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Icarus Grimlock had what you could call.... a
"difficult childhood". Even in this land of
wretchedly hideous people he was considered by
far the ugliest of the lot. Though good-natured,
he was dimwitted. And so, ugly, stupid and
without a sense of the necessary evil required to
survive in such a place, he became an easy
target for ALL he encountered. His father
referred to him as "the idiot mutant boy of the
Dead Lands" and to make sure Ick didn't forget
it, he beat him at least once daily with his heavy
metal belt. Disgusted by the huge tumor on his
back, he took particular pleasure in beating him
upon it, a habit which added to its growth.
(More)

Ick


He was not the only one who reveled in the
activity. The tumor seemed to be a favorite of
the local boys as well who would often stab it
with an unending array of sharp and blunt
objects alike. Despite the inhuman abuse, Ick
would continue to seek out their company in the
desperate hope of someday being accepted by
his peers. That day never came.
(Back)(More)


Gertrude loved her son dearly and showered him
with love. But her motherly advise would often
lead to more heartache for the poor boy. Ick
had developed a crush on one of the local girls.
She was the most beautiful of all of the hideous
girls at the children's day-labor camp. Gertrude
encouraged her son to pursue her, convinced
that the girl, like herself, would see past her
son's deformities to the sweet child underneath.
(Back)(More)


Much to Ick's surprise, the girl was receptive to
him, accepting a bouquet he made for her out
of collaged refuse. She invited him for a walk to
the "park" to watch the Matchmen make the
machines that play Kill By Numbers. It was the
happiest day of his life.        (Back)(More)


But all good things must come to pass. The best
day of his life would soon become the worst . He
would realize that the girl had intentionally lead
him to a secluded area of the scrap yards where
a couple dozen children awaited him. There
under the din of the huge metal crushing
machines, the boys stripped him and held him
down as the girls took turns punching, kicking
and spitting on his hideous growth. He pleaded
with them to stop but his cries where drowned
out by the echoing sounds of the machines and
the incessant, mocking laughter of his
tormentors.        (Back)(More)


And when they finished and the game had
become tiresome, the older boys raped him for
the amusement of the others.
Ah, but the day way young. Ick returned home
battered, half naked and bloodied. His mother
was beside herself with grief and rushed to
console him. But his father had other plans. He
threw her across the room and charged Ick in a
rage. "Look at what they've done to you!" he
bellowed. "Look at what they've done! How can
you not be ashamed?! You should be ashamed!
I will show you what to do! I will show you what
to do the next time they touch you!"
(Back)(More)


And with that, Sim rained down upon his son,
by far the most monstrous beating he had ever
given him. Gertrude shivered in the corner,
jumping at each blow to her son as if they were
inflicted upon herself. If not for Ick's massively
dense deformities, his father would have surely
killed him.
Ick desperately needed a defender.
And he would soon get one.
(Back)

When Ick turned twelve, the "magic" happened
again for Sim and Gertrude. She became
pregnant with their second child. There was no
way that Sim would have allowed it and she
knew it. For fear that he would repeatedly kick
and punch her about the belly until he had
effectively knocked the pregnancy out of her,
she kept it a complete secret from him. And in
this world where food is scarce and hardly
nourishing, her pregnancy looked like nothing
more than some mild bloating from indigestion.
(More)

Nuff

And then one glorious day while at the table,
eating peas out of a can, her water broke.
Moments later her second child was born. She
held him tightly, huddled with Ick on the bed as
they awaited the dreaded return of her husband
from the factory. He was always particularly
surly after work so she clung to her infant
enjoying his presence while she could, fearing
that Sim would break him in two upon his return
from work. Much to her shock, he was pleasantly
surprised. He held the infant in his hands. The
child, unlike his brother, was well formed.
Although he was so thin and his head was so
small that he looked more like a miniature man
than an infant.          (Back) (More)

Nonetheless, Sim had fathered a normal child
and this made him proud.
They named the child Thadeous after Sim's
father, another lumbering bastard of a man, and
the child quickly became Sim's pride and joy.
Finally, he would have a son that would emulate
the things that he liked about himself. Ah life,
it's so much like a used pod salesman. It allows
you to dream and let's you think what you wish,
but rarely does it ever give you what you desire.
Thadeous did not quite turn out as Sim had
hoped.          (Back) (More)

The boy never really filled out. He continued to
be thin and wiry into adolescence. But unlike his
brother he was rather bright. He excelled in
math and had a natural ability for playing the
flute. Like his mother, he developed a talent for
knitting and liked to express his feelings
through interpretive dance. He was "sensitive".
All in all, what he really had was a talent for
soliciting gargantuan beatings from his father.
Sim grew to despise his second child (as well)
for all of his "un-manly" ways. He stopped
talking to him all together with the exception
of when he took time to berate him or pound
"some sense" into him.
(Back) (More)

Eventually, he forgot his son's name altogether
or perhaps he just refused to call this
astonishing disappointment of manhood by his
good father's name. When he played the flute,
Sim would yell, "Da's Eh-Nuff!" (Smack!) When
he knitted a shawl for Icky's tumor, it was, "Da's
Eh-Nuff!  (Plow!) When he pranced about the
house....."Da's Eh-Nuff!" it was off with the belt.
Eventually, all that remained of their relationship
were the lashings and the nick name. Sim came
to calling him Nuff. It was short, to the point and
easier than "God Damn Sissy Homo Faggot!"
...which was a close second.
(Back) (More)

However "un-manly" Sim thought his son was,
in actuality, he became Ick's protector. He loved
his brother and lived to defend him. He had no
skills in fighting and he was demurely built. But
because of this he developed a keen sense of
manipulation. He could talk his way out of
trouble and found ways to sway the other kids
to suit his purposes. He developed an interest in
the martial arts but never really mastered them
as he found early on that knowing how to strike
a few impressive poses goes a long way in
intimidating one's opponent.
(Back) (More)

In the process of learning the art of
manipulation, he discovered the power of bribes.
He became a cunning criminal and a real con
artist. In time the two brothers grew; Nuff grew
mentally while Ick grew physically into a huge,
lumbering brute. The only thing that frightened
them was the monster of a father that
dominated them at home. And then, a
wonderful thing happened...
(Back) (More)

One day, a representative from the Labor Union
showed up at their door. There had been an
accident. Their father, had slipped in a puddle
of sewage and fallen into the "pit" containing
the sewage treatment acid bath. The man held
out in front of him all that remained their
father. Ironically, it was the part of him they
knew best, his Radon Retardent Metal Belt.
(Back) (More)

Their troubles were over, finally, the two loving
brothers and their dear, sweet mother could live
together in peace, never again to be tortured by
that demonic man. For the first time ever, their
home was filled with joy. They could not
contain their euphoria! They sang aloud, they
joined hands and they danced wildly in a circle
about the small abode. In the excitement, their
mother slipped. She fell into the fireplace and
burned to a cinder.        (Back)

Long ago, in the expanse of black tar soaked
swamps known as "The Dead Lands" there were
born two brothers who through their hideous
appearance and heinous deeds, would come to
be known as The Dread Brothers Grimlock".
(More)

Origins

The Republic of Americas was a relatively decent
place to live. That is, if one was a complacent
sack of mindlessness with an unending
eagerness to conform. There was an abundance
of food, there was clean water, there were vast
shopping malls that stretched for miles and
miles. It was a nation best described as one,
huge, sprawling suburb with all of the modern
amenities to delight the blissfully ignorant
masses. But like all good amusement parks
bedecked with pretty candy colored borders,
there was, behind the facades, a dark and seedy
underbelly where people toiled in wretched
conditions to make this society possible.
(Back) (More)

In this horrible place where all of the nation's
sewage was dumped, the hopeless struggled to
survive amongst factories churning out endless
plumes of black soot, poisoned air so thick, you
could spread it onto your morning toast and
endless rivers of toxic waste. In a former life,
this hallowed place was known simply as.....
New Jersey.       (Back) (More)

And just as even the most wretched of
untouchables has someone worse off to kick
around, this area too had an even more
wretched place to look down upon; an expanse
of sludge drenched wasteland between the
factories and the Hudson river.... A place
affectionately called "The Dead Lands". There in
the Dead Lands, eating Radon for breakfast,
there lived a man named Sim Grimlock.
(Back) (More)

Sim was a burly man of gray skin, blackened
fists and acidic temperament. Years of shoveling
radioactive waste at the factories had left his
body so hard and so saturated in poison that
even cancer didn't stand a chance to thrive
within him. He lived in a small tin shack that
welcomed in the elements and the seemingly
constant black rain. Unwilling to clean and
unable to cook, he begrudgingly took a wife,
Gertrude Knucklebuck. She was a frail,
emaciated woman who made up for her lack of
wits, hair and teeth with a complete absence of
personality.         (Back) (More)

Sim had nothing kind to say to his wife. Their
only interactions boiled down to the chores she
performed for him, the beatings her gave her
when said chores were not performed and the
weekly forceful if not brutal ravishings she
endured. Eventually, these ravishings bore fruit
as Gertrude became pregnant with their first
son. She smiled for the first time in her life as
finally, she felt, she would be doing something
positive and productive. She spent the months
of her pregnancy knitting clothes for the baby
and dreaming of the time, soon to come, when
she would finally have someone who perhaps
would show her affection.
(Back) (More)

The time came and much to Gertrude's dismay,
the child emerged a hunchback, horribly
deformed and quite dead. Sim breathed a sigh
of relief. He didn't much want to be bothered by
children and this abomination was most
definitely, in his opinion, better off dead.
Moments later, much to Sim's unending regret,
the infant sprang to life and began to breathe
(a curse Sim would never let his son forget).
They had no choice but name him and so they
did. Gertrude, full of a mother's blind love,
named him Icarus, her "golden boy". Sim,
simply called him Ick!.
(Back)

Throughout his life, Nuff was periodically pulled
aside by his mother. "Thadeous," she would say,
"Promise me that when I am gone, you will take
care of your brother. He is not 'like other boys',
you know. He needs help to get by. Promise me
you will always protect him." And he always did.
"Promise me that you will keep him out of
harms way, when I'm gone." Nuff lived to
protect his brother and he lived to honor his
mother's wish. Of course, he never expected
that she would be gone so soon. There was
nothing left for them now in the Dead Lands.
(More)

A New Beginning

Nuff had heard rumors about the mysterious
nation across the river. The place they called
Manhattan. The place that had been closed to
the outside world after the war with the
Republic. He had heard of an organization, a
group of monks called The Patahn Pahrr. They
were dark and mysterious. They were believed
to posses strange powers, powers that they
could teach him and his brother. And he heard of
how simple it was to join them.
(Back) (More)

Under the cover of night, with his enormous
brother Ick on his back, Nuff waded through the
waist high waters of the Hudson river. Manhattan
was in chaos and the border patrol was taxed
with internal matters. Thus, Nuff and Ick made
it across and into that strange and wondrous
land. They skulked about the lower levels until
they found someone willing to lead them to the
Patahn Pahrr. And there in the presence of
P'rahk Nar'n, they were initiated.
(Back) (More)

But joining the Patahn Pahrr would not be
enough for the ambitious Nuff. He saw bigger
things for his brother and he. He wished to rise
to the top and to do so meant becoming a Dark
Guard. So they spoke the hallowed words, "I
would give my left arm to join the Patahn Pahrr"
said Ick. "And so you shall", responded P'rahk
Nar'n. And so for the first time, Nuff had to sit
idly by as they held down his brother and slowly
hacked off his arm with a dull, serrated blade.
And then came Nuff's turn.
(Back) (More)

Nuff and Ick were perfect recruits for the Patahn
Pahrr. They were lost souls, they had no
direction, nothing to live for. They needed
acceptance, they needed a sense of family.
P'rahk Nar'n took advantage of this and urged
them forward. It was he who convinced them to
join his new regimen, the Elite Guard. They
would find that it would take modifications
vastly more severe than the loss of an arm. And
they were all too willing. For after a lifetime of
being stepped upon, victimized and
undervalued, they were about to become special
......IMPORTANT.        (Back) (More)

Nuff knew in his heart that they would become
the most valued weapons of Manhattan's new
regime. And now, before them lay the road to
victory, the path to glory. This would be their
first battle, their first chance to prove their
worth. With his brother at his side, Nuff sits in
a PatahnPahrr, pod savoring the moment. "This,
my brother, is but the first in a lifetime of
glorious adventures we will share together."
And then there was a sound. The pod doors
were opening ......the battle begins now!
(Back)

Nuff

Nuff

Nuff

Ick

Ick

Ick

Origins

Origins

Origins

A New Begining

A New Begining

A New Begining

The Dread Brothers Grimlock

sound

on/off

BEGIN STORY

BEGIN STORY

BEGIN STORY

"Episode 6

Credits

Credits

Credits

Play Again?

Play Again?

Play Again?

BBoard

BBoard

BBoard

CHI-CHIAN
Written, Directed and Created by Voltaire
Starring
Bai Ling, as Chi-Chian
And Also Starring (in alphabetical order)
Jessica Calvello
George DiCenzo, as P'rahk Nar'n
Jonathan Ellinghaus
Mark Evans
Richard Kuslan
Patrick Lanczki
Jenny Weaver


Animated for the Internet by
Michael Lee and Daniel Govar
Model Building by
Tom Denier
Jose Luis Rodriguez
Paul Komoda
Su-Ann Wong
Sheldon Chow

Jeeyun Sung
Julieta Lopez
Katie Varenne
Ron Goldberg
Jeff Cross

Voice Direction - Alissa Gordon
Laurissa M. James

Sound Engineer - Freddie DeAngelis
Sound Effects - SueMedia
Music Composed by Voltaire
Orchestration and various instruments - E#
Violin - Gregor Kitzis
Music recorded/mixed at Studio zOaR in NYC

Web site Produced by Ursula O'Steen
Story Consultant - Lauren McLaughlin
Associate Producers - Laurissa M. James
Carrie Walkup
Lead Producer - Alissa Gordon
Executive Producer - Rachel Gibbs
Executive in Charge of Production - Sean Redlitz

SCIFI.COM

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tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2033
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2035
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2045
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2048
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2050
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2055
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2057
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2061
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2065
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2067
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2075
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2084
tellTarget ("/prahkj/bodydude/head") { gotoAndPlay ("up"); }
Frame 2085
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2090
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2094
tellTarget ("/hand") { gotoAndPlay ("clench"); }
Frame 2097
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2101
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2103
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2109
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2110
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2112
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2115
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2119
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2121
tellTarget ("/prahkj/bodydude/head") { gotoAndPlay ("up"); }
Frame 2123
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2126
tellTarget ("/hand") { gotoAndPlay ("open"); }
Frame 2129
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2134
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2143
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2145
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2147
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2149
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2151
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2153
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2155
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2157
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2159
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2161
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2163
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2165
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2167
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2169
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2171
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2173
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2175
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2177
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2179
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2181
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2183
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (1); }
Frame 2185
tellTarget ("/prahkj/bodydude/head/face") { gotoAndStop (2); }
Frame 2277
tellTarget ("/werm") { gotoAndStop (1); }; tellTarget ("/werm2") { gotoAndStop (1); }; tellTarget ("/werm3") { gotoAndStop (1); }; stopAllSounds(); stop();
Frame 2511
tellTarget ("/werm") { gotoAndStop (1); }; tellTarget ("/werm2") { gotoAndStop (1); }; tellTarget ("/werm3") { gotoAndStop (1); }; stopAllSounds();
Frame 2512
stop();
Symbol 55 MovieClip Frame 1
stop();
Symbol 55 MovieClip Frame 7
stop();
Symbol 60 MovieClip Frame 1
stop();
Symbol 60 MovieClip Frame 9
stop();
Symbol 73 MovieClip Frame 1
stop();
Symbol 73 MovieClip Frame 8
stop();
Symbol 73 MovieClip Frame 15
gotoAndStop (1);
Symbol 73 MovieClip Frame 21
stop();
Symbol 78 MovieClip Frame 1
stop();
Symbol 78 MovieClip Frame 9
tellTarget ("hand") { gotoAndPlay ("close"); }
Symbol 78 MovieClip Frame 25
tellTarget ("hand") { gotoAndPlay ("open"); }
Symbol 90 MovieClip Frame 1
stop();
Symbol 90 MovieClip Frame 8
stop();
Symbol 90 MovieClip Frame 16
gotoAndPlay (9);
Symbol 101 MovieClip Frame 1
stop();
Symbol 101 MovieClip Frame 2
stop();
Symbol 101 MovieClip Frame 3
stop();
Symbol 101 MovieClip Frame 4
stop();
Symbol 101 MovieClip Frame 5
stop();
Symbol 101 MovieClip Frame 6
stop();
Symbol 102 MovieClip Frame 13
tellTarget ("top1/hand") { gotoAndPlay ("close"); }; tellTarget ("top2/hand") { gotoAndPlay ("close"); }
Symbol 102 MovieClip Frame 26
tellTarget ("top1/hand") { gotoAndPlay ("open"); }; tellTarget ("top2/hand") { gotoAndPlay ("open"); }
Symbol 102 MovieClip Frame 40
tellTarget ("bottom2/hand") { gotoAndPlay ("flat"); }; tellTarget ("bottom1/hand") { gotoAndPlay ("flat"); }
Symbol 102 MovieClip Frame 46
tellTarget ("bottom2") { gotoAndPlay ("up"); }; tellTarget ("bottom1") { gotoAndPlay ("up"); }
Symbol 102 MovieClip Frame 62
tellTarget ("bottom2/hand") { gotoAndPlay ("open"); }; tellTarget ("bottom1/hand") { gotoAndPlay ("open"); }
Symbol 102 MovieClip Frame 71
tellTarget ("bottom2") { gotoAndPlay ("down"); }; tellTarget ("bottom1") { gotoAndPlay ("down"); }
Symbol 102 MovieClip Frame 119
tellTarget ("top1/hand") { gotoAndPlay ("flat"); }; tellTarget ("top2/hand") { gotoAndPlay ("flat"); }
Symbol 102 MovieClip Frame 156
tellTarget ("top1/hand") { gotoAndPlay ("open2"); }; tellTarget ("top2/hand") { gotoAndPlay ("open2"); }
Symbol 107 Button
on (release) { gotoAndStop (1); }
Symbol 115 Button
on (release) { nextFrame(); }
Symbol 117 Button
on (release) { gotoAndStop (1); }
Symbol 119 Button
on (release) { prevFrame(); }
Symbol 150 MovieClip Frame 1
stop();
Symbol 150 MovieClip Frame 2
stop();
Symbol 150 MovieClip Frame 9
stop();
Symbol 156 Button
on (release) { gotoAndStop (2); }
Symbol 160 Button
on (release) { gotoAndStop (3); }
Symbol 164 Button
on (release) { gotoAndStop (4); }
Symbol 168 Button
on (release) { gotoAndStop (5); }
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stop();
Symbol 178 MovieClip Frame 9
gotoAndPlay (2);
Symbol 179 MovieClip Frame 1
stop();
Symbol 204 MovieClip Frame 1
stop();
Symbol 204 MovieClip Frame 2
stop();
Symbol 204 MovieClip Frame 3
stop();
Symbol 283 MovieClip Frame 1
stop();
Symbol 283 MovieClip Frame 14
gotoAndPlay (2);
Symbol 283 MovieClip Frame 27
gotoAndPlay (20);
Symbol 283 MovieClip Frame 51
gotoAndPlay (34);
Symbol 284 MovieClip Frame 1
stop();
Symbol 284 MovieClip Frame 18
stop();
Symbol 284 MovieClip Frame 27
tellTarget ("gun") { gotoAndPlay ("blast"); }
Symbol 284 MovieClip Frame 34
stop();
Symbol 285 MovieClip Frame 1
tellTarget ("head") { gotoAndStop (2); }
Symbol 285 MovieClip Frame 15
tellTarget ("arm_back") { gotoAndPlay (2); }
Symbol 285 MovieClip Frame 37
tellTarget ("arm_front") { gotoAndPlay ("cocked"); }
Symbol 285 MovieClip Frame 43
tellTarget ("arm_front/gun") { gotoAndPlay ("cock"); }
Symbol 285 MovieClip Frame 56
tellTarget ("arm_front/gun") { gotoAndPlay ("generate"); }
Symbol 285 MovieClip Frame 67
tellTarget ("arm_front") { gotoAndPlay ("blast"); }
Symbol 285 MovieClip Frame 74
tellTarget ("arm_front") { gotoAndStop (1); }
Symbol 285 MovieClip Frame 80
tellTarget ("arm_front/gun") { gotoAndStop (1); }
Symbol 286 MovieClip Frame 1
stop(); tellTarget ("nahm/n_mouthmovie") { gotoAndStop (1); }
Symbol 286 MovieClip Frame 2
stop(); tellTarget ("info") { gotoAndStop (9); }
Symbol 286 MovieClip Frame 3
stop(); tellTarget ("info") { gotoAndStop (2); }
Symbol 286 MovieClip Frame 4
stop(); tellTarget ("info") { gotoAndStop (18); }
Symbol 286 MovieClip Frame 5
stop(); tellTarget ("info") { gotoAndStop (25); }
Symbol 300 Button
on (release) { gotoAndStop (2); }
Symbol 301 Button
on (release) { tellTarget ("../") { gotoAndPlay (93); } } on (release) { gotoAndStop (1); }
Symbol 302 MovieClip Frame 1
stop();
Symbol 302 MovieClip Frame 2
stopAllSounds(); stop();
Symbol 311 Button
on (release) { gotoAndPlay (97); }
Symbol 347 MovieClip Frame 21
gotoAndPlay (32);
Symbol 380 MovieClip Frame 1
stop();
Symbol 387 MovieClip Frame 1
tellTarget ("hand_right") { gotoAndStop (1); }; tellTarget ("hand_left") { gotoAndStop (1); }
Symbol 387 MovieClip Frame 4
tellTarget ("hand_right") { gotoAndPlay (2); }; tellTarget ("hand_left") { gotoAndPlay (2); }
Symbol 387 MovieClip Frame 10
tellTarget ("hand_right") { gotoAndStop (8); }; tellTarget ("hand_left") { gotoAndStop (8); }
Symbol 387 MovieClip Frame 22
tellTarget ("hand_right") { gotoAndPlay (8); }; tellTarget ("hand_left") { gotoAndPlay (8); }
Symbol 387 MovieClip Frame 28
tellTarget ("hand_right") { gotoAndStop (14); }; tellTarget ("hand_left") { gotoAndStop (14); }
Symbol 388 MovieClip Frame 1
tellTarget ("head") { gotoAndStop (2); }
Symbol 388 MovieClip Frame 37
tellTarget ("arm_front") { gotoAndPlay ("cocked"); }
Symbol 388 MovieClip Frame 43
tellTarget ("arm_front/gun") { gotoAndPlay ("cock"); }
Symbol 388 MovieClip Frame 56
tellTarget ("arm_front/gun") { gotoAndPlay ("generate"); }
Symbol 388 MovieClip Frame 80
stop();
Symbol 396 MovieClip Frame 1
tellTarget ("hand_right") { gotoAndPlay (2); }; tellTarget ("hand_left") { gotoAndPlay (2); }
Symbol 396 MovieClip Frame 7
tellTarget ("hand_right") { gotoAndStop (8); }; tellTarget ("hand_left") { gotoAndStop (8); }
Symbol 431 MovieClip Frame 1
stop();
Symbol 431 MovieClip Frame 16
gotoAndStop (1);
Symbol 442 MovieClip Frame 1
stop();
Symbol 442 MovieClip Frame 14
gotoAndStop (1);
Symbol 570 MovieClip Frame 1
stop();
Symbol 570 MovieClip Frame 16
tellTarget ("gun") { gotoAndPlay ("break"); }
Symbol 570 MovieClip Frame 29
stop();
Symbol 587 MovieClip Frame 1
stop();
Symbol 587 MovieClip Frame 19
tellTarget ("gun") { gotoAndPlay (2); }
Symbol 587 MovieClip Frame 21
tellTarget ("gun") { gotoAndStop (1); }
Symbol 587 MovieClip Frame 33
stop();
Symbol 588 MovieClip Frame 1
stop();
Symbol 589 MovieClip Frame 1
stop();
Symbol 600 MovieClip Frame 1
stop();
Symbol 600 MovieClip Frame 11
stop();
Symbol 600 MovieClip Frame 20
gotoAndPlay (12);
Symbol 601 MovieClip Frame 2
tellTarget ("leg1") { gotoAndPlay ("down"); }; tellTarget ("bottom2/hand") { gotoAndPlay ("flat"); }; tellTarget ("bottom1") { gotoAndPlay (2); }; tellTarget ("bottom1/hand") { gotoAndPlay ("flat"); }; tellTarget ("top2") { gotoAndPlay (2); }
Symbol 601 MovieClip Frame 5
tellTarget ("top1/hand") { gotoAndPlay ("flat"); }; tellTarget ("top2/hand") { gotoAndPlay ("flat"); }
Symbol 601 MovieClip Frame 7
tellTarget ("leg2") { gotoAndPlay (2); }
Symbol 601 MovieClip Frame 9
tellTarget ("leg2") { gotoAndStop (4); }
Symbol 601 MovieClip Frame 23
tellTarget ("bottom1/hand") { gotoAndPlay ("open"); }; tellTarget ("bottom1") { gotoAndPlay ("down"); }; tellTarget ("leg2") { gotoAndPlay (21); }
Symbol 601 MovieClip Frame 25
tellTarget ("leg1") { gotoAndPlay ("up"); }
Symbol 601 MovieClip Frame 31
stop();
Symbol 611 MovieClip Frame 27
stop();
Symbol 611 MovieClip Frame 32
stop();
Symbol 638 MovieClip Frame 1
stop();
Symbol 638 MovieClip Frame 4
stop();
Symbol 643 MovieClip Frame 1
tellTarget ("camera") { gotoAndStop (27); }
Symbol 643 MovieClip Frame 7
tellTarget ("camera") { gotoAndPlay (28); }
Symbol 643 MovieClip Frame 15
tellTarget ("handright") { gotoAndPlay (2); }
Symbol 644 MovieClip Frame 1
stop();
Symbol 644 MovieClip Frame 20
stop();
Symbol 644 MovieClip Frame 29
gotoAndPlay (21);
Symbol 645 MovieClip Frame 1
tellTarget ("bottom1/hand") { gotoAndStop (7); }; tellTarget ("bottom2/hand") { gotoAndStop (7); }; tellTarget ("top1/hand") { gotoAndStop (7); }; tellTarget ("top2/hand") { gotoAndStop (7); }
Symbol 645 MovieClip Frame 6
tellTarget ("bottom1/hand") { gotoAndPlay ("open"); }; tellTarget ("bottom2/hand") { gotoAndPlay ("open"); }; tellTarget ("head2") { gotoAndStop (3); }; tellTarget ("leg1") { gotoAndPlay (2); }; tellTarget ("leg2") { gotoAndPlay (2); }; tellTarget ("top1/hand") { gotoAndPlay ("open"); }; tellTarget ("top2/hand") { gotoAndPlay ("open"); }
Symbol 645 MovieClip Frame 12
tellTarget ("top1") { gotoAndPlay (2); }; tellTarget ("top2") { gotoAndPlay (2); }
Symbol 645 MovieClip Frame 31
stop();
Symbol 650 MovieClip Frame 14
tellTarget ("bottom2") { gotoAndPlay ("flat"); }
Symbol 697 MovieClip Frame 1
stop();
Symbol 697 MovieClip Frame 11
stop();
Symbol 697 MovieClip Frame 20
gotoAndStop (1);
Symbol 697 MovieClip Frame 28
stop();
Symbol 697 MovieClip Frame 35
gotoAndStop (1);
Symbol 701 MovieClip Frame 1
stop();
Symbol 701 MovieClip Frame 2
stop();
Symbol 702 MovieClip Frame 1
stop();
Symbol 702 MovieClip Frame 42
gotoAndStop (1);
Symbol 702 MovieClip Frame 77
gotoAndStop (1);
Symbol 746 Button
on (release) { gotoAndPlay (2278); } on (rollOver) { tellTarget ("/werm2") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/werm2") { stop(); } }
Symbol 750 Button
on (release) { gotoAndPlay (1); } on (rollOver) { tellTarget ("/werm") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/werm") { stop(); } }
Symbol 754 Button
on (release) { getURL ("http://www.scifi.com/bboard/browse.cgi/4/1/455"); } on (rollOver) { tellTarget ("/werm3") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/werm3") { stop(); } }
Symbol 764 MovieClip Frame 10
stop();

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Streaming Sound 1Used by:Timeline
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Instance Names

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Special Tags

Protect (24)Timeline Frame 10 bytes ""

Labels

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http://swfchan.com/48/237115/info.shtml
Created: 18/9 -2020 23:25:40 Last modified: 18/9 -2020 23:25:40 Server time: 27/10 -2020 22:13:19