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This is the info page for Flash #63814 |
director's notes |
scene select and links |
extras |
scene one |
scene three |
scene four |
scene two |
scene five |
credits |
voice acting alliance |
voice acting club |
next |
Originally a radioplay skit by Haushinka Rina-chan, she asked if there were any animators who would adapt her work visually. I took on the task and requested help if possible, but then I ended up taking care of it myself. Project "M15" started at the beginning of September 2007 alongside with Nocturne Brigade MaidRouser: Yellow the Third and The Legend of Zelda: Destiny Rivals (Now called The Legend of Zelda: DestiRi). |
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prev |
The original art style was the traditional Japanese anime style. Nearing Halloween, I realized that I won't be able to finish Yellow the Third in time, so a subsitute Halloween flash video was created, and it was FWD: Totally BS!, using my simple chibi sprites. I would then ditch the more familiar look fans are use to and use something that is more highly stylized and animated. |
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The video was finally complete as of the beginning of April 2008. I blame school for the heavy and unneccessary delays I had to face in order to bring you the video, and to fulfill Haushinka Rina-chan's wish to have this radioplay animated. |
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-Title references the art style used in my other work, FWD: Totally BS!, and the skunk that Yuki has is also a reference to that same series. -The conversation that Haruhi and Mikuru had in the first scene is a reference to the nonsensical talks done in Lucky Star. Also the animated versions of Haruhi Suzumiya and Lucky Star are done by the same animation studio, Kyoto Animation. |
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-In the radioplay version, "Hare Hare Yukai" was used. But in the flash animation, "Welcome UNKNOWN" was used. This is a reversal reference where the anime used "Hare Hare Yukai" and the drama CD used "Welcome UNKNOWN". -First Synsanoko Flash Video to use true 16x9 widescreen rather then letterboxing. |
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E-Board Shame Showing |
E-Board Shame Showing 2 |
RIT Haruhi Showing |
back |
"Leekspin" |
"What is Love?" |
"Bouken Desho Desho" |
RIT April Fool Showing |
"Caramelldansen" "Rick-Rolling" |
During the course of creating this flash video, I'm done some Flash work for the RIT Anime Club. It started out as a random time passing thing during the tri-club gather "The Nerdocaplyse". Someone saw me working on it while watching the trivia section, specifically on Mikaru's spinning head. Then there was a break period, I went on entertaining the contestants with the simple video of the spinning Mikaru head. Then the E-Board Shame Showing was coming up, and I offered my skills to the Anime Club creating some Adult Swim-style "cards", then you know the rest. I've create a couple of them for the club, and gotten positive responses from them. I hope you'll enjoy them as well. |
[RIT Anime Club] |
Why hello there. |
Are you ready to see some music videos that is spliced with random anime footage? |
Here comes the leeks. |
Yeah... |
Based on "Leekspin" Song by Loituma |
Seems like Haruhi want to get straight to the feature. |
I hope you're happy with this. |
Shame on you all. |
Remember to keep all arms and legs in the vehicle at all times. |
Song clip used: "What is Love" by The Haddaway |
[RIT Anime Club] |
Looks like Haruhi's happy about something. |
Maybe it is because the feature presentation tonight is starring her. |
Tonight's show was suppose to be something else. |
But then she beat the crap out of poor little Mikaru. |
So we were forced to show what we are showing tonight. |
Absolutely fantastic. |
No wait, it's smashing. |
Song clip used: "Bouken Desho Desho" Haruhi Opening Theme |
I got a really bad feeling about this. |
Like seriously, something's up. |
I know April Fool's Day is over, but the week is not. |
Oh boy, here it comes. |
We've been......Haruhi-rolled. Or is it Konata-rolled? |
Well, Mikuru and Kagami are knocked out of the dance. |
Now Haruhi and Konata are too. |
But let's get back to dancing. |
Enjoy the show. |
Song clip used: "Caramelldansen" by Caramell "Never Going to Give You Up" by Rick Astley |
"Lucky Star" created by Kagami Yoshimizu |
"ALIENS AND FANSERVICE" by Haushinka Rina-chan |
OPEN CONTROL PANEL |
YOU ARE CURRENTLY WATCHING |
2007 AOI SORA PRODUCTIONS 2008 SYNSANOKO STUDIOS |
JUMP TO SCENE |
ONE |
TWO |
THREE |
FOUR |
FIVE |
CRED |
CLOSE CONTROL PANEL |
KYON: Today I walked into class, only to find Haruhi referencing some obscure anime with Nagato and Asahina. |
Well apparently, it isn't that obscure at all, but actually very popular. |
Of course I wouldn't know that, because I don't care much for those image boards myself. |
I don't really see the appeal of ice cream eating animated girls who look around ten years old. |
But of course, I seem to be the only sane one at North High School these days. |
MIKURU: Umm...Suzumiya-san. If you eat lunch at three, could that really be considered lunch? |
HARUHI: Huh...well...I suppose it could be dinner. But isn't dinner normally your last meal of the day? |
Because if you have lunch at three, you're going to have dinner at around nine or so. Doncha think? |
MIKURU: I suppose...but isn't that kinda late to have dinner? |
HARUHI: Well it depends. Most of the guys at our school stay up until 4am on a school night anyway playing |
massive multiplayer online role playing games. How boring. |
KYON: Of course she did mention role-playing games. I like to keep my past a secret, Haruhi. |
MIKURU: But then, what if they eat again after staying up all night? Is that really breakfast? |
Or is it more like a late night snack, even though it's technically morning? |
HARUHI: Well I suppose it could be breakfast. But isn't that suppose to be your first meal of the day? |
It's not really first if they stay up all night, is it? Hey Yuki, what do you think? |
YUKI: I think your debate is completely irrelevent to the current problem we are facing. |
HARUHI: Oh? And what problem is that? |
YUKI: Iksuki Koizumi has not showed up to school today. |
KYON: I'm sure he's just running late. |
HARUHI: Or maybe he was abducted by aliens! Come on, SOS Brigade, we got a mystery to solve! |
KYON: What I don't want to tell her is that I knew where exactly Koizumi is. I suppose I kept him up far too late last night. |
But I couldn't help it when he came over to my house wearing that pirate's outfit. |
HARUHI: O-kay, for our mission today. We will now search the city for Itsuki Koizumi. |
Of course, he can time travel, so I suppose he could be at another dimension right now for all we know. |
HARUHI: Wait a minute, detectives first eliminate people closest to them, right? |
We should go check our own houses to make sure there isn't any internal corruption going on. |
KYON: NO, HARUHI! It can't be! My corruption was suppose to be a secret. |
After all, what will the fans of the series think if they found out the truth. |
HARUHI: Alright, Mikuru-chan, let's start with you. |
MIKARU: ME??? What did I do? |
HARUHI: First we have to eliminate you as the suspect. |
Cute girls who dresses up as bunnies, and maids, and nurses have to have a dark side. Don't they? |
MIKARU: Uh..Uh..I don't think so. |
KYON: This is pointless, Haruhi. Shouldn't we be doing something important right now? |
HARUHI: Well, Mikuru's clean. Somehow, I'm still not satified. Perhaps I have to do a STRIP SEARCH. |
MIKURU: Waahh!!! Please don't... |
HARUHI: And you better not look, Kyon, high school guys are perverted enough as it is. |
KYON: Don't be stupid, Haruhi, I have no interest in girls. |
Besides, if you get arrested, it could mean the end of the SOS Brigade. |
HARUHI: I guess you're right. Well then, let's go search Yuki's house. |
YUKI: You may search all you want, you will find nothing of interest to you. |
HARUHI: Wow... you sure have a lot of books. Do you ever do anything fun? |
YUKI: My hobbies do not concern you. Please finish your investigation. |
HARUHI: Well I can already tell there is nothing here. <sigh> How boring. |
Alright Kyon, that leaves you! |
KYON: I have to think of a way out. Haruhi mentioned me last. But her suspicion was correct. |
MIKURU: Ahh...Suzumiya-san, what's that noise? |
HARUHI: I think it's an alien! Alright! |
Yuki, you use your spells. Mikuru, you use your Mikuru beam. |
And if that doesn't work, umm, just stand there and look cute to distract the enemy.. |
MIKURU: Yes! |
KYON: What about me? Or should I even ask? |
HARUHI: Kyon, you could be...umm...Mikuru's bodyguard. |
KYON: Typical of Haruhi to find guys completely useless. |
Now would be the perfect time to make a run for it, and get Koizumi out of my house. |
But that would only confirm her suspicions of me. |
HARUHI: Come on, you guys, do something! |
KYON: Do you ever actually do anything? Or do you just like to order everyone else around? |
MIKURU: MIKURU BEAM! |
YUKI: The monster was destroyed already, it must've been very weak. |
KYON: I can't imagine that Koizumi's psychic powers work very well in he's asleep. |
He probably managed to send out this alien in an attempt to distract them. |
But it turned out to be a mere decoy. I got to think of something before it's too late. |
HARUHI: Oh we did it! We did it! I'm so awesome! |
-Haruhi laughs- |
KYON: So can we go back to the clubroom now? |
HARUHI: Not before we solve this mystery! I'm convinced that this alien incident is somehow connected. |
It must be some kind of conspiracy! |
-Isuki yawns- |
ISUKI: Hey guys, how's it going? |
HARUHI: Itsuki! We've been looking all over for you! |
ITSUKI: Ha ha, I guess I overslept. |
HARUHI: And isn't that Kyon's shirt? |
KYON: Of course it isn't, Haruhi, we just happen to have the same one. |
KYON: I've been saved! |
HARUHI: Well I guess that wasn't much of a mystery, huh? |
HARUHI: Anyway, before we can do anything fun for the SOS Brigade, we really need to raise some money. |
Perhaps we can gain some club funds by having Mikuru- chan getting a job at the maid cafe, |
Or maybe we can sell embarrasing photos of her to fanboys on the internet! |
KYON: I'm sure I'll like to see that. |
HARUHI: Cut the act already, Kyon. |
Everyone knows that you're in love with Itsuki. |
I know it, they know it, all the fans know it. So just come out and say it already! |
I know it, they know it, all thes fan know it. So just come out and say it already! |
I know it, they know it, all the fans know it. So just come out and say it already! |
I know it, they know it, all the fans know it. So just come out and say it already! |
KYON: What? What are you talking about? You have no evidence to prove this! |
HARUHI: The other day, Yuki and I went to your house to spied on you in case you had anything to do with the |
Adventures of Mikaru Asahina getting removed from YouTube. |
Yuki sensed a male presence that is none other than Itsuki Koizumi. Itsuki came into the room brushing his teeth. |
KYON <3 <3 <3 |
Now if he hadn't spent the night, now why would his toothbrush be there? |
KYON: It could've been my sister's. |
KYON <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 |
HARUHI: Well I don't think your sister's toothbrush would have the name Kyon written all over her toothbrush with lots of hearts. |
KYON: I told you not to bring that toothbrush, stupid! |
ITSUKI: I really have nothing to hide Kyon-kun. |
And now that we've come out, I could imagine that it would increase viewer ratings. |
HARUHI: Hey, that's right! And the more followers the SOS Brigade has, the greater our chance for world domination! |
Isn't that right, Kyon? |
KYON: Shut up, already. |
CAST (order of apperance) Voices provided by the Voice Acting Alliance |
Kyon Mikuru Asahina Haruhi Suzumiya Yuki Nagato Itsuki Koizumi |
SUKISHO SCARLOTTE HAUSHINKA RINA-CHAN ERICA OKAMI-KUN |
GENERAL CREDITS Based on the light novels written by NAGARU TANIGAWA |
Producer (Radioplay Version) Writer Director Producer (Flash Version) Ultra Director Preloader provided by Actionscripting |
HAUSHINKA RINA-CHAN CHESTER KWAN HARUHI SUZUMIYA NEWGROUNDS.COM CHESTER KWAN |
ART CREDITS Based on the character designs illustrated by NOIZI ITO |
Character Designs (Animated Version) Character Designs (Flash Version) Mechanical Designs Animation Menu Design |
SHOKO IKEDA CHESTER KWAN |
AUDIO CREDITS Menu Theme "BOUKEN DESHO DESHO" (Karaoke Version) Ending Theme "WELCOME UNKNOWN" Additional Music arranged and/or composed by SATORU KOUSAKI (originally for The Melancholy of Haruhi Suzumiya) MASAKAZU SUGIMORI and AKEMI KIMURA (originally for Phoenix Wright: Ace Attorney) Sound Effects provided by SOUNDDOG.COM Created with Adobe Flash CS3 Adobe SoundBooth Adobe Photoshop CS3 Adobe Audition (Radioplay Version) Special Thanks RIT ANIME CLUB Presented at NEWGROUNDS.COM This is a fan flash, no profit has been made during the making of this project. This is a story of fiction, any similarities to events and/or people, dead or alive, is purely conincidental. Thank you for watching! |
Audio Mixing Additional Audio Mixing Arrangement Composition Music Lyrics Arrangement Performance |
HAUSHINKA RINA-CHAN CHESTER KWAN JUNPEI FUJITA AKIKO TOMITA TOMOKAZU TASHIRO AKI HATA TAKAHIRO ANDO AYA HIRANO MINORI CHIHARA YUKO GOTO |
That's Totally BS, Haruhi Suzumiya!: Aliens and Fanservice Radioplay 2007 Haushinka Rina-chan, Aoi Sora Productions Flash video 2008 Chester Kwan, Synsanoko Studios |
Special Guest Star |
THE SKUNK |
ActionScript [AS1/AS2]
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Symbol 183 Text | Uses:32 | Used by:184 |
Symbol 184 MovieClip | Uses:181 17 182 183 | Used by:196 |
Symbol 185 Graphic | Used by:194 196 | |
Symbol 186 Text | Uses:32 | Used by:194 196 |
Symbol 187 Button | Uses:35 36 37 38 | Used by:194 |
Symbol 188 Text | Uses:32 | Used by:194 196 |
Symbol 189 Text | Uses:32 | Used by:194 196 |
Symbol 190 Text | Uses:32 | Used by:194 196 |
Symbol 191 Text | Uses:32 | Used by:194 196 |
Symbol 192 Text | Uses:32 | Used by:194 196 |
Symbol 193 Text | Uses:32 | Used by:194 196 |
Symbol 194 MovieClip | Uses:185 186 45 187 188 189 190 191 192 193 | Used by:196 |
Symbol 195 Text | Uses:32 | Used by:196 |
Symbol 196 MovieClip | Uses:16 179 180 184 194 185 186 43 44 45 46 51 52 188 189 190 191 192 193 195 | Used by:Timeline |
Symbol 197 Font | Used by:198 200 211 212 213 234 252 253 262 264 287 299 300 301 304 317 318 319 321 328 334 342 343 344 345 | |
Symbol 198 Text | Uses:197 | Used by:Timeline |
Symbol 199 Graphic | Used by:Timeline | |
Symbol 200 Text | Uses:197 | Used by:Timeline |
Symbol 201 Graphic | Used by:202 | |
Symbol 202 MovieClip | Uses:201 | Used by:Timeline |
Symbol 203 Graphic | Used by:205 Timeline | |
Symbol 204 Graphic | Used by:205 Timeline | |
Symbol 205 MovieClip | Uses:7 139 203 141 204 | Used by:214 Timeline |
Symbol 206 MovieClip | Uses:7 11 12 13 14 | Used by:214 Timeline |
Symbol 207 Graphic | Used by:208 Timeline | |
Symbol 208 MovieClip | Uses:207 | Used by:214 Timeline |
Symbol 209 MovieClip | Uses:6 7 8 9 10 | Used by:214 Timeline |
Symbol 210 Graphic | Used by:215 Timeline | |
Symbol 211 Text | Uses:197 | Used by:Timeline |
Symbol 212 Text | Uses:197 | Used by:Timeline |
Symbol 213 Text | Uses:197 | Used by:Timeline |
Symbol 214 MovieClip | Uses:205 206 208 209 | Used by:Timeline |
Symbol 215 MovieClip | Uses:172 173 174 175 210 | Used by:Timeline |
Symbol 216 Graphic | Used by:Timeline | |
Symbol 217 Text | Uses:32 | Used by:Timeline |
Symbol 218 Graphic | Used by:219 | |
Symbol 219 MovieClip | Uses:218 | Used by:Timeline |
Symbol 220 Graphic | Used by:221 | |
Symbol 221 MovieClip | Uses:220 | Used by:Timeline |
Symbol 222 Graphic | Used by:223 | |
Symbol 223 MovieClip | Uses:222 | Used by:Timeline |
Symbol 224 Text | Uses:32 | Used by:Timeline |
Symbol 225 Text | Uses:32 | Used by:Timeline |
Symbol 226 Graphic | Used by:227 | |
Symbol 227 MovieClip | Uses:226 | Used by:Timeline |
Symbol 228 Graphic | Used by:229 | |
Symbol 229 MovieClip | Uses:228 | Used by:Timeline |
Symbol 230 Text | Uses:32 | Used by:Timeline |
Symbol 231 Text | Uses:32 | Used by:Timeline |
Symbol 232 Text | Uses:32 | Used by:Timeline |
Symbol 233 Graphic | Used by:Timeline | |
Symbol 234 Text | Uses:197 | Used by:Timeline |
Symbol 235 Text | Uses:32 | Used by:Timeline |
Symbol 236 Graphic | Used by:Timeline | |
Symbol 237 Graphic | Used by:238 | |
Symbol 238 MovieClip | Uses:237 | Used by:Timeline |
Symbol 239 Text | Uses:32 | Used by:Timeline |
Symbol 240 Graphic | Used by:241 | |
Symbol 241 MovieClip | Uses:240 | Used by:Timeline |
Symbol 242 Text | Uses:32 | Used by:Timeline |
Symbol 243 Text | Uses:32 | Used by:Timeline |
Symbol 244 Text | Uses:32 | Used by:Timeline |
Symbol 245 Graphic | Used by:Timeline | |
Symbol 246 Text | Uses:32 | Used by:Timeline |
Symbol 247 Text | Uses:32 | Used by:Timeline |
Symbol 248 Text | Uses:32 | Used by:Timeline |
Symbol 249 Graphic | Used by:Timeline | |
Symbol 250 Text | Uses:32 | Used by:Timeline |
Symbol 251 Graphic | Used by:Timeline | |
Symbol 252 Text | Uses:197 | Used by:Timeline |
Symbol 253 Text | Uses:197 | Used by:Timeline |
Symbol 254 Graphic | Used by:Timeline | |
Symbol 255 Graphic | Used by:Timeline | |
Symbol 256 Text | Uses:32 | Used by:Timeline |
Symbol 257 Text | Uses:32 | Used by:Timeline |
Symbol 258 Text | Uses:32 | Used by:Timeline |
Symbol 259 MovieClip | Uses:144 146 147 | Used by:Timeline |
Symbol 260 Text | Uses:32 | Used by:Timeline |
Symbol 261 Graphic | Used by:Timeline | |
Symbol 262 Text | Uses:197 | Used by:Timeline |
Symbol 263 Graphic | Used by:Timeline | |
Symbol 264 Text | Uses:197 | Used by:Timeline |
Symbol 265 Text | Uses:32 | Used by:Timeline |
Symbol 266 Text | Uses:32 | Used by:Timeline |
Symbol 267 Text | Uses:32 | Used by:Timeline |
Symbol 268 Text | Uses:32 | Used by:Timeline |
Symbol 269 Text | Uses:32 | Used by:Timeline |
Symbol 270 Text | Uses:32 | Used by:Timeline |
Symbol 271 Text | Uses:32 | Used by:Timeline |
Symbol 272 Text | Uses:32 | Used by:Timeline |
Symbol 273 Text | Uses:32 | Used by:Timeline |
Symbol 274 Text | Uses:32 | Used by:Timeline |
Symbol 275 Text | Uses:32 | Used by:Timeline |
Symbol 276 Text | Uses:32 | Used by:Timeline |
Symbol 277 ShapeTweening | Used by:Timeline | |
Symbol 278 Graphic | Used by:279 | |
Symbol 279 MovieClip | Uses:278 | Used by:Timeline |
Symbol 280 ShapeTweening | Used by:Timeline | |
Symbol 281 Text | Uses:32 | Used by:Timeline |
Symbol 282 Graphic | Used by:Timeline | |
Symbol 283 Text | Uses:32 | Used by:Timeline |
Symbol 284 Text | Uses:32 | Used by:Timeline |
Symbol 285 Text | Uses:32 | Used by:Timeline |
Symbol 286 Text | Uses:32 | Used by:Timeline |
Symbol 287 Text | Uses:197 | Used by:Timeline |
Symbol 288 ShapeTweening | Used by:Timeline | |
Symbol 289 Graphic | Used by:Timeline | |
Symbol 290 ShapeTweening | Used by:Timeline | |
Symbol 291 Text | Uses:32 | Used by:Timeline |
Symbol 292 Graphic | Used by:Timeline | |
Symbol 293 Text | Uses:32 | Used by:Timeline |
Symbol 294 Text | Uses:32 | Used by:Timeline |
Symbol 295 Text | Uses:32 | Used by:Timeline |
Symbol 296 Text | Uses:32 | Used by:Timeline |
Symbol 297 Text | Uses:32 | Used by:Timeline |
Symbol 298 Text | Uses:32 | Used by:Timeline |
Symbol 299 Text | Uses:197 | Used by:Timeline |
Symbol 300 Text | Uses:197 | Used by:Timeline |
Symbol 301 Text | Uses:197 | Used by:Timeline |
Symbol 302 Text | Uses:32 | Used by:Timeline |
Symbol 303 Graphic | Used by:Timeline | |
Symbol 304 Text | Uses:32 197 | Used by:Timeline |
Symbol 305 Text | Uses:32 | Used by:Timeline |
Symbol 306 Graphic | Used by:Timeline | |
Symbol 307 Graphic | Used by:Timeline | |
Symbol 308 Graphic | Used by:Timeline | |
Symbol 309 Graphic | Used by:Timeline | |
Symbol 310 Graphic | Used by:Timeline | |
Symbol 311 Graphic | Used by:Timeline | |
Symbol 312 Graphic | Used by:Timeline | |
Symbol 313 Graphic | Used by:Timeline | |
Symbol 314 ShapeTweening | Used by:Timeline | |
Symbol 315 ShapeTweening | Used by:Timeline | |
Symbol 316 Text | Uses:32 | Used by:Timeline |
Symbol 317 Text | Uses:197 | Used by:Timeline |
Symbol 318 Text | Uses:197 | Used by:Timeline |
Symbol 319 Text | Uses:197 | Used by:Timeline |
Symbol 320 Text | Uses:32 | Used by:Timeline |
Symbol 321 Text | Uses:197 | Used by:Timeline |
Symbol 322 Text | Uses:32 | Used by:Timeline |
Symbol 323 Text | Uses:32 | Used by:Timeline |
Symbol 324 Text | Uses:32 | Used by:Timeline |
Symbol 325 Graphic | Used by:356 361 Timeline | |
Symbol 326 Graphic | Used by:356 361 Timeline | |
Symbol 327 Graphic | Used by:356 361 Timeline | |
Symbol 328 Text | Uses:197 | Used by:Timeline |
Symbol 329 Text | Uses:32 | Used by:Timeline |
Symbol 330 Text | Uses:32 | Used by:Timeline |
Symbol 331 Text | Uses:32 | Used by:Timeline |
Symbol 332 Text | Uses:32 | Used by:Timeline |
Symbol 333 Text | Uses:32 | Used by:Timeline |
Symbol 334 Text | Uses:197 | Used by:Timeline |
Symbol 335 Text | Uses:32 | Used by:Timeline |
Symbol 336 Text | Uses:32 | Used by:Timeline |
Symbol 337 Text | Uses:32 | Used by:Timeline |
Symbol 338 Text | Uses:32 | Used by:Timeline |
Symbol 339 Text | Uses:32 | Used by:Timeline |
Symbol 340 Text | Uses:32 | Used by:Timeline |
Symbol 341 Text | Uses:32 | Used by:Timeline |
Symbol 342 Text | Uses:197 32 | Used by:Timeline |
Symbol 343 Text | Uses:197 32 | Used by:Timeline |
Symbol 344 Text | Uses:197 32 | Used by:Timeline |
Symbol 345 Text | Uses:197 32 | Used by:Timeline |
Symbol 346 Text | Uses:32 | Used by:Timeline |
Symbol 347 Graphic | Used by:350 | |
Symbol 348 Graphic | Used by:350 | |
Symbol 349 Graphic | Used by:350 356 361 | |
Symbol 350 MovieClip | Uses:20 347 104 141 348 349 | Used by:Timeline |
Symbol 351 Text | Uses:32 | Used by:Timeline |
Symbol 352 Text | Uses:32 | Used by:Timeline |
Symbol 353 Text | Uses:32 | Used by:Timeline |
Symbol 354 Graphic | Used by:356 | |
Symbol 355 Text | Uses:61 | Used by:356 |
Symbol 356 MovieClip | Uses:20 354 325 326 327 175 355 349 | Used by:Timeline |
Symbol 357 Text | Uses:32 | Used by:Timeline |
Symbol 358 Text | Uses:32 | Used by:Timeline |
Symbol 359 Graphic | Used by:361 | |
Symbol 360 Text | Uses:61 | Used by:361 |
Symbol 361 MovieClip | Uses:20 359 325 326 327 175 360 349 | Used by:Timeline |
Symbol 362 Text | Uses:32 | Used by:Timeline |
Symbol 363 Graphic | Used by:Timeline | |
Symbol 364 Graphic | Used by:Timeline | |
Symbol 365 Text | Uses:32 | Used by:Timeline |
Symbol 366 Text | Uses:32 | Used by:Timeline |
Symbol 367 Text | Uses:32 | Used by:Timeline |
Symbol 368 Text | Uses:32 | Used by:Timeline |
Symbol 369 Text | Uses:32 | Used by:Timeline |
Symbol 370 Graphic | Used by:371 | |
Symbol 371 MovieClip | Uses:370 | Used by:Timeline |
Symbol 372 Text | Uses:32 | Used by:Timeline |
Symbol 373 Graphic | Used by:Timeline | |
Symbol 374 Graphic | Used by:Timeline | |
Symbol 375 Graphic | Used by:Timeline | |
Symbol 376 Graphic | Used by:Timeline | |
Symbol 377 Graphic | Used by:Timeline | |
Symbol 378 ShapeTweening | Used by:Timeline | |
Symbol 379 Graphic | Used by:Timeline | |
Symbol 380 ShapeTweening | Used by:Timeline | |
Symbol 381 Graphic | Used by:Timeline | |
Symbol 382 Graphic | Used by:Timeline | |
Symbol 383 Graphic | Used by:Timeline | |
Symbol 384 Graphic | Used by:400 | |
Symbol 385 Text | Uses:32 | Used by:400 |
Symbol 386 Text | Uses:32 | Used by:400 |
Symbol 387 Text | Uses:32 | Used by:400 |
Symbol 388 Text | Uses:32 | Used by:400 |
Symbol 389 Text | Uses:32 | Used by:400 |
Symbol 390 Text | Uses:32 | Used by:400 |
Symbol 391 Text | Uses:32 | Used by:400 |
Symbol 392 Text | Uses:32 | Used by:400 |
Symbol 393 Text | Uses:32 | Used by:400 |
Symbol 394 Text | Uses:32 | Used by:400 |
Symbol 395 Text | Uses:32 | Used by:400 |
Symbol 396 Text | Uses:32 | Used by:400 |
Symbol 397 Text | Uses:32 | Used by:400 |
Symbol 398 Text | Uses:32 | Used by:400 |
Symbol 399 Text | Uses:32 | Used by:400 |
Symbol 400 MovieClip | Uses:384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 | Used by:Timeline |
Symbol 401 ShapeTweening | Used by:Timeline | |
Streaming Sound 1 | Used by:Timeline | |
Streaming Sound 2 | Used by:Symbol 30 MovieClip | |
Streaming Sound 3 | Used by:Symbol 101 MovieClip | |
Streaming Sound 4 | Used by:Symbol 111 MovieClip | |
Streaming Sound 5 | Used by:Symbol 133 MovieClip | |
Streaming Sound 6 | Used by:Symbol 168 MovieClip |
Instance Names
"menu_mc" | Frame 29 | Symbol 77 MovieClip |
"control_mc" | Frame 37 | Symbol 196 MovieClip |
"bar" | Symbol 27 MovieClip Frame 1 | Symbol 21 MovieClip |
Special Tags
FileAttributes (69) | Timeline Frame 1 | Access local files only, Metadata not present, AS1/AS2. |
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"menu" | Frame 29 |
"extras" | Frame 30 |
"extras1" | Frame 31 |
"extras2" | Frame 32 |
"extras3" | Frame 33 |
"extras4" | Frame 34 |
"one" | Frame 37 |
"two" | Frame 2191 |
"three" | Frame 3948 |
"four" | Frame 4593 |
"five" | Frame 6366 |
"credits" | Frame 8277 |
"loaded" | Symbol 27 MovieClip Frame 3 |
"scene" | Symbol 77 MovieClip Frame 1 |
"directors" | Symbol 77 MovieClip Frame 5 |
"d2" | Symbol 77 MovieClip Frame 9 |
"d3" | Symbol 77 MovieClip Frame 11 |
"d4" | Symbol 77 MovieClip Frame 13 |
"d5" | Symbol 77 MovieClip Frame 15 |
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