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Four plays dramatizing the English civil strife of the 15th century are possibly Shakespeare's earliest dramatic works. Chronicle history plays were a popular genre of the time. These plays, Henry VI, Parts I, II, and III (c. 1590-1592) and Richard III (c. 1593), deal with the evil results of weak leadership and of national disunity fostered for selfish ends. The cycle closes with the death of Richard III and the ascent to the throne of Henry VII, the founder of the Tudor dynasty, to which Elizabeth belonged. In style and structure, these plays are related partly to medieval drama and partly to the works of earlier Elizabethan dramatists, especially Christopher Marlowe. Either indirectly through such dramatists or directly, the influence of the Classical Roman dramatist Seneca is also reflected in the organization of these four plays, in the bloodiness of many of their scenes, and in their highly coloured, bombastic language. Senecan influence, exerted by way of the earlier English dramatist Thomas Kyd, is particularly obvious in Titus Andronicus (c. 1590), a tragedy of righteous revenge for heinous and bloody acts, which are staged in sensational detail. While previous generations have found its violent excesses absurd or disgusting, some directors and critics since the 1960s have recognized in its horror the articulation of more contemporary preoccupations with the meanings of violence. |
Four plays dramatizing the English civil strife of the 15th century are possibly Shakespeare's earliest dramatic works. Chronicle history plays were a popular genre of the time. These plays, Henry VI, Parts I, II, and III (c. 1590-1592) and Richard III (c. 1593), deal with the evil results of weak leadership and of national disunity fostered for selfish ends. The cycle closes with the death of Richard III and the ascent to the throne of Henry VII, the founder of the Tudor dynasty, to which Elizabeth belonged. In style and structure, these plays are related partly to medieval drama and partly to the works of earlier Elizabethan dramatists, especially Christopher Marlowe. Either indirectly through such dramatists or directly, the influence of the Classical Roman dramatist Seneca is also reflected in the organization of these four plays, in the bloodiness of many of their scenes, and in their highly coloured, bombastic language. Senecan influence, exerted by way of the earlier English dramatist Thomas Kyd, is particularly obvious in Titus Andronicus (c. 1590), a tragedy of righteous revenge for heinous and bloody acts, which are staged in sensational detail. While previous generations have found its violent excesses absurd or disgusting, some directors and critics since the 1960s have recognized in its horror the articulation of more contemporary preoccupations with the meanings of violence. |
ActionScript [AS1/AS2]
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