STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 229595 |
/disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2595 · P5190 |
This is the info page for Flash #62642 |
LOADING |
ENTER |
ENTER |
JONNY BOY |
SKETCHES: |
PLAY THE MOVIE |
seated |
happens to the best |
Julia |
what have i done |
08dream.co.uk |
u |
o |
y |
t |
s |
n |
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r |
p |
08DREAM |
WHY DID YOU DO |
IT PHIL? |
FUCK OFF JONNY, |
YOU DON'T HAVE THE |
BOLLOCKS TO SHOOT |
ME... I'M OFF. |
I NEVER SAW IT |
ENDING LIKE THIS, |
JONNY... why? |
IT'S OK PHIL, IT |
HAPPENS TO THE |
BEST OF US |
, |
DEAREST |
WHAT DO |
YOU WANT OF ME |
BUT TO CRY? |
FUCK ME! YOU |
WOULDN'T TRY TO KILL |
ME NOW WOULD YOU |
JULIA? |
WHY DID YOU KILL |
PHIL? |
NOW I KNOW, |
HE IS THE ONE WHO |
DID THIS TO ME... |
ONE WEEK AGO |
ANOTHER SHITE HOLE SALOON OWNED BY SOME YANK WITH AN IRISH NAME. |
IT WAS PACT. BUT I SAW IT AS EMPTY. THE ONLY PERSON I COULD SEE WAS THIS BEAUTIFUL WOMAN ON STAGE. |
I DON'T KNOW MY FRIENDS ANYMORE, MY GIRLFRIEND LEFT ME AND I DON'T HAVE A PLACE TO STAY ANYMORE. |
NOW I STARE AT THIS GODESS, WHAT IS HER NAME? |
ABOUT 6 PINTS LATER OUTSIDE OF TAYLORS |
YOU WERE AMAZING OUT THERE TONIGHT. I MEAN I WOULD NEVER HAVE THE- |
YOU WERE AMAZING OUT THERE TONIGHT. I MEAN I WOULD NEVER HAVE THE BOLLOCKS TO... FUCK IT, MY NAMES JONNY. I JUST SPLIT UP WITH MY WIFE, I'VE LOST ALL CONTACT WITH MY SON AND MY LIFE IS-- |
I'M NOT A WHORE, AND THE DUTCH COURAGE OBVIOUSLY ISN'T DOING YOU MUCH GOOD... DO YOU WANT TO JUST GET IT OF YOUR CHEST? |
YEAH! |
IT'S BEEN A QUITE A LONG TIME... WHAT DID YOU SAY YOUR NAME WAS? |
JONNY. |
FOLLOW ME JONNY AND BE QUIET. |
FUCK SOMEONES COMING! |
FUCK, SOMEONE'S COMING! |
CAN I TRUST YOU? |
YES. |
THAT MOMENT ME AND THIS GIRL FLED BACK TO HER PLACE. SHE SAID HER NAME WAS ROSE. |
MORNING CAME FAST AS I LEFT HER FLAT. THE NIGHT WAS WILD, THE NEXT NIGHT A STRANGER EVEN TOOK PLACE. |
I WAS SITTING THERE IN CAMDEN TOWN STATION, RECOVERING FROM THE NIGHT BEFORE. |
YOU MY FRIEND HAVE BEEN RIDDLED WITH DEMONS. BUT YOU ARE DOING A GOOD JOB OF CLEARING THEM. I'M NOT REQUIRED TO BUT DO YOU WANT SOME HELP? |
I THOUGH THAT HE WAS JUST ANOTHER CAMDEN LOOPY BUT THEN... |
CHEEKY CUNT CURED MY HANG OVER! THAT BLOKES THE NEXT DAVID BLANE OR DERREN BROWN. |
ROSE SAID TO MEET HER AT NINE INSIDE TAYLORS WHERE WE MET LAST NIGHT. IT'S EIGHT O'CLOCK AND I'M IN THE WRONG PART OF LONDON... |
THE HOUR FLEW BY AND I GOT TO TAYLORS ON TIME BUT WHERE WAS SHE? I ASK. |
"FUCK IT, I'M OFF," I TOLD MYSELF... BUT I COULDN'T JUST BE A CUNT AND WALK OF, COULD I? I WENT FOR A PISS. |
WHEN US MALES PISS SOME THINK OF WHAT THEY'RE GOING TO DO NEXT, SOME THINK WHAT THEY'RE GOING TO DO AFTER THAT AND SOME WONDER HOW THEY'LL PULL A BIRD. |
I TEND TO FOCUS ON MY COCK, AND THE BOWL WHEN I'M ATTEMPTING TO PISS AFTER A FEW TOO MANY. NOT THE CUNT BEHIND ME READY TO SMASH ME OVER THE NUT. |
I GOT HIT IN THE HEAD WITH A GOLF CLUB, I'M A MESS....... I TEND TO ASK MYSELF IF I SWEAR TOO MUCH. WHO DID I PISS OFF? |
I GOT BEATEN EVERY DAY FOR THE NEXT 4 DAYS. THEY BEAT ME LIKE I'VE NEVER SEEN PAIN BEFORE. |
THEY DIDN'T FEED ME. AND ALL THEY ASKED OF ME WAS A TAPE. AND NOT AN INCRIPTING VIDEO TAPE BUT A CASSETTE. |
08MAERDHU1984A12 |
ALL I DID WAS STARE AT THAT DOOR. UNTIL THE FITH DAY I WAS IN CAPTIVATION. I SAW TWO ANGELS, OR SO I THOUGHT. |
PHIL? WHAT THE FUCKS GOIN' ON HERE? |
THEY FUCKED YOU UP BAD JONNY BOY. I TOLD THEM NOT TO. THAT JULIA OF YOURS, OH AIN'T SHE A SPECIAL ONE. |
THEY FUCKED YOU UP BAD JONNY BOY. I TOLD THEM NOT TO. ME AND JULIA DIDN'T KNOW THAT THEY'D GO ALL OUT ON YA! |
HE THINKS I HAVE NO LIFE LEFT. WHAT IS GOING ON? WELL, I DO! WHO'S JULIA? I BET ROSE SET ME UP. |
PHIL YOU PUSSY!... HAHA |
I RAN WITH PHIL'S GUN IN MY HANDS BEHIND MY BACK. WHEN I GOT OUT, I FOUND OUT THAT I WAS HELD CAPTIVE IN AN ACCOUNTING FIRMS BUILDING! |
HOURS LATER I BROKE INTO ROSE'S APPARTMENT, TO SEE IF SHE WAS JULIA. |
PASSPORTS, BANK DOCUMENTS, EVEN HER FUCKING DRIVERS LICENSE SAID JULIA. WHAT AM I GOING TO DO? |
JULIA. WHERES PHIL? I KNOW YOU SET ME UP. |
JULIA. WHERE'S PHIL? I KNOW YOU SET ME UP. |
I FOUND OUT WHERE PHIL WAS AND DRAGGED HIM INTO SOME SHIT HOLE ALLEY NEAR TAYLORS. |
PHIL TOLD ME WHAT WAS ON THE CASSETTE BUT NOT WHY THEY THOUGHT I HAD IT... |
IT WASN'T MY INTENTION TO KILL PHIL... I NEEDED ANSWERS. |
JULIA WOULD HAVE SHOT ME IF I HADN'T SHOT HER FIRST. SHES A DECIETFUL BITCH. WHY DID SHE SET ME UP? |
WHAT THE FUCK AM I GOING TO DO NOW? |
WHAT HAVE I DONE. WHAT HAVE I GONE AND FUCKIN' DONE. |
WHERE DO I GO NOW... AND WHAT DO I DO?... I JUST KILLED TWO PEOPLE. |
THEY DIDN'T DO ANYTHING JONNY. NOTHING. |
YES THEY DID, THEY BEAT ME. THEY BEAT ME TO A SHITTY PULP. |
CHECK YOUR FACE JONNY, CHECK YOUR FACE. IS THERE ANY CUTS OR SCARS? |
SHUT UP! |
YOUR GOING MAD JONNY BOY! |
I DON'T UNDERSTAND, WHERE WAS I WHEN I THOUGHT I WAS BEING BEATEN? |
BUT IT'S OK, BECAUSE I'M NOT A SKITS, AND I AM CUT .... SO I'M OFF. I HAD NO PLACE TO STAY, BUT OFCORSE I COULD MOVE TO MY FAMILY HOME. THEY'LL NEVER CATCH ME. |
THERE ARE TWO MANY PLACES TO HIDE. AND BY THE WAY, JULIA HAD THE TAPE. IT WAS A COFFENSION STYLE ONE. AND THERE WERE WELL KNOWN VOICES ON IT...... |
JONNY BOY |
DESIGNED AND WRITTEN BY: HARIS UZEIRBEGOVIC VIBING BY: MATIAS BLANCHIDDLE MUSIC BY (IN ORDER OF APPEARANCE): CENTER OF THE STORM - RONI SIZE FLASHKIT - TEMPLE THE SERVANT - CELLS THE GORILLAZ - SOUND CHECK BLUR - COFFEE AND TV PORTISHEAD - WANDERING STAR WAX POETIC - ANGEL MASSIVE ATTACK - ANGEL LOSTPROPHETS - WE ARE GODZILL YOU ARE JAPAN BIG THANKS TO: FAMILY MATT LUKE JAMES DA DOCTA TOM FULP THANKS FOR WATCHING |
08DREAM |
replay |
ActionScript [AS1/AS2]
Frame 2stop();Frame 6697stop();Symbol 11 Buttonon (release) { _root.play(); }Symbol 12 MovieClip Frame 1_root.stop(); PercentLoaded = (_root.getBytesLoaded() / _root.getBytesTotal()) * 100; if (PercentLoaded != 100) { setProperty(bar, _xscale , PercentLoaded); } else { gotoAndStop (3); }Symbol 12 MovieClip Frame 2gotoAndPlay (1);Symbol 19 Buttonon (release) { play(); }Symbol 22 Buttonon (release) { getURL ("http://www.08dream.co.uk/seated.jpg", "_blank"); }Symbol 25 Buttonon (release) { getURL ("http://www.08dream.co.uk/jonny.jpg", "_blank"); }Symbol 28 Buttonon (release) { getURL ("http://www.08dream.co.uk/JULIA.jpg", "_blank"); }Symbol 31 Buttonon (release) { getURL ("http://www.08dream.co.uk/whid.jpg", "_blank"); }Symbol 34 Buttonon (release) { getURL ("http://www.08dream.co.uk/", "_blank"); }Symbol 48 Buttonon (release) { getURL ("http://www.08dream.co.uk", "_blank"); }Symbol 487 Buttonon (release) { getURL ("http://www.08dream.co.uk"); }Symbol 489 Buttonon (release) { gotoAndPlay (3); }Symbol 490 Buttonon (release) { gotoAndPlay (1); }
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Symbol 368 Graphic | Used by:Timeline | |
Symbol 369 Graphic | Used by:Timeline | |
Symbol 370 Graphic | Used by:Timeline | |
Symbol 371 Graphic | Used by:Timeline | |
Symbol 372 Graphic | Used by:Timeline | |
Symbol 373 Graphic | Used by:Timeline | |
Symbol 374 Graphic | Used by:Timeline | |
Symbol 375 Text | Uses:52 | Used by:Timeline |
Symbol 376 Graphic | Used by:Timeline | |
Symbol 377 Graphic | Used by:Timeline | |
Symbol 378 Text | Uses:52 | Used by:Timeline |
Symbol 379 Graphic | Used by:Timeline | |
Symbol 380 Text | Uses:5 | Used by:Timeline |
Symbol 381 Graphic | Used by:Timeline | |
Symbol 382 Text | Uses:52 | Used by:Timeline |
Symbol 383 Graphic | Used by:Timeline | |
Symbol 384 Graphic | Used by:Timeline | |
Symbol 385 Graphic | Used by:Timeline | |
Symbol 386 Graphic | Used by:Timeline | |
Symbol 387 Graphic | Used by:Timeline | |
Symbol 388 Graphic | Used by:Timeline | |
Symbol 389 Graphic | Used by:Timeline | |
Symbol 390 Graphic | Used by:Timeline | |
Symbol 391 Graphic | Used by:Timeline | |
Symbol 392 Graphic | Used by:Timeline | |
Symbol 393 Text | Uses:52 | Used by:Timeline |
Symbol 394 Graphic | Used by:Timeline | |
Symbol 395 Graphic | Used by:Timeline | |
Symbol 396 Graphic | Used by:Timeline | |
Symbol 397 Text | Uses:52 | Used by:Timeline |
Symbol 398 Graphic | Used by:Timeline | |
Symbol 399 Graphic | Used by:Timeline | |
Symbol 400 Text | Uses:52 | Used by:Timeline |
Symbol 401 Graphic | Used by:Timeline | |
Symbol 402 Text | Uses:52 | Used by:Timeline |
Symbol 403 Graphic | Used by:Timeline | |
Symbol 404 Graphic | Used by:Timeline | |
Symbol 405 Graphic | Used by:Timeline | |
Symbol 406 Graphic | Used by:Timeline | |
Symbol 407 Graphic | Used by:Timeline | |
Symbol 408 Graphic | Used by:Timeline | |
Symbol 409 Graphic | Used by:Timeline | |
Symbol 410 Graphic | Used by:Timeline | |
Symbol 411 Graphic | Used by:Timeline | |
Symbol 412 Graphic | Used by:Timeline | |
Symbol 413 Graphic | Used by:Timeline | |
Symbol 414 Text | Uses:52 | Used by:Timeline |
Symbol 415 Graphic | Used by:Timeline | |
Symbol 416 Graphic | Used by:Timeline | |
Symbol 417 Graphic | Used by:Timeline | |
Symbol 418 Graphic | Used by:Timeline | |
Symbol 419 Graphic | Used by:Timeline | |
Symbol 420 Graphic | Used by:Timeline | |
Symbol 421 Graphic | Used by:Timeline | |
Symbol 422 Text | Uses:52 | Used by:Timeline |
Symbol 423 Text | Uses:52 | Used by:Timeline |
Symbol 424 Text | Uses:52 | Used by:Timeline |
Symbol 425 Graphic | Used by:Timeline | |
Symbol 426 Graphic | Used by:Timeline | |
Symbol 427 Graphic | Used by:Timeline | |
Symbol 428 Graphic | Used by:Timeline | |
Symbol 429 Text | Uses:52 | Used by:Timeline |
Symbol 430 Graphic | Used by:Timeline | |
Symbol 431 Text | Uses:52 | Used by:Timeline |
Symbol 432 Graphic | Used by:Timeline | |
Symbol 433 Text | Uses:52 | Used by:Timeline |
Symbol 434 Graphic | Used by:Timeline | |
Symbol 435 Text | Uses:52 | Used by:Timeline |
Symbol 436 Graphic | Used by:Timeline | |
Symbol 437 Graphic | Used by:Timeline | |
Symbol 438 Text | Uses:52 | Used by:Timeline |
Symbol 439 Graphic | Used by:Timeline | |
Symbol 440 Graphic | Used by:Timeline | |
Symbol 441 Text | Uses:52 | Used by:Timeline |
Symbol 442 Graphic | Used by:Timeline | |
Symbol 443 Graphic | Used by:Timeline | |
Symbol 444 Graphic | Used by:Timeline | |
Symbol 445 Graphic | Used by:Timeline | |
Symbol 446 Graphic | Used by:Timeline | |
Symbol 447 Text | Uses:52 | Used by:Timeline |
Symbol 448 Graphic | Used by:Timeline | |
Symbol 449 Graphic | Used by:Timeline | |
Symbol 450 Graphic | Used by:Timeline | |
Symbol 451 Text | Uses:52 | Used by:Timeline |
Symbol 452 Graphic | Used by:Timeline | |
Symbol 453 Graphic | Used by:Timeline | |
Symbol 454 Text | Uses:52 | Used by:Timeline |
Symbol 455 Graphic | Used by:Timeline | |
Symbol 456 Graphic | Used by:Timeline | |
Symbol 457 Text | Uses:52 | Used by:Timeline |
Symbol 458 Graphic | Used by:Timeline | |
Symbol 459 Graphic | Used by:Timeline | |
Symbol 460 Text | Uses:52 | Used by:Timeline |
Symbol 461 Graphic | Used by:Timeline | |
Symbol 462 Graphic | Used by:Timeline | |
Symbol 463 Text | Uses:52 | Used by:Timeline |
Symbol 464 Graphic | Used by:Timeline | |
Symbol 465 Graphic | Used by:Timeline | |
Symbol 466 Text | Uses:52 | Used by:Timeline |
Symbol 467 Graphic | Used by:Timeline | |
Symbol 468 Text | Uses:52 | Used by:Timeline |
Symbol 469 Graphic | Used by:Timeline | |
Symbol 470 Text | Uses:52 | Used by:Timeline |
Symbol 471 Graphic | Used by:Timeline | |
Symbol 472 Graphic | Used by:Timeline | |
Symbol 473 Graphic | Used by:Timeline | |
Symbol 474 Graphic | Used by:Timeline | |
Symbol 475 Graphic | Used by:Timeline | |
Symbol 476 Graphic | Used by:Timeline | |
Symbol 477 Text | Uses:52 | Used by:Timeline |
Symbol 478 Graphic | Used by:Timeline | |
Symbol 479 Graphic | Used by:Timeline | |
Symbol 480 Graphic | Used by:Timeline | |
Symbol 481 Text | Uses:52 | Used by:Timeline |
Symbol 482 Graphic | Used by:Timeline | |
Symbol 483 Text | Uses:52 | Used by:Timeline |
Symbol 484 Text | Uses:13 | Used by:Timeline |
Symbol 485 Text | Uses:13 | Used by:487 |
Symbol 486 Graphic | Used by:487 | |
Symbol 487 Button | Uses:485 486 | Used by:Timeline |
Symbol 488 Text | Uses:13 | Used by:489 490 |
Symbol 489 Button | Uses:167 488 | Used by:Timeline |
Symbol 490 Button | Uses:167 488 | Used by:Timeline |
Streaming Sound 1 | Used by:Timeline |
Instance Names
"bar" | Symbol 12 MovieClip Frame 1 | Symbol 3 MovieClip |
Labels
"4" | Frame 243 |
"4" | Frame 4907 |
"loaded" | Symbol 12 MovieClip Frame 3 |
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