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Synthya 3006 |
This Episode: Insatiable |
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Synthya 3006 Episode 5 Cassiopea Fith, long time friend and lover of Synthya Behave, has been kidnapped by the Phallic Menace (aka: Vaginon). The rich and powerful leader of the Sleuthian Empire, Vaginon owns and operates the Valhalla Slave Ship. Known throughout the galaxy, the Valhalla delivers it's female cargo to the highest bidder. Cassy was abducted by the Menace to facilitate a rescue attempt by Synthya Behave, at which point he would obtain his real prize: A Gen.5 Cyborg Bounty Hunter, with a libido unmatched by any living entity. She would fetch a very high price indeed. Synthya has tracked Cassy to Tit Mountain, the Phallic Menace's not-so-secret, secret lair. Vaginon and his loyal female staff await her arrival. |
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Fuck. I'm too late! How the hell am I gonna get there? I guess the obvious way would be to let myself get caught. It's not like I can't escape their feeble clutches. The things I do for her..... |
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1 |
Synthya 3006: Episode 5: Insatiable |
Synthya 3006: Episode 5: Insatiable |
Click to read story |
Click to read story |
Click to read story |
Our beloved heroine looks up in despair as the slave shuttle embarks on it's journey back to the Valhalla. Her best pal and lover aboard the shuttle in shackles. What were they doing to her? Where were they taking her? She needed to find away to get up there.... |
Click to hide story |
Click to hide story |
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Resistance is futile. ( I've always wanted to say that..) |
Oh my goodness! I'm surrounded by big strong women. (The silver one is pretty hot) Please don't hurt lil' old me. I give up! |
Welcome to hell Synthetic one. We have been expecting your arrival. Unfortunately,you're too late to save your cute little human friend. Don't worry, I'm sure you'll be seeing her again real soon. But first you have an appointment with the big man. |
2 |
As the Turboshaft © reaches the climax of Tit Mountain, Synthya is greeted by The Menace's demonic duo. Synthya delivers a brilliant performance. Pretending she is outgunned and outnumbered, she allows herself to be put in custody knowing what fate awaits. |
Vaginon. With a name like that a girl just has to give it that old college try. Fasten your seatbelts and return your stewardess to her upright position. We're goin' down. |
Ms. Synthya Behave I presume. My loins have ached for a piece of your infamous Cyborg ass. Your reputation precedes you in volumes my dear. I doubt you have what it takes to satisfy one as well endowed as I, but lets give it go shall we? Banshee, Tsumani, get jiggy wit it. That's an order. |
3 |
Banshee and Tsunami escort Synthya deep into the bowels of Tit Mountain. Arriving in the Menace's chambers, she notices a sweet, pungent, yet familiar odour. A mixture of sweat, cum and Cassy's perfume. A scent that awakens Synthya's Sex Neural Net. One look at the Menace's glistening shaft temporarily blocks out her prime objective. The Menace's pythonic 18 inches is an objective in itself. |
Shut the fuck up and drill me you deformed dyke! |
I dunno... is it in? I know this dance.. Let me lead for a while. |
Kinda like being fucked with a baseball bat ain't it? |
Why the fuck do I always get stuck with you? |
2 |
4 |
They settle down for a little group go. Synthya takes all of the Phallic Menace's engorged member, while the ladies clean canoe. Ooncha, Ooncha, Ooncha, Ahhh Yeah! Right there, Baby, Oh! Don't stop.... You know the rest. |
action |
BACK |
Internal sensors detect a 30% weakening of his pogo stick. I'll give him credit, doing without blood in his brain for so long and he's still concious... |
Can....not....show...signs....of.... WEAKNESS........ |
5 |
Synthya takes control and puts on a little knob gobbling demonstration. It's a darn good thing Gen 5 Cyborgs don't breathe through their throat's 'cause this one is full of salami. Extra hot. 406 hours later....... Banshee and Tsunami have long since left the building. The Menace tries in veign to keep up with Synthya who hasn't broken a sweat yet. |
I don't envy you Cyborg. You will pay dearly for mocking our master and lord. |
Top that Tin Tootsie. |
Ice damn it and I mean NOW!!!! |
Most impressive, Synthetic one. You are a worthy adversary. Hmmmmm.. |
6 |
The Menace managed to hang on for another few hours before slipping quietly into a coma leaving the Sleuthian Empire temporarily without a leader. Tsunami leads a triumphant Synthya to the Valhalla's slave shuttle. Banshee revives the Menace with a Gipokian Blood Meld. Returning to consciousness, Vaginon calls for a communiqué with the Zorch Commander and a big bag of frozen peas for his swollen dick. |
Intermission |
Have you ever dreamed of traveling through space? |
Visiting distant worlds. |
Discovering new galaxies. |
Seeking out strange new life forms. |
AND FUCKING THEM ? |
All while in the company of a Nymphomaniac Cyborg Bounty Hunter. |
God, I love space travel |
You had a great opportunity to join our wonderous and powerful leader, but you blew it. Literally. I will enjoy seeing you auctioned off as a common slave slut. |
Tsunami, I pity your pathetic and misguided loyalty. Go fly the damn ship princess. We shall meet again my dear, except it will be I chaining you to the outer hull of the ship. Sleep well with that on your mind. Bitch. |
7 |
Tsunami chains Synthya to the hull of the slave shuttle. She takes this opportunity to preach the divine word of her mentor, his Phallicness the Phallic Menace. Synthya calmly dismisses her words and politely asks that they get on with their journey. Synthya has wasted enough time and is anxious to find Cassy. |
Permission granted, Slave Shuttle 3. Docking beam initiated. Prepare the prisoner for arrival. |
This is Slave Shuttle 3 requesting permission to dock at Port Nacell 3. |
8 |
Slave Shuttle 3 completes it's journey back to the Valhalla. The Slave ship is equipped with T.I.T.S. (Transwarp Interstellar Time Sphere) allowing it to travel through time. The Menace uses this feature to buy and sell female sex slaves to the highest bidders throughout time. Word of Synthya's capture has brought in vast and lucrative offers from far and wide and Canada. |
ROWWWL. MY ANIMAL INSTINCTS TELL ME THIS ONE FUCKS LIKE A BUNNY. I LOVE BUNNIES :) |
Cassy, my dear. How do I let you get me into this shit time and time again? This is a good one I have to admit. So who are these lovely ladies? |
Synthya Honey! You couldn't resist a rescue attempt could you? I'm sorry I dragged you into another mess, but I'm sure I can make it up to you somehow... |
And who might this be? |
9 |
In typical movie cliché fashion, the Sleuthian guards throw Synthya into the same cell as Cassy. (duh!) Cassy, sitting on the john is stunned to see her main squeeze casually enter the cell. Synthya's plan is working just as she intended. A host of other slave girls share the cell. |
A PEDIGREE PUSSY...MEOWRR I WILL HAVE TO STROKE IT TILL IT PURRS. |
Bitt and Bytte, nice to meet you. |
TEELA, FEAR NOT MY DEAR, I HAVE A UNIVERSAL TRANSLATOR. I'M FLUENT IN OVER 6 MILLION FORMS OF COMMUNICATION. |
Where are my manners? Let me introduce you. Synthya Behave, I'd like you to meet Bitt and Bytte. Bitt's the creamy white Amazon, Bytte's the luscious ebony giant. Pardon my color commentary. And this is Teela. It might take a while for us to understand her as she's from the Zeta Quadrant, but she speaks the universal language of love fluently:) |
Hel -lo |
10 |
Cassy begins introductions with the two 7 foot amazons from the Binar System. Bitt and Bytte are inseparable in mind and body. Avowed lesbians, they hate the male species with a passion, and dispose of them at any opportunity. The little one, Teela, was born on the Felinite home world. She posseses cat-like characteristics and speaks a backward tongue. |
11 |
Synthya wastes no time in devising a plan for their escape. She has a few tricks up her sleeve. The fearsome albiet fuckable five huddle together as Synthya plots the escape of the millenium. Something about a secret weapon, male carnage, and a muff dive..... |
Excellent work Vaginon. I hope this is the beginning of a long and prosperous union between our two worlds. The advent of disposable women is a boon to us all. The service you provide is renown throughout the galaxy. By the way, do you have any Cockasian women? Our last batch is all but dried up and they're a favorite among the general ranks. |
Commander Pile. I look forward to your arrival. I have the Synthetic one all greased up and ready for you. You should get a lot of mileage out of her. And just for you I'll throw in her close friend, a cute little human wench. Free of charge. |
12 |
Vaginon, converses with the Zorch High Commander who is on route. He is offering an outrageous sum to acquire Synthya. Her disposal of Git, a Zorch war hero, did not go unnoticed. The Zorch plan to convict her of murder, and mercilessly dismantle her for their own Cyborg development (and just to see her die). Vaginon can taste sweet vengeance and agrees to release Synthya into Zorch hands upon their arrival. Tired of Cassy's insolence he decides to throw her into the deal as a personal gift for the Commander. |
Can the Fuckable Five pull off the great escape? What secret weapon does Synthya have up her sleeve? Will the love-hate relationship between Banshee and Tsunami come to a head? Will the Zorch High Command arrive in time to take Synthya away? And what will they do to her and Cassy? Will Vaginon regain use of his black and blue shlong? For the answers to these pressing questions, tune in for the next episode of: Synthya 3006 Escape from Valhalla Copyright © 2000 Crescent Media Inc. |
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ActionScript [AS1/AS2]
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Symbol 182 Graphic | Used by:191 | |
Symbol 183 Graphic | Used by:191 | |
Symbol 184 Graphic | Used by:191 | |
Symbol 185 Graphic | Used by:191 | |
Symbol 186 Graphic | Used by:191 | |
Symbol 187 Text | Uses:85 | Used by:191 |
Symbol 188 Graphic | Used by:191 | |
Symbol 189 Graphic | Used by:191 | |
Symbol 190 ShapeTweening | Used by:191 | |
Symbol 191 MovieClip | Uses:180 181 182 183 184 185 186 187 188 189 190 | Used by:193 200 216 242 363 |
Symbol 192 Graphic | Used by:193 200 216 242 363 | |
Symbol 193 Button | Uses:180 191 192 | Used by:Timeline |
Symbol 194 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 195 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 196 Bitmap | Used by:197 | |
Symbol 197 Graphic | Uses:196 | Used by:Timeline |
Symbol 198 Sound | Used by:Timeline | |
Symbol 199 Button | Uses:175 178 173 42 | Used by:Timeline |
Symbol 200 Button | Uses:180 191 192 | Used by:Timeline |
Symbol 201 Bitmap | Used by:202 205 206 207 208 | |
Symbol 202 Graphic | Uses:201 | Used by:Timeline |
Symbol 203 Sound | Used by:Timeline | |
Symbol 204 Sound | Used by:Timeline | |
Symbol 205 Graphic | Uses:201 | Used by:Timeline |
Symbol 206 Graphic | Uses:201 | Used by:Timeline |
Symbol 207 Graphic | Uses:201 | Used by:Timeline |
Symbol 208 Graphic | Uses:201 | Used by:Timeline |
Symbol 209 Graphic | Used by:210 | |
Symbol 210 MovieClip | Uses:42 209 174 | Used by:212 215 362 |
Symbol 211 MovieClip | Uses:174 177 | Used by:212 215 362 |
Symbol 212 Button | Uses:210 211 177 174 | Used by:Timeline |
Symbol 213 Bitmap | Used by:214 | |
Symbol 214 Graphic | Uses:213 | Used by:Timeline |
Symbol 215 Button | Uses:210 211 177 174 | Used by:Timeline |
Symbol 216 Button | Uses:180 191 192 | Used by:Timeline |
Symbol 217 Bitmap | Used by:218 219 220 221 | |
Symbol 218 Graphic | Uses:217 | Used by:Timeline |
Symbol 219 Graphic | Uses:217 | Used by:Timeline |
Symbol 220 Graphic | Uses:217 | Used by:Timeline |
Symbol 221 Graphic | Uses:217 | Used by:Timeline |
Symbol 222 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 223 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 224 Graphic | Used by:228 | |
Symbol 225 Font | Used by:226 | |
Symbol 226 Text | Uses:22 225 | Used by:228 |
Symbol 227 Graphic | Used by:228 | |
Symbol 228 Button | Uses:224 226 227 | Used by:Timeline |
Symbol 229 Graphic | Used by:232 | |
Symbol 230 Font | Used by:231 | |
Symbol 231 Text | Uses:230 | Used by:232 |
Symbol 232 Button | Uses:229 231 64 | Used by:Timeline |
Symbol 233 Text | Uses:85 | Used by:Timeline |
Symbol 234 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 235 Button | Uses:163 164 165 | Used by:Timeline |
Symbol 236 Bitmap | Used by:237 | |
Symbol 237 Graphic | Uses:236 | Used by:Timeline |
Symbol 238 Text | Uses:2 | Used by:Timeline |
Symbol 239 Graphic | Used by:Timeline | |
Symbol 240 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 241 Button | Uses:175 178 173 42 | Used by:Timeline |
Symbol 242 Button | Uses:180 191 192 | Used by:Timeline |
Symbol 243 Bitmap | Used by:244 | |
Symbol 244 Graphic | Uses:243 | Used by:Timeline |
Symbol 245 Bitmap | Used by:246 248 | |
Symbol 246 Graphic | Uses:245 | Used by:Timeline |
Symbol 247 Sound | Used by:Timeline | |
Symbol 248 Graphic | Uses:245 | Used by:Timeline |
Symbol 249 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 250 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 251 Graphic | Used by:253 | |
Symbol 252 Text | Uses:22 | Used by:253 |
Symbol 253 Button | Uses:251 252 64 | Used by:Timeline |
Symbol 254 Graphic | Used by:256 | |
Symbol 255 Text | Uses:22 | Used by:256 |
Symbol 256 Button | Uses:254 255 64 | Used by:Timeline |
Symbol 257 Graphic | Used by:260 | |
Symbol 258 Font | Used by:259 | |
Symbol 259 Text | Uses:258 | Used by:260 |
Symbol 260 Button | Uses:257 259 64 | Used by:Timeline |
Symbol 261 Graphic | Used by:263 | |
Symbol 262 Text | Uses:22 | Used by:263 |
Symbol 263 Button | Uses:261 262 64 | Used by:Timeline |
Symbol 264 Text | Uses:85 | Used by:Timeline |
Symbol 265 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 266 Bitmap | Used by:267 | |
Symbol 267 Graphic | Uses:266 | Used by:Timeline |
Symbol 268 Text | Uses:2 | Used by:Timeline |
Symbol 269 Graphic | Used by:Timeline | |
Symbol 270 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 271 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 272 Text | Uses:2 | Used by:Timeline |
Symbol 273 Graphic | Used by:276 | |
Symbol 274 Graphic | Used by:275 | |
Symbol 275 MovieClip | Uses:274 | Used by:276 |
Symbol 276 MovieClip | Uses:273 275 | Used by:Timeline |
Symbol 277 Text | Uses:2 | Used by:Timeline |
Symbol 278 Text | Uses:2 | Used by:Timeline |
Symbol 279 Text | Uses:2 | Used by:Timeline |
Symbol 280 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 281 Text | Uses:2 | Used by:Timeline |
Symbol 282 Text | Uses:2 | Used by:Timeline |
Symbol 283 Text | Uses:2 | Used by:Timeline |
Symbol 284 Text | Uses:2 | Used by:Timeline |
Symbol 285 Graphic | Used by:287 | |
Symbol 286 Text | Uses:22 | Used by:287 |
Symbol 287 Button | Uses:285 286 64 | Used by:Timeline |
Symbol 288 Graphic | Used by:290 | |
Symbol 289 Text | Uses:22 | Used by:290 |
Symbol 290 Button | Uses:288 289 64 | Used by:Timeline |
Symbol 291 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 292 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 293 Text | Uses:85 | Used by:Timeline |
Symbol 294 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 295 Bitmap | Used by:296 | |
Symbol 296 Graphic | Uses:295 | Used by:Timeline |
Symbol 297 Text | Uses:2 | Used by:Timeline |
Symbol 298 Graphic | Used by:Timeline | |
Symbol 299 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 300 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 301 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 302 Graphic | Used by:304 | |
Symbol 303 Text | Uses:22 | Used by:304 |
Symbol 304 Button | Uses:302 303 64 | Used by:Timeline |
Symbol 305 Graphic | Used by:307 | |
Symbol 306 Text | Uses:22 | Used by:307 |
Symbol 307 Button | Uses:305 306 64 | Used by:Timeline |
Symbol 308 Text | Uses:85 | Used by:Timeline |
Symbol 309 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 310 Bitmap | Used by:311 | |
Symbol 311 Graphic | Uses:310 | Used by:Timeline |
Symbol 312 Sound | Used by:Timeline | |
Symbol 313 Text | Uses:2 | Used by:Timeline |
Symbol 314 Graphic | Used by:Timeline | |
Symbol 315 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 316 Graphic | Used by:318 | |
Symbol 317 Text | Uses:22 | Used by:318 |
Symbol 318 Button | Uses:316 317 64 | Used by:Timeline |
Symbol 319 Graphic | Used by:321 | |
Symbol 320 Text | Uses:22 | Used by:321 |
Symbol 321 Button | Uses:319 320 64 | Used by:Timeline |
Symbol 322 Graphic | Used by:324 | |
Symbol 323 Text | Uses:22 | Used by:324 |
Symbol 324 Button | Uses:322 323 64 | Used by:Timeline |
Symbol 325 Graphic | Used by:327 | |
Symbol 326 Text | Uses:22 | Used by:327 |
Symbol 327 Button | Uses:325 326 64 | Used by:Timeline |
Symbol 328 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 329 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 330 Text | Uses:85 | Used by:Timeline |
Symbol 331 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 332 Bitmap | Used by:333 | |
Symbol 333 Graphic | Uses:332 | Used by:Timeline |
Symbol 334 Sound | Used by:Timeline | |
Symbol 335 Text | Uses:2 | Used by:Timeline |
Symbol 336 Graphic | Used by:Timeline | |
Symbol 337 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 338 Graphic | Used by:340 | |
Symbol 339 Text | Uses:22 | Used by:340 |
Symbol 340 Button | Uses:338 339 64 | Used by:Timeline |
Symbol 341 Graphic | Used by:344 | |
Symbol 342 Text | Uses:22 | Used by:344 |
Symbol 343 Text | Uses:22 | Used by:344 |
Symbol 344 Button | Uses:341 342 343 64 | Used by:Timeline |
Symbol 345 Graphic | Used by:347 | |
Symbol 346 Text | Uses:22 | Used by:347 |
Symbol 347 Button | Uses:345 346 64 | Used by:Timeline |
Symbol 348 Graphic | Used by:350 | |
Symbol 349 Text | Uses:22 | Used by:350 |
Symbol 350 Button | Uses:348 349 64 | Used by:Timeline |
Symbol 351 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 352 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 353 Text | Uses:85 | Used by:Timeline |
Symbol 354 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 355 Button | Uses:163 164 165 | Used by:Timeline |
Symbol 356 Button | Uses:163 164 165 | Used by:Timeline |
Symbol 357 Bitmap | Used by:358 | |
Symbol 358 Graphic | Uses:357 | Used by:Timeline |
Symbol 359 Text | Uses:2 | Used by:Timeline |
Symbol 360 Graphic | Used by:Timeline | |
Symbol 361 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 362 Button | Uses:210 211 177 174 | Used by:Timeline |
Symbol 363 Button | Uses:180 191 192 | Used by:Timeline |
Symbol 364 Bitmap | Used by:365 | |
Symbol 365 Graphic | Uses:364 | Used by:Timeline |
Symbol 366 Bitmap | Used by:367 369 370 371 372 | |
Symbol 367 Graphic | Uses:366 | Used by:Timeline |
Symbol 368 Sound | Used by:Timeline | |
Symbol 369 Graphic | Uses:366 | Used by:Timeline |
Symbol 370 Graphic | Uses:366 | Used by:Timeline |
Symbol 371 Graphic | Uses:366 | Used by:Timeline |
Symbol 372 Graphic | Uses:366 | Used by:Timeline |
Symbol 373 Button | Uses:175 178 173 42 | Used by:Timeline |
Symbol 374 Bitmap | Used by:375 | |
Symbol 375 Graphic | Uses:374 | Used by:Timeline |
Symbol 376 Bitmap | Used by:377 | |
Symbol 377 Graphic | Uses:376 | Used by:Timeline |
Symbol 378 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 379 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 380 Text | Uses:85 | Used by:Timeline |
Symbol 381 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 382 Bitmap | Used by:383 | |
Symbol 383 Graphic | Uses:382 | Used by:Timeline |
Symbol 384 Text | Uses:2 | Used by:Timeline |
Symbol 385 Graphic | Used by:Timeline | |
Symbol 386 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 387 Graphic | Used by:389 | |
Symbol 388 Text | Uses:22 | Used by:389 |
Symbol 389 Button | Uses:387 388 64 | Used by:Timeline |
Symbol 390 Graphic | Used by:392 | |
Symbol 391 Text | Uses:22 | Used by:392 |
Symbol 392 Button | Uses:390 391 64 | Used by:Timeline |
Symbol 393 Button | Uses:66 69 70 | Used by:Timeline |
Symbol 394 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 395 Text | Uses:85 | Used by:Timeline |
Symbol 396 Button | Uses:94 95 96 97 98 | Used by:Timeline |
Symbol 397 Bitmap | Used by:398 | |
Symbol 398 Graphic | Uses:397 | Used by:Timeline |
Symbol 399 Sound | Used by:Timeline | |
Symbol 400 Text | Uses:2 | Used by:Timeline |
Symbol 401 Graphic | Used by:Timeline | |
Symbol 402 Button | Uses:94 105 106 107 98 | Used by:Timeline |
Symbol 403 Text | Uses:2 | Used by:Timeline |
Symbol 404 Button | Uses:72 74 75 76 | Used by:Timeline |
Symbol 405 Text | Uses:85 | Used by:Timeline |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"textdown1" | Frame 2428 |
"textup1" | Frame 2429 |
"textdown2" | Frame 2430 |
"textup2" | Frame 2431 |
"textdown3" | Frame 2432 |
"textup3" | Frame 2433 |
"textdown4" | Frame 2434 |
"textup4" | Frame 2435 |
"action scene4 cell1" | Frame 2436 |
"action scene4 cell2" | Frame 2437 |
"action2 scene4 cell1" | Frame 2467 |
"action2 scene4 cell2" | Frame 2468 |
"textdown5" | Frame 2499 |
"textup5" | Frame 2500 |
"action scene5 cell1" | Frame 2501 |
"action scene5 cell2" | Frame 2502 |
"textdown6" | Frame 2524 |
"textup6" | Frame 2525 |
"textdown7" | Frame 3676 |
"textup7" | Frame 3677 |
"textdown8" | Frame 3678 |
"textup8" | Frame 3679 |
"textdown9" | Frame 3680 |
"textup9" | Frame 3681 |
"textdown10" | Frame 3682 |
"textup10" | Frame 3683 |
"action scene10 cell1" | Frame 3684 |
"action scene10 cell2" | Frame 3685 |
"action2 scene10 cell1" | Frame 3715 |
"action2 scene10 cell2" | Frame 3716 |
"textdown11" | Frame 3747 |
"textup11" | Frame 3748 |
"textdown12" | Frame 3749 |
"textup12" | Frame 3750 |
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