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Flash #237118

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Spike was born Ignatius Running Crow to
a loving family of wealth and taste. Unlike
most of the more recent Patahn Pahrr
recruits who hailed from the rough and
tumble lower levels, Running Crow spent
most of his life on Beta Plane, the second
highest level of Manhattan, home to
many enlightened and well mannered
folk. However, deep inside this gentile
soul, something was not quite right. This
defect  would inevitably lead to his
involvement with the dreaded Patahn
Pahrr.       (More)

Spike


In the years after the New York/ New
Jersey war, the Mimitsu corporation went
about converting most of Manhattan into
a testing ground for organic technology.
However, Chi-Chian's father, the patriarch
of Mimitsu, had loftier goals in mind for
the new, island nation. One of his
greatest accomplishments would be the
installation of what he called "Kind
Segregation".      (Back)(More)


Throughout history, people have been
segregated. The poor have been forced
into ghettos, kept away from the
luxurious utopias of the rich. People have
been persecuted for the color of their
skins, they have been rounded up into
concentration camps for their religious
beliefs and political associations. The
history of segregation is indeed a dark
one. Chi-Chian's father saw a way to
change that forever. He found a way to
use segregation for the betterment of
humanity. Or so he thought.
(Back)(More)


As a teenager, this young genius had a
great scientific breakthrough. He created
a technology that made it possible to view
people's memories. He divided Manhattan
into levels, Gamma, Delta, Beta and
Alpha, with Alpha being the highest  level,
up in the clouds. At the boundaries of
these levels he set up the "Smart Mist",
an energy field that would hold a pod in
its place while the central computer
scanned its occupants for "access
thoughts". The computer would then scan
the memories of these people and make
an assessment as to what "kind" of people
they were based on their past actions.
(Back)(More)


The more violent and volatile of
Manhattan's residents were given access
only to the lower levels while those who
were pure of heart could travel upwards
to Beta and Apha planes. His goal was to
establish a haven for peaceful souls
where their ideals could be nurtured,
unhampered by the evil around them,
into a society of like minded peace-lovers.
There, he hoped, peace would have an
opportunity to grow and perhaps
someday lead to a way of life that would
spread throughout the world.
(Back)(More)


The transition was remarkably easy.
While Kind Segregation made no
distinctions between people of different
colors, creeds or financial standings, it
did however separate families. But no
attempt was made to force people apart
or out of their homes. At that time, all of
the buildings in Manhattan (except for the
Mimitsu tower) sat comfortably in
Gamma plane. As newer, taller buildings
went up, invitations were issued to the
spiritually and emotionally enlightened.
But, the choice to migrate upwards was
strictly voluntary.       (Back)(More)


In many cases, entire families fit the
requirements to rise. Such was the case
with the Running Crow family with the
only exception being Iggy's naughty uncle
Egbert, who no one quite liked or wanted
around, anyway. The Running Crow
children in particular were especially
pleased to get away from him and his
odd "games". Ignatius Running Crow
would finally be in an environment
suitable to his disposition where his
gentile and sensitive ways would be safe
from the bullies who mocked him and the
uncle who was always so unnaturally
"friendly".       (Back)(More)


But apparently the Smart Mist had
missed something deep within Ignatius
for life on Beta Plane never did quite suit
him. He lived a life of privilege, of
intellectual pursuits, of long walks on the
promenades miles above the city and yet,
he yearned for something else. He was
intrigued by violence, he was drawn to
the darkness. While he himself had not a
cruel bone in his body, he could not help
but be fascinated by all things "evil".
(Back)(More)


In an attempt to understand his conflict,
he consulted a holographic monk of the
long disbanded spiritual order, the Junro
Ikonkurasu. The monk told him that he
felt inadequate and undeserving of his
position in life. That while he had all of
the makings of a Beta citizen, something
within him made him feel unworthy.
Something within him cried for
punishment. Ignatius cringed, instantly
reminded of all of the times he had
ventured to the lower levels for his highly
secretive sessions at the Whip Shack.
(Back)(More)


Indeed, his favorite activity was to be
beaten by a dominatrix telling him he was
nothing more than a filthy worm crawling
in the muck of the labyrinth.  Finally, his
obsessions won out over his life on Beta
Plane. After a visit to his favorite
dungeon, he simply never returned to his
home in the clouds. He took to wandering
the lower levels, eventually finding his
way to HELL, a bar in a dark crevice of
Gamma Plane where the Patahn Pahrr did
much of its recruiting. Before long, he
would be at the lair of the Patahn Pahrr in
the midst of the ritual initiation.
(Back)(More)


The Patahn Pahrr were impressed by this
most gentile individual. No one had seen
anything quite like him in years. During
the initiation, they accidentally cut off his
right arm. Through the pain, Ignatius
muttered, "Accidents happen, my good
man..." and offered up his left arm for the
mutilation. P'rahk Nar'n was particularly
impressed at his polite manner and
recruited him into the Dark Guard.
(Back)(More)


Noticing his eloquence, P'rahk Nar'n
granted him the title of Messenger to the
Dark Guard and had implanted into his
head, a mohawk-like array of
transceivers with which to receive
messages. He was then given his Patahn
Pahrr name. They called him, Spike
Polite.      (Back)

It is said of Long Arm, that he has served
his time in HELL. It is truer to say that he
was a "regular". On any given night, he
could be found drowning his sorrows or
just killing hour after hour at the nastiest
bar in the lower levels. While fatal
skirmishes broke out around him, while
mercenaries, thieves and smugglers
fought over stolen body parts, there he
sat night after night, the fat guy at the
end of the bar. And thus to all, he was
known solely as, "That fat guy at the end
of the bar".        (More)

Long Arm

No one ever knew what he did or how he
spent his days. Time and time again, he
turned down offers to make a quick profit
in countless illegal schemes. The Patahn
Pahrr recruits too, repeatedly tempted
him with all manner of promises. They
told him of the great glory he would
attain, the power he would hold, the fear
he would instill in his enemies. But, all
fell on deaf ears. He was the man who
could not be bought. Or so they thought.
Until one day, a recruiter uttered those
magic words, " It'll get you laid."
(Back) (More)

And so, the fat guy at the end of the bar
found himself in the lair of the Patahn
Pahrr with his left arm tied to the slab.
As they tore through his flesh and hacked
through his bone with a dull, serrated
blade, his only utterance was, "Pretty?
Will they be pretty?" "You shall have your
pick of the litter," was P'rahk Nar'n's
reply.        (Back) (More)

Long Arm became a loyal member of the
Patahn Pahrr Dark Guard. But it wasn't
long before P'rahk Nar'n realized how
useless this new recruit was. He was slow
and dimwitted, never showed any
initiative and his single minded obsession
with seeking the company of females
clouded his mind and thus rendered him
completely ineffective in his every task.
Finally, P'rahk Nar'n found a use for him.
(Back) (More)

P'rahk Nar'n had big plans for the Dark
Guard and of those, his pet project was
the creation of the Elite Guard. He
envisioned a team of guards who would
undergo massive physical alterations to
become living, breathing weapons for his
cause. But all new ideas require risky
experiments. And who better to
experiment on than that useless,
lumbering brute: the fat guy at the end
of the Holografusion generator.
(Back) (More)

Like most trial runs, things did not go
quite as planned. The massive gun
implants that were attached into Long
Arm's body were rejected, causing
gargantuan, puss oozing infections. He
was left disfigured with long arms (hence
his name) that were even more useless
than they were to begin with. Under
normal circumstances, they would have
probably killed him, but Long Arm has
always had a way of going unnoticed and
blending into the background. And so,
just as in his previous life at the bar
called HELL, he became a "regular" at the
Patahn Pahrr lair.       (Back) (More)

Long Arm remains a guard of the Patahn
Pahrr-Dark Guard. Despite his physical
alterations, his life has changed little
since his transformation. His only regret
is his new inability to hold a beer in one
hand and a porno magazine in the other
(a task he now requires help to
accomplish). To this day, Long Arm has
yet to "get laid".       (Back)

After the New York/ New Jersey war,
when Manhattan was sold to the Mimitsu
Corporation, it was a battered hull of its
former glory and very sparsely populated.
In the golden age that followed, there
was a great influx of Japanese families
that immigrated to this new land. With
them, they brought their spiritual
advisors, a religious order known as the
Junro Ikonkurasu.       (More)

P'Tran

After the death of Chi-Chian's father,
Manhattan fell into a dark ages of sorts
as his plans for a peaceful new world
were subverted by corrupt family
members and crooked politicians.
Amongst the corruption, Kind Segregation
was compromised, allowing powerful,
but far from peaceful, individuals to
inhabit Alpha Plane. Under the twisted
guidance of Chi-Chian's aunt, the
peaceful Junro Ikonkurasu also fell upon
dark times. They slowly became the
dreaded Patahn Pahrr, a wicked force she
used as her secret police.
(Back) (More)

Of the Patahn Pair's Dark Guard, the only
one who is an original member of the
Junro Ikonkurasu, is a guard by the name
of P'tran. P'tran has seen it all. He
remembers the golden times when he
served the spiritual needs of Mimitsu's
ruling families. He remembers the
transformation and the glorious rise to
power of the Patahn Pahrr to become a
political force. He witnessed the alliance
of the Patahn Pahrr with their new insect
masters and sees all too clearly the
immanent demise of this once great
organization.        (Back) (More)

And when that demise comes, it will be
P'rahk Nar'n who he will blame for single-
handedly bringing down the Patahn Pahrr.
For in his opinion, P'rahk Nar'n is an
inexperienced fool undeserving of his
title, a self-centered, maniacal weakling
only concerned with his own rise to
power. To P'rahk Nar'n, the Dark Guard
is nothing more than a tool to bring
himself greatness and glory. And for
this, P'tran hates him more than any
other man he has ever had the
displeasure of meeting.
(Back) (More)

Sadly, for P'tran, meeting P'rahk Nar'n
was only the beginning. When a former
Dark Guard commander and most of his
squad were unceremoniously flattened by
a derailed worm train, a position was left
unfilled. P'tran believed that he would
assume the role of Dark Guard
commander. However, a latrine cleaner
by the name of P'rahk Nar'n lobbied for
the position and with an extremely
compelling speech, swayed the Patahn
Pahrr leaders to grant it to him.
(Back) (More)

P'rahk Nar'n swore to rebuild the Dark
Guard. He promised to feverishly recruit
and create the best guards the Patahn
Pahrr had ever known bringing new life
to what was a stayed, incestuous and
xenophobic organization. He would make
the Dark Guard great again, a power
whose force would be felt beyond the
boundaries of Manhattan and into the
world beyond. The Patahn Pahrr leaders
were moved. But they were not totally
unaware of his inexperience. Hence,
they assigned P'tran to help him in his
task, to serve as his first officer.
(Back) (More)

Since then, P'tran has seen P'rahk Nar'n
recruit scum from the darkest depths of
humanity, welcoming human trash into
the organization where spiritual royalty
once resided. He has seen him kill his
own men for his amusement, maim and
disfigure them in the pursuit of fulfilling
his twisted dreams of creating an Elite
Guard of uber beasts. He has sat idly by
as P'rahk Nar'n forged an alliance with
an insect race, an alliance that he
strongly disapproves of.
(Back)(More)

But alas, his
allegiance to the Patahn Pahrr keeps
P'tran in check. And so, he will do as he
is told. He will carry out the orders of his
commander. But maybe, just maybe, one
day,...when no one is looking...
(Back)

P'Tran

P'Tran

P'Tran

Long Arm

Long Arm

Long Arm

Spike

Spike

Spike

Spike, Long Arm, and P'Tran

sound

on/off

BEGIN STORY

BEGIN STORY

BEGIN STORY

"Episode 8

Play Again?

Play Again?

Play Again?

Credits

Credits

Credits

BBoard

BBoard

BBoard

CHI-CHIAN
Written, Directed and Created by Voltaire
Starring
Bai Ling, as Chi-Chian
And Also Starring (in alphabetical order)
Jessica Calvello
George DiCenzo, as P'rahk Nar'n
Jonathan Ellinghaus
Mark Evans
Richard Kuslan
Patrick Lanczki
Jenny Weaver


Animated for the Internet by
Michael Lee and Daniel Govar
Model Building by
Tom Denier
Jose Luis Rodriguez
Paul Komoda
Su-Ann Wong
Sheldon Chow
Alex Douglas

Jeeyun Sung
Julieta Lopez
Katie Varenne
Ron Goldberg
Jeff Cross

Voice Direction - Alissa Gordon
Laurissa M. James

Sound Engineer - Freddie DeAngelis
Sound Effects - SueMedia
Music Composed by Voltaire
Orchestration and various instruments - E#
Violin - Gregor Kitzis
Music recorded/mixed at Studio zOaR in NYC

Web site Produced by Ursula O'Steen
Story Consultant - Lauren McLaughlin
Associate Producers - Laurissa M. James
Carrie Walkup
Lead Producer - Alissa Gordon
Executive Producer - Rachel Gibbs
Executive in Charge of Production - Sean Redlitz

SCIFI.COM

ActionScript [AS1/AS2]

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Symbol 450 MovieClip Frame 6
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 8
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 450 MovieClip Frame 9
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 11
tellTarget ("mouthmovie") { gotoAndStop (2); }
Symbol 450 MovieClip Frame 12
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 16
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 450 MovieClip Frame 22
tellTarget ("mouthmovie") { gotoAndStop (7); }
Symbol 450 MovieClip Frame 24
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 25
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 26
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 450 MovieClip Frame 27
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 28
tellTarget ("mouthmovie") { gotoAndStop (2); }
Symbol 450 MovieClip Frame 29
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 31
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 37
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 450 MovieClip Frame 51
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 60
tellTarget ("mouthmovie") { gotoAndStop (5); }
Symbol 450 MovieClip Frame 61
tellTarget ("mouthmovie") { gotoAndStop (2); }
Symbol 450 MovieClip Frame 62
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 63
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 64
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 66
tellTarget ("mouthmovie") { gotoAndStop (2); }
Symbol 450 MovieClip Frame 67
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 68
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 69
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 71
tellTarget ("mouthmovie") { gotoAndStop (4); }
Symbol 450 MovieClip Frame 74
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 450 MovieClip Frame 85
tellTarget ("mouthmovie") { gotoAndStop (7); }
Symbol 450 MovieClip Frame 88
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 89
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 90
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 92
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 93
tellTarget ("mouthmovie") { gotoAndStop (4); }
Symbol 450 MovieClip Frame 95
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 96
tellTarget ("mouthmovie") { gotoAndStop (7); }
Symbol 450 MovieClip Frame 97
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 450 MovieClip Frame 98
tellTarget ("mouthmovie") { gotoAndStop (4); }
Symbol 450 MovieClip Frame 100
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 101
tellTarget ("mouthmovie") { gotoAndStop (2); }
Symbol 450 MovieClip Frame 103
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 109
tellTarget ("mouthmovie") { gotoAndStop (7); }
Symbol 450 MovieClip Frame 110
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 111
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 450 MovieClip Frame 112
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 113
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 450 MovieClip Frame 114
tellTarget ("mouthmovie") { gotoAndStop (6); }
Symbol 450 MovieClip Frame 117
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 451 MovieClip Frame 1
tellTarget ("h_hand_l_movie") { gotoAndStop (49); } tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 4
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 6
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 7
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 8
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 9
tellTarget ("hmouthmovie") { gotoAndStop (2); }
Symbol 451 MovieClip Frame 10
tellTarget ("h_hand_l_movie") { gotoAndPlay (1); } tellTarget ("hmouthmovie") { gotoAndStop (4); }
Symbol 451 MovieClip Frame 11
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 12
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 13
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 15
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 16
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 17
tellTarget ("hmouthmovie") { gotoAndStop (2); }
Symbol 451 MovieClip Frame 19
tellTarget ("h_hand_l_movie") { gotoAndStop (10); } tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 20
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 25
tellTarget ("hmouthmovie") { gotoAndStop (4); }
Symbol 451 MovieClip Frame 27
tellTarget ("hmouthmovie") { gotoAndStop (1); }
Symbol 451 MovieClip Frame 28
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 29
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 30
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 31
tellTarget ("hmouthmovie") { gotoAndStop (4); }
Symbol 451 MovieClip Frame 33
tellTarget ("h_hand_l_movie") { gotoAndPlay (1); } tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 35
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 36
tellTarget ("hmouthmovie") { gotoAndStop (2); }
Symbol 451 MovieClip Frame 37
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 38
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 41
tellTarget ("h_hand_l_movie") { gotoAndStop (10); }
Symbol 451 MovieClip Frame 43
tellTarget ("h_hand_l_movie") { gotoAndPlay (23); }; tellTarget ("h_hand_r_movie") { gotoAndPlay (1); } tellTarget ("hmouthmovie") { gotoAndStop (1); }
Symbol 451 MovieClip Frame 45
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 46
tellTarget ("hmouthmovie") { gotoAndStop (2); }
Symbol 451 MovieClip Frame 47
tellTarget ("hmouthmovie") { gotoAndStop (1); }
Symbol 451 MovieClip Frame 48
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 49
tellTarget ("hmouthmovie") { gotoAndStop (4); }
Symbol 451 MovieClip Frame 50
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 52
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 451 MovieClip Frame 53
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 54
tellTarget ("h_hand_r_movie") { gotoAndStop (12); } tellTarget ("hmouthmovie") { gotoAndStop (1); }
Symbol 451 MovieClip Frame 55
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 56
tellTarget ("h_hand_l_movie") { gotoAndStop (36); } tellTarget ("hmouthmovie") { gotoAndStop (4); }
Symbol 451 MovieClip Frame 58
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 60
tellTarget ("hmouthmovie") { gotoAndStop (4); }
Symbol 451 MovieClip Frame 61
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 451 MovieClip Frame 63
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 453 MovieClip Frame 1
tellTarget ("h_hand_l_movie") { gotoAndStop (36); } tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 453 MovieClip Frame 6
tellTarget ("hmouthmovie") { gotoAndStop (5); }
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tellTarget ("hmouthmovie") { gotoAndStop (3); }
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tellTarget ("hmouthmovie") { gotoAndStop (5); }
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tellTarget ("hmouthmovie") { gotoAndStop (3); }
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tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 453 MovieClip Frame 24
tellTarget ("hmouthmovie") { gotoAndStop (1); }
Symbol 453 MovieClip Frame 25
tellTarget ("hmouthmovie") { gotoAndStop (3); }
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tellTarget ("hmouthmovie") { gotoAndStop (5); }
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tellTarget ("hmouthmovie") { gotoAndStop (3); }
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tellTarget ("hmouthmovie") { gotoAndStop (4); }
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tellTarget ("hmouthmovie") { gotoAndStop (5); }
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tellTarget ("hmouthmovie") { gotoAndStop (1); }
Symbol 453 MovieClip Frame 34
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 453 MovieClip Frame 35
tellTarget ("hmouthmovie") { gotoAndStop (5); }
Symbol 453 MovieClip Frame 37
tellTarget ("hmouthmovie") { gotoAndStop (3); }
Symbol 453 MovieClip Frame 38
tellTarget ("hmouthmovie") { gotoAndStop (4); }
Symbol 454 MovieClip Frame 1
tellTarget ("mouthmovie") { gotoAndStop (3); }
Symbol 495 MovieClip Frame 1
stop();
Symbol 495 MovieClip Frame 8
stop();
Symbol 501 MovieClip Frame 1
stop();
Symbol 501 MovieClip Frame 10
stop();
Symbol 508 MovieClip Frame 1
stop();
Symbol 508 MovieClip Frame 5
stop();
Symbol 508 MovieClip Frame 8
gotoAndStop (1);
Symbol 508 MovieClip Frame 10
stop();
Symbol 513 MovieClip Frame 1
stop();
Symbol 517 MovieClip Frame 1
stop();
Symbol 517 MovieClip Frame 6
stop();
Symbol 517 MovieClip Frame 10
gotoAndStop (1);
Symbol 517 MovieClip Frame 13
stop();
Symbol 519 MovieClip Frame 1
stop();
Symbol 519 MovieClip Frame 6
stop();
Symbol 519 MovieClip Frame 10
gotoAndStop (1);
Symbol 519 MovieClip Frame 14
stop();
Symbol 529 MovieClip Frame 1
tellTarget ("mouthmovie") { gotoAndStop (1); }
Symbol 529 MovieClip Frame 8
tellTarget ("mouthmovie") { gotoAndStop (9); }
Symbol 551 MovieClip Frame 1
stop();
Symbol 561 MovieClip Frame 1
stop();
Symbol 561 MovieClip Frame 5
stop();
Symbol 561 MovieClip Frame 8
gotoAndStop (1);
Symbol 561 MovieClip Frame 10
stop();
Symbol 562 MovieClip Frame 1
stop();
Symbol 562 MovieClip Frame 6
stop();
Symbol 562 MovieClip Frame 10
gotoAndStop (1);
Symbol 562 MovieClip Frame 13
stop();
Symbol 563 MovieClip Frame 5
tellTarget ("arm_left") { gotoAndPlay ("up"); }; tellTarget ("arm_right") { gotoAndPlay ("up"); }
Symbol 569 MovieClip Frame 1
stop();
Symbol 569 MovieClip Frame 5
stop();
Symbol 569 MovieClip Frame 8
gotoAndStop (1);
Symbol 569 MovieClip Frame 10
stop();
Symbol 570 MovieClip Frame 1
stop();
Symbol 570 MovieClip Frame 6
stop();
Symbol 570 MovieClip Frame 10
gotoAndStop (1);
Symbol 570 MovieClip Frame 13
stop();
Symbol 571 MovieClip Frame 1
tellTarget ("arm_right") { gotoAndStop (8); }; tellTarget ("arm_left") { gotoAndStop (8); }
Symbol 571 MovieClip Frame 34
tellTarget ("arm_right") { gotoAndStop ("back"); }
Symbol 576 MovieClip Frame 8
tellTarget ("arm_right") { gotoAndPlay ("up"); }; tellTarget ("arm_left") { gotoAndPlay ("up"); }
Symbol 576 MovieClip Frame 16
tellTarget ("arm_right") { gotoAndPlay ("back"); }; tellTarget ("arm_left") { gotoAndPlay ("back"); }
Symbol 578 MovieClip Frame 21
tellTarget ("hand_l") { gotoAndPlay (2); }; tellTarget ("hand_r") { gotoAndPlay (2); }
Symbol 580 MovieClip Frame 57
tellTarget ("hand_l") { gotoAndPlay (2); }; tellTarget ("hand_r") { gotoAndPlay (2); }
Symbol 580 MovieClip Frame 90
tellTarget ("hand_l") { gotoAndPlay (2); }; tellTarget ("hand_r") { gotoAndPlay (2); }
Symbol 592 MovieClip Frame 1
stop();
Symbol 592 MovieClip Frame 13
gotoAndStop (1);
Symbol 592 MovieClip Frame 14
stop();
Symbol 592 MovieClip Frame 15
stop();
Symbol 593 MovieClip Frame 1
stop();
Symbol 598 MovieClip Frame 1
tellTarget ("/pelvis") { gotoAndPlay ("sway"); }; tellTarget ("/head") { gotoAndStop (3); }
Symbol 598 MovieClip Frame 42
tellTarget ("/pelvis") { gotoAndPlay ("sway"); }; tellTarget ("/head") { gotoAndStop (3); }
Symbol 607 MovieClip Frame 1
stop();
Symbol 607 MovieClip Frame 18
gotoAndStop (1);
Symbol 607 MovieClip Frame 24
stop();
Symbol 611 MovieClip Frame 1
stop();
Symbol 611 MovieClip Frame 2
stop();
Symbol 626 MovieClip Frame 1
stop();
Symbol 626 MovieClip Frame 7
stop();
Symbol 649 MovieClip Frame 120
stop();
Symbol 650 MovieClip Frame 20
tellTarget ("hand") { gotoAndPlay ("close"); }
Symbol 650 MovieClip Frame 44
tellTarget ("hand") { gotoAndPlay ("open"); }
Symbol 650 MovieClip Frame 75
tellTarget ("hand") { gotoAndPlay ("close"); }
Symbol 650 MovieClip Frame 84
tellTarget ("hand") { gotoAndPlay ("open"); }
Symbol 650 MovieClip Frame 95
stop();
Symbol 673 MovieClip Frame 1
stop();
Symbol 673 MovieClip Frame 2
stop();
Symbol 673 MovieClip Frame 3
stop();
Symbol 688 MovieClip Frame 2
tellTarget ("backarm") { gotoAndPlay (19); }; tellTarget ("bod_head/head") { gotoAndStop (2); }
Symbol 688 MovieClip Frame 25
stop(); tellTarget ("bod_head/head/head") { gotoAndPlay (2); }
Symbol 702 MovieClip Frame 1
stop();
Symbol 702 MovieClip Frame 11
stop();
Symbol 702 MovieClip Frame 20
gotoAndStop (1);
Symbol 702 MovieClip Frame 28
stop();
Symbol 702 MovieClip Frame 35
gotoAndStop (1);
Symbol 721 MovieClip Frame 1
stop();
Symbol 721 MovieClip Frame 2
stop();
Symbol 745 MovieClip Frame 1
stop();
Symbol 745 MovieClip Frame 6
gotoAndStop (1);
Symbol 745 MovieClip Frame 15
gotoAndStop (1);
Symbol 745 MovieClip Frame 21
gotoAndStop (1);
Symbol 750 MovieClip Frame 1
stop();
Symbol 750 MovieClip Frame 8
stop();
Symbol 750 MovieClip Frame 16
stop();
Symbol 751 MovieClip Frame 55
gotoAndPlay (23);
Symbol 752 MovieClip Frame 191
stop();
Symbol 754 MovieClip Frame 1
tellTarget ("head") { gotoAndStop (8); }
Symbol 754 MovieClip Frame 2
tellTarget ("head") { gotoAndStop (8); }
Symbol 754 MovieClip Frame 3
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 754 MovieClip Frame 13
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 754 MovieClip Frame 22
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 754 MovieClip Frame 29
tellTarget ("head/mand") { gotoAndPlay ("m3"); }
Symbol 754 MovieClip Frame 35
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 754 MovieClip Frame 37
tellTarget ("head") { gotoAndPlay ("down"); }
Symbol 754 MovieClip Frame 43
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 754 MovieClip Frame 46
tellTarget ("head") { gotoAndStop ("side"); }
Symbol 754 MovieClip Frame 49
tellTarget ("head") { gotoAndStop (1); }; tellTarget ("head/mand") { gotoAndPlay ("m3"); }
Symbol 754 MovieClip Frame 52
tellTarget ("head") { gotoAndStop ("side"); }
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tellTarget ("head") { gotoAndPlay ("down"); }
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tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
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tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
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tellTarget ("head/mand") { gotoAndPlay ("m3"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 754 MovieClip Frame 133
tellTarget ("head/mand") { gotoAndPlay ("m3"); }
Symbol 754 MovieClip Frame 141
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 754 MovieClip Frame 158
tellTarget ("head/mand") { gotoAndPlay ("m3"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
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tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
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tellTarget ("head/mand") { gotoAndPlay ("m3"); }
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tellTarget ("head/mand") { gotoAndPlay ("m3"); }
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tellTarget ("head/mand") { gotoAndPlay ("m3"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 754 MovieClip Frame 259
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
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tellTarget ("head/mand") { gotoAndPlay ("m2"); }
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tellTarget ("head/mand") { gotoAndPlay ("m3"); }
Symbol 754 MovieClip Frame 313
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 754 MovieClip Frame 320
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 754 MovieClip Frame 333
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 754 MovieClip Frame 340
tellTarget ("head/mand") { gotoAndPlay ("m3"); }
Symbol 754 MovieClip Frame 352
stop();
Symbol 756 MovieClip Frame 1
tellTarget ("head/mand") { gotoAndPlay ("m1"); }; tellTarget ("head") { gotoAndPlay (9); }
Symbol 756 MovieClip Frame 2
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 756 MovieClip Frame 10
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 756 MovieClip Frame 20
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 756 MovieClip Frame 29
tellTarget ("head/mand") { gotoAndPlay ("m3"); }
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tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 756 MovieClip Frame 44
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 756 MovieClip Frame 49
tellTarget ("head/mand") { gotoAndPlay ("m3"); }
Symbol 756 MovieClip Frame 57
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 756 MovieClip Frame 229
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 756 MovieClip Frame 236
tellTarget ("head/mand") { gotoAndPlay ("m2"); }
Symbol 756 MovieClip Frame 249
tellTarget ("head/mand") { gotoAndPlay ("m1"); }
Symbol 756 MovieClip Frame 256
tellTarget ("head/mand") { gotoAndPlay ("m3"); }
Symbol 756 MovieClip Frame 268
stop();
Symbol 765 Button
on (release) { gotoAndPlay (1); } on (rollOver) { tellTarget ("/werm") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/werm") { stop(); } }
Symbol 769 Button
on (release) { gotoAndPlay (2996); } on (rollOver) { tellTarget ("/wermA") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/wermA") { stop(); } }
Symbol 773 Button
on (rollOver) { tellTarget ("/wermB") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/wermB") { stop(); } } on (release) { getURL ("http://www.scifi.com/bboard/browse.cgi/4/1/455"); }
Symbol 774 MovieClip Frame 1
tellTarget ("../werm") { gotoAndStop (1); }; tellTarget ("../wermA") { gotoAndStop (1); }; tellTarget ("../wermB") { gotoAndStop (1); }
Symbol 784 Button
on (release) { gotoAndPlay (1); } on (rollOver) { tellTarget ("/werm") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/werm") { stop(); } }
Symbol 785 Button
on (release) { gotoAndPlay (2996); } on (rollOver) { tellTarget ("/werm2") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/werm2") { stop(); } }
Symbol 786 Button
on (rollOver) { tellTarget ("/werm3") { gotoAndPlay(_currentframe + "1"); } } on (rollOut) { tellTarget ("/werm3") { stop(); } }

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Instance Names

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Special Tags

Protect (24)Timeline Frame 10 bytes ""

Labels

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"point"Symbol 702 MovieClip Frame 21
"nopoint"Symbol 702 MovieClip Frame 29
"m1"Symbol 745 MovieClip Frame 2
"m2"Symbol 745 MovieClip Frame 7
"m3"Symbol 745 MovieClip Frame 16
"down"Symbol 750 MovieClip Frame 2
"up"Symbol 750 MovieClip Frame 9
"side"Symbol 750 MovieClip Frame 16




http://swfchan.com/48/237118/info.shtml
Created: 18/9 -2020 23:44:04 Last modified: 18/9 -2020 23:44:04 Server time: 30/10 -2020 14:04:55