STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 229595 |
/disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2595 · P5190 |
A Very Merry Christmas! |
This is the info page for Flash #68957 |
ISSUE 3: "Shit Happens" |
3 2.99MB |
TEDDY MORIKAWA LAURA FEDORA |
MIPPA RINA-CHAN |
CHESTER KWAN |
ADMIT ONE |
PREVIEW |
EPISODE TWO |
ROSARIO + VAMPIRE feat. MIRROR'S EDGE |
DIRECTOR'S NOTES |
LINKS |
SCENE SELECT |
Scene Select |
Intro Climax Resolution Credits Omake Absolute BS!: Episode Two Preview |
/3 |
Director's Notes: Time Table |
Project Start to Completion Feb 2009-March 2009 |
1 |
Director's Notes: General Stuff |
There's nothing much to say here. This is inspired by the Christian Bale rant that was uncovered at the end of January. |
2 |
Director's Notes: Lateness |
I know by the time this is released, the joke would've died out. Christian Bale aplogized for the rant, and it was interesting to hear that his mentality was "in character" during the rant. The problems I've faced was the broken communition between myself and the voice actors. Personal obligations popped up, and for something time sensitive like this, it is not for the project, and most likely it'll be the last time making a "reactionary" video. |
3 |
/1 |
Links |
omegafinal.newgrounds.com avalonknight.deviantart.com youtube.com/avalonknight voiceactingclub.com voiceactingalliance.com |
NOW LOADING |
UNLOCK |
"Shit Happens" by Chester Kwan |
-Telsa- Akira, it's your turn to play co-op. |
-Akira- .................................... |
-Telsa- Akira! |
-Akira- What do you see outside? |
-Telsa- I see the skunk. |
-Akira- What else? |
-Telsa- That’s it? |
-Akira- It pooped. |
-Telsa- Well then go pick it up. |
-Akira- Not really my pet. |
-Hanna- Not really your pet? So you’re saying that rodent has been a freeloader living in your house? |
-Hanna- You have to deal with shit in life, and sometimes you have to pick it up and throw it away yourself. |
-Hanna- AHH!!! I lost the game!!! |
-Sephia- Who's picking up the skunk's trash? |
-Akira- Rachel or Nova should, they play with it the most. |
-Telsa- But they look too comfy under that kotatsu. |
-Akira- Sephia, you go pick it up. |
-Sephia- Why Me?! |
-Akira- Because I said so. |
-Sephia- But the snow looks deep, and I’m making a sandwich. (I'm still finding the mayo) |
-Telsa- Yeah, that’s at least two feet’s worth. Although I think there’s an icy crust on top. |
-Akira- I’ll get you a new set of inking pens if you complete the job. |
.......................... |
-Actor- Whoa! What are you doing?! |
-Set Guy- There was something in the light. |
-Actor- OH FANTASTIC! IS THE LIGHT GREAT? YOU JUST DON’T FUCKIN’ WALK INTO THE SCENE LIKE THAT! |
-Set Guy- I’m sorry. |
-Actor- OH YOU’RE SORRY! THAT WAS SO UNPROFESSIONAL, AND IT’S FUCKIN’ DISTRACTING THAT YOU JUST |
-Actor- WALTZED OVER RIGHT BEHIND HER, AND INTERRUPPTED THE FUCKIN’ SCENE! |
-Set Guy- Okay, okay, I’ll get off the set. |
-Actor- I DON’T WANT TO SEE YOU HERE! THIS PIECE OF SHIT IS DUE OUT AT FUCKIN’ NEWGROUNDS, DEVIANTART, |
-Actor- AND YOUTUBE; AND YOU ARE LIKE LA-DE-DA PRANCING AROUND LIKE SOME LIKE A IDIOT! |
-Actor- I AM NOT GOING TO ALLOW THIS TO BECOME ANOTHER PIECE OF SHIT LIKE THE OTHERS ON THERE! |
Dude, I got friends who do good work there. |
-Director- Let’s take a break, it's only rehearsal. |
-Actor- WE WILL NOT TAKE A FUCKIN’ BREAK! LET’S GO AGAIN! |
-Director- Seriously man, let’s take five, get everything back together. |
-Set Guy- Okay, it looks good. |
-Actor- SHUT UP! |
-Set Guy- Wha? |
-Actor- I’LL KICK YOUR FUCKIN’ ASS IF YOU DON’T SHUT UP! |
-News Anchor- WHO THE FUCK FORGOT TO CENSOR THE AUDIO? THAT IS SO AMATURISH! |
-Audi-person- I’m sorry, I wasn’t paying attention. |
-News Anchor- WHAT IS YOUR NAME?! |
-Audi-person- I’m sorry? |
-News Anchor- WHAT IS YOUR FUCKIN’ NAME?! |
-Audi-person- Jimmy. |
-News Anchor- WELL, JIMMY, DID YOU GET ANY DAMN TRAINING?! |
-Audi-person- At the VAC and VAA. |
-News Anchor- WHOOP-DE-FUCKIN’-DO! IT DOESN’T MATTER SINCE YOU SUCK! |
-Audi-person- Well, they’re pretty nice… |
Error: We are experiencing Technical Difficulties Please Stand By |
Error: We are experiencing Technical Difficulties Please Stand By We are going to fire the News Anchor |
-Hanna- What? |
-Hanna- Serious, what? |
-Hanna- Oh I get it, you’re hoping that I’ll flip out like that actor and news anchor |
-Hanna- Like a bomb ready to explode. But guess what, that bomb has just been debombed. |
-Maria- What? Everyone knows that it's Akira's fault. |
-Akira- Well that was anti-climatic. |
-Hanna- Let's play Left 4 Dead on 360! |
-Telsa- I thought you're a PC gal. |
-Hanna- Too impatient to boot up my lappy. |
-Hanna- Yay! No waiting! |
That's it, this episode's done. It's a nice episode, really, but It's through, professionally. |
That's it, this episode's done. It's a nice episode, really, but It's through, professionally. |
Voices provided by Voice Acting Club voice acting alliance |
Producer, director, writer, character and mechanical designs Chester Kwan |
Akira Asulan Teddy Morikawa |
Telsa De Costa Laura Fedora |
Hanna Torchwood Mippa |
Sephia Kwan Rina-chan |
Maria Asulan Wolfwings |
Created with Adobe Flash CS3 Adobe SoundBooth Adobe Photoshop CS3 |
Presented at NEWGROUNDS.COM DeviantArt.com Youtube.com |
This is a story of fiction, any similarities to events and/or people, dead or alive, is purely conincidental unless noted. |
Series creator and planner Chester Kwan |
Animation and comic panels Artist Chester Kwan |
FWD: Totally BS!: The Girl Gamers Issue Three: Shit Happens 2009 Chester Kwan, Synsanoko Studios |
Cast |
The Actor Sam Haft |
The Set Guy Pipboy |
The Director Sasuya |
The audi-Person 1337 Bum |
The News Anchor Sasuya |
End credit segment written and performed by Sam Haft |
Inspired by the Christian Bale terminator set rant. |
Music by BATTLESHIELD |
Sound Effects provided by SOUNDSNAP.COM FLASHKIT.COM |
His mommy never loved him. something about marsha. |
AUDI-OMAKE? |
AUDI-OMAKE? PIP-BOY'S ORIGINAL AUDITION TAKE |
Whoa! What are you doing? |
Alright, dude, I'm sorry. I didn't mean to do anything. |
Well, the light. To be honest, I don't look it, |
but my mom is part moth, and it's kinda natural for me. |
I know it's stupid, but the light, it's doing this little flicking thing, and I don't know if |
it's a spider or what. I was just drawn to it, dude. I'm sorry. |
This is a Work in Progress build Most of the audio is missing, and the graphics are subject to change |
Blues A |
She's going to crash through the window! Get some units onto the rooftop! |
The MIRROR'S EDGE World |
Blues B |
Hold it right there, Faith! We got you now! |
Report! |
Sir! She vanished! |
What do you mean she vanished?! Did you let her escape?! |
No sir! She just...vanished into thin air in front of our eyes! |
What the heck just happened? |
High School Girl |
Wahh! I'm going to miss the bus to New York City!!! |
Faith |
New York City? |
Well, you're not alone in being late. I, umm, overslept. |
Moka |
Hey you, I haven't introduced myself. I'm Moka. |
I'm Faith. |
I know it's rude to ask this, but what kinda of demon are you? |
Umm, one that like parkour. |
Ooohhh...... |
Ruby |
Many, many things has happened since the last trip, but who cares. |
Departing from Yokai Academy to New York City, have a pleasent ride~! |
The ROSARIO + VAMPIRE World en route to New York City |
Featuring the voices of USAKO SAPPHIRE MIPPA RYUGEXU |
Written by CHESTER KWAN |
"Absolute BS!: Episode Two: Rosario + Vampire f. Mirror's Edge" 2009 Chester Kwan, Synsanoko Studios Rosario + Vampire created by Akihisa Ikeda "Mirror's Edge" created by EA DICE Music by NemesisTheory |
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Symbol 307 Text | Uses:2 | Used by:Timeline |
Symbol 308 ShapeTweening | Used by:Timeline | |
Symbol 309 ShapeTweening | Used by:Timeline | |
Symbol 310 Graphic | Used by:Timeline | |
Symbol 311 Graphic | Used by:Timeline | |
Symbol 312 Graphic | Used by:Timeline | |
Symbol 313 Graphic | Used by:Timeline | |
Symbol 314 Graphic | Used by:Timeline | |
Symbol 315 Graphic | Used by:Timeline | |
Symbol 316 Text | Uses:2 94 | Used by:339 |
Symbol 317 Text | Uses:2 94 | Used by:339 |
Symbol 318 Text | Uses:2 94 | Used by:339 |
Symbol 319 Text | Uses:2 94 | Used by:339 |
Symbol 320 Text | Uses:2 94 | Used by:339 |
Symbol 321 Text | Uses:2 94 | Used by:339 |
Symbol 322 Text | Uses:2 94 | Used by:339 |
Symbol 323 Text | Uses:2 94 | Used by:339 |
Symbol 324 Text | Uses:2 94 | Used by:339 |
Symbol 325 Text | Uses:2 | Used by:339 |
Symbol 326 Text | Uses:2 94 | Used by:339 |
Symbol 327 Text | Uses:2 94 | Used by:339 |
Symbol 328 Text | Uses:2 | Used by:339 |
Symbol 329 Text | Uses:2 | Used by:339 |
Symbol 330 Text | Uses:2 94 | Used by:339 |
Symbol 331 Text | Uses:2 94 | Used by:339 |
Symbol 332 Text | Uses:2 94 | Used by:339 |
Symbol 333 Text | Uses:2 94 | Used by:339 |
Symbol 334 Text | Uses:2 94 | Used by:339 |
Symbol 335 Text | Uses:2 94 | Used by:339 |
Symbol 336 Text | Uses:2 | Used by:339 |
Symbol 337 Text | Uses:2 94 | Used by:339 |
Symbol 338 Text | Uses:2 94 | Used by:339 |
Symbol 339 MovieClip | Uses:316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 | Used by:Timeline |
Symbol 340 Graphic | Used by:Timeline | |
Symbol 341 Graphic | Used by:Timeline | |
Symbol 342 Text | Uses:2 | Used by:Timeline |
Symbol 343 Text | Uses:2 | Used by:Timeline |
Symbol 344 Text | Uses:2 | Used by:Timeline |
Symbol 345 Font | Used by:346 347 348 349 350 351 | |
Symbol 346 Text | Uses:345 | Used by:Timeline |
Symbol 347 Text | Uses:345 | Used by:Timeline |
Symbol 348 Text | Uses:345 | Used by:Timeline |
Symbol 349 Text | Uses:345 | Used by:Timeline |
Symbol 350 Text | Uses:345 | Used by:Timeline |
Symbol 351 Text | Uses:345 | Used by:Timeline |
Symbol 352 Text | Uses:12 | Used by:Timeline |
Symbol 353 Graphic | Used by:Timeline | |
Symbol 354 Graphic | Used by:Timeline | |
Symbol 355 Graphic | Used by:Timeline | |
Symbol 356 Graphic | Used by:Timeline | |
Symbol 357 Graphic | Used by:Timeline | |
Symbol 358 Graphic | Used by:Timeline | |
Symbol 359 Graphic | Used by:Timeline | |
Symbol 360 Graphic | Used by:Timeline | |
Symbol 361 Graphic | Used by:Timeline | |
Symbol 362 Font | Used by:363 375 397 399 414 420 | |
Symbol 363 Text | Uses:362 | Used by:Timeline |
Symbol 364 Text | Uses:10 | Used by:Timeline |
Symbol 365 Text | Uses:10 | Used by:Timeline |
Symbol 366 Graphic | Used by:Timeline | |
Symbol 367 Graphic | Used by:Timeline | |
Symbol 368 Graphic | Used by:Timeline | |
Symbol 369 Graphic | Used by:Timeline | |
Symbol 370 Graphic | Used by:Timeline | |
Symbol 371 Graphic | Used by:Timeline | |
Symbol 372 Graphic | Used by:Timeline | |
Symbol 373 Graphic | Used by:Timeline | |
Symbol 374 Graphic | Used by:Timeline | |
Symbol 375 Text | Uses:362 | Used by:Timeline |
Symbol 376 Text | Uses:10 | Used by:Timeline |
Symbol 377 Text | Uses:10 | Used by:Timeline |
Symbol 378 Text | Uses:10 | Used by:Timeline |
Symbol 379 Text | Uses:10 | Used by:Timeline |
Symbol 380 Text | Uses:10 | Used by:Timeline |
Symbol 381 Graphic | Used by:Timeline | |
Symbol 382 Graphic | Used by:Timeline | |
Symbol 383 Graphic | Used by:Timeline | |
Symbol 384 Graphic | Used by:Timeline | |
Symbol 385 Graphic | Used by:Timeline | |
Symbol 386 Font | Used by:387 | |
Symbol 387 Text | Uses:386 | Used by:Timeline |
Symbol 388 Bitmap | Used by:389 396 | |
Symbol 389 Graphic | Uses:388 | Used by:Timeline |
Symbol 390 Graphic | Used by:Timeline | |
Symbol 391 Graphic | Used by:Timeline | |
Symbol 392 Graphic | Used by:Timeline | |
Symbol 393 Graphic | Used by:Timeline | |
Symbol 394 Graphic | Used by:Timeline | |
Symbol 395 Graphic | Used by:Timeline | |
Symbol 396 Graphic | Uses:388 | Used by:Timeline |
Symbol 397 Text | Uses:362 | Used by:Timeline |
Symbol 398 Text | Uses:10 | Used by:Timeline |
Symbol 399 Text | Uses:362 | Used by:Timeline |
Symbol 400 Text | Uses:10 | Used by:Timeline |
Symbol 401 Graphic | Used by:Timeline | |
Symbol 402 Graphic | Used by:Timeline | |
Symbol 403 Text | Uses:10 | Used by:Timeline |
Symbol 404 Graphic | Used by:Timeline | |
Symbol 405 Graphic | Used by:Timeline | |
Symbol 406 Graphic | Used by:Timeline | |
Symbol 407 Graphic | Used by:Timeline | |
Symbol 408 Graphic | Used by:Timeline | |
Symbol 409 Graphic | Used by:Timeline | |
Symbol 410 Graphic | Used by:Timeline | |
Symbol 411 Graphic | Used by:Timeline | |
Symbol 412 Graphic | Used by:Timeline | |
Symbol 413 Graphic | Used by:Timeline | |
Symbol 414 Text | Uses:362 | Used by:Timeline |
Symbol 415 Text | Uses:10 | Used by:Timeline |
Symbol 416 Text | Uses:10 | Used by:Timeline |
Symbol 417 Text | Uses:10 | Used by:Timeline |
Symbol 418 Text | Uses:10 | Used by:Timeline |
Symbol 419 Text | Uses:10 | Used by:Timeline |
Symbol 420 Text | Uses:362 | Used by:Timeline |
Symbol 421 Text | Uses:10 | Used by:Timeline |
Symbol 422 Graphic | Used by:Timeline | |
Symbol 423 Graphic | Used by:Timeline | |
Symbol 424 Text | Uses:10 | Used by:Timeline |
Symbol 425 Text | Uses:10 | Used by:Timeline |
Symbol 426 Text | Uses:10 | Used by:427 |
Symbol 427 MovieClip | Uses:426 | Used by:Timeline |
Symbol 428 Text | Uses:10 | Used by:429 |
Symbol 429 MovieClip | Uses:428 | Used by:Timeline |
Symbol 430 Text | Uses:10 | Used by:Timeline |
Streaming Sound 1 | Used by:Timeline |
Instance Names
"dnote" | Frame 1 | Symbol 70 MovieClip |
"bar" | Symbol 79 MovieClip Frame 1 | Symbol 73 MovieClip |
Special Tags
FileAttributes (69) | Timeline Frame 1 | Access local files only, Metadata not present, AS1/AS2. |
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"climax" | Frame 2250 |
"res" | Frame 4408 |
"cred" | Frame 5755 |
"omake" | Frame 9056 |
"preview" | Frame 9874 |
"scene" | Symbol 70 MovieClip Frame 2 |
"dir" | Symbol 70 MovieClip Frame 3 |
"link" | Symbol 70 MovieClip Frame 6 |
"unlock" | Symbol 79 MovieClip Frame 3 |
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