STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 229595 |
/disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2595 · P5190 |
This is the info page for Flash #203852 |
Beck Hansen was born and raised in Los Angeles. As a teenager, Beck became immersed in traditional blues and folk. When he was 18, he moved to New York where he became part of the city's late 80's "anti-folk" scene, playing at various small clubs around the East Village and Lower East Side. In the early 90's, he moved back to Los Angeles, and continued to write and perform music, sometimes alone and sometimes backed by various musician friends from the local music scene. He made a few home recordings, one of which was the single that initially garnered him attention: "Loser." Recorded in 1991, "Loser" was released by Bongload Custom Recordings in 1993. |
He returned to the studio in January 1995, and emerged in the summer of 1996 with Odelay a stunning collection of songs that took his earlier experimentation with sounds and song forms to new heights. Odelay was met with praise from the critical community, earning album of the year kudos from Rolling Stone, Spin, and the Village Voice, among many others. The album also won him two Grammys that year, for Best Alternative Performance and Best Male Vocal Performance. Also, at the time of the album's release Beck entered into a grueling tour schedule that kept him on the road with a full band, DJ, and horn section for two years - along the way gaining him a reputation as a formidable live performer. |
In early 1998, Beck helped put together an art installation that paired his own work with that of his late grandfather, Fluxus pioneer Al Hansen. "Beck and Al Hansen: Playing With Matches" made its debut at the Santa Monica Museum of Art in August 1998 and has since made its way to various museums and galleries around the world. November 1998 saw the release of Mutations, a more stripped down, somber album as compared to Beck's other major label offerings. |
The album, produced by Nigel Godrich, featured the Brazilian-flavored "Tropicalia" and the sitar drone of "Nobody's Fault But My Own." The album was recorded in Los Angeles over a two-week period in the spring of 1998, and the sound of the record harkened back to the folk sounds of One Foot in the Grave. Mutations was originally intended for release on Bongload Records, the independent label that released the 12" of "Loser," in 1993. But DGC/Geffen's enthusiasm for the project got them involved, and it was ultimately released by the label. In summer of 1998, |
Beck began recording songs for Midnite Vultures at his home. A year in the making, it is a return to the free form sounds of Odelay. The album is produced by Beck (except for two songs co- produced with the Dust Brothers) and features musicians from Beck's band (Justin Meldal- Johnsen on bass; Roger Joseph Manning Jr. on keyboards; Joey Waronker covering drums; additional guitar work from Smokey Hormel; DJ Swamp on the wheels of steel; plus "The Brass Menagerie": |
Jon Birdsong, David Ralicke, and David Brown). It's familiar sounding in that it's uniquely Beck - from the Stax-Volt hornplay of "Sexx Laws" to the electric boogie beats of "Get Real Paid" to the southern fried futurism of "Milk & Honey." Also included is the falsetto soul workout "Debra," a tune originating from the Odelay sessions and a longtime favorite in the live set. |
ARTIST BECK SONG NICOTINE & GRAVY ALBUM MIDNIGHT VULTURES LABEL GEFFEN DIRECTOR FULLERENE |
BECK'S BIOGRAPHY |
LOADING PLEASE WAIT |
PLAY 'NICOTINE & GRAVY' |
REPLAY 'NICOTINE & GRAVY' |
ActionScript [AS1/AS2]
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Symbol 578 MovieClip | Uses:483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 | Used by:Timeline |
Symbol 579 Graphic | Used by:Timeline | |
Symbol 580 Graphic | Used by:Timeline | |
Symbol 581 Graphic | Used by:Timeline | |
Symbol 582 Graphic | Used by:Timeline | |
Symbol 583 Graphic | Used by:Timeline | |
Symbol 584 MovieClip | Uses:27 | Used by:Timeline |
Symbol 585 Graphic | Used by:590 | |
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Symbol 590 MovieClip | Uses:585 586 587 588 589 | Used by:Timeline |
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Symbol 593 Graphic | Used by:595 596 | |
Symbol 594 Graphic | Used by:595 596 607 | |
Symbol 595 Button | Uses:593 594 | Used by:Timeline |
Symbol 596 Button | Uses:593 594 | Used by:Timeline |
Symbol 597 Graphic | Used by:601 | |
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Symbol 600 Graphic | Used by:601 | |
Symbol 601 Button | Uses:597 598 599 600 | Used by:Timeline |
Symbol 602 Graphic | Used by:607 | |
Symbol 603 Graphic | Used by:604 607 | |
Symbol 604 MovieClip | Uses:603 | Used by:607 |
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Symbol 606 Graphic | Used by:607 | |
Symbol 607 Button | Uses:602 604 605 606 603 594 | Used by:Timeline |
Symbol 608 Graphic | Used by:Timeline | |
Symbol 609 Text | Uses:17 | Used by:610 |
Symbol 610 Button | Uses:16 609 25 | Used by:Timeline |
Streaming Sound 1 | Used by:Timeline |
Instance Names
"loader" | Frame 1 | Symbol 22 MovieClip |
"meatBECK" | Frame 785 | Symbol 206 MovieClip |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"loading code" | Frame 1 |
"ready" | Frame 6 |
"start" | Frame 7 |
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