STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 229595 |
/disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2595 · P5190 |
This is the info page for Flash #60402 |
I RECCOMEND THIS FOR YOU SIRS. |
CHARACTER GUIDES |
CHARACTER GUIDES |
FOR THOSE WHO ALREADY KNOW ABOUT SERIES, ENJOY THE IN-JOKES WHILE YOU WAIT FOR TOO TOO LARGE MOVIE TO LOAD. CLICK ME TO CONTINUE! |
NIHAO! I AM YOUR CHINESE GUIDE! HERE SIRS YOU WILL LEARN MUCH MUCH MORE THEN YOU NEED TO KNOW ABOUT RANMA½ TO HOPEFULLY ADD TO YOUR VEIWING ENJOYMENT. |
Ranma Saotome |
Ranma Saotome Aqua transsexual |
Ranma "wild horse" Saotome Age 16 Heir to the Anything goes school of martial arts The martial art of kempo is Ranma's life. He never turns down a challenge. Martial arts rhythmic gymnastics, skating, tea ceremony, take out, dining... if it has "martial arts" in the name, anything goes, and he'll win, eventually. Training with his father at the mysterious Jusenkyo training ground in China, he was thrown into a cursed spring called Nyanniichuan, where a young girl drowned there 1500 years ago. Whoever fall in spring take body of young girl. Now when splashed with hot water, he changes back to a boy, but when splashed with cold water he becomes a she. Ranma would probably be described best as a very rude, ungrateful, disobedient, delinquent, cross-dressing pervert If you asked his father, his fiancee, principal, upperclassmen, teachers and his elders. But to be fair these people don't count as there all out of their minds. |
NEXT |
Aliases Son in law Ran-chan Ranco Yoiko Pigtailed Girl Special techniques Cat fist (Neko ken) Kachu Tenshin Amaguriken (Chestnut Fist) Hiryu ShotenHa (Heavenly Dragon Ascension Wave) LIKES Okonomiyaki (sort of a slash between a omelet a pancake and a pizza but tastes completely unlike either one) DISLIKES Uncute tomboy chicks who can't cook and are slow in battle. Also hates being called butt ugly. Weaknesses: Ranma has few weakness in which he hasn't been able to turn to his advantage. He's weaker as a girl and has less reach with his attacks do to girl type being a much shorter form. But as a girl he's also faster. |
Ranma's greatest weak point is his ailurophobia (fear of cats). But this fear when reached to a certain degree is also the trigger to one of his strongest techniques, the cat fist. To deal with what he most fears he becomes it and shreds his opponent to pieces. He also has a gambling problem. The problem being he sucks at it. |
AKANE TENDO |
AKANE TENDO TOMBOY TYPE |
Akane Tendo Age: 16 Un-cute fiancee AKA super bitch Quotes: "So what if I sleep with a pig?" "Champions of virtue make me so hot." "...I thought he wanted to see you in that bra so badly, I don't understand it." Akane is the butch, thighs are to thick, talk like a hick, girl Ranma says he never wanted. Akane herself claims to be engaged to her worst nightmare. I personally think Akane enjoys having a half boy half girl as a fiancee. She's always angry and has even gotten away with disobeying Kasumi on a number of occasions. Why does everyone put up with her anyway? She is so un-cute! (I really hate it when she says, "don't bully the weak!" to make a certain fang toothed martial artists feel like crap.) |
Special techniques Akane doesn't really have much. The one thing she does have is brute strength. When she's mad it's a lot worst. One time she took steroids in the form of ramen called Super soba and as a side effect she grew a mustache. LIKES Girl type Ranma (...tell truth now...) DISLIKES Boy type Ranma and all other boy types especially perverted one. Weaknesses: Ranma says, "Lets see... she cant cook, she's slow and clumsy, she can't swim, It takes her along time to learn anything, she's not much of a looker, It hurts when she slaps me... Yo! I'm engaged to gorilla girl!" |
Hiroshi & Daisuke |
Hiroshi & Daisuke Your Ad Here |
HIROSHI & DAISUKE At least let us HAVE this girl! Don't Hog all the fun! Are they just there to make Ranma look good? Probably. Hey Ranma needs someone to talk to. These guys are the Carl and Lenny of Ranma ½. Background characters were never more average then this. LIKES Akane and occasionally Girl type Ranma DISLIKES Ranma getting all the chicks |
Ryoga Hibiki |
Ryoga Hibiki Forever Lost |
Ryoga Hibiki Ranma's sworn enemy with a heart of glass Quotes: "The world is a very dark and lonely place. . ." "Saotome! I will never forgive you! You stole my bread! You lousy thief!" "The Nakeder.... the better." "There's one thing I've got to do first. Beat the HELL outta you, Ranma!" "You mean you know.... and yet.... you still want me?" "Ranma Saotome! Today is the day I send you to Hell! A Hell so deep, it swallows the light. A Hell so lonely, you'll become a tortured soul suffering through all Eternity!" "Ryoga you lady killer you I can't believe you just said that!" |
Ryoga is Ranma's bitter rival and one of the most powerful fighter in Ranma ½. As near as I can tell his fangs, abnormal strength, and horrible sense of direction runs in the family. Ryoga first met Ranma at a all boys junior high school where lunch time was always a battle field and Ranma was able to constantly snatch the last piece of bread. Ryoga would never forgive Ranma for making him go hungry and arranged for a final showdown with him. Due to Ryoga getting lost and it taking four days to find a vacant lot behind his own house where the battle was supposed to take place, the fight never accured. Deciding to continue his search he followed Ranma all away to Jusenkyo in China, and was accidentally knocked into the "Heituenniichuan' where a black piglet drowned 1200 years ago. Now whoever fall in spring take body of black piglet. Once Akane found him in this form, she adopted him and gave him the name P-chan (meaning Pig Cute). Akane's affection for P-chan is what began Ryoga's undying love for Akane even though Akane treats him like garbage and uses him often to make Ranma jealous. No matter how many times he has lost to Ranma he has always returned stronger, to do battle once more with his rival. |
Aliases Mr.P P-chan Charlotte Special Techniques Bakusai Tenketsu Shishi Hokô-Dan Weaknesses: Poor gullible Ryoga, always being fooled by Ranma's cheap disguises when he is a girl. Ryoga is also known to get lost even in the middle of a fight. LIKES Akane. Sometimes it seems like Ryoga will like anyone who can stand his pig side. DISLIKES Ranma and Pork eating |
P |
PARODY |
PARODY P |
PARODY PARADOX |
PARODY PARADOX P |
PARODY PARADOX PRODUCTIONS |
PARODY PARADOX PRODUCTIONS P |
PARODY PARADOX PRODUCTIONS PRESENTS |
Ranma ½ |
Interactive Dojo |
Part 2 |
The Morning |
Part 2 |
The Morning |
Uh Oh! You gotta put a stop to this! But how? Act like a jealous retard and charge Ryoga like a bull in a China shop. Ranma's right. Ryoga's hiding something. Let's find out what it is by using the element which brings life when Akanes not looking of course! |
GAME OVER! |
Try Again! |
GAME OVER! |
Try Again! |
Due to extreme laziness the author will now get rid of Akane without animating her ......................... |
Story Art Animation and |
Story Art Animation and |
the voices of Ranma Saotome Boy\Girl |
the voices of Ranma Saotome Boy\Girl |
Hiroshi coughing up hairball and afterwards |
Hiroshi coughing up hairball and afterwards |
Ryoga Hibiki Boy/Pig |
Ryoga Hibiki Boy/Pig |
Akane Tendo in Simpsons scene |
Akane Tendo in Simpsons scene |
By Michael Grisanti |
By Michael Grisanti |
Story Assistance and the voices of |
Story Assistance and the voices of |
Akane Tendo |
Akane Tendo |
Daisuke |
Daisuke |
By Vito Grisanti |
By Vito Grisanti |
And before I forget, special thanks to Owen Evans for the voice of Hiroshi before Hairball |
And before I forget, special thanks to Owen Evans for the voice of Hiroshi before Hairball |
YO! and like I got alot alot of pics an info from Ranma ½ Perfect Edition! Check it out at: http://www.furinkan.com/ |
YO! and like I got alot alot of pics an info from Ranma ½ Perfect Edition! Check it out at: http://www.furinkan.com/ |
And of course thanks and credit goes out to Rumiko Takahashi the creator of Ranma ½ |
And of course thanks and credit goes out to Rumiko Takahashi the creator of Ranma ½ |
To be Continued ... |
To be Continued ... |
Replay |
Replay |
All characters © & ™ Rumiko Takahashi and published by Viz, Animeigo and Shogakukan. |
All characters © & ™ Rumiko Takahashi and published by Viz, Animeigo and Shogakukan. |
Return To Options |
Return To Options |
ActionScript [AS1/AS2]
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Symbol 339 MovieClip | Uses:338 | Used by:354 |
Symbol 340 Graphic | Used by:341 | |
Symbol 341 MovieClip | Uses:340 | Used by:354 |
Symbol 342 Graphic | Used by:343 | |
Symbol 343 MovieClip | Uses:342 | Used by:354 |
Symbol 344 Graphic | Used by:345 | |
Symbol 345 MovieClip | Uses:344 | Used by:354 |
Symbol 346 Graphic | Used by:347 | |
Symbol 347 MovieClip | Uses:346 | Used by:354 |
Symbol 348 Graphic | Used by:349 | |
Symbol 349 MovieClip | Uses:348 | Used by:354 |
Symbol 350 Graphic | Used by:351 | |
Symbol 351 MovieClip | Uses:350 | Used by:354 |
Symbol 352 Graphic | Used by:353 | |
Symbol 353 MovieClip | Uses:352 | Used by:354 |
Symbol 354 MovieClip | Uses:315 317 319 321 323 325 327 329 331 333 335 337 339 341 343 345 347 349 351 353 | Used by:Timeline |
Symbol 355 Graphic | Used by:356 | |
Symbol 356 MovieClip | Uses:355 | Used by:Timeline |
Symbol 357 Graphic | Used by:358 | |
Symbol 358 MovieClip | Uses:357 | Used by:Timeline |
Symbol 359 Graphic | Used by:360 | |
Symbol 360 MovieClip | Uses:359 | Used by:Timeline |
Symbol 361 Graphic | Used by:362 | |
Symbol 362 MovieClip | Uses:361 | Used by:Timeline |
Symbol 363 Graphic | Used by:364 | |
Symbol 364 MovieClip | Uses:363 | Used by:Timeline |
Symbol 365 Graphic | Used by:366 | |
Symbol 366 MovieClip | Uses:365 | Used by:Timeline |
Symbol 367 Graphic | Used by:368 | |
Symbol 368 MovieClip | Uses:367 | Used by:Timeline |
Symbol 369 Graphic | Used by:370 | |
Symbol 370 MovieClip | Uses:369 | Used by:Timeline |
Symbol 371 Graphic | Used by:372 | |
Symbol 372 MovieClip | Uses:371 | Used by:Timeline |
Symbol 373 Graphic | Used by:374 | |
Symbol 374 MovieClip | Uses:373 | Used by:Timeline |
Symbol 375 Graphic | Used by:376 | |
Symbol 376 MovieClip | Uses:375 | Used by:Timeline |
Symbol 377 Graphic | Used by:378 | |
Symbol 378 MovieClip | Uses:377 | Used by:Timeline |
Symbol 379 Graphic | Used by:380 | |
Symbol 380 MovieClip | Uses:379 | Used by:Timeline |
Symbol 381 Graphic | Used by:382 | |
Symbol 382 MovieClip | Uses:381 | Used by:Timeline |
Symbol 383 Graphic | Used by:384 | |
Symbol 384 MovieClip | Uses:383 | Used by:Timeline |
Symbol 385 Sound | Used by:Timeline | |
Symbol 386 Graphic | Used by:387 | |
Symbol 387 MovieClip | Uses:386 | Used by:Timeline |
Symbol 388 Graphic | Used by:389 | |
Symbol 389 MovieClip | Uses:388 | Used by:Timeline |
Symbol 390 Graphic | Used by:391 | |
Symbol 391 MovieClip | Uses:390 | Used by:Timeline |
Symbol 392 Graphic | Used by:393 | |
Symbol 393 MovieClip | Uses:392 | Used by:Timeline |
Symbol 394 Sound | Used by:Timeline | |
Symbol 395 Graphic | Used by:396 | |
Symbol 396 MovieClip | Uses:395 | Used by:Timeline |
Symbol 397 Graphic | Used by:398 | |
Symbol 398 MovieClip | Uses:397 | Used by:Timeline |
Symbol 399 Graphic | Used by:400 | |
Symbol 400 MovieClip | Uses:399 | Used by:Timeline |
Symbol 401 MovieClip | Uses:287 | Used by:Timeline |
Symbol 402 Graphic | Used by:403 | |
Symbol 403 MovieClip | Uses:402 | Used by:Timeline |
Symbol 404 Graphic | Used by:405 | |
Symbol 405 MovieClip | Uses:404 | Used by:Timeline |
Symbol 406 Graphic | Used by:407 | |
Symbol 407 MovieClip | Uses:406 | Used by:Timeline |
Symbol 408 Graphic | Used by:409 | |
Symbol 409 MovieClip | Uses:408 | Used by:Timeline |
Symbol 410 Graphic | Used by:411 | |
Symbol 411 MovieClip | Uses:410 | Used by:Timeline |
Symbol 412 Graphic | Used by:415 | |
Symbol 413 Graphic | Used by:414 | |
Symbol 414 MovieClip | Uses:413 | Used by:415 |
Symbol 415 MovieClip | Uses:412 414 | Used by:Timeline |
Symbol 416 Graphic | Used by:417 | |
Symbol 417 MovieClip | Uses:416 | Used by:Timeline |
Symbol 418 Graphic | Used by:419 | |
Symbol 419 MovieClip | Uses:418 | Used by:Timeline |
Symbol 420 Graphic | Used by:421 | |
Symbol 421 MovieClip | Uses:420 | Used by:Timeline |
Symbol 422 Graphic | Used by:423 | |
Symbol 423 MovieClip | Uses:422 | Used by:Timeline |
Symbol 424 EditableText | Uses:34 | Used by:Timeline |
Symbol 425 EditableText | Uses:34 | Used by:Timeline |
Symbol 426 EditableText | Uses:34 | Used by:Timeline |
Symbol 427 EditableText | Uses:34 | Used by:Timeline |
Symbol 428 Button | Uses:100 96 293 294 | Used by:Timeline |
Symbol 429 Graphic | Used by:447 | |
Symbol 430 Graphic | Used by:431 | |
Symbol 431 MovieClip | Uses:430 | Used by:447 |
Symbol 432 Graphic | Used by:447 | |
Symbol 433 Graphic | Used by:447 | |
Symbol 434 Graphic | Used by:447 | |
Symbol 435 Graphic | Used by:447 | |
Symbol 436 Graphic | Used by:447 | |
Symbol 437 Graphic | Used by:438 | |
Symbol 438 MovieClip | Uses:437 | Used by:447 |
Symbol 439 Graphic | Used by:447 | |
Symbol 440 Graphic | Used by:447 | |
Symbol 441 Graphic | Used by:447 | |
Symbol 442 Graphic | Used by:447 | |
Symbol 443 Graphic | Used by:447 | |
Symbol 444 Graphic | Used by:445 | |
Symbol 445 MovieClip | Uses:444 | Used by:447 |
Symbol 446 Graphic | Used by:447 | |
Symbol 447 MovieClip | Uses:429 431 432 433 434 435 436 438 439 440 441 442 443 445 446 | Used by:Timeline |
Symbol 448 ShapeTweening | Used by:450 | |
Symbol 449 Graphic | Used by:450 | |
Symbol 450 MovieClip | Uses:448 449 | Used by:Timeline |
Symbol 451 Sound | Used by:Timeline | |
Symbol 452 Graphic | Used by:453 | |
Symbol 453 MovieClip | Uses:452 | Used by:Timeline |
Symbol 454 Graphic | Used by:455 | |
Symbol 455 MovieClip | Uses:454 | Used by:Timeline |
Symbol 456 Graphic | Used by:457 | |
Symbol 457 MovieClip | Uses:456 | Used by:Timeline |
Symbol 458 Sound | Used by:Timeline | |
Symbol 459 Graphic | Used by:460 | |
Symbol 460 MovieClip | Uses:459 | Used by:Timeline |
Symbol 461 Sound | Used by:Timeline | |
Symbol 462 Graphic | Used by:463 | |
Symbol 463 MovieClip | Uses:462 | Used by:Timeline |
Symbol 464 Graphic | Used by:465 | |
Symbol 465 MovieClip | Uses:464 | Used by:Timeline |
Symbol 466 Graphic | Used by:467 | |
Symbol 467 MovieClip | Uses:466 | Used by:Timeline |
Symbol 468 Graphic | Used by:469 | |
Symbol 469 MovieClip | Uses:468 | Used by:Timeline |
Symbol 470 Graphic | Used by:471 | |
Symbol 471 MovieClip | Uses:470 | Used by:Timeline |
Symbol 472 Graphic | Used by:473 | |
Symbol 473 MovieClip | Uses:472 | Used by:Timeline |
Symbol 474 Graphic | Used by:475 | |
Symbol 475 MovieClip | Uses:474 | Used by:Timeline |
Symbol 476 Graphic | Used by:477 | |
Symbol 477 MovieClip | Uses:476 | Used by:Timeline |
Symbol 478 Text | Uses:34 | Used by:Timeline |
Symbol 479 Button | Uses:100 96 293 294 | Used by:Timeline |
Symbol 480 Graphic | Used by:481 | |
Symbol 481 MovieClip | Uses:480 | Used by:Timeline |
Symbol 482 Graphic | Used by:483 | |
Symbol 483 MovieClip | Uses:482 | Used by:Timeline |
Symbol 484 Graphic | Used by:485 | |
Symbol 485 MovieClip | Uses:484 | Used by:Timeline |
Symbol 486 Graphic | Used by:487 | |
Symbol 487 MovieClip | Uses:486 | Used by:Timeline |
Symbol 488 Graphic | Used by:489 | |
Symbol 489 MovieClip | Uses:488 | Used by:Timeline |
Symbol 490 Graphic | Used by:491 | |
Symbol 491 MovieClip | Uses:490 | Used by:Timeline |
Symbol 492 Graphic | Used by:493 | |
Symbol 493 MovieClip | Uses:492 | Used by:Timeline |
Symbol 494 Graphic | Used by:495 | |
Symbol 495 MovieClip | Uses:494 | Used by:Timeline |
Symbol 496 Graphic | Used by:497 | |
Symbol 497 MovieClip | Uses:496 | Used by:Timeline |
Symbol 498 Graphic | Used by:499 | |
Symbol 499 MovieClip | Uses:498 | Used by:Timeline |
Symbol 500 Graphic | Used by:501 | |
Symbol 501 MovieClip | Uses:500 | Used by:Timeline |
Symbol 502 Graphic | Used by:503 | |
Symbol 503 MovieClip | Uses:502 | Used by:Timeline |
Symbol 504 Graphic | Used by:505 | |
Symbol 505 MovieClip | Uses:504 | Used by:Timeline |
Symbol 506 Graphic | Used by:507 | |
Symbol 507 MovieClip | Uses:506 | Used by:Timeline |
Symbol 508 Graphic | Used by:509 | |
Symbol 509 MovieClip | Uses:508 | Used by:Timeline |
Symbol 510 Font | Used by:511 512 518 519 523 524 530 531 533 534 536 537 539 540 544 545 549 550 552 553 555 556 | |
Symbol 511 EditableText | Uses:510 | Used by:513 |
Symbol 512 EditableText | Uses:510 | Used by:513 |
Symbol 513 MovieClip | Uses:511 512 | Used by:Timeline |
Symbol 514 Graphic | Used by:515 | |
Symbol 515 MovieClip | Uses:514 | Used by:Timeline |
Symbol 516 Graphic | Used by:517 | |
Symbol 517 MovieClip | Uses:516 | Used by:Timeline |
Symbol 518 Text | Uses:510 | Used by:520 |
Symbol 519 EditableText | Uses:510 | Used by:520 |
Symbol 520 MovieClip | Uses:518 519 | Used by:Timeline |
Symbol 521 Graphic | Used by:522 | |
Symbol 522 MovieClip | Uses:521 | Used by:Timeline |
Symbol 523 EditableText | Uses:510 | Used by:525 |
Symbol 524 EditableText | Uses:510 | Used by:525 |
Symbol 525 MovieClip | Uses:523 524 | Used by:Timeline |
Symbol 526 Graphic | Used by:527 | |
Symbol 527 MovieClip | Uses:526 | Used by:Timeline |
Symbol 528 Graphic | Used by:529 | |
Symbol 529 MovieClip | Uses:528 | Used by:Timeline |
Symbol 530 EditableText | Uses:510 | Used by:532 |
Symbol 531 EditableText | Uses:510 | Used by:532 |
Symbol 532 MovieClip | Uses:530 531 | Used by:Timeline |
Symbol 533 EditableText | Uses:510 | Used by:535 |
Symbol 534 EditableText | Uses:510 | Used by:535 |
Symbol 535 MovieClip | Uses:533 534 | Used by:Timeline |
Symbol 536 EditableText | Uses:510 | Used by:538 |
Symbol 537 EditableText | Uses:510 | Used by:538 |
Symbol 538 MovieClip | Uses:536 537 | Used by:Timeline |
Symbol 539 Text | Uses:510 | Used by:541 |
Symbol 540 EditableText | Uses:510 | Used by:541 |
Symbol 541 MovieClip | Uses:539 540 | Used by:Timeline |
Symbol 542 Graphic | Used by:543 | |
Symbol 543 MovieClip | Uses:542 | Used by:Timeline |
Symbol 544 EditableText | Uses:510 | Used by:546 |
Symbol 545 EditableText | Uses:510 | Used by:546 |
Symbol 546 MovieClip | Uses:544 545 | Used by:Timeline |
Symbol 547 Graphic | Used by:548 | |
Symbol 548 MovieClip | Uses:547 | Used by:Timeline |
Symbol 549 EditableText | Uses:510 | Used by:551 |
Symbol 550 EditableText | Uses:510 | Used by:551 |
Symbol 551 MovieClip | Uses:549 550 | Used by:Timeline |
Symbol 552 EditableText | Uses:510 | Used by:554 |
Symbol 553 EditableText | Uses:510 | Used by:554 |
Symbol 554 MovieClip | Uses:552 553 | Used by:Timeline |
Symbol 555 EditableText | Uses:510 | Used by:557 |
Symbol 556 EditableText | Uses:510 | Used by:557 |
Symbol 557 MovieClip | Uses:555 556 | Used by:Timeline |
Symbol 558 Bitmap | Used by:559 | |
Symbol 559 Graphic | Uses:558 | Used by:Timeline |
Symbol 560 Text | Uses:34 | Used by:562 |
Symbol 561 Text | Uses:34 | Used by:562 |
Symbol 562 MovieClip | Uses:560 561 | Used by:Timeline |
Symbol 563 EditableText | Uses:34 | Used by:567 |
Symbol 564 EditableText | Uses:34 | Used by:567 |
Symbol 565 Bitmap | Used by:566 | |
Symbol 566 Graphic | Uses:565 | Used by:567 |
Symbol 567 MovieClip | Uses:563 564 566 | Used by:Timeline |
Symbol 568 EditableText | Uses:34 | Used by:572 |
Symbol 569 EditableText | Uses:34 | Used by:572 |
Symbol 570 EditableText | Uses:34 | Used by:572 |
Symbol 571 EditableText | Uses:34 | Used by:572 |
Symbol 572 MovieClip | Uses:568 569 570 571 | Used by:Timeline |
Symbol 573 Button | Uses:100 96 293 294 | Used by:Timeline |
Symbol 574 Text | Uses:30 | Used by:576 |
Symbol 575 Text | Uses:30 | Used by:576 |
Symbol 576 MovieClip | Uses:574 575 | Used by:Timeline |
Symbol 577 EditableText | Uses:34 | Used by:Timeline |
Symbol 578 EditableText | Uses:34 | Used by:Timeline |
Symbol 579 Button | Uses:100 96 293 294 | Used by:Timeline |
Streaming Sound 1 | Used by:Timeline | |
Streaming Sound 2 | Used by:Symbol 164 MovieClip |
Instance Names
"bar" | Symbol 21 MovieClip Frame 1 | Symbol 14 MovieClip |
Labels
"loaded" | Symbol 21 MovieClip Frame 3 |
|