| STORY LOOP FURRY PORN GAMES • C • SERVICES [?] [R] RND POPULAR | Archived flashes: 228139 |
| /disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2561 · P5122 |
| STORY LOOP FURRY PORN GAMES • C • SERVICES [?] [R] RND POPULAR | Archived flashes: 228139 |
| /disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2561 · P5122 |
 | This is the info page for Flash #34872 |
| an ending is like the last gasps of all people so often painful |
| loaded: |
| percent: |
| what distance is crossed or circumnavigated when meeting the soul? |
| electric reason an imprinted memory the digital truth |
| as the skies conspire and the wind rises from it we are being watched |
| CLICK TO PLAY |
| EPILOGUE |
| In the End, we will not remember the words of our enemies, but the silence of our friends. |
| In the End, we will not remember the words of our enemies, but the silence of our friends. |
| - Martin Luther King - |
| - Martin Luther King - |
| are you CHIEF TUI NISINU? |
| is this… |
| …LOMALAGI? |
| yes. |
| who are you? |
| we have come across the sea to… |
| …to keep your daughter's promise. |
| what is this? |
| do you know what happened? |
| did you see it in the sky? |
| yes, but i… |
| i still had hope. |
| we… |
| we tried… |
| we're so sorry. |
| no. |
| it was me… |
| i let her go. |
| so strange… |
| the voyage. this place. these people… |
| it is like a dream. |
| but it's real. |
| it worked. his co-ordinates were right. |
| is that what you do, now? |
| you still obsess over his plan? |
| you have to marvel at the scope of it, ORAN. |
| hidden BANK ACCOUNTS and FRONT COMPANIES. DEATH CERTIFICATES to con the public, and TROJAN CHIPS to fool his partners… |
| PALMER was his point man, but still just a puppet. his creative accounting funnelled money wherever LEAR needed it. he never saw the other layers. |
| the twin payments for EMBRYO engineering. secret trusts for GABRIEL. staged WEATHER SHIFT tests in the pacific. |
| patterns within patterns. plans within plans. |
| but why leave those plans for us? |
| i would destroy any trace of them. |
| he was too poetic. he lived in symbols - like the TRINITY, and the EYE... |
| even the date he chose - DEcEMBER 21. the WINTER EQUINOX. the season of death. maybe a nod to the MAYAN CALENDAR. |
| with that much thought put into it, he WANTED someone to know. he wanted WITNESSES to spread the gospel… but he got US instead. |
| that… and a miracle. |
| the world has changed, RAIMI. we heard the reports. the mournings and the celebrations. the mass DISARMAMENTS and pledges of PEACE. |
| i am afraid… |
| i am afraid they might forget. |
| but that's where LEAR had it right. |
| BUDDHA and JESUS and MOHAMMED… they played the telephone game. |
| their lessons were word-of-mouth. their truths got diluted. a rare few EXPERIENCED them. but the BROADCAST was different… |
| people didn't just see it or hear it, ORAN…they LIVED it. |
| the system converted EMOTION into information. this data rode on ELF WAVES directly into the brains of over six billion people. it was a DIGITAL rapture… |
| …and i recorded it. |
| the data is here. the network is live. we have the codes. |
| they might forget, ORAN… |
| …but we can remind them. |
| like the sand… |
| we hold the memories. |
| she said the name of this place… |
| …that it means HEAVEN. |
| is that where we are? |
| it's beautiful… |
| it's safe and it's warm… |
| and in the end, i finally know… |
| …that i'm not alone. |
| AU SA RAWAWA, LOMALAGI… |
| E LUVE-QU MATE… |
| go with the gods, little one… |
| let them lift you back to the clouds. |
| let them return you to the dream. |
| i dream of a different world... |
| a world where the OLD GODS meet the new... |
| a world where the OLD GODS meet the new... |
| where unseen hands caress empty faces... |
| where unseen hands caress empty faces... |
| where all is understood. |
| where all is understood. |
| the earth will rise to embrace the air… |
| the earth will rise to embrace the air… |
| heaven's fires will kiss the sea… |
| heaven's fires will kiss the sea… |
| fragile hearts will release their burdens… |
| fragile hearts will release their burdens… |
| fragile hearts will release their burdens… |
| vanishing like smoke and mist… |
| …and freeing the ghosts of the past. |
| …and freeing the ghosts of the past. |
| a world can be changed… |
| a world can be changed… |
| if we give of ourselves… |
| if we give of ourselves… |
| a dream can be real… |
| …if we only believe. |
| You must be the change you wish to see in the world. |
| - Mahatma Gandhi - |
| Original Concept Story Dialogue Audio Design Direction BROOKE BURGESS Flash Editing Effects Creation Post-Production Audio Engineering Backgrounds IAN KIRBY Character Designs Storyboards Primary Artwork Background Support ANDREW WEST Series Composer TOBIAS TINKER Contributing Composer QUENTIN GREY Technical Consultant SIMON KIRBY |
| CHAPTER 24 MUSIC "The End" Composed, arranged, and produced by tobias tinker, with production assistance from Brooke Burgess. "Breach" Composed and performed by Brooke Burgess (piano, voice) with additional arrangement and performance (french horn) by tobias tinker "Zelem - Memories" Composed, arranged, and produced by tobias tinker "Providence" Composed and Performed by Godspeed You Black Emperor from the album f#a#oo "Mozart's Requiem - Lacrimosa" Composed by Wolfgang Amadeus Mozart. Performed by Philippe Herreweghe and Orchestre des Champs Elysees (avec la Chapelle Royale and CollegiumVocale) "Ascent" (from Methadone) Composed, arranged, produced, engineered and copyright David Otasek (Quentin Grey) with additional performance by Debbie Kupferstein (voice) and Josh Greenburg (guitar) "Truth" Composed, arranged and produced by tobias tinker and Brooke Burgess. Performed by Gabrielle Prahm (soprano) and tobias tinker "Requiem in C Minor - Agnus Dei" Composed by Luigi Cherubini. Performed by the Philharmonia Orchestra and the Ambrosian Chorus. "Approach" Composed, arranged, and produced by tobias tinker and Brooke Burgess All original series music composed, arranged, and produced by tobias tinker, with production assistance from Brooke Burgess. All tunes engineered by tobias tinker at klutterhaus sound* (Berlin) and copyright biggerboots music (tobias tinker) All pre-series contributions composed, arranged, and performed by tobias tinker, with additional performance by Joby Baker (drums), Cathy Peddlesden and Atif Siddiqi (voice). Engineered by tobias tinker at klutterhaus sound* (Montreal, Victoria, Frankfurt, Berlin), with additional engineering by Morris Apelbaum (Silent Sound, Montreal); produced and copyright biggerboots music (tobias tinker) except tunes from "PASSAGE", produced by and copyright DataSpace Insight inc., used by permission (special thanks to Rob Dickinson) |
| Chapters 1-6 Produced in Partnership with SWITCH INTERACTIVE www.switchinteractive.com THE BROKEN SAINTS CREW WOULD LIKE TO THANK JOE and SUSAN KIRBY (the kindly BS Landlords) JAY LEE (Sunscript Studios) AI - CENTER FOR DIGITAL IMAGING AND SOUND (Vancouver) BARBARA WEST AARON GOLDEN CYNTHIA LAND JAMES THOMSON ATHANASIA TSAVALAS SHANNON BROOKER SHARAL CHURCHILL RORY BARLOW (Red Door Lounge) BENEFIT CONCERT PERFORMANCES Headwater Masefield Perfect Strangers Six Block Radius Surefire SUNDANCE ONLINE FILM FESTIVAL Amye Rita Mueller Chrissi Clayton Shannon Upstill Trevor Groth SWITCH INTERACTIVE/FLEMING DESIGN Catherine Winckler Doug Fleming Blair Pocock Mike Morall Joe Flores And most of all… A WHOLEHEARTED THANKS TO THE THOUSANDS OF SAINTS AROUND THE WORLD!!! |
| WE COULDN'T HAVE DONE IT WITHOUT YOU!!! |
| All Sounds and Images ©2001-2003 Broken Saints unless otherwise stated. |
| WORD IS BOND! |
ActionScript [AS1/AS2]
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| Symbol 310 Graphic | Uses:309 | Used by:311 |
| Symbol 311 MovieClip | Uses:310 | Used by:Timeline |
| Symbol 312 Sound | Used by:Timeline | |
| Symbol 313 Sound | Used by:Timeline | |
| Symbol 314 Graphic | Used by:315 | |
| Symbol 315 MovieClip | Uses:314 | Used by:318 320 |
| Symbol 316 Font | Used by:317 319 343 | |
| Symbol 317 Text | Uses:316 | Used by:318 |
| Symbol 318 MovieClip | Uses:315 317 | Used by:Timeline |
| Symbol 319 Text | Uses:316 | Used by:320 |
| Symbol 320 MovieClip | Uses:315 319 | Used by:Timeline |
| Symbol 321 Bitmap | Used by:322 | |
| Symbol 322 Graphic | Uses:321 | Used by:323 |
| Symbol 323 MovieClip | Uses:322 | Used by:Timeline |
| Symbol 324 Bitmap | Used by:325 | |
| Symbol 325 Graphic | Uses:324 | Used by:341 |
| Symbol 326 Bitmap | Used by:327 | |
| Symbol 327 Graphic | Uses:326 | Used by:340 |
| Symbol 328 Bitmap | Used by:329 | |
| Symbol 329 Graphic | Uses:328 | Used by:340 |
| Symbol 330 Bitmap | Used by:331 | |
| Symbol 331 Graphic | Uses:330 | Used by:340 |
| Symbol 332 Bitmap | Used by:333 | |
| Symbol 333 Graphic | Uses:332 | Used by:340 |
| Symbol 334 Bitmap | Used by:335 | |
| Symbol 335 Graphic | Uses:334 | Used by:340 |
| Symbol 336 Bitmap | Used by:337 | |
| Symbol 337 Graphic | Uses:336 | Used by:340 |
| Symbol 338 Bitmap | Used by:339 | |
| Symbol 339 Graphic | Uses:338 | Used by:340 |
| Symbol 340 MovieClip | Uses:327 329 331 333 335 337 339 | Used by:341 |
| Symbol 341 MovieClip | Uses:325 340 | Used by:Timeline |
| Symbol 342 Graphic | Used by:344 | |
| Symbol 343 Text | Uses:316 | Used by:344 |
| Symbol 344 MovieClip | Uses:342 343 | Used by:Timeline |
| Symbol 345 Bitmap | Used by:346 | |
| Symbol 346 Graphic | Uses:345 | Used by:375 Timeline |
| Symbol 347 Bitmap | Used by:348 | |
| Symbol 348 Graphic | Uses:347 | Used by:349 |
| Symbol 349 MovieClip | Uses:348 | Used by:Timeline |
| Symbol 350 Bitmap | Used by:351 | |
| Symbol 351 Graphic | Uses:350 | Used by:352 |
| Symbol 352 MovieClip | Uses:351 | Used by:Timeline |
| Symbol 353 Bitmap | Used by:354 | |
| Symbol 354 Graphic | Uses:353 | Used by:355 |
| Symbol 355 MovieClip | Uses:354 | Used by:356 |
| Symbol 356 MovieClip | Uses:355 | Used by:Timeline |
| Symbol 357 Text | Uses:150 | Used by:358 |
| Symbol 358 MovieClip | Uses:154 357 | Used by:Timeline |
| Symbol 359 Text | Uses:150 | Used by:360 |
| Symbol 360 MovieClip | Uses:149 359 | Used by:Timeline |
| Symbol 361 Text | Uses:150 | Used by:362 |
| Symbol 362 MovieClip | Uses:149 361 | Used by:Timeline |
| Symbol 363 Bitmap | Used by:364 | |
| Symbol 364 Graphic | Uses:363 | Used by:365 |
| Symbol 365 MovieClip | Uses:364 | Used by:Timeline |
| Symbol 366 Bitmap | Used by:367 | |
| Symbol 367 Graphic | Uses:366 | Used by:368 |
| Symbol 368 MovieClip | Uses:367 | Used by:Timeline |
| Symbol 369 Bitmap | Used by:370 | |
| Symbol 370 Graphic | Uses:369 | Used by:371 |
| Symbol 371 MovieClip | Uses:370 | Used by:Timeline |
| Symbol 372 Bitmap | Used by:373 | |
| Symbol 373 Graphic | Uses:372 | Used by:374 |
| Symbol 374 MovieClip | Uses:373 | Used by:Timeline |
| Symbol 375 MovieClip | Uses:346 | Used by:Timeline |
| Symbol 376 Text | Uses:150 | Used by:377 |
| Symbol 377 MovieClip | Uses:149 376 | Used by:Timeline |
| Symbol 378 Text | Uses:150 | Used by:379 |
| Symbol 379 MovieClip | Uses:149 378 | Used by:Timeline |
| Symbol 380 Bitmap | Used by:381 | |
| Symbol 381 Graphic | Uses:380 | Used by:382 |
| Symbol 382 MovieClip | Uses:381 | Used by:Timeline |
| Symbol 383 Text | Uses:150 | Used by:384 |
| Symbol 384 MovieClip | Uses:154 383 | Used by:Timeline |
| Symbol 385 Text | Uses:150 | Used by:386 |
| Symbol 386 MovieClip | Uses:149 385 | Used by:Timeline |
| Symbol 387 Text | Uses:150 | Used by:388 |
| Symbol 388 MovieClip | Uses:149 387 | Used by:Timeline |
| Symbol 389 Text | Uses:150 | Used by:390 |
| Symbol 390 MovieClip | Uses:149 389 | Used by:Timeline |
| Symbol 391 Text | Uses:150 | Used by:392 |
| Symbol 392 MovieClip | Uses:149 391 | Used by:Timeline |
| Symbol 393 Text | Uses:150 | Used by:394 |
| Symbol 394 MovieClip | Uses:154 393 | Used by:Timeline |
| Symbol 395 Sound | Used by:Timeline | |
| Symbol 396 Bitmap | Used by:397 | |
| Symbol 397 Graphic | Uses:396 | Used by:398 |
| Symbol 398 MovieClip | Uses:397 | Used by:Timeline |
| Symbol 399 Bitmap | Used by:400 | |
| Symbol 400 Graphic | Uses:399 | Used by:401 |
| Symbol 401 MovieClip | Uses:400 | Used by:Timeline |
| Symbol 402 Bitmap | Used by:403 | |
| Symbol 403 Graphic | Uses:402 | Used by:404 |
| Symbol 404 MovieClip | Uses:403 | Used by:Timeline |
| Symbol 405 Text | Uses:150 | Used by:406 |
| Symbol 406 MovieClip | Uses:149 405 | Used by:Timeline |
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| Symbol 408 Graphic | Uses:407 | Used by:409 |
| Symbol 409 MovieClip | Uses:408 | Used by:Timeline |
| Symbol 410 Sound | Used by:Timeline | |
| Symbol 411 Bitmap | Used by:412 | |
| Symbol 412 Graphic | Uses:411 | Used by:413 |
| Symbol 413 MovieClip | Uses:412 | Used by:Timeline |
| Symbol 414 Text | Uses:150 | Used by:415 |
| Symbol 415 MovieClip | Uses:149 414 | Used by:Timeline |
| Symbol 416 Text | Uses:150 | Used by:417 |
| Symbol 417 MovieClip | Uses:149 416 | Used by:Timeline |
| Symbol 418 Bitmap | Used by:419 | |
| Symbol 419 Graphic | Uses:418 | Used by:427 |
| Symbol 420 Graphic | Used by:421 | |
| Symbol 421 MovieClip | Uses:420 | Used by:422 |
| Symbol 422 MovieClip | Uses:421 | Used by:427 |
| Symbol 423 Graphic | Used by:424 | |
| Symbol 424 MovieClip | Uses:423 | Used by:425 |
| Symbol 425 MovieClip | Uses:424 | Used by:426 |
| Symbol 426 MovieClip | Uses:425 | Used by:427 |
| Symbol 427 MovieClip | Uses:419 422 426 | Used by:Timeline |
| Symbol 428 Text | Uses:150 | Used by:429 |
| Symbol 429 MovieClip | Uses:149 428 | Used by:Timeline |
| Symbol 430 Text | Uses:150 | Used by:431 |
| Symbol 431 MovieClip | Uses:149 430 | Used by:Timeline |
| Symbol 432 Text | Uses:150 | Used by:433 |
| Symbol 433 MovieClip | Uses:149 432 | Used by:Timeline |
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| Symbol 435 Graphic | Uses:434 | Used by:436 |
| Symbol 436 MovieClip | Uses:435 | Used by:452 |
| Symbol 437 Bitmap | Used by:438 | |
| Symbol 438 Graphic | Uses:437 | Used by:439 |
| Symbol 439 MovieClip | Uses:438 | Used by:452 |
| Symbol 440 Bitmap | Used by:441 | |
| Symbol 441 Graphic | Uses:440 | Used by:442 |
| Symbol 442 MovieClip | Uses:441 | Used by:452 |
| Symbol 443 Bitmap | Used by:444 | |
| Symbol 444 Graphic | Uses:443 | Used by:445 |
| Symbol 445 MovieClip | Uses:444 | Used by:452 |
| Symbol 446 Bitmap | Used by:447 | |
| Symbol 447 Graphic | Uses:446 | Used by:448 |
| Symbol 448 MovieClip | Uses:447 | Used by:452 |
| Symbol 449 Bitmap | Used by:450 | |
| Symbol 450 Graphic | Uses:449 | Used by:451 |
| Symbol 451 MovieClip | Uses:450 | Used by:452 |
| Symbol 452 MovieClip | Uses:436 439 442 445 448 451 | Used by:Timeline |
| Symbol 453 Sound | Used by:Timeline | |
| Symbol 454 Sound | Used by:Timeline | |
| Symbol 455 Text | Uses:150 | Used by:456 |
| Symbol 456 MovieClip | Uses:455 | Used by:Timeline |
| Symbol 457 Bitmap | Used by:458 | |
| Symbol 458 Graphic | Uses:457 | Used by:459 |
| Symbol 459 MovieClip | Uses:458 | Used by:460 |
| Symbol 460 MovieClip | Uses:459 | Used by:Timeline |
| Symbol 461 Text | Uses:150 | Used by:463 |
| Symbol 462 Text | Uses:150 | Used by:463 |
| Symbol 463 MovieClip | Uses:461 462 | Used by:Timeline |
| Symbol 464 Bitmap | Used by:465 | |
| Symbol 465 Graphic | Uses:464 | Used by:466 |
| Symbol 466 MovieClip | Uses:465 | Used by:467 |
| Symbol 467 MovieClip | Uses:466 | Used by:Timeline |
| Symbol 468 Text | Uses:150 | Used by:470 |
| Symbol 469 Text | Uses:150 | Used by:470 |
| Symbol 470 MovieClip | Uses:468 469 | Used by:Timeline |
| Symbol 471 Bitmap | Used by:472 | |
| Symbol 472 Graphic | Uses:471 | Used by:473 |
| Symbol 473 MovieClip | Uses:472 | Used by:474 |
| Symbol 474 MovieClip | Uses:473 | Used by:Timeline |
| Symbol 475 Text | Uses:150 | Used by:477 |
| Symbol 476 Text | Uses:150 | Used by:477 |
| Symbol 477 MovieClip | Uses:475 476 | Used by:Timeline |
| Symbol 478 Bitmap | Used by:479 | |
| Symbol 479 Graphic | Uses:478 | Used by:480 |
| Symbol 480 MovieClip | Uses:479 | Used by:481 |
| Symbol 481 MovieClip | Uses:480 | Used by:Timeline |
| Symbol 482 Text | Uses:150 | Used by:484 |
| Symbol 483 Text | Uses:150 | Used by:484 |
| Symbol 484 MovieClip | Uses:482 483 | Used by:Timeline |
| Symbol 485 Bitmap | Used by:486 | |
| Symbol 486 Graphic | Uses:485 | Used by:487 |
| Symbol 487 MovieClip | Uses:486 | Used by:488 |
| Symbol 488 MovieClip | Uses:487 | Used by:Timeline |
| Symbol 489 Text | Uses:150 | Used by:491 |
| Symbol 490 Text | Uses:150 | Used by:491 |
| Symbol 491 MovieClip | Uses:489 490 | Used by:Timeline |
| Symbol 492 Bitmap | Used by:493 | |
| Symbol 493 Graphic | Uses:492 | Used by:494 |
| Symbol 494 MovieClip | Uses:493 | Used by:Timeline |
| Symbol 495 Text | Uses:150 | Used by:499 |
| Symbol 496 Text | Uses:150 | Used by:499 |
| Symbol 497 Font | Used by:498 | |
| Symbol 498 Text | Uses:497 | Used by:499 |
| Symbol 499 MovieClip | Uses:495 496 498 | Used by:Timeline |
| Symbol 500 Bitmap | Used by:501 | |
| Symbol 501 Graphic | Uses:500 | Used by:502 |
| Symbol 502 MovieClip | Uses:501 | Used by:Timeline |
| Symbol 503 Text | Uses:150 | Used by:504 |
| Symbol 504 MovieClip | Uses:503 | Used by:Timeline |
| Symbol 505 Bitmap | Used by:506 | |
| Symbol 506 Graphic | Uses:505 | Used by:507 |
| Symbol 507 MovieClip | Uses:506 | Used by:Timeline |
| Symbol 508 Text | Uses:150 | Used by:510 |
| Symbol 509 Text | Uses:150 | Used by:510 |
| Symbol 510 MovieClip | Uses:508 509 | Used by:Timeline |
| Symbol 511 Bitmap | Used by:512 | |
| Symbol 512 Graphic | Uses:511 | Used by:513 |
| Symbol 513 MovieClip | Uses:512 | Used by:Timeline |
| Symbol 514 Bitmap | Used by:515 | |
| Symbol 515 Graphic | Uses:514 | Used by:516 |
| Symbol 516 MovieClip | Uses:515 | Used by:Timeline |
| Symbol 517 Bitmap | Used by:518 | |
| Symbol 518 Graphic | Uses:517 | Used by:519 |
| Symbol 519 MovieClip | Uses:518 | Used by:Timeline |
| Symbol 520 Bitmap | Used by:521 | |
| Symbol 521 Graphic | Uses:520 | Used by:522 |
| Symbol 522 MovieClip | Uses:521 | Used by:Timeline |
| Symbol 523 Graphic | Used by:524 | |
| Symbol 524 MovieClip | Uses:523 | Used by:Timeline |
| Symbol 525 Text | Uses:150 | Used by:527 |
| Symbol 526 Text | Uses:150 | Used by:527 |
| Symbol 527 MovieClip | Uses:525 526 | Used by:Timeline |
| Symbol 528 Text | Uses:150 | Used by:530 |
| Symbol 529 Text | Uses:150 | Used by:530 |
| Symbol 530 MovieClip | Uses:528 529 | Used by:Timeline |
| Symbol 531 Bitmap | Used by:532 | |
| Symbol 532 Graphic | Uses:531 | Used by:Timeline |
| Symbol 533 Graphic | Used by:537 | |
| Symbol 534 Graphic | Used by:537 | |
| Symbol 535 Bitmap | Used by:536 | |
| Symbol 536 Graphic | Uses:535 | Used by:537 |
| Symbol 537 MovieClip | Uses:533 534 536 | Used by:Timeline |
| Symbol 538 Bitmap | Used by:539 | |
| Symbol 539 Graphic | Uses:538 | Used by:Timeline |
| Symbol 540 Graphic | Used by:541 | |
| Symbol 541 MovieClip | Uses:540 | Used by:Timeline |
| Symbol 542 Text | Uses:150 | Used by:543 |
| Symbol 543 MovieClip | Uses:542 | Used by:Timeline |
| Symbol 544 Text | Uses:150 | Used by:545 |
| Symbol 545 MovieClip | Uses:544 | Used by:Timeline |
| Symbol 546 Bitmap | Used by:547 | |
| Symbol 547 Graphic | Uses:546 | Used by:548 |
| Symbol 548 MovieClip | Uses:547 | Used by:Timeline |
| Symbol 549 Graphic | Used by:Timeline | |
| Symbol 550 Graphic | Used by:Timeline | |
| Symbol 551 Graphic | Used by:Timeline | |
| Symbol 552 Graphic | Used by:Timeline | |
| Symbol 553 Graphic | Used by:Timeline | |
| Symbol 554 Graphic | Used by:Timeline | |
| Symbol 555 MovieClip | Uses:114 | Used by:Timeline |
| Symbol 556 Text | Uses:34 | Used by:557 |
| Symbol 557 MovieClip | Uses:556 | Used by:Timeline |
| Symbol 558 Text | Uses:34 | Used by:559 |
| Symbol 559 MovieClip | Uses:558 | Used by:Timeline |
| Symbol 560 Bitmap | Used by:561 | |
| Symbol 561 Graphic | Uses:560 | Used by:562 |
| Symbol 562 MovieClip | Uses:561 | Used by:Timeline |
| Symbol 563 Sound | Used by:Timeline | |
| Symbol 564 Text | Uses:34 | Used by:565 |
| Symbol 565 MovieClip | Uses:564 | Used by:Timeline |
| Symbol 566 Text | Uses:34 | Used by:567 |
| Symbol 567 MovieClip | Uses:566 | Used by:Timeline |
| Symbol 568 Text | Uses:34 | Used by:569 |
| Symbol 569 MovieClip | Uses:568 | Used by:Timeline |
| Symbol 570 Bitmap | Used by:571 | |
| Symbol 571 Graphic | Uses:570 | Used by:572 |
| Symbol 572 MovieClip | Uses:571 | Used by:Timeline |
| Symbol 573 Text | Uses:34 | Used by:574 |
| Symbol 574 MovieClip | Uses:573 | Used by:Timeline |
| Symbol 575 Text | Uses:34 | Used by:576 |
| Symbol 576 MovieClip | Uses:575 | Used by:Timeline |
| Symbol 577 Bitmap | Used by:578 | |
| Symbol 578 Graphic | Uses:577 | Used by:580 |
| Symbol 579 Text | Uses:34 | Used by:580 |
| Symbol 580 MovieClip | Uses:578 579 | Used by:Timeline |
| Symbol 581 Sound | Used by:Timeline | |
| Symbol 582 Bitmap | Used by:583 | |
| Symbol 583 Graphic | Uses:582 | Used by:584 |
| Symbol 584 MovieClip | Uses:583 | Used by:Timeline |
| Streaming Sound 1 | Used by:Symbol 38 MovieClip |
Instance Names
| "bar" | Frame 1 | Symbol 24 MovieClip |
Special Tags
| Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
| "cover" | Frame 12 |
| "loaded" | Frame 13494 |
| "loop" | Symbol 22 MovieClip Frame 87 |
Dynamic Text Variables
| TextField6 | Symbol 3 EditableText | "an ending is like the last gasps of all people so often painful " |
| bytes | Symbol 4 EditableText | "" |
| percent | Symbol 6 EditableText | "" |
| TextField61 | Symbol 9 EditableText | "what distance is crossed or circumnavigated when meeting the soul? " |
| TextField62 | Symbol 10 EditableText | "electric reason an imprinted memory the digital truth " |
| TextField63 | Symbol 11 EditableText | "as the skies conspire and the wind rises from it we are being watched " |
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