STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 229456 |
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This is the info page for Flash #19080 |
Have a Drink |
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have a drink enter the bar |
have a drink enter the bar |
have a drink enter the bar |
have a drink have a talk |
have a drink have a talk |
have a drink place your order |
have a drink place your order |
have a drink pour the drink |
have a drink pour the drink |
have a drink sing karaoke |
have a drink sing karaoke |
have a drink pay the bill |
have a drink pay the bill |
have a drink say good-bye |
have a drink say good-bye |
welcome. |
haven't met for a long time. |
good evening. |
Please sit down. |
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have a drink have a talk |
We haven't met for a long time. How are you? |
well, quite o.k.. |
This is the honourable Mr.Yoshida from our sister company. |
have a drink place your order |
Two bottles of sake and yakitori, please. |
I'll do as you please. |
cheers! |
have a drink pour the drink |
have a drink sing karaoke |
Mr.Suzuki ... I have heard you are very good at Karaoke. |
Wouldn't you like to sing something? |
No, no!! I am not good at all! |
Please just sing anything. |
have a drink pay the bill |
mama ... the bill! |
I'll do as you please. |
I am always grateful. |
Thank you for the food. |
thank you for paying the delicious meal. |
have a drink say good-bye |
please excuse us now. Until we meet again ... |
thank you very much. |
good-bye. |
Please come visit me again. |
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ActionScript [AS1/AS2]
Frame 1stop(); scrollableText = "The Japanese spend more money in business entertainment than in the national defence. To Japanese employees, entertainment after business hours is just as important as the daytime professional success in the company. Employers spend thousands of Yen each month to finance company activities such as golf playing, excursions or simply drinking parties in traditional Japanese bars, Karaoke bars or hostess clubs. Taking part in those events is essential for the employees in order to keep up a healthy, harmonious relationship, and except for the young, every company member is expected to attend.\r\rWhereas sport related events mostly scheduled for the week-end, the usual drinking parties take place in the evenings after work during the week.\r\rA recent study proves that about 97% of all better paid employees do not return home after work straight away. Spending your evenings in a drinking place ('izakaya' or 'nomiya') with your colleagues is considered as an essential part of the business relations, because this is the time to get closer and to learn to trust each other. Due to the traditional etiquette, Japanese often have to bear the immense pressure of having to suppress their emotions as they always have to be considerate about each other's feelings. Drinking parties make them release their stress and allows them to frankly speak about their emotions and thoughts, no matter if they are of positive or negative nature. In these situations it is quite common to openly discuss difficult business matters or criticize your superior.\r\rTo western people it might seem contradictory that the Japanese, restricted in the daytime, open up in the evenings. For the Japanese, however, there is no right or wrong and the two areas are regarded as completely separate. It is not considered rude to shout, sing, fight, loudly express one's opinion and to expose one's real personality ('honne') when drunk.\r\rWhen working in a Japanese company, western businessmen are expected to take part in the 'hashigo', meaning 'ladder drinking'. It would be very insulting if they did not, as the success of Japanese business relations very much depends on the development of human understanding and mutual trust. Western businessmen who are not willed to take part are considered as 'dorai', from the English 'dry', as they just seem to be neglecting human relationships and only be caring about their own professional advancement.\r\rWomen are usually kept out of the evening entertainment, so do not bring your wife. If you are both invited for dinner, your wife should excuse herself by saying that she is planning to go to the theatre and not accompany you to the bar. Only very recently young company employees prefer spending the evening going out with their wife.\r\rAs a western businesswomen working in a Japanese company you might accompany your male colleagues to a restaurant or bar to show your good will. Keep in mind, however, that Asian women generally drink less then men. As sometimes the pub crawls end up in Karaoke bars with implicit videos or even in sex clubs in the early morning, it is advisable for a woman, however, to excuse herself at an earlier stage.\r\rTraditional 'geisha' houses are sometimes visited by company employees. A professional 'geisha' dances, sings, pours 'sake' (Japanese rice wine) for the guest and indulges him in coquettish conversation. Recently these places have become less popular, however, as an evening in a 'geisha' house costs several hundred dollars per person and since the recent change in economy most Japanese companies can not afford this kind of luxury any longer.";Frame 216stop(); scrollableText = "Japan offers a wide range of places to drink and have snacks. Usually a group of businessmen begin drinking at an elegant and expensive spot and then move on to a cheaper one.\r\r'Izakaya' ('sit-down-sake-shop') are very small bars designed for people who wish to drink and talk with friends or colleagues. Very often, an 'izakaya' offers no more than about six seats. Its interior is of simple design and conveys a warm atmosphere. Commonly it is furnished with a wooden counter and simple bar stools. The drinks, snacks and prices are written down on narrow paper strips and displayed on the wall.\r\rThis 'izakaya' offers various kinds of beer, 'sake' (Japanese rice wine) and liquor as well as Japanese limonade, green tea and Chinese black tea. Available snacks include meat spits, preserved pickles, noodle soups, dried shredded squid, fish organs and soft shark bone.\r\rThere is a small house shrine, which serves as a lucky charm in order to promote the good relationship with the customers. The earthen cat figurine called 'maneki neko' has emerged for the first time in the Edo period (1603-1868). It is extremely popular among the Japanese as it is closely connected to the Shinto tradition. Many people keep one in their private home or working place as to promote their lucky future.\r\r'Maneki Nekos' come in various shapes and colours. The most common colours are white (referring to purity), black (against evil) and tri-coloured (gold, white and red). Rare versions include red (against illness) and purple (as to promote love). Very often a 'maneki neko' wears a red necklet and a golden bell. In former times, it was the affluent ladies who used to cherish cats, which were expensive at the time. In order to be able to look after their cats, the women attached a bell to its necklet.\r\rThe 'maneki neko' always raises one paw. The legend of this gesture has its origins at a temple in the Setagaya area. A samurai was beckoned by a straying cat. As he walked forward to where the cat was, a bolt of lightning hit the ground where he had been standing. Thankful that the cat had thus saved his life, he became a patron of this temple. Nowadays the temple enshrines the 'maneki neko'.";Frame 492stop(); scrollableText = "An 'izakaya' is often owned by an elderly unmarried woman called 'Mama-san'. Usually the customers of an 'izakaya' are businessmen who want to have a few drinks to relax after work. In this respect the Mama-san plays an important role: it is her duty to listen to her customer's family or profession related problems, which are rarely discussed at home.\r\rThe Mama-san satisfies those men's lingering for a sympathetic, understanding and sheltering mother. This longing, which is called 'amae', is specific for the Japanese as it derives from early childhood, when boys are coddled by their doting mothers. Japanese young boys are allowed and forgiven everything. When adult, they have to accomplish to the restrictive rules of the Japanese society, but the longing for the 'amae' is still present. Because of that, many Japanese men seek for somebody to fulfil this longing, even if they are adult.\r\rAs the relationship between the Mama-san and her regular customers is very intimate, new customers need to be especially introduced to her by somebody who is already a customer. Unfamiliar customers are hardly accepted. Once being introduced, however, you are received kindly as part of the group. Some customers even have their own private bottle of whiskey stored in the bar, which is exclusively opened for and emptied by them.\r\rVery often, regular customers automatically sit down on the 'kamiza' (high seat) closest to the owner of the bar, while newer guests sit on the 'shimoza' (low seat) near the entrance or at a table on the floor.";Frame 676stop(); scrollableText = "Smoking is extremely popular in Japan and health hazards are not discussed much. One third of the Japanese population smokes. 900 million cigarettes are bought every day, making Japan the third largest tobacco market in the world. Children and adolescents can buy cigarettes from automatic vending machines that do perform no age check, even though selling cigarettes to minors is against the law. As there is nothing like non-smoking zones, the Japanese smoke almost everywhere.\r\rJapanese traditional drinking places usually provide free green tea (o-cha), as to enable customers to alter between alcoholic and other drinks when they are drunk.\r\rTea first emerged in China during the Ming Dynasty (1368-1644). As many Japanese monks studied in China to learn about Buddhism at the time, it was them who introduced to Japan. The monks prized tea as a 'mystic medicine' and they particularly found it useful in order to keep their head clear yet not agitated, which greatly aided them in maintaining unbroken concentration throughout their lengthy sutra readings.\r\rThe Emperor soon heard about the mystic drink and once he tasted it he became extremely fond of it and ordered the planting of tea trees. Tea drinking quickly became fashionable among the aristocracy, yet, for some unknown reason, lost its popularity in the tenth century. Only in the thirteenth century it became popular again, as new methods of tea preparation were introduced from China.\r\rIn former times tea was prepared by pounding a roasted block of compacted tea leaves into powder and then boiling it in water. Today there are various kinds of teas and different ways to prepare them: 'Bancha' is a very common, coarse tea. It is generally composed of lower grade tea leaves, which are divided into the large leaf and the small leaf kind. This tea is very cheap and therefore served without charge in common restaurants. Even though this tea is very simple, there are about 22 different quality levels to distinguish.\r\r'Sencha' is the most popular green tea in Japan. To achieve highest quality, the leaves are exposed to direct sunlight and only tender leaves from the shoots are used. This kind of tea is usually drunk with a typical Japanese meal.\r\r'Gyokuro' emerged in the 19th century and is the most refined green tea. It has a slightly sweet taste and its leaves are sheltered from direct sunlight. It is consumed with the very best of Japanese cuisine but more often simply by itself. If you wish to impress your client, employer or another important person, then this is the tea to serve.\r\r'Matcha' is not a whole leaf tea. It is made by grinding steamed dried tea leaves into powder with a stone mortar, which makes it exceptionally smooth. 'Matcha' is used exclusively in the Japanese tea ceremony ('cha-do').\r\rThe Japanese tea ceremony was established in the sixteenth century as an aesthetic form based on Zen philosophy. The traditional tea ceremony attempts to create a complete aesthetic harmony, unifying architecture, gardening, fine arts, crafts, religion, philosophy, literature, food preparation and presentation. The first tea ceremonies took the form of tea-tasting contests, which were extravagant affairs in which gambling and conspicuous consumption figured prominently.\r\rEventually, though, the Zen aesthetic reasserted itself in the tea ceremony toward the end of the fifteenth century. The elaborate Chinese tea accessories were discarded for more simple Japanese utensils and the tea ceremony moved into small huts with the barest amount of decoration. With these changes the tea ceremony elevated from the level of mere art to become a spiritually enhanced ritual.\r\rToday, when brewing green tea, you put tea leaves in a teapot and pour hot water in it. The temperature of water and the brewing time depend on the kind of tea. Green tea is never drunk with sugar or milk.\r\rThe most popular tea pots used for brewing tea are called 'nambu tekki'. The manufacturing of these heavy iron pots dates back to the 17th century, when they were mainly used for boiling water on the open fire. Today these teapots are mostly manufactured in Morioka, a town in the north of Japan. The iron is cast and enamelled with Japanese lacquer inside, which protects it from rust. The naps on its surface enable the pot to retain heat.\r\rThe cups which are used for drinking tea are called 'yunomi' and are traditionally made of lacquered painted clay. If you are a woman, hold the 'yunomi' with one hand and put the other hand at the bottom of the cup while being served tea.";Frame 1372stop(); scrollableText = "The Japanese tend to feel uncomfortable when having to express their individual wishes and longings. When you place an order, do not ask for somebody's favourites, because it would make the person feel uncomfortable. It is best to choose whatever you think is appropriate. Ordering the same dish for everybody creates a harmonious atmosphere.\r\rAlthough beer is considered the most popular alcoholic beverage in Japan, 'sake' is drunk during religious festivals and private parties, to consecrate your vow when marrying, after a successful Sumo fight (Japanese wrestling), after or while taking a bath in a mineral spring or simply after work in a small bar.\r\rThe 'kojiki', one of Japan's oldest historical chronicles, traces the origin of 'sake' to the age of Gods. Local histories from the Nara period (710-94) suggest that the first 'sake' in Japan was called 'kuchikami no sake', meaning 'sake that is chewed in the mouth'. As the name indicates, in those times 'sake' was produced by chewing rice, chestnuts or millet and then spitting it into a large wooden tub, where saliva enzymes allowed it to brew for several days. Because not much water was used for brewing, the ancient 'sake' was rather thick and it consistency was similar to that of oatmeal.\r\rMore refined techniques of 'sake' brewing were introduced from China and Korea and improved and developed by the Japanese throughout the centuries. While at the beginning 'sake' was mainly used for religious ceremonies, the Imperial court and the caste of the samurai who indulged in drinking parties with dancing and singing 'geishas', it became more and more popular among merchants and the common people throughout the years.\r\rToday 'sake' is made primarily from highly polished rice with large soft grains ('sakamai') and semi-hard water interacting with microbes known as 'koji' and sake yeast. Altogether there are about 2.000 'sake' breweries in Japan. The brewing of 'sake' is very complex and only 'sake masters' ('toji') can perfectly fulfil the task. Some of them hold religious Shinto ceremonies before the brewing season begins, in order to promote a successful production.\r\rThere are about 10.000 different 'sake' brands in Japan, differing in taste and quality. 'Sake' can be classified in eight different categories. The most popular ones are 'flavourful sake' (low of acid, fruity flowery aroma), 'light sake' (smooth and fresh taste, with a dry aftertaste), 'rich sake' (light and mild flavour, smooth taste), 'aged sake' (light golden colour and spicy, nutty taste similar to sherry) and 'cloudy sake' (filtered in open-weave sacks that leave some of the rice particles suspended in the liquid creating a thick texture). Most kinds of 'sake' have an alcoholic strength of 15%.\r\r'Sake' is drunk hot ('atsukan') or cold ('hiyazake') depending to the season and the food that is served with it. It is served in small elaborately painted flasks called 'tokkuri' which are made of clay, china or wood. The 'sake' is poured into small decorated cups called 'ochocko', 'sakazuki' or 'masu'. Sometimes 'sake' is drunk with a pinch of salt or warmed with a piece of a globe fish's dried fin, giving it a mellow smoky flavour ('hire-zake').\r\rWhenever you lift your cup for the first time, say 'kanpai!', meaning 'cheers!'.";Frame 1556stop(); scrollableText = "'Yakitori' is a simple snack often served with alcohol in restaurants, small bars or out door drinking stalls. The dish is generally made from meat and vegetable and grilled on bamboo skewers over charcoal. As the meat is grilled, it is dipped into a sweetened soy-based sauce to give it a strong flavour. The Japanese enjoy eating 'yakitori' with chicken meat, skin, liver, heart, stomach or soft bone. 'Yakitori' can be eaten without chopsticks.";Frame 1736stop(); scrollableText = "Beer and 'sake' is served in bottles and shared by everyone. It is most important to never fill your own glass or cup. Pouring is a sign of respect or friendship.\r\rIf someone offers to pour for you, lift up your glass or cup, then offer to serve the other party. An empty glass indicates that somebody wants another serving, so always keep your eyes on everybody's cups, especially on your superior's. If you want to drink more but nobody pours for you, fill somebody else's glass and he will notice.\r\rEither the guest or the person with the highest rank is poured 'sake' first. It is proper to hold the 'sake' bottle in both hands if you are a woman or when you fill the cup of your superior. When you fill it for a person of lower rank you do not need to use both hands. As you extend the bottle, use your use your left hand palm upward lightly supporting the flask with your fingertips. Swivel your wrist and tilt the flask forward so that your palm is down as the 'sake' pours out. Pouring with your palm upward is considered rude.\r\rWhen receiving 'sake', pick up your cup with the thumb and index finger of your right hand, keeping them straight out and parallel to your chest. The other fingers should either be together and in line with your index finger or curled slightly toward your palm. When the pourer raises the bottle, extend the cup toward him.\r\rIf you are woman, use both hands to hold your cup. Use the right hand to hold the cup on one side and the palm of your left hand to support it. Both elbows should be slightly extended but relaxed. Always keep your eyes on your cup.\r\rIf you want to imply that you do not want to have your cup filled to the brim, rise it slightly while it is being filled, pushing up toward the inclined neck of the bottle.\r\rAs a sign of esteem or friendship you might be offered another guest's 'sake' cup in rare occasions. Accept it and raise it to be filled. After that, offer your own cup after having cleaned it and pour 'sake' in return.";Frame 2828stop(); scrollableText = "It is the lack of a certain enzyme that makes Asian people get drunk very quickly, which becomes noticeable in their faces which then turn red or purple.\r\rAmong all Asians, the Japanese are the heaviest drinkers in Asia. In Tokyo trains and platforms are full of sleeping drunk businessmen in the evenings and there is a faint smell of alcohol in the air. As drunken behaviour is accepted as part of a businessman's daily life, Japan's tolerance of public drunkenness is very high. Do not pass a remark or make a gesture implying pity when you pass a completely drunk person.\r\rOf course the behaviour of your colleagues drastically changes when they are drunk. While being rather reserved at the beginning they will open up when alcohol is involved as drinking makes them feel comfortable. This is the right time to take off your coat, to speak and sing out loud and to show your true personality. Do not be surprised if your Japanese colleague suddenly behaves less politely or even boorish. This just shows that he feels comfortable in your presence and that he wants to start a friendly relationship with you. Touching and hugging each other ('niko-pon') is part of it and not considered improper.\r\rAs drinking in Japan can be very excessive, people are not regarded responsible for the way they behave in such a situation. If somebody says something which you think is too direct, try not to take it too seriously. Humiliating and disrespectful behaviour, however, is tolerated under no circumstances.\r\rDrinking is a social event and the importance of it in order to achieve a personal relationship is illustrated by the recently coined word 'nomikeshon', which is a combination of the Japanese word 'nomi' (drinking) and the English word 'communication'. When being invited for a drink, take the chance to expand your network of connections and talk to your colleague in order to learn more about him as an individual.\r\rWhen starting a conversation at a bar or restaurant, refer to topics such as common acquaintances, countries you have visited, sports, your personal hobbies or your family. Furthermore the Japanese are always eager to hear about your impression of Japan and the customs of your own country. Do not, however, compare the two directly, as this might leave the impression that you think very critically about Japan.\r\rWhen the evening gets late and there has been a lot of drinking, topics might get more and more personal. Your Japanese colleagues might then frankly talk about the bad behaviour of a colleague or the difficult relationship with their boss. They might as well ask specific questions about your home country such as the dating behaviour of women. In addition, they might ask you what they have always wanted to know, such as why you wear a beard, why you are not married or how much money you earn. You should not take these questions too seriously and you do not need to answer all of them.\r\rListen carefully to what your colleagues say and try not to be too committal, as what you say will be remembered and you will be expected to stand by it. Do not promise anything in an offhand manner.\r\rAlthough taking part in a drinking party is socially extremely important, and refusing alcohol is considered improper, try to pace yourself. Generally, always adjust your pace of drinking to your colleague's. Getting intoxicated or sick or completely loosing one's control is embarrassing.\r\rIf you need a break, do not decline with a straight 'no', as you would be considered a killjoy. Say you have a stomach problem or tell them that your doctor ordered you not to drink too much ('dokuta sutoppu'). You might also just refrain from drinking your 'sake' or place one hand on top of your cup if somebody tries to refill it. As a third possibility, turn over your empty cup and place it onto the table. The hostess or one of your colleagues might then serve you Japanese green tea (never fill the cup to the top as it has no handle and would be too hot to hold it otherwise).";Frame 3397stop(); scrollableText = "'Karaoke' literally means empty ('kara-ppo') orchestra ('oke-sutura'). Basically, one stands on a raised platform with a standing microphone and sings along to a music tape. Above the platform is a monitor that displays videos depicting the song's story with the lyrics at the bottom of the screen.\r\rIt is believed that the use of 'karaoke' started about 20 years ago at a snack bar in the city of Kobe: the story claims that a snack bar owner, when a performer failed to appear, put on tapes of music and asked people if they wanted to sing. Since then 'karaoke' has become extremely popular among the Japanese.\r\rIt is said that a 'karaoke' microphone is warbled into about 16.5 million times a day in Japan. Friends, family members and business colleagues join to sing. 'Karaoke' is so popular that a famous beer brand has created a beer that is said to be helping singers to reach the high notes.\r\rThe first real revolution of 'karaoke' technology came with the development of home 'karaoke' sets which meant that you could sing at home whenever you wanted. You can buy karaoke tapes with books to try at home even if you do not have a karaoke set.\r\rUnfortunately, one side problem of the 'karaoke' sets was the noise as Japanese houses tend to be close together and not well insulated so, the 'karaoke Box' was developed. 'Karaoke boxes' were initially built from converted freight cars as soundproof places where you could sing really loudly if you wanted to. The first one appeared in 1984 in a rice field in the countryside of the Okayama prefecture. 'Karaoke' boxes soon became popular and were put up where ever there was space in both rural and urban areas.\r\rThe most common songs to sing in a 'karaoke' are traditional Japanese folk songs called 'enka', which are mostly about the sad fate of a poor farmer or a long lost love. Recently, western songs, especially standards by the Beatles, the Rolling Stones or Elvis, but even English, French or German folk songs such as 'Greensleves' or 'Lorelei' have become more and more popular.\r\rIn a 'karaoke' bar, everybody is expected to sing. Therefore be prepared to be able to sing at least one song of about 4 minutes with all its strophes. It is very embarrassing if you are not able to remember all the lyrics of a native song, as the Japanese, knowing about European music in depth, might be able to finish it for you.\r\rIn a 'karaoke' bar every member of the group has to sing at least once, so do not try to escape the situation. To express your modesty, however, once you are being asked to sing, politely decline the offer several times and be as humble as possible. Never sing without being asked and do not sing too often, as it might seem boastful.\r\rRepeat all of your requests for others to sing, as many times as it takes. If you do not, your Japanese counterpart, too shy to admit his passion to sing, might be disappointed not to be able to perform. Remember that, if you have invited a guest, he should be offered to sing at least twice as much as you do.";Frame 4692stop(); scrollableText = "When singing 'karaoke' it is not important to sing perfectly in pitch. Singing in a bar is the best chance to show your personality, individual emotions and performance skills. The more you exaggerate your outrageous gestures and expressive body language, the more you will be cherished by your audience.\r\rAs your audience wants to get to know you your most personal and emotional side while performing, sing on your own and not with a group. Refusing to add to the entertainment of the group leaves a bad taste for all and spoils the mood ('kibun'). However, if you feel extremely uncomfortable singing in front of other people, juggling, performing a skit or imitating animals is another possibility to refrain from being considered a killjoy.\r\rIf you are a good performer or a professional, do not advertise your talents, especially if you have not known the other party for too long. If you verbally mention your real talents your host might think you whish to actually perform, and he will try his best to make it happen. Your ability will be exhibited wherever you are and there will be no way out. It is better to surprise your host with your talent by the end of your stay.\r\rWhen listening to your colleague's singing, support him as much as you can by cheering and clapping your hands.";Frame 5079stop(); scrollableText = "For centuries, money has had a connotation of being 'dirty' in Japan. Therefore, when you pay the bill, do so in an unobserved moment without attracting everybody's attention or verbally referring to it.\r\rWhen you have dinner or go out with the members of your company, it is usually the person most superior who pays the bill, but often it is the task of the person with the lowest rank to hand it over. Money is usually transferred in a small envelope. Tipping is not customary in Japan, so give the exact amount of money or accept change.\r\rWhen accepting money, look into the giver's face instead of the money. In Japan you will rarely get handed out the wrong amount, and looking at the money might make the other person feel that you do not trust him.\r\rNever give your money to a cook behind the counter, such as for example a sushi master, as he might feel humiliated having to operate the 'dirty' money.\r\rOnce you are being invited by somebody, thank him by saying 'gochisosama'. Never try to put an invitation down and never suggest to share the bill, as this is considered as extremely rude. Once somebody offers to pay the bill, simply thank him as to show your respect. Accepting an invitation puts you in debt to your host, so repay the favour by inviting him out later for a meal. If somebody has invited you out and invites you again, always say 'thank you for the last time', when accepting the invitation.\r\rIf you are the one who intends to pay the bill, tell the restaurant's staff beforehand in order to prevent your Japanese colleagues to pay before you. If you are invited out by somebody, however, do not pay, because this might indicate that your host can not afford to do so himself.\r\rAs to make clear beforehand that you would like to invite the other party, arrange an evening at a western style restaurant that serves your home country's specialities.\r\rGenerally do not borrow money from or lend it to other employees. If someone else pays your share, settle the debt immediately.";Frame 5449stop(); scrollableText = "Once you wish to leave in order to return home or move on to the next pub, say good-bye to the hostess. The least superior person should open the door and let his superiors leave first. The hostess should remain in her bowing position until her guests have left.\r\rDrinking parties are likely to last until the early morning hours, so for some Japanese businessmen it is too complicated to return home for just a few hours of sleep. Many prefer to sleep in a nearby 'capsule hotel' a room packed with tiny containers that include a bed, a TV and an alarm clock.\r\rOnce you meet your colleagues in the office the next day, at all costs avoid talking about the other night. You may thank your senior for the meal, but do not speak about anything that refers to the drinking behaviour of your colleagues. Do not be surprised if your colleagues pretend they do not know what you are talking about. If, under the influence of alcohol, you have behaved in an extremely embarrassing way, do not refer to or apologize for it the next day. The Japanese prefer to ignore the fact, and speaking about it only makes it worse.\r\rIf you have become friendly with your Japanese colleague during your drinking session, do not show in the office and do not be surprised if he behaves rather reserved. 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Symbol 345 Graphic | Used by:429 468 581 | |
Symbol 346 Graphic | Used by:429 468 581 | |
Symbol 347 Graphic | Used by:429 468 581 | |
Symbol 348 Graphic | Used by:429 468 581 | |
Symbol 349 Graphic | Used by:429 468 581 | |
Symbol 350 Graphic | Used by:429 | |
Symbol 351 Graphic | Used by:429 | |
Symbol 352 Graphic | Used by:429 468 | |
Symbol 353 Graphic | Used by:354 | |
Symbol 354 MovieClip | Uses:353 | Used by:429 468 612 629 |
Symbol 355 Graphic | Used by:429 | |
Symbol 356 Graphic | Used by:429 | |
Symbol 357 Graphic | Used by:429 | |
Symbol 358 Graphic | Used by:429 | |
Symbol 359 Graphic | Used by:429 | |
Symbol 360 Graphic | Used by:429 | |
Symbol 361 Graphic | Used by:429 | |
Symbol 362 Graphic | Used by:429 | |
Symbol 363 Graphic | Used by:429 | |
Symbol 364 Graphic | Used by:429 | |
Symbol 365 Graphic | Used by:429 | |
Symbol 366 Graphic | Used by:429 | |
Symbol 367 Graphic | Used by:429 | |
Symbol 368 Graphic | Used by:429 | |
Symbol 369 Graphic | Used by:429 | |
Symbol 370 Graphic | Used by:429 | |
Symbol 371 Graphic | Used by:429 | |
Symbol 372 Graphic | Used by:429 | |
Symbol 373 Graphic | Used by:429 | |
Symbol 374 Graphic | Used by:429 | |
Symbol 375 Graphic | Used by:429 | |
Symbol 376 Graphic | Used by:429 | |
Symbol 377 Graphic | Used by:429 | |
Symbol 378 Graphic | Used by:379 | |
Symbol 379 MovieClip | Uses:378 | Used by:429 581 661 774 853 877 |
Symbol 380 Graphic | Used by:429 | |
Symbol 381 Graphic | Used by:429 | |
Symbol 382 Graphic | Used by:429 | |
Symbol 383 Graphic | Used by:429 | |
Symbol 384 Graphic | Used by:429 | |
Symbol 385 Graphic | Used by:429 | |
Symbol 386 Graphic | Used by:429 | |
Symbol 387 Graphic | Used by:429 | |
Symbol 388 Graphic | Used by:429 | |
Symbol 389 Graphic | Used by:429 | |
Symbol 390 Graphic | Used by:429 | |
Symbol 391 Graphic | Used by:429 | |
Symbol 392 Graphic | Used by:429 | |
Symbol 393 Graphic | Used by:429 | |
Symbol 394 Graphic | Used by:429 | |
Symbol 395 Graphic | Used by:429 | |
Symbol 396 Graphic | Used by:429 | |
Symbol 397 Graphic | Used by:429 | |
Symbol 398 Graphic | Used by:429 | |
Symbol 399 Graphic | Used by:429 | |
Symbol 400 Graphic | Used by:429 | |
Symbol 401 Graphic | Used by:429 581 612 | |
Symbol 402 Graphic | Used by:429 581 612 | |
Symbol 403 Graphic | Used by:429 581 | |
Symbol 404 Graphic | Used by:429 581 | |
Symbol 405 Graphic | Used by:429 581 | |
Symbol 406 Graphic | Used by:429 468 612 | |
Symbol 407 Graphic | Used by:429 468 612 | |
Symbol 408 Graphic | Used by:429 468 612 | |
Symbol 409 Graphic | Used by:429 468 612 | |
Symbol 410 Graphic | Used by:429 468 612 | |
Symbol 411 Graphic | Used by:429 581 612 | |
Symbol 412 Graphic | Used by:429 581 612 | |
Symbol 413 Graphic | Used by:429 581 | |
Symbol 414 Graphic | Used by:429 581 | |
Symbol 415 Graphic | Used by:429 468 612 | |
Symbol 416 Graphic | Used by:429 468 612 | |
Symbol 417 Graphic | Used by:429 468 612 | |
Symbol 418 Graphic | Used by:429 468 612 | |
Symbol 419 Graphic | Used by:429 581 612 | |
Symbol 420 Graphic | Used by:429 581 612 | |
Symbol 421 Graphic | Used by:429 581 | |
Symbol 422 Graphic | Used by:429 581 | |
Symbol 423 Graphic | Used by:429 581 | |
Symbol 424 Graphic | Used by:429 468 612 | |
Symbol 425 Graphic | Used by:429 468 612 | |
Symbol 426 Graphic | Used by:429 468 612 | |
Symbol 427 Graphic | Used by:429 468 612 | |
Symbol 428 Graphic | Used by:429 | |
Symbol 429 MovieClip | Uses:324 41 325 44 46 47 48 51 53 23 25 298 258 259 304 318 317 283 55 37 38 315 36 326 58 65 297 59 274 62 63 67 83 81 69 71 73 327 328 29 329 74 235 236 233 234 300 301 302 134 309 32 310 78 77 305 306 307 91 90 313 314 291 292 256 260 288 80 82 275 277 278 293 294 295 281 331 299 284 308 311 312 119 56 49 332 333 272 335 276 280 336 337 338 340 341 342 343 344 345 346 347 348 349 135 35 350 351 352 354 355 356 31 33 75 357 358 359 360 361 362 363 364 26 27 30 79 365 366 367 368 369 370 371 372 373 374 375 376 377 379 380 381 382 383 384 385 386 387 107 388 389 118 390 391 392 112 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 SS5 | Used by:Timeline |
Symbol 430 Text | Uses:13 | Used by:Timeline |
Symbol 431 Graphic | Used by:Timeline | |
Symbol 432 Graphic | Used by:Timeline | |
Symbol 433 Graphic | Used by:Timeline | |
Symbol 434 Text | Uses:13 | Used by:Timeline |
Symbol 435 Graphic | Used by:Timeline | |
Symbol 436 Text | Uses:13 | Used by:Timeline |
Symbol 437 Graphic | Used by:Timeline | |
Symbol 438 Graphic | Used by:Timeline | |
Symbol 439 Graphic | Used by:Timeline | |
Symbol 440 Text | Uses:13 | Used by:Timeline |
Symbol 441 Graphic | Used by:Timeline | |
Symbol 442 EditableText | Uses:2 | Used by:Timeline |
Symbol 443 Button | Uses:219 | Used by:Timeline |
Symbol 444 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Symbol 445 Graphic | Used by:453 | |
Symbol 446 Graphic | Used by:453 | |
Symbol 447 Graphic | Used by:453 | |
Symbol 448 Graphic | Used by:449 | |
Symbol 449 MovieClip | Uses:448 | Used by:452 581 612 629 661 |
Symbol 450 Graphic | Used by:451 | |
Symbol 451 MovieClip | Uses:450 | Used by:452 581 612 629 661 |
Symbol 452 MovieClip | Uses:449 451 | Used by:453 468 581 |
Symbol 453 MovieClip | Uses:445 41 446 44 46 47 48 51 53 23 25 31 32 33 26 27 29 30 55 37 38 135 35 36 447 58 65 297 274 62 63 67 59 331 335 258 69 71 73 74 288 283 256 259 75 77 260 78 293 294 295 79 291 292 300 301 302 298 275 304 305 306 307 277 278 286 81 452 287 281 308 311 312 119 309 310 313 314 317 315 318 284 299 56 327 328 329 83 80 82 SS6 | Used by:Timeline |
Symbol 454 EditableText | Uses:2 | Used by:Timeline |
Symbol 455 Button | Uses:219 | Used by:Timeline |
Symbol 456 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Symbol 457 Graphic | Used by:468 | |
Symbol 458 Graphic | Used by:468 | |
Symbol 459 Graphic | Used by:468 | |
Symbol 460 Graphic | Used by:468 | |
Symbol 461 Graphic | Used by:468 | |
Symbol 462 Graphic | Used by:468 | |
Symbol 463 Graphic | Used by:468 | |
Symbol 464 Graphic | Used by:468 | |
Symbol 465 Graphic | Used by:468 | |
Symbol 466 Graphic | Used by:468 | |
Symbol 467 Graphic | Used by:468 | |
Symbol 468 MovieClip | Uses:457 41 458 44 46 47 48 51 53 23 25 298 258 259 300 29 301 302 55 37 38 315 36 459 58 65 274 297 62 67 59 452 63 331 335 83 81 69 71 73 460 461 304 305 306 307 78 77 352 354 283 134 309 32 310 342 343 344 462 313 314 345 346 347 348 349 317 135 35 463 318 291 292 327 328 329 74 49 464 465 466 467 406 407 408 409 410 415 416 417 119 418 424 425 426 427 SS7 | Used by:Timeline |
Symbol 469 Text | Uses:13 | Used by:Timeline |
Symbol 470 Graphic | Used by:Timeline | |
Symbol 471 Graphic | Used by:Timeline | |
Symbol 472 EditableText | Uses:2 | Used by:Timeline |
Symbol 473 Button | Uses:219 | Used by:Timeline |
Symbol 474 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Symbol 475 Graphic | Used by:581 | |
Symbol 476 Graphic | Used by:581 | |
Symbol 477 Graphic | Used by:581 | |
Symbol 478 Graphic | Used by:581 | |
Symbol 479 Graphic | Used by:581 | |
Symbol 480 Graphic | Used by:581 | |
Symbol 481 Graphic | Used by:581 | |
Symbol 482 Graphic | Used by:581 | |
Symbol 483 Graphic | Used by:581 | |
Symbol 484 Graphic | Used by:581 | |
Symbol 485 Graphic | Used by:581 | |
Symbol 486 Graphic | Used by:581 | |
Symbol 487 Graphic | Used by:581 | |
Symbol 488 Graphic | Used by:581 | |
Symbol 489 Graphic | Used by:581 | |
Symbol 490 Graphic | Used by:581 | |
Symbol 491 Graphic | Used by:581 | |
Symbol 492 Graphic | Used by:581 | |
Symbol 493 Graphic | Used by:581 | |
Symbol 494 Graphic | Used by:581 | |
Symbol 495 Graphic | Used by:581 | |
Symbol 496 Graphic | Used by:581 | |
Symbol 497 Graphic | Used by:498 | |
Symbol 498 MovieClip | Uses:497 | Used by:581 612 629 661 |
Symbol 499 Graphic | Used by:581 | |
Symbol 500 Graphic | Used by:581 | |
Symbol 501 Graphic | Used by:581 | |
Symbol 502 Graphic | Used by:581 | |
Symbol 503 Graphic | Used by:581 | |
Symbol 504 Graphic | Used by:581 | |
Symbol 505 Graphic | Used by:581 | |
Symbol 506 Graphic | Used by:581 | |
Symbol 507 Graphic | Used by:581 | |
Symbol 508 Graphic | Used by:581 | |
Symbol 509 Graphic | Used by:581 | |
Symbol 510 Graphic | Used by:581 | |
Symbol 511 Graphic | Used by:581 | |
Symbol 512 Graphic | Used by:581 877 | |
Symbol 513 Graphic | Used by:581 | |
Symbol 514 Graphic | Used by:581 | |
Symbol 515 Graphic | Used by:581 | |
Symbol 516 Graphic | Used by:581 | |
Symbol 517 Graphic | Used by:581 | |
Symbol 518 Graphic | Used by:581 | |
Symbol 519 Graphic | Used by:581 | |
Symbol 520 Graphic | Used by:581 | |
Symbol 521 Graphic | Used by:581 | |
Symbol 522 Graphic | Used by:581 | |
Symbol 523 Graphic | Used by:581 | |
Symbol 524 Graphic | Used by:581 | |
Symbol 525 Graphic | Used by:581 | |
Symbol 526 Graphic | Used by:581 | |
Symbol 527 Graphic | Used by:581 | |
Symbol 528 Graphic | Used by:581 | |
Symbol 529 Graphic | Used by:581 | |
Symbol 530 Graphic | Used by:581 | |
Symbol 531 Graphic | Used by:581 | |
Symbol 532 Graphic | Used by:581 | |
Symbol 533 Graphic | Used by:581 | |
Symbol 534 Graphic | Used by:581 | |
Symbol 535 Graphic | Used by:581 | |
Symbol 536 Graphic | Used by:581 | |
Symbol 537 Graphic | Used by:581 | |
Symbol 538 Graphic | Used by:581 | |
Symbol 539 Graphic | Used by:581 | |
Symbol 540 Graphic | Used by:581 | |
Symbol 541 Graphic | Used by:581 | |
Symbol 542 Graphic | Used by:581 | |
Symbol 543 Graphic | Used by:581 | |
Symbol 544 Graphic | Used by:581 | |
Symbol 545 Graphic | Used by:581 | |
Symbol 546 Graphic | Used by:581 | |
Symbol 547 Graphic | Used by:581 | |
Symbol 548 Graphic | Used by:581 | |
Symbol 549 Graphic | Used by:581 | |
Symbol 550 Graphic | Used by:581 | |
Symbol 551 Graphic | Used by:581 | |
Symbol 552 Graphic | Used by:581 | |
Symbol 553 Graphic | Used by:581 | |
Symbol 554 Graphic | Used by:581 | |
Symbol 555 Graphic | Used by:581 | |
Symbol 556 Graphic | Used by:581 | |
Symbol 557 Graphic | Used by:581 | |
Symbol 558 Graphic | Used by:581 | |
Symbol 559 Graphic | Used by:581 | |
Symbol 560 Graphic | Used by:581 | |
Symbol 561 Graphic | Used by:581 | |
Symbol 562 Graphic | Used by:581 | |
Symbol 563 Graphic | Used by:581 | |
Symbol 564 Graphic | Used by:581 | |
Symbol 565 Graphic | Used by:581 | |
Symbol 566 Graphic | Used by:581 | |
Symbol 567 Graphic | Used by:581 | |
Symbol 568 Graphic | Used by:581 | |
Symbol 569 Graphic | Used by:581 | |
Symbol 570 Graphic | Used by:581 | |
Symbol 571 Graphic | Used by:581 | |
Symbol 572 Graphic | Used by:581 | |
Symbol 573 Graphic | Used by:581 | |
Symbol 574 Graphic | Used by:581 612 629 | |
Symbol 575 Graphic | Used by:581 | |
Symbol 576 Graphic | Used by:581 | |
Symbol 577 Graphic | Used by:581 612 629 | |
Symbol 578 Graphic | Used by:581 612 629 | |
Symbol 579 Graphic | Used by:581 612 629 | |
Symbol 580 Graphic | Used by:581 612 629 | |
Symbol 581 MovieClip | Uses:475 41 476 44 46 47 48 51 53 23 25 313 258 259 314 283 304 305 29 306 307 55 37 38 135 35 36 56 58 65 274 297 62 67 59 452 63 331 335 83 81 69 71 73 78 77 134 291 32 292 317 298 318 74 477 478 479 449 451 480 481 482 327 328 329 483 484 485 486 300 301 302 487 488 489 309 310 490 491 492 493 494 495 496 498 499 277 284 256 260 500 501 502 503 504 118 119 275 278 505 506 281 507 49 288 26 27 30 293 294 295 508 509 510 31 33 511 308 342 343 344 311 312 345 346 75 347 79 348 349 315 512 513 401 402 403 404 405 411 412 413 379 414 419 420 421 422 423 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 SS8 | Used by:Timeline |
Symbol 582 Graphic | Used by:Timeline | |
Symbol 583 Graphic | Used by:Timeline | |
Symbol 584 Graphic | Used by:612 | |
Symbol 585 Graphic | Used by:612 | |
Symbol 586 Graphic | Used by:612 | |
Symbol 587 Graphic | Used by:612 | |
Symbol 588 Graphic | Used by:612 | |
Symbol 589 Graphic | Used by:612 | |
Symbol 590 Graphic | Used by:612 | |
Symbol 591 Graphic | Used by:612 629 | |
Symbol 592 Graphic | Used by:612 629 | |
Symbol 593 Graphic | Used by:612 629 | |
Symbol 594 Graphic | Used by:612 | |
Symbol 595 Graphic | Used by:612 | |
Symbol 596 Graphic | Used by:612 | |
Symbol 597 Graphic | Used by:612 629 | |
Symbol 598 Graphic | Used by:612 629 | |
Symbol 599 Graphic | Used by:612 | |
Symbol 600 Graphic | Used by:612 | |
Symbol 601 Graphic | Used by:612 | |
Symbol 602 Graphic | Used by:612 | |
Symbol 603 Graphic | Used by:612 629 | |
Symbol 604 Graphic | Used by:612 | |
Symbol 605 Graphic | Used by:612 629 | |
Symbol 606 Graphic | Used by:612 629 | |
Symbol 607 Graphic | Used by:612 | |
Symbol 608 Graphic | Used by:612 | |
Symbol 609 Graphic | Used by:612 629 | |
Symbol 610 Graphic | Used by:611 | |
Symbol 611 MovieClip | Uses:610 | Used by:612 629 661 793 853 877 |
Symbol 612 MovieClip | Uses:584 41 585 44 46 47 48 51 53 23 25 313 258 259 314 283 577 578 27 29 30 574 579 580 55 260 288 36 586 58 65 274 297 62 67 59 449 451 498 63 331 335 83 81 69 71 73 78 77 293 294 291 32 292 401 402 295 411 412 49 419 420 134 275 277 278 308 311 312 119 281 315 284 406 407 415 416 424 425 587 33 408 409 410 417 418 588 589 590 591 426 427 592 593 594 595 596 597 598 599 35 600 601 602 603 604 605 606 607 608 609 354 611 SS9 | Used by:Timeline |
Symbol 613 Graphic | Used by:Timeline | |
Symbol 614 EditableText | Uses:2 | Used by:Timeline |
Symbol 615 Button | Uses:219 | Used by:Timeline |
Symbol 616 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Symbol 617 Graphic | Used by:629 | |
Symbol 618 Graphic | Used by:629 | |
Symbol 619 Graphic | Used by:629 | |
Symbol 620 Graphic | Used by:629 | |
Symbol 621 Graphic | Used by:629 | |
Symbol 622 Graphic | Used by:629 | |
Symbol 623 Graphic | Used by:629 | |
Symbol 624 Graphic | Used by:629 | |
Symbol 625 Graphic | Used by:629 | |
Symbol 626 Graphic | Used by:629 | |
Symbol 627 Graphic | Used by:629 | |
Symbol 628 Graphic | Used by:629 | |
Symbol 629 MovieClip | Uses:617 41 618 44 46 47 48 51 53 23 25 592 32 593 591 577 578 27 29 30 574 579 580 55 597 598 605 35 36 603 606 56 58 65 274 297 62 67 59 449 451 498 63 331 335 258 83 81 69 71 611 73 80 82 619 620 621 622 623 624 134 625 283 626 627 609 354 628 135 26 37 38 31 33 78 77 SS10 | Used by:Timeline |
Symbol 630 Graphic | Used by:661 | |
Symbol 631 Graphic | Used by:661 | |
Symbol 632 Graphic | Used by:661 | |
Symbol 633 Graphic | Used by:661 | |
Symbol 634 Graphic | Used by:661 | |
Symbol 635 Graphic | Used by:661 | |
Symbol 636 Graphic | Used by:661 | |
Symbol 637 Graphic | Used by:661 | |
Symbol 638 Graphic | Used by:661 774 853 877 | |
Symbol 639 Graphic | Used by:661 774 853 877 | |
Symbol 640 Graphic | Used by:661 774 853 877 | |
Symbol 641 Graphic | Used by:661 | |
Symbol 642 Graphic | Used by:661 | |
Symbol 643 Graphic | Used by:661 | |
Symbol 644 Graphic | Used by:661 | |
Symbol 645 Graphic | Used by:661 | |
Symbol 646 Graphic | Used by:661 | |
Symbol 647 Graphic | Used by:661 | |
Symbol 648 Graphic | Used by:661 | |
Symbol 649 Graphic | Used by:661 | |
Symbol 650 Graphic | Used by:651 | |
Symbol 651 MovieClip | Uses:650 | Used by:661 774 |
Symbol 652 Graphic | Used by:661 | |
Symbol 653 Graphic | Used by:654 | |
Symbol 654 MovieClip | Uses:653 | Used by:661 774 |
Symbol 655 Graphic | Used by:661 | |
Symbol 656 Graphic | Used by:661 793 853 877 | |
Symbol 657 Graphic | Used by:661 | |
Symbol 658 Graphic | Used by:661 | |
Symbol 659 Graphic | Used by:661 | |
Symbol 660 Graphic | Used by:661 | |
Symbol 661 MovieClip | Uses:630 41 631 44 46 47 48 51 53 23 25 31 32 33 26 27 29 30 55 37 38 135 35 36 632 58 65 274 297 62 67 59 449 451 498 63 331 335 258 83 81 69 71 611 73 74 633 634 118 134 119 75 77 80 82 79 49 635 636 56 78 637 638 639 640 379 641 642 643 644 124 645 283 646 647 648 649 651 652 654 655 120 656 121 657 658 659 660 SS11 | Used by:Timeline |
Symbol 662 Text | Uses:13 | Used by:Timeline |
Symbol 663 Graphic | Used by:Timeline | |
Symbol 664 Graphic | Used by:Timeline | |
Symbol 665 Graphic | Used by:Timeline | |
Symbol 666 Text | Uses:13 | Used by:Timeline |
Symbol 667 Graphic | Used by:Timeline | |
Symbol 668 Text | Uses:13 | Used by:Timeline |
Symbol 669 Graphic | Used by:Timeline | |
Symbol 670 Text | Uses:13 | Used by:Timeline |
Symbol 671 Graphic | Used by:Timeline | |
Symbol 672 Text | Uses:13 | Used by:Timeline |
Symbol 673 EditableText | Uses:2 | Used by:Timeline |
Symbol 674 Button | Uses:219 | Used by:Timeline |
Symbol 675 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Symbol 676 Graphic | Used by:774 | |
Symbol 677 Graphic | Used by:774 | |
Symbol 678 Graphic | Used by:774 | |
Symbol 679 Graphic | Used by:774 | |
Symbol 680 Graphic | Used by:774 | |
Symbol 681 Graphic | Used by:774 | |
Symbol 682 Graphic | Used by:774 | |
Symbol 683 Graphic | Used by:774 | |
Symbol 684 Graphic | Used by:774 | |
Symbol 685 Graphic | Used by:774 | |
Symbol 686 Graphic | Used by:774 | |
Symbol 687 Graphic | Used by:774 | |
Symbol 688 Graphic | Used by:774 | |
Symbol 689 Graphic | Used by:774 | |
Symbol 690 Graphic | Used by:774 | |
Symbol 691 Graphic | Used by:774 | |
Symbol 692 Graphic | Used by:774 | |
Symbol 693 Graphic | Used by:774 | |
Symbol 694 Graphic | Used by:774 | |
Symbol 695 Graphic | Used by:774 | |
Symbol 696 Graphic | Used by:774 | |
Symbol 697 Graphic | Used by:774 | |
Symbol 698 Graphic | Used by:774 | |
Symbol 699 Graphic | Used by:774 | |
Symbol 700 Graphic | Used by:774 | |
Symbol 701 Graphic | Used by:774 | |
Symbol 702 Graphic | Used by:774 | |
Symbol 703 Graphic | Used by:774 | |
Symbol 704 Graphic | Used by:774 | |
Symbol 705 Graphic | Used by:774 | |
Symbol 706 Graphic | Used by:774 | |
Symbol 707 Graphic | Used by:774 | |
Symbol 708 Graphic | Used by:774 | |
Symbol 709 Graphic | Used by:774 | |
Symbol 710 Graphic | Used by:774 | |
Symbol 711 Graphic | Used by:774 | |
Symbol 712 Graphic | Used by:774 | |
Symbol 713 Graphic | Used by:774 | |
Symbol 714 Graphic | Used by:774 | |
Symbol 715 Graphic | Used by:774 | |
Symbol 716 Graphic | Used by:774 | |
Symbol 717 Graphic | Used by:774 | |
Symbol 718 Graphic | Used by:774 | |
Symbol 719 Graphic | Used by:774 | |
Symbol 720 Graphic | Used by:774 | |
Symbol 721 Graphic | Used by:774 | |
Symbol 722 Graphic | Used by:774 | |
Symbol 723 Graphic | Used by:774 | |
Symbol 724 Graphic | Used by:774 | |
Symbol 725 Graphic | Used by:774 | |
Symbol 726 Graphic | Used by:774 | |
Symbol 727 Graphic | Used by:774 | |
Symbol 728 Graphic | Used by:774 | |
Symbol 729 Graphic | Used by:774 | |
Symbol 730 Graphic | Used by:774 | |
Symbol 731 Graphic | Used by:774 | |
Symbol 732 Graphic | Used by:774 | |
Symbol 733 Graphic | Used by:774 | |
Symbol 734 Graphic | Used by:774 | |
Symbol 735 Graphic | Used by:774 | |
Symbol 736 Graphic | Used by:774 | |
Symbol 737 Graphic | Used by:774 | |
Symbol 738 Graphic | Used by:774 | |
Symbol 739 Graphic | Used by:774 | |
Symbol 740 Graphic | Used by:774 | |
Symbol 741 Graphic | Used by:774 | |
Symbol 742 Graphic | Used by:774 | |
Symbol 743 Graphic | Used by:774 | |
Symbol 744 Graphic | Used by:774 | |
Symbol 745 Graphic | Used by:774 | |
Symbol 746 Graphic | Used by:774 | |
Symbol 747 Graphic | Used by:774 | |
Symbol 748 Graphic | Used by:774 | |
Symbol 749 Graphic | Used by:774 | |
Symbol 750 Graphic | Used by:774 | |
Symbol 751 Graphic | Used by:774 | |
Symbol 752 Graphic | Used by:774 | |
Symbol 753 Graphic | Used by:774 | |
Symbol 754 Graphic | Used by:774 | |
Symbol 755 Graphic | Used by:774 | |
Symbol 756 Graphic | Used by:774 | |
Symbol 757 Graphic | Used by:774 | |
Symbol 758 Graphic | Used by:774 | |
Symbol 759 Graphic | Used by:774 | |
Symbol 760 Graphic | Used by:774 | |
Symbol 761 Graphic | Used by:774 | |
Symbol 762 Graphic | Used by:774 | |
Symbol 763 Graphic | Used by:774 | |
Symbol 764 Graphic | Used by:774 | |
Symbol 765 Graphic | Used by:774 | |
Symbol 766 Graphic | Used by:774 | |
Symbol 767 Graphic | Used by:774 | |
Symbol 768 Graphic | Used by:774 | |
Symbol 769 Graphic | Used by:774 | |
Symbol 770 Graphic | Used by:774 | |
Symbol 771 Graphic | Used by:774 | |
Symbol 772 Graphic | Used by:774 | |
Symbol 773 Graphic | Used by:774 | |
Symbol 774 MovieClip | Uses:676 651 677 654 678 23 25 26 27 29 30 120 121 108 109 110 111 32 114 115 97 101 679 680 92 93 94 95 96 681 31 33 35 36 37 38 79 75 77 78 74 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 638 639 701 640 379 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 24 755 756 757 758 759 760 761 762 763 764 765 766 131 132 767 768 769 770 771 772 773 SS12 | Used by:Timeline |
Symbol 775 Graphic | Used by:Timeline | |
Symbol 776 Graphic | Used by:Timeline | |
Symbol 777 Graphic | Used by:Timeline | |
Symbol 778 EditableText | Uses:2 | Used by:Timeline |
Symbol 779 Button | Uses:219 | Used by:Timeline |
Symbol 780 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Symbol 781 Graphic | Used by:793 | |
Symbol 782 Graphic | Used by:793 | |
Symbol 783 Graphic | Used by:793 | |
Symbol 784 Graphic | Used by:793 | |
Symbol 785 Graphic | Used by:793 | |
Symbol 786 Graphic | Used by:793 | |
Symbol 787 Graphic | Used by:793 | |
Symbol 788 Graphic | Used by:793 | |
Symbol 789 Graphic | Used by:793 | |
Symbol 790 Graphic | Used by:793 | |
Symbol 791 Graphic | Used by:793 | |
Symbol 792 Graphic | Used by:793 | |
Symbol 793 MovieClip | Uses:781 41 782 44 46 47 48 51 53 37 23 38 55 783 58 65 274 297 62 656 331 335 611 67 83 81 69 71 73 74 235 236 233 234 134 91 90 84 85 86 102 103 87 88 89 129 130 49 80 82 784 785 286 786 287 787 788 789 790 791 792 SS13 | Used by:Timeline |
Symbol 794 Text | Uses:13 | Used by:Timeline |
Symbol 795 Graphic | Used by:Timeline | |
Symbol 796 Graphic | Used by:Timeline | |
Symbol 797 Graphic | Used by:Timeline | |
Symbol 798 Text | Uses:13 | Used by:Timeline |
Symbol 799 Graphic | Used by:Timeline | |
Symbol 800 Text | Uses:13 | Used by:Timeline |
Symbol 801 Graphic | Used by:Timeline | |
Symbol 802 Graphic | Used by:Timeline | |
Symbol 803 Text | Uses:13 | Used by:Timeline |
Symbol 804 Graphic | Used by:853 | |
Symbol 805 Graphic | Used by:853 | |
Symbol 806 Graphic | Used by:853 877 | |
Symbol 807 Graphic | Used by:853 | |
Symbol 808 Graphic | Used by:853 | |
Symbol 809 Graphic | Used by:853 | |
Symbol 810 Graphic | Used by:853 | |
Symbol 811 Graphic | Used by:853 | |
Symbol 812 Graphic | Used by:853 | |
Symbol 813 Graphic | Used by:853 | |
Symbol 814 Graphic | Used by:853 | |
Symbol 815 Graphic | Used by:853 | |
Symbol 816 Graphic | Used by:853 | |
Symbol 817 Graphic | Used by:853 | |
Symbol 818 Graphic | Used by:853 | |
Symbol 819 Graphic | Used by:853 | |
Symbol 820 Graphic | Used by:853 | |
Symbol 821 Graphic | Used by:853 | |
Symbol 822 Graphic | Used by:853 | |
Symbol 823 Graphic | Used by:853 | |
Symbol 824 Graphic | Used by:853 | |
Symbol 825 Graphic | Used by:853 | |
Symbol 826 Graphic | Used by:853 | |
Symbol 827 Graphic | Used by:853 | |
Symbol 828 Graphic | Used by:853 | |
Symbol 829 Graphic | Used by:853 | |
Symbol 830 Graphic | Used by:853 | |
Symbol 831 Graphic | Used by:853 | |
Symbol 832 Graphic | Used by:853 | |
Symbol 833 Graphic | Used by:853 | |
Symbol 834 Graphic | Used by:853 | |
Symbol 835 Graphic | Used by:853 | |
Symbol 836 Graphic | Used by:853 | |
Symbol 837 Graphic | Used by:853 | |
Symbol 838 Graphic | Used by:853 | |
Symbol 839 Graphic | Used by:853 | |
Symbol 840 Graphic | Used by:853 | |
Symbol 841 Graphic | Used by:853 | |
Symbol 842 Graphic | Used by:853 | |
Symbol 843 Graphic | Used by:853 | |
Symbol 844 Graphic | Used by:853 | |
Symbol 845 Graphic | Used by:853 | |
Symbol 846 Graphic | Used by:853 | |
Symbol 847 Graphic | Used by:853 | |
Symbol 848 Graphic | Used by:853 | |
Symbol 849 Graphic | Used by:853 | |
Symbol 850 Graphic | Used by:853 877 | |
Symbol 851 Graphic | Used by:853 877 | |
Symbol 852 Graphic | Used by:853 877 | |
Symbol 853 MovieClip | Uses:804 41 805 44 46 47 48 51 53 37 23 38 55 806 58 65 274 297 62 656 331 335 611 67 807 81 808 69 71 73 74 809 810 811 812 813 83 80 814 82 815 816 817 818 819 820 821 822 823 824 134 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 25 97 101 846 847 108 109 110 111 32 114 115 848 120 27 29 30 121 92 93 94 849 35 36 95 96 49 31 33 26 78 77 850 638 639 117 118 640 379 119 851 75 122 123 124 852 127 128 SS14 | Used by:Timeline |
Symbol 854 Graphic | Used by:Timeline | |
Symbol 855 Graphic | Used by:Timeline | |
Symbol 856 Text | Uses:13 | Used by:Timeline |
Symbol 857 Graphic | Used by:Timeline | |
Symbol 858 Graphic | Used by:Timeline | |
Symbol 859 Text | Uses:13 | Used by:Timeline |
Symbol 860 EditableText | Uses:2 | Used by:Timeline |
Symbol 861 Button | Uses:219 | Used by:Timeline |
Symbol 862 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Symbol 863 Graphic | Used by:877 | |
Symbol 864 Graphic | Used by:877 | |
Symbol 865 Graphic | Used by:877 | |
Symbol 866 Graphic | Used by:877 | |
Symbol 867 Graphic | Used by:877 | |
Symbol 868 Graphic | Used by:877 | |
Symbol 869 Graphic | Used by:877 | |
Symbol 870 Graphic | Used by:877 | |
Symbol 871 Graphic | Used by:877 | |
Symbol 872 Graphic | Used by:877 | |
Symbol 873 Graphic | Used by:877 | |
Symbol 874 Graphic | Used by:877 | |
Symbol 875 Graphic | Used by:877 | |
Symbol 876 Graphic | Used by:877 | |
Symbol 877 MovieClip | Uses:863 41 864 44 46 47 48 51 53 37 23 38 55 806 58 65 274 297 62 656 331 335 611 67 83 81 69 71 73 25 26 27 29 30 35 36 31 32 33 75 77 134 74 78 233 234 235 236 79 80 82 299 865 866 867 868 84 85 86 102 103 869 870 871 104 872 873 850 638 639 122 123 124 640 379 874 875 851 127 852 128 87 88 89 120 121 512 97 101 92 93 94 95 96 108 109 110 111 114 115 255 131 49 132 133 876 129 130 SS15 | Used by:Timeline |
Symbol 878 Text | Uses:13 | Used by:Timeline |
Symbol 879 Graphic | Used by:Timeline | |
Symbol 880 Graphic | Used by:Timeline | |
Symbol 881 Graphic | Used by:Timeline | |
Symbol 882 Text | Uses:13 | Used by:Timeline |
Symbol 883 Text | Uses:13 | Used by:Timeline |
Symbol 884 Graphic | Used by:Timeline | |
Symbol 885 Text | Uses:13 | Used by:Timeline |
Symbol 886 Graphic | Used by:Timeline | |
Symbol 887 Text | Uses:13 | Used by:Timeline |
Symbol 888 EditableText | Uses:2 | Used by:Timeline |
Symbol 889 Text | Uses:13 | Used by:890 |
Symbol 890 MovieClip | Uses:889 | Used by:Timeline |
Symbol 891 Button | Uses:223 224 225 226 227 228 229 | Used by:Timeline |
Streaming Sound 1 | Used by:Symbol 141 MovieClip | |
Streaming Sound 2 | Used by:Symbol 237 MovieClip | |
Streaming Sound 3 | Used by:Symbol 261 MovieClip | |
Streaming Sound 4 | Used by:Symbol 319 MovieClip | |
Streaming Sound 5 | Used by:Symbol 429 MovieClip | |
Streaming Sound 6 | Used by:Symbol 453 MovieClip | |
Streaming Sound 7 | Used by:Symbol 468 MovieClip | |
Streaming Sound 8 | Used by:Symbol 581 MovieClip | |
Streaming Sound 9 | Used by:Symbol 612 MovieClip | |
Streaming Sound 10 | Used by:Symbol 629 MovieClip | |
Streaming Sound 11 | Used by:Symbol 661 MovieClip | |
Streaming Sound 12 | Used by:Symbol 774 MovieClip | |
Streaming Sound 13 | Used by:Symbol 793 MovieClip | |
Streaming Sound 14 | Used by:Symbol 853 MovieClip | |
Streaming Sound 15 | Used by:Symbol 877 MovieClip |
Instance Names
"scrollDown" | Frame 1 | Symbol 9 MovieClip |
"scrollUp" | Frame 1 | Symbol 10 MovieClip |
"a" | Frame 3 | Symbol 141 MovieClip |
"scrollDown" | Frame 216 | Symbol 9 MovieClip |
"scrollUp" | Frame 216 | Symbol 10 MovieClip |
"b" | Frame 217 | Symbol 237 MovieClip |
"scrollDown" | Frame 492 | Symbol 9 MovieClip |
"scrollUp" | Frame 492 | Symbol 10 MovieClip |
"c" | Frame 493 | Symbol 319 MovieClip |
"scrollDown" | Frame 676 | Symbol 9 MovieClip |
"scrollUp" | Frame 676 | Symbol 10 MovieClip |
"d" | Frame 677 | Symbol 429 MovieClip |
"scrollDown" | Frame 1372 | Symbol 9 MovieClip |
"scrollUp" | Frame 1372 | Symbol 10 MovieClip |
"e" | Frame 1373 | Symbol 453 MovieClip |
"f" | Frame 1557 | Symbol 468 MovieClip |
"scrollDown" | Frame 1736 | Symbol 9 MovieClip |
"scrollUp" | Frame 1736 | Symbol 10 MovieClip |
"g" | Frame 1737 | Symbol 581 MovieClip |
"scrollDown" | Frame 2828 | Symbol 9 MovieClip |
"scrollUp" | Frame 2828 | Symbol 10 MovieClip |
"h" | Frame 2829 | Symbol 629 MovieClip |
"ha" | Frame 3026 | Symbol 661 MovieClip |
"scrollDown" | Frame 3397 | Symbol 9 MovieClip |
"scrollUp" | Frame 3397 | Symbol 10 MovieClip |
"i" | Frame 3398 | Symbol 774 MovieClip |
"scrollDown" | Frame 4692 | Symbol 9 MovieClip |
"scrollUp" | Frame 4692 | Symbol 10 MovieClip |
"j" | Frame 4693 | Symbol 793 MovieClip |
"scrollDown" | Frame 5079 | Symbol 9 MovieClip |
"scrollUp" | Frame 5079 | Symbol 10 MovieClip |
"k" | Frame 5080 | Symbol 877 MovieClip |
"scrollDown" | Frame 5449 | Symbol 9 MovieClip |
"scrollUp" | Frame 5449 | Symbol 10 MovieClip |
Dynamic Text Variables
scrollableText | Symbol 3 EditableText | "" |
scrollableText | Symbol 218 EditableText | "" |
scrollableText | Symbol 264 EditableText | "" |
scrollableText | Symbol 321 EditableText | "" |
scrollableText | Symbol 442 EditableText | "" |
scrollableText | Symbol 454 EditableText | "" |
scrollableText | Symbol 472 EditableText | "" |
scrollableText | Symbol 614 EditableText | "" |
scrollableText | Symbol 673 EditableText | "" |
scrollableText | Symbol 778 EditableText | "" |
scrollableText | Symbol 860 EditableText | "" |
scrollableText | Symbol 888 EditableText | "" |
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