all her life. |
Jenna feels anxious while minutes pass; she ?nally hears steps on living room’s ?oor. |
Jenna looks at the entrance of the room, she sighs with relief seeing that Ralph and Kirby enter at the room, they |
get close to her. |
“What did Kodi tell you?” Jenna asks looking at the two dogs that look at each other. |
“The same thing that Balto” Ralph says looking at Jenna. |
“But with a most direct warning” Kirby says while he swallows with di?culty just like his friend. |
They try to feign calm in front of Jenna that perceives both dogs’ fear. |
Two days later, Dusty is in Jenna’s room. |
Both are cha?ng as usually they do. |
“How is the team?” Jenna asks looking at Dusty that sighs a moment before responding. |
“Everything is very tense” Dusty says with uneasiness. |
“Since the news, Kodi comes is very rough with Ralph and Kirby, they accept it, but also they are rough with Kodi, |
they have always the frowns a?er an interchange of words that is like the dish of each day” Dusty says while she |
looks at Jenna that looks at her with sadness. |
“I do not know what will happen with the team, if everything con?nues in this that way; they all put their maxi |
? |
mum e?ort to work for the moment, but this environment of hos?lity can destroy the teamwork” Dusty says |
looking at Jenna. |
“I’m sorry, I did not want to cause so many problems, and I should have considered be?er everything before |
having cubs with Ralph and Kirby” Jenna says looking at Dusty. |
“Do not apologize; it is very di?cult controlling what one feels” Dusty says looking at Jenna that nods lightly. |
“How is your paw?” Jenna asks looking at Dusty. |
-18- |
-18- |
-19- |
-19- |
kiss is break. |
Dusty and Balto look at themselves carefully. Dusty smiles smoothly while she sees to Balto. |
He looks at her and smile before nuzzling the cheek of Dusty that feels as Balto rubs his snout on her cheek. Balto |
slowly begins to take down his snout by Dusty’s neck. |
“Do you want to do me the easy things?” Balto asks smiling at Dusty, he smiles to Balto. |
Balto observes like the young female dog slowly leans backwards on the ?oor |
She slowly spread her posterior legs for Balto that looks the pink opening of Dusty surrounded by fur. |
Balto downs his head and begins to lick the internal face of Dusty’s legs that sees like the father of her boyfriend |
gets to her crotch. |
Balto licks the borders of Dusty’s vagina. She closes her eyes while Kodi’s father begins to nuzzle the li?le pink |
bu?on of the female dog that moans of pleasure. |
Nome’s hero begins to lick the vagina of Dusty that moans of pleasure feeling as the tongue of Balto moves by |
her pink opening. Balto savors Dusty’s juices; they have a di?erent taste to the juices of Jenna. |
Balto licks Dusty’s vagina while he feels like the ?p of his |
penis abandons his sheath. |
Balto feels as his penis grows slowly at the same ?me that it gets hardens while he enjoys the opening of Dusty’s |
vagina. She moans while she observes the ar??cial aurora |
borealis. |
The wolf/dog ?nally feels like his knot abandons his |
sheath |
, his penis hangs below his belly while some precum’s |
drops fall on the dust accumulated into that place. |
“Ohh Balto!” Dusty moans feeling as the tongue of Balto penetrate into her vagina; the female dog feels like the |
tongue of Balto recognize each crack of her vagina that closes strongly around the tongue of Balto. |
Balto moves his tongue in circles while he enjoys the wailings of pleasure of Dusty; this is the ?rst occasion that |
Balto has sex with another female dog that is not Jenna. |
Some moments later Dusty’s body gets agitate when she growls in the moment that |
she feels an orgasm. Balto |
rapidly drinks the juices of Dusty’s orgasm that rolls with pleasure on the ground. |
The intense pleasure begins to abandon Dusty’s body; she retakes the control of her senses a?er some moments. |
She pants intensely while he whines smoothly feeling like the tongue of Balto moves ?me a?er ?me on her pink |
opening that is swollen and shine because of her juices and Balto’s saliva that enjoys the last trails of Dusty’s |
juices. |
Dusty gets up with a certain amount of di?culty; she looks at Balto that sees her. |
Dusty rapidly aims his look to Balto’s crotch. |
“It is very big, approximately of the size of Kodi’s penis” Dusty says while she observes Balto’s penis hangs below |
the wolf/dog’s belly. He smiles content and proud by Dusty’s words. |
“So you already had sex with Kodi, I suppose that you are not virgin any longer” Balto says looking at the female |
dog that nods. |
“My son is Lucky” Balto says looking at Dusty that smile by Balto’s words. |
Dusty moves and sits on Balto’s right side, at the height of the belly of Nome’s hero that sees like the young fe |
? |
“In that way the ?ower looks more beau?ful” Balto says looking at Dusty that gets surprised and she blushes by |
Balto’s comment. |
“Now you know from where my son will bring you ?owers halfway through the winter” Balto says looking at |
Dusty that smile smoothly just like Balto. |
“Let’s con?nue with the walk, there are a lot of interes?ng places to see” Balto says looking at Dusty that nods. |
A week later in the evening, Balto and Dusty return of their last long walk by Nome’s surroundings, they laugh |
animatedly while they walk on the dark town streets. |
“The cavern is the most beau?ful place that I have seen in this walks” Dusty says looking at Balto that he laughs |
smoothly hearing Dusty. |
“Do you reality think that?” Balto asks looking at Dusty that looks at him a?en?vely. |
“Is there another more beau?ful place?” Dusty asks looking at Balto that smile smoothly. |
“Let’s con?nue” |
Balto says to the girlfriend of his son. |
Dusty begins to follow the hero of Nome that guides Dusty to the hospital. |
Balto and Dusty stop on the hospital’s backdoor. Balto uses his paw to take o? the tumbler of the door and he |
opens the door. The wooden door creaks smoothly when opens in front of Balto and Dusty. |
Balto enter in the room where a great boiler is on to warm up the pa?ents of the hospital. Balto walks toward |
the same hole by where he and Jenna entered below the hospital for the ?rst ?me. |
Balto and Dusty get inside below the hospital; they walk underneath the wooden ?oor. |
“This place is great” Dusty says while she walks observing everything while she takes away the cobwebs of her |
way while she enjoys undoing the cobwebs with her tail while she laughs smoothly. |
Balto smiles seeing like Dusty enjoys the place. |
He clearly remembers like Jenna was very nervous in her ?rst ?me below the hospital, but Dusty enjoys the situ |
? |
a?on unlike Jenna that had been afraid in the ?rst opportunity. |
“Well, we are here” Balto says stopping close to the amount of broken bo?les that are close to a la?ce that is in |
the ?oor by where the light of the room enters. |
Dusty sits down to expect the surprise of Balto that smiles the moment that he pushes the bo?les broken toward |
light, when bo?les enter in touch with light, rapidly the lights of many colors ?ll the place. |
Dusty has the mouth opened by the amazement while she observes like a beau?ful aurora borealis is in front of |
her. Balto sits next to Dusty while he smiles observing like the female dog observe the spectacle of lights. |
“How you know do this?” Dusty asks looking at Balto that smile smoothly. |
“My father taught it to me” Balto responds while he looks at Dusty con?nues observing the many?colored lights. |
Dusty observes lights in silence some moments, she move her head and places her look in Balto that looks at her |
in silence. Both look at each other in silence while lights con?nue illumina?ng the place. |
Dusty brings closer her snout to the snout of Balto that does the same thing while both |
look at themselves, they |
get connected in a smoothly kiss that next turns into one passionate kiss. |
Balto feels as the tongue of Dusty makes contact with his tongue, both tongues ?ght some moments un?l the |
-20- |
-20- |
-21- |
-21- |
male dog moves on his penis, she perceives the taste of the precum that falls of the ?p of Balto’s penis. |
Balto moans with more force feeling that his penis’s ?p enters in Dusty’s throat and keep going down. |
Dusty’s nose touches the knot of Balto that feels Dusty’s hot respira?on on his ball of ?esh in his penis’s base, he |
feels as the muscles of Dusty’s throat move on his penis. |
“You are marvellous!” Balto moans while he begins to push his hips against Dusty’s face that feels as the penis |
of Balto in and out of her throat. |
Balto moans and pant while he copulates with Dusty’s face that remains unru?ed while she allows that Balto |
enjoys her mouth. |
A couple of minutes a?er, Balto increases the rhythm of his pushes while he pants and moans of pleasure, he |
moves his hips rapidly while his knot hits the nose of Dusty that feels as if he wanted to sneeze. |
Balto pushes his knot against Dusty’s mouth that a groan of pain feeling as her mouth opens extensively, she |
feels as her jaws are close to separate in the mean?me she sheds tears. |
Tears slip by Dusty’s face, she feels as the knot of Balto enter in her mouth. |
Balto stops and growling releases his cum, Dusty feels as the creamy substance descends by her throat to her |
stomach. Balto’s cum slips by the female dog’s throat that gets surprised feeling the con?nuous semen ?owing |
in surprising quan??es. |
She feels like her stomachs ?lls up by the wolf’s reproduc?ve material. He smiles while he con?nues releasing his |
cum un?l this stops a couple of minutes a?er. |
Balto sees below him, the wolf/dog smiles seeing as the mouth of Dusty is open completely and his penis is |
within the female dog. Balto feels as the canines of Dusty grate on his knot. |
Nome’s hero observes the ar??cial aurora borealis while he waits for the adequate moment to withdraw his pe |
? |
nis of Dusty’s mouth. She closes her eyes and concentrates on enjoying the taste of Balto’s penis and perceives |
the smell of the belly of the father of her boyfriend. |
Close to 20 minutes later, Balto withdraws his penis of Dusty’s mouth. She closes her mouth closes and moves |
her paw by her jaw feeling pain by the long ?me that her mouth was open. |
Balto looks at Dusty while he smiles, a couple of minutes later she gets up and feels as Balto’s penis even hangs |
below his belly, it is completely hard. |
Dusty places herself in posi?on, she raises the tail for Balto that immediately mounts the female dog that feels |
as Nome’s hero closes his paws around her waist at the same ?me that the ?p of Balto’s penis rubs the internal |
face of Dusty’s legs. |
The female dog gives a groan feeling that the ?p of |
Balto’s penis gets in her pink swollen opening. Balto pushes |
his penis while he closes his eyes and feels as the velvety walls of Dusty’s vagina wrap up his penis that enters in |
the female dog that moans of pleasure. |
Balto con?nuous pushing his penis un?l he feels as his knot touches the entrance of Dusty’s vagina. She feels as |
Balto holds her with more force the moment that he begins to pump his penis against her. |
Both lovers moan of pleasure while their bodies are illuminated by the ar??cial lights. |
“She is so so? and ?ght!” Balto moan while he feels like the vaginal walls of Dusty squeeze their penis of exqui |
? |
site way. |
male dog stretches her right paw to put it on his penis. |
Dusty begins to touch so?ly the penis of Balto that moans almost impercep?bly while he sees like the girlfriend |
of his son touch so?ly his penis of slow and a?ec?onate way. |
She closes her paw around Balto’s penis; she begins to masturbate him with a li?le more force. Dusty smiles see |
? |
ing as shots of precum ?y of the ?p of Balto’s penis and fall on the dusty ground. |
Dusty places his head below the belly of Balto. She sni?s the penis of the Balto that feels as the hot respira?on |
of Dusty’s on his penis. The female dog nuzzles Balto’s penis playfully. |
“It is not a toy” Balto says while he laughs smoothly and feels as his penis hits his belly every ?me that it bounces |
because of Dusty that laughs hearing Balto. |
“Everything depends of the point of view” Dusty says while she gives one slow lick to Balto’s penis. |
He moans of pleasure and trembles feeling as the rough tongue of Dusty moves by his penis’s ?p. |
Dusty savors Balto’s precum enjoying its taste. |
She opens her mouth and puts Balto’s penis in it; she begins to suck the penis of Balto that moans of pleasure. |
“She is very good” Balto thinks while Dusty sucks his penis slowly enjoying the taste of the reproduc?ve tool of |
the father of her boyfriend. |
Balto opens his eyes with surprise feeling as the ?p of his penis enters in Dusty’s throat; he had never before |
felt something equal. The muscles of the throat of the female dog run on a part of his penis while Dusty’s nose |
touches Balto’s knot. |
Dusty massages the grayish and furry orbs of Balto that moans of pleasure while the female dog con?nues her |
job of pleasuring Nome’s hero. A couple of minutes later Dusty slowly withdraws Balto’s penis of her mouth. |
She smiles seeing as the penis of Balto is soaked with her saliva, Dusty begins to lick the extension of Balto’s |
penis enjoying its taste and hardness. |
“What a wonderful tongue!” Balto moans feeling as the tongue of Dusty moves around by the length of his penis. |
Dusty gets to the knot and begins to lick it slowly in the mean?me she hears the wailings of Balto. |
“If this works in Kodi, it will certainly make in Balto” Dusty thinks the moment that he begins to lick the balls of |
Balto that feels like one of his tes?cles enters in Dusty’s mouth. |
Dusty sucks. Balto’s tes?cle while she enjoys the loudly aroma of Balto’s genital area |
Balto moans feeling as his tes?cle moves inside the mouth of Dusty that uses her tongue to play with the furry |
orb of the father of her boyfriend. Balto observes the ar??cial aurora borealis while he moans of pleasure. |
Dusty withdraws the tes?cle of her mouth; she puts the other one into her mouth to give it the same treatment |
in the mean?me she hears the moans of Balto. A couple of minutes later Dusty ?nishes her job and withdraws |
the tes?cle of her mouth. |
She smiles while she sees as drops of her saliva fall of the soaked tes?cles of Balto. |
Dusty opens her mouth and introduces Balto’s penis in it. |
“She is doing it very well!” Balto says moaning while he feels as Dusty sucks his penis slowly. |
Dusty plays with Balto’s balls while she sucks the penis of Nome’s hero that feels as the rough tongue of the fe |
? |
-22- |
-22- |
-23- |
-23- |
Balto pushers his tongue against Dusty’s anus that relaxes, she moans of pleasure and surprise feeling that Bal |
? |
to’s tongue enters in her anus. Balto moves his tongue perceiving cracks and textures of Dusty’s anus that moans |
while she feels as the tongue of Balto explores her bowels. |
A couple of minutes later Balto stops, he withdraws his tongue and it gives one ?nal lick to the anal opening of |
Dusty before mount the female dog. |
Balto moves his hips looking for the entrance of Dusty’s anus; he ?nds it some moments later. Balto begins to |
push his penis against Dusty’s anus that tries to relax as much as possible. |
Dusty’s teeth squeak when she feels like the ?p of Balto’s penis pierces her anus. Balto closes one of his paws |
around his penis and begin to s?mulate his penis while he feels as his precum comes out of his penis. |
The wolf/dog seeks to deposit bigger quan?ty of precum into the rectum of Dusty and lubricate it to do not the |
penetra?on so painful for the female dog and for him. |
Balto again holds the hips of Dusty that feels the penis of Nome’s hero begins to enter in her anal tunnel. |
Balto feels as Dusty’s walls close around his penis that con?nues entering in the anal tunnel of the female dog. |
She has a strange feeling the hard ?esh of Balto ?lls her bowels. It is a very strange feeling for her. |
Balto smiles at the moment of beginning his pushes, he moans of pleasure feeling as his penis in and out of |
Dusty’s anus. |
Balto feels content knowing that he is who takes the virginity of that so ?ght tunnel, he feels like the anal walls |
of Dusty open and close around his penis. |
“It is so big!” Dusty moans while she feels as Balto’s penis gets in and gets of her anus rapidly. |
Dusty feels as her sphincter move to each push of Balto. He moans of pleasure while her balls slap the pink en |
? |
trance of Dusty that feels as those heavy tes?cles s?mulate the entrance of her vagina. |
The female dog moans while she hears the sound that Balto’s balls produce every ?me that they hit the entrance |
of her vagina. |
Balto feels as the cracks of Dusty’s bowels grate on his penis to each push that he gives. |
Balto holds with more force Dusty’s hips at the moment that he begins to press his knot against the entrance of |
the anus of the female dog. |
Dusty downs a li?le her chest while she tries to relax, she gives a shout of pain when she feels that her tail hole |
gets stretched and Balto’s knot sinks in her entrails and her sphincter closes behind the base of Balto’s knot. |
Balto resumes his pushes while he growls at the moment that his pushes gain strength. |
Dusty moans and growls of pleasure feeling as the penis and Balto’s knot moves inside her. That is somewhat |
amazing for the female dog that enjoys the ma?ng just like Balto. |
Balto drool more and more feeling as the climax comes closer rapidly. Balto increases the velocity of his pushes |
un?l he stops suddenly and howls when he frees his cum inside Dusty’s anus. |
Dusty’s body shakes at the moment that she feels a new orgasm, Balto’s balls had s?mulated her rosy point in |
her vagina in addi?on she feels Balto’s s?cky semen. |
Dusty’ body falls on the dusty ground while she has a lost stare because of pleasure. |
Balto is in the same condi?on while his tongue hangs of mouth in the mean?me his cum con?nues ?owing by |
his penis toward the inside of Dusty’s anus. |
“Harder and rapid!” Dusty moans while she has her closed eyes. |
She feels as her body rocks to each Balto’s push. He growls while he copulates with his son’s girlfriend. |
Dusty feels as the shots of precum of Balto hit her vagina’s walls that are lubricated to allow that Balto’s penis |
gets in and gets out with a lot of facility. |
Balto enjoys the body of Dusty. She moans of pleasure while she thinks about Jenna. |
He never had thought about having sex with another female dog, he had loved her a lot, but now she is pregnant |
of the friends of her son. |
Balto growls strongly feeling as her vaginal opening begins to be stretch by Balto’s knot. |
“His knot is bigger than the one of Kody” Dusty thinks while she growls of pain when Balto pushes his knot inside |
her. |
Balto’s knot slips inside Dusty that feels as her vagina walls adapts to the thickness of Balto’s penis. |
Balto’s pushes become fast and strong while he drools on Dusty’s neck that does the same thing feeling ecsta?c |
by velocity and violence of Balto’s pushes that gives her a great pleasure. |
Balto feels as the pleasure becomes more intense, he stops and howls when he shoots his cum inside of Dusty’s |
vagina that adds her howl to Balto’s howl. |
She feels as the hot and s?cky cum of Balto spa?er the walls of her vagina. Dusty feels a loud orgasm that takes |
control of her body. |
When cum stops ?owing, Balto pants and crosses his right leg on Dusty for to be the tail with tail with the female |
dog that pants of sa?sfac?on while she feels as the penis of Balto beats inside her vagina. |
Balto moans of pleasure when Dusty tries to separate of him. She does not try separate of Balto, only wishes to |
increase the pleasure when her vagina’s walls rub the |
penis of Balto. |
Several minutes later, Balto feels that his knot has decreased in size, so he pulls out his penis of the inside of |
Dusty’s vagina. She growls of pain just like Balto. |
Both dogs pull in opposed direc?ons, they growl while they try separate, when they achieve it, a great quan?ty |
of semen oozes of the inside of Dusty’s vagina. She feels as cum threads hang of her pink dilated opening and |
they fall on the dust. |
Balto smiles while sees this. Dusty raises her tail for Balto. |
“My ass is virgin, take that” Dusty says while she sees Balto. |
“My son did not use that tunnel yet?” Balto asks while he gives some steps to posi?on himself behind Dusty. |
“He wanted it; but the team, our job does not allow it” Dusty says while she moves her ass for Balto that smiles |
and places his snout at the height of Dusty’s anus. |
She trembles feeling Balto’s hot respira?on on her anus. |
Nome’s hero sni?s the tail hole of the female dog that moans of pleasure feeling Balto’s tongue on her anus. |
“Dusty, your ass is delicious” Balto says while he begins to lick that hole. |
He moves his tongue in circles in the mean?me he hears as the female dog moans feeling as the father of his |
boyfriend licks her anal entrance. |
-24- |
-24- |
-25- |
-25- |
Kodi nods looking to his father. |
“Dusty will be in heat in a couple of days, dad; she wants your pups” Kody says while he looks at Balto cannot |
believe what he hears. |
“But Kodi, she is your girlfriend; Dusty should want your pups” Balto says with an agitated respira?on. |
Kodi laughs smoothly seeing Balto’s a?tude. |
“She also wants them” Kodi says while he looks at Balto that looks at him completely confused. |
“How do you believe that mom is pregnant with the Ralph’s and Kirby’s pups?” Kodi asks looking at Balto that |
look at him with the eyes completely opened. |
“Do you refer yourself to…?” Balto asks looking at Kodi that nods like answer. |
“That is very well for me, according to Dusty said me, you and she get along well and she wants to have a family |
with you and me” Kodi says looking at Balto is s?ll surprised by Kodi’s words. |
“Of course, if we can share her” Kodi says looking at Balto that looks at him. |
“What do you tell about it?” Kodi asks looking at Balto. |
“Dusty is beau?ful and somewhat reckless, di?erent to your mother in some respects, that is what I love of her” |
Balto says looking at Kodi that smiles smoothly. |
“So, that is a yes” Kodi says looking at Balto. |
“Well it is, but only if you really agree with this” Balto says looking to his son. |
“I am, Dusty and I cha?ed about this for a long ?me, but we did not know if you would agree with this” Kody says |
looking at his father that looks at him and smiles. |
“I suppose that if your friends can do it, we also can” Balto says looking at Kodi nods. |
Two days later, Jenna is sit close to the post o?ce, she observes the village outskirts. Jenna caresses her swollen |
belly while she expects the arrival of the team of mail. |
She smiles when seeing that the team of mail appears in distance. The team’s image becomes bigger when they |
close to Nome to each minute. Jenna feels content thinking that soon she would see her son in addi?on to her |
mates. |
When the team of mail comes closer, Jenna can see than something di?erent, the coordina?on of the team is |
bad. Jenna saw like Ralph and Kirby prac?cally pull the sleigh of rude way. |
The team of mail stops in front of Jenna, she sees as the ?ps of Ralph’s and Kirby’s penises are visible just like the |
?ps of the penises of his son and other males. |
The musher uses the reins to control the dogs that are much ?apped; the musher begins to liberate them. When |
they are free, Mister Simpson catch one of the bags of mail and he gets in the o?ce. |
Kirby rapidly mounts Dusty but Kodi takes him by the scru? of the neck and throws |
him into to some meters |
while Ralph tries to mount Dusty that growls at him while she gets free of Ralph’s grasp. |
Jenna opens her mouth with fear seeing that Kodi takes Ralph by his scru? of the neck and whips him against |
the ground. |
Kodi growls and shows his teeth to the rest of the males of the team. He pushes to Dusty that begins to walk |
A?er a couple of minutes, both lovers stand up with di?culty and place themselves in posi?on of tail with tail |
to be more comfortable. A half?hour later both gets separate and lean back to rest. |
Dusty gets a?ached to Balto’s body and falls asleep while Balto looks at her and smiling rest his head on his fore |
? |
paws and also he falls asleep completely exhausted and sa?s?ed. |
Balto sleep peacefully un?l he feels that Dusty’s body moves, he opens wide his eyes seeing Kodi that is standing |
next to Dusty. |
“Kodi, what brings to you here?” Dusty asks while she gets up and looks to Kodi. |
“Mister Simpson is looking for you to go to the veterinary; it have passed a week” Kodi says looking at Dusty that |
sees to him a moment before nod and walk toward the way |
out of the under ?oor, in the mean?me Balto and |
Kodi look to each other in silence. |
Balto down his look and avoid looking at Kodi that sees him some moments before follow Dusty. Balto stays in |
the same place alone; he puts his paws on his head and closes his eyes and reprimands himself mentally by what |
he had made. |
Balto leaves the place silently while trying to understand what he had made. |
Balto does not abandon his boat in the following days; he knows very well that Kodi probably hates him. |
This gets sad to Balto a lot, he exhales with sadness thinking that he had lost Jenna, and now also he has lost |
Kodi. |
Balto observes the ocean in silence while he tries to think that would be his life since from now on. The wolf/dog |
hears steps that get close to the boat’s bridge where he ?nds himself. |
Balto sees the door, Balto gets surprised seeing that Kodi enters in the bridge and stops in front of him. |
“I have not seen you in Nome lately” Kodi says while he looks at Balto that down his looks completely ashamed |
meanwhile Kodi looks at him without saying a word for some moments. |
“Precisely about this, I want to speak with you” Kodi says while he sits in front of Balto that also sits. |
“I was talking with Dusty; she told me everything that happened in the previous week” Kodi says while he looks |
at Balto that feels terrible hearing his son. |
“Do you know what she thinks about you?” Kodi asks looking at Balto that directs his look to Kodi. |
“She thinks that you are awesome” Kodi says smiling while he looks at Balto that is completely surprised by |
Kodi’s words. |
Kody laughs smoothly seeing to Balto that does not understand what happens. |
“Dusty admires you lot dad, since she did meet you” Kodi says looking at Balto. |
“Her hurt paw was just an excuse to stay in Nome” Kodi says looking at his father that raises an eyebrow while |
he looks at Kodi. |
“She wanted to pass the ?me with you and get the night of the hospital” Kody says while he looks at Balto that |
gets surprised by Kodi’s words. |
“She wished to copulate with you since long ?me ago, but mom impeded it, when you and she separated, Dusty |
saw an opportunity; she is really interested in you, dad” Kodi says while he looks at Balto. |
“Is she interested in me?” Balto asks surprised. |
-26- |
-26- |
-27- |
-27- |
sees as Balto smiles to him proudly. |
“Both have their advantages” Dusty says while he con?nues touching so?ly the two penises of both males that |
smile while they observe her. |
Balto gets surprised seeing that his penis’s ?p touches the ?p of Kodi’s penis. |
Balto observes as Dusty rubs his penis’s ?p against the ?p of Kodi’s penis while she observes like the precum of |
both dogs falls on the wooden ?oor. |
Nome’s hero looks at his son that looks at him and smiles. Balto also smile and he does not give importance to |
the incident. |
Dusty opens her mouth and introduces Kodi’s penis in it, the female dog begins to suck the penis of her boy |
? |
friend that moans of pleasure feeling as Dusty sucks his penis. |
Balto observes as Dusty sucks his son’s penis with enthusiasm. |
Balto moans smoothly while Dusty masturbates him slowly at the same ?me that Kodi enjoys. Dusty withdraws |
Kodi’s penis of her mouth and licks it slowly enjoying its taste. |
She stops a couple of moments later and concentrates her a?en?on in Balto’s penis. |
Nome’s hero moans feeling as the mouth of Dusty wrap up his penis; she smoothly sucks the ?p of Balto’s penis |
enjoying its taste in addi?on to the precum that falls on her tongue. |
Dusty pushes her head feeling as the ?p of Balto’s penis touches the entrance of her throat, she feels as that bar |
of hard meat slides through her throat un?l the ?p arrives in the middle of way toward her stomach. |
Balto moans feeling as the muscles of Dusty’s throat work on his penis. |
The female dog feels as the ?p of her nose touches the knot of Balto’s penis. He moans of pleasure. |
“Dusty, don’t you forget something?” Kodi asks looking at the female dog that looks at him. |
She moves her paw by Kodi’s penis un?l she feels Kodi’s white balls. Kodi feels as his girlfriend begins to play with |
his orbs using her paws. |
“It is something that I enjoy a lot” Kodi says looking at his father that looks at him with a smile. |
“I also do it Kodi; I suppose that it is inheritance” Balto says while he looks at his son. |
Dusty withdraws Balto’s penis of his mouth, she takes her two penises and joins them. |
Balto gets surprised seeing like the ?ps of his penis and Kodi’s penis enter in the mouth of Dusty that sucks the |
?ps of father’s and son’s penises. |
She uses her forepaws to play, to stretch and have fun with the tes?cles of Balto and Kody. Balto cannot believe |
what happens; he had never listened that a female dog can do what Dusty is doing with his two penises. |
Dusty ?nishes playing with his two lovers’ tes?cles; she wraps her mouth around Balto’s and Kodi’s penis. The |
female dog begins to masturbate them in the mean?me hears as both moan feeling like the pleasure increases |
rapidly. |
A couple of minutes later Balto and Kodi howl when they ?ll the mouth of Dusty with their cum. The female dog |
feels as her cheeks swell when semen ?lls her mouth. |
Dusty swallows the s?cky combina?on of semen of father and son. Balto and Kody moan while cum con?nuous |
followed by Kodi that introduces his head below Dusty’s tail that keeps walking. |
Jenna rapidly gets close to Ralph that he gets up; the red female dog gets surprised seeing that a blood thread |
goes down by the forehead of Ralph’s head. Kirby has trouble ge?ng up and gets close to the place where Ralph |
and Jenna are si?ng. |
“What happened?” Jenna asks looking at Ralph and Kirby. |
“Dusty is in heat” |
Kirby answers while he looks at Jenna that understand his son’s ?erce a?tude. |
Kodi and Dusty come out of the town and head toward the village border to a house that is prac?cally iden?cal |
to the rest of the houses, while they arrive to the house; the sun gets there in the horizon and the evening dark |
? |
ness falls on the town. |
“We arrived” Dusty says observing the house. |
She enters and heads toward the backyard of the house while Kodi follows her feeling like his penis bounces |
against his belly at every step that he gives. |
Dusty rapidly slides through the door of the dog that is in kitchen’s door. Dusty enters in the kitchen and rapidly |
walks to the living room. |
She comes out of the kitchen and crosses the living room heading toward a room that is crossing the living room; |
she rapidly enters at the room and smiles. |
“Why did you take so long?” Balto asks while he smiles seeing to Dusty. |
She moans feeling as Kodi licks her swollen vulva. Dusty sits to avoid that Kody con?nue licking her opening. |
“Hello dad” Kodi says while he sees to Balto that gets up and smiles to him. |
Kodi smiles seeing his father’s penis hangs so?ly below his belly, it is completely hard and ready for ac?on. |
“I suppose that the journey was not calm” Balto says while he sees his son and Dusty, they get close to him. |
Kodi smiles remembering that he gave a lesson to Ralph and Kirby. |
“Dusty did not lie when she told me that you were very gi?ed, my son” Balto says observing the penis of Kodi |
that feels proud by Balto’s words. |
“That gives me an idea, what does seem to you, if I compare them?” Dusty asks looking at Balto and Kodi that |
are enthusiasts by the idea. |
“I will defeat you, dad” Kodi says while he gets himself in posi?on on the right side of Dusty. |
“I Doubt it a lot, son” Balto says smiling while he places himself on the le? side of Dusty. |
Dusty sits among the two males. |
Dusty with both forepaws takes the two penises and masturbates them smoothly while he examines them. Balto |
and Kodi moan smoothly, feeling Dusty’s caresses on their penises. |
The female dog feels content while she sees the penises, comparing them and examining them with her paws. |
“Both have the same size, but Kodi’s penis is thicker” Dusty says while she touches so?ly Kodi’s penis. |
“I said it to you” Kodi says while he looks at Balto. |
“That does not you the winner yet, your father’s knot is bigger than yours” Dusty says while she look at Kodi that |
-28- |
-28- |
-29- |
-29- |
“Relax, everything will be all right; Jenna made it in the same way with Ralph and Kirby” Dusty says smoothly on |
Balto’s ear, |
He gets surprised hearing Dusty. |
Balto could not believe that both dogs’ penises would have entered his mate’s vagina, she is very ?ght. Balto |
tries to imagine that scene, but he feels the touch of the ?p of Kodi’s penis on his knot. |
Kodi aligns his penis against the entrance of the cave of Dusty’s love; he begins to press his penis against Dusty’s |
opening. She growls of pain while she feels as the ?p of Kodi’s penis try to enter in her. |
Kodi growls while he tries ?me a?er ?me to insert his penis inside Dusty’s vagina. |
“Kodi, I think that lubrica?on is not enough” Dusty while feels as the penis of Kodi tries to enter in her vagina. |
Balto feels as his son stops his a?empts, he does not feel nothing more than the high?temperature and velvety |
walls of the vagina around his penis. Balto gets surprise feeling Kodi’s wrinkled tongue on a part of his penis that |
is |
in Dusty’s vagina. |
Balto moans of pleasure, he understands that Kodi licks Dusty’s vagina to lubricate it and in his a?empt Kodi also |
licks his penis. Balto open his eyes with surprise feeling as |
his son licks his knot openly without intensity that it |
seemed an error. |
Moments later Balto feels again that the ?p of Kodi’s penis enters the entrance of Dusty’s vagina. Kodi again |
pushes his penis while Dusty relaxes. |
A shriek of pain is listened when the ?p of Kodi’s penis enters in the vagina of Dusty. |
Balto feels as the penis of Kodi rubs his penis as it goes entering in the vagina of Dusty that growls and breathes |
agitatedly while she feels as the two penises stretch her vagina’s walls. |
Balto ?nally sees to Kodi on Dusty, he smiles at him the moment that he feels that both knots touch. |
“It is painful, but incredible” Dusty says while she moans smoothly. |
“Let’s begin, dad” Kodi says while he looks at Balto and begins his pushes. |
Balto imitates to Kodi. |
Balto and Kodi feel like their penises rubs each other every ?me that they in and out of Dusty’s vagina |
Dusty moans of pleasure. |
Both dogs push their hips, they feel as their penises rub while they in and out of Dusty’s vagina. She looks at |
Balto and smiles at him. Balto smiles too and kiss the female dog that reciprocates the kiss while Kodi looks at |
the scene with a smile. |
Kodi enjoys the warmth of Dusty’s vagina, but furthermore he enjoys the texture of the penis of his father, it |
grates on his own penis. |
Several minutes later Kodi stops. |
“Dad you should be the ?rst one” Kodi says looking at his father that looks at him with surprise. |
Balto begins to push his knot against Dusty’s opening that growls of pain while she feels as the knot of Balto tries |
to enter in her vagina. The female dog gives forth a scream of pain feeling that Balto’s knot enters in her vagina |
and gets stuck there. |
?owing by their penises. |
When the ?ow of semen runs out and Dusty manages to swallow the whole semen, she withdraws Balto’s and |
Kodi’s penises of her mouth. She licks the ?ps of the penises cleaning them completely of the semen that is |
there. |
“Now it is your turn, boys” Dusty says while she gets up and gets herself in front of both males that see as Dusty |
raises her tail slowly leaving the entrance of her cave of at their see. |
Balto and Kodi feel as an electrical discharges travel by their spinal columns when the delicious fragrance of |
Dusty’s vagina ?lls their senses. They rapidly begin to lick the swollen vulva of Dusty. |
She moans while she enjoys the fran?cally licks of Balto and Kodi. |
Balto perceives the taste of Dusty’s juices; they are much more delicious than his ?rst sexual encounter with |
that female dog. Balto feels as his tongue and Kodi’s tongue touches again and again while both lick Dusty’s pink |
opening. |
Kodi pushes his tongue piercing with it the tunnel of Dusty’s love while Balto raises his snout and begins to lick |
the posterior entrance of the female dog that moans of pleasure feeling like both tongues s?mulate her two |
opennesses. |
Dusty relaxes the most that she can; she feels that Balto’s tongue penetrates her anus. |
Balto moves his tongue exploring the inside of Dusty’s anus that moans of pleasure feeling like both tongues |
move in her two tunnels. |
She is loss in ecstasy while his two lovers feel as their penises are very hard expec?ng ac?on. |
“Ohh I cannot resist more!” Dusty moans the moment that she feels an orgasm that does that the female dog |
howls of pleasure. |
Balto and Kodi enjoy the delicious juices of Dusty that moans of pleasure feeling as both tongues move by her |
swollen and tender vulva. A couple of minutes later both males stop while they watch pleasures as Dusty pants |
by the loud orgasm that she had. |
“Now the most di?cult” Dusty says while she looks at Balto that look at her with a lot of intrigue. |
Balto knows that Dusty desires his cubs in addi?on to the pups of Kodi, Balto only knows about a way of making |
it; they must mount to Dusty in turn. |
Dusty gets close to Balto and kissing him, she pushes him to lean back him on the room’s wooden ?oor Balto |
sees as the female dog posi?ons herself on him and take his penis aliena?ng it with the entrance of her vagina. |
Dusty smiles while she begins to sit on the penis of Balto, he feels as the vaginal lips of Dusty wrap up the ?p of |
his penis that slowly disappears inside of the cave of the love of the female dog that moans while she feels like |
each inch of Balto’s penis enters her vagina. |
Balto has his closed eyes enjoying so?ness and warmth of Dusty that leans upon Balto. |
She licks him on the snout and next kisses him smoothly. Balto answers the kiss while Kodi sees as his father and |
Dusty lick a?ec?onately each other. |
“Well Kodi, it is your turn” Dusty says while she becomes a?ached more to Balto that gets surprised seeing that |
Kodi posi?ons himself behind Dusty. |
“Kodi, what are you doing? You will hurt her” Balto asks looking at his son, he smiles. |
-30- |
-30- |
-31- |
-31- |
Balto’s penis that moans of pleasure feeling as the tongue of Dusty moves on his penis. Balto closes his eyes to |
concentrate on the pleasure that he feels. |
Balto gets startled feeling another tongue on his penis. |
Balto open his eyes and look below him, Balto gets surprised seeing that Kodi licks his penis slowly un?l he gets |
to the ?p. Kodi licks the ?p of Balto’s penis and next he opens his mouth and introduces his father’s penis in it. |
“Oh Kodi don’t do that!” |
Balto moans feeling as his son sucks his penis slowly. |
Kodi enjoys the taste of the meat of his hero; he sucks the penis of Balto that moans of pleasure without can |
believe that his son is sucking his penis so?ly. Nome’s hero has a good ?me a lot in spite of knowing that it is |
somewhat undue. |
Kodi withdraws Balto’s penis of his mouth and licks it completely enjoying its taste. Balto feels as one of his tes |
? |
?cles enters in Dusty’s mouth and the other one enters in Kodi’s mouth. |
Balto moans perceiving as his two balls are sucked by his son and his girlfriend. He loves feeling as his balls are |
sucked, that was something that Jenna usually did every ?me that both had sex. |
Dusty closes her paw around Balto’s penis; she begins to masturbate the wolf/dog while she con?nues sucking |
his tes?cle. Balto feels as his le? tes?cle quits Kodi’s mouth. |
Dusty con?nues her work some moments before stopping. Balto open his eyes and see that Kodi is before him |
looking at him with a smile. |
“Now what do you want to do?” Dusty asks looking at Balto is s?ll surprised by Kodi ac?ons. |
“I want fuck your ass” |
Balto says with a smile in the mean?me looks at Dusty that smiles and walks toward Kodi, |
she forces Kodi to turn over. |
“I do not know why you want to do that with me, this is a be?er ass” Dusty says while she moves Kodi’s tail and |
with his paw and touch so?ly the anus of Kodi that shakes feeling Dusty’s so? caresses. |
“Dusty, I cannot do that” Balto says completely surprised by the proposal of the female dog that smiles smoothly. |
“It is virgin, no penis has entered here, and certainly you will enjoy it very much” Dusty says while she touches |
so?ly the anus of Kodi that moans smoothly. |
“Kodi is my son; I cannot force him to do that” Balto says while he sees as Dusty’s paw moves on Kodi’s tailhole. |
“Force him? Nobody forces him; Kodi wants to do it, it isn’t so, Kodi?” Dusty asks looking at Kodi. |
Kodi turns over his head to see Balto that gets surprised seeing that Kodi is blushed. |
“Yes, want it” Kodi says while he looks at Balto that cannot gives credit to the words that he listened of the |
mouth of his own son. |
“Kodi wants feel you inside him; his hero, the dog what he most admires in the world” Dusty says while he looks |
at Balto that looks at her in silence. |
Balto looks at Dusty and Kodi again while he feels himself as a lost sheep without knowing what to do. |
The sex between males was not something new for Balto, it does not bother him that other dogs made it; but |
now his son is o?ering his anal virginity to him. |
Nome’s hero doubts while he con?nues observing the ass of Kodi. |
Kodi holds with more force the hips of Dusty, he begins to push his knot strongly in the mean?me hears Dusty’s |
screams of pain that feels like if she was going to be divide in two. |
Dusty screams in pain feeling as the knot of Kodi enter in her vagina; she faints on Balto’s body. Dusty slowly |
wakes up feeling Balto’s a?ec?onate licks on her face. |
She shakes her head to wake up completely. Dusty feels like the two penises beat in her inside. |
“We could do it of the other way” Balto says looking at Dusty that smile. |
“No, I want both at the same ?me” Dusty says smiling and looking at Balto that also smile. |
Balto and Kodi resume their pushes feeling as their knots rub each other inside Dusty’s vagina. She moans feeling |
like her vagina is completely full and stretched to its limit to have both males’ penises inside it. |
The dogs moan and growl of pleasure while they remain with closed eyes. Dusty feels as her skin rubs against |
Balto’s skin to each push of Kodi that growls while he hits his hips against Dusty. |
Balto increases his pushes, feeling that his balls begin to release his cum. Kodi does the same thing to equal to |
his father. Both males howl in the moment that they ?ood Dusty’s vagina with their semen. |
The female dog feels as an unequalled pleasure invades her body completely, she closes her eyes feeling like the |
hot and s?cky semen of both dogs ?ll her vagina. |
Dusty has her head on Balto’s shoulder. She has her closed eyes and smiles knowing that both dogs’ cubs begin |
to grow inside her. |
Balto feels as his penis and the Kodi’s are surrounded by cum. |
Close to thirty minutes later, Kodi is the ?rst one that pulls out his penis of Dusty’s vagina. She feels as the air |
enters in her love’s cave. She gets up and allows that Balto stand up. |
Balto and Kodi see like a waterfall of semen fall of the expanded opening of the female dog that feels like the |
entrance of her vagina is stretched. |
Kodi posi?ons himself behind Dusty. The female dog gets surprised feeling that Kodi’s paw enters in her vagina |
without problems. |
“Dad, this is amazing” Kodi says while he examines by touch the inside of Dusty’s vagina. |
Balto comes closer and see to Kodi that withdraws his paw. Balto push his paw inside Dusty’s vagina, he can feel |
each crack in the so? walls of Dusty’s vagina. Balto also feels cum inside the vagina of the female dog. |
Balto withdraws his paw of Dusty’s vagina. |
“Let’s give that |
hole a rest a ?me, we have one night by the front” |
Kodi says with a smile in the mean?me he sees |
to Balto that nods feeling content. |
Dusty posi?ons herself on the right side of Balto that feels as the female dog wraps up her paw around |
his |
sheath. |
She begins to |
s?mulate the gray sheath |
of Balto that feels that his penis slowly begins to grow. |
Balto observes as Kodi is si?ng to some steps of him giving jerks to his |
sheath |
while he observes as Dusty s?mu |
? |
lates his father’s |
sheath |
. Balto feels as the ?p of his penis abandons his |
sheath |
. |
Balto’s penis grows slowly in front of Dusty’s look that smiles seeing the hard ?esh of |
Balto that is in front of her. |
Balto ?nally feels that his penis’s knot is out of his sheath. |
The wolf dog gives a forth a groan of pleasure feeling Dusty’s tongue on his penis, she licks the extension of |
-32- |
-32- |
-33- |
-33- |
Dusty takes Kodi’s penis in her mouth; it increases the pleasure of Kodi that moans uncontrollably. |
Kodi feels as Balto begins to push his knot against his anus, Balto’s knot is of the size of a tennis ball, but Kodi |
desires it inside him without caring about its size neither the pain. |
“Push it dad, kno?y me” Kodi says while he pushes his ass against Balto’s penis that pushes his knot with more |
force. |
Kodi screams in pain and pleasure feeling as the knot of Balto enters in his anus. |
Balto increase force and velocity of his pushes feeling as the climax comes closer. |
Balto howls when releases his semen inside Kodi that also howls. The red dog feels as his cum ?ows by his penis |
when he feels that Balto’s thick and hot semen hits its anus’s walls. |
Dusty drinks Kodi’s semen while she feels content, thinking that Kodi would be very comfortable with the quan |
? |
?ty of semen that Balto can deposit in him. |
When Kodi’s semen runs out, Dusty withdraws her lover’s penis of her mouth and cleans it; next she licks Balto’s |
point of union and Kodi to clean it of cum that leaks of Kodi’s anus. |
Dusty stops and gives some steps to the back, she sees like Balto is mounted on Kodi that has his closed eyes. |
Kodi opens his eyes and looks at Dusty that laughs smoothly. |
“Why are you laughing?” Kodi asks looking at Dusty that looks at him and laughs smoothly. |
“Well I imagined you with one big belly” Dusty responds looking at Kodi that gets surprised hearing Dusty. |
“That is somewhat strange” Balto says laughing smoothly while he con?nues mounted on Kodi that remains in |
silence. |
“ |
It is stranger knowing that Kodi really desires your pups |
” Dusty says laughing more noisily. |
Kodi growls with rage toward Dusty that rapidly shuts up and that covers his mouth understanding that she had |
revealed more than she must. Dusty gets close to Kodi and tries to nuzzle him, but Kodi moves his snout to avoid |
it. |
“Kodi I am sorry it, it was not my inten?on” Dusty says while she look sorrow?stricken to Kodi that avoids looking |
at her. Kodi was feeling completely furious with Dusty and embarrassed for what she had said. |
His happiest moment had been ruined by Dusty’s loose mouth. Kodi almost gives a jump of surprise feeling that |
somebody touches his neck so?ly from behind. |
Kodi turns over his head to see Balto. |
“Is that what really you desire?” Balto asks looking at Kodi that downs his look to not see Balto directly. |
“If you want that, we can a?empt it every day un?l we achieve it” Balto says looking at Kodi that gets surprised |
hearing Balto that smiles at him smoothly. |
“It is a deal” Kodi says smiling while he looks at Balto that smiles at him and caresses u the neck of Kodi with his |
nose. |
Kodi knows that his father’s words are something impossible of became real, but Kodi does not care because he |
knows that he and Balto would make love nightly. |
Balto and Kodi separate close to twenty minutes a?er, when Balto’s penis comes out of Kodi’s anus; Dusty rapidly |
posi?ons herself behind Kodi and introduces her tongue inside Kodi’s anus. |
Dusty gets close to Balto and places her snout at the height of Balto’s ear. |
“Kodi wishes to be your bitch, he always has desired it; be the female dog of his great |
hero,; do not deny him his |
more big desire” Dusty says smoothly on the ear of Balto that looks at Kodi. |
Balto looks at the wall expec?ng Balto’s mo?on, he is very anxious because he doesn’t know what will be Balto’s |
answer. |
Kodi moans feeling a rough tongue on his anus, Kodi turns over his head and no?ces |
that Balto has his head at |
the height of tail hole. |
“If you are going to make love to one female, you must be courteous” Balto says while he resumes his licks on |
Kodi’s anus that moans of pleasure. |
Balto licks Kodi’s posterior entrance so?ly and tenderly, Nome’s hero soaks with his saliva the anus of his son that |
moans of pleasure. Kodi relaxes, he feels as the tongue of Balto enters in him. |
Balto’s tongue zigzags inside Kodi’s rectum; he explores each crack of the Kodi’s entrails while he feels that Dusty |
sucks his penis smoothly. |
Kodi li?s up his tail while he feels that pleasure becomes very intense to each minute. Balto stops before Kodi |
comes to his climax. Balto withdraws his tongue of Kodi’s anus. |
Dusty smiles seeing saliva thread that ranges of the anus Kodi to Balto’s mouth. |
He breaks the thin thread. Kodi feels that Balto mounts him and close his forepaws around Kodi’s hips. |
Balto smiles feeling that Dusty takes his penis and guide it to the anus of Kodi that shakes with emo?on feeling |
that the ?p of Balto’s penis touches the entrance of his anus. Nome’s hero pushes his penis against Kodi’s sphinc |
? |
ter. He gives a groan of pain when the ?p of Balto’s penis enters in his anus. |
Balto pushes his penis penetra?ng Kodi while Dusty observes a?en?vely as the penis of Balto slowly enters in |
his son. |
Balto feels the warm of the entrails of his son that wrap up his penis meanwhile he con?nues penetra?ng that |
passage never before used by some male. |
This is one incredible sensa?on for Balto; he remembers his ?rst anal sex with Jenna. |
Kodi enjoys the slow penetra?on, he feels very happy feeling that his father’s reproduc?ve tool enters in him. |
Balto stops when he feels his penis is inside his son except his knot that touches the entrance of virgin Kodi’s |
anus. |
Balto withdraws his penis un?l only the ?p remains inside Kodi that moans of pleasure when he feels that his |
father sinks his penis in him at the moment that the town’s hero begins to copulate with his son. |
“Dad, it is enormous” Kodi thinks while he moans and give so? howls of pleasure and happiness feeling that he |
is the female of Balto that hits his hips against Kodi’s hips. |
Balto’s heavy and grayish orbs hit the white tes?cles of Kodi that moans of pleasure. |
Dusty introduces his head under Kodi’s crotch to lick Balto’s tes?cles. |
Kodi feels a vacuum in his anus every ?me that Balto withdraws his penis to o?er it to Dusty that sucks the penis |
of Balto before he reinserts his reproduc?ve organ in Kodi. |
The red husky dog moans feeling as the penis of Balto rubs his prostate. Kodi feels a great pleasure to each |
Balto’s push that feels like the anal muscles of Kodi close strongly around his penis. |
-34- |
-34- |
-35- |
-35- |
“Don’t even men?on it, I have to take care of our pups and our mate” Balto says looking at Kodi that nods. |
Balto with disguise see the reac?on of Jenna that is surprised completely just like Ralph and Kirby. |
“Let’s walk” Dusty says looking at Balto and Kodi that agree with that proposal. |
Dusty begins to walk among Kodi and Balto. |
While they go away Balto turn over his head to see Jenna. Both look at themselves in |
silence, the two dogs know |
that things have changed a lot and in spite of fact that both s?ll feel something for the other one, both took dif |
? |
ferent ways; maybe in some point in the future their ways will cross again. |
End |
Balto, Jenna Ralph, Kirby, Kodi, Dusty, Rosy, Mr. Simpson, Dixie, Sylvie are Universal |
Wri?en by Janus Oberoth |
He moans feeling as the tongue of Dusty explores his inside looking for semen. |
When Dusty stops, she and Kodi turn over confron?ng to Balto, he sees them smiling. |
“Dad, if you want I can use a kerchief in order that I looks like mom” Kodi says looking at Balto that denies it with |
the mo?on of his head. |
“She right now is old history, I was a fool and I lost her, now only I must think about our cubs and my two fe |
? |
males” Balto says while he looks at Dusty and Kodi that smile. |
“ |
I believe that it is fair that now you invert the roles |
” Dusty says looking at Balto and Kodi. |
Kodi rapidly disagrees with her. |
“No, the only one who will raise his tail here besides you will be me” Kodi says while he looks at Dusty and Balto. |
“I knew that pleasure one female would be di?cult, but two females is an arduous task” Balto says looking at |
Kodi and Dusty that smile pleasures. |
About a month later Dusty is si?ng close to the post o?ce, her belly is swollen, one of her pregnancy’s signs. |
Dusty caresses her belly while she smiles feeling very happy. |
Dusty listens pup’s barking that get close to the place where she ?nds herself. The female dog sees as Jenna |
comes closer while ?ve cubs surround her playing among themselves. |
Three females have Jenna’s appearance and two males, each on is a ?ny copy of Ralph and Kirby. |
“Hello Dusty” Jenna says while he comes closer with her children that greet Dusty. |
“Hello” Dusty says while she looks at the pups and Jenna. |
Pups begin to play while Dusty and Jenna chat. A?er ??een minutes the group observes as the team of mail |
comes closer rapidly. |
Dusty feels as her heart palpitates of joy to see Kodi that also feels happy seeing Dusty. |
When the sleigh stops, Mr. Simpson un?es his dogs and begins to put the bags of the mail into the o?ce. |
Pups rapidly surround their two parents that look a?ec?onate to their puppies while Jenna observes them with |
a smile. Meanwhile Dusty and Kodi caress mutually with the noses. |
Ralph’s and Kirby’s pups pull the tail to Kodi trying that he played with them, but Kodi con?nue indi?erent to the |
a?empts of the pups that get disappointed a lot. |
Jenna gets sad seeing Kodi’s a?tude, in spite of what Kodi had said her; Jenna had had the hope that he did not |
hold that his posture when her pups born. |
Dusty sees like Ralph and Kirby look at Kodi with distaste. She knows since Jenna’s pregnancy, the loops of friend |
? |
ship in the team had broken. |
Jenna sees that Balto gets close them; she and Balto had not prac?cally crossed a word since he had learned |
about Jenna’s pregnancy. Although Balto visited Rosy very o?en, he did not talk to Jenna. |
Jenna and the other ones get surprised seeing that Balto gets close to Dusty and caress her a?ec?onately in the |
nose, Dusty does the same thing with him. |
“Thank you dad for taking care of her” Kodi says while he looks to Balto. |
ActionScript [AS3]
Section 1//Action (com.adobe.indesign.Action) package com.adobe.indesign { public interface Action { function get target():String; function get eventType():String; function execute(_arg1:IDMovieClipInternal):void; } }//package com.adobe.indesignSection 2//BaseAction (com.adobe.indesign.BaseAction) package com.adobe.indesign { public class BaseAction implements Action { private var fEventType:String; private var fTarget:String; public function BaseAction(_arg1:String, _arg2:String){ fTarget = _arg1; fEventType = _arg2; } public function set target(_arg1:String){ fTarget = _arg1; } public function execute(_arg1:IDMovieClipInternal):void{ } public function get eventType():String{ return (fEventType); } public function get target():String{ return (fTarget); } } }//package com.adobe.indesignSection 3//BlindsTransition (com.adobe.indesign.BlindsTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class BlindsTransition extends PDFTransition { private var fCount:uint; private var fHorizontal:Boolean; public function BlindsTransition(_arg1:Boolean=true, _arg2:uint=10){ fHorizontal = _arg1; fCount = _arg2; } public function get horizontal():Boolean{ return (fHorizontal); } public function set count(_arg1:uint):void{ fCount = _arg1; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:uint; var _local7:Rectangle; var _local8:Rectangle; var _local9:uint; var _local10:uint; var _local11:uint; var _local12:uint; if (fCount){ if (fHorizontal){ _local9 = (_arg1.height / fCount); _local10 = (_local9 * _arg4); if (_local10 == 0){ _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); } else { if (_local10 == _local9){ _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); } else { _local6 = 0; while (_local6 < fCount) { _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, (_local6 * _local9), _arg2.width, _local10); _arg3.endFill(); _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, ((_local6 * _local9) + _local10), _arg1.width, (_local9 - _local10)); _arg3.endFill(); _local6++; }; }; }; } else { _local11 = (_arg1.width / fCount); _local12 = (_local11 * _arg4); if (_local12 == 0){ _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); } else { if (_local12 == _local11){ _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); } else { _local6 = 0; while (_local6 < fCount) { _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect((_local6 * _local11), 0, _local12, _arg2.height); _arg3.endFill(); _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(((_local6 * _local11) + _local12), 0, (_local11 - _local12), _arg1.height); _arg3.endFill(); _local6++; }; }; }; }; } else { _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); }; } public function set horizontal(_arg1:Boolean):void{ fHorizontal = _arg1; } public function get count():uint{ return (fCount); } } }//package com.adobe.indesignSection 4//CombTransition (com.adobe.indesign.CombTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class CombTransition extends PDFTransition { private var fCount:uint; private var fHorizontal:Boolean; public function CombTransition(_arg1:Boolean=true, _arg2:uint=4){ fHorizontal = _arg1; fCount = _arg2; } public function get horizontal():Boolean{ return (fHorizontal); } public function set count(_arg1:uint):void{ fCount = _arg1; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:uint; var _local7:uint; var _local8:Matrix; var _local9:uint; var _local10:uint; var _local11:uint; var _local12:uint; if (fCount){ _local7 = (fCount * 2); _local8 = new Matrix(); if (fHorizontal){ _local10 = (_arg2.height / _local7); _local9 = (_arg2.width * _arg4); _local11 = (_arg2.width - _local9); if (_local9 == 0){ _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); } else { if (_local9 == _arg2.width){ _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); } else { _local8.identity(); _local8.translate(-(int(_local11)), 0); _arg3.beginBitmapFill(_arg2, _local8, false, true); _local6 = 0; while (_local6 < _local7) { _arg3.drawRect(0, (_local6 * _local10), _local9, _local10); _local6 = (_local6 + 2); }; _arg3.endFill(); _local8.identity(); _local8.translate(_local11, 0); _arg3.beginBitmapFill(_arg2, _local8, false, true); _local6 = 1; while (_local6 < _local7) { _arg3.drawRect(_local11, (_local6 * _local10), _local9, _local10); _local6 = (_local6 + 2); }; _arg3.endFill(); _local8.identity(); _local8.translate(_local9, 0); _arg3.beginBitmapFill(_arg1, _local8, false, true); _local6 = 0; while (_local6 < _local7) { _arg3.drawRect(_local9, (_local6 * _local10), _local11, _local10); _local6 = (_local6 + 2); }; _arg3.endFill(); _local8.identity(); _local8.translate(-(int(_local9)), 0); _arg3.beginBitmapFill(_arg1, _local8, false, true); _local6 = 1; while (_local6 < _local7) { _arg3.drawRect(0, (_local6 * _local10), _local11, _local10); _local6 = (_local6 + 2); }; _arg3.endFill(); if ((_local7 * _local10) < _arg2.height){ _local8.identity(); _local8.translate(-(int(_local11)), 0); _arg3.beginBitmapFill(_arg2, _local8, false, true); _arg3.drawRect(0, (_local7 * _local10), _local9, (_arg2.height - (_local7 * _local10))); _arg3.endFill(); _local8.identity(); _local8.translate(_local9, 0); _arg3.beginBitmapFill(_arg1, _local8, false, true); _arg3.drawRect(_local9, (_local7 * _local10), _local11, (_arg2.height - (_local7 * _local10))); _arg3.endFill(); }; }; }; } else { _local9 = (_arg2.width / _local7); _local10 = (_arg2.height * _arg4); _local12 = (_arg2.height - _local10); if (_local10 == 0){ _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); } else { if (_local10 == _arg2.height){ _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); } else { _local8.identity(); _local8.translate(0, -(int(_local12))); _arg3.beginBitmapFill(_arg2, _local8, false, true); _local6 = 0; while (_local6 < _local7) { _arg3.drawRect((_local6 * _local9), 0, _local9, _local10); _local6 = (_local6 + 2); }; _arg3.endFill(); _local8.identity(); _local8.translate(0, _local12); _arg3.beginBitmapFill(_arg2, _local8, false, true); _local6 = 1; while (_local6 < _local7) { _arg3.drawRect((_local6 * _local9), _local12, _local9, _local10); _local6 = (_local6 + 2); }; _arg3.endFill(); _local8.identity(); _local8.translate(0, _local10); _arg3.beginBitmapFill(_arg1, _local8, false, true); _local6 = 0; while (_local6 < _local7) { _arg3.drawRect((_local6 * _local9), _local10, _local9, _local12); _local6 = (_local6 + 2); }; _arg3.endFill(); _local8.identity(); _local8.translate(0, -(int(_local10))); _arg3.beginBitmapFill(_arg1, _local8, false, true); _local6 = 1; while (_local6 < _local7) { _arg3.drawRect((_local6 * _local9), 0, _local9, _local12); _local6 = (_local6 + 2); }; _arg3.endFill(); if ((_local7 * _local9) < _arg2.width){ _local8.identity(); _local8.translate(0, -(int(_local12))); _arg3.beginBitmapFill(_arg2, _local8, false, true); _arg3.drawRect((_local7 * _local9), 0, (_arg2.width - (_local7 * _local9)), _local10); _arg3.endFill(); _local8.identity(); _local8.translate(0, _local10); _arg3.beginBitmapFill(_arg1, _local8, false, true); _arg3.drawRect((_local7 * _local9), _local10, (_arg2.width - (_local7 * _local9)), _local12); _arg3.endFill(); }; }; }; }; } else { _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); }; } public function set horizontal(_arg1:Boolean):void{ fHorizontal = _arg1; } public function get count():uint{ return (fCount); } } }//package com.adobe.indesignSection 5//CoverTransition (com.adobe.indesign.CoverTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class CoverTransition extends DirectionedPDFTransition { public function CoverTransition(_arg1:uint=0){ super(_arg1); } private function calculateRects(_arg1:Rectangle, _arg2:Number, _arg3:Rectangle, _arg4:Point, _arg5:Rectangle, _arg6:Boolean):void{ var _local7:uint; var _local8:uint; var _local9:uint; var _local10:uint; _local7 = (_arg1.width * _arg2); _local8 = (_arg1.height * _arg2); _local9 = (_arg1.width - _local7); _local10 = (_arg1.height - _local8); switch (getEffectiveDirection(_arg6)){ case kRightToLeft: _arg3.x = _local9; _arg3.y = 0; _arg3.width = _local7; _arg3.height = _arg1.height; _arg4.x = -(_arg3.x); _arg4.y = 0; _arg5.x = (_arg5.y = 0); _arg5.width = _local9; _arg5.height = _arg1.height; break; case kLeftToRight: default: _arg3.x = (_arg3.y = 0); _arg3.width = _local7; _arg3.height = _arg1.height; _arg4.x = _local9; _arg4.y = 0; _arg5.x = _local7; _arg5.y = 0; _arg5.width = _local9; _arg5.height = _arg1.height; break; case kBottomToTop: _arg3.x = 0; _arg3.y = _local10; _arg3.width = _arg1.width; _arg3.height = _local8; _arg4.x = 0; _arg4.y = -(_local10); _arg5.x = (_arg5.y = 0); _arg5.width = _arg1.width; _arg5.height = _local10; break; case kTopToBottom: _arg3.x = (_arg3.y = 0); _arg3.width = _arg1.width; _arg3.height = _local8; _arg4.x = 0; _arg4.y = _local10; _arg5.x = 0; _arg5.y = _local8; _arg5.width = _arg1.width; _arg5.height = _local10; break; case kTopLeftToBottomRight: _arg5.x = (_arg5.y = 0); _arg5.width = _arg1.width; _arg5.height = _arg1.height; _arg3.x = (_arg3.y = 0); _arg3.width = _local7; _arg3.height = _local8; _arg4.x = _local9; _arg4.y = _local10; break; case kBottomRightToTopLeft: _arg5.x = (_arg5.y = 0); _arg5.width = _arg1.width; _arg5.height = _arg1.height; _arg3.x = _local9; _arg3.y = _local10; _arg3.width = _local7; _arg3.height = _local8; _arg4.x = -(_arg3.x); _arg4.y = -(_arg3.y); break; case kTopRightToBottomLeft: _arg5.x = (_arg5.y = 0); _arg5.width = _arg1.width; _arg5.height = _arg1.height; _arg3.x = _local9; _arg3.y = 0; _arg3.width = _local7; _arg3.height = _local8; _arg4.x = -(_arg3.x); _arg4.y = _local10; break; case kBottomLeftToTopRight: _arg5.x = (_arg5.y = 0); _arg5.width = _arg1.width; _arg5.height = _arg1.height; _arg3.x = 0; _arg3.y = _local10; _arg3.width = _local7; _arg3.height = _local8; _arg4.x = _local9; _arg4.y = -(_local10); break; }; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Rectangle; var _local7:Point; var _local8:Rectangle; var _local9:Matrix; _local6 = new Rectangle(); _local7 = new Point(); _local8 = new Rectangle(); calculateRects(_arg1.rect.union(_arg2.rect), _arg4, _local8, _local7, _local6, _arg5); _local9 = new Matrix(); if (!_local6.isEmpty()){ _arg3.beginBitmapFill(_arg1, _local9, false); _arg3.drawRect(_local6.left, _local6.top, _local6.width, _local6.height); _arg3.endFill(); }; if (!_local8.isEmpty()){ _local9.identity(); _local9.translate(-(_local7.x), -(_local7.y)); _arg3.beginBitmapFill(_arg2, _local9, false); _arg3.drawRect(_local8.left, _local8.top, _local8.width, _local8.height); _arg3.endFill(); }; } } }//package com.adobe.indesignSection 6//CurlTransition (com.adobe.indesign.CurlTransition) package com.adobe.indesign { import flash.display.*; public class CurlTransition extends PDFTransition { override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ } } }//package com.adobe.indesignSection 7//DirectionedPDFTransition (com.adobe.indesign.DirectionedPDFTransition) package com.adobe.indesign { public class DirectionedPDFTransition extends PDFTransition { private var fDirection:uint; public static const kBottomToTop:uint = 90; public static const kTopLeftToBottomRight:uint = 315; public static const kBottomLeftToTopRight:uint = 45; public static const kLeftToRight:uint = 0; public static const kTopToBottom:uint = 270; public static const kRightToLeft:uint = 180; public static const kBottomRightToTopLeft:uint = 135; public static const kTopRightToBottomLeft:uint = 225; public function DirectionedPDFTransition(_arg1:uint=0){ fDirection = _arg1; } public function get direction():uint{ return (fDirection); } protected function getEffectiveDirection(_arg1:Boolean=false):uint{ if (_arg1){ switch (fDirection){ case kLeftToRight: default: return (kRightToLeft); case kBottomLeftToTopRight: return (kTopRightToBottomLeft); case kBottomToTop: return (kTopToBottom); case kBottomRightToTopLeft: return (kTopLeftToBottomRight); case kRightToLeft: return (kLeftToRight); case kTopRightToBottomLeft: return (kBottomLeftToTopRight); case kTopToBottom: return (kBottomToTop); case kTopLeftToBottomRight: return (kBottomRightToTopLeft); }; }; return (fDirection); } public function set direction(_arg1:uint):void{ fDirection = _arg1; } } }//package com.adobe.indesignSection 8//DissolveTransition (com.adobe.indesign.DissolveTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class DissolveTransition extends PDFTransition { private var fSquareSize:Point; private var fDissolveMap:Array; private var fCount:uint; private var fRows:uint; private var fColumns:uint; public function DissolveTransition(_arg1:uint=50){ fCount = _arg1; } override public function endRender():void{ fDissolveMap = null; fSquareSize = null; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Rectangle; var _local7:uint; var _local8:uint; var _local9:uint; var _local10:uint; var _local11:Number; var _local12:Number; var _local13:Number; var _local14:Number; _local6 = _arg1.rect.union(_arg2.rect); if (((((!(fDissolveMap)) && ((_local6.width > 0)))) && ((_local6.height > 0)))){ fRows = (fColumns = fCount); if ((((fRows > 0)) && ((fColumns > 0)))){ fSquareSize = new Point(Math.min((_local6.width / fRows), 10), Math.min((_local6.height / fColumns), 10)); fRows = (_local6.width / fSquareSize.x); fColumns = (_local6.height / fSquareSize.y); if ((fSquareSize.x * fRows) < _local6.width){ fRows++; }; if ((fSquareSize.y * fColumns) < _local6.height){ fColumns++; }; fDissolveMap = new Array((fRows * fColumns)); _local7 = 0; while (_local7 < fDissolveMap.length) { fDissolveMap[_local7] = uint((Math.random() * 100)); _local7++; }; }; }; if (_arg4 != 1){ _arg3.beginBitmapFill(_arg2); _arg3.drawRect(_local6.left, _local6.top, _local6.width, _local6.height); _arg3.endFill(); }; if (fDissolveMap){ _local8 = uint((_arg4 * 100)); _arg3.beginBitmapFill(_arg1); _local9 = 0; while (_local9 < fRows) { _local10 = 0; while (_local10 < fColumns) { if (fDissolveMap[((_local9 * fColumns) + _local10)] >= _local8){ _local11 = (_local9 * fSquareSize.x); _local12 = (_local10 * fSquareSize.y); _local13 = fSquareSize.x; _local14 = fSquareSize.y; if ((_local11 + _local13) > _local6.width){ _local13 = ((_local6.width - _local11) - 1); }; if ((_local12 + _local14) > _local6.height){ _local14 = ((_local6.height - _local12) - 1); }; _arg3.drawRect(_local11, _local12, _local13, _local14); }; _local10++; }; _local9++; }; _arg3.endFill(); }; } override public function beginRender():void{ fDissolveMap = null; fSquareSize = null; } } }//package com.adobe.indesignSection 9//FadeTransition (com.adobe.indesign.FadeTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class FadeTransition extends PDFTransition { private var fWorkBitmap:BitmapData; private var fFadeIn:Boolean; public function FadeTransition(_arg1:Boolean=true){ fFadeIn = _arg1; } public function set fadeIn(_arg1:Boolean):void{ fFadeIn = _arg1; } public function get fadeIn():Boolean{ return (fFadeIn); } override public function endRender():void{ if (fWorkBitmap){ fWorkBitmap.dispose(); }; fWorkBitmap = null; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Rectangle; var _local7:Boolean; _local6 = _arg1.rect.union(_arg2.rect); if (((((!(fWorkBitmap)) || (!((fWorkBitmap.width == _local6.width))))) || (!((fWorkBitmap.height == _local6.height))))){ fWorkBitmap = new BitmapData(_local6.width, _local6.height, true, 0xFFFFFF); }; _local7 = fFadeIn; if (_arg5){ _local7 = !(_local7); }; if (_local7){ fWorkBitmap.copyPixels(_arg1, _arg1.rect, _arg1.rect.topLeft); fWorkBitmap.draw(_arg2, null, new ColorTransform(1, 1, 1, _arg4)); } else { fWorkBitmap.copyPixels(_arg2, _arg2.rect, _arg2.rect.topLeft); fWorkBitmap.draw(_arg1, null, new ColorTransform(1, 1, 1, (1 - _arg4))); }; _arg3.beginBitmapFill(fWorkBitmap); _arg3.drawRect(_local6.left, _local6.top, _local6.width, _local6.height); _arg3.endFill(); } override public function beginRender():void{ fWorkBitmap = null; } } }//package com.adobe.indesignSection 10//GoToFirstFrameAction (com.adobe.indesign.GoToFirstFrameAction) package com.adobe.indesign { public class GoToFirstFrameAction extends BaseAction { public function GoToFirstFrameAction(_arg1:String, _arg2:String){ super(_arg1, _arg2); } override public function execute(_arg1:IDMovieClipInternal):void{ _arg1.goToFirstFrame(); } } }//package com.adobe.indesignSection 11//GoToFrameAction (com.adobe.indesign.GoToFrameAction) package com.adobe.indesign { public class GoToFrameAction extends BaseAction { private var fFrame:uint; public function GoToFrameAction(_arg1:String, _arg2:String, _arg3:uint){ super(_arg1, _arg2); fFrame = _arg3; } override public function execute(_arg1:IDMovieClipInternal):void{ _arg1.goToFrame(fFrame); } } }//package com.adobe.indesignSection 12//GoToLastFrameAction (com.adobe.indesign.GoToLastFrameAction) package com.adobe.indesign { public class GoToLastFrameAction extends BaseAction { public function GoToLastFrameAction(_arg1:String, _arg2:String){ super(_arg1, _arg2); } override public function execute(_arg1:IDMovieClipInternal):void{ _arg1.goToLastFrame(); } } }//package com.adobe.indesignSection 13//GoToNextFrameAction (com.adobe.indesign.GoToNextFrameAction) package com.adobe.indesign { public class GoToNextFrameAction extends BaseAction { public function GoToNextFrameAction(_arg1:String, _arg2:String){ super(_arg1, _arg2); } override public function execute(_arg1:IDMovieClipInternal):void{ _arg1.goToNextFrame(); } } }//package com.adobe.indesignSection 14//GoToPreviousFrameAction (com.adobe.indesign.GoToPreviousFrameAction) package com.adobe.indesign { public class GoToPreviousFrameAction extends BaseAction { public function GoToPreviousFrameAction(_arg1:String, _arg2:String){ super(_arg1, _arg2); } override public function execute(_arg1:IDMovieClipInternal):void{ _arg1.goToPreviousFrame(); } } }//package com.adobe.indesignSection 15//GoToURLAction (com.adobe.indesign.GoToURLAction) package com.adobe.indesign { import flash.net.*; public class GoToURLAction extends BaseAction { private var fURL:String; public function GoToURLAction(_arg1:String, _arg2:String, _arg3:String){ super(_arg1, _arg2); fURL = _arg3; } override public function execute(_arg1:IDMovieClipInternal):void{ var mc = _arg1; try { if (fURL){ navigateToURL(new URLRequest(fURL)); }; } catch(error:Error) { }; } } }//package com.adobe.indesignSection 16//HyperlinkButton (com.adobe.indesign.HyperlinkButton) package com.adobe.indesign { import flash.display.*; import flash.geom.*; import flash.events.*; public class HyperlinkButton extends SimpleButton { public function HyperlinkButton(){ addEventListener(MouseEvent.MOUSE_DOWN, handleMouseDown); } private function handleMouseDown(_arg1:MouseEvent):void{ var bounds:Rectangle; var b:BitmapData; var m:Matrix; var p:DisplayObject; var e = _arg1; try { bounds = getBounds(this); if (!bounds.isEmpty()){ b = new BitmapData(bounds.width, bounds.height, false); m = transform.matrix; p = parent; while (p != stage) { m.concat(p.transform.matrix); p = p.parent; }; m.invert(); b.draw(stage, m); installBitmap(b); }; } finally { removeEventListener(MouseEvent.MOUSE_DOWN, handleMouseDown); }; } protected function installBitmap(_arg1:BitmapData):void{ } } }//package com.adobe.indesignSection 17//IDMovieClip (com.adobe.indesign.IDMovieClip) package com.adobe.indesign { import flash.display.*; public interface IDMovieClip { function goToFirstFrame(_arg1:Boolean=true):void; function getLabelForFrame(_arg1:uint):String; function getCurrentFrame():uint; function goToFrame(_arg1:uint, _arg2:Boolean=true):void; function goToPreviousFrame(_arg1:Boolean=true):void; function goToLastFrame(_arg1:Boolean=true):void; function goToNextFrame(_arg1:Boolean=true):void; function getFrameCount():uint; function getThumbnailForFrame(_arg1:uint, _arg2:uint=32, _arg3:uint=32):BitmapData; } }//package com.adobe.indesignSection 18//IDMovieClipInternal (com.adobe.indesign.IDMovieClipInternal) package com.adobe.indesign { import flash.display.*; import com.adobe.indesign.*; interface IDMovieClipInternal extends IDMovieClip { function getNamedChild(_arg1:String):DisplayObject; } }//package com.adobe.indesignSection 19//IDSWF_Frame_1 (com.adobe.indesign.IDSWF_Frame_1) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_1 extends MovieClip { } }//package com.adobe.indesignSection 20//IDSWF_Frame_10 (com.adobe.indesign.IDSWF_Frame_10) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_10 extends MovieClip { } }//package com.adobe.indesignSection 21//IDSWF_Frame_11 (com.adobe.indesign.IDSWF_Frame_11) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_11 extends MovieClip { } }//package com.adobe.indesignSection 22//IDSWF_Frame_12 (com.adobe.indesign.IDSWF_Frame_12) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_12 extends MovieClip { } }//package com.adobe.indesignSection 23//IDSWF_Frame_13 (com.adobe.indesign.IDSWF_Frame_13) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_13 extends MovieClip { } }//package com.adobe.indesignSection 24//IDSWF_Frame_14 (com.adobe.indesign.IDSWF_Frame_14) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_14 extends MovieClip { } }//package com.adobe.indesignSection 25//IDSWF_Frame_15 (com.adobe.indesign.IDSWF_Frame_15) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_15 extends MovieClip { } }//package com.adobe.indesignSection 26//IDSWF_Frame_16 (com.adobe.indesign.IDSWF_Frame_16) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_16 extends MovieClip { } }//package com.adobe.indesignSection 27//IDSWF_Frame_17 (com.adobe.indesign.IDSWF_Frame_17) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_17 extends MovieClip { } }//package com.adobe.indesignSection 28//IDSWF_Frame_18 (com.adobe.indesign.IDSWF_Frame_18) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_18 extends MovieClip { } }//package com.adobe.indesignSection 29//IDSWF_Frame_2 (com.adobe.indesign.IDSWF_Frame_2) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_2 extends MovieClip { } }//package com.adobe.indesignSection 30//IDSWF_Frame_3 (com.adobe.indesign.IDSWF_Frame_3) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_3 extends MovieClip { } }//package com.adobe.indesignSection 31//IDSWF_Frame_4 (com.adobe.indesign.IDSWF_Frame_4) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_4 extends MovieClip { } }//package com.adobe.indesignSection 32//IDSWF_Frame_5 (com.adobe.indesign.IDSWF_Frame_5) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_5 extends MovieClip { } }//package com.adobe.indesignSection 33//IDSWF_Frame_6 (com.adobe.indesign.IDSWF_Frame_6) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_6 extends MovieClip { } }//package com.adobe.indesignSection 34//IDSWF_Frame_7 (com.adobe.indesign.IDSWF_Frame_7) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_7 extends MovieClip { } }//package com.adobe.indesignSection 35//IDSWF_Frame_8 (com.adobe.indesign.IDSWF_Frame_8) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_8 extends MovieClip { } }//package com.adobe.indesignSection 36//IDSWF_Frame_9 (com.adobe.indesign.IDSWF_Frame_9) package com.adobe.indesign { import flash.display.*; public dynamic class IDSWF_Frame_9 extends MovieClip { } }//package com.adobe.indesignSection 37//IDSWFEmbeddedData (com.adobe.indesign.IDSWFEmbeddedData) package com.adobe.indesign { import flash.utils.*; public class IDSWFEmbeddedData extends ByteArray { } }//package com.adobe.indesignSection 38//IDSWFFile (com.adobe.indesign.IDSWFFile) package com.adobe.indesign { import flash.display.*; import flash.geom.*; import flash.events.*; import flash.utils.*; import flash.ui.*; import flash.system.*; public class IDSWFFile extends MovieClip implements IDMovieClipInternal { private var fGrabPercent:Number;// = 0.1 private var fGrabberWidget:Sprite; private var fTargetPoint:Point; private var fCurrentPDFTransition:PDFTransition; private var fTimer:Timer; private var fShowCornerTease:Boolean;// = true private var fStartTime:Number; private var fSlopeAtTurn:Boolean;// = false private var fPageSlope:Number;// = 1 private var fOriginalClickPoint:Point; private var fPageBottom:Number; private var fCurveShadow:Number;// = 5 private var fPageWidth:Number; private var fTurnDuration:uint;// = 1000 private var fTurnPercent:Number;// = 0 private var fPageCenter:Number; private var fTurnedCorner:uint;// = 0 private var fAnimatePageTurns:Boolean;// = true private var fFrameData:Array; private var fGrabSize:Point; private var fPageTop:Number; private var fShowPageSlopeAtRest:Boolean;// = false private var fPageRight:Number; private var fCurrentPoint:Point; private var fTotalHeight:Number;// = 0 private var fCurrentPageBitmap:BitmapData;// = null private var fMouseEventTarget:DisplayObject; private var fSlopeAtTease:Boolean;// = false private var fPDFTransitions:Array; private var fShadowStrength:Number;// = 1.4 private var fBackgroundColor:uint;// = 0xFFFFFF private var fAutoReverseTransitions:Boolean;// = false private var fTargetPageBitmap:BitmapData;// = null private var fPageHeight:Number; private var fGrabLocation:uint;// = 1 private var fTargetPageIndex:uint;// = 0 private var fDirection:uint;// = 0 private var fPageLeft:Number; private var fDefaultTurnDuration:uint;// = 1000 private var fState:uint;// = 0 private var fTotalWidth:Number;// = 0 private var fCornerPoint:Point; private var fDragState:uint;// = 0 private var fConfigurationData:XML;// = null private var fOverlayWidget:Shape; private static const kNoCorner:uint = 0; private static const kDragClick:uint = 1; private static const kTurnBackward:uint = 1; private static const kGrabCorner:uint = 1; private static const kDragNone:uint = 0; private static const kTurnForward:uint = 0; private static const kGrabNone:uint = 0; private static const kDragDragging:uint = 2; private static const kIsCornerFlag:uint = 16; private static const kStateReverting:uint = 3; private static const kBottomRightCorner:uint = ((kRightEdge | kBottomEdge) | kIsCornerFlag); private static const kStateCompleting:uint = 2; private static const kStateNone:uint = 0; private static const kEndingYAcceleration:Number = 0.2; private static const kStateAutoReverting:uint = 7; private static const kStateAutoCompleting:uint = 6; private static const kTopLeftCorner:uint = ((kLeftEdge | kTopEdge) | kIsCornerFlag); private static const kRightEdge:uint = 2; private static const kStateAutoTurning:uint = 5; private static const kBottomLeftCorner:uint = ((kLeftEdge | kBottomEdge) | kIsCornerFlag); private static const kBottomEdge:uint = 8; private static const kTopEdge:uint = 4; private static const kStateTeasing:uint = 4; private static const kTopRightCorner:uint = ((kRightEdge | kTopEdge) | kIsCornerFlag); private static const kMouseDragDistance:Number = 4; private static const kXAcceleration:Number = 0.2; private static const kYAcceleration:Number = 0.4; private static const kLeftEdge:uint = 1; private static const kStateTurning:uint = 1; public function IDSWFFile(){ var i:uint; var count:uint; fGrabPercent = 0.1; fGrabSize = new Point(); fGrabLocation = kGrabCorner; fShadowStrength = 1.4; fCurveShadow = 5; fPageSlope = 1; fDefaultTurnDuration = 1000; fShowCornerTease = true; fShowPageSlopeAtRest = false; fAutoReverseTransitions = false; fAnimatePageTurns = true; fSlopeAtTease = false; fSlopeAtTurn = false; fBackgroundColor = 0xFFFFFF; fConfigurationData = null; fDragState = kDragNone; fCornerPoint = new Point(); fCurrentPoint = new Point(); fTargetPoint = new Point(); fTurnDuration = 1000; fTurnPercent = 0; fTurnedCorner = kNoCorner; fTargetPageIndex = 0; fOriginalClickPoint = new Point(); fDirection = kTurnForward; fState = kStateNone; fCurrentPageBitmap = null; fTargetPageBitmap = null; fTimer = new Timer(10); fTotalWidth = 0; fTotalHeight = 0; fFrameData = []; super(); if (stage){ stage.scaleMode = StageScaleMode.NO_SCALE; }; InvertHyperlinkButton.kName; InsetHyperlinkButton.kName; readConfigurationData(); cachePageSizes(); fTimer.addEventListener(TimerEvent.TIMER, handleTimer); addEventListener(Event.RENDER, handleRender); if (stage){ stage.addEventListener(KeyboardEvent.KEY_UP, function (_arg1:KeyboardEvent):void{ if ((((_arg1.keyCode == Keyboard.LEFT)) || ((_arg1.keyCode == Keyboard.UP)))){ goToPreviousFrame(); } else { if ((((_arg1.keyCode == Keyboard.RIGHT)) || ((_arg1.keyCode == Keyboard.DOWN)))){ goToNextFrame(); }; }; }); }; i = 0; count = totalFrames; while (i < count) { addFrameScript(i, makeProxy(onInstallFrameStuff, (i + 1))); i = (i + 1); }; stop(); } function startTimer():void{ fStartTime = NaN; fTimer.start(); } function handleTimer(_arg1:TimerEvent):void{ var _local2:Number; var _local3:Number; var _local4:Number; var _local5:Number; var _local6:Number; var _local7:Number; if (fState == kStateAutoTurning){ if (isNaN(fStartTime)){ fStartTime = getTimer(); if (fCurrentPDFTransition){ fCurrentPDFTransition.beginRender(); }; }; if (fTurnDuration){ fTurnPercent = Math.min(((getTimer() - fStartTime) / fTurnDuration), 1); } else { fTurnPercent = 1; }; if (!fCurrentPDFTransition){ _local2 = (fTurnPercent * Math.PI); _local3 = (fPageWidth * Math.cos(_local2)); if (fDirection == kTurnForward){ fCurrentPoint.x = (fPageCenter + _local3); } else { fCurrentPoint.x = (fPageCenter - _local3); }; _local3 = ((fPageHeight / 5) * Math.sin(_local2)); if (fTargetPoint.y < (fPageHeight / 2)){ fCurrentPoint.y = (fPageTop + _local3); } else { fCurrentPoint.y = (fPageBottom - _local3); }; }; if (fTurnPercent == 1){ finishTurn(); }; } else { _local4 = 1; _local5 = 1; if ((((((fState == kStateCompleting)) || ((fState == kStateReverting)))) || ((fState == kStateAutoReverting)))){ _local4 = 1.5; } else { if (fState == kStateAutoCompleting){ _local4 = 1.2; _local5 = 1.5; }; }; _local6 = (fTargetPoint.x - fCurrentPoint.x); _local7 = (fTargetPoint.y - fCurrentPoint.y); if (Math.abs(_local6) <= 1){ if (Math.abs(_local7) <= 0.1){ fCurrentPoint.x = (fCurrentPoint.x + _local6); fCurrentPoint.y = (fCurrentPoint.y + _local7); if ((((((((fState == kStateCompleting)) || ((fState == kStateReverting)))) || ((fState == kStateAutoReverting)))) || ((fState == kStateAutoCompleting)))){ finishTurn(); }; } else { fCurrentPoint.y = (fCurrentPoint.y + ((_local7 * kEndingYAcceleration) * _local5)); }; } else { fCurrentPoint.x = (fCurrentPoint.x + ((_local6 * kXAcceleration) * _local4)); fCurrentPoint.y = (fCurrentPoint.y + ((_local7 * kYAcceleration) * _local5)); }; }; drawPageSlopes(); performPageFlip(fCurrentPoint, fCornerPoint); if (_arg1){ _arg1.updateAfterEvent(); }; } private function drawPageSlopes():void{ var _local1:Graphics; var _local2:Matrix; if (((!(fCurrentPDFTransition)) && (((((((fShowPageSlopeAtRest) && ((fState == kStateNone)))) || (((fSlopeAtTease) && ((fState == kStateTeasing)))))) || (((((fSlopeAtTurn) && (!((fState == kStateNone))))) && (!((fState == kStateTeasing))))))))){ _local1 = fOverlayWidget.graphics; _local2 = new Matrix(); _local2.createGradientBox((fPageWidth / 2), fPageHeight, 0, fPageCenter, fPageTop); _local1.lineStyle(); beginRightSideGradient(_local1, _local2, 1, false); _local1.moveTo(fPageCenter, fPageTop); _local1.lineTo(fPageRight, fPageTop); _local1.lineTo(fPageRight, fPageBottom); _local1.lineTo(fPageCenter, fPageBottom); _local1.lineTo(fPageCenter, fPageTop); _local1.endFill(); _local2.createGradientBox(fPageWidth, fPageHeight, Math.PI, fPageLeft, fPageTop); _local1.lineStyle(); beginLeftSideGradient(_local1, _local2, 1, false); _local1.moveTo(fPageCenter, fPageTop); _local1.lineTo(fPageLeft, fPageTop); _local1.lineTo(fPageLeft, fPageBottom); _local1.lineTo(fPageCenter, fPageBottom); _local1.lineTo(fPageCenter, fPageTop); _local1.endFill(); _local1.beginFill(0xFFFFFF, 0); }; } private function beginLeftSideGradient(_arg1:Graphics, _arg2:Matrix, _arg3:Number, _arg4:Boolean=false):void{ _arg1.beginGradientFill(GradientType.LINEAR, [0xFFFFFF, 0], [(((_arg4) ? 0.08 : 0.19 * fPageSlope) * _arg3), 0], [0, 65.8], _arg2); } private function performPageFlip(_arg1:Point, _arg2:Point):void{ var _local3:Graphics; _local3 = fOverlayWidget.graphics; _local3.clear(); if (((fCurrentPDFTransition) && ((((fState == kStateAutoCompleting)) || ((fState == kStateAutoTurning)))))){ turnPageWithTransition(fCurrentPDFTransition, _local3); } else { handleFlipForFlexiblePages(_arg1, _arg2, _local3); }; } private function hitTestRegion(_arg1:Number, _arg2:Number):uint{ if ((((_arg1 >= 0)) && ((_arg1 < fGrabSize.x)))){ if ((((_arg2 >= 0)) && ((_arg2 < fGrabSize.y)))){ return (kTopLeftCorner); }; if ((((_arg2 < fPageHeight)) && ((_arg2 >= ((fPageHeight - fGrabSize.y) - 1))))){ return (kBottomLeftCorner); }; return (kLeftEdge); }; if ((((_arg1 < fTotalWidth)) && ((_arg1 >= (fTotalWidth - fGrabSize.x))))){ if ((((_arg2 >= 0)) && ((_arg2 < fGrabSize.y)))){ return (kTopRightCorner); }; if ((((_arg2 < fPageHeight)) && ((_arg2 >= ((fPageHeight - fGrabSize.y) - 1))))){ return (kBottomRightCorner); }; return (kRightEdge); }; return (kNoCorner); } private function onHandleEvent(_arg1:Event, _arg2:Action):void{ if (((_arg2) && ((fDragState == kDragNone)))){ _arg2.execute(this); }; } private function rasterizeFrameContents(_arg1:uint, _arg2:uint=0, _arg3:uint=0, _arg4:Boolean=true):BitmapData{ var frameContents:DisplayObject; var frameContentsClassName:String; var frameContentsClass:Class; var scale:Number; var color:uint; var bitmap:BitmapData; var m:Matrix; var sx:Number; var sy:Number; var frame = _arg1; var w = _arg2; var h = _arg3; var opaque = _arg4; frameContents = null; if ((((frame == currentFrame)) && ((numChildren > 0)))){ frameContents = getChildAt(0); }; if (((((!(frameContents)) && ((frame >= 1)))) && ((frame <= fFrameData.length)))){ frameContentsClassName = fFrameData[(frame - 1)].clsName; try { if (ApplicationDomain.currentDomain.hasDefinition(frameContentsClassName)){ frameContentsClass = (ApplicationDomain.currentDomain.getDefinition(frameContentsClassName) as Class); if (frameContentsClass){ frameContents = (new (frameContentsClass) as DisplayObject); }; }; } catch(e:Error) { }; }; if (frameContents){ scale = 1; if (((!((w == 0))) && (!((h == 0))))){ sx = (Number(w) / Number(fTotalWidth)); sy = (Number(h) / Number(fTotalHeight)); if (sx < sy){ scale = sx; h = (scale * fTotalHeight); } else { scale = sy; w = (scale * fTotalWidth); }; } else { w = fTotalWidth; h = fTotalHeight; }; color = fBackgroundColor; if (opaque){ color = (color | 4278190080); }; bitmap = new BitmapData(w, h, !(opaque), color); m = new Matrix(); m.scale(scale, scale); m.translate(frameContents.x, frameContents.y); if (bitmap){ bitmap.draw(frameContents, m); }; return (bitmap); }; return (null); } public function goToLastFrame(_arg1:Boolean=true):void{ turnToPage(totalFrames, _arg1); } private function beginForwardUndersideCurveGradient(_arg1:Graphics, _arg2:Matrix, _arg3:Number):void{ var _local4:Number; var _local5:Number; _local4 = fCurveShadow; _local5 = (_local4 + ((fPageSlope - _local4) * _arg3)); _arg1.beginGradientFill(GradientType.LINEAR, [0xFFFFFF, 0], [(0.19 * _local5), 0], [0, 65.8], _arg2, SpreadMethod.PAD); } private function beginRightSideGradient(_arg1:Graphics, _arg2:Matrix, _arg3:Number, _arg4:Boolean=false):void{ _arg1.beginGradientFill(GradientType.LINEAR, [0, 0xFFFFFF], [(((_arg4) ? 0.08 : 0.27 * fPageSlope) * _arg3), 0], [0, 86], _arg2); } private function onInstallFrameStuff(_arg1:uint):void{ var _local2:Array; var _local3:Action; var _local4:DisplayObject; var _local5:Function; hookUpHelperWidgets(); drawPageSlopes(); _local2 = getFrameActions(_arg1); if (_local2){ for each (_local3 in _local2) { _local4 = getNamedChild(_local3.target); if (_local4){ _local5 = makeProxy(onHandleEvent, _local3); _local4.addEventListener(_local3.eventType, _local5); }; }; }; } private function beginBackwardsUndersideCurveGradient(_arg1:Graphics, _arg2:Matrix, _arg3:Number):void{ var _local4:Number; var _local5:Number; _local4 = fCurveShadow; _local5 = (_local4 + ((fPageSlope - _local4) * _arg3)); _arg1.beginGradientFill(GradientType.LINEAR, [0, 0xFFFFFF], [(0.27 * _local5), 0], [0, 86], _arg2); } public function goToFirstFrame(_arg1:Boolean=true):void{ turnToPage(1, _arg1); } private function setCurrentPageIndex(_arg1:uint):void{ if (((!((_arg1 == currentFrame))) && ((_arg1 <= totalFrames)))){ gotoAndStop(_arg1); dispatchEvent(new Event(Event.CHANGE)); }; } private function hookUpHelperWidgets():void{ installOverlayWidget(); installGrabberWidget(); } private function setUpForPageFlip(_arg1:Number, _arg2:Number, _arg3:Number=NaN):void{ fCornerPoint = findClosestCorner(_arg1, _arg2); fCurrentPoint.x = fCornerPoint.x; fCurrentPoint.y = fCornerPoint.y; if (!isNaN(_arg3)){ fTargetPageIndex = _arg3; } else { if (fCornerPoint.x < fPageCenter){ if (!canTurnBackward()){ return; }; fTargetPageIndex = (currentFrame - 1); } else { if (!canTurnForward()){ return; }; fTargetPageIndex = (currentFrame + 1); }; }; fCurrentPDFTransition = getPDFTransitionForPage(fTargetPageIndex); if (fCurrentPDFTransition){ fTurnDuration = fCurrentPDFTransition.duration; if ((fCurrentPDFTransition is CurlTransition)){ fCurrentPDFTransition = null; }; } else { fTurnDuration = fDefaultTurnDuration; }; fDirection = ((fTargetPageIndex)>currentFrame) ? kTurnForward : kTurnBackward; if (fCurrentPageBitmap){ fCurrentPageBitmap.dispose(); }; fCurrentPageBitmap = rasterizeFrameContents(currentFrame); if (fTargetPageBitmap){ fTargetPageBitmap.dispose(); }; fTargetPageBitmap = rasterizeFrameContents(fTargetPageIndex); startTimer(); } public function getThumbnailForFrame(_arg1:uint, _arg2:uint=32, _arg3:uint=32):BitmapData{ return (rasterizeFrameContents(_arg1, _arg2, _arg3, false)); } private function getEventLocation(_arg1:MouseEvent):Point{ return (globalToLocal(new Point(_arg1.stageX, _arg1.stageY))); } public function turnToPage(_arg1:uint, _arg2:Boolean=true):void{ if (_arg1 != currentFrame){ if (((((!(fAnimatePageTurns)) || (!(_arg2)))) || ((getPDFTransitionForPage(_arg1) is NoneTransition)))){ setCurrentPageIndex(_arg1); } else { finishTurn(); fTargetPoint.y = fPageHeight; fTurnPercent = 0; setState(kStateAutoTurning); if (_arg1 > currentFrame){ fTargetPoint.x = (fPageCenter - fPageWidth); setUpForPageFlip((fPageCenter + fPageWidth), fPageHeight, _arg1); } else { fTargetPoint.x = (fPageCenter + fPageWidth); setUpForPageFlip((fPageCenter - fPageWidth), fPageHeight, _arg1); }; handleTimer(null); }; }; } private function readConfigurationData():void{ var _local1:ByteArray; var _local2:XMLList; var _local3:XMLList; var _local4:XMLList; var _local5:XML; var _local6:String; var _local7:uint; var _local8:XML; var _local9:String; var _local10:String; var _local11:PDFTransition; _local1 = new IDSWFEmbeddedData(); if (((_local1) && (_local1.length))){ fConfigurationData = new XML(_local1.readUTFBytes(_local1.length)); }; if (fConfigurationData){ _local2 = fConfigurationData.Frames; _local3 = fConfigurationData.Book; _local4 = fConfigurationData.Transitions.*; if (_local2.length()){ _local6 = _local2.@ns; _local7 = 1; _local2 = _local2.Frame; for each (_local8 in _local2) { _local9 = _local8.@c; _local10 = _local8.@l; if (_local6.length){ _local9 = ((_local6 + ".") + _local9); }; if (!_local10.length){ _local10 = String(_local7); }; fFrameData.push({clsName:_local9, frameLabel:_local10}); _local7++; }; }; if (_local3.length()){ if (_local3.hasOwnProperty("@w")){ fTotalWidth = Number(_local3.@w); }; if (_local3.hasOwnProperty("@h")){ fTotalHeight = Number(_local3.@h); }; if (_local3.hasOwnProperty("@grabpct")){ fGrabPercent = (Number(_local3.@grabpct) / 100); }; if (_local3.hasOwnProperty("@shadowstrength")){ fShadowStrength = Number(_local3.@shadowstrength); }; if (_local3.hasOwnProperty("@curveshadow")){ fCurveShadow = Number(_local3.@curveshadow); }; if (_local3.hasOwnProperty("@pageslope")){ fPageSlope = Number(_local3.@pageslope); }; if (_local3.hasOwnProperty("@duration")){ fDefaultTurnDuration = Number(_local3.@duration); }; if (_local3.hasOwnProperty("@tease")){ fShowCornerTease = isTrue(_local3.@tease); }; if (_local3.hasOwnProperty("@slopeatrest")){ fShowPageSlopeAtRest = isTrue(_local3.@slopeatrest); }; if (_local3.hasOwnProperty("@autoreverse")){ fAutoReverseTransitions = isTrue(_local3.@autoreverse); }; if (_local3.hasOwnProperty("@animateturns")){ fAnimatePageTurns = isTrue(_local3.@animateturns); }; if (_local3.hasOwnProperty("@slopeattease")){ fSlopeAtTease = isTrue(_local3.@slopeattease); }; if (_local3.hasOwnProperty("@slopeatturn")){ fSlopeAtTurn = isTrue(_local3.@slopeatturn); }; if (_local3.hasOwnProperty("@bgcolor")){ fBackgroundColor = (uint(_local3.@bgcolor) & 0xFFFFFF); }; } else { fShowCornerTease = false; fShowPageSlopeAtRest = false; fGrabLocation = kGrabNone; }; for each (_local5 in _local4) { _local11 = null; switch (_local5.name().toString().toLowerCase()){ case "blinds": _local11 = new BlindsTransition(isHorizontalOrientation(_local5.@o), (_local5.hasOwnProperty("@c")) ? int(_local5.@c) : 10); break; case "cover": _local11 = new CoverTransition(getDirection(_local5.@d)); break; case "push": _local11 = new PushTransition(getDirection(_local5.@d)); break; case "uncover": _local11 = new UncoverTransition(getDirection(_local5.@d)); break; case "wipe": _local11 = new WipeTransition(getDirection(_local5.@d)); break; case "fade": _local11 = new FadeTransition(); break; case "iris": _local11 = new IrisTransition(isInward(_local5.@d)); break; case "split": _local11 = new SplitTransition(isHorizontalOrientation(_local5.@o), isInward(_local5.@d)); break; case "comb": _local11 = new CombTransition(isHorizontalOrientation(_local5.@o), (_local5.hasOwnProperty("@c")) ? int(_local5.@c) : 4); break; case "dissolve": _local11 = new DissolveTransition(); break; case "zoom": _local11 = new ZoomTransition(getDirection(_local5.@d), isInward(_local5.@i)); break; case "none": _local11 = new NoneTransition(); break; case "curl": _local11 = new CurlTransition(); break; }; if (_local11){ if (_local5.hasOwnProperty("@f")){ _local11.pageIndex = int(_local5.@f); }; if (_local5.hasOwnProperty("@s")){ _local11.duration = int(_local5.@s); }; if (!fPDFTransitions){ fPDFTransitions = []; }; fPDFTransitions.push(_local11); }; }; }; } private function findClosestCorner(_arg1:Number, _arg2:Number):Point{ var _local3:Number; var _local4:Number; var _local5:Point; _local3 = (fTotalWidth / 2); _local4 = (fPageHeight / 2); _local5 = new Point(); _local5.x = ((_arg1)<_local3) ? 0 : fTotalWidth; _local5.y = ((_arg2)<_local4) ? 0 : fPageHeight; return (_local5); } private function installOverlayWidget():void{ if (!fOverlayWidget){ fOverlayWidget = new Shape(); }; addChild(fOverlayWidget); fOverlayWidget.graphics.clear(); } private function handleGrabberMouseMove(_arg1:MouseEvent):void{ var _local2:Point; var _local3:uint; _local2 = getEventLocation(_arg1); _local3 = ((_arg1.type)!=MouseEvent.ROLL_OUT) ? hitTestRegion(_local2.x, _local2.y) : kNoCorner; if ((((fState == kStateNone)) && (!((_local3 == kNoCorner))))){ if (((((((!(fShowCornerTease)) || (!(isCorner(_local3))))) || (((isLeftEdge(_local3)) && (!(canTurnBackward())))))) || (((isRightEdge(_local3)) && (!(canTurnForward())))))){ return; }; setState(kStateTeasing); fTurnedCorner = _local3; fTargetPoint.x = _local2.x; fTargetPoint.y = _local2.y; setUpForPageFlip(_local2.x, _local2.y); handleTimer(null); }; if (fState == kStateTeasing){ if (_local3 == fTurnedCorner){ fTargetPoint.x = _local2.x; fTargetPoint.y = _local2.y; } else { switch (fTurnedCorner){ case kTopLeftCorner: fTargetPoint.x = (fPageLeft + 1); fTargetPoint.y = (fPageTop + 1); break; case kTopRightCorner: fTargetPoint.x = (fPageRight - 1); fTargetPoint.y = (fPageTop + 1); break; case kBottomLeftCorner: fTargetPoint.x = (fPageLeft + 1); fTargetPoint.y = (fPageBottom - 1); break; case kBottomRightCorner: fTargetPoint.x = (fPageRight - 1); fTargetPoint.y = (fPageBottom - 1); break; }; setState(kStateAutoReverting); handleTimer(null); }; _arg1.updateAfterEvent(); }; } function handleMouseMove(_arg1:MouseEvent):void{ var _local2:Point; if (fDragState != kDragNone){ _local2 = getEventLocation(_arg1); if ((((fDragState == kDragClick)) && (isMouseDrag(_arg1)))){ fDragState = kDragDragging; }; fTargetPoint.x = _local2.x; fTargetPoint.y = _local2.y; handleTimer(null); }; _arg1.updateAfterEvent(); } private function turnPageWithTransition(_arg1:PDFTransition, _arg2:Graphics):void{ var _local3:Boolean; if (_arg1){ if (((fCurrentPageBitmap) && (fTargetPageBitmap))){ _local3 = ((fAutoReverseTransitions) && ((fDirection == kTurnBackward))); _arg1.render(fCurrentPageBitmap, fTargetPageBitmap, _arg2, fTurnPercent, _local3); } else { finishTurn(); }; }; } private function beginTopPageGradient(_arg1:Graphics, _arg2:Matrix):void{ _arg1.beginGradientFill(GradientType.LINEAR, [0, 0], [(0.9 * fShadowStrength), 0], [0, 131.61], _arg2, SpreadMethod.PAD); } private function beginShadowOnRevealedPage(_arg1:Graphics, _arg2:Matrix, _arg3:Number):void{ _arg1.beginGradientFill(GradientType.LINEAR, [0, 0], [((1.8 * (1 - _arg3)) * fShadowStrength), 0], [0, 200], _arg2); } private function installGrabberWidget():void{ var _local1:Graphics; if (!fGrabberWidget){ fGrabberWidget = new Sprite(); fGrabberWidget.addEventListener(MouseEvent.MOUSE_DOWN, handleGrabberMouseDown); fGrabberWidget.addEventListener(MouseEvent.MOUSE_MOVE, handleGrabberMouseMove); fGrabberWidget.addEventListener(MouseEvent.ROLL_OVER, handleGrabberMouseMove); fGrabberWidget.addEventListener(MouseEvent.ROLL_OUT, handleGrabberMouseMove); }; _local1 = fGrabberWidget.graphics; _local1.clear(); _local1.beginFill(0xFFFF00, 0); fGrabSize.x = (fTotalWidth * fGrabPercent); fGrabSize.y = (fPageHeight * fGrabPercent); switch (fGrabLocation){ case kGrabNone: break; case kGrabCorner: _local1.drawRect(fPageLeft, fPageTop, fGrabSize.x, fGrabSize.y); _local1.drawRect(fPageLeft, (fPageBottom - fGrabSize.y), fGrabSize.x, fGrabSize.y); _local1.drawRect((fPageRight - fGrabSize.x), fPageTop, fGrabSize.x, fGrabSize.y); _local1.drawRect((fPageRight - fGrabSize.x), (fPageBottom - fGrabSize.y), fGrabSize.x, fGrabSize.y); break; }; _local1.endFill(); addChild(fGrabberWidget); setChildIndex(fGrabberWidget, (numChildren - 1)); } private function makeProxy(_arg1:Function, ... _args):Function{ var f = _arg1; var args = _args; return (function (... _args):void{ f.apply(this, _args.concat(args)); }); } private function drawPoly(_arg1:Graphics, _arg2:Array):void{ var _local3:uint; _arg1.moveTo(_arg2[0].x, _arg2[0].y); _local3 = 1; while (_local3 < _arg2.length) { _arg1.lineTo(_arg2[_local3].x, _arg2[_local3].y); _local3++; }; _arg1.lineTo(_arg2[0].x, _arg2[0].y); } private function isImpossibleDrag(_arg1:Point, _arg2:Point, _arg3:uint):Boolean{ switch (_arg3){ case kTopLeftCorner: if ((((_arg1.x < _arg2.x)) && ((_arg1.y < _arg2.y)))){ return (true); }; break; case kTopRightCorner: if ((((_arg1.x > _arg2.x)) && ((_arg1.y < _arg2.y)))){ return (true); }; break; case kBottomLeftCorner: if ((((_arg1.x < _arg2.x)) && ((_arg1.y > _arg2.y)))){ return (true); }; break; case kBottomRightCorner: if ((((_arg1.x > _arg2.x)) && ((_arg1.y > _arg2.y)))){ return (true); }; break; }; return (false); } function handleMouseUp(_arg1:MouseEvent):void{ var _local2:Point; if (fDragState != kDragNone){ _local2 = getEventLocation(_arg1); if (fMouseEventTarget){ fMouseEventTarget.removeEventListener(MouseEvent.MOUSE_MOVE, handleMouseMove); fMouseEventTarget.removeEventListener(MouseEvent.MOUSE_UP, handleMouseUp); fMouseEventTarget = null; }; if (isImpossibleDrag(_local2, fCornerPoint, fTurnedCorner)){ finishTurn(); } else { if (fDragState == kDragClick){ setState(kStateAutoTurning); fTargetPoint.x = ((fDirection)==kTurnForward) ? fPageLeft : fPageRight; } else { if (fDirection == kTurnForward){ if (_local2.x < (fPageCenter + (fPageWidth / 2))){ fTargetPoint.x = fPageLeft; setState(kStateCompleting); } else { fTargetPoint.x = fPageRight; setState(kStateReverting); }; } else { if (_local2.x > (fPageWidth / 2)){ fTargetPoint.x = fPageRight; setState(kStateCompleting); } else { fTargetPoint.x = fPageLeft; setState(kStateReverting); }; }; }; }; fTargetPoint.y = fCornerPoint.y; _arg1.updateAfterEvent(); fDragState = kDragNone; }; } private function handleFlipForFlexiblePages(_arg1:Point, _arg2:Point, _arg3:Graphics):void{ var _local4:Number; var _local5:Number; var _local6:Point; var _local7:Point; var _local8:Point; var _local9:Point; var _local10:Point; var _local11:Point; var _local12:Point; var _local13:Number; var _local14:Vector; var _local15:Number; var _local16:Vector; var _local17:Vector; var _local18:Point; var _local19:Point; var _local20:Point; var _local21:Point; var _local22:Point; var _local23:Point; var _local24:Number; var _local25:Number; var _local26:Array; var _local27:Array; var _local28:Array; var _local29:Array; var _local30:Point; var _local31:Vector; var _local32:Number; var _local33:Matrix; var _local34:Boolean; var _local35:Vector; var _local36:Number; var _local37:Vector; var _local38:Vector; var _local39:Vector; var _local40:Point; var _local41:Vector; var _local42:Number; var _local43:Vector; var _local44:Number; if (_arg2.x > fPageCenter){ _local4 = fPageRight; _local5 = fPageLeft; } else { _local4 = fPageLeft; _local5 = fPageRight; }; if (fState == kStateTurning){ if (isImpossibleDrag(_arg1, _arg2, fTurnedCorner)){ return; }; }; if (_arg1.x > fPageRight){ _arg1.x = fPageRight; } else { if (_arg1.x < fPageLeft){ _arg1.x = fPageLeft; }; }; _local6 = new Point(fPageCenter, fPageTop); _local7 = new Point(fPageCenter, fPageHeight); _local8 = new Point(_local4, fPageTop); _local9 = new Point(_local5, fPageTop); _local10 = new Point(_local4, fPageHeight); _local11 = new Point(_local5, fPageHeight); _local12 = ((_arg1.y)<=_arg2.y) ? _local7 : _local6; _local13 = new Vector(_local12, _arg2).length; _local14 = new Vector(_local12, _arg1); _local15 = _local14.length; if (_local15 > _local13){ _local14.length = _local13; _arg1 = _local14.fP1.clone(); }; _local16 = new Vector(_arg1, _arg2); _local17 = _local16.clone(); _local16.clone().length = (_local17.length / 2); _local18 = _local17.fP1.clone(); _local17.perp(); _local17.moveTo(_local18); _local17.normalize(); _local24 = _local17.xForY(fPageTop); if (Math.abs((_local24 - fPageCenter)) < Math.abs((_local4 - fPageCenter))){ _local37 = new Vector(new Point(_local24, fPageTop), _local8); _local37.reflect(_local17); _local23 = _local37.fP1; _local20 = _local23; _local19 = _local37.fP0; } else { _local19 = new Point(_local4, _local17.yForX(_local4)); _local20 = _local19; _local38 = new Vector(_local20, _local8); _local38.reflect(_local17); _local23 = _local38.fP1; }; _local25 = _local17.xForY(fPageHeight); if (Math.abs((_local25 - fPageCenter)) < Math.abs((_local4 - fPageCenter))){ _local39 = new Vector(new Point(_local25, fPageHeight), _local10); _local39.reflect(_local17); _local22 = _local39.fP1; _local21 = _local39.fP0; } else { _local21 = new Point(_local4, _local17.yForX(_local4)); _local22 = _local21; }; _local26 = []; _local27 = []; _local28 = []; _local29 = []; if (_local16.length2 > 0.1){ if (_local19.y > fPageTop){ _local27.push(_local8); }; _local27.push(_local19); _local27.push(_local21); if (_local21.y < fPageHeight){ _local27.push(_local10); }; } else { _local27.push(_local8); _local27.push(_local10); }; for each (_local30 in _local27) { _local26.push(_local30); }; _local26.unshift(_local6); _local26.push(_local7); _local27.unshift(_local9); _local27.push(_local11); _local28.push(_local19); if (_local19.y == fPageTop){ _local28.push(_local8); }; if (_local21.y == fPageHeight){ _local28.push(_local10); }; _local28.push(_local21); if (fDirection == kTurnForward){ _local31 = new Vector(_local22, _local20); } else { _local40 = _local20; _local20 = _local19; _local19 = _local40; _local40 = _local22; _local22 = _local21; _local21 = _local40; _local31 = new Vector(_local21, _local19); _local41 = _local31.clone(); _local41.perp(); _local41.length = (fPageWidth * 2); _local41.moveTo(_local23); _local23 = _local41.fP1; }; _local29.push(_local20); _local29.push(_local19); _local29.push(_local21); _local29.push(_local22); if (fDirection == kTurnForward){ _local32 = (1 - ((_arg1.x - fPageLeft) / (2 * fPageWidth))); } else { _local32 = ((_arg1.x - fPageLeft) / (2 * fPageWidth)); }; _local33 = new Matrix(); _local33.identity(); if (fCurrentPageBitmap != null){ if (fDirection == kTurnForward){ _local33.tx = fPageLeft; _local33.ty = fPageTop; _arg3.beginBitmapFill(fCurrentPageBitmap, _local33, false, true); } else { _local33.tx = _local4; _local33.ty = fPageTop; _arg3.beginBitmapFill(fCurrentPageBitmap, _local33, false, true); }; } else { _arg3.beginFill(fBackgroundColor); }; drawPoly(_arg3, _local26); _arg3.endFill(); _local34 = false; if (((fSlopeAtTease) && ((fState == kStateTeasing)))){ _local34 = true; } else { if (((((((fSlopeAtTurn) && (!((fState == kStateNone))))) && (!((fState == kStateTeasing))))) && (!((fState == kStateAutoReverting))))){ _local34 = true; }; }; if (_local34){ _local42 = Math.min(((Math.abs((_arg1.x - _arg2.x)) / fPageWidth) * 2), 1); if (fDirection == kTurnForward){ _local33.createGradientBox(fPageWidth, fPageHeight, 0, fPageCenter, fPageTop); beginRightSideGradient(_arg3, _local33, _local42); } else { _local33.createGradientBox(fPageWidth, fPageHeight, Math.PI, fPageLeft, fPageTop); beginLeftSideGradient(_arg3, _local33, _local42); }; drawPoly(_arg3, _local26); _arg3.endFill(); }; if (_local16.length2 > 0.1){ _local35 = new Vector(_local18, _arg1); _local36 = (_local35.length * 1.2); _local33.identity(); if (_local36 > 12){ _local33.scale((_local36 / 1638.4), (50 / 1638.4)); _local33.rotate((_local17.angle + Math.PI)); _local33.translate((_local18.x + (_local35.x / 2)), (_local18.y + (_local35.y / 2))); beginTopPageGradient(_arg3, _local33); drawPoly(_arg3, _local27); _arg3.endFill(); }; _local43 = new Vector(_local18, _arg2); _local44 = _local43.length; _local33.identity(); if (_local44 > 1){ _local33.scale((_local44 / 1638.4), (50 / 1638.4)); if (fDirection == kTurnForward){ _local33.rotate(_local17.angle); _local33.translate((_local18.x + (_local43.x / 2)), (_local18.y + (_local43.y / 2))); beginShadowOnRevealedPage(_arg3, _local33, _local32); } else { _local33.rotate(_local17.angle); _local33.translate((_local18.x + (_local43.x / 2)), (_local18.y + (_local43.y / 2))); beginShadowOnRevealedPage(_arg3, _local33, _local32); }; drawPoly(_arg3, _local28); _arg3.endFill(); }; if (fTargetPageBitmap != null){ _local33.identity(); _local33.rotate(Math.atan2(_local31.x, -(_local31.y))); _local33.tx = _local23.x; _local33.ty = _local23.y; _arg3.beginBitmapFill(fTargetPageBitmap, _local33, true, true); drawPoly(_arg3, _local29); _arg3.endFill(); _local33.identity(); _local33.tx = fPageLeft; _local33.ty = fPageTop; _arg3.beginBitmapFill(fTargetPageBitmap, _local33, true, true); drawPoly(_arg3, _local28); _arg3.endFill(); } else { _arg3.beginFill(fBackgroundColor); drawPoly(_arg3, _local29); drawPoly(_arg3, _local28); _arg3.endFill(); }; _arg3.lineStyle(); _local35 = new Vector(_local18, _arg1); _local36 = _local35.length; if (_local36 > 10){ _local33.identity(); _local33.scale((_local36 / 1638.4), (50 / 1638.4)); _local33.rotate((_local17.angle + Math.PI)); _local33.translate((_local18.x + (_local35.x / 2)), (_local18.y + (_local35.y / 2))); if (fDirection == kTurnForward){ beginForwardUndersideCurveGradient(_arg3, _local33, _local32); } else { beginBackwardsUndersideCurveGradient(_arg3, _local33, _local32); }; drawPoly(_arg3, _local29); _arg3.endFill(); }; }; } private function getFrameActions(_arg1:uint):Array{ var actions:Array; var actionList:XMLList; var eventType:String; var unknown:String; var a:XML; var frame = _arg1; actions = new Array(); if (fConfigurationData){ actionList = fConfigurationData.Actions.*.(@f == frame); for each (a in actionList) { if (a.hasOwnProperty("@e")){ switch (a.@e.toLowerCase()){ case "u": default: eventType = MouseEvent.CLICK; break; case "d": eventType = MouseEvent.MOUSE_DOWN; break; case "o": eventType = MouseEvent.MOUSE_OVER; break; case "x": eventType = MouseEvent.MOUSE_OUT; break; case "b": eventType = FocusEvent.FOCUS_OUT; break; case "f": eventType = FocusEvent.FOCUS_IN; break; }; } else { eventType = MouseEvent.CLICK; }; switch (a.name().localName.toLowerCase()){ case "last": actions.push(new GoToLastFrameAction(a.@t, eventType)); break; case "first": actions.push(new GoToFirstFrameAction(a.@t, eventType)); break; case "next": actions.push(new GoToNextFrameAction(a.@t, eventType)); break; case "previous": actions.push(new GoToPreviousFrameAction(a.@t, eventType)); break; case "goto": actions.push(new GoToFrameAction(a.@t, eventType, uint(a.@i))); break; case "url": actions.push(new GoToURLAction(a.@t, eventType, a.@u)); break; case "show": actions.push(createShowHideAction(a.@t, eventType, a)); break; default: break; }; }; }; return (actions); } private function setState(_arg1:uint):void{ fState = _arg1; } private function createShowHideAction(_arg1:String, _arg2:String, _arg3:XML):Action{ var _local4:XMLList; var _local5:Array; var _local6:XML; var _local7:Dictionary; var _local8:String; _local4 = _arg3.Fields.Field; _local5 = new Array(); for each (_local6 in _local4) { _local7 = new Dictionary(); _local7["n"] = _local6.@n; _local8 = _local6.@v; if (!_local8){ _local8 = "h"; }; switch (_local8.toLowerCase()){ case "s": default: _local7["v"] = ShowHideAction.kShow; break; case "h": _local7["v"] = ShowHideAction.kHide; break; case "t": _local7["v"] = ShowHideAction.kToggle; break; }; _local5.push(_local7); }; return (new ShowHideAction(_arg1, _arg2, _local5)); } function isMouseDrag(_arg1:MouseEvent):Boolean{ var _local2:Point; var _local3:int; var _local4:int; _local2 = getEventLocation(_arg1); _local3 = (_local2.x - fOriginalClickPoint.x); _local4 = (_local2.y - fOriginalClickPoint.y); return ((Math.sqrt(((_local3 * _local3) + (_local4 * _local4))) > kMouseDragDistance)); } private function canTurnBackward():Boolean{ return ((currentFrame > 1)); } public function getNamedChild(_arg1:String):DisplayObject{ var _local2:DisplayObject; var _local3:DisplayObjectContainer; _local2 = getChildByName(_arg1); if (((!(_local2)) && ((numChildren > 0)))){ _local3 = (getChildAt(0) as DisplayObjectContainer); if (_local3){ _local2 = _local3.getChildByName(_arg1); }; }; return (_local2); } public function getLabelForFrame(_arg1:uint):String{ if ((((_arg1 >= 1)) && ((_arg1 <= totalFrames)))){ return (fFrameData[(_arg1 - 1)].frameLabel); }; return (""); } private function getPDFTransitionForPage(_arg1:uint):PDFTransition{ var _local2:PDFTransition; if ((((_arg1 >= 0)) && (!((fPDFTransitions == null))))){ for each (_local2 in fPDFTransitions) { if (_local2.pageIndex == _arg1){ return (_local2); }; }; for each (_local2 in fPDFTransitions) { if (_local2.pageIndex == -1){ return (_local2); }; }; }; return (null); } public function getFrameCount():uint{ return (totalFrames); } public function goToFrame(_arg1:uint, _arg2:Boolean=true):void{ turnToPage(_arg1, _arg2); } function handleGrabberMouseDown(_arg1:MouseEvent):void{ var _local2:Point; var _local3:uint; _local2 = getEventLocation(_arg1); if (_local2.x < fPageCenter){ if (!canTurnBackward()){ return; }; } else { if (!canTurnForward()){ return; }; }; fOriginalClickPoint.x = _local2.x; fOriginalClickPoint.y = _local2.y; fDragState = kDragClick; if (fState != kStateTeasing){ _local3 = hitTestRegion(_local2.x, _local2.y); switch (fGrabLocation){ case kGrabNone: return; case kGrabCorner: if (!isCorner(_local3)){ return; }; break; }; finishTurn(); setUpForPageFlip(_local2.x, _local2.y); }; fMouseEventTarget = (stage) ? stage : parent; fMouseEventTarget.addEventListener(MouseEvent.MOUSE_MOVE, handleMouseMove); fMouseEventTarget.addEventListener(MouseEvent.MOUSE_UP, handleMouseUp); setState(kStateTurning); fTargetPoint.x = _local2.x; fTargetPoint.y = _local2.y; handleTimer(null); } private function finishTurn():void{ fTimer.stop(); if ((((((fState == kStateCompleting)) || ((fState == kStateAutoTurning)))) || ((fState == kStateAutoCompleting)))){ setCurrentPageIndex(fTargetPageIndex); }; setState(kStateNone); if (fCurrentPageBitmap){ fCurrentPageBitmap.dispose(); fCurrentPageBitmap = null; }; if (fTargetPageBitmap){ fTargetPageBitmap.dispose(); fTargetPageBitmap = null; }; if (stage){ stage.invalidate(); }; } private function canTurnForward():Boolean{ return ((currentFrame < totalFrames)); } function handleRender(_arg1:Event):void{ fOverlayWidget.graphics.clear(); drawPageSlopes(); } private function cachePageSizes():void{ if ((((fTotalWidth == 0)) || ((fTotalHeight == 0)))){ if (stage){ fTotalWidth = stage.stageWidth; fTotalHeight = stage.stageHeight; } else { fTotalWidth = width; fTotalHeight = height; }; }; fPageWidth = (fTotalWidth / 2); fPageHeight = (fTotalHeight - 1); fPageCenter = (fTotalWidth / 2); fPageLeft = 0; fPageTop = 0; fPageRight = ((fPageLeft + fTotalWidth) - 1); fPageBottom = ((fPageTop + fTotalHeight) - 1); } public function goToPreviousFrame(_arg1:Boolean=true):void{ if (currentFrame > 1){ turnToPage((currentFrame - 1), _arg1); }; } public function getCurrentFrame():uint{ return (currentFrame); } public function goToNextFrame(_arg1:Boolean=true):void{ if (currentFrame < totalFrames){ turnToPage((currentFrame + 1), _arg1); }; } private static function isRightEdge(_arg1:uint):Boolean{ return (!(((_arg1 & kRightEdge) == 0))); } private static function isHorizontalOrientation(_arg1:String):Boolean{ return (((_arg1) && ((_arg1.toLowerCase() == "h")))); } private static function isCorner(_arg1:uint):Boolean{ return (!(((_arg1 & kIsCornerFlag) == 0))); } private static function isEdge(_arg1:uint):Boolean{ return (!(((_arg1 & (kLeftEdge | kRightEdge)) == 0))); } private static function isLeftEdge(_arg1:uint):Boolean{ return (!(((_arg1 & kLeftEdge) == 0))); } private static function isTrue(_arg1:String):Boolean{ return (((_arg1) && ((_arg1.toLowerCase() == "t")))); } private static function getDirection(_arg1:String):uint{ switch (_arg1.toLowerCase()){ case "r": default: return (DirectionedPDFTransition.kLeftToRight); case "l": return (DirectionedPDFTransition.kRightToLeft); case "d": return (DirectionedPDFTransition.kTopToBottom); case "u": return (DirectionedPDFTransition.kBottomToTop); case "rd": return (DirectionedPDFTransition.kTopLeftToBottomRight); case "ld": return (DirectionedPDFTransition.kTopRightToBottomLeft); case "ru": return (DirectionedPDFTransition.kBottomLeftToTopRight); case "lu": return (DirectionedPDFTransition.kBottomRightToTopLeft); }; } private static function isInward(_arg1:String):Boolean{ return (((_arg1) && ((_arg1.toLowerCase() == "i")))); } } }//package com.adobe.indesignSection 39//InsetHyperlinkButton (com.adobe.indesign.InsetHyperlinkButton) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class InsetHyperlinkButton extends HyperlinkButton { private static const kDarkShadow:uint = 4278190080; public static const kName:String = "inset"; private static const kHilight:uint = 4294967295; private static const kLightShadow:uint = 4278190080; override protected function installBitmap(_arg1:BitmapData):void{ var _local2:BitmapData; _local2 = new BitmapData(_arg1.width, _arg1.height, false, kLightShadow); _local2.copyPixels(_arg1, new Rectangle(0, 0, _arg1.width, _arg1.height), new Point(2, 2)); _local2.fillRect(new Rectangle(0, 0, _arg1.width, 1), kDarkShadow); _local2.fillRect(new Rectangle(0, 1, 1, _arg1.height), kDarkShadow); _local2.fillRect(new Rectangle((_arg1.width - 1), 1, 1, _arg1.height), kHilight); _local2.fillRect(new Rectangle(1, (_arg1.height - 1), _arg1.width, 1), kHilight); downState = new Bitmap(_local2, PixelSnapping.AUTO, true); } } }//package com.adobe.indesignSection 40//InvertHyperlinkButton (com.adobe.indesign.InvertHyperlinkButton) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class InvertHyperlinkButton extends HyperlinkButton { public static const kName:String = "invert"; override protected function installBitmap(_arg1:BitmapData):void{ _arg1.colorTransform(new Rectangle(0, 0, _arg1.width, _arg1.height), new ColorTransform(-1, -1, -1, 1, 0xFF, 0xFF, 0xFF)); downState = new Bitmap(_arg1, PixelSnapping.NEVER, true); } } }//package com.adobe.indesignSection 41//IrisTransition (com.adobe.indesign.IrisTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class IrisTransition extends PDFTransition { private var fInward:Boolean; public function IrisTransition(_arg1:Boolean=true){ fInward = _arg1; } public function set inward(_arg1:Boolean):void{ fInward = _arg1; } public function get inward():Boolean{ return (fInward); } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Boolean; var _local7:Rectangle; var _local8:uint; var _local9:uint; var _local10:BitmapData; var _local11:Rectangle; var _local12:uint; var _local13:uint; _local6 = fInward; if (_arg5){ _local6 = !(_local6); }; if (_local6){ _local10 = _arg2; _arg2 = _arg1; _arg1 = _local10; _arg4 = (1 - _arg4); }; _local7 = _arg1.rect.union(_arg2.rect); _local8 = (_arg4 * _local7.width); _local9 = (_arg4 * _local7.height); if (((!(_local8)) || (!(_local9)))){ _arg3.beginBitmapFill(_arg1); _arg3.drawRect(_local7.left, _local7.top, _local7.width, _local7.height); _arg3.endFill(); } else { _local11 = new Rectangle(Math.floor(((_local7.width - _local8) / 2)), Math.floor(((_local7.height - _local9) / 2)), _local8, _local9); _arg3.beginBitmapFill(_arg2); _arg3.drawRect(_local11.left, _local11.top, _local11.width, _local11.height); _arg3.endFill(); if (!_local11.equals(_local7)){ _local12 = ((_local7.width - _local8) / 2); _local13 = ((_local7.height - _local9) / 2); _arg3.beginBitmapFill(_arg1); _arg3.drawRect(0, 0, _local7.width, _local13); _arg3.endFill(); _arg3.beginBitmapFill(_arg1); _arg3.drawRect(0, _local11.top, _local12, _local11.height); _arg3.endFill(); _arg3.beginBitmapFill(_arg1); _arg3.drawRect(_local11.right, _local11.top, _local12, _local11.height); _arg3.endFill(); _arg3.beginBitmapFill(_arg1); _arg3.drawRect(0, ((_local7.bottom - _local13) - 1), _local7.width, _local13); _arg3.endFill(); }; }; } } }//package com.adobe.indesignSection 42//NoneTransition (com.adobe.indesign.NoneTransition) package com.adobe.indesign { import flash.display.*; public class NoneTransition extends PDFTransition { private var fPageIndex:int;// = -1 public function NoneTransition(){ fPageIndex = -1; super(); } override public function set duration(_arg1:uint):void{ } override public function get duration():uint{ return (0); } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ } } }//package com.adobe.indesignSection 43//PDFTransition (com.adobe.indesign.PDFTransition) package com.adobe.indesign { import flash.display.*; public class PDFTransition { private var fDuration:uint;// = 1000 private var fPageIndex:int;// = -1 public function PDFTransition(){ fPageIndex = -1; fDuration = 1000; super(); } public function get pageIndex():int{ return (fPageIndex); } public function set pageIndex(_arg1:int):void{ fPageIndex = _arg1; } public function set duration(_arg1:uint):void{ fDuration = _arg1; } public function endRender():void{ } public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ throw (new Error("PDFTransition.render() is abstract")); } public function get duration():uint{ return (fDuration); } public function beginRender():void{ } } }//package com.adobe.indesignSection 44//PushTransition (com.adobe.indesign.PushTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class PushTransition extends DirectionedPDFTransition { public function PushTransition(_arg1:uint=0){ super(_arg1); } private function calculateRects(_arg1:Rectangle, _arg2:Number, _arg3:Rectangle, _arg4:Point, _arg5:Rectangle, _arg6:Point, _arg7:Rectangle, _arg8:Rectangle, _arg9:Boolean):void{ var _local10:uint; var _local11:uint; var _local12:uint; var _local13:uint; _local10 = (_arg1.width * _arg2); _local11 = (_arg1.height * _arg2); _local12 = (_arg1.width - _local10); _local13 = (_arg1.height - _local11); switch (getEffectiveDirection(_arg9)){ case kRightToLeft: _arg3.x = _local12; _arg3.y = 0; _arg3.width = _local10; _arg3.height = _arg1.height; _arg4.x = -(_local12); _arg4.y = 0; _arg5.x = 0; _arg5.y = 0; _arg5.width = _local12; _arg5.height = _arg1.height; _arg6.x = _local10; _arg6.y = 0; break; case kLeftToRight: default: _arg3.y = (_arg5.y = 0); _arg3.height = (_arg5.height = _arg1.height); _arg4.x = _local12; _arg3.width = _local10; _arg3.x = 0; _arg5.x = _local10; _arg6.x = -(_local10); _arg5.width = _local12; break; case kBottomToTop: _arg3.x = 0; _arg3.y = _local13; _arg3.width = _arg1.width; _arg3.height = _local11; _arg4.x = 0; _arg4.y = -(_local13); _arg5.x = (_arg5.y = 0); _arg5.width = _arg1.width; _arg5.height = _local13; _arg6.x = 0; _arg6.y = _local11; break; case kTopToBottom: _arg3.x = (_arg5.x = 0); _arg3.width = (_arg5.width = _arg1.width); _arg4.y = _local13; _arg3.height = _local11; _arg3.y = 0; _arg5.y = _local11; _arg6.y = -(_local11); _arg5.height = _local13; break; case kTopLeftToBottomRight: _arg3.x = (_arg3.y = 0); _arg3.width = _local10; _arg3.height = _local11; _arg4.x = _local12; _arg4.y = _local13; _arg5.x = _local10; _arg5.y = _local11; _arg5.width = _local12; _arg5.height = _local13; _arg6.x = -(_local10); _arg6.y = -(_local11); _arg7.x = 0; _arg7.y = _local11; _arg7.width = _local10; _arg7.height = _local13; _arg8.x = _local10; _arg8.y = 0; _arg8.width = _local12; _arg8.height = _local11; break; case kTopRightToBottomLeft: _arg3.x = _local12; _arg3.y = 0; _arg3.width = _local10; _arg3.height = _local11; _arg4.x = -(_local12); _arg4.y = _local13; _arg5.x = 0; _arg5.y = _local11; _arg5.width = _local12; _arg5.height = _local13; _arg6.x = _local10; _arg6.y = -(_local11); _arg7.x = 0; _arg7.y = 0; _arg7.width = _local12; _arg7.height = _local11; _arg8.x = _local12; _arg8.y = _local11; _arg8.width = _local10; _arg8.height = _local13; break; case kBottomLeftToTopRight: _arg3.x = 0; _arg3.y = _local13; _arg3.width = _local10; _arg3.height = _local11; _arg4.x = _local12; _arg4.y = -(_local13); _arg5.x = _local10; _arg5.y = 0; _arg5.width = _local12; _arg5.height = _local13; _arg6.x = -(_local10); _arg6.y = _local11; _arg7.x = (_arg7.y = 0); _arg7.width = _local10; _arg7.height = _local13; _arg8.x = _local10; _arg8.y = _local13; _arg8.width = _local12; _arg8.height = _local11; break; case kBottomRightToTopLeft: _arg3.x = _local12; _arg3.y = _local13; _arg3.width = _local10; _arg3.height = _local11; _arg4.x = -(_local12); _arg4.y = -(_local13); _arg5.x = (_arg5.y = 0); _arg5.width = _local12; _arg5.height = _local13; _arg6.x = _local10; _arg6.y = _local11; _arg7.x = 0; _arg7.y = _local13; _arg7.width = _local12; _arg7.height = _local11; _arg8.x = _local12; _arg8.y = 0; _arg8.width = _local10; _arg8.height = _local13; break; }; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Point; var _local7:Rectangle; var _local8:Point; var _local9:Rectangle; var _local10:Rectangle; var _local11:Rectangle; var _local12:Matrix; _local6 = new Point(); _local7 = new Rectangle(); _local8 = new Point(); _local9 = new Rectangle(); _local10 = new Rectangle(); _local11 = new Rectangle(); calculateRects(_arg1.rect.union(_arg2.rect), _arg4, _local9, _local8, _local7, _local6, _local10, _local11, _arg5); _local12 = new Matrix(); if (!_local10.isEmpty()){ _arg3.beginFill(0xFFFFFF); _arg3.drawRect(_local10.x, _local10.y, _local10.width, _local10.height); _arg3.endFill(); }; if (!_local11.isEmpty()){ _arg3.beginFill(0xFFFFFF); _arg3.drawRect(_local11.x, _local11.y, _local11.width, _local11.height); _arg3.endFill(); }; if (!_local7.isEmpty()){ _local12.identity(); _local12.translate(-(_local6.x), -(_local6.y)); _arg3.beginBitmapFill(_arg1, _local12, false); _arg3.drawRect(_local7.left, _local7.top, _local7.width, _local7.height); _arg3.endFill(); }; if (!_local9.isEmpty()){ _local12.identity(); _local12.translate(-(_local8.x), -(_local8.y)); _arg3.beginBitmapFill(_arg2, _local12, false); _arg3.drawRect(_local9.left, _local9.top, _local9.width, _local9.height); _arg3.endFill(); }; } } }//package com.adobe.indesignSection 45//ShowHideAction (com.adobe.indesign.ShowHideAction) package com.adobe.indesign { import flash.display.*; import flash.utils.*; public class ShowHideAction extends BaseAction { private var fParams:Array; public static const kShow:uint = 1; public static const kHide:uint = 0; public static const kToggle:uint = 2; public function ShowHideAction(_arg1:String, _arg2:String, _arg3:Array){ super(_arg1, _arg2); fParams = _arg3; } override public function execute(_arg1:IDMovieClipInternal):void{ var _local2:Dictionary; var _local3:String; var _local4:DisplayObject; for each (_local2 in fParams) { _local3 = _local2["n"]; _local4 = _arg1.getNamedChild(_local3); if (_local4){ switch (_local2["v"]){ case kHide: _local4.visible = false; break; case kShow: _local4.visible = true; break; case kToggle: _local4.visible = !(_local4.visible); break; }; }; }; } } }//package com.adobe.indesignSection 46//SplitTransition (com.adobe.indesign.SplitTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class SplitTransition extends PDFTransition { private var fHorizontal:Boolean; private var fInward:Boolean; public function SplitTransition(_arg1:Boolean=true, _arg2:Boolean=true){ fInward = _arg1; fHorizontal = _arg2; } public function set inward(_arg1:Boolean):void{ fInward = _arg1; } public function get horizontal():Boolean{ return (fHorizontal); } public function get inward():Boolean{ return (fInward); } public function set horizontal(_arg1:Boolean):void{ fHorizontal = _arg1; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Rectangle; var _local7:Boolean; var _local8:BitmapData; var _local9:uint; var _local10:uint; var _local11:uint; var _local12:uint; _local6 = _arg1.rect.union(_arg2.rect); _local7 = fInward; if (_arg5){ _local7 = !(_local7); }; if (_local7){ _arg4 = (1 - _arg4); } else { _local8 = _arg2; _arg2 = _arg1; _arg1 = _local8; }; if (fHorizontal){ _local9 = (_arg4 * _local6.height); if (_local9 == 0){ _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); } else { if (_local9 == _local6.height){ _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); } else { _local10 = ((_local6.height - _local9) / 2); _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _local6.width, _local10); _arg3.endFill(); _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, (_local10 + _local9), _local6.width, ((_local6.height - _local10) - _local9)); _arg3.endFill(); _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, _local10, _local6.width, _local9); _arg3.endFill(); }; }; } else { _local11 = (_arg4 * _local6.width); if (_local11 == 0){ _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); } else { if (_local11 == _local6.width){ _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); } else { _local12 = ((_local6.width - _local11) / 2); _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _local12, _local6.height); _arg3.endFill(); _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect((_local12 + _local11), 0, ((_local6.width - _local12) - _local11), _local6.height); _arg3.endFill(); _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(_local12, 0, _local11, _local6.height); _arg3.endFill(); }; }; }; } } }//package com.adobe.indesignSection 47//UncoverTransition (com.adobe.indesign.UncoverTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class UncoverTransition extends DirectionedPDFTransition { public function UncoverTransition(_arg1:uint=0){ super(_arg1); } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Matrix; var _local7:Rectangle; var _local8:uint; var _local9:uint; _local6 = new Matrix(); _local7 = _arg1.rect.union(_arg2.rect); _local8 = (_local7.width * _arg4); _local9 = (_local7.height * _arg4); switch (getEffectiveDirection(_arg5)){ case kRightToLeft: _arg3.beginFill(0xFFFFFF); _arg3.drawRect(0, 0, _local7.width, _local7.height); _arg3.endFill(); if (_local8 != _local7.width){ _local6.identity(); _local6.translate(-(_local8), 0); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(0, 0, (_local7.width - _local8), _local7.height); _arg3.endFill(); }; if (_local8 != 0){ _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect((_local7.width - _local8), 0, _local8, _local7.height); _arg3.endFill(); }; break; case kLeftToRight: default: if (_local8 != _local7.width){ _local6.identity(); _local6.translate(_local8, 0); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(_local8, 0, (_local7.width - _local8), _local7.height); _arg3.endFill(); }; if (_local8 != 0){ _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect(0, 0, _local8, _local7.height); _arg3.endFill(); }; break; case kBottomToTop: if (_local9 != _local7.height){ _local6.identity(); _local6.translate(0, -(_local9)); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(0, 0, _local7.width, (_local7.height - _local9)); _arg3.endFill(); }; if (_local9 != 0){ _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect(0, (_local7.height - _local9), _local7.width, _local9); _arg3.endFill(); }; break; case kTopToBottom: if (_local9 != _local7.height){ _local6.identity(); _local6.translate(0, _local9); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(0, _local9, _local7.width, (_local7.height - _local9)); _arg3.endFill(); }; if (_local9 != 0){ _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect(0, 0, _local7.width, _local9); _arg3.endFill(); }; break; case kTopLeftToBottomRight: _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect(0, 0, _local7.width, _local7.height); _arg3.endFill(); if (_local8 != 0){ _local6.identity(); _local6.translate(_local8, _local9); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(_local8, _local9, (_local7.width - _local8), (_local7.height - _local9)); _arg3.endFill(); }; break; case kTopRightToBottomLeft: _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect(0, 0, _local7.width, _local7.height); _arg3.endFill(); if (_local8 != _local7.width){ _local6.identity(); _local6.translate(-(_local8), _local9); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(0, _local9, (_local7.width - _local8), (_local7.height - _local9)); _arg3.endFill(); }; break; case kBottomLeftToTopRight: _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect(0, 0, _local7.width, _local7.height); _arg3.endFill(); if (_local8 != _local7.width){ _local6.identity(); _local6.translate(_local8, -(_local9)); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(_local8, 0, (_local7.width - _local8), (_local7.height - _local9)); _arg3.endFill(); }; break; case kBottomRightToTopLeft: _arg3.beginBitmapFill(_arg2, null, false); _arg3.drawRect(0, 0, _local7.width, _local7.height); _arg3.endFill(); if (_local8 != 0){ _local6.identity(); _local6.translate(-(_local8), -(_local9)); _arg3.beginBitmapFill(_arg1, _local6, false); _arg3.drawRect(0, 0, (_local7.width - _local8), (_local7.height - _local9)); _arg3.endFill(); }; break; }; } } }//package com.adobe.indesignSection 48//Vector (com.adobe.indesign.Vector) package com.adobe.indesign { import flash.geom.*; class Vector { public var fP0:Point; public var fP1:Point; function Vector(_arg1:Point, _arg2:Point){ fP0 = _arg1.clone(); fP1 = _arg2.clone(); } public function xForY(_arg1:Number):Number{ var _local2:Number; _local2 = ((_arg1 - fP0.y) / y); return ((fP0.x + (_local2 * x))); } public function dot(_arg1:Vector):Number{ return (((x * _arg1.x) + (y * _arg1.y))); } public function get length2():Number{ return ((((fP1.x - fP0.x) * (fP1.x - fP0.x)) + ((fP1.y - fP0.y) * (fP1.y - fP0.y)))); } public function normalize():void{ length = (length / length); } public function set length(_arg1:Number):void{ var _local2:Number; _local2 = length; fP1.x = (fP0.x + (((fP1.x - fP0.x) * _arg1) / _local2)); fP1.y = (fP0.y + (((fP1.y - fP0.y) * _arg1) / _local2)); } public function yForX(_arg1:Number):Number{ var _local2:Number; _local2 = ((_arg1 - fP0.x) / x); return ((fP0.y + (_local2 * y))); } public function get angle():Number{ return (Math.atan2(x, -(y))); } public function clone():Vector{ return (new Vector(fP0, fP1)); } public function add(_arg1:Vector):void{ fP1.x = (fP1.x + _arg1.x); fP1.y = (fP1.y + _arg1.y); } public function invert():void{ var _local1:Point; _local1 = fP0; fP0 = fP1; fP1 = _local1; } public function get length():Number{ return (Math.sqrt((((fP1.x - fP0.x) * (fP1.x - fP0.x)) + ((fP1.y - fP0.y) * (fP1.y - fP0.y))))); } public function moveTo(_arg1:Point):void{ fP1.x = (_arg1.x + x); fP1.y = (_arg1.y + y); fP0.x = _arg1.x; fP0.y = _arg1.y; } public function set x(_arg1:Number):void{ fP1.x = (fP0.x + _arg1); } public function set y(_arg1:Number):void{ fP1.y = (fP0.y + _arg1); } public function mult(_arg1:Number):void{ x = (x * _arg1); y = (y * _arg1); } public function get x():Number{ return ((fP1.x - fP0.x)); } public function get y():Number{ return ((fP1.y - fP0.y)); } public function perp():void{ var _local1:Number; var _local2:Number; _local1 = x; _local2 = y; x = _local2; y = -(_local1); } public function reflect(_arg1:Vector):void{ _arg1 = _arg1.clone(); _arg1.mult((2 * dot(_arg1))); fP1.x = (fP1.x - _arg1.x); fP1.y = (fP1.y - _arg1.y); fP1.x = (fP0.x - (fP1.x - fP0.x)); fP1.y = (fP0.y - (fP1.y - fP0.y)); } } }//package com.adobe.indesignSection 49//WipeTransition (com.adobe.indesign.WipeTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class WipeTransition extends DirectionedPDFTransition { public function WipeTransition(_arg1:uint=0){ super(_arg1); } protected function calculateRects(_arg1:Rectangle, _arg2:Number, _arg3:Rectangle, _arg4:Rectangle, _arg5:Boolean):void{ var _local6:uint; var _local7:uint; var _local8:Rectangle; switch (getEffectiveDirection(_arg5)){ case kRightToLeft: _local8 = _arg3; _arg3 = _arg4; _arg4 = _local8; _arg2 = (1 - _arg2); case kLeftToRight: default: _local6 = (_arg1.width * _arg2); _arg3.y = (_arg4.y = 0); _arg3.height = (_arg4.height = _arg1.height); _arg4.x = _local6; _arg4.width = (_arg1.width - _local6); _arg3.x = 0; _arg3.width = _local6; break; case kBottomToTop: _local8 = _arg3; _arg3 = _arg4; _arg4 = _local8; _arg2 = (1 - _arg2); case kTopToBottom: _local7 = (_arg1.height * _arg2); _arg3.x = (_arg4.x = 0); _arg3.width = (_arg4.width = _arg1.width); _arg4.y = _local7; _arg4.height = (_arg1.height - _local7); _arg3.y = 0; _arg3.height = _local7; break; case kTopLeftToBottomRight: _local6 = (_arg1.width * _arg2); _local7 = (_arg1.height * _arg2); _arg4.x = (_arg4.y = 0); _arg4.width = _arg1.width; _arg4.height = _arg1.height; _arg3.x = (_arg3.y = 0); _arg3.width = _local6; _arg3.height = _local7; break; case kTopRightToBottomLeft: _local6 = (_arg1.width * _arg2); _local7 = (_arg1.height * _arg2); _arg4.x = (_arg4.y = 0); _arg4.width = _arg1.width; _arg4.height = _arg1.height; _arg3.x = (_arg1.width - _local6); _arg3.y = 0; _arg3.width = _local6; _arg3.height = _local7; break; case kBottomLeftToTopRight: _local6 = (_arg1.width * _arg2); _local7 = (_arg1.height * _arg2); _arg4.x = (_arg4.y = 0); _arg4.width = _arg1.width; _arg4.height = _arg1.height; _arg3.x = 0; _arg3.y = (_arg1.height - _local7); _arg3.width = _local6; _arg3.height = _local7; break; case kBottomRightToTopLeft: _local6 = (_arg1.width * _arg2); _local7 = (_arg1.height * _arg2); _arg4.x = (_arg4.y = 0); _arg4.width = _arg1.width; _arg4.height = _arg1.height; _arg3.x = (_arg1.width - _local6); _arg3.y = (_arg1.height - _local7); _arg3.width = _local6; _arg3.height = _local7; break; }; } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Rectangle; var _local7:Rectangle; _local6 = new Rectangle(); _local7 = new Rectangle(); calculateRects(_arg1.rect.union(_arg2.rect), _arg4, _local7, _local6, _arg5); if (!_local6.isEmpty()){ _arg3.beginBitmapFill(_arg1); _arg3.drawRect(_local6.left, _local6.top, _local6.width, _local6.height); _arg3.endFill(); }; if (!_local7.isEmpty()){ _arg3.beginBitmapFill(_arg2); _arg3.drawRect(_local7.left, _local7.top, _local7.width, _local7.height); _arg3.endFill(); }; } } }//package com.adobe.indesignSection 50//ZoomTransition (com.adobe.indesign.ZoomTransition) package com.adobe.indesign { import flash.display.*; import flash.geom.*; public class ZoomTransition extends DirectionedPDFTransition { private var fInward:Boolean; public function ZoomTransition(_arg1:uint=0, _arg2:Boolean=true){ super(_arg1); fInward = _arg2; } public function set inward(_arg1:Boolean):void{ fInward = _arg1; } public function get inward():Boolean{ return (fInward); } override public function render(_arg1:BitmapData, _arg2:BitmapData, _arg3:Graphics, _arg4:Number, _arg5:Boolean=false):void{ var _local6:Rectangle; var _local7:Boolean; var _local8:uint; var _local9:uint; var _local10:uint; var _local11:uint; var _local12:Matrix; var _local13:BitmapData; _local6 = _arg1.rect.union(_arg2.rect); _local7 = fInward; if (_arg5){ _local7 = !(_local7); }; if (!_local7){ _arg4 = (1 - _arg4); }; _local8 = (_local6.width * _arg4); _local9 = (_local6.height * _arg4); _local12 = new Matrix(); if ((((_local8 == 0)) || ((_local9 == 0)))){ _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); } else { if ((((_local8 == _local6.width)) && ((_local9 == _local6.height)))){ _arg3.beginBitmapFill(_arg2, null, false, true); _arg3.drawRect(0, 0, _arg2.width, _arg2.height); _arg3.endFill(); } else { if (!_local7){ _local13 = _arg2; _arg2 = _arg1; _arg1 = _local13; }; _arg3.beginBitmapFill(_arg1, null, false, true); _arg3.drawRect(0, 0, _arg1.width, _arg1.height); _arg3.endFill(); if (_arg5){ _local7 = !(_local7); }; switch (getEffectiveDirection(!(_local7))){ case kLeftToRight: _local10 = 0; _local11 = ((_local6.height - _local9) / 2); break; case kRightToLeft: _local10 = (_local6.width - _local8); _local11 = ((_local6.height - _local9) / 2); break; case kTopToBottom: _local10 = ((_local6.width - _local8) / 2); _local11 = 0; break; case kBottomToTop: _local10 = ((_local6.width - _local8) / 2); _local11 = (_local6.height - _local9); break; case kTopLeftToBottomRight: _local10 = 0; _local11 = 0; break; case kTopRightToBottomLeft: _local10 = (_local6.width - _local8); _local11 = 0; break; case kBottomLeftToTopRight: _local10 = 0; _local11 = (_local6.height - _local9); break; case kBottomRightToTopLeft: _local10 = (_local6.width - _local8); _local11 = (_local6.height - _local9); break; }; _local12.identity(); _local12.scale(_arg4, _arg4); _local12.translate(_local10, _local11); _arg3.beginBitmapFill(_arg2, _local12, false, true); _arg3.drawRect(_local10, _local11, _local8, _local9); _arg3.endFill(); }; }; } } }//package com.adobe.indesign
Library Items
Symbol 1517 BinaryData {com.adobe.indesign.IDSWFEmbeddedData} | ||
Symbol 2 Graphic | Used by:1 | |
Symbol 3 Bitmap | Used by:4 | |
Symbol 4 Graphic | Uses:3 | Used by:1 |
Symbol 1 MovieClip {com.adobe.indesign.IDSWF_Frame_1} | Uses:2 4 | Used by:Timeline |
Symbol 6 Graphic | Used by:5 | |
Symbol 7 Font | Used by:8 11 12 15 103 106 107 110 187 190 191 194 280 283 284 287 374 377 378 381 468 471 472 475 561 564 565 568 652 655 656 659 738 741 742 745 831 834 835 838 921 924 925 928 1008 1011 1012 1015 1094 1097 1098 1101 1178 1181 1182 1185 1265 1268 1269 1272 1367 1370 1371 1374 1458 1461 1462 1465 | |
Symbol 8 Text | Uses:7 | Used by:5 |
Symbol 9 Bitmap | Used by:10 | |
Symbol 10 Graphic | Uses:9 | Used by:5 |
Symbol 11 Text | Uses:7 | Used by:5 |
Symbol 12 Text | Uses:7 | Used by:5 |
Symbol 13 Bitmap | Used by:14 | |
Symbol 14 Graphic | Uses:13 | Used by:5 |
Symbol 15 Text | Uses:7 | Used by:5 |
Symbol 16 Font | Used by:17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 1016 1017 1018 1019 1020 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 1032 1033 1034 1035 1036 1037 1038 1039 1040 1041 1042 1043 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1055 1056 1057 1058 1059 1060 1061 1062 1063 1064 1065 1066 1067 1068 1069 1070 1071 1072 1073 1074 1075 1076 1077 1078 1079 1080 1081 1082 1083 1084 1085 1086 1087 1088 1089 1090 1091 1102 1103 1104 1105 1106 1107 1108 1109 1110 1111 1112 1113 1114 1115 1116 1117 1118 1119 1120 1121 1122 1123 1124 1125 1126 1127 1128 1129 1130 1131 1132 1133 1134 1135 1136 1137 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1149 1150 1151 1152 1153 1154 1155 1156 1157 1158 1159 1160 1161 1162 1163 1164 1165 1166 1167 1168 1169 1170 1171 1172 1173 1174 1175 1186 1187 1188 1189 1190 1191 1192 1193 1194 1195 1196 1197 1198 1199 1200 1201 1202 1203 1204 1205 1206 1207 1208 1209 1210 1211 1212 1213 1214 1215 1216 1217 1218 1219 1220 1221 1222 1223 1224 1225 1226 1227 1228 1229 1230 1231 1232 1233 1234 1235 1236 1237 1238 1239 1240 1241 1242 1243 1244 1245 1246 1247 1248 1249 1250 1251 1252 1253 1254 1255 1256 1257 1258 1259 1260 1261 1262 1273 1274 1275 1276 1277 1278 1279 1280 1281 1282 1283 1284 1285 1286 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1322 1323 1324 1325 1326 1327 1328 1329 1330 1331 1332 1333 1334 1335 1336 1337 1338 1339 1340 1341 1342 1343 1344 1345 1346 1347 1348 1349 1350 1351 1352 1353 1354 1355 1356 1357 1358 1359 1360 1361 1362 1363 1364 1375 1376 1377 1378 1379 1380 1381 1382 1383 1384 1385 1386 1387 1388 1389 1390 1391 1392 1393 1394 1395 1396 1397 1398 1399 1400 1401 1402 1403 1404 1405 1406 1407 1408 1409 1410 1411 1412 1413 1414 1415 1416 1417 1418 1419 1420 1421 1422 1423 1424 1425 1426 1427 1428 1429 1430 1431 1432 1433 1434 1435 1436 1437 1438 1439 1440 1441 1442 1443 1444 1445 1446 1447 1448 1449 1450 1451 1452 1453 1454 1455 1466 1467 1468 1469 1470 1471 1472 1473 1474 1478 1479 1480 1481 1482 1483 1484 1485 1486 1487 1488 1489 1490 1491 1492 1493 1494 1495 1496 1497 1498 1499 1500 1501 1502 1503 1504 1505 1506 1507 1508 1509 1510 1511 1512 1513 1514 1515 1516 | |
Symbol 17 Text | Uses:16 | Used by:5 |
Symbol 18 Text | Uses:16 | Used by:5 |
Symbol 19 Text | Uses:16 | Used by:5 |
Symbol 20 Text | Uses:16 | Used by:5 |
Symbol 21 Text | Uses:16 | Used by:5 |
Symbol 22 Text | Uses:16 | Used by:5 |
Symbol 23 Text | Uses:16 | Used by:5 |
Symbol 24 Text | Uses:16 | Used by:5 |
Symbol 25 Text | Uses:16 | Used by:5 |
Symbol 26 Text | Uses:16 | Used by:5 |
Symbol 27 Text | Uses:16 | Used by:5 |
Symbol 28 Text | Uses:16 | Used by:5 |
Symbol 29 Text | Uses:16 | Used by:5 |
Symbol 30 Text | Uses:16 | Used by:5 |
Symbol 31 Text | Uses:16 | Used by:5 |
Symbol 32 Text | Uses:16 | Used by:5 |
Symbol 33 Text | Uses:16 | Used by:5 |
Symbol 34 Text | Uses:16 | Used by:5 |
Symbol 35 Text | Uses:16 | Used by:5 |
Symbol 36 Text | Uses:16 | Used by:5 |
Symbol 37 Text | Uses:16 | Used by:5 |
Symbol 38 Text | Uses:16 | Used by:5 |
Symbol 39 Text | Uses:16 | Used by:5 |
Symbol 40 Text | Uses:16 | Used by:5 |
Symbol 41 Text | Uses:16 | Used by:5 |
Symbol 42 Text | Uses:16 | Used by:5 |
Symbol 43 Text | Uses:16 | Used by:5 |
Symbol 44 Text | Uses:16 | Used by:5 |
Symbol 45 Text | Uses:16 | Used by:5 |
Symbol 46 Text | Uses:16 | Used by:5 |
Symbol 47 Text | Uses:16 | Used by:5 |
Symbol 48 Text | Uses:16 | Used by:5 |
Symbol 49 Text | Uses:16 | Used by:5 |
Symbol 50 Text | Uses:16 | Used by:5 |
Symbol 51 Text | Uses:16 | Used by:5 |
Symbol 52 Text | Uses:16 | Used by:5 |
Symbol 53 Text | Uses:16 | Used by:5 |
Symbol 54 Text | Uses:16 | Used by:5 |
Symbol 55 Text | Uses:16 | Used by:5 |
Symbol 56 Font | Used by:57 771 1475 1476 1477 | |
Symbol 57 Text | Uses:56 | Used by:5 |
Symbol 58 Text | Uses:16 | Used by:5 |
Symbol 59 Text | Uses:16 | Used by:5 |
Symbol 60 Text | Uses:16 | Used by:5 |
Symbol 61 Text | Uses:16 | Used by:5 |
Symbol 62 Text | Uses:16 | Used by:5 |
Symbol 63 Text | Uses:16 | Used by:5 |
Symbol 64 Text | Uses:16 | Used by:5 |
Symbol 65 Text | Uses:16 | Used by:5 |
Symbol 66 Text | Uses:16 | Used by:5 |
Symbol 67 Text | Uses:16 | Used by:5 |
Symbol 68 Text | Uses:16 | Used by:5 |
Symbol 69 Text | Uses:16 | Used by:5 |
Symbol 70 Text | Uses:16 | Used by:5 |
Symbol 71 Text | Uses:16 | Used by:5 |
Symbol 72 Text | Uses:16 | Used by:5 |
Symbol 73 Text | Uses:16 | Used by:5 |
Symbol 74 Text | Uses:16 | Used by:5 |
Symbol 75 Text | Uses:16 | Used by:5 |
Symbol 76 Text | Uses:16 | Used by:5 |
Symbol 77 Text | Uses:16 | Used by:5 |
Symbol 78 Text | Uses:16 | Used by:5 |
Symbol 79 Text | Uses:16 | Used by:5 |
Symbol 80 Text | Uses:16 | Used by:5 |
Symbol 81 Text | Uses:16 | Used by:5 |
Symbol 82 Text | Uses:16 | Used by:5 |
Symbol 83 Text | Uses:16 | Used by:5 |
Symbol 84 Text | Uses:16 | Used by:5 |
Symbol 85 Text | Uses:16 | Used by:5 |
Symbol 86 Text | Uses:16 | Used by:5 |
Symbol 87 Text | Uses:16 | Used by:5 |
Symbol 88 Text | Uses:16 | Used by:5 |
Symbol 89 Text | Uses:16 | Used by:5 |
Symbol 90 Text | Uses:16 | Used by:5 |
Symbol 91 Text | Uses:16 | Used by:5 |
Symbol 92 Text | Uses:16 | Used by:5 |
Symbol 93 Text | Uses:16 | Used by:5 |
Symbol 94 Text | Uses:16 | Used by:5 |
Symbol 95 Text | Uses:16 | Used by:5 |
Symbol 96 Text | Uses:16 | Used by:5 |
Symbol 97 Text | Uses:16 | Used by:5 |
Symbol 98 Text | Uses:16 | Used by:5 |
Symbol 99 Text | Uses:16 | Used by:5 |
Symbol 100 Text | Uses:16 | Used by:5 |
Symbol 5 MovieClip {com.adobe.indesign.IDSWF_Frame_2} | Uses:6 8 10 11 12 14 15 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 | Used by:Timeline |
Symbol 102 Graphic | Used by:101 | |
Symbol 103 Text | Uses:7 | Used by:101 |
Symbol 104 Bitmap | Used by:105 | |
Symbol 105 Graphic | Uses:104 | Used by:101 |
Symbol 106 Text | Uses:7 | Used by:101 |
Symbol 107 Text | Uses:7 | Used by:101 |
Symbol 108 Bitmap | Used by:109 | |
Symbol 109 Graphic | Uses:108 | Used by:101 |
Symbol 110 Text | Uses:7 | Used by:101 |
Symbol 111 Text | Uses:16 | Used by:101 |
Symbol 112 Text | Uses:16 | Used by:101 |
Symbol 113 Text | Uses:16 | Used by:101 |
Symbol 114 Text | Uses:16 | Used by:101 |
Symbol 115 Text | Uses:16 | Used by:101 |
Symbol 116 Text | Uses:16 | Used by:101 |
Symbol 117 Text | Uses:16 | Used by:101 |
Symbol 118 Text | Uses:16 | Used by:101 |
Symbol 119 Text | Uses:16 | Used by:101 |
Symbol 120 Text | Uses:16 | Used by:101 |
Symbol 121 Text | Uses:16 | Used by:101 |
Symbol 122 Text | Uses:16 | Used by:101 |
Symbol 123 Text | Uses:16 | Used by:101 |
Symbol 124 Text | Uses:16 | Used by:101 |
Symbol 125 Text | Uses:16 | Used by:101 |
Symbol 126 Text | Uses:16 | Used by:101 |
Symbol 127 Text | Uses:16 | Used by:101 |
Symbol 128 Text | Uses:16 | Used by:101 |
Symbol 129 Text | Uses:16 | Used by:101 |
Symbol 130 Text | Uses:16 | Used by:101 |
Symbol 131 Text | Uses:16 | Used by:101 |
Symbol 132 Text | Uses:16 | Used by:101 |
Symbol 133 Text | Uses:16 | Used by:101 |
Symbol 134 Text | Uses:16 | Used by:101 |
Symbol 135 Text | Uses:16 | Used by:101 |
Symbol 136 Text | Uses:16 | Used by:101 |
Symbol 137 Text | Uses:16 | Used by:101 |
Symbol 138 Text | Uses:16 | Used by:101 |
Symbol 139 Text | Uses:16 | Used by:101 |
Symbol 140 Text | Uses:16 | Used by:101 |
Symbol 141 Text | Uses:16 | Used by:101 |
Symbol 142 Text | Uses:16 | Used by:101 |
Symbol 143 Text | Uses:16 | Used by:101 |
Symbol 144 Text | Uses:16 | Used by:101 |
Symbol 145 Text | Uses:16 | Used by:101 |
Symbol 146 Text | Uses:16 | Used by:101 |
Symbol 147 Text | Uses:16 | Used by:101 |
Symbol 148 Text | Uses:16 | Used by:101 |
Symbol 149 Text | Uses:16 | Used by:101 |
Symbol 150 Text | Uses:16 | Used by:101 |
Symbol 151 Text | Uses:16 | Used by:101 |
Symbol 152 Text | Uses:16 | Used by:101 |
Symbol 153 Text | Uses:16 | Used by:101 |
Symbol 154 Text | Uses:16 | Used by:101 |
Symbol 155 Text | Uses:16 | Used by:101 |
Symbol 156 Text | Uses:16 | Used by:101 |
Symbol 157 Text | Uses:16 | Used by:101 |
Symbol 158 Text | Uses:16 | Used by:101 |
Symbol 159 Text | Uses:16 | Used by:101 |
Symbol 160 Text | Uses:16 | Used by:101 |
Symbol 161 Text | Uses:16 | Used by:101 |
Symbol 162 Text | Uses:16 | Used by:101 |
Symbol 163 Text | Uses:16 | Used by:101 |
Symbol 164 Text | Uses:16 | Used by:101 |
Symbol 165 Text | Uses:16 | Used by:101 |
Symbol 166 Text | Uses:16 | Used by:101 |
Symbol 167 Text | Uses:16 | Used by:101 |
Symbol 168 Text | Uses:16 | Used by:101 |
Symbol 169 Text | Uses:16 | Used by:101 |
Symbol 170 Text | Uses:16 | Used by:101 |
Symbol 171 Text | Uses:16 | Used by:101 |
Symbol 172 Text | Uses:16 | Used by:101 |
Symbol 173 Text | Uses:16 | Used by:101 |
Symbol 174 Text | Uses:16 | Used by:101 |
Symbol 175 Text | Uses:16 | Used by:101 |
Symbol 176 Text | Uses:16 | Used by:101 |
Symbol 177 Text | Uses:16 | Used by:101 |
Symbol 178 Text | Uses:16 | Used by:101 |
Symbol 179 Text | Uses:16 | Used by:101 |
Symbol 180 Text | Uses:16 | Used by:101 |
Symbol 181 Text | Uses:16 | Used by:101 |
Symbol 182 Text | Uses:16 | Used by:101 |
Symbol 183 Text | Uses:16 | Used by:101 |
Symbol 184 Text | Uses:16 | Used by:101 |
Symbol 101 MovieClip {com.adobe.indesign.IDSWF_Frame_3} | Uses:102 103 105 106 107 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 | Used by:Timeline |
Symbol 186 Graphic | Used by:185 | |
Symbol 187 Text | Uses:7 | Used by:185 |
Symbol 188 Bitmap | Used by:189 | |
Symbol 189 Graphic | Uses:188 | Used by:185 |
Symbol 190 Text | Uses:7 | Used by:185 |
Symbol 191 Text | Uses:7 | Used by:185 |
Symbol 192 Bitmap | Used by:193 | |
Symbol 193 Graphic | Uses:192 | Used by:185 |
Symbol 194 Text | Uses:7 | Used by:185 |
Symbol 195 Text | Uses:16 | Used by:185 |
Symbol 196 Text | Uses:16 | Used by:185 |
Symbol 197 Text | Uses:16 | Used by:185 |
Symbol 198 Text | Uses:16 | Used by:185 |
Symbol 199 Text | Uses:16 | Used by:185 |
Symbol 200 Text | Uses:16 | Used by:185 |
Symbol 201 Text | Uses:16 | Used by:185 |
Symbol 202 Text | Uses:16 | Used by:185 |
Symbol 203 Text | Uses:16 | Used by:185 |
Symbol 204 Text | Uses:16 | Used by:185 |
Symbol 205 Text | Uses:16 | Used by:185 |
Symbol 206 Text | Uses:16 | Used by:185 |
Symbol 207 Text | Uses:16 | Used by:185 |
Symbol 208 Text | Uses:16 | Used by:185 |
Symbol 209 Text | Uses:16 | Used by:185 |
Symbol 210 Text | Uses:16 | Used by:185 |
Symbol 211 Text | Uses:16 | Used by:185 |
Symbol 212 Text | Uses:16 | Used by:185 |
Symbol 213 Text | Uses:16 | Used by:185 |
Symbol 214 Text | Uses:16 | Used by:185 |
Symbol 215 Text | Uses:16 | Used by:185 |
Symbol 216 Text | Uses:16 | Used by:185 |
Symbol 217 Text | Uses:16 | Used by:185 |
Symbol 218 Text | Uses:16 | Used by:185 |
Symbol 219 Text | Uses:16 | Used by:185 |
Symbol 220 Text | Uses:16 | Used by:185 |
Symbol 221 Text | Uses:16 | Used by:185 |
Symbol 222 Text | Uses:16 | Used by:185 |
Symbol 223 Text | Uses:16 | Used by:185 |
Symbol 224 Text | Uses:16 | Used by:185 |
Symbol 225 Text | Uses:16 | Used by:185 |
Symbol 226 Text | Uses:16 | Used by:185 |
Symbol 227 Text | Uses:16 | Used by:185 |
Symbol 228 Text | Uses:16 | Used by:185 |
Symbol 229 Text | Uses:16 | Used by:185 |
Symbol 230 Text | Uses:16 | Used by:185 |
Symbol 231 Text | Uses:16 | Used by:185 |
Symbol 232 Text | Uses:16 | Used by:185 |
Symbol 233 Text | Uses:16 | Used by:185 |
Symbol 234 Text | Uses:16 | Used by:185 |
Symbol 235 Text | Uses:16 | Used by:185 |
Symbol 236 Text | Uses:16 | Used by:185 |
Symbol 237 Text | Uses:16 | Used by:185 |
Symbol 238 Text | Uses:16 | Used by:185 |
Symbol 239 Text | Uses:16 | Used by:185 |
Symbol 240 Text | Uses:16 | Used by:185 |
Symbol 241 Text | Uses:16 | Used by:185 |
Symbol 242 Text | Uses:16 | Used by:185 |
Symbol 243 Text | Uses:16 | Used by:185 |
Symbol 244 Text | Uses:16 | Used by:185 |
Symbol 245 Text | Uses:16 | Used by:185 |
Symbol 246 Text | Uses:16 | Used by:185 |
Symbol 247 Text | Uses:16 | Used by:185 |
Symbol 248 Text | Uses:16 | Used by:185 |
Symbol 249 Text | Uses:16 | Used by:185 |
Symbol 250 Text | Uses:16 | Used by:185 |
Symbol 251 Text | Uses:16 | Used by:185 |
Symbol 252 Text | Uses:16 | Used by:185 |
Symbol 253 Text | Uses:16 | Used by:185 |
Symbol 254 Text | Uses:16 | Used by:185 |
Symbol 255 Text | Uses:16 | Used by:185 |
Symbol 256 Text | Uses:16 | Used by:185 |
Symbol 257 Text | Uses:16 | Used by:185 |
Symbol 258 Text | Uses:16 | Used by:185 |
Symbol 259 Text | Uses:16 | Used by:185 |
Symbol 260 Text | Uses:16 | Used by:185 |
Symbol 261 Text | Uses:16 | Used by:185 |
Symbol 262 Text | Uses:16 | Used by:185 |
Symbol 263 Text | Uses:16 | Used by:185 |
Symbol 264 Text | Uses:16 | Used by:185 |
Symbol 265 Text | Uses:16 | Used by:185 |
Symbol 266 Text | Uses:16 | Used by:185 |
Symbol 267 Text | Uses:16 | Used by:185 |
Symbol 268 Text | Uses:16 | Used by:185 |
Symbol 269 Text | Uses:16 | Used by:185 |
Symbol 270 Text | Uses:16 | Used by:185 |
Symbol 271 Text | Uses:16 | Used by:185 |
Symbol 272 Text | Uses:16 | Used by:185 |
Symbol 273 Text | Uses:16 | Used by:185 |
Symbol 274 Text | Uses:16 | Used by:185 |
Symbol 275 Text | Uses:16 | Used by:185 |
Symbol 276 Text | Uses:16 | Used by:185 |
Symbol 277 Text | Uses:16 | Used by:185 |
Symbol 185 MovieClip {com.adobe.indesign.IDSWF_Frame_4} | Uses:186 187 189 190 191 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 | Used by:Timeline |
Symbol 279 Graphic | Used by:278 | |
Symbol 280 Text | Uses:7 | Used by:278 |
Symbol 281 Bitmap | Used by:282 | |
Symbol 282 Graphic | Uses:281 | Used by:278 |
Symbol 283 Text | Uses:7 | Used by:278 |
Symbol 284 Text | Uses:7 | Used by:278 |
Symbol 285 Bitmap | Used by:286 | |
Symbol 286 Graphic | Uses:285 | Used by:278 |
Symbol 287 Text | Uses:7 | Used by:278 |
Symbol 288 Text | Uses:16 | Used by:278 |
Symbol 289 Text | Uses:16 | Used by:278 |
Symbol 290 Text | Uses:16 | Used by:278 |
Symbol 291 Text | Uses:16 | Used by:278 |
Symbol 292 Text | Uses:16 | Used by:278 |
Symbol 293 Text | Uses:16 | Used by:278 |
Symbol 294 Text | Uses:16 | Used by:278 |
Symbol 295 Text | Uses:16 | Used by:278 |
Symbol 296 Text | Uses:16 | Used by:278 |
Symbol 297 Text | Uses:16 | Used by:278 |
Symbol 298 Text | Uses:16 | Used by:278 |
Symbol 299 Text | Uses:16 | Used by:278 |
Symbol 300 Text | Uses:16 | Used by:278 |
Symbol 301 Text | Uses:16 | Used by:278 |
Symbol 302 Text | Uses:16 | Used by:278 |
Symbol 303 Text | Uses:16 | Used by:278 |
Symbol 304 Text | Uses:16 | Used by:278 |
Symbol 305 Text | Uses:16 | Used by:278 |
Symbol 306 Text | Uses:16 | Used by:278 |
Symbol 307 Text | Uses:16 | Used by:278 |
Symbol 308 Text | Uses:16 | Used by:278 |
Symbol 309 Text | Uses:16 | Used by:278 |
Symbol 310 Text | Uses:16 | Used by:278 |
Symbol 311 Text | Uses:16 | Used by:278 |
Symbol 312 Text | Uses:16 | Used by:278 |
Symbol 313 Text | Uses:16 | Used by:278 |
Symbol 314 Text | Uses:16 | Used by:278 |
Symbol 315 Text | Uses:16 | Used by:278 |
Symbol 316 Text | Uses:16 | Used by:278 |
Symbol 317 Text | Uses:16 | Used by:278 |
Symbol 318 Text | Uses:16 | Used by:278 |
Symbol 319 Text | Uses:16 | Used by:278 |
Symbol 320 Text | Uses:16 | Used by:278 |
Symbol 321 Text | Uses:16 | Used by:278 |
Symbol 322 Text | Uses:16 | Used by:278 |
Symbol 323 Text | Uses:16 | Used by:278 |
Symbol 324 Text | Uses:16 | Used by:278 |
Symbol 325 Text | Uses:16 | Used by:278 |
Symbol 326 Text | Uses:16 | Used by:278 |
Symbol 327 Text | Uses:16 | Used by:278 |
Symbol 328 Text | Uses:16 | Used by:278 |
Symbol 329 Text | Uses:16 | Used by:278 |
Symbol 330 Text | Uses:16 | Used by:278 |
Symbol 331 Text | Uses:16 | Used by:278 |
Symbol 332 Text | Uses:16 | Used by:278 |
Symbol 333 Text | Uses:16 | Used by:278 |
Symbol 334 Text | Uses:16 | Used by:278 |
Symbol 335 Text | Uses:16 | Used by:278 |
Symbol 336 Text | Uses:16 | Used by:278 |
Symbol 337 Text | Uses:16 | Used by:278 |
Symbol 338 Text | Uses:16 | Used by:278 |
Symbol 339 Text | Uses:16 | Used by:278 |
Symbol 340 Text | Uses:16 | Used by:278 |
Symbol 341 Text | Uses:16 | Used by:278 |
Symbol 342 Text | Uses:16 | Used by:278 |
Symbol 343 Text | Uses:16 | Used by:278 |
Symbol 344 Text | Uses:16 | Used by:278 |
Symbol 345 Text | Uses:16 | Used by:278 |
Symbol 346 Text | Uses:16 | Used by:278 |
Symbol 347 Text | Uses:16 | Used by:278 |
Symbol 348 Text | Uses:16 | Used by:278 |
Symbol 349 Text | Uses:16 | Used by:278 |
Symbol 350 Text | Uses:16 | Used by:278 |
Symbol 351 Text | Uses:16 | Used by:278 |
Symbol 352 Text | Uses:16 | Used by:278 |
Symbol 353 Text | Uses:16 | Used by:278 |
Symbol 354 Text | Uses:16 | Used by:278 |
Symbol 355 Text | Uses:16 | Used by:278 |
Symbol 356 Text | Uses:16 | Used by:278 |
Symbol 357 Text | Uses:16 | Used by:278 |
Symbol 358 Text | Uses:16 | Used by:278 |
Symbol 359 Text | Uses:16 | Used by:278 |
Symbol 360 Text | Uses:16 | Used by:278 |
Symbol 361 Text | Uses:16 | Used by:278 |
Symbol 362 Text | Uses:16 | Used by:278 |
Symbol 363 Text | Uses:16 | Used by:278 |
Symbol 364 Text | Uses:16 | Used by:278 |
Symbol 365 Text | Uses:16 | Used by:278 |
Symbol 366 Text | Uses:16 | Used by:278 |
Symbol 367 Text | Uses:16 | Used by:278 |
Symbol 368 Text | Uses:16 | Used by:278 |
Symbol 369 Text | Uses:16 | Used by:278 |
Symbol 370 Text | Uses:16 | Used by:278 |
Symbol 371 Text | Uses:16 | Used by:278 |
Symbol 278 MovieClip {com.adobe.indesign.IDSWF_Frame_5} | Uses:279 280 282 283 284 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 | Used by:Timeline |
Symbol 373 Graphic | Used by:372 | |
Symbol 374 Text | Uses:7 | Used by:372 |
Symbol 375 Bitmap | Used by:376 | |
Symbol 376 Graphic | Uses:375 | Used by:372 |
Symbol 377 Text | Uses:7 | Used by:372 |
Symbol 378 Text | Uses:7 | Used by:372 |
Symbol 379 Bitmap | Used by:380 | |
Symbol 380 Graphic | Uses:379 | Used by:372 |
Symbol 381 Text | Uses:7 | Used by:372 |
Symbol 382 Text | Uses:16 | Used by:372 |
Symbol 383 Text | Uses:16 | Used by:372 |
Symbol 384 Text | Uses:16 | Used by:372 |
Symbol 385 Text | Uses:16 | Used by:372 |
Symbol 386 Text | Uses:16 | Used by:372 |
Symbol 387 Text | Uses:16 | Used by:372 |
Symbol 388 Text | Uses:16 | Used by:372 |
Symbol 389 Text | Uses:16 | Used by:372 |
Symbol 390 Text | Uses:16 | Used by:372 |
Symbol 391 Text | Uses:16 | Used by:372 |
Symbol 392 Text | Uses:16 | Used by:372 |
Symbol 393 Text | Uses:16 | Used by:372 |
Symbol 394 Text | Uses:16 | Used by:372 |
Symbol 395 Text | Uses:16 | Used by:372 |
Symbol 396 Text | Uses:16 | Used by:372 |
Symbol 397 Text | Uses:16 | Used by:372 |
Symbol 398 Text | Uses:16 | Used by:372 |
Symbol 399 Text | Uses:16 | Used by:372 |
Symbol 400 Text | Uses:16 | Used by:372 |
Symbol 401 Text | Uses:16 | Used by:372 |
Symbol 402 Text | Uses:16 | Used by:372 |
Symbol 403 Text | Uses:16 | Used by:372 |
Symbol 404 Text | Uses:16 | Used by:372 |
Symbol 405 Text | Uses:16 | Used by:372 |
Symbol 406 Text | Uses:16 | Used by:372 |
Symbol 407 Text | Uses:16 | Used by:372 |
Symbol 408 Text | Uses:16 | Used by:372 |
Symbol 409 Text | Uses:16 | Used by:372 |
Symbol 410 Text | Uses:16 | Used by:372 |
Symbol 411 Text | Uses:16 | Used by:372 |
Symbol 412 Text | Uses:16 | Used by:372 |
Symbol 413 Text | Uses:16 | Used by:372 |
Symbol 414 Text | Uses:16 | Used by:372 |
Symbol 415 Text | Uses:16 | Used by:372 |
Symbol 416 Text | Uses:16 | Used by:372 |
Symbol 417 Text | Uses:16 | Used by:372 |
Symbol 418 Text | Uses:16 | Used by:372 |
Symbol 419 Text | Uses:16 | Used by:372 |
Symbol 420 Text | Uses:16 | Used by:372 |
Symbol 421 Text | Uses:16 | Used by:372 |
Symbol 422 Text | Uses:16 | Used by:372 |
Symbol 423 Text | Uses:16 | Used by:372 |
Symbol 424 Text | Uses:16 | Used by:372 |
Symbol 425 Text | Uses:16 | Used by:372 |
Symbol 426 Text | Uses:16 | Used by:372 |
Symbol 427 Text | Uses:16 | Used by:372 |
Symbol 428 Text | Uses:16 | Used by:372 |
Symbol 429 Text | Uses:16 | Used by:372 |
Symbol 430 Text | Uses:16 | Used by:372 |
Symbol 431 Text | Uses:16 | Used by:372 |
Symbol 432 Text | Uses:16 | Used by:372 |
Symbol 433 Text | Uses:16 | Used by:372 |
Symbol 434 Text | Uses:16 | Used by:372 |
Symbol 435 Text | Uses:16 | Used by:372 |
Symbol 436 Text | Uses:16 | Used by:372 |
Symbol 437 Text | Uses:16 | Used by:372 |
Symbol 438 Text | Uses:16 | Used by:372 |
Symbol 439 Text | Uses:16 | Used by:372 |
Symbol 440 Text | Uses:16 | Used by:372 |
Symbol 441 Text | Uses:16 | Used by:372 |
Symbol 442 Text | Uses:16 | Used by:372 |
Symbol 443 Text | Uses:16 | Used by:372 |
Symbol 444 Text | Uses:16 | Used by:372 |
Symbol 445 Text | Uses:16 | Used by:372 |
Symbol 446 Text | Uses:16 | Used by:372 |
Symbol 447 Text | Uses:16 | Used by:372 |
Symbol 448 Text | Uses:16 | Used by:372 |
Symbol 449 Text | Uses:16 | Used by:372 |
Symbol 450 Text | Uses:16 | Used by:372 |
Symbol 451 Text | Uses:16 | Used by:372 |
Symbol 452 Text | Uses:16 | Used by:372 |
Symbol 453 Text | Uses:16 | Used by:372 |
Symbol 454 Text | Uses:16 | Used by:372 |
Symbol 455 Text | Uses:16 | Used by:372 |
Symbol 456 Text | Uses:16 | Used by:372 |
Symbol 457 Text | Uses:16 | Used by:372 |
Symbol 458 Text | Uses:16 | Used by:372 |
Symbol 459 Text | Uses:16 | Used by:372 |
Symbol 460 Text | Uses:16 | Used by:372 |
Symbol 461 Text | Uses:16 | Used by:372 |
Symbol 462 Text | Uses:16 | Used by:372 |
Symbol 463 Text | Uses:16 | Used by:372 |
Symbol 464 Text | Uses:16 | Used by:372 |
Symbol 465 Text | Uses:16 | Used by:372 |
Symbol 372 MovieClip {com.adobe.indesign.IDSWF_Frame_6} | Uses:373 374 376 377 378 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 | Used by:Timeline |
Symbol 467 Graphic | Used by:466 | |
Symbol 468 Text | Uses:7 | Used by:466 |
Symbol 469 Bitmap | Used by:470 | |
Symbol 470 Graphic | Uses:469 | Used by:466 |
Symbol 471 Text | Uses:7 | Used by:466 |
Symbol 472 Text | Uses:7 | Used by:466 |
Symbol 473 Bitmap | Used by:474 | |
Symbol 474 Graphic | Uses:473 | Used by:466 |
Symbol 475 Text | Uses:7 | Used by:466 |
Symbol 476 Text | Uses:16 | Used by:466 |
Symbol 477 Text | Uses:16 | Used by:466 |
Symbol 478 Text | Uses:16 | Used by:466 |
Symbol 479 Text | Uses:16 | Used by:466 |
Symbol 480 Text | Uses:16 | Used by:466 |
Symbol 481 Text | Uses:16 | Used by:466 |
Symbol 482 Text | Uses:16 | Used by:466 |
Symbol 483 Text | Uses:16 | Used by:466 |
Symbol 484 Text | Uses:16 | Used by:466 |
Symbol 485 Text | Uses:16 | Used by:466 |
Symbol 486 Text | Uses:16 | Used by:466 |
Symbol 487 Text | Uses:16 | Used by:466 |
Symbol 488 Text | Uses:16 | Used by:466 |
Symbol 489 Text | Uses:16 | Used by:466 |
Symbol 490 Text | Uses:16 | Used by:466 |
Symbol 491 Text | Uses:16 | Used by:466 |
Symbol 492 Text | Uses:16 | Used by:466 |
Symbol 493 Text | Uses:16 | Used by:466 |
Symbol 494 Text | Uses:16 | Used by:466 |
Symbol 495 Text | Uses:16 | Used by:466 |
Symbol 496 Text | Uses:16 | Used by:466 |
Symbol 497 Text | Uses:16 | Used by:466 |
Symbol 498 Text | Uses:16 | Used by:466 |
Symbol 499 Text | Uses:16 | Used by:466 |
Symbol 500 Text | Uses:16 | Used by:466 |
Symbol 501 Text | Uses:16 | Used by:466 |
Symbol 502 Text | Uses:16 | Used by:466 |
Symbol 503 Text | Uses:16 | Used by:466 |
Symbol 504 Text | Uses:16 | Used by:466 |
Symbol 505 Text | Uses:16 | Used by:466 |
Symbol 506 Text | Uses:16 | Used by:466 |
Symbol 507 Text | Uses:16 | Used by:466 |
Symbol 508 Text | Uses:16 | Used by:466 |
Symbol 509 Text | Uses:16 | Used by:466 |
Symbol 510 Text | Uses:16 | Used by:466 |
Symbol 511 Text | Uses:16 | Used by:466 |
Symbol 512 Text | Uses:16 | Used by:466 |
Symbol 513 Text | Uses:16 | Used by:466 |
Symbol 514 Text | Uses:16 | Used by:466 |
Symbol 515 Text | Uses:16 | Used by:466 |
Symbol 516 Text | Uses:16 | Used by:466 |
Symbol 517 Text | Uses:16 | Used by:466 |
Symbol 518 Text | Uses:16 | Used by:466 |
Symbol 519 Text | Uses:16 | Used by:466 |
Symbol 520 Text | Uses:16 | Used by:466 |
Symbol 521 Text | Uses:16 | Used by:466 |
Symbol 522 Text | Uses:16 | Used by:466 |
Symbol 523 Text | Uses:16 | Used by:466 |
Symbol 524 Text | Uses:16 | Used by:466 |
Symbol 525 Text | Uses:16 | Used by:466 |
Symbol 526 Text | Uses:16 | Used by:466 |
Symbol 527 Text | Uses:16 | Used by:466 |
Symbol 528 Text | Uses:16 | Used by:466 |
Symbol 529 Text | Uses:16 | Used by:466 |
Symbol 530 Text | Uses:16 | Used by:466 |
Symbol 531 Text | Uses:16 | Used by:466 |
Symbol 532 Text | Uses:16 | Used by:466 |
Symbol 533 Text | Uses:16 | Used by:466 |
Symbol 534 Text | Uses:16 | Used by:466 |
Symbol 535 Text | Uses:16 | Used by:466 |
Symbol 536 Text | Uses:16 | Used by:466 |
Symbol 537 Text | Uses:16 | Used by:466 |
Symbol 538 Text | Uses:16 | Used by:466 |
Symbol 539 Text | Uses:16 | Used by:466 |
Symbol 540 Text | Uses:16 | Used by:466 |
Symbol 541 Text | Uses:16 | Used by:466 |
Symbol 542 Text | Uses:16 | Used by:466 |
Symbol 543 Text | Uses:16 | Used by:466 |
Symbol 544 Text | Uses:16 | Used by:466 |
Symbol 545 Text | Uses:16 | Used by:466 |
Symbol 546 Text | Uses:16 | Used by:466 |
Symbol 547 Text | Uses:16 | Used by:466 |
Symbol 548 Text | Uses:16 | Used by:466 |
Symbol 549 Text | Uses:16 | Used by:466 |
Symbol 550 Text | Uses:16 | Used by:466 |
Symbol 551 Text | Uses:16 | Used by:466 |
Symbol 552 Text | Uses:16 | Used by:466 |
Symbol 553 Text | Uses:16 | Used by:466 |
Symbol 554 Text | Uses:16 | Used by:466 |
Symbol 555 Text | Uses:16 | Used by:466 |
Symbol 556 Text | Uses:16 | Used by:466 |
Symbol 557 Text | Uses:16 | Used by:466 |
Symbol 558 Text | Uses:16 | Used by:466 |
Symbol 466 MovieClip {com.adobe.indesign.IDSWF_Frame_7} | Uses:467 468 470 471 472 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 | Used by:Timeline |
Symbol 560 Graphic | Used by:559 | |
Symbol 561 Text | Uses:7 | Used by:559 |
Symbol 562 Bitmap | Used by:563 | |
Symbol 563 Graphic | Uses:562 | Used by:559 |
Symbol 564 Text | Uses:7 | Used by:559 |
Symbol 565 Text | Uses:7 | Used by:559 |
Symbol 566 Bitmap | Used by:567 | |
Symbol 567 Graphic | Uses:566 | Used by:559 |
Symbol 568 Text | Uses:7 | Used by:559 |
Symbol 569 Text | Uses:16 | Used by:559 |
Symbol 570 Text | Uses:16 | Used by:559 |
Symbol 571 Text | Uses:16 | Used by:559 |
Symbol 572 Text | Uses:16 | Used by:559 |
Symbol 573 Text | Uses:16 | Used by:559 |
Symbol 574 Text | Uses:16 | Used by:559 |
Symbol 575 Text | Uses:16 | Used by:559 |
Symbol 576 Text | Uses:16 | Used by:559 |
Symbol 577 Text | Uses:16 | Used by:559 |
Symbol 578 Text | Uses:16 | Used by:559 |
Symbol 579 Text | Uses:16 | Used by:559 |
Symbol 580 Text | Uses:16 | Used by:559 |
Symbol 581 Text | Uses:16 | Used by:559 |
Symbol 582 Text | Uses:16 | Used by:559 |
Symbol 583 Text | Uses:16 | Used by:559 |
Symbol 584 Text | Uses:16 | Used by:559 |
Symbol 585 Text | Uses:16 | Used by:559 |
Symbol 586 Text | Uses:16 | Used by:559 |
Symbol 587 Text | Uses:16 | Used by:559 |
Symbol 588 Text | Uses:16 | Used by:559 |
Symbol 589 Text | Uses:16 | Used by:559 |
Symbol 590 Text | Uses:16 | Used by:559 |
Symbol 591 Text | Uses:16 | Used by:559 |
Symbol 592 Text | Uses:16 | Used by:559 |
Symbol 593 Text | Uses:16 | Used by:559 |
Symbol 594 Text | Uses:16 | Used by:559 |
Symbol 595 Text | Uses:16 | Used by:559 |
Symbol 596 Text | Uses:16 | Used by:559 |
Symbol 597 Text | Uses:16 | Used by:559 |
Symbol 598 Text | Uses:16 | Used by:559 |
Symbol 599 Text | Uses:16 | Used by:559 |
Symbol 600 Text | Uses:16 | Used by:559 |
Symbol 601 Text | Uses:16 | Used by:559 |
Symbol 602 Text | Uses:16 | Used by:559 |
Symbol 603 Text | Uses:16 | Used by:559 |
Symbol 604 Text | Uses:16 | Used by:559 |
Symbol 605 Text | Uses:16 | Used by:559 |
Symbol 606 Text | Uses:16 | Used by:559 |
Symbol 607 Text | Uses:16 | Used by:559 |
Symbol 608 Text | Uses:16 | Used by:559 |
Symbol 609 Text | Uses:16 | Used by:559 |
Symbol 610 Text | Uses:16 | Used by:559 |
Symbol 611 Text | Uses:16 | Used by:559 |
Symbol 612 Text | Uses:16 | Used by:559 |
Symbol 613 Text | Uses:16 | Used by:559 |
Symbol 614 Text | Uses:16 | Used by:559 |
Symbol 615 Text | Uses:16 | Used by:559 |
Symbol 616 Text | Uses:16 | Used by:559 |
Symbol 617 Text | Uses:16 | Used by:559 |
Symbol 618 Text | Uses:16 | Used by:559 |
Symbol 619 Text | Uses:16 | Used by:559 |
Symbol 620 Text | Uses:16 | Used by:559 |
Symbol 621 Text | Uses:16 | Used by:559 |
Symbol 622 Text | Uses:16 | Used by:559 |
Symbol 623 Text | Uses:16 | Used by:559 |
Symbol 624 Text | Uses:16 | Used by:559 |
Symbol 625 Text | Uses:16 | Used by:559 |
Symbol 626 Text | Uses:16 | Used by:559 |
Symbol 627 Text | Uses:16 | Used by:559 |
Symbol 628 Text | Uses:16 | Used by:559 |
Symbol 629 Text | Uses:16 | Used by:559 |
Symbol 630 Text | Uses:16 | Used by:559 |
Symbol 631 Text | Uses:16 | Used by:559 |
Symbol 632 Text | Uses:16 | Used by:559 |
Symbol 633 Text | Uses:16 | Used by:559 |
Symbol 634 Text | Uses:16 | Used by:559 |
Symbol 635 Text | Uses:16 | Used by:559 |
Symbol 636 Text | Uses:16 | Used by:559 |
Symbol 637 Text | Uses:16 | Used by:559 |
Symbol 638 Text | Uses:16 | Used by:559 |
Symbol 639 Text | Uses:16 | Used by:559 |
Symbol 640 Text | Uses:16 | Used by:559 |
Symbol 641 Text | Uses:16 | Used by:559 |
Symbol 642 Text | Uses:16 | Used by:559 |
Symbol 643 Text | Uses:16 | Used by:559 |
Symbol 644 Text | Uses:16 | Used by:559 |
Symbol 645 Text | Uses:16 | Used by:559 |
Symbol 646 Text | Uses:16 | Used by:559 |
Symbol 647 Text | Uses:16 | Used by:559 |
Symbol 648 Text | Uses:16 | Used by:559 |
Symbol 649 Text | Uses:16 | Used by:559 |
Symbol 559 MovieClip {com.adobe.indesign.IDSWF_Frame_8} | Uses:560 561 563 564 565 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 | Used by:Timeline |
Symbol 651 Graphic | Used by:650 | |
Symbol 652 Text | Uses:7 | Used by:650 |
Symbol 653 Bitmap | Used by:654 | |
Symbol 654 Graphic | Uses:653 | Used by:650 |
Symbol 655 Text | Uses:7 | Used by:650 |
Symbol 656 Text | Uses:7 | Used by:650 |
Symbol 657 Bitmap | Used by:658 | |
Symbol 658 Graphic | Uses:657 | Used by:650 |
Symbol 659 Text | Uses:7 | Used by:650 |
Symbol 660 Text | Uses:16 | Used by:650 |
Symbol 661 Text | Uses:16 | Used by:650 |
Symbol 662 Text | Uses:16 | Used by:650 |
Symbol 663 Text | Uses:16 | Used by:650 |
Symbol 664 Text | Uses:16 | Used by:650 |
Symbol 665 Text | Uses:16 | Used by:650 |
Symbol 666 Text | Uses:16 | Used by:650 |
Symbol 667 Text | Uses:16 | Used by:650 |
Symbol 668 Text | Uses:16 | Used by:650 |
Symbol 669 Text | Uses:16 | Used by:650 |
Symbol 670 Text | Uses:16 | Used by:650 |
Symbol 671 Text | Uses:16 | Used by:650 |
Symbol 672 Text | Uses:16 | Used by:650 |
Symbol 673 Text | Uses:16 | Used by:650 |
Symbol 674 Text | Uses:16 | Used by:650 |
Symbol 675 Text | Uses:16 | Used by:650 |
Symbol 676 Text | Uses:16 | Used by:650 |
Symbol 677 Text | Uses:16 | Used by:650 |
Symbol 678 Text | Uses:16 | Used by:650 |
Symbol 679 Text | Uses:16 | Used by:650 |
Symbol 680 Text | Uses:16 | Used by:650 |
Symbol 681 Text | Uses:16 | Used by:650 |
Symbol 682 Text | Uses:16 | Used by:650 |
Symbol 683 Text | Uses:16 | Used by:650 |
Symbol 684 Text | Uses:16 | Used by:650 |
Symbol 685 Text | Uses:16 | Used by:650 |
Symbol 686 Text | Uses:16 | Used by:650 |
Symbol 687 Text | Uses:16 | Used by:650 |
Symbol 688 Text | Uses:16 | Used by:650 |
Symbol 689 Text | Uses:16 | Used by:650 |
Symbol 690 Text | Uses:16 | Used by:650 |
Symbol 691 Text | Uses:16 | Used by:650 |
Symbol 692 Text | Uses:16 | Used by:650 |
Symbol 693 Text | Uses:16 | Used by:650 |
Symbol 694 Text | Uses:16 | Used by:650 |
Symbol 695 Text | Uses:16 | Used by:650 |
Symbol 696 Text | Uses:16 | Used by:650 |
Symbol 697 Text | Uses:16 | Used by:650 |
Symbol 698 Text | Uses:16 | Used by:650 |
Symbol 699 Text | Uses:16 | Used by:650 |
Symbol 700 Text | Uses:16 | Used by:650 |
Symbol 701 Text | Uses:16 | Used by:650 |
Symbol 702 Text | Uses:16 | Used by:650 |
Symbol 703 Text | Uses:16 | Used by:650 |
Symbol 704 Text | Uses:16 | Used by:650 |
Symbol 705 Text | Uses:16 | Used by:650 |
Symbol 706 Text | Uses:16 | Used by:650 |
Symbol 707 Text | Uses:16 | Used by:650 |
Symbol 708 Text | Uses:16 | Used by:650 |
Symbol 709 Text | Uses:16 | Used by:650 |
Symbol 710 Text | Uses:16 | Used by:650 |
Symbol 711 Text | Uses:16 | Used by:650 |
Symbol 712 Text | Uses:16 | Used by:650 |
Symbol 713 Text | Uses:16 | Used by:650 |
Symbol 714 Text | Uses:16 | Used by:650 |
Symbol 715 Text | Uses:16 | Used by:650 |
Symbol 716 Text | Uses:16 | Used by:650 |
Symbol 717 Text | Uses:16 | Used by:650 |
Symbol 718 Text | Uses:16 | Used by:650 |
Symbol 719 Text | Uses:16 | Used by:650 |
Symbol 720 Text | Uses:16 | Used by:650 |
Symbol 721 Text | Uses:16 | Used by:650 |
Symbol 722 Text | Uses:16 | Used by:650 |
Symbol 723 Text | Uses:16 | Used by:650 |
Symbol 724 Text | Uses:16 | Used by:650 |
Symbol 725 Text | Uses:16 | Used by:650 |
Symbol 726 Text | Uses:16 | Used by:650 |
Symbol 727 Text | Uses:16 | Used by:650 |
Symbol 728 Text | Uses:16 | Used by:650 |
Symbol 729 Text | Uses:16 | Used by:650 |
Symbol 730 Text | Uses:16 | Used by:650 |
Symbol 731 Text | Uses:16 | Used by:650 |
Symbol 732 Text | Uses:16 | Used by:650 |
Symbol 733 Text | Uses:16 | Used by:650 |
Symbol 734 Text | Uses:16 | Used by:650 |
Symbol 735 Text | Uses:16 | Used by:650 |
Symbol 650 MovieClip {com.adobe.indesign.IDSWF_Frame_9} | Uses:651 652 654 655 656 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 | Used by:Timeline |
Symbol 737 Graphic | Used by:736 | |
Symbol 738 Text | Uses:7 | Used by:736 |
Symbol 739 Bitmap | Used by:740 | |
Symbol 740 Graphic | Uses:739 | Used by:736 |
Symbol 741 Text | Uses:7 | Used by:736 |
Symbol 742 Text | Uses:7 | Used by:736 |
Symbol 743 Bitmap | Used by:744 | |
Symbol 744 Graphic | Uses:743 | Used by:736 |
Symbol 745 Text | Uses:7 | Used by:736 |
Symbol 746 Text | Uses:16 | Used by:736 |
Symbol 747 Text | Uses:16 | Used by:736 |
Symbol 748 Text | Uses:16 | Used by:736 |
Symbol 749 Text | Uses:16 | Used by:736 |
Symbol 750 Text | Uses:16 | Used by:736 |
Symbol 751 Text | Uses:16 | Used by:736 |
Symbol 752 Text | Uses:16 | Used by:736 |
Symbol 753 Text | Uses:16 | Used by:736 |
Symbol 754 Text | Uses:16 | Used by:736 |
Symbol 755 Text | Uses:16 | Used by:736 |
Symbol 756 Text | Uses:16 | Used by:736 |
Symbol 757 Text | Uses:16 | Used by:736 |
Symbol 758 Text | Uses:16 | Used by:736 |
Symbol 759 Text | Uses:16 | Used by:736 |
Symbol 760 Text | Uses:16 | Used by:736 |
Symbol 761 Text | Uses:16 | Used by:736 |
Symbol 762 Text | Uses:16 | Used by:736 |
Symbol 763 Text | Uses:16 | Used by:736 |
Symbol 764 Text | Uses:16 | Used by:736 |
Symbol 765 Text | Uses:16 | Used by:736 |
Symbol 766 Text | Uses:16 | Used by:736 |
Symbol 767 Text | Uses:16 | Used by:736 |
Symbol 768 Text | Uses:16 | Used by:736 |
Symbol 769 Text | Uses:16 | Used by:736 |
Symbol 770 Text | Uses:16 | Used by:736 |
Symbol 771 Text | Uses:56 | Used by:736 |
Symbol 772 Text | Uses:16 | Used by:736 |
Symbol 773 Text | Uses:16 | Used by:736 |
Symbol 774 Text | Uses:16 | Used by:736 |
Symbol 775 Text | Uses:16 | Used by:736 |
Symbol 776 Text | Uses:16 | Used by:736 |
Symbol 777 Text | Uses:16 | Used by:736 |
Symbol 778 Text | Uses:16 | Used by:736 |
Symbol 779 Text | Uses:16 | Used by:736 |
Symbol 780 Text | Uses:16 | Used by:736 |
Symbol 781 Text | Uses:16 | Used by:736 |
Symbol 782 Text | Uses:16 | Used by:736 |
Symbol 783 Text | Uses:16 | Used by:736 |
Symbol 784 Text | Uses:16 | Used by:736 |
Symbol 785 Text | Uses:16 | Used by:736 |
Symbol 786 Text | Uses:16 | Used by:736 |
Symbol 787 Text | Uses:16 | Used by:736 |
Symbol 788 Text | Uses:16 | Used by:736 |
Symbol 789 Text | Uses:16 | Used by:736 |
Symbol 790 Text | Uses:16 | Used by:736 |
Symbol 791 Text | Uses:16 | Used by:736 |
Symbol 792 Text | Uses:16 | Used by:736 |
Symbol 793 Text | Uses:16 | Used by:736 |
Symbol 794 Text | Uses:16 | Used by:736 |
Symbol 795 Text | Uses:16 | Used by:736 |
Symbol 796 Text | Uses:16 | Used by:736 |
Symbol 797 Text | Uses:16 | Used by:736 |
Symbol 798 Text | Uses:16 | Used by:736 |
Symbol 799 Text | Uses:16 | Used by:736 |
Symbol 800 Text | Uses:16 | Used by:736 |
Symbol 801 Text | Uses:16 | Used by:736 |
Symbol 802 Text | Uses:16 | Used by:736 |
Symbol 803 Text | Uses:16 | Used by:736 |
Symbol 804 Text | Uses:16 | Used by:736 |
Symbol 805 Text | Uses:16 | Used by:736 |
Symbol 806 Text | Uses:16 | Used by:736 |
Symbol 807 Text | Uses:16 | Used by:736 |
Symbol 808 Text | Uses:16 | Used by:736 |
Symbol 809 Text | Uses:16 | Used by:736 |
Symbol 810 Text | Uses:16 | Used by:736 |
Symbol 811 Text | Uses:16 | Used by:736 |
Symbol 812 Text | Uses:16 | Used by:736 |
Symbol 813 Text | Uses:16 | Used by:736 |
Symbol 814 Text | Uses:16 | Used by:736 |
Symbol 815 Text | Uses:16 | Used by:736 |
Symbol 816 Text | Uses:16 | Used by:736 |
Symbol 817 Text | Uses:16 | Used by:736 |
Symbol 818 Text | Uses:16 | Used by:736 |
Symbol 819 Text | Uses:16 | Used by:736 |
Symbol 820 Text | Uses:16 | Used by:736 |
Symbol 821 Text | Uses:16 | Used by:736 |
Symbol 822 Text | Uses:16 | Used by:736 |
Symbol 823 Text | Uses:16 | Used by:736 |
Symbol 824 Text | Uses:16 | Used by:736 |
Symbol 825 Text | Uses:16 | Used by:736 |
Symbol 826 Text | Uses:16 | Used by:736 |
Symbol 827 Text | Uses:16 | Used by:736 |
Symbol 828 Text | Uses:16 | Used by:736 |
Symbol 736 MovieClip {com.adobe.indesign.IDSWF_Frame_10} | Uses:737 738 740 741 742 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 | Used by:Timeline |
Symbol 830 Graphic | Used by:829 | |
Symbol 831 Text | Uses:7 | Used by:829 |
Symbol 832 Bitmap | Used by:833 | |
Symbol 833 Graphic | Uses:832 | Used by:829 |
Symbol 834 Text | Uses:7 | Used by:829 |
Symbol 835 Text | Uses:7 | Used by:829 |
Symbol 836 Bitmap | Used by:837 | |
Symbol 837 Graphic | Uses:836 | Used by:829 |
Symbol 838 Text | Uses:7 | Used by:829 |
Symbol 839 Text | Uses:16 | Used by:829 |
Symbol 840 Text | Uses:16 | Used by:829 |
Symbol 841 Text | Uses:16 | Used by:829 |
Symbol 842 Text | Uses:16 | Used by:829 |
Symbol 843 Text | Uses:16 | Used by:829 |
Symbol 844 Text | Uses:16 | Used by:829 |
Symbol 845 Text | Uses:16 | Used by:829 |
Symbol 846 Text | Uses:16 | Used by:829 |
Symbol 847 Text | Uses:16 | Used by:829 |
Symbol 848 Text | Uses:16 | Used by:829 |
Symbol 849 Text | Uses:16 | Used by:829 |
Symbol 850 Text | Uses:16 | Used by:829 |
Symbol 851 Text | Uses:16 | Used by:829 |
Symbol 852 Text | Uses:16 | Used by:829 |
Symbol 853 Text | Uses:16 | Used by:829 |
Symbol 854 Text | Uses:16 | Used by:829 |
Symbol 855 Text | Uses:16 | Used by:829 |
Symbol 856 Text | Uses:16 | Used by:829 |
Symbol 857 Text | Uses:16 | Used by:829 |
Symbol 858 Text | Uses:16 | Used by:829 |
Symbol 859 Text | Uses:16 | Used by:829 |
Symbol 860 Text | Uses:16 | Used by:829 |
Symbol 861 Text | Uses:16 | Used by:829 |
Symbol 862 Text | Uses:16 | Used by:829 |
Symbol 863 Text | Uses:16 | Used by:829 |
Symbol 864 Text | Uses:16 | Used by:829 |
Symbol 865 Text | Uses:16 | Used by:829 |
Symbol 866 Text | Uses:16 | Used by:829 |
Symbol 867 Text | Uses:16 | Used by:829 |
Symbol 868 Text | Uses:16 | Used by:829 |
Symbol 869 Text | Uses:16 | Used by:829 |
Symbol 870 Text | Uses:16 | Used by:829 |
Symbol 871 Text | Uses:16 | Used by:829 |
Symbol 872 Text | Uses:16 | Used by:829 |
Symbol 873 Text | Uses:16 | Used by:829 |
Symbol 874 Text | Uses:16 | Used by:829 |
Symbol 875 Text | Uses:16 | Used by:829 |
Symbol 876 Text | Uses:16 | Used by:829 |
Symbol 877 Text | Uses:16 | Used by:829 |
Symbol 878 Text | Uses:16 | Used by:829 |
Symbol 879 Text | Uses:16 | Used by:829 |
Symbol 880 Text | Uses:16 | Used by:829 |
Symbol 881 Text | Uses:16 | Used by:829 |
Symbol 882 Text | Uses:16 | Used by:829 |
Symbol 883 Text | Uses:16 | Used by:829 |
Symbol 884 Text | Uses:16 | Used by:829 |
Symbol 885 Text | Uses:16 | Used by:829 |
Symbol 886 Text | Uses:16 | Used by:829 |
Symbol 887 Text | Uses:16 | Used by:829 |
Symbol 888 Text | Uses:16 | Used by:829 |
Symbol 889 Text | Uses:16 | Used by:829 |
Symbol 890 Text | Uses:16 | Used by:829 |
Symbol 891 Text | Uses:16 | Used by:829 |
Symbol 892 Text | Uses:16 | Used by:829 |
Symbol 893 Text | Uses:16 | Used by:829 |
Symbol 894 Text | Uses:16 | Used by:829 |
Symbol 895 Text | Uses:16 | Used by:829 |
Symbol 896 Text | Uses:16 | Used by:829 |
Symbol 897 Text | Uses:16 | Used by:829 |
Symbol 898 Text | Uses:16 | Used by:829 |
Symbol 899 Text | Uses:16 | Used by:829 |
Symbol 900 Text | Uses:16 | Used by:829 |
Symbol 901 Text | Uses:16 | Used by:829 |
Symbol 902 Text | Uses:16 | Used by:829 |
Symbol 903 Text | Uses:16 | Used by:829 |
Symbol 904 Text | Uses:16 | Used by:829 |
Symbol 905 Text | Uses:16 | Used by:829 |
Symbol 906 Text | Uses:16 | Used by:829 |
Symbol 907 Text | Uses:16 | Used by:829 |
Symbol 908 Text | Uses:16 | Used by:829 |
Symbol 909 Text | Uses:16 | Used by:829 |
Symbol 910 Text | Uses:16 | Used by:829 |
Symbol 911 Text | Uses:16 | Used by:829 |
Symbol 912 Text | Uses:16 | Used by:829 |
Symbol 913 Text | Uses:16 | Used by:829 |
Symbol 914 Text | Uses:16 | Used by:829 |
Symbol 915 Text | Uses:16 | Used by:829 |
Symbol 916 Text | Uses:16 | Used by:829 |
Symbol 917 Text | Uses:16 | Used by:829 |
Symbol 918 Text | Uses:16 | Used by:829 |
Symbol 829 MovieClip {com.adobe.indesign.IDSWF_Frame_11} | Uses:830 831 833 834 835 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 | Used by:Timeline |
Symbol 920 Graphic | Used by:919 | |
Symbol 921 Text | Uses:7 | Used by:919 |
Symbol 922 Bitmap | Used by:923 | |
Symbol 923 Graphic | Uses:922 | Used by:919 |
Symbol 924 Text | Uses:7 | Used by:919 |
Symbol 925 Text | Uses:7 | Used by:919 |
Symbol 926 Bitmap | Used by:927 | |
Symbol 927 Graphic | Uses:926 | Used by:919 |
Symbol 928 Text | Uses:7 | Used by:919 |
Symbol 929 Text | Uses:16 | Used by:919 |
Symbol 930 Text | Uses:16 | Used by:919 |
Symbol 931 Text | Uses:16 | Used by:919 |
Symbol 932 Text | Uses:16 | Used by:919 |
Symbol 933 Text | Uses:16 | Used by:919 |
Symbol 934 Text | Uses:16 | Used by:919 |
Symbol 935 Text | Uses:16 | Used by:919 |
Symbol 936 Text | Uses:16 | Used by:919 |
Symbol 937 Text | Uses:16 | Used by:919 |
Symbol 938 Text | Uses:16 | Used by:919 |
Symbol 939 Text | Uses:16 | Used by:919 |
Symbol 940 Text | Uses:16 | Used by:919 |
Symbol 941 Text | Uses:16 | Used by:919 |
Symbol 942 Text | Uses:16 | Used by:919 |
Symbol 943 Text | Uses:16 | Used by:919 |
Symbol 944 Text | Uses:16 | Used by:919 |
Symbol 945 Text | Uses:16 | Used by:919 |
Symbol 946 Text | Uses:16 | Used by:919 |
Symbol 947 Text | Uses:16 | Used by:919 |
Symbol 948 Text | Uses:16 | Used by:919 |
Symbol 949 Text | Uses:16 | Used by:919 |
Symbol 950 Text | Uses:16 | Used by:919 |
Symbol 951 Text | Uses:16 | Used by:919 |
Symbol 952 Text | Uses:16 | Used by:919 |
Symbol 953 Text | Uses:16 | Used by:919 |
Symbol 954 Text | Uses:16 | Used by:919 |
Symbol 955 Text | Uses:16 | Used by:919 |
Symbol 956 Text | Uses:16 | Used by:919 |
Symbol 957 Text | Uses:16 | Used by:919 |
Symbol 958 Text | Uses:16 | Used by:919 |
Symbol 959 Text | Uses:16 | Used by:919 |
Symbol 960 Text | Uses:16 | Used by:919 |
Symbol 961 Text | Uses:16 | Used by:919 |
Symbol 962 Text | Uses:16 | Used by:919 |
Symbol 963 Text | Uses:16 | Used by:919 |
Symbol 964 Text | Uses:16 | Used by:919 |
Symbol 965 Text | Uses:16 | Used by:919 |
Symbol 966 Text | Uses:16 | Used by:919 |
Symbol 967 Text | Uses:16 | Used by:919 |
Symbol 968 Text | Uses:16 | Used by:919 |
Symbol 969 Text | Uses:16 | Used by:919 |
Symbol 970 Text | Uses:16 | Used by:919 |
Symbol 971 Text | Uses:16 | Used by:919 |
Symbol 972 Text | Uses:16 | Used by:919 |
Symbol 973 Text | Uses:16 | Used by:919 |
Symbol 974 Text | Uses:16 | Used by:919 |
Symbol 975 Text | Uses:16 | Used by:919 |
Symbol 976 Text | Uses:16 | Used by:919 |
Symbol 977 Text | Uses:16 | Used by:919 |
Symbol 978 Text | Uses:16 | Used by:919 |
Symbol 979 Text | Uses:16 | Used by:919 |
Symbol 980 Text | Uses:16 | Used by:919 |
Symbol 981 Text | Uses:16 | Used by:919 |
Symbol 982 Text | Uses:16 | Used by:919 |
Symbol 983 Text | Uses:16 | Used by:919 |
Symbol 984 Text | Uses:16 | Used by:919 |
Symbol 985 Text | Uses:16 | Used by:919 |
Symbol 986 Text | Uses:16 | Used by:919 |
Symbol 987 Text | Uses:16 | Used by:919 |
Symbol 988 Text | Uses:16 | Used by:919 |
Symbol 989 Text | Uses:16 | Used by:919 |
Symbol 990 Text | Uses:16 | Used by:919 |
Symbol 991 Text | Uses:16 | Used by:919 |
Symbol 992 Text | Uses:16 | Used by:919 |
Symbol 993 Text | Uses:16 | Used by:919 |
Symbol 994 Text | Uses:16 | Used by:919 |
Symbol 995 Text | Uses:16 | Used by:919 |
Symbol 996 Text | Uses:16 | Used by:919 |
Symbol 997 Text | Uses:16 | Used by:919 |
Symbol 998 Text | Uses:16 | Used by:919 |
Symbol 999 Text | Uses:16 | Used by:919 |
Symbol 1000 Text | Uses:16 | Used by:919 |
Symbol 1001 Text | Uses:16 | Used by:919 |
Symbol 1002 Text | Uses:16 | Used by:919 |
Symbol 1003 Text | Uses:16 | Used by:919 |
Symbol 1004 Text | Uses:16 | Used by:919 |
Symbol 1005 Text | Uses:16 | Used by:919 |
Symbol 919 MovieClip {com.adobe.indesign.IDSWF_Frame_12} | Uses:920 921 923 924 925 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 | Used by:Timeline |
Symbol 1007 Graphic | Used by:1006 | |
Symbol 1008 Text | Uses:7 | Used by:1006 |
Symbol 1009 Bitmap | Used by:1010 | |
Symbol 1010 Graphic | Uses:1009 | Used by:1006 |
Symbol 1011 Text | Uses:7 | Used by:1006 |
Symbol 1012 Text | Uses:7 | Used by:1006 |
Symbol 1013 Bitmap | Used by:1014 | |
Symbol 1014 Graphic | Uses:1013 | Used by:1006 |
Symbol 1015 Text | Uses:7 | Used by:1006 |
Symbol 1016 Text | Uses:16 | Used by:1006 |
Symbol 1017 Text | Uses:16 | Used by:1006 |
Symbol 1018 Text | Uses:16 | Used by:1006 |
Symbol 1019 Text | Uses:16 | Used by:1006 |
Symbol 1020 Text | Uses:16 | Used by:1006 |
Symbol 1021 Text | Uses:16 | Used by:1006 |
Symbol 1022 Text | Uses:16 | Used by:1006 |
Symbol 1023 Text | Uses:16 | Used by:1006 |
Symbol 1024 Text | Uses:16 | Used by:1006 |
Symbol 1025 Text | Uses:16 | Used by:1006 |
Symbol 1026 Text | Uses:16 | Used by:1006 |
Symbol 1027 Text | Uses:16 | Used by:1006 |
Symbol 1028 Text | Uses:16 | Used by:1006 |
Symbol 1029 Text | Uses:16 | Used by:1006 |
Symbol 1030 Text | Uses:16 | Used by:1006 |
Symbol 1031 Text | Uses:16 | Used by:1006 |
Symbol 1032 Text | Uses:16 | Used by:1006 |
Symbol 1033 Text | Uses:16 | Used by:1006 |
Symbol 1034 Text | Uses:16 | Used by:1006 |
Symbol 1035 Text | Uses:16 | Used by:1006 |
Symbol 1036 Text | Uses:16 | Used by:1006 |
Symbol 1037 Text | Uses:16 | Used by:1006 |
Symbol 1038 Text | Uses:16 | Used by:1006 |
Symbol 1039 Text | Uses:16 | Used by:1006 |
Symbol 1040 Text | Uses:16 | Used by:1006 |
Symbol 1041 Text | Uses:16 | Used by:1006 |
Symbol 1042 Text | Uses:16 | Used by:1006 |
Symbol 1043 Text | Uses:16 | Used by:1006 |
Symbol 1044 Text | Uses:16 | Used by:1006 |
Symbol 1045 Text | Uses:16 | Used by:1006 |
Symbol 1046 Text | Uses:16 | Used by:1006 |
Symbol 1047 Text | Uses:16 | Used by:1006 |
Symbol 1048 Text | Uses:16 | Used by:1006 |
Symbol 1049 Text | Uses:16 | Used by:1006 |
Symbol 1050 Text | Uses:16 | Used by:1006 |
Symbol 1051 Text | Uses:16 | Used by:1006 |
Symbol 1052 Text | Uses:16 | Used by:1006 |
Symbol 1053 Text | Uses:16 | Used by:1006 |
Symbol 1054 Text | Uses:16 | Used by:1006 |
Symbol 1055 Text | Uses:16 | Used by:1006 |
Symbol 1056 Text | Uses:16 | Used by:1006 |
Symbol 1057 Text | Uses:16 | Used by:1006 |
Symbol 1058 Text | Uses:16 | Used by:1006 |
Symbol 1059 Text | Uses:16 | Used by:1006 |
Symbol 1060 Text | Uses:16 | Used by:1006 |
Symbol 1061 Text | Uses:16 | Used by:1006 |
Symbol 1062 Text | Uses:16 | Used by:1006 |
Symbol 1063 Text | Uses:16 | Used by:1006 |
Symbol 1064 Text | Uses:16 | Used by:1006 |
Symbol 1065 Text | Uses:16 | Used by:1006 |
Symbol 1066 Text | Uses:16 | Used by:1006 |
Symbol 1067 Text | Uses:16 | Used by:1006 |
Symbol 1068 Text | Uses:16 | Used by:1006 |
Symbol 1069 Text | Uses:16 | Used by:1006 |
Symbol 1070 Text | Uses:16 | Used by:1006 |
Symbol 1071 Text | Uses:16 | Used by:1006 |
Symbol 1072 Text | Uses:16 | Used by:1006 |
Symbol 1073 Text | Uses:16 | Used by:1006 |
Symbol 1074 Text | Uses:16 | Used by:1006 |
Symbol 1075 Text | Uses:16 | Used by:1006 |
Symbol 1076 Text | Uses:16 | Used by:1006 |
Symbol 1077 Text | Uses:16 | Used by:1006 |
Symbol 1078 Text | Uses:16 | Used by:1006 |
Symbol 1079 Text | Uses:16 | Used by:1006 |
Symbol 1080 Text | Uses:16 | Used by:1006 |
Symbol 1081 Text | Uses:16 | Used by:1006 |
Symbol 1082 Text | Uses:16 | Used by:1006 |
Symbol 1083 Text | Uses:16 | Used by:1006 |
Symbol 1084 Text | Uses:16 | Used by:1006 |
Symbol 1085 Text | Uses:16 | Used by:1006 |
Symbol 1086 Text | Uses:16 | Used by:1006 |
Symbol 1087 Text | Uses:16 | Used by:1006 |
Symbol 1088 Text | Uses:16 | Used by:1006 |
Symbol 1089 Text | Uses:16 | Used by:1006 |
Symbol 1090 Text | Uses:16 | Used by:1006 |
Symbol 1091 Text | Uses:16 | Used by:1006 |
Symbol 1006 MovieClip {com.adobe.indesign.IDSWF_Frame_13} | Uses:1007 1008 1010 1011 1012 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 1032 1033 1034 1035 1036 1037 1038 1039 1040 1041 1042 1043 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1055 1056 1057 1058 1059 1060 1061 1062 1063 1064 1065 1066 1067 1068 1069 1070 1071 1072 1073 1074 1075 1076 1077 1078 1079 1080 1081 1082 1083 1084 1085 1086 1087 1088 1089 1090 1091 | Used by:Timeline |
Symbol 1093 Graphic | Used by:1092 | |
Symbol 1094 Text | Uses:7 | Used by:1092 |
Symbol 1095 Bitmap | Used by:1096 | |
Symbol 1096 Graphic | Uses:1095 | Used by:1092 |
Symbol 1097 Text | Uses:7 | Used by:1092 |
Symbol 1098 Text | Uses:7 | Used by:1092 |
Symbol 1099 Bitmap | Used by:1100 | |
Symbol 1100 Graphic | Uses:1099 | Used by:1092 |
Symbol 1101 Text | Uses:7 | Used by:1092 |
Symbol 1102 Text | Uses:16 | Used by:1092 |
Symbol 1103 Text | Uses:16 | Used by:1092 |
Symbol 1104 Text | Uses:16 | Used by:1092 |
Symbol 1105 Text | Uses:16 | Used by:1092 |
Symbol 1106 Text | Uses:16 | Used by:1092 |
Symbol 1107 Text | Uses:16 | Used by:1092 |
Symbol 1108 Text | Uses:16 | Used by:1092 |
Symbol 1109 Text | Uses:16 | Used by:1092 |
Symbol 1110 Text | Uses:16 | Used by:1092 |
Symbol 1111 Text | Uses:16 | Used by:1092 |
Symbol 1112 Text | Uses:16 | Used by:1092 |
Symbol 1113 Text | Uses:16 | Used by:1092 |
Symbol 1114 Text | Uses:16 | Used by:1092 |
Symbol 1115 Text | Uses:16 | Used by:1092 |
Symbol 1116 Text | Uses:16 | Used by:1092 |
Symbol 1117 Text | Uses:16 | Used by:1092 |
Symbol 1118 Text | Uses:16 | Used by:1092 |
Symbol 1119 Text | Uses:16 | Used by:1092 |
Symbol 1120 Text | Uses:16 | Used by:1092 |
Symbol 1121 Text | Uses:16 | Used by:1092 |
Symbol 1122 Text | Uses:16 | Used by:1092 |
Symbol 1123 Text | Uses:16 | Used by:1092 |
Symbol 1124 Text | Uses:16 | Used by:1092 |
Symbol 1125 Text | Uses:16 | Used by:1092 |
Symbol 1126 Text | Uses:16 | Used by:1092 |
Symbol 1127 Text | Uses:16 | Used by:1092 |
Symbol 1128 Text | Uses:16 | Used by:1092 |
Symbol 1129 Text | Uses:16 | Used by:1092 |
Symbol 1130 Text | Uses:16 | Used by:1092 |
Symbol 1131 Text | Uses:16 | Used by:1092 |
Symbol 1132 Text | Uses:16 | Used by:1092 |
Symbol 1133 Text | Uses:16 | Used by:1092 |
Symbol 1134 Text | Uses:16 | Used by:1092 |
Symbol 1135 Text | Uses:16 | Used by:1092 |
Symbol 1136 Text | Uses:16 | Used by:1092 |
Symbol 1137 Text | Uses:16 | Used by:1092 |
Symbol 1138 Text | Uses:16 | Used by:1092 |
Symbol 1139 Text | Uses:16 | Used by:1092 |
Symbol 1140 Text | Uses:16 | Used by:1092 |
Symbol 1141 Text | Uses:16 | Used by:1092 |
Symbol 1142 Text | Uses:16 | Used by:1092 |
Symbol 1143 Text | Uses:16 | Used by:1092 |
Symbol 1144 Text | Uses:16 | Used by:1092 |
Symbol 1145 Text | Uses:16 | Used by:1092 |
Symbol 1146 Text | Uses:16 | Used by:1092 |
Symbol 1147 Text | Uses:16 | Used by:1092 |
Symbol 1148 Text | Uses:16 | Used by:1092 |
Symbol 1149 Text | Uses:16 | Used by:1092 |
Symbol 1150 Text | Uses:16 | Used by:1092 |
Symbol 1151 Text | Uses:16 | Used by:1092 |
Symbol 1152 Text | Uses:16 | Used by:1092 |
Symbol 1153 Text | Uses:16 | Used by:1092 |
Symbol 1154 Text | Uses:16 | Used by:1092 |
Symbol 1155 Text | Uses:16 | Used by:1092 |
Symbol 1156 Text | Uses:16 | Used by:1092 |
Symbol 1157 Text | Uses:16 | Used by:1092 |
Symbol 1158 Text | Uses:16 | Used by:1092 |
Symbol 1159 Text | Uses:16 | Used by:1092 |
Symbol 1160 Text | Uses:16 | Used by:1092 |
Symbol 1161 Text | Uses:16 | Used by:1092 |
Symbol 1162 Text | Uses:16 | Used by:1092 |
Symbol 1163 Text | Uses:16 | Used by:1092 |
Symbol 1164 Text | Uses:16 | Used by:1092 |
Symbol 1165 Text | Uses:16 | Used by:1092 |
Symbol 1166 Text | Uses:16 | Used by:1092 |
Symbol 1167 Text | Uses:16 | Used by:1092 |
Symbol 1168 Text | Uses:16 | Used by:1092 |
Symbol 1169 Text | Uses:16 | Used by:1092 |
Symbol 1170 Text | Uses:16 | Used by:1092 |
Symbol 1171 Text | Uses:16 | Used by:1092 |
Symbol 1172 Text | Uses:16 | Used by:1092 |
Symbol 1173 Text | Uses:16 | Used by:1092 |
Symbol 1174 Text | Uses:16 | Used by:1092 |
Symbol 1175 Text | Uses:16 | Used by:1092 |
Symbol 1092 MovieClip {com.adobe.indesign.IDSWF_Frame_14} | Uses:1093 1094 1096 1097 1098 1100 1101 1102 1103 1104 1105 1106 1107 1108 1109 1110 1111 1112 1113 1114 1115 1116 1117 1118 1119 1120 1121 1122 1123 1124 1125 1126 1127 1128 1129 1130 1131 1132 1133 1134 1135 1136 1137 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1149 1150 1151 1152 1153 1154 1155 1156 1157 1158 1159 1160 1161 1162 1163 1164 1165 1166 1167 1168 1169 1170 1171 1172 1173 1174 1175 | Used by:Timeline |
Symbol 1177 Graphic | Used by:1176 | |
Symbol 1178 Text | Uses:7 | Used by:1176 |
Symbol 1179 Bitmap | Used by:1180 | |
Symbol 1180 Graphic | Uses:1179 | Used by:1176 |
Symbol 1181 Text | Uses:7 | Used by:1176 |
Symbol 1182 Text | Uses:7 | Used by:1176 |
Symbol 1183 Bitmap | Used by:1184 | |
Symbol 1184 Graphic | Uses:1183 | Used by:1176 |
Symbol 1185 Text | Uses:7 | Used by:1176 |
Symbol 1186 Text | Uses:16 | Used by:1176 |
Symbol 1187 Text | Uses:16 | Used by:1176 |
Symbol 1188 Text | Uses:16 | Used by:1176 |
Symbol 1189 Text | Uses:16 | Used by:1176 |
Symbol 1190 Text | Uses:16 | Used by:1176 |
Symbol 1191 Text | Uses:16 | Used by:1176 |
Symbol 1192 Text | Uses:16 | Used by:1176 |
Symbol 1193 Text | Uses:16 | Used by:1176 |
Symbol 1194 Text | Uses:16 | Used by:1176 |
Symbol 1195 Text | Uses:16 | Used by:1176 |
Symbol 1196 Text | Uses:16 | Used by:1176 |
Symbol 1197 Text | Uses:16 | Used by:1176 |
Symbol 1198 Text | Uses:16 | Used by:1176 |
Symbol 1199 Text | Uses:16 | Used by:1176 |
Symbol 1200 Text | Uses:16 | Used by:1176 |
Symbol 1201 Text | Uses:16 | Used by:1176 |
Symbol 1202 Text | Uses:16 | Used by:1176 |
Symbol 1203 Text | Uses:16 | Used by:1176 |
Symbol 1204 Text | Uses:16 | Used by:1176 |
Symbol 1205 Text | Uses:16 | Used by:1176 |
Symbol 1206 Text | Uses:16 | Used by:1176 |
Symbol 1207 Text | Uses:16 | Used by:1176 |
Symbol 1208 Text | Uses:16 | Used by:1176 |
Symbol 1209 Text | Uses:16 | Used by:1176 |
Symbol 1210 Text | Uses:16 | Used by:1176 |
Symbol 1211 Text | Uses:16 | Used by:1176 |
Symbol 1212 Text | Uses:16 | Used by:1176 |
Symbol 1213 Text | Uses:16 | Used by:1176 |
Symbol 1214 Text | Uses:16 | Used by:1176 |
Symbol 1215 Text | Uses:16 | Used by:1176 |
Symbol 1216 Text | Uses:16 | Used by:1176 |
Symbol 1217 Text | Uses:16 | Used by:1176 |
Symbol 1218 Text | Uses:16 | Used by:1176 |
Symbol 1219 Text | Uses:16 | Used by:1176 |
Symbol 1220 Text | Uses:16 | Used by:1176 |
Symbol 1221 Text | Uses:16 | Used by:1176 |
Symbol 1222 Text | Uses:16 | Used by:1176 |
Symbol 1223 Text | Uses:16 | Used by:1176 |
Symbol 1224 Text | Uses:16 | Used by:1176 |
Symbol 1225 Text | Uses:16 | Used by:1176 |
Symbol 1226 Text | Uses:16 | Used by:1176 |
Symbol 1227 Text | Uses:16 | Used by:1176 |
Symbol 1228 Text | Uses:16 | Used by:1176 |
Symbol 1229 Text | Uses:16 | Used by:1176 |
Symbol 1230 Text | Uses:16 | Used by:1176 |
Symbol 1231 Text | Uses:16 | Used by:1176 |
Symbol 1232 Text | Uses:16 | Used by:1176 |
Symbol 1233 Text | Uses:16 | Used by:1176 |
Symbol 1234 Text | Uses:16 | Used by:1176 |
Symbol 1235 Text | Uses:16 | Used by:1176 |
Symbol 1236 Text | Uses:16 | Used by:1176 |
Symbol 1237 Text | Uses:16 | Used by:1176 |
Symbol 1238 Text | Uses:16 | Used by:1176 |
Symbol 1239 Text | Uses:16 | Used by:1176 |
Symbol 1240 Text | Uses:16 | Used by:1176 |
Symbol 1241 Text | Uses:16 | Used by:1176 |
Symbol 1242 Text | Uses:16 | Used by:1176 |
Symbol 1243 Text | Uses:16 | Used by:1176 |
Symbol 1244 Text | Uses:16 | Used by:1176 |
Symbol 1245 Text | Uses:16 | Used by:1176 |
Symbol 1246 Text | Uses:16 | Used by:1176 |
Symbol 1247 Text | Uses:16 | Used by:1176 |
Symbol 1248 Text | Uses:16 | Used by:1176 |
Symbol 1249 Text | Uses:16 | Used by:1176 |
Symbol 1250 Text | Uses:16 | Used by:1176 |
Symbol 1251 Text | Uses:16 | Used by:1176 |
Symbol 1252 Text | Uses:16 | Used by:1176 |
Symbol 1253 Text | Uses:16 | Used by:1176 |
Symbol 1254 Text | Uses:16 | Used by:1176 |
Symbol 1255 Text | Uses:16 | Used by:1176 |
Symbol 1256 Text | Uses:16 | Used by:1176 |
Symbol 1257 Text | Uses:16 | Used by:1176 |
Symbol 1258 Text | Uses:16 | Used by:1176 |
Symbol 1259 Text | Uses:16 | Used by:1176 |
Symbol 1260 Text | Uses:16 | Used by:1176 |
Symbol 1261 Text | Uses:16 | Used by:1176 |
Symbol 1262 Text | Uses:16 | Used by:1176 |
Symbol 1176 MovieClip {com.adobe.indesign.IDSWF_Frame_15} | Uses:1177 1178 1180 1181 1182 1184 1185 1186 1187 1188 1189 1190 1191 1192 1193 1194 1195 1196 1197 1198 1199 1200 1201 1202 1203 1204 1205 1206 1207 1208 1209 1210 1211 1212 1213 1214 1215 1216 1217 1218 1219 1220 1221 1222 1223 1224 1225 1226 1227 1228 1229 1230 1231 1232 1233 1234 1235 1236 1237 1238 1239 1240 1241 1242 1243 1244 1245 1246 1247 1248 1249 1250 1251 1252 1253 1254 1255 1256 1257 1258 1259 1260 1261 1262 | Used by:Timeline |
Symbol 1264 Graphic | Used by:1263 | |
Symbol 1265 Text | Uses:7 | Used by:1263 |
Symbol 1266 Bitmap | Used by:1267 | |
Symbol 1267 Graphic | Uses:1266 | Used by:1263 |
Symbol 1268 Text | Uses:7 | Used by:1263 |
Symbol 1269 Text | Uses:7 | Used by:1263 |
Symbol 1270 Bitmap | Used by:1271 | |
Symbol 1271 Graphic | Uses:1270 | Used by:1263 |
Symbol 1272 Text | Uses:7 | Used by:1263 |
Symbol 1273 Text | Uses:16 | Used by:1263 |
Symbol 1274 Text | Uses:16 | Used by:1263 |
Symbol 1275 Text | Uses:16 | Used by:1263 |
Symbol 1276 Text | Uses:16 | Used by:1263 |
Symbol 1277 Text | Uses:16 | Used by:1263 |
Symbol 1278 Text | Uses:16 | Used by:1263 |
Symbol 1279 Text | Uses:16 | Used by:1263 |
Symbol 1280 Text | Uses:16 | Used by:1263 |
Symbol 1281 Text | Uses:16 | Used by:1263 |
Symbol 1282 Text | Uses:16 | Used by:1263 |
Symbol 1283 Text | Uses:16 | Used by:1263 |
Symbol 1284 Text | Uses:16 | Used by:1263 |
Symbol 1285 Text | Uses:16 | Used by:1263 |
Symbol 1286 Text | Uses:16 | Used by:1263 |
Symbol 1287 Text | Uses:16 | Used by:1263 |
Symbol 1288 Text | Uses:16 | Used by:1263 |
Symbol 1289 Text | Uses:16 | Used by:1263 |
Symbol 1290 Text | Uses:16 | Used by:1263 |
Symbol 1291 Text | Uses:16 | Used by:1263 |
Symbol 1292 Text | Uses:16 | Used by:1263 |
Symbol 1293 Text | Uses:16 | Used by:1263 |
Symbol 1294 Text | Uses:16 | Used by:1263 |
Symbol 1295 Text | Uses:16 | Used by:1263 |
Symbol 1296 Text | Uses:16 | Used by:1263 |
Symbol 1297 Text | Uses:16 | Used by:1263 |
Symbol 1298 Text | Uses:16 | Used by:1263 |
Symbol 1299 Text | Uses:16 | Used by:1263 |
Symbol 1300 Text | Uses:16 | Used by:1263 |
Symbol 1301 Text | Uses:16 | Used by:1263 |
Symbol 1302 Text | Uses:16 | Used by:1263 |
Symbol 1303 Text | Uses:16 | Used by:1263 |
Symbol 1304 Text | Uses:16 | Used by:1263 |
Symbol 1305 Text | Uses:16 | Used by:1263 |
Symbol 1306 Text | Uses:16 | Used by:1263 |
Symbol 1307 Text | Uses:16 | Used by:1263 |
Symbol 1308 Text | Uses:16 | Used by:1263 |
Symbol 1309 Text | Uses:16 | Used by:1263 |
Symbol 1310 Text | Uses:16 | Used by:1263 |
Symbol 1311 Text | Uses:16 | Used by:1263 |
Symbol 1312 Text | Uses:16 | Used by:1263 |
Symbol 1313 Text | Uses:16 | Used by:1263 |
Symbol 1314 Text | Uses:16 | Used by:1263 |
Symbol 1315 Text | Uses:16 | Used by:1263 |
Symbol 1316 Text | Uses:16 | Used by:1263 |
Symbol 1317 Text | Uses:16 | Used by:1263 |
Symbol 1318 Text | Uses:16 | Used by:1263 |
Symbol 1319 Text | Uses:16 | Used by:1263 |
Symbol 1320 Text | Uses:16 | Used by:1263 |
Symbol 1321 Text | Uses:16 | Used by:1263 |
Symbol 1322 Text | Uses:16 | Used by:1263 |
Symbol 1323 Text | Uses:16 | Used by:1263 |
Symbol 1324 Text | Uses:16 | Used by:1263 |
Symbol 1325 Text | Uses:16 | Used by:1263 |
Symbol 1326 Text | Uses:16 | Used by:1263 |
Symbol 1327 Text | Uses:16 | Used by:1263 |
Symbol 1328 Text | Uses:16 | Used by:1263 |
Symbol 1329 Text | Uses:16 | Used by:1263 |
Symbol 1330 Text | Uses:16 | Used by:1263 |
Symbol 1331 Text | Uses:16 | Used by:1263 |
Symbol 1332 Text | Uses:16 | Used by:1263 |
Symbol 1333 Text | Uses:16 | Used by:1263 |
Symbol 1334 Text | Uses:16 | Used by:1263 |
Symbol 1335 Text | Uses:16 | Used by:1263 |
Symbol 1336 Text | Uses:16 | Used by:1263 |
Symbol 1337 Text | Uses:16 | Used by:1263 |
Symbol 1338 Text | Uses:16 | Used by:1263 |
Symbol 1339 Text | Uses:16 | Used by:1263 |
Symbol 1340 Text | Uses:16 | Used by:1263 |
Symbol 1341 Text | Uses:16 | Used by:1263 |
Symbol 1342 Text | Uses:16 | Used by:1263 |
Symbol 1343 Text | Uses:16 | Used by:1263 |
Symbol 1344 Text | Uses:16 | Used by:1263 |
Symbol 1345 Text | Uses:16 | Used by:1263 |
Symbol 1346 Text | Uses:16 | Used by:1263 |
Symbol 1347 Text | Uses:16 | Used by:1263 |
Symbol 1348 Text | Uses:16 | Used by:1263 |
Symbol 1349 Text | Uses:16 | Used by:1263 |
Symbol 1350 Text | Uses:16 | Used by:1263 |
Symbol 1351 Text | Uses:16 | Used by:1263 |
Symbol 1352 Text | Uses:16 | Used by:1263 |
Symbol 1353 Text | Uses:16 | Used by:1263 |
Symbol 1354 Text | Uses:16 | Used by:1263 |
Symbol 1355 Text | Uses:16 | Used by:1263 |
Symbol 1356 Text | Uses:16 | Used by:1263 |
Symbol 1357 Text | Uses:16 | Used by:1263 |
Symbol 1358 Text | Uses:16 | Used by:1263 |
Symbol 1359 Text | Uses:16 | Used by:1263 |
Symbol 1360 Text | Uses:16 | Used by:1263 |
Symbol 1361 Text | Uses:16 | Used by:1263 |
Symbol 1362 Text | Uses:16 | Used by:1263 |
Symbol 1363 Text | Uses:16 | Used by:1263 |
Symbol 1364 Text | Uses:16 | Used by:1263 |
Symbol 1263 MovieClip {com.adobe.indesign.IDSWF_Frame_16} | Uses:1264 1265 1267 1268 1269 1271 1272 1273 1274 1275 1276 1277 1278 1279 1280 1281 1282 1283 1284 1285 1286 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1322 1323 1324 1325 1326 1327 1328 1329 1330 1331 1332 1333 1334 1335 1336 1337 1338 1339 1340 1341 1342 1343 1344 1345 1346 1347 1348 1349 1350 1351 1352 1353 1354 1355 1356 1357 1358 1359 1360 1361 1362 1363 1364 | Used by:Timeline |
Symbol 1366 Graphic | Used by:1365 | |
Symbol 1367 Text | Uses:7 | Used by:1365 |
Symbol 1368 Bitmap | Used by:1369 | |
Symbol 1369 Graphic | Uses:1368 | Used by:1365 |
Symbol 1370 Text | Uses:7 | Used by:1365 |
Symbol 1371 Text | Uses:7 | Used by:1365 |
Symbol 1372 Bitmap | Used by:1373 | |
Symbol 1373 Graphic | Uses:1372 | Used by:1365 |
Symbol 1374 Text | Uses:7 | Used by:1365 |
Symbol 1375 Text | Uses:16 | Used by:1365 |
Symbol 1376 Text | Uses:16 | Used by:1365 |
Symbol 1377 Text | Uses:16 | Used by:1365 |
Symbol 1378 Text | Uses:16 | Used by:1365 |
Symbol 1379 Text | Uses:16 | Used by:1365 |
Symbol 1380 Text | Uses:16 | Used by:1365 |
Symbol 1381 Text | Uses:16 | Used by:1365 |
Symbol 1382 Text | Uses:16 | Used by:1365 |
Symbol 1383 Text | Uses:16 | Used by:1365 |
Symbol 1384 Text | Uses:16 | Used by:1365 |
Symbol 1385 Text | Uses:16 | Used by:1365 |
Symbol 1386 Text | Uses:16 | Used by:1365 |
Symbol 1387 Text | Uses:16 | Used by:1365 |
Symbol 1388 Text | Uses:16 | Used by:1365 |
Symbol 1389 Text | Uses:16 | Used by:1365 |
Symbol 1390 Text | Uses:16 | Used by:1365 |
Symbol 1391 Text | Uses:16 | Used by:1365 |
Symbol 1392 Text | Uses:16 | Used by:1365 |
Symbol 1393 Text | Uses:16 | Used by:1365 |
Symbol 1394 Text | Uses:16 | Used by:1365 |
Symbol 1395 Text | Uses:16 | Used by:1365 |
Symbol 1396 Text | Uses:16 | Used by:1365 |
Symbol 1397 Text | Uses:16 | Used by:1365 |
Symbol 1398 Text | Uses:16 | Used by:1365 |
Symbol 1399 Text | Uses:16 | Used by:1365 |
Symbol 1400 Text | Uses:16 | Used by:1365 |
Symbol 1401 Text | Uses:16 | Used by:1365 |
Symbol 1402 Text | Uses:16 | Used by:1365 |
Symbol 1403 Text | Uses:16 | Used by:1365 |
Symbol 1404 Text | Uses:16 | Used by:1365 |
Symbol 1405 Text | Uses:16 | Used by:1365 |
Symbol 1406 Text | Uses:16 | Used by:1365 |
Symbol 1407 Text | Uses:16 | Used by:1365 |
Symbol 1408 Text | Uses:16 | Used by:1365 |
Symbol 1409 Text | Uses:16 | Used by:1365 |
Symbol 1410 Text | Uses:16 | Used by:1365 |
Symbol 1411 Text | Uses:16 | Used by:1365 |
Symbol 1412 Text | Uses:16 | Used by:1365 |
Symbol 1413 Text | Uses:16 | Used by:1365 |
Symbol 1414 Text | Uses:16 | Used by:1365 |
Symbol 1415 Text | Uses:16 | Used by:1365 |
Symbol 1416 Text | Uses:16 | Used by:1365 |
Symbol 1417 Text | Uses:16 | Used by:1365 |
Symbol 1418 Text | Uses:16 | Used by:1365 |
Symbol 1419 Text | Uses:16 | Used by:1365 |
Symbol 1420 Text | Uses:16 | Used by:1365 |
Symbol 1421 Text | Uses:16 | Used by:1365 |
Symbol 1422 Text | Uses:16 | Used by:1365 |
Symbol 1423 Text | Uses:16 | Used by:1365 |
Symbol 1424 Text | Uses:16 | Used by:1365 |
Symbol 1425 Text | Uses:16 | Used by:1365 |
Symbol 1426 Text | Uses:16 | Used by:1365 |
Symbol 1427 Text | Uses:16 | Used by:1365 |
Symbol 1428 Text | Uses:16 | Used by:1365 |
Symbol 1429 Text | Uses:16 | Used by:1365 |
Symbol 1430 Text | Uses:16 | Used by:1365 |
Symbol 1431 Text | Uses:16 | Used by:1365 |
Symbol 1432 Text | Uses:16 | Used by:1365 |
Symbol 1433 Text | Uses:16 | Used by:1365 |
Symbol 1434 Text | Uses:16 | Used by:1365 |
Symbol 1435 Text | Uses:16 | Used by:1365 |
Symbol 1436 Text | Uses:16 | Used by:1365 |
Symbol 1437 Text | Uses:16 | Used by:1365 |
Symbol 1438 Text | Uses:16 | Used by:1365 |
Symbol 1439 Text | Uses:16 | Used by:1365 |
Symbol 1440 Text | Uses:16 | Used by:1365 |
Symbol 1441 Text | Uses:16 | Used by:1365 |
Symbol 1442 Text | Uses:16 | Used by:1365 |
Symbol 1443 Text | Uses:16 | Used by:1365 |
Symbol 1444 Text | Uses:16 | Used by:1365 |
Symbol 1445 Text | Uses:16 | Used by:1365 |
Symbol 1446 Text | Uses:16 | Used by:1365 |
Symbol 1447 Text | Uses:16 | Used by:1365 |
Symbol 1448 Text | Uses:16 | Used by:1365 |
Symbol 1449 Text | Uses:16 | Used by:1365 |
Symbol 1450 Text | Uses:16 | Used by:1365 |
Symbol 1451 Text | Uses:16 | Used by:1365 |
Symbol 1452 Text | Uses:16 | Used by:1365 |
Symbol 1453 Text | Uses:16 | Used by:1365 |
Symbol 1454 Text | Uses:16 | Used by:1365 |
Symbol 1455 Text | Uses:16 | Used by:1365 |
Symbol 1365 MovieClip {com.adobe.indesign.IDSWF_Frame_17} | Uses:1366 1367 1369 1370 1371 1373 1374 1375 1376 1377 1378 1379 1380 1381 1382 1383 1384 1385 1386 1387 1388 1389 1390 1391 1392 1393 1394 1395 1396 1397 1398 1399 1400 1401 1402 1403 1404 1405 1406 1407 1408 1409 1410 1411 1412 1413 1414 1415 1416 1417 1418 1419 1420 1421 1422 1423 1424 1425 1426 1427 1428 1429 1430 1431 1432 1433 1434 1435 1436 1437 1438 1439 1440 1441 1442 1443 1444 1445 1446 1447 1448 1449 1450 1451 1452 1453 1454 1455 | Used by:Timeline |
Symbol 1457 Graphic | Used by:1456 | |
Symbol 1458 Text | Uses:7 | Used by:1456 |
Symbol 1459 Bitmap | Used by:1460 | |
Symbol 1460 Graphic | Uses:1459 | Used by:1456 |
Symbol 1461 Text | Uses:7 | Used by:1456 |
Symbol 1462 Text | Uses:7 | Used by:1456 |
Symbol 1463 Bitmap | Used by:1464 | |
Symbol 1464 Graphic | Uses:1463 | Used by:1456 |
Symbol 1465 Text | Uses:7 | Used by:1456 |
Symbol 1466 Text | Uses:16 | Used by:1456 |
Symbol 1467 Text | Uses:16 | Used by:1456 |
Symbol 1468 Text | Uses:16 | Used by:1456 |
Symbol 1469 Text | Uses:16 | Used by:1456 |
Symbol 1470 Text | Uses:16 | Used by:1456 |
Symbol 1471 Text | Uses:16 | Used by:1456 |
Symbol 1472 Text | Uses:16 | Used by:1456 |
Symbol 1473 Text | Uses:16 | Used by:1456 |
Symbol 1474 Text | Uses:16 | Used by:1456 |
Symbol 1475 Text | Uses:56 | Used by:1456 |
Symbol 1476 Text | Uses:56 | Used by:1456 |
Symbol 1477 Text | Uses:56 | Used by:1456 |
Symbol 1478 Text | Uses:16 | Used by:1456 |
Symbol 1479 Text | Uses:16 | Used by:1456 |
Symbol 1480 Text | Uses:16 | Used by:1456 |
Symbol 1481 Text | Uses:16 | Used by:1456 |
Symbol 1482 Text | Uses:16 | Used by:1456 |
Symbol 1483 Text | Uses:16 | Used by:1456 |
Symbol 1484 Text | Uses:16 | Used by:1456 |
Symbol 1485 Text | Uses:16 | Used by:1456 |
Symbol 1486 Text | Uses:16 | Used by:1456 |
Symbol 1487 Text | Uses:16 | Used by:1456 |
Symbol 1488 Text | Uses:16 | Used by:1456 |
Symbol 1489 Text | Uses:16 | Used by:1456 |
Symbol 1490 Text | Uses:16 | Used by:1456 |
Symbol 1491 Text | Uses:16 | Used by:1456 |
Symbol 1492 Text | Uses:16 | Used by:1456 |
Symbol 1493 Text | Uses:16 | Used by:1456 |
Symbol 1494 Text | Uses:16 | Used by:1456 |
Symbol 1495 Text | Uses:16 | Used by:1456 |
Symbol 1496 Text | Uses:16 | Used by:1456 |
Symbol 1497 Text | Uses:16 | Used by:1456 |
Symbol 1498 Text | Uses:16 | Used by:1456 |
Symbol 1499 Text | Uses:16 | Used by:1456 |
Symbol 1500 Text | Uses:16 | Used by:1456 |
Symbol 1501 Text | Uses:16 | Used by:1456 |
Symbol 1502 Text | Uses:16 | Used by:1456 |
Symbol 1503 Text | Uses:16 | Used by:1456 |
Symbol 1504 Text | Uses:16 | Used by:1456 |
Symbol 1505 Text | Uses:16 | Used by:1456 |
Symbol 1506 Text | Uses:16 | Used by:1456 |
Symbol 1507 Text | Uses:16 | Used by:1456 |
Symbol 1508 Text | Uses:16 | Used by:1456 |
Symbol 1509 Text | Uses:16 | Used by:1456 |
Symbol 1510 Text | Uses:16 | Used by:1456 |
Symbol 1511 Text | Uses:16 | Used by:1456 |
Symbol 1512 Text | Uses:16 | Used by:1456 |
Symbol 1513 Text | Uses:16 | Used by:1456 |
Symbol 1514 Text | Uses:16 | Used by:1456 |
Symbol 1515 Text | Uses:16 | Used by:1456 |
Symbol 1516 Text | Uses:16 | Used by:1456 |
Symbol 1456 MovieClip {com.adobe.indesign.IDSWF_Frame_18} | Uses:1457 1458 1460 1461 1462 1464 1465 1466 1467 1468 1469 1470 1471 1472 1473 1474 1475 1476 1477 1478 1479 1480 1481 1482 1483 1484 1485 1486 1487 1488 1489 1490 1491 1492 1493 1494 1495 1496 1497 1498 1499 1500 1501 1502 1503 1504 1505 1506 1507 1508 1509 1510 1511 1512 1513 1514 1515 1516 | Used by:Timeline |
Special Tags
FileAttributes (69) | Timeline Frame 1 | Access local files only, Metadata not present, AS3. |
|