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ADDENDUM |
ZEITGEIST |
PART I Reel Four |
Credits |
Q&A |
Activism |
Contact |
The Venus Project |
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ORIGNALLY CREATED BY PETER JOSEPH WWW.THEZEITGEISTMOVEMENT.COM WWW.ZEITGEISTMOVIE.COM WWW.THEVENUSPROJECT.COM BASIC SOURCES: - PART 1 - “WEB OF DEBT” BY ELLEN BROWN WWW.WEBOFDEBT.COM FLASH VERSION CREATED BY ANTHONY HURRELL Some footage/audio in this educational film is unauthorized and has been respectfully borrowed in accordance with the Fair Use Doctrine of U.S. Copyright Code Section 107 Duplication of this education film is granted and encouraged for Non-Resale Educational purposes only. Not-For-Profit public screenings are also encouraged and require no permission from us. ©Copyright 2008, G.M.P. LLC |
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A word from Jacque Fresco & Roxanne Meadows of The Venus Project The conflicts today with our fellow human beings are over opposing values and limited access to the necessities of life. If we manage to arrive at a saner future civilization, the conflicts will be against problems common to all humans. In a vibrant and emergent culture, rather than having conflicts between nations, the challenges we will face will be overcoming scarcity, restructuring damaged environments, creating innovative technologies, increasing agricultural yield, improving communications, building communications between nations, sharing technologies, and living a meaningful life. People would be free to pursue whatever constructive endeavors they chose without economic pressures, restraints, and taxation that are inherent in the monetary system. By constructive endeavors, we mean anything that enhances the lives of the individual and others. With these major alterations, people would eventually live longer more meaningful and healthier lives. The measure of success would be the fulfillment of one's individual pursuits rather than the acquisition of wealth, property, and power. As we enhance the lives of others, protect our environment, and work toward abundance, all our lives can become richer and more secure. If these values were put into practice, it would enable all of us to achieve a much higher standard of living within a relatively short period of time; a standard of living that would be continuously improved. When education and resources are available to all without a price tag, there will be no limit to human potential. |
The ramifications of this are staggering, |
for the amount of money owed back to the banks |
PRINCIPAL + INTEREST |
[MONEY OWED] |
PRINCIPAL |
[MONEY AVAILABLE] |
will always exceed the amount of money |
that is available in circulation. |
This is why Inflation is a constant in the economy, |
INFLATION |
INTEREST |
for new money is always needed to help cover |
the perpetual deficit built into the system, |
caused by the need to pay the interest. |
What this also means is that mathematically |
FORECLOSURE |
defaults and bankruptcy are literally built into the system. |
And there will always be poor pockets of society |
that get the short end of the stick. |
An analogy would be a game of musical chairs, |
for once the music stops somebody is left out to dry. |
BANKRUPT |
And that's the point. |
The New York Times Mortgage Crisis Spreads Past Subprime Loans Like subprime mortgages, many prime loans made in recent years allowed borrowers to pay less initially and face higher adjustable payments a few years later. As long as home prices were rising, these borrowers could refinance their loans or sell their properties to pay off their mortgages. But now, with prices falling and lenders clamping down, homeowners with solid credit are starting to come under the same financial stress as those with subprime credit. “Subprime was a symptom of the problem,” said James F. Keegan, a bond portfolio manager at American Century Investments, a mutual fund company. “The problem was we had a debt or credit bubble.” The bursting of that bubble has led to steep losses across the financial industry. American International Group said on Monday that auditors found it may have understated losses on complex financial instruments linked to mortgages and corporate loans. The running turmoil is also stirring fears that some hedge funds may run into trouble. At the end of September, nearly 4 percent of prime mortgages were past due or in foreclosure, according to the Mortgage Bankers Association. That was the highest rate since the group started tracking prime and subprime mortgages separately in 1998. The delinquency and foreclosure rate for all mortgages, 7.3 percent, is higher than at any time since the group started tracking that data in 1979, largely as a result of the surge in subprime lending during the last few years. An example of the spreading credit crisis is seen in Don Doyle, a computer engineer at Lockheed Martin who makes a six-figure income and had a stellar credit score in 2004, when he refinanced his home in Northern California to take cash out to pay for his daughter’s college tuition. Mr. Doyle, 52, is now worried that he will have to file for bankruptcy, because he cannot afford to make the higher variable payments on his mortgage, and he cannot sell his home for more than his $740,000 mortgage. “The whole plan was to get out” before his rate reset, he said. “Now I am caught. I can’t sell my house. I’m having a hard time refinancing. I’ve avoided bankruptcy for months trying to pull this out of my savings.” The default rate for prime mortgages is still far lower than for subprime loans, about 24 percent of which are delinquent or in foreclosure. Some economists note that slightly more than a third of American homeowners have paid off their mortgages completely. This group is generally more affluent and contributes more to consumer spending and the economy relative to its size. Unlike subprime borrowers, who tend to have lower incomes and fewer assets, prime borrowers have greater means to restructure their debt if they lose jobs or encounter other financial challenges. The recent reductions in short term interest rates by the Federal Reserve should also help by reducing the reset rate for adjustable loans. |
It invariably transfers true wealth |
from the individual to the banks, |
for if you are unable to pay for your mortgage, |
The New York Times Rate of Home Foreclosures Hits Record By REUTERS Published: September 7, 2007 WASHINGTON, Sept. 6 (Reuters) — The rate of home loans in foreclosure rose to a record level in the second quarter of 2007 as more homeowners in California, Florida and other states could not refinance their adjustable-rate mortgages, a trade group said on Thursday. The Mortgage Bankers Association said 0.65 percent of loans entered foreclosure on a seasonally adjusted basis, 7 basis points higher than the previous quarter and 22 basis points higher than a year earlier. |
they will take your property. |
This is particularly enraging when you realize |
that not only is such a default inevitable |
due to the fractional reserve practice, |
but also because of the fact that the money |
FW H 57 |
WASHINGTON, D.C. |
L1180916G |
12 |
FEDERAL RESERVE NOTE |
THE UNITED STATES OF AMERICA |
ONE DOLLAR |
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THIS NOTE IS LEGAL TENDER FOR ALL DEBTS PUBLIC AND PRIVATE |
Treasurer of the United States. |
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ONE |
that the bank loaned to you |
didn't even legally exist in the first place. |
The above entitled action came on before the Court and a Jury of 12 on December 7, 1968 at 10:00 A.M. Plaintiff appeared by its President Lawrence V. Morgan and was represented by its Counsel Theodore R. Mellby. Defendant appeared on his own behalf. A Jury of Talesmen were called, impaneled and sworn to try the issues in the Case. Lawrence V. Morgan was the only witness called for Plaintiff and Defendant testified as the only witness in his own behalf. Plaintiff brought this as a Common Law action for the recovery of the possession of Lot 19 Fairview Beach, Scott County, Minn. Plaintiff claimed title to the Real Property in question by foreclosure of a Note and Mortgage Deed dated May 8, 1964 which Plaintiff claimed was in default at the time foreclosure proceedings were started. |
First National Bank of Montgomery, vs. Jerome Daly |
Plaintiff JUDGEMENT AND DECREE Defendant |
STATE OF MINNESOTA COUNTY OF SCOTT |
IN JUSTICE COURT TOWNSHIP OF CREDIT RIVER MARTIN V. MAHONEY, JUSTICE |
In 1969, there was a Minnesota court case |
involving a man named Jerome Daly, |
who was challenging the foreclosure of his home by the bank, |
which provided the loan to purchase it. |
His argument was that the mortgage contract |
required both parties, being he and the bank, |
$ |
COMMERCIAL BANK |
each put up a legitimate form of property for the exchange. |
In legal language, this is called "consideration". |
consideration: |
- a contract`s basis. A contract is founded on an exchange of one form of consideration for another. |
[con.sid.er.a.tion] |
Mr. Daly explained that the money was, in fact, |
not the property of the bank, for it was created out of nothing |
as soon as the loan agreement was signed. |
Modern Money Mechanics |
Remember what modern money mechanics stated about loans: |
It does not really matter where this money is at any given time. The important fact is that these deposits do not disappear. They are in some deposit accounts at all times. All banks together have $10,000 of deposits and reserves that they did not have before. However, they are not required to keep $10,000 of reserves against the $10,000 of deposits. All they need to retain, under a 10 percent reserve requirement, is $1,000. The remaining $9,000 is "excess reserves." This amount can be loaned or invested. See illustration 2. If business is active, the banks with excess reserves probably will have opportunities to loan the $9,000. Of course, they do not really pay out loans from the money they receive as deposits. If they did this, no additional money would be created. What they do when they make loans is to accept promissory notes in exchange for credits to the borrower's transaction accounts. Loans (assets) and deposits (liabilities) both rise by $9,000. Reserves are unchanged by the loan transactions. But the deposit credits constitute new additions to the total deposits of the banking system. See illustration 3. |
"what they do when they make loans |
is to accept promissory notes in exchange for credits… |
Reserves are unchanged by the loan transactions. |
But deposit credits constitute new additions |
to the total deposits of the banking system." |
In other words, the money doesn't come out |
BANK |
of their existing assets. |
EXISTING ASSETS |
LOAN |
The bank is simply inventing it, |
putting up nothing of its own |
NEW LOAN |
except for a theoretical liability on paper. |
As the court case progressed, the banks president, |
Mr. Morgan, took the stand, |
MEMORANDUM The issues in this case were simple. There was no material dispute of the facts for the Jury to resolve. Plaintiff admitted that it, in combination with the Federal Reserve Bank of Minneapolis, which are for all practical purposes, because of their interlocking activity and practices, and both being Banking Institutions Incorporated under the Laws of the United States, are in the Law to be treated as one and the same Bank, did create the entire $14,000.00 in money or credit upon its own books by bookkeeping entry. That this was the Consideration used to support the Note dated May 8,1964 and the Mortgage of the same date. The money and credit first came into existence when they created it. Mr. Morgan admitted that no United States Law or Statute existed which gave him the right to do this. A lawful consideration must exist and be tendered to support the Note. See Ansheuser-Busch Brewing Company v. Emma Mason, 44 Minn. 318, 46 N.W. 558. The Jury found that there was no lawful consideration and I agree. Only God can create something of value out of nothing. Even if Defendant could be charged with waiver or estoppel as a matter of Law this is no defense to the Plaintiff. The Law leaves wrongdoers where it finds them. See sections 50, 51 and 52 of Am Jur 2nd "Actions" on page 584 - "no action will lie to recover on a claim based upon, or in any manner depending upon, a fraudulent, illegal, or immoral transaction or contract to which Plaintiff was a party. |
and in the judge's personal memorandum, he recalled that |
"The Plaintiff (bank's president) admitted that, |
in combination with the Federal Reserve Bank |
…did create the…money and credit upon its books |
by bookkeeping entry… |
the money and credit first came into existence |
when they created it… |
Mr. Morgan admitted that no United States law or statute |
existed which gave him the right to do this… |
a lawful consideration must exist |
and be tendered to support the note." |
"The jury found that there was no lawful consideration |
and I agree" |
He also poetically added, |
"Only God can create something of value out of nothing" |
And upon this revelation, the court rejected the bank's claim |
FORECLOSURE DENIED |
for foreclosure and Daly kept his home. |
The implications of this court decision are immense, |
for every time you borrow money from a bank, |
MasterCard |
whether it is a mortgage loan or a credit card charge, |
the money given to you is not only counterfeit, |
it is an illegitimate form of consideration |
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FIVE |
B07888446F |
FIVE DOLLARS |
ILLEGAL CONSIDERATION |
and hence voids the contract to repay… |
for the bank never had the money as property to begin with. |
Unfortunately, such legal realizations are |
suppressed and ignored, |
and the game of perpetual wealth transfer |
and perpetual debt continues... |
And this brings us to the ultimate question: |
? |
why? |
During the American civil war president Lincoln bypassed |
the high-interest loans offered by the European banks |
and decided to do what the founding fathers advocated, |
We the People |
of the United States, in order to form a more perfect union, establish justice, insure domestic tranquility, provide for the common defense, promote the general welfare, and secure the blessings of liberty to ourselves and our posterity, do ordain and establish this Constitution for the United States of America. |
Article I |
Section 1. All legislative powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives. Section 2. The House of Representatives shall be composed of members chosen every second year by the people of the several states, and the electors in each state shall have the qualifications requisite for electors of the most numerous branch of the state legislature. No person shall be a Representative who shall not have attained to the age of twenty five years, and been seven years a citizen of the United States, and who shall not, when elected, be an inhabitant of that state in which he shall be chosen. Representatives and direct taxes shall be apportioned among the several states which may be included within this union, according to their respective numbers, which shall be determined by adding to the whole number of free persons, including those bound to service for a term of years, and excluding Indians not taxed, three fifths of all other Persons. The actual Enumeration shall be made within three years after the first meeting of the Congress of the United States, and within every subsequent term of ten years, in such manner as they shall by law direct. The number of Representatives shall not exceed one for every thirty thousand, but each state shall have at least one Representative; and until such enumeration shall be made, the state of New Hampshire shall be entitled to chuse three, Massachusetts eight, Rhode Island and Providence Plantations one, Connecticut five, New York six, New Jersey four, Pennsylvania eight, Delaware one, Maryland six, Virginia ten, North Carolina five, South Carolina five, and Georgia three. When vacancies happen in the Representation from any state, the executive authority thereof shall issue writs of election to fill such vacancies. The House of Representatives shall choose their speaker and other officers; and shall have the sole power of impeachment. Section 3. The Senate of the United States shall be composed of two Senators from each state, chosen by the legislature thereof, for six years; and each Senator shall have one vote. Immediately after they shall be assembled in consequence of the first election, they shall be divided as equally as may be into three classes. The seats of the Senators of the first class shall be vacated at the expiration of the second year, of the second class at the expiration of the fourth year, and the third class at the expiration of the sixth year, so that one third may be chosen every second year; and if vacancies happen by resignation, or otherwise, during the recess of the legislature of any state, the executive thereof may make temporary appointments until the next meeting of the legislature, which shall then fill such vacancies. No person shall be a Senator who shall not have attained to the age of thirty years, and been nine years a citizen of the United States and who shall not, when elected, be an inhabitant of that state for which he shall be chosen. The Vice President of the United States shall be President of the Senate, but shall have no vote, unless they be equally divided. The Senate shall choose their other officers, and also a President pro tempore, in the absence of the Vice President, or when he shall exercise the office of President of the United States. The Senate shall have the sole power to try all impeachments. When sitting for that purpose, they shall be on oath or affirmation. When the President of the United States is tried, the Chief Justice shall preside: And no person shall be convicted without the concurrence of two thirds of the members present. Judgment in cases of impeachment shall not extend further than to removal from office, and disqualification to hold and enjoy any office of honor, trust or profit under the United States: but the party convicted shall nevertheless be liable and subject to indictment, trial, judgment and punishment, according to law. |
which was to create an independent and |
inherently debt-free currency. |
It was called the Greenback. |
Shortly after this measure was taken, an internal document |
CONFIDENTIAL |
circulated between private British |
and American banking interests stated: |
"…slavery is but the owning of labor and carries with it the care of laborers, while the European plan… is that capital shall control labor by controlling wages. |
"…slavery is but the owning of labor and carries with it |
the care of laborers, |
while the European plan… is that capital shall control labor |
by controlling wages. |
This can be done, by controlling the money. |
This can be done by controlling the money. |
It will not do to allow the Greenback... as we cannot control that." - "The Hazard Circular" - July, 1862 |
It will not do to allow the Greenback... |
as we cannot control that." |
The fractional reserve policy |
perpetrated by the Federal Reserve, |
which has spread in practice to the great |
majority of banks in the world is, in fact, |
a system of modern slavery. |
Think about it… Money is created out of debt. |
UNITED STATES BOND |
SERIES EE |
C000000000EE |
00000000000 |
000090007004 |
And what do people do when they are in debt? |
They submit to employment to pay it off. |
But, if money can only be created out of loans, |
VISA |
Diners Club International |
DISCOVER NETWORK |
how can society ever be debt free? |
It can't. And that's the point. |
And it is the fear of losing assets, |
coupled with the struggle to keep up |
with the perpetual debt and inflation inherent in the system, |
compounded by the inescapable scarcity |
within the money supply itself |
Bankruptcy |
created by the interest that can never be repaid… |
that keeps the wage slave in line… |
running on the hamster wheel with millions of others… |
in effect powering an Empire |
that truly benefits only the elite at the top of the pyramid… |
MDCCLXXVI |
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for at the end of day, who are you really working for? |
the banks. |
Money is created in a bank and invariably ends up in a bank. |
They are the true masters |
along with the corporations and governments they support. |
Physical slavery requires people to be housed and fed. |
Economic slavery requires people |
to feed and house themselves |
It is one of the most ingenious scams |
for social manipulation ever created, |
and at its core, it is an invisible war against the population. |
Debt is the weapon used to conquer and enslave societies |
DEBT |
and Interest is its prime ammunition. |
And as the majority walks around oblivious to this reality, |
the banks, in collusion with governments and corporations, |
continue to perfect and expand their tactics |
of economic warfare… |
spawning new bases… |
such as the World Bank and International Monetary Fund… |
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while also inventing a new type of soldier… |
the birth of the economic hit man. |
End of Part I |
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Symbol 137 Graphic | Used by:Timeline | |
Symbol 138 Text | Uses:91 | Used by:Timeline |
Symbol 139 Text | Uses:91 | Used by:Timeline |
Symbol 140 Text | Uses:91 | Used by:Timeline |
Symbol 141 Text | Uses:91 | Used by:Timeline |
Symbol 142 Text | Uses:91 | Used by:Timeline |
Symbol 143 Text | Uses:91 | Used by:Timeline |
Symbol 144 Text | Uses:91 | Used by:Timeline |
Symbol 145 Text | Uses:91 | Used by:Timeline |
Symbol 146 Text | Uses:91 | Used by:Timeline |
Symbol 147 Text | Uses:91 | Used by:Timeline |
Symbol 148 Text | Uses:91 | Used by:Timeline |
Symbol 149 Text | Uses:91 | Used by:Timeline |
Symbol 150 Text | Uses:91 | Used by:Timeline |
Symbol 151 Text | Uses:91 | Used by:Timeline |
Symbol 152 Text | Uses:91 | Used by:Timeline |
Symbol 153 Font | Used by:154 278 | |
Symbol 154 Text | Uses:153 | Used by:Timeline |
Symbol 155 Text | Uses:37 | Used by:Timeline |
Symbol 156 Bitmap | Used by:157 158 159 160 304 | |
Symbol 157 Graphic | Uses:156 | Used by:Timeline |
Symbol 158 Graphic | Uses:156 | Used by:Timeline |
Symbol 159 Graphic | Uses:156 | Used by:Timeline |
Symbol 160 Graphic | Uses:156 | Used by:Timeline |
Symbol 161 Text | Uses:37 | Used by:Timeline |
Symbol 162 Text | Uses:10 | Used by:Timeline |
Symbol 163 Text | Uses:10 | Used by:Timeline |
Symbol 164 Text | Uses:10 | Used by:Timeline |
Symbol 165 Text | Uses:10 | Used by:Timeline |
Symbol 166 Text | Uses:10 | Used by:Timeline |
Symbol 167 Text | Uses:37 | Used by:Timeline |
Symbol 168 Text | Uses:37 | Used by:Timeline |
Symbol 169 Text | Uses:37 | Used by:Timeline |
Symbol 170 Text | Uses:37 | Used by:Timeline |
Symbol 171 Bitmap | Used by:172 | |
Symbol 172 Graphic | Uses:171 | Used by:Timeline |
Symbol 173 Text | Uses:37 | Used by:Timeline |
Symbol 174 Text | Uses:37 | Used by:Timeline |
Symbol 175 Graphic | Used by:Timeline | |
Symbol 176 Graphic | Used by:Timeline | |
Symbol 177 Graphic | Used by:Timeline | |
Symbol 178 Text | Uses:37 | Used by:Timeline |
Symbol 179 Graphic | Used by:Timeline | |
Symbol 180 Text | Uses:37 | Used by:Timeline |
Symbol 181 Text | Uses:37 | Used by:Timeline |
Symbol 182 Text | Uses:37 | Used by:Timeline |
Symbol 183 Text | Uses:37 | Used by:Timeline |
Symbol 184 Text | Uses:37 | Used by:Timeline |
Symbol 185 Text | Uses:37 | Used by:Timeline |
Symbol 186 Text | Uses:37 | Used by:Timeline |
Symbol 187 Text | Uses:37 | Used by:Timeline |
Symbol 188 Text | Uses:37 | Used by:Timeline |
Symbol 189 Font | Used by:190 | |
Symbol 190 Text | Uses:189 | Used by:Timeline |
Symbol 191 Text | Uses:37 | Used by:Timeline |
Symbol 192 Font | Used by:193 364 | |
Symbol 193 Text | Uses:91 192 | Used by:Timeline |
Symbol 194 Graphic | Used by:Timeline | |
Symbol 195 Text | Uses:37 | Used by:Timeline |
Symbol 196 Text | Uses:37 | Used by:Timeline |
Symbol 197 Graphic | Used by:Timeline | |
Symbol 198 Text | Uses:37 | Used by:Timeline |
Symbol 199 Text | Uses:37 | Used by:Timeline |
Symbol 200 Text | Uses:37 | Used by:Timeline |
Symbol 201 Text | Uses:37 | Used by:Timeline |
Symbol 202 Graphic | Used by:Timeline | |
Symbol 203 Graphic | Used by:Timeline | |
Symbol 204 Graphic | Used by:Timeline | |
Symbol 205 Graphic | Used by:Timeline | |
Symbol 206 Text | Uses:37 | Used by:Timeline |
Symbol 207 Graphic | Used by:Timeline | |
Symbol 208 Text | Uses:37 | Used by:Timeline |
Symbol 209 Graphic | Used by:Timeline | |
Symbol 210 Text | Uses:37 | Used by:Timeline |
Symbol 211 Text | Uses:37 | Used by:Timeline |
Symbol 212 Text | Uses:37 | Used by:Timeline |
Symbol 213 Graphic | Used by:Timeline | |
Symbol 214 Graphic | Used by:Timeline | |
Symbol 215 Graphic | Used by:Timeline | |
Symbol 216 Graphic | Used by:Timeline | |
Symbol 217 Text | Uses:37 | Used by:Timeline |
Symbol 218 Text | Uses:37 | Used by:Timeline |
Symbol 219 Text | Uses:37 | Used by:Timeline |
Symbol 220 Graphic | Used by:Timeline | |
Symbol 221 Text | Uses:37 | Used by:Timeline |
Symbol 222 Text | Uses:37 | Used by:Timeline |
Symbol 223 Text | Uses:10 | Used by:Timeline |
Symbol 224 Text | Uses:37 | Used by:Timeline |
Symbol 225 Graphic | Used by:Timeline | |
Symbol 226 Text | Uses:37 | Used by:Timeline |
Symbol 227 Text | Uses:37 | Used by:Timeline |
Symbol 228 Graphic | Used by:Timeline | |
Symbol 229 Text | Uses:37 | Used by:Timeline |
Symbol 230 Text | Uses:37 | Used by:Timeline |
Symbol 231 Text | Uses:37 | Used by:Timeline |
Symbol 232 Graphic | Used by:Timeline | |
Symbol 233 Text | Uses:37 | Used by:Timeline |
Symbol 234 Text | Uses:37 | Used by:Timeline |
Symbol 235 Graphic | Used by:Timeline | |
Symbol 236 Text | Uses:37 | Used by:Timeline |
Symbol 237 Text | Uses:37 | Used by:Timeline |
Symbol 238 Text | Uses:37 | Used by:Timeline |
Symbol 239 Text | Uses:37 | Used by:Timeline |
Symbol 240 Graphic | Used by:Timeline | |
Symbol 241 Text | Uses:37 | Used by:Timeline |
Symbol 242 Text | Uses:37 | Used by:Timeline |
Symbol 243 Graphic | Used by:Timeline | |
Symbol 244 Text | Uses:37 | Used by:Timeline |
Symbol 245 Text | Uses:37 | Used by:Timeline |
Symbol 246 Text | Uses:37 | Used by:Timeline |
Symbol 247 Text | Uses:37 | Used by:Timeline |
Symbol 248 Text | Uses:37 | Used by:Timeline |
Symbol 249 Text | Uses:37 | Used by:Timeline |
Symbol 250 Graphic | Used by:Timeline | |
Symbol 251 Graphic | Used by:Timeline | |
Symbol 252 Font | Used by:253 | |
Symbol 253 Text | Uses:252 | Used by:Timeline |
Symbol 254 Graphic | Used by:Timeline | |
Symbol 255 Graphic | Used by:Timeline | |
Symbol 256 Text | Uses:37 | Used by:Timeline |
Symbol 257 Text | Uses:37 | Used by:Timeline |
Symbol 258 Graphic | Used by:Timeline | |
Symbol 259 Graphic | Used by:Timeline | |
Symbol 260 Graphic | Used by:Timeline | |
Symbol 261 Text | Uses:37 | Used by:Timeline |
Symbol 262 Graphic | Used by:Timeline | |
Symbol 263 Graphic | Used by:Timeline | |
Symbol 264 Text | Uses:108 | Used by:Timeline |
Symbol 265 Text | Uses:108 | Used by:Timeline |
Symbol 266 Text | Uses:108 | Used by:Timeline |
Symbol 267 Text | Uses:108 | Used by:Timeline |
Symbol 268 Text | Uses:108 | Used by:Timeline |
Symbol 269 Text | Uses:108 | Used by:Timeline |
Symbol 270 Text | Uses:108 | Used by:Timeline |
Symbol 271 Text | Uses:108 | Used by:Timeline |
Symbol 272 Text | Uses:108 | Used by:Timeline |
Symbol 273 Text | Uses:108 | Used by:Timeline |
Symbol 274 Text | Uses:108 | Used by:Timeline |
Symbol 275 Text | Uses:108 | Used by:Timeline |
Symbol 276 Text | Uses:108 | Used by:Timeline |
Symbol 277 Text | Uses:108 | Used by:Timeline |
Symbol 278 Text | Uses:153 | Used by:Timeline |
Symbol 279 Text | Uses:108 | Used by:Timeline |
Symbol 280 Text | Uses:108 | Used by:Timeline |
Symbol 281 Text | Uses:108 | Used by:Timeline |
Symbol 282 Text | Uses:108 | Used by:Timeline |
Symbol 283 Text | Uses:108 | Used by:Timeline |
Symbol 284 Text | Uses:108 | Used by:Timeline |
Symbol 285 Text | Uses:108 | Used by:Timeline |
Symbol 286 Text | Uses:108 | Used by:Timeline |
Symbol 287 Text | Uses:108 | Used by:Timeline |
Symbol 288 Text | Uses:108 | Used by:Timeline |
Symbol 289 Text | Uses:108 | Used by:Timeline |
Symbol 290 Text | Uses:108 | Used by:Timeline |
Symbol 291 Font | Used by:292 | |
Symbol 292 Text | Uses:291 | Used by:Timeline |
Symbol 293 Graphic | Used by:Timeline | |
Symbol 294 Text | Uses:108 | Used by:Timeline |
Symbol 295 Text | Uses:37 | Used by:Timeline |
Symbol 296 Text | Uses:37 | Used by:Timeline |
Symbol 297 Text | Uses:37 | Used by:Timeline |
Symbol 298 Text | Uses:37 | Used by:Timeline |
Symbol 299 Bitmap | Used by:300 | |
Symbol 300 Graphic | Uses:299 | Used by:Timeline |
Symbol 301 Text | Uses:37 | Used by:Timeline |
Symbol 302 Text | Uses:37 | Used by:Timeline |
Symbol 303 Text | Uses:37 | Used by:Timeline |
Symbol 304 Graphic | Uses:156 | Used by:Timeline |
Symbol 305 Text | Uses:37 | Used by:Timeline |
Symbol 306 Text | Uses:5 | Used by:Timeline |
Symbol 307 Text | Uses:37 | Used by:Timeline |
Symbol 308 Bitmap | Used by:309 | |
Symbol 309 Graphic | Uses:308 | Used by:Timeline |
Symbol 310 Text | Uses:37 | Used by:Timeline |
Symbol 311 Graphic | Used by:Timeline | |
Symbol 312 Text | Uses:37 | Used by:Timeline |
Symbol 313 Text | Uses:37 | Used by:Timeline |
Symbol 314 Font | Used by:315 316 317 318 | |
Symbol 315 Text | Uses:314 | Used by:Timeline |
Symbol 316 Text | Uses:314 | Used by:Timeline |
Symbol 317 Text | Uses:314 | Used by:Timeline |
Symbol 318 Text | Uses:314 | Used by:Timeline |
Symbol 319 Text | Uses:37 | Used by:Timeline |
Symbol 320 Bitmap | Used by:321 | |
Symbol 321 Graphic | Uses:320 | Used by:Timeline |
Symbol 322 Text | Uses:37 | Used by:Timeline |
Symbol 323 Text | Uses:37 | Used by:Timeline |
Symbol 324 Bitmap | Used by:325 | |
Symbol 325 Graphic | Uses:324 | Used by:Timeline |
Symbol 326 Text | Uses:37 | Used by:Timeline |
Symbol 327 Graphic | Used by:Timeline | |
Symbol 328 Text | Uses:37 | Used by:Timeline |
Symbol 329 Text | Uses:37 | Used by:Timeline |
Symbol 330 Text | Uses:37 | Used by:Timeline |
Symbol 331 Text | Uses:37 | Used by:Timeline |
Symbol 332 Text | Uses:37 | Used by:Timeline |
Symbol 333 Text | Uses:37 | Used by:Timeline |
Symbol 334 Text | Uses:37 | Used by:Timeline |
Symbol 335 Text | Uses:37 | Used by:Timeline |
Symbol 336 Text | Uses:37 | Used by:Timeline |
Symbol 337 Text | Uses:37 | Used by:Timeline |
Symbol 338 Text | Uses:37 | Used by:Timeline |
Symbol 339 Text | Uses:37 | Used by:Timeline |
Symbol 340 Text | Uses:37 | Used by:Timeline |
Symbol 341 Text | Uses:37 | Used by:Timeline |
Symbol 342 Text | Uses:37 | Used by:Timeline |
Symbol 343 Text | Uses:37 | Used by:Timeline |
Symbol 344 Text | Uses:37 | Used by:Timeline |
Symbol 345 Bitmap | Used by:346 | |
Symbol 346 Graphic | Uses:345 | Used by:Timeline |
Symbol 347 Text | Uses:37 | Used by:Timeline |
Symbol 348 Text | Uses:37 | Used by:Timeline |
Symbol 349 Graphic | Used by:Timeline | |
Symbol 350 Graphic | Used by:Timeline | |
Symbol 351 Graphic | Used by:Timeline | |
Symbol 352 Text | Uses:108 | Used by:Timeline |
Symbol 353 Text | Uses:104 | Used by:Timeline |
Symbol 354 Text | Uses:5 | Used by:Timeline |
Symbol 355 Text | Uses:5 | Used by:Timeline |
Symbol 356 Text | Uses:5 | Used by:Timeline |
Symbol 357 Text | Uses:37 | Used by:Timeline |
Symbol 358 Graphic | Used by:Timeline | |
Symbol 359 Text | Uses:37 | Used by:Timeline |
Symbol 360 Text | Uses:37 | Used by:Timeline |
Symbol 361 Graphic | Used by:Timeline | |
Symbol 362 Font | Used by:363 | |
Symbol 363 Text | Uses:362 | Used by:Timeline |
Symbol 364 Text | Uses:192 | Used by:Timeline |
Symbol 365 Font | Used by:366 | |
Symbol 366 Text | Uses:37 365 | Used by:Timeline |
Symbol 367 Graphic | Used by:Timeline | |
Symbol 368 Text | Uses:37 | Used by:Timeline |
Symbol 369 Text | Uses:37 | Used by:Timeline |
Symbol 370 Text | Uses:37 | Used by:Timeline |
Symbol 371 Text | Uses:37 | Used by:Timeline |
Symbol 372 Text | Uses:37 | Used by:Timeline |
Symbol 373 Text | Uses:37 | Used by:Timeline |
Symbol 374 Text | Uses:37 | Used by:Timeline |
Symbol 375 Graphic | Used by:Timeline | |
Symbol 376 Graphic | Used by:Timeline | |
Symbol 377 Text | Uses:37 | Used by:Timeline |
Symbol 378 Graphic | Used by:Timeline | |
Symbol 379 Text | Uses:37 | Used by:Timeline |
Symbol 380 Text | Uses:37 | Used by:Timeline |
Symbol 381 Graphic | Used by:Timeline | |
Symbol 382 Graphic | Used by:Timeline | |
Symbol 383 Graphic | Used by:Timeline | |
Symbol 384 Graphic | Used by:Timeline | |
Symbol 385 Graphic | Used by:Timeline | |
Symbol 386 Graphic | Used by:Timeline | |
Symbol 387 Graphic | Used by:Timeline | |
Symbol 388 Graphic | Used by:Timeline | |
Symbol 389 Graphic | Used by:Timeline | |
Symbol 390 Graphic | Used by:Timeline | |
Symbol 391 Graphic | Used by:Timeline | |
Symbol 392 Graphic | Used by:Timeline | |
Symbol 393 Graphic | Used by:Timeline | |
Symbol 394 Graphic | Used by:Timeline | |
Symbol 395 Graphic | Used by:Timeline | |
Symbol 396 Graphic | Used by:Timeline | |
Symbol 397 Graphic | Used by:Timeline | |
Symbol 398 Graphic | Used by:Timeline | |
Symbol 399 Graphic | Used by:Timeline | |
Symbol 400 Graphic | Used by:Timeline | |
Symbol 401 Graphic | Used by:Timeline | |
Symbol 402 Graphic | Used by:Timeline | |
Symbol 403 Graphic | Used by:Timeline | |
Symbol 404 Graphic | Used by:Timeline | |
Symbol 405 Graphic | Used by:Timeline | |
Symbol 406 Graphic | Used by:Timeline | |
Symbol 407 Graphic | Used by:Timeline | |
Symbol 408 Graphic | Used by:Timeline | |
Symbol 409 Graphic | Used by:Timeline | |
Symbol 410 Graphic | Used by:Timeline | |
Symbol 411 Graphic | Used by:Timeline | |
Symbol 412 Graphic | Used by:Timeline | |
Symbol 413 Graphic | Used by:Timeline | |
Symbol 414 Graphic | Used by:Timeline | |
Symbol 415 Graphic | Used by:Timeline | |
Symbol 416 Graphic | Used by:Timeline | |
Symbol 417 Graphic | Used by:Timeline | |
Symbol 418 Graphic | Used by:Timeline | |
Symbol 419 Graphic | Used by:Timeline | |
Symbol 420 Graphic | Used by:Timeline | |
Symbol 421 Graphic | Used by:Timeline | |
Symbol 422 Graphic | Used by:Timeline | |
Symbol 423 Graphic | Used by:Timeline | |
Symbol 424 Graphic | Used by:Timeline | |
Symbol 425 Graphic | Used by:Timeline | |
Symbol 426 Graphic | Used by:Timeline | |
Symbol 427 Graphic | Used by:Timeline | |
Symbol 428 Graphic | Used by:Timeline | |
Symbol 429 Graphic | Used by:Timeline | |
Symbol 430 Graphic | Used by:Timeline | |
Symbol 431 Graphic | Used by:Timeline | |
Symbol 432 Graphic | Used by:Timeline | |
Symbol 433 Graphic | Used by:Timeline | |
Symbol 434 Graphic | Used by:Timeline | |
Symbol 435 Graphic | Used by:Timeline | |
Symbol 436 Graphic | Used by:Timeline | |
Symbol 437 Graphic | Used by:Timeline | |
Symbol 438 Graphic | Used by:Timeline | |
Symbol 439 Graphic | Used by:Timeline | |
Symbol 440 Graphic | Used by:Timeline | |
Symbol 441 Graphic | Used by:Timeline | |
Symbol 442 Graphic | Used by:Timeline | |
Symbol 443 Graphic | Used by:Timeline | |
Symbol 444 Graphic | Used by:Timeline | |
Symbol 445 Graphic | Used by:Timeline | |
Symbol 446 Graphic | Used by:Timeline | |
Symbol 447 Graphic | Used by:Timeline | |
Symbol 448 Graphic | Used by:Timeline | |
Symbol 449 Graphic | Used by:Timeline | |
Symbol 450 Graphic | Used by:Timeline | |
Symbol 451 Graphic | Used by:Timeline | |
Symbol 452 Graphic | Used by:Timeline | |
Symbol 453 Graphic | Used by:Timeline | |
Symbol 454 Graphic | Used by:Timeline | |
Symbol 455 Graphic | Used by:Timeline | |
Symbol 456 Graphic | Used by:Timeline | |
Symbol 457 Graphic | Used by:Timeline | |
Symbol 458 Graphic | Used by:Timeline | |
Symbol 459 Graphic | Used by:Timeline | |
Symbol 460 Graphic | Used by:Timeline | |
Symbol 461 Graphic | Used by:Timeline | |
Symbol 462 Graphic | Used by:Timeline | |
Symbol 463 Graphic | Used by:Timeline | |
Symbol 464 Graphic | Used by:Timeline | |
Symbol 465 Graphic | Used by:Timeline | |
Symbol 466 Graphic | Used by:Timeline | |
Symbol 467 Graphic | Used by:Timeline | |
Symbol 468 Graphic | Used by:Timeline | |
Symbol 469 Graphic | Used by:Timeline | |
Symbol 470 Graphic | Used by:Timeline | |
Symbol 471 Graphic | Used by:Timeline | |
Symbol 472 Graphic | Used by:Timeline | |
Symbol 473 Graphic | Used by:Timeline | |
Symbol 474 Graphic | Used by:Timeline | |
Symbol 475 Graphic | Used by:Timeline | |
Symbol 476 Graphic | Used by:Timeline | |
Symbol 477 Graphic | Used by:Timeline | |
Symbol 478 Graphic | Used by:Timeline | |
Symbol 479 Graphic | Used by:Timeline | |
Symbol 480 Graphic | Used by:Timeline | |
Symbol 481 Graphic | Used by:Timeline | |
Symbol 482 Graphic | Used by:Timeline | |
Symbol 483 Graphic | Used by:Timeline | |
Symbol 484 Graphic | Used by:Timeline | |
Symbol 485 Graphic | Used by:Timeline | |
Symbol 486 Graphic | Used by:Timeline | |
Symbol 487 Graphic | Used by:Timeline | |
Symbol 488 Graphic | Used by:Timeline | |
Symbol 489 Graphic | Used by:Timeline | |
Symbol 490 Graphic | Used by:Timeline | |
Symbol 491 Graphic | Used by:Timeline | |
Symbol 492 Graphic | Used by:Timeline | |
Symbol 493 Graphic | Used by:Timeline | |
Symbol 494 Graphic | Used by:Timeline | |
Symbol 495 Graphic | Used by:Timeline | |
Symbol 496 Graphic | Used by:Timeline | |
Symbol 497 Graphic | Used by:Timeline | |
Symbol 498 Graphic | Used by:Timeline | |
Symbol 499 Graphic | Used by:Timeline | |
Symbol 500 Graphic | Used by:Timeline | |
Symbol 501 Graphic | Used by:Timeline | |
Symbol 502 Graphic | Used by:Timeline | |
Symbol 503 Graphic | Used by:Timeline | |
Symbol 504 Graphic | Used by:Timeline | |
Symbol 505 Graphic | Used by:Timeline | |
Symbol 506 Graphic | Used by:Timeline | |
Symbol 507 Graphic | Used by:Timeline | |
Symbol 508 Graphic | Used by:Timeline | |
Symbol 509 Graphic | Used by:Timeline | |
Symbol 510 Graphic | Used by:Timeline | |
Symbol 511 Graphic | Used by:Timeline | |
Symbol 512 Graphic | Used by:Timeline | |
Symbol 513 Graphic | Used by:Timeline | |
Symbol 514 Graphic | Used by:Timeline | |
Symbol 515 Graphic | Used by:Timeline | |
Symbol 516 Graphic | Used by:Timeline | |
Symbol 517 Graphic | Used by:Timeline | |
Symbol 518 Graphic | Used by:Timeline | |
Symbol 519 Graphic | Used by:Timeline | |
Symbol 520 Graphic | Used by:Timeline | |
Symbol 521 Graphic | Used by:Timeline | |
Symbol 522 Graphic | Used by:Timeline | |
Symbol 523 Graphic | Used by:Timeline | |
Symbol 524 Graphic | Used by:Timeline | |
Symbol 525 Graphic | Used by:Timeline | |
Symbol 526 Graphic | Used by:Timeline | |
Symbol 527 Graphic | Used by:Timeline | |
Symbol 528 Graphic | Used by:Timeline | |
Symbol 529 Graphic | Used by:Timeline | |
Symbol 530 Graphic | Used by:Timeline | |
Symbol 531 Graphic | Used by:Timeline | |
Symbol 532 Graphic | Used by:Timeline | |
Symbol 533 Graphic | Used by:Timeline | |
Symbol 534 Graphic | Used by:Timeline | |
Symbol 535 Graphic | Used by:Timeline | |
Symbol 536 Graphic | Used by:Timeline | |
Symbol 537 Graphic | Used by:Timeline | |
Symbol 538 Graphic | Used by:Timeline | |
Symbol 539 Graphic | Used by:Timeline | |
Symbol 540 Graphic | Used by:Timeline | |
Symbol 541 Graphic | Used by:Timeline | |
Symbol 542 Graphic | Used by:Timeline | |
Symbol 543 Graphic | Used by:Timeline | |
Symbol 544 Graphic | Used by:Timeline | |
Symbol 545 Graphic | Used by:Timeline | |
Symbol 546 Graphic | Used by:Timeline | |
Symbol 547 Graphic | Used by:Timeline | |
Symbol 548 Graphic | Used by:Timeline | |
Symbol 549 Graphic | Used by:Timeline | |
Symbol 550 Graphic | Used by:Timeline | |
Symbol 551 Text | Uses:37 | Used by:Timeline |
Symbol 552 Graphic | Used by:Timeline | |
Symbol 553 Graphic | Used by:Timeline | |
Symbol 554 Graphic | Used by:Timeline | |
Symbol 555 Graphic | Used by:Timeline | |
Symbol 556 Graphic | Used by:Timeline | |
Symbol 557 Graphic | Used by:Timeline | |
Symbol 558 Graphic | Used by:Timeline | |
Symbol 559 Graphic | Used by:Timeline | |
Symbol 560 Graphic | Used by:Timeline | |
Symbol 561 Graphic | Used by:Timeline | |
Symbol 562 Graphic | Used by:Timeline | |
Symbol 563 Graphic | Used by:Timeline | |
Symbol 564 Graphic | Used by:Timeline | |
Symbol 565 Graphic | Used by:Timeline | |
Symbol 566 Graphic | Used by:Timeline | |
Symbol 567 Graphic | Used by:Timeline | |
Symbol 568 Graphic | Used by:Timeline | |
Symbol 569 Graphic | Used by:Timeline | |
Symbol 570 Graphic | Used by:Timeline | |
Symbol 571 Graphic | Used by:Timeline | |
Symbol 572 Graphic | Used by:Timeline | |
Symbol 573 Graphic | Used by:Timeline | |
Symbol 574 Graphic | Used by:Timeline | |
Symbol 575 Graphic | Used by:Timeline | |
Symbol 576 Graphic | Used by:Timeline | |
Symbol 577 Bitmap | Used by:578 | |
Symbol 578 Graphic | Uses:577 | Used by:Timeline |
Symbol 579 Text | Uses:37 | Used by:Timeline |
Symbol 580 Text | Uses:37 | Used by:Timeline |
Symbol 581 Graphic | Used by:Timeline | |
Symbol 582 Graphic | Used by:Timeline | |
Symbol 583 Graphic | Used by:Timeline | |
Symbol 584 Text | Uses:37 | Used by:Timeline |
Symbol 585 Graphic | Used by:Timeline | |
Symbol 586 Font | Used by:587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 | |
Symbol 587 Text | Uses:586 | Used by:Timeline |
Symbol 588 Text | Uses:586 | Used by:Timeline |
Symbol 589 Text | Uses:586 | Used by:Timeline |
Symbol 590 Text | Uses:586 | Used by:Timeline |
Symbol 591 Text | Uses:586 | Used by:Timeline |
Symbol 592 Text | Uses:586 | Used by:Timeline |
Symbol 593 Text | Uses:586 | Used by:Timeline |
Symbol 594 Text | Uses:586 | Used by:Timeline |
Symbol 595 Text | Uses:586 | Used by:Timeline |
Symbol 596 Text | Uses:586 | Used by:Timeline |
Symbol 597 Text | Uses:586 | Used by:Timeline |
Symbol 598 Text | Uses:586 | Used by:Timeline |
Symbol 599 Text | Uses:586 | Used by:Timeline |
Symbol 600 Text | Uses:586 | Used by:Timeline |
Symbol 601 Text | Uses:586 | Used by:Timeline |
Symbol 602 Graphic | Used by:Timeline | |
Symbol 603 Graphic | Used by:Timeline | |
Symbol 604 Graphic | Used by:Timeline | |
Symbol 605 Graphic | Used by:Timeline | |
Symbol 606 Graphic | Used by:Timeline | |
Symbol 607 Graphic | Used by:Timeline | |
Symbol 608 Text | Uses:37 | Used by:Timeline |
Symbol 609 Text | Uses:37 | Used by:Timeline |
Symbol 610 Text | Uses:37 | Used by:Timeline |
Symbol 611 Graphic | Used by:Timeline | |
Symbol 612 Graphic | Used by:Timeline | |
Symbol 613 Graphic | Used by:Timeline | |
Symbol 614 Graphic | Used by:Timeline | |
Symbol 615 Text | Uses:37 | Used by:Timeline |
Symbol 616 Text | Uses:37 | Used by:Timeline |
Symbol 617 Graphic | Used by:Timeline | |
Symbol 618 Text | Uses:37 | Used by:Timeline |
Symbol 619 Graphic | Used by:Timeline | |
Symbol 620 Graphic | Used by:Timeline | |
Symbol 621 Text | Uses:37 | Used by:Timeline |
Symbol 622 Text | Uses:37 | Used by:Timeline |
Symbol 623 Text | Uses:37 | Used by:Timeline |
Symbol 624 Graphic | Used by:Timeline | |
Symbol 625 Text | Uses:37 | Used by:Timeline |
Symbol 626 Text | Uses:37 | Used by:Timeline |
Symbol 627 Text | Uses:37 | Used by:Timeline |
Symbol 628 Graphic | Used by:Timeline | |
Symbol 629 Text | Uses:37 | Used by:Timeline |
Symbol 630 Text | Uses:37 | Used by:Timeline |
Symbol 631 Graphic | Used by:Timeline | |
Symbol 632 Graphic | Used by:Timeline | |
Symbol 633 Graphic | Used by:Timeline | |
Symbol 634 Graphic | Used by:Timeline | |
Symbol 635 Text | Uses:37 | Used by:Timeline |
Symbol 636 Text | Uses:37 | Used by:Timeline |
Symbol 637 Text | Uses:37 | Used by:Timeline |
Symbol 638 Text | Uses:37 | Used by:Timeline |
Symbol 639 Text | Uses:37 | Used by:Timeline |
Symbol 640 Text | Uses:37 | Used by:Timeline |
Symbol 641 Graphic | Used by:Timeline | |
Symbol 642 Graphic | Used by:Timeline | |
Symbol 643 Font | Used by:644 645 646 647 648 649 650 651 652 653 654 655 656 | |
Symbol 644 Text | Uses:643 | Used by:Timeline |
Symbol 645 Text | Uses:643 | Used by:Timeline |
Symbol 646 Text | Uses:643 | Used by:Timeline |
Symbol 647 Text | Uses:643 | Used by:Timeline |
Symbol 648 Text | Uses:643 | Used by:Timeline |
Symbol 649 Text | Uses:643 | Used by:Timeline |
Symbol 650 Text | Uses:643 | Used by:Timeline |
Symbol 651 Text | Uses:643 | Used by:Timeline |
Symbol 652 Text | Uses:643 | Used by:Timeline |
Symbol 653 Text | Uses:643 | Used by:Timeline |
Symbol 654 Text | Uses:643 | Used by:Timeline |
Symbol 655 Text | Uses:643 | Used by:Timeline |
Symbol 656 Text | Uses:643 | Used by:Timeline |
Symbol 657 Text | Uses:37 | Used by:Timeline |
Symbol 658 Text | Uses:37 | Used by:Timeline |
Symbol 659 Text | Uses:10 | Used by:Timeline |
Streaming Sound 1 | Used by:Timeline |
Instance Names
"bar" | Symbol 17 MovieClip Frame 1 | Symbol 4 MovieClip |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"loaded" | Symbol 17 MovieClip Frame 3 |
Dynamic Text Variables
bytesleft | Symbol 6 EditableText | "" |
PercentLoaded | Symbol 8 EditableText | "" |
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