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Walking Cycle Tutorial.swf

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Flash #73188

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SBP Walking Cycle Tutorial

Basic Cycles

Basic Cycles

Learn a basic walk cycle

Let's do this!

Advanced Cycles

Advanced Cycles

Learn about realistic movements

Moving on!

Cheat Cycles

Cheat Cycles

Learn about  3 and 4 frame cycles

Lazy way out

Arm Motions

Arm Motions

Learn about how arm motions can shape a character

The last part, finally!

Miscellaneous

Miscellaneous

Credits/Thank Yous/Other Stuff

This is the end of the tutorial :(

1.
2.
3.
4.
5.

Sound

Sound

Menu

Menu

Intro

Hi there, Welcome to the StillBeating
walking cycle tutorial! (mouth-full isnt it?) Here you will learn a basic walk cycle -
from the side view, and some tips along the way -
im also going to add some stuff on arm movements too - as they can be
difficult to 'get'.
Before we get started, heres how to 'get around' in this tutorial;
Click the tabs above this white palette thing to go onto a page.
Also if you see a blue        and you dont understand something
roll onto it with the cursor to display some aditional info on the page,
when you're done simply move the cursor off it - if something has a purple border, it simply
means it goes in a new frame.
This cycle is run at 24fps - i find it best to animate at this frame rate.
now, Lets get a move on, shall we?

WHY!?

The tabs make it easier for you to navigate
without pressing 'back' or 'forward' buttons a whole bunch
the why saves space and seperates the info so i can be more specific

hi there, welcome to the tutorial!
heres the explanation as to why there are the blue 'why' buttons
and the tabs for navigation!

Getting
Started

apparently many animators dont like making walking cycles, though you CAN learn a lot about a
character through them - more on that later... Lets get started with the drawing...
'Drawing' a walking cycle can be difficult, but we're going to try to make it a lot simpler.
In a  walking cycle, there are 3 main frames on each step; The Starting/Finishing positions and
the passing position...
Here's an example of a cycle broken down..

Starting

Finishing

Passing position

Breaking
down

Why are they stick figure legs? you may be asking - they're not much help!
well, you're wrong, as i said, we have to break it down so its easier.
if you draw the legs as sticks - its easier to fix/edit AND you can build on it

First, draw a circle
then (in a new layer) put a line through the centre of it.
in a new layer, draw another line quite far under the first, and finally,
draw in the legs (each in a new layer)

The circle will serve as the hips and makes it a lot
easier than building a cycle with no 'hips' and having the
top of the leg winding up in weird places.
The line through the centre serves as a reference - ball and
socket joint kids - the leg is in a socket, it dosent come out
.... unless you've had a terrible injury or something.
The lower line shows us wher the foot hits - when you step your
foot does hit the floor after all, its a useful reference

Starting
The walk

Theres no time like the present! I assume you've drawn what i taught you on the
previous page, with the legs at the 'starting' position.
Now lets draw in the 2 other 'main' positions. (the passing position
and the finishing position) - i kept the guidelines in as a reference

Okay, so it isnt much of a cycle yet - but we're building on it!

Adding
frames

okay, so lets go ahead and add some more frames into that cycle!
make SUre to keep each body-part in a different layer

New

New

hold for 2 frames

Lookin' Good! - But hold up, thats only half the cycle! Yeah, the cycle has a lot of frames
but it looks WAY better this way

ultimately its much easier to edit and animate.
holding a step for 2 frames makes it look believeable,
we dont walk with the exact timiing for each step we
Do shift our weight, and react to it.

Finishing
frames

Guess what.
..lets add some more frames, and finish this walk!

these next steps follow the previous - but we arent done yet! (tricked you)
now we gotta talk about HOW you walk and edit some stuff too!

Building
it up

You should now have something simmilar to this.
again, i kept the ground and mid-line so you could see
how effective they are

now Lets build the character. just like i said, thats what we do here.
We'll start with the feet as they can be tricky - you're best off drawing 2 feet, one
flat, and one slightly raised at the front.

Flat

Bent

Theres no real trick to this, just add the
bent foot when you see the moving leg
touching the floor

When we step, we quite obviously
go up on our toes (on one foot - in mid-step) as the other
heel comes down
2 foot drawings work fine as our foot dosent 'bend'
much, just remember - your ankle moves, not your foot, it
just follows.

Finsishing
off

now we should have something like this; remember,
our foot cant go through the ground - as much as you like to think it,
you're not chuck norris

So, here we are, our walks just about done, and i've
run out of tab-space, on this secene anyway

now, we might want to give our little character some pants - if you want
to be specific about how the pants 'flap' with movements, remember;
the leg goes forward first, the material follows, it should be pulled back until the leg
comes forward quickly or stops, in which case it would flop down.

this is just basic, but you can 'expand' on how the pants move
ofcourse you'd replace this circle with the pelvis of your character

***End Of Basic Cycle Tutorial***

Here we get more 'technical' about walks.
Okay, so the walk isnt that realistic as we dont stay the same height as we walk,
but its easy to get around by animating your character's torso in a back-and-fourth kind
of motion...
Here, we're going to get a little more realistic about the way our character moves.
luckily our little line technique will work fne here - but i'll show you a thing or
two to improve on that method.
A lot of this May seem like a repeat of the basic cycle, but sometimes you have to move
backwards to move forwards... or something like that.
Anyway, on with the walk!

Hey, remember this?
as i said before these are the main positions, therefore, they are the best to start
(and finish) with. As you can see, the hips here move down a bit.

In the last section of this tutorial, the hips stayed at the same point as the legs moved.
while this can work, its not the best method.
walk around for a minute. see how you seem to 'bob' up and down? well, in the last section
we cleverly stretched the legs. but in reality our legs cant magically grow while we walk.
we go down as our legs go apart and we go up as our legs pass eachother
the blue line shows us how high the hip is for the character at the 3 main points in a
cycle.

Ups
N'
Downs

if you draw another line over the top of your starting/finishing
positions its easier to get the heights right.

Here it is again, this old method.
well, as we know; we put each part in a new layer so its easier to move,
the top line shows where the legs come from and the bottom shows is where
the feet will hit.

But hey, lets mix it up a little.
the top green line is through the middle of the pelvis (or whatever you want to call it) -
thats a good start. when we move the body down as the legs stretch further apart
we can keep the green line in the same position, because with flash we can grab all the parts at
once to move up and down. it saves re-drawing the lines later

lines
again

Time to add some more frames!

See how as the legs straighten the character gets higher?

Bulding
Up

...And a few more frames, and there you go!

We've already gone over shoes, so you should know about the 2 drawings you'd need.

Last
Frames

you should now have yourself a pretty sweet looking cycle - good job.
If you adjust how high the character steps and the frames you make longer,
it can have a huge effect on the character

***End Of Advanced Cycle Tutorial***

bASIC CYCLE

aDVANCED CYCLE

we're
done!

You Must be thinking "What the hell is a cheat cycle" - well, its what i call a 3 or 4 frame
cycle. Its usually found in old nintendo games.
heres some examples for you.

3 frames, okay its a run, but its a good example
of the 3 extremes i talked about earlier

This is robert winchesters sprite from the treeva
experience. it shows us a basic 4 frame cycle

Click Here to go to rob's website

Lets break these cycles up!

This Techniques works fine for rather small characters

This also works better for smaller characters
both of these techniques work better on 12FPS
oif you have it on 24fps have 3+ frames
after each keyframe to even it up

***End Of Cheat Cycle Tutorial***

Studying
it

thats it really these 'cheat' cycles are quite self-explanitory.

What is so good about arms in a walking cycle?
Well, thats easy, it defines the character, and better yet, their mood.
This can be a VERY useful thing to play on and perfect.
im going to go ahead and assume you viewed the advanced walks before this.
though if you want to keep it basic, thats easy, just dont bother moving the torso when the
character walks.

we should have something like
this by the end of the tutorial!

Well, Well, Well, You thought you could escape that line method?
nuh-uh, not here.
As you may have noticed in the "Advanced Cycles" section then line wasnt always going
to be at the top of the legs, but if you selected the legs and the hips, and moved them
up as a group, it worked fine. same thing here.

Draw an oval, the same with as the hips you
drewi the walking cycles section, but make it around twice the
height. This will be your characters torso. Now draw a line through the centre
of your oval (in a new layer)

Starting/Finishing

Passing

Here it is again, our main positions

Getting
Started

Okay, so lets add in these frames.

Hold for 2 frames

adding
frames

Now the last frames.

More
Frames

Add those frames together with your walks
and there you go!

During a walk you should know our arms are furthest apart
when our legs are furthest apart. By changing just a few frames
in the cycle, we can create a whole new walk.

we see here the 'standard' leg movements
yet little arm motion. Could be used for a sleepy/bored character

extra
info

Well, i think thats all you need to know.
Experiment with your walks cycles and soon enough you'll find your own method.

Have fun with what you've learned, and best of luck to you with your future animations!

***End Of Arm Motion Tutorial***

we're
Done!

Well, here we are at the end of the tutorial. I'm assuming
you went through all of it in the 'correc't order,
We've gone through a lot here and I hope you learned something
useful. Every animator has their own way, this was just a look into my
method of making a character walk. Experiment, play around with your
walks and soon you'll find your own method. I hope this tutorial helped
you on your way.

You may have noticed the lack of "why" buttons further
into the tutorial. There IS in-fact a reason for this.
I explained the basic section much more thorough than I did the other
sections because its the beginnning of the tutorial and you use
simmilar methods throughout the other sections of the tutorial.
I did make a point of mentioning the line lechnique at the beginning
of each section. I found it VERY useful when making this tutorial, and I
hope you found it useful when viewing this tutorial.

This tutorial was incredibly difficult to make. It became obvious
to me very early in why many people dont make tutorials, they're very
hard to make.
This took me quite a while to make because its harder than you think
to explain something as complex as walking cycles, and trying to make
sure others can understand it as well as yourself. We all learn
differently. I did my best, and this turned out pretty good, I think.
I just hope you learned something from this tutorial.

For this tutorial I had to animate 8 walking cycles.
Thats NOT including the sprite walks. Though this took so long,
I learned a LOT from it myself.
I made this when I saw some other tutorials which I didnt find incredibly
helpful. No, I didnt need a tutorial on walking cycles,
I just needed to know what others were
like so I could (hopefully) be more helpful, and make a better tutorial.
(I mean no offence to anyone who has made a walking cycle. Maybe yours IS
good, I just didnt see it.)

If you didn't like this tutorial, or thought it wasnt that helpful, fine.
I cant please everyone, but I gave it my best shot,
If you did like this, or find it very helpful, I'm glad that I helped you.
I think I've taken enough time out of your day...
Thanks for viewing this tutorial!

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Symbol 173 TextUses:64Used by:174
Symbol 174 MovieClipUses:172 173Used by:Timeline
Symbol 175 GraphicUsed by:Timeline
Symbol 176 TextUses:64Used by:Timeline
Symbol 177 GraphicUsed by:Timeline
Symbol 178 GraphicUsed by:207
Symbol 179 GraphicUsed by:207
Symbol 180 GraphicUsed by:207
Symbol 181 GraphicUsed by:207
Symbol 182 GraphicUsed by:207
Symbol 183 GraphicUsed by:207
Symbol 184 GraphicUsed by:207
Symbol 185 GraphicUsed by:207
Symbol 186 GraphicUsed by:207
Symbol 187 GraphicUsed by:207
Symbol 188 GraphicUsed by:207
Symbol 189 GraphicUsed by:207
Symbol 190 GraphicUsed by:207
Symbol 191 GraphicUsed by:207
Symbol 192 GraphicUsed by:207
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Symbol 194 GraphicUsed by:207
Symbol 195 GraphicUsed by:207
Symbol 196 GraphicUsed by:207
Symbol 197 GraphicUsed by:207
Symbol 198 GraphicUsed by:207
Symbol 199 GraphicUsed by:207
Symbol 200 GraphicUsed by:207
Symbol 201 GraphicUsed by:207
Symbol 202 GraphicUsed by:207
Symbol 203 GraphicUsed by:207
Symbol 204 GraphicUsed by:207
Symbol 205 GraphicUsed by:207
Symbol 206 GraphicUsed by:207
Symbol 207 MovieClipUses:178 134 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206Used by:Timeline
Symbol 208 TextUses:64 96Used by:Timeline
Symbol 209 GraphicUsed by:Timeline
Symbol 210 TextUses:64Used by:Timeline
Symbol 211 TextUses:64Used by:Timeline
Symbol 212 GraphicUsed by:241
Symbol 213 GraphicUsed by:241
Symbol 214 GraphicUsed by:241
Symbol 215 GraphicUsed by:241
Symbol 216 GraphicUsed by:241
Symbol 217 GraphicUsed by:241
Symbol 218 GraphicUsed by:241
Symbol 219 GraphicUsed by:241
Symbol 220 GraphicUsed by:241
Symbol 221 GraphicUsed by:241
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Symbol 235 GraphicUsed by:241
Symbol 236 GraphicUsed by:241
Symbol 237 GraphicUsed by:241
Symbol 238 GraphicUsed by:241
Symbol 239 GraphicUsed by:241
Symbol 240 GraphicUsed by:241
Symbol 241 MovieClipUses:212 134 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240Used by:Timeline
Symbol 242 TextUses:64 96Used by:Timeline
Symbol 243 GraphicUsed by:Timeline
Symbol 244 TextUses:64Used by:Timeline
Symbol 245 GraphicUsed by:Timeline
Symbol 246 TextUses:64Used by:Timeline
Symbol 247 ButtonUses:66 67 68Used by:Timeline
Symbol 248 ButtonUses:66 67 68Used by:Timeline
Symbol 249 ButtonUses:66 67 68Used by:Timeline
Symbol 250 ButtonUses:66 67 68Used by:Timeline
Symbol 251 ButtonUses:66 67 68Used by:Timeline
Symbol 252 GraphicUsed by:Timeline
Symbol 253 GraphicUsed by:Timeline
Symbol 254 TextUses:64Used by:Timeline
Symbol 255 GraphicUsed by:257
Symbol 256 TextUses:64 96Used by:257
Symbol 257 MovieClipUses:255 256Used by:Timeline
Symbol 258 ButtonUses:66 67 68Used by:Timeline
Symbol 259 TextUses:64Used by:Timeline
Symbol 260 ButtonUses:51 78Used by:Timeline
Symbol 261 GraphicUsed by:Timeline
Symbol 262 TextUses:64Used by:Timeline
Symbol 263 GraphicUsed by:Timeline
Symbol 264 TextUses:64Used by:Timeline
Symbol 265 TextUses:64 96Used by:Timeline
Symbol 266 GraphicUsed by:Timeline
Symbol 267 TextUses:64Used by:Timeline
Symbol 268 GraphicUsed by:Timeline
Symbol 269 GraphicUsed by:Timeline
Symbol 270 TextUses:64Used by:Timeline
Symbol 271 TextUses:64Used by:Timeline
Symbol 272 GraphicUsed by:Timeline
Symbol 273 TextUses:64Used by:Timeline
Symbol 274 GraphicUsed by:Timeline
Symbol 275 GraphicUsed by:Timeline
Symbol 276 TextUses:64Used by:Timeline
Symbol 277 TextUses:64Used by:Timeline
Symbol 278 GraphicUsed by:Timeline
Symbol 279 TextUses:64Used by:Timeline
Symbol 280 GraphicUsed by:Timeline
Symbol 281 GraphicUsed by:296
Symbol 282 GraphicUsed by:296
Symbol 283 GraphicUsed by:296
Symbol 284 GraphicUsed by:296
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Symbol 291 GraphicUsed by:296
Symbol 292 GraphicUsed by:296
Symbol 293 GraphicUsed by:296
Symbol 294 GraphicUsed by:296
Symbol 295 GraphicUsed by:296
Symbol 296 MovieClipUses:281 282 283 284 285 286 287 288 289 290 291 292 293 294 295Used by:Timeline
Symbol 297 TextUses:64Used by:Timeline
Symbol 298 TextUses:64Used by:Timeline
Symbol 299 TextUses:64Used by:Timeline
Symbol 300 TextUses:64Used by:Timeline
Symbol 301 GraphicUsed by:Timeline
Symbol 302 TextUses:64Used by:Timeline
Symbol 303 GraphicUsed by:Timeline
Symbol 304 TextUses:64Used by:Timeline
Symbol 305 GraphicUsed by:308
Symbol 306 GraphicUsed by:308
Symbol 307 GraphicUsed by:308
Symbol 308 MovieClipUses:305 306 307Used by:Timeline
Symbol 309 TextUses:64Used by:Timeline
Symbol 310 BitmapUsed by:311 312 313 314 323
Symbol 311 GraphicUses:310Used by:315
Symbol 312 GraphicUses:310Used by:315
Symbol 313 GraphicUses:310Used by:315
Symbol 314 GraphicUses:310Used by:315
Symbol 315 MovieClipUses:311 312 313 314Used by:Timeline
Symbol 316 TextUses:64Used by:Timeline
Symbol 317 TextUses:64Used by:318
Symbol 318 ButtonUses:317Used by:Timeline
Symbol 319 ButtonUses:66 67 68Used by:Timeline
Symbol 320 GraphicUsed by:Timeline
Symbol 321 TextUses:64Used by:Timeline
Symbol 322 TextUses:64Used by:Timeline
Symbol 323 GraphicUses:310Used by:Timeline
Symbol 324 TextUses:64Used by:Timeline
Symbol 325 TextUses:64Used by:Timeline
Symbol 326 ButtonUses:66 67 68Used by:Timeline
Symbol 327 TextUses:64Used by:Timeline
Symbol 328 TextUses:64Used by:Timeline
Symbol 329 GraphicUsed by:Timeline
Symbol 330 TextUses:64 96Used by:Timeline
Symbol 331 GraphicUsed by:345
Symbol 332 GraphicUsed by:345
Symbol 333 GraphicUsed by:345
Symbol 334 GraphicUsed by:345
Symbol 335 GraphicUsed by:345
Symbol 336 GraphicUsed by:345
Symbol 337 GraphicUsed by:345
Symbol 338 GraphicUsed by:345
Symbol 339 GraphicUsed by:345
Symbol 340 GraphicUsed by:345
Symbol 341 GraphicUsed by:345
Symbol 342 GraphicUsed by:345
Symbol 343 GraphicUsed by:345
Symbol 344 GraphicUsed by:345
Symbol 345 MovieClipUses:331 332 333 334 335 336 337 338 339 340 341 342 343 344Used by:394  Timeline
Symbol 346 TextUses:64Used by:Timeline
Symbol 347 ButtonUses:66 67 68Used by:Timeline
Symbol 348 ButtonUses:66 67 68Used by:Timeline
Symbol 349 ButtonUses:66 67 68Used by:Timeline
Symbol 350 ButtonUses:66 67 68Used by:Timeline
Symbol 351 ButtonUses:66 67 68Used by:Timeline
Symbol 352 GraphicUsed by:Timeline
Symbol 353 TextUses:64 96Used by:Timeline
Symbol 354 GraphicUsed by:Timeline
Symbol 355 TextUses:64Used by:Timeline
Symbol 356 GraphicUsed by:Timeline
Symbol 357 TextUses:64Used by:Timeline
Symbol 358 TextUses:64Used by:Timeline
Symbol 359 TextUses:64Used by:Timeline
Symbol 360 TextUses:64Used by:Timeline
Symbol 361 ButtonUses:66 67 68Used by:Timeline
Symbol 362 GraphicUsed by:Timeline
Symbol 363 TextUses:64Used by:Timeline
Symbol 364 TextUses:64Used by:Timeline
Symbol 365 TextUses:64Used by:Timeline
Symbol 366 GraphicUsed by:Timeline
Symbol 367 TextUses:64Used by:Timeline
Symbol 368 GraphicUsed by:Timeline
Symbol 369 TextUses:64Used by:Timeline
Symbol 370 GraphicUsed by:Timeline
Symbol 371 TextUses:64Used by:Timeline
Symbol 372 GraphicUsed by:388
Symbol 373 GraphicUsed by:388
Symbol 374 GraphicUsed by:388
Symbol 375 GraphicUsed by:388
Symbol 376 GraphicUsed by:388
Symbol 377 GraphicUsed by:388
Symbol 378 GraphicUsed by:388
Symbol 379 GraphicUsed by:388
Symbol 380 GraphicUsed by:388
Symbol 381 GraphicUsed by:388
Symbol 382 GraphicUsed by:388
Symbol 383 GraphicUsed by:388
Symbol 384 GraphicUsed by:388
Symbol 385 GraphicUsed by:388
Symbol 386 GraphicUsed by:388
Symbol 387 GraphicUsed by:388
Symbol 388 MovieClipUses:372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387Used by:Timeline
Symbol 389 TextUses:64Used by:Timeline
Symbol 390 TextUses:64Used by:Timeline
Symbol 391 GraphicUsed by:Timeline
Symbol 392 TextUses:64Used by:Timeline
Symbol 393 GraphicUsed by:Timeline
Symbol 394 MovieClipUses:345Used by:Timeline
Symbol 395 TextUses:64Used by:Timeline
Symbol 396 TextUses:64Used by:Timeline
Symbol 397 TextUses:64Used by:Timeline
Symbol 398 GraphicUsed by:Timeline
Symbol 399 TextUses:64Used by:Timeline
Symbol 400 GraphicUsed by:403 404
Symbol 401 GraphicUsed by:403 404
Symbol 402 GraphicUsed by:403 404
Symbol 403 ButtonUses:400 401 402Used by:Timeline
Symbol 404 ButtonUses:400 401 402Used by:Timeline
Symbol 405 TextUses:52Used by:411
Symbol 406 FontUsed by:407 408
Symbol 407 TextUses:52 406Used by:411
Symbol 408 TextUses:52 406Used by:411
Symbol 409 TextUses:52Used by:411
Symbol 410 TextUses:52Used by:411
Symbol 411 MovieClipUses:405 407 408 409 410Used by:Timeline
Streaming Sound 1Used by:Symbol 18 MovieClip
Streaming Sound 2Used by:Symbol 62 MovieClip

Instance Names

"loadBar"Frame 1Symbol 12 MovieClip
"control"Frame 4Symbol 56 MovieClip
"control"Frame 5Symbol 56 MovieClip
"whydemo"Frame 5Symbol 83 MovieClip
"why1"Frame 7Symbol 103 MovieClip
"why2"Frame 9Symbol 123 MovieClip
"why3"Frame 11Symbol 174 MovieClip
"control"Frame 13Symbol 56 MovieClip
"why4"Frame 14Symbol 257 MovieClip
"control"Frame 19Symbol 56 MovieClip
"control"Frame 21Symbol 56 MovieClip
"ending"Frame 27Symbol 411 MovieClip
"control"Frame 27Symbol 56 MovieClip

Dynamic Text Variables

loadTextSymbol 6 EditableText""




http://swfchan.com/15/73188/info.shtml
Created: 8/4 -2019 10:12:39 Last modified: 8/4 -2019 10:12:39 Server time: 05/11 -2024 10:29:22