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| - Skips title and redox explanation |
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| Welcome to Sonic and the world of Chemistry. |
| Topic: Redox Reactions |
| First of all, let's just briefly build up on some of the basic ideas of Redox Reactons. |
| A Redox Reaction is a reaction between two elements or compounds in which a change in oxidation states occur. The two elements or compounds (which we shall refer to as reactants) experience a change in their oxidation states, as a result of the reaction. |
| One of the reactants is oxidised during the reaction, meaning its oxidation state increases; whereas the other reactant is reduced, meaning its oxidation state decreases. Both of the reactants play a part in either oxidising, or reducing the other reactant. A name must be given to the reactant to describe its role in the reaction. |
| The reactant that oxidises the other reactant is called the "oxidising-agent", because that is its role in the reaction. The other reactant (which is oxidised) is called the "reducing- agent" respectively, because it reduces the oxidising agent. In simple words, the oxidising-agent oxidises the reducing- agent, and simultaneously the reducing-agent reduces the oxidising-agent. |
| Just let all the knowledge sink in for a few seconds |
| Is that better? |
| The actual process that works behind a Redox reaction involves a transfer of electrons. Electrons are extremely miniscule particles that have a typical negative charge. We've reduced Sonic in size so that he can examine the electrons closer, and for your own sake too, so you can get an idea as to what they may look like. |
| Consider this example of a straightforward chemical reaction, which involves a change in oxidation states. |
| This beaker contains a solution (mixture) that is called Copper(II)Sulphate. |
| The Redox reaction is triggered when this nail, composed of iron in its standard metallic state, is dipped into the Copper(II)Sulphate solution. |
| Keep watching the nail closely |
| The shiny orange/brown substance which has formed on the iron nail is copper in its metallic state. |
| For this redox reaction, what is oxidised and what is reduced can be identified by this observation. This means that the oxidising-agent and the reducing-agent can therefore be found. |
| In this solution of Copper(II)Sulfate, Copper is in abundance as many Copper 2+ ions that co-exist with many sulfate ions. |
| Don't worry if you are unfamiliar with what ions are, all that has to be understood is the changes in oxidation states. For this reaction, the copper 2+ ions have been reduced to deposits of copper metal on the iron nail. |
| This reduction is attested by the fact that copper in its metallic state has a lower oxidation state than copper in its ionic form (the copper in solution). Since copper is reduced in the reaction, it must be the oxidising-agent. Recall that the oxidising-agent is reduced by the reducing-agent. |
| The reducing-agent in the reaction, which is the reactant that is oxidised by the copper 2+ ions in solution, is the iron nail itself. The iron nail is steadily oxidised and releases iron 2+ ions into the solution. |
| Before commencing this reaction, the aspect of electron transfer in Redox reactions was briefly hinted at. Negatively charged electrons like these form part of the atoms in many elements, and the number of electrons in an atom depends on the elemental type. In a redox reaction, the reducing-agent loses some of its electrons to the oxidising-agent. It is this exchange in electrons which influences the change in the oxidation states of reactants. |
| Cu 2+ |
| Fe 2+ |
| Electrons lost by the iron in the nail are gained by the copper 2+ ions. Some of the copper 2+ ions are reduced to copper metal from this acquisition. |
| After parts of the iron nail lose electrons, they flow into the solution as Iron 2+ ions (Fe2+). |
| Don't worry if you still haven't managed to grasp the concept of Redox reactions. Hopefully the next demonstrations with Sonic and Knuckles will help you understand the important aspects more. |
| This combination of equipment makes up what is called a galvanic cell. A galvanic cell is a practical setup in reality, but the setup you see here should only be considered as an unreal example that works in the same way as a real galvanic cell. |
| This combination of equipment makes up what is called a galvanic cell. A galvanic cell is a practical setup in reality, but the setup you see here should only be considered as an unreal example that works in the same way as a real galvanic cell. |
| In a galvanic cell, a redox reaction takes place. However, instead of the transfer happening in a standard chemical reaction, the transfer occurs electrically between the oxidising-agent and the reducing-agent. |
| In a galvanic cell, a redox reaction takes place. However, instead of the transfer happening in a standard chemical reaction, the transfer occurs electrically between the oxidising-agent and the reducing-agent. |
| What this means is that the electrons from one reactant can be transferred through this wire to the other reactant, even when the reactants are not in contact with each other chemically. |
| What this means is that the electrons from one reactant can be transferred through this wire to the other reactant, even when the reactants are not in contact with each other chemically. |
| The transfer of electrons cannot be seen of course when the external power supply is turned on, so deductions on which reactant is oxidised and which is reduced must be concluded by observing the two half-cells. |
| The transfer of electrons cannot be seen of course when the external power supply is turned on, so deductions on which reactant is oxidised and which is reduced must be concluded by observing the two half-cells. |
| What a half-cell is exactly is the combination of two of the same reactants, but they differ in oxidation states. One of the reactants is in its reduced form, whereas the other is in its oxidised form. |
| What a half-cell is exactly is the combination of two of the same reactants, but they differ in oxidation states. One of the reactants is in its reduced form, whereas the other is in its oxidised form. |
| This can be thought of as the Sonic half-cell. The half-cell beaker contains the same Sonic reactants which are in different oxidation states. |
| This can be thought of as the Sonic half-cell. The half-cell beaker contains the same Sonic reactants which are in different oxidation states. |
| The Sonic reactant that is in its reduced form is the blue metallic, Super Sonic electrode. The electrode in a half-cell completes the overall galvanic cell by sending, or recieving the electrons which are transferred through the wire. |
| The Sonic reactant that is in its reduced form is the blue metallic, Super Sonic electrode. The electrode in a half-cell completes the overall galvanic cell by sending, or recieving the electrons which are transferred through the wire. |
| This faintly blue coloured solution is made up of many Sonic ions. A Sonic ion has a higher oxidation state than the metallic, Super Sonic electrode. Thus, the sonic ions in solution are the oxidised form of the Sonic reactant. Obviously, ions are far too small to be seen by the human eye, but have been included as a representation anyway. |
| This faintly blue coloured solution is made up of many Sonic ions. A Sonic ion has a higher oxidation state than the metallic, Super Sonic electrode. Thus, the sonic ions in solution are the oxidised form of the Sonic reactant. Obviously, ions are far too small to be seen by the human eye, but have been included as a representation anyway. |
| The reason why this solution is only faintly coloured is because it has been diluted. This condition will serve as the starting for an important observational change, which will you will see after the power has been turned on. |
| The reason why this solution is only faintly coloured is because it has been diluted. This condition will serve as the starting for an important observational change, which will you will see after the power has been turned on. |
| This is the Knuckles half-cell. Its setup is practically the same as the Sonic half-cell, except the reactant type is different. |
| This is the Knuckles half-cell. Its setup is practically the same as the Sonic half-cell, except the reactant type is different. |
| The Knuckles reactant in its reduced form is the Super Knuckles electrode. The corresponding oxidised form are the Knuckles ions in solution. This solution is more concentrated than the Sonic solution, which is why it is more deeply coloured. |
| The Knuckles reactant in its reduced form is the Super Knuckles electrode. The corresponding oxidised form are the Knuckles ions in solution. This solution is more concentrated than the Sonic solution, which is why it is more deeply coloured. |
| This green coloured material is called the salt bridge. It is an integral component of the galvanic cell because it stabilizes the overall transfer of electrons. Its use will be looked at more after the reaction takes place. |
| This green coloured material is called the salt bridge. It is an integral component of the galvanic cell because it stabilizes the overall transfer of electrons. Its use will be looked at more after the reaction takes place. |
| For a redox reaction in a galvanic cell, one half-cell will experience oxidation occuring at its electrode, and the other half-cell will experience reduction in its solution. |
| For a redox reaction in a galvanic cell, one half-cell will experience oxidation occuring at its electrode, and the other half-cell will experience reduction in its solution. |
| Observing both of the half-cells when the reaction starts can show what is reduced and what is oxidised, but this can be predicted beforehand. To predict which half-cell experiences oxidation, and which experiences reduction, the half-cell potentials can be looked at. |
| Observing both of the half-cells when the reaction starts can show what is reduced and what is oxidised, but this can be predicted beforehand. To predict which half-cell experiences oxidation, and which experiences reduction, the half-cell potentials can be looked at. |
| A half-cell potential indicates the oxidising, and reducing strength of a particular half-cell. Half-cell potentials are measured in Volts (V). In Chemistry, the half-cell potentials of many elements and compounds have been experimentally determined in the past. |
| A half-cell potential indicates the oxidising, and reducing strength of a particular half-cell. Half-cell potentials are measured in Volts (V). In Chemistry, the half-cell potentials of many elements and compounds have been experimentally determined in the past. |
| Let's just say the Sonic half-cell has a half-cell potential of -1.20V, and the Knuckles half-cell a potential of 0.80V |
| Let's just say the Sonic half-cell has a half-cell potential of -1.20V, and the Knuckles half-cell a potential of 0.80V |
| Whether the half-cell contains the oxidising agent, or the reducing agent depends on its cell pontential. In a galvanic cell setup like this one, the half-cell with the more positive cell potential is the oxidising agent, and the half-cell with the more negative cell potential is the reducing agent. |
| Whether the half-cell contains the oxidising agent, or the reducing agent depends on its cell pontential. In a galvanic cell setup like this one, the half-cell with the more positive cell potential is the oxidising agent, and the half-cell with the more negative cell potential is the reducing agent. |
| This rule is generally accepted on the official scale of half-cell potentials. The higher up a half-cell is on the scale, i.e. the more positive it is, the stronger it is an oxidising agent, and inversely the weaker it is as a reducing agent. |
| This rule is generally accepted on the official scale of half-cell potentials. The higher up a half-cell is on the scale, i.e. the more positive it is, the stronger it is an oxidising agent, and inversely the weaker it is as a reducing agent. |
| This device is a Voltmetre. It measures the overall cell potential of the reaction, which is the difference between both of the half-cells' potentials. This will be looked at more closely later. One thing to note, this is a fictional Voltmetre that gives a digital reading. |
| This device is a Voltmetre. It measures the overall cell potential of the reaction, which is the difference between both of the half-cells' potentials. This will be looked at more closely later. One thing to note, this is a fictional Voltmetre that gives a digital reading. |
| Based on what you now know about the half-cell potential scale, and the potentials of the half-cells in this reaction, can you predict which half-cell undergoes oxidation, and which one reduction? Remember, the potential of the Knuckles half-cell is 0.80V, and the Sonic half-cell is -1.20V |
| Based on what you now know about the half-cell potential scale, and the potentials of the half-cells in this reaction, can you predict which half-cell undergoes oxidation, and which one reduction? Remember, the potential of the Knuckles half-cell is 0.80V, and the Sonic half-cell is -1.20V |
| Power on |
| Power on |
| 0.00 |
| 0 |
| . |
| 1.04 |
| 4.75 |
| 4.62 |
| 9.62 |
| 4.21 |
| 2.00 |
| The redox reaction has successfully commenced in a spontaneous manner. The voltmetre shows that the overall cell potential of this galvanic cell is 2.00 |
| The redox reaction has successfully commenced in a spontaneous manner. The voltmetre shows that the overall cell potential of this galvanic cell is 2.00 |
| Let's go back to the point just before when the reaction started. By focusing on both of the half-cells in turn during the reaction, it will be easier to attest any identifications of what is oxidised and what is reduced. |
| Let's go back to the point just before when the reaction started. By focusing on both of the half-cells in turn during the reaction, it will be easier to attest any identifications of what is oxidised and what is reduced. |
| Firstly, concentrate on what is observed in the Sonic half-cell as the reaction takes place. |
| Firstly, concentrate on what is observed in the Sonic half-cell as the reaction takes place. |
| From the reaction, the bottom of the Super Sonic electrode has been steadily dissolving, and is releasing more Sonic ions into the solution, making the solution slightly more concentrated than it initially was before. |
| From the reaction, the bottom of the Super Sonic electrode has been steadily dissolving, and is releasing more Sonic ions into the solution, making the solution slightly more concentrated than it initially was before. |
| If you predicted that the Sonic half-cell would undergo oxidation you are correct. What this observation shows is that the bottom of the Super Sonic electrode is gradually being oxidised by losing electrons, and the Sonic ions are the result of this increase in oxidation state. |
| If you predicted that the Sonic half-cell would undergo oxidation you are correct. What this observation shows is that the bottom of the Super Sonic electrode is gradually being oxidised by losing electrons, and the Sonic ions are the result of this increase in oxidation state. |
| The electrons that are given up by the Super Sonic electrode travel in this direction through the wired connection, and at the end are acquired by the Super Knuckles electrode. |
| The electrons that are given up by the Super Sonic electrode travel in this direction through the wired connection, and at the end are acquired by the Super Knuckles electrode. |
| For a conventional represenation of a galvanic cell, the half-cell that experiences oxidation is normally shown on the left, instead of on the right like how we have shown it. It does not really matter either way. |
| For a conventional represenation of a galvanic cell, the half-cell that experiences oxidation is normally shown on the left, instead of on the right like how we have shown it. It does not really matter either way. |
| Seeing as the Sonic half-cell undergoes oxidation, the Kunckles half-cell obviously undergoes reduction because it gains the electrons from the Sonic half-cell. |
| Seeing as the Sonic half-cell undergoes oxidation, the Kunckles half-cell obviously undergoes reduction because it gains the electrons from the Sonic half-cell. |
| Although oxidation and reduction happen simultaneously in the reaction, the Knuckles half-cell here has been shown in its initial state to begin with, so that its observations under reduction can be focused on. |
| Although oxidation and reduction happen simultaneously in the reaction, the Knuckles half-cell here has been shown in its initial state to begin with, so that its observations under reduction can be focused on. |
| The observations of this half-cell are clearly the opposite to the observations of the Sonic half-cell. On the bottom of the Super Knuckles electrode, a build up of red metal has formed. |
| The observations of this half-cell are clearly the opposite to the observations of the Sonic half-cell. On the bottom of the Super Knuckles electrode, a build up of red metal has formed. |
| The electrons being received by the Super Knuckles electrode are distributed into the solution containing Knuckles ions. The Knuckles ions that do happen to recieve these electrons attain a lower oxidation state, and are deposited as red metal on the electrode. The resulting solution becomes less concentrated. |
| The electrons being received by the Super Knuckles electrode are distributed into the solution containing Knuckles ions. The Knuckles ions that do happen to recieve these electrons attain a lower oxidation state, and are deposited as red metal on the electrode. The resulting solution becomes less concentrated. |
| To conclude this demonstration and to summarise, the Sonic half-cell is oxidised because it has the lower half-cell potential of -1.20V, whereas the Knuckles half-cell potential is 0.80V so it is reduced. |
| To conclude this demonstration and to summarise, the Sonic half-cell is oxidised because it has the lower half-cell potential of -1.20V, whereas the Knuckles half-cell potential is 0.80V so it is reduced. |
| The Sonic half-cell potential is more negative, so it is lower down on the scale making it a stronger reducing-agent than the Knuckles half-cell, which is inversely the stronger oxidising-agent because it is higher up on the scale and more positive. |
| The Sonic half-cell potential is more negative, so it is lower down on the scale making it a stronger reducing-agent than the Knuckles half-cell, which is inversely the stronger oxidising-agent because it is higher up on the scale and more positive. |
| As previously mentioned, the salt bridge plays a crucial role in stabilising the oxidation and reduction processes. The salt bridge contains compounds sustained in a jelly/agar like substance. |
| As previously mentioned, the salt bridge plays a crucial role in stabilising the oxidation and reduction processes. The salt bridge contains compounds sustained in a jelly/agar like substance. |
| Every Sonic ion in this solution has a positive charge associated with it. Due to the loss of electrons from the Super Sonic electrode, more of these ions are formed, thus a more positive charge will start to strengthen in this half-cell. This build up of positive charge is not favourable because it will prevent the galvanic cell from working properly. |
| Every Sonic ion in this solution has a positive charge associated with it. Due to the loss of electrons from the Super Sonic electrode, more of these ions are formed, thus a more positive charge will start to strengthen in this half-cell. This build up of positive charge is not favourable because it will prevent the galvanic cell from working properly. |
| A similar problem exists in this half-cell. The Super Knuckles electrode is recieving more and more electrons from the Super Sonic electrode. Recall that electrons have a negative charge associated with them. |
| Since the Super Knuckles electrode is gaining more electrons, it is causing an unfavourable negative charge to build up, which will also prohibit the galvanic cell from working properly. |
| Since the Super Knuckles electrode is gaining more electrons, it is causing an unfavourable negative charge to build up, which will also prohibit the galvanic cell from working properly. |
| The salt bridge balances and stabilizes this build up of unfavourable charge in both half-cell solutions. Ions of opposite charge to the unfavourable charge flow from the salt bridge into both half-cell solutions. |
| The salt bridge balances and stabilizes this build up of unfavourable charge in both half-cell solutions. Ions of opposite charge to the unfavourable charge flow from the salt bridge into both half-cell solutions. |
| Ions that have a negative charge associated with them flow into the solution composed of Sonic ions, and balance the growing positive charge. On the other hand, ions with an associated positive charge also flow from the salt bridge into the Knuckles solution, where they balance the growing negative charge respectively. |
| Ions that have a negative charge associated with them flow into the solution composed of Sonic ions, and balance the growing positive charge. On the other hand, ions with an associated positive charge also flow from the salt bridge into the Knuckles solution, where they balance the growing negative charge respectively. |
| Well, that wraps up the simple demonstration of a redox reaction in a galvanic cell. There are many other specifications of this experiment and that of redox reactions, which were not mentioned in order to keep simplicity and not a long-winded movie. Read more into the topic of redox reactions in Chemistry if you're interested in knowing more. |
| Well, that wraps up the simple demonstration of a redox reaction in a galvanic cell. There are many other specifications of this experiment and that of redox reactions, which were not mentioned in order to keep simplicity and not a long-winded movie. Read more into the topic of redox reactions in Chemistry if you're interested in knowing more. |
| Sonic demonstrates the principles of acid and base reactions. |
| Knuckles = Acid |
| Tails = Proton |
| Sonic = Base |
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| My 2005 Chemistry teacher, for making the subject enjoyable. |
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| Symbol 121 Graphic | Uses:119 | Used by:Timeline |
| Symbol 122 Graphic | Uses:119 | Used by:Timeline |
| Symbol 123 Bitmap | Used by:124 | |
| Symbol 124 Graphic | Uses:123 | Used by:133 |
| Symbol 125 Bitmap | Used by:126 | |
| Symbol 126 Graphic | Uses:125 | Used by:133 |
| Symbol 127 Bitmap | Used by:128 | |
| Symbol 128 Graphic | Uses:127 | Used by:133 |
| Symbol 129 Bitmap | Used by:130 | |
| Symbol 130 Graphic | Uses:129 | Used by:133 |
| Symbol 131 Bitmap | Used by:132 | |
| Symbol 132 Graphic | Uses:131 | Used by:133 |
| Symbol 133 MovieClip | Uses:124 126 128 130 132 | Used by:Timeline |
| Symbol 134 Bitmap | Used by:135 | |
| Symbol 135 Graphic | Uses:134 | Used by:144 |
| Symbol 136 Bitmap | Used by:137 | |
| Symbol 137 Graphic | Uses:136 | Used by:144 |
| Symbol 138 Bitmap | Used by:139 | |
| Symbol 139 Graphic | Uses:138 | Used by:144 |
| Symbol 140 Bitmap | Used by:141 | |
| Symbol 141 Graphic | Uses:140 | Used by:144 |
| Symbol 142 Bitmap | Used by:143 | |
| Symbol 143 Graphic | Uses:142 | Used by:144 |
| Symbol 144 MovieClip | Uses:135 137 139 141 143 | Used by:Timeline |
| Symbol 145 Bitmap | Used by:146 147 | |
| Symbol 146 Graphic | Uses:145 | Used by:208 Timeline |
| Symbol 147 Graphic | Uses:145 | Used by:Timeline |
| Symbol 148 Bitmap | Used by:149 | |
| Symbol 149 Graphic | Uses:148 | Used by:850 Timeline |
| Symbol 150 Bitmap | Used by:151 | |
| Symbol 151 Graphic | Uses:150 | Used by:850 Timeline |
| Symbol 152 Bitmap | Used by:153 | |
| Symbol 153 Graphic | Uses:152 | Used by:850 Timeline |
| Symbol 154 Graphic | Uses:119 | Used by:Timeline |
| Symbol 155 Bitmap | Used by:156 160 | |
| Symbol 156 Graphic | Uses:155 | Used by:161 |
| Symbol 157 Bitmap | Used by:158 | |
| Symbol 158 Graphic | Uses:157 | Used by:161 |
| Symbol 159 Bitmap | Used by:160 | |
| Symbol 160 Graphic | Uses:159 155 | Used by:161 |
| Symbol 161 MovieClip | Uses:156 158 160 | Used by:Timeline |
| Symbol 162 Sound | Used by:Timeline | |
| Symbol 163 Sound | Used by:Timeline | |
| Symbol 164 Sound | Used by:Timeline | |
| Symbol 165 Graphic | Used by:185 | |
| Symbol 166 Graphic | Used by:185 | |
| Symbol 167 Graphic | Used by:185 | |
| Symbol 168 Graphic | Used by:185 | |
| Symbol 169 Graphic | Used by:185 | |
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| Symbol 171 ShapeTweening | Used by:185 | |
| Symbol 172 ShapeTweening | Used by:185 | |
| Symbol 173 ShapeTweening | Used by:185 | |
| Symbol 174 ShapeTweening | Used by:185 | |
| Symbol 175 Graphic | Used by:185 | |
| Symbol 176 Graphic | Used by:185 | |
| Symbol 177 ShapeTweening | Used by:185 | |
| Symbol 178 ShapeTweening | Used by:185 | |
| Symbol 179 ShapeTweening | Used by:185 | |
| Symbol 180 ShapeTweening | Used by:185 | |
| Symbol 181 ShapeTweening | Used by:185 | |
| Symbol 182 ShapeTweening | Used by:185 | |
| Symbol 183 Graphic | Used by:185 | |
| Symbol 184 Graphic | Used by:185 | |
| Symbol 185 MovieClip | Uses:165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 | Used by:Timeline |
| Symbol 186 Bitmap | Used by:187 | |
| Symbol 187 Graphic | Uses:186 | Used by:196 |
| Symbol 188 Bitmap | Used by:189 | |
| Symbol 189 Graphic | Uses:188 | Used by:196 |
| Symbol 190 Bitmap | Used by:191 | |
| Symbol 191 Graphic | Uses:190 | Used by:196 |
| Symbol 192 Bitmap | Used by:193 | |
| Symbol 193 Graphic | Uses:192 | Used by:196 |
| Symbol 194 Bitmap | Used by:195 | |
| Symbol 195 Graphic | Uses:194 | Used by:196 |
| Symbol 196 MovieClip | Uses:187 189 191 193 195 | Used by:850 Timeline |
| Symbol 197 Bitmap | Used by:198 | |
| Symbol 198 Graphic | Uses:197 | Used by:207 |
| Symbol 199 Bitmap | Used by:200 | |
| Symbol 200 Graphic | Uses:199 | Used by:207 |
| Symbol 201 Bitmap | Used by:202 | |
| Symbol 202 Graphic | Uses:201 | Used by:207 |
| Symbol 203 Bitmap | Used by:204 | |
| Symbol 204 Graphic | Uses:203 | Used by:207 |
| Symbol 205 Bitmap | Used by:206 | |
| Symbol 206 Graphic | Uses:205 | Used by:207 |
| Symbol 207 MovieClip | Uses:198 200 202 204 206 | Used by:850 Timeline |
| Symbol 208 MovieClip | Uses:146 | Used by:Timeline |
| Symbol 209 ShapeTweening | Used by:Timeline | |
| Symbol 210 ShapeTweening | Used by:Timeline | |
| Symbol 211 Graphic | Used by:Timeline | |
| Symbol 212 ShapeTweening | Used by:Timeline | |
| Symbol 213 ShapeTweening | Used by:Timeline | |
| Symbol 214 ShapeTweening | Used by:Timeline | |
| Symbol 215 ShapeTweening | Used by:Timeline | |
| Symbol 216 Graphic | Used by:Timeline | |
| Symbol 217 ShapeTweening | Used by:Timeline | |
| Symbol 218 ShapeTweening | Used by:Timeline | |
| Symbol 219 Graphic | Used by:Timeline | |
| Symbol 220 Graphic | Used by:505 | |
| Symbol 221 Sound | Used by:505 | |
| Symbol 222 ShapeTweening | Used by:505 | |
| Symbol 223 Graphic | Used by:505 850 | |
| Symbol 224 Font | Used by:225 262 285 312 332 353 384 388 391 456 459 465 471 485 488 489 490 491 492 493 494 496 500 501 503 | |
| Symbol 225 Text | Uses:224 | Used by:505 |
| Symbol 226 Bitmap | Used by:227 | |
| Symbol 227 Graphic | Uses:226 | Used by:505 |
| Symbol 228 Bitmap | Used by:229 | |
| Symbol 229 Graphic | Uses:228 | Used by:505 |
| Symbol 230 Bitmap | Used by:231 | |
| Symbol 231 Graphic | Uses:230 | Used by:505 |
| Symbol 232 Bitmap | Used by:233 | |
| Symbol 233 Graphic | Uses:232 | Used by:505 |
| Symbol 234 Bitmap | Used by:235 | |
| Symbol 235 Graphic | Uses:234 | Used by:505 |
| Symbol 236 Graphic | Used by:505 | |
| Symbol 237 Bitmap | Used by:238 | |
| Symbol 238 Graphic | Uses:237 | Used by:505 |
| Symbol 239 ShapeTweening | Used by:505 | |
| Symbol 240 ShapeTweening | Used by:505 | |
| Symbol 241 Bitmap | Used by:242 | |
| Symbol 242 Graphic | Uses:241 | Used by:505 992 |
| Symbol 243 Graphic | Used by:505 | |
| Symbol 244 ShapeTweening | Used by:505 | |
| Symbol 245 ShapeTweening | Used by:505 | |
| Symbol 246 ShapeTweening | Used by:505 | |
| Symbol 247 ShapeTweening | Used by:505 | |
| Symbol 248 ShapeTweening | Used by:505 | |
| Symbol 249 ShapeTweening | Used by:505 | |
| Symbol 250 Bitmap | Used by:251 | |
| Symbol 251 Graphic | Uses:250 | Used by:505 |
| Symbol 252 ShapeTweening | Used by:505 | |
| Symbol 253 ShapeTweening | Used by:505 | |
| Symbol 254 Bitmap | Used by:255 | |
| Symbol 255 Graphic | Uses:254 | Used by:505 |
| Symbol 256 ShapeTweening | Used by:505 | |
| Symbol 257 ShapeTweening | Used by:505 | |
| Symbol 258 Graphic | Used by:505 | |
| Symbol 259 ShapeTweening | Used by:505 | |
| Symbol 260 ShapeTweening | Used by:505 | |
| Symbol 261 Graphic | Used by:505 | |
| Symbol 262 Text | Uses:224 | Used by:505 |
| Symbol 263 Bitmap | Used by:264 | |
| Symbol 264 Graphic | Uses:263 | Used by:505 992 |
| Symbol 265 Bitmap | Used by:266 | |
| Symbol 266 Graphic | Uses:265 | Used by:505 992 |
| Symbol 267 Bitmap | Used by:268 | |
| Symbol 268 Graphic | Uses:267 | Used by:505 992 |
| Symbol 269 ShapeTweening | Used by:505 | |
| Symbol 270 ShapeTweening | Used by:505 | |
| Symbol 271 Bitmap | Used by:272 | |
| Symbol 272 Graphic | Uses:271 | Used by:505 992 |
| Symbol 273 Graphic | Used by:505 | |
| Symbol 274 ShapeTweening | Used by:505 | |
| Symbol 275 ShapeTweening | Used by:505 | |
| Symbol 276 Graphic | Used by:505 | |
| Symbol 277 Bitmap | Used by:278 | |
| Symbol 278 Graphic | Uses:277 | Used by:505 |
| Symbol 279 ShapeTweening | Used by:505 | |
| Symbol 280 ShapeTweening | Used by:505 | |
| Symbol 281 Graphic | Used by:505 | |
| Symbol 282 ShapeTweening | Used by:505 | |
| Symbol 283 ShapeTweening | Used by:505 | |
| Symbol 284 Graphic | Used by:505 | |
| Symbol 285 Text | Uses:224 | Used by:505 |
| Symbol 286 ShapeTweening | Used by:505 | |
| Symbol 287 ShapeTweening | Used by:505 | |
| Symbol 288 Graphic | Used by:505 | |
| Symbol 289 ShapeTweening | Used by:505 | |
| Symbol 290 ShapeTweening | Used by:505 | |
| Symbol 291 ShapeTweening | Used by:505 | |
| Symbol 292 ShapeTweening | Used by:505 | |
| Symbol 293 ShapeTweening | Used by:505 | |
| Symbol 294 ShapeTweening | Used by:505 | |
| Symbol 295 ShapeTweening | Used by:505 | |
| Symbol 296 ShapeTweening | Used by:505 | |
| Symbol 297 ShapeTweening | Used by:505 | |
| Symbol 298 Graphic | Used by:505 | |
| Symbol 299 Graphic | Used by:505 | |
| Symbol 300 ShapeTweening | Used by:505 | |
| Symbol 301 ShapeTweening | Used by:505 | |
| Symbol 302 ShapeTweening | Used by:505 | |
| Symbol 303 ShapeTweening | Used by:505 | |
| Symbol 304 ShapeTweening | Used by:505 | |
| Symbol 305 ShapeTweening | Used by:505 | |
| Symbol 306 ShapeTweening | Used by:505 | |
| Symbol 307 ShapeTweening | Used by:505 | |
| Symbol 308 ShapeTweening | Used by:505 | |
| Symbol 309 ShapeTweening | Used by:505 | |
| Symbol 310 ShapeTweening | Used by:505 | |
| Symbol 311 ShapeTweening | Used by:505 | |
| Symbol 312 Text | Uses:224 | Used by:505 |
| Symbol 313 ShapeTweening | Used by:505 | |
| Symbol 314 ShapeTweening | Used by:505 | |
| Symbol 315 ShapeTweening | Used by:505 | |
| Symbol 316 ShapeTweening | Used by:505 | |
| Symbol 317 ShapeTweening | Used by:505 | |
| Symbol 318 ShapeTweening | Used by:505 | |
| Symbol 319 ShapeTweening | Used by:505 | |
| Symbol 320 ShapeTweening | Used by:505 | |
| Symbol 321 ShapeTweening | Used by:505 | |
| Symbol 322 ShapeTweening | Used by:505 | |
| Symbol 323 ShapeTweening | Used by:505 | |
| Symbol 324 ShapeTweening | Used by:505 | |
| Symbol 325 ShapeTweening | Used by:505 | |
| Symbol 326 ShapeTweening | Used by:505 | |
| Symbol 327 ShapeTweening | Used by:505 | |
| Symbol 328 ShapeTweening | Used by:505 | |
| Symbol 329 ShapeTweening | Used by:505 | |
| Symbol 330 ShapeTweening | Used by:505 | |
| Symbol 331 ShapeTweening | Used by:505 | |
| Symbol 332 Text | Uses:224 | Used by:505 |
| Symbol 333 ShapeTweening | Used by:505 | |
| Symbol 334 ShapeTweening | Used by:505 | |
| Symbol 335 ShapeTweening | Used by:505 | |
| Symbol 336 ShapeTweening | Used by:505 | |
| Symbol 337 ShapeTweening | Used by:505 | |
| Symbol 338 ShapeTweening | Used by:505 | |
| Symbol 339 ShapeTweening | Used by:505 | |
| Symbol 340 ShapeTweening | Used by:505 | |
| Symbol 341 ShapeTweening | Used by:505 | |
| Symbol 342 ShapeTweening | Used by:505 | |
| Symbol 343 ShapeTweening | Used by:505 | |
| Symbol 344 ShapeTweening | Used by:505 | |
| Symbol 345 ShapeTweening | Used by:505 | |
| Symbol 346 ShapeTweening | Used by:505 | |
| Symbol 347 ShapeTweening | Used by:505 | |
| Symbol 348 ShapeTweening | Used by:505 | |
| Symbol 349 ShapeTweening | Used by:505 | |
| Symbol 350 ShapeTweening | Used by:505 | |
| Symbol 351 ShapeTweening | Used by:505 | |
| Symbol 352 ShapeTweening | Used by:505 | |
| Symbol 353 Text | Uses:224 | Used by:505 |
| Symbol 354 ShapeTweening | Used by:505 | |
| Symbol 355 ShapeTweening | Used by:505 | |
| Symbol 356 ShapeTweening | Used by:505 | |
| Symbol 357 ShapeTweening | Used by:505 | |
| Symbol 358 ShapeTweening | Used by:505 | |
| Symbol 359 ShapeTweening | Used by:505 | |
| Symbol 360 ShapeTweening | Used by:505 | |
| Symbol 361 ShapeTweening | Used by:505 | |
| Symbol 362 ShapeTweening | Used by:505 | |
| Symbol 363 ShapeTweening | Used by:505 | |
| Symbol 364 ShapeTweening | Used by:505 | |
| Symbol 365 ShapeTweening | Used by:505 | |
| Symbol 366 ShapeTweening | Used by:505 | |
| Symbol 367 ShapeTweening | Used by:505 | |
| Symbol 368 ShapeTweening | Used by:505 | |
| Symbol 369 ShapeTweening | Used by:505 | |
| Symbol 370 ShapeTweening | Used by:505 | |
| Symbol 371 ShapeTweening | Used by:505 | |
| Symbol 372 ShapeTweening | Used by:505 | |
| Symbol 373 ShapeTweening | Used by:505 | |
| Symbol 374 ShapeTweening | Used by:505 | |
| Symbol 375 ShapeTweening | Used by:505 | |
| Symbol 376 ShapeTweening | Used by:505 | |
| Symbol 377 ShapeTweening | Used by:505 | |
| Symbol 378 Graphic | Used by:505 | |
| Symbol 379 Bitmap | Used by:380 | |
| Symbol 380 Graphic | Uses:379 | Used by:505 |
| Symbol 381 Bitmap | Used by:382 | |
| Symbol 382 Graphic | Uses:381 | Used by:505 |
| Symbol 383 Sound | Used by:505 | |
| Symbol 384 Text | Uses:224 | Used by:505 |
| Symbol 385 ShapeTweening | Used by:505 | |
| Symbol 386 ShapeTweening | Used by:505 | |
| Symbol 387 Graphic | Used by:505 | |
| Symbol 388 Text | Uses:224 | Used by:505 |
| Symbol 389 ShapeTweening | Used by:505 | |
| Symbol 390 ShapeTweening | Used by:505 | |
| Symbol 391 Text | Uses:224 | Used by:505 |
| Symbol 392 ShapeTweening | Used by:505 | |
| Symbol 393 ShapeTweening | Used by:505 | |
| Symbol 394 ShapeTweening | Used by:505 | |
| Symbol 395 ShapeTweening | Used by:505 | |
| Symbol 396 ShapeTweening | Used by:505 | |
| Symbol 397 ShapeTweening | Used by:505 | |
| Symbol 398 ShapeTweening | Used by:505 | |
| Symbol 399 ShapeTweening | Used by:505 | |
| Symbol 400 ShapeTweening | Used by:505 | |
| Symbol 401 ShapeTweening | Used by:505 | |
| Symbol 402 ShapeTweening | Used by:505 | |
| Symbol 403 ShapeTweening | Used by:505 | |
| Symbol 404 ShapeTweening | Used by:505 | |
| Symbol 405 ShapeTweening | Used by:505 | |
| Symbol 406 ShapeTweening | Used by:505 | |
| Symbol 407 ShapeTweening | Used by:505 | |
| Symbol 408 ShapeTweening | Used by:505 | |
| Symbol 409 ShapeTweening | Used by:505 | |
| Symbol 410 ShapeTweening | Used by:505 | |
| Symbol 411 ShapeTweening | Used by:505 | |
| Symbol 412 ShapeTweening | Used by:418 | |
| Symbol 413 ShapeTweening | Used by:418 | |
| Symbol 414 ShapeTweening | Used by:418 | |
| Symbol 415 ShapeTweening | Used by:418 | |
| Symbol 416 ShapeTweening | Used by:418 | |
| Symbol 417 Graphic | Used by:418 | |
| Symbol 418 MovieClip | Uses:412 413 414 415 416 417 | Used by:419 |
| Symbol 419 MovieClip | Uses:418 | Used by:498 505 |
| Symbol 420 ShapeTweening | Used by:505 | |
| Symbol 421 ShapeTweening | Used by:505 | |
| Symbol 422 ShapeTweening | Used by:505 | |
| Symbol 423 ShapeTweening | Used by:505 | |
| Symbol 424 ShapeTweening | Used by:505 | |
| Symbol 425 ShapeTweening | Used by:505 | |
| Symbol 426 ShapeTweening | Used by:505 | |
| Symbol 427 ShapeTweening | Used by:505 | |
| Symbol 428 ShapeTweening | Used by:505 | |
| Symbol 429 ShapeTweening | Used by:505 | |
| Symbol 430 Graphic | Used by:505 | |
| Symbol 431 ShapeTweening | Used by:505 | |
| Symbol 432 ShapeTweening | Used by:505 | |
| Symbol 433 ShapeTweening | Used by:505 | |
| Symbol 434 ShapeTweening | Used by:505 | |
| Symbol 435 ShapeTweening | Used by:505 | |
| Symbol 436 Graphic | Used by:505 | |
| Symbol 437 Bitmap | Used by:438 | |
| Symbol 438 Graphic | Uses:437 | Used by:505 |
| Symbol 439 Bitmap | Used by:440 | |
| Symbol 440 Graphic | Uses:439 | Used by:505 |
| Symbol 441 Sound | Used by:505 | |
| Symbol 442 Bitmap | Used by:443 | |
| Symbol 443 Graphic | Uses:442 | Used by:505 |
| Symbol 444 Bitmap | Used by:445 | |
| Symbol 445 Graphic | Uses:444 | Used by:505 |
| Symbol 446 Bitmap | Used by:447 | |
| Symbol 447 Graphic | Uses:446 | Used by:505 992 |
| Symbol 448 Bitmap | Used by:449 | |
| Symbol 449 Graphic | Uses:448 | Used by:505 |
| Symbol 450 Bitmap | Used by:451 | |
| Symbol 451 Graphic | Uses:450 | Used by:505 |
| Symbol 452 ShapeTweening | Used by:505 | |
| Symbol 453 Graphic | Used by:505 | |
| Symbol 454 ShapeTweening | Used by:505 | |
| Symbol 455 Graphic | Used by:505 | |
| Symbol 456 Text | Uses:224 | Used by:505 |
| Symbol 457 Graphic | Used by:505 | |
| Symbol 458 Graphic | Used by:505 | |
| Symbol 459 Text | Uses:224 | Used by:505 |
| Symbol 460 ShapeTweening | Used by:505 | |
| Symbol 461 ShapeTweening | Used by:505 | |
| Symbol 462 ShapeTweening | Used by:505 | |
| Symbol 463 Graphic | Used by:505 | |
| Symbol 464 Graphic | Used by:505 | |
| Symbol 465 Text | Uses:224 | Used by:505 |
| Symbol 466 Graphic | Used by:505 | |
| Symbol 467 Graphic | Used by:505 | |
| Symbol 468 Graphic | Used by:505 | |
| Symbol 469 Graphic | Used by:505 | |
| Symbol 470 Graphic | Used by:505 | |
| Symbol 471 Text | Uses:224 | Used by:505 |
| Symbol 472 ShapeTweening | Used by:505 | |
| Symbol 473 ShapeTweening | Used by:505 | |
| Symbol 474 ShapeTweening | Used by:505 | |
| Symbol 475 ShapeTweening | Used by:505 | |
| Symbol 476 ShapeTweening | Used by:505 | |
| Symbol 477 Graphic | Used by:505 | |
| Symbol 478 ShapeTweening | Used by:505 | |
| Symbol 479 Graphic | Used by:505 | |
| Symbol 480 Graphic | Used by:505 | |
| Symbol 481 Graphic | Used by:505 | |
| Symbol 482 Graphic | Used by:505 | |
| Symbol 483 Graphic | Used by:505 | |
| Symbol 484 Graphic | Used by:505 | |
| Symbol 485 Text | Uses:224 | Used by:505 |
| Symbol 486 ShapeTweening | Used by:505 | |
| Symbol 487 Graphic | Used by:505 | |
| Symbol 488 Text | Uses:224 | Used by:505 |
| Symbol 489 Text | Uses:224 | Used by:505 |
| Symbol 490 Text | Uses:224 | Used by:505 |
| Symbol 491 Text | Uses:224 | Used by:505 |
| Symbol 492 Text | Uses:224 | Used by:505 |
| Symbol 493 Text | Uses:224 | Used by:505 |
| Symbol 494 Text | Uses:224 | Used by:495 499 |
| Symbol 495 MovieClip | Uses:494 | Used by:505 |
| Symbol 496 Text | Uses:224 | Used by:497 |
| Symbol 497 MovieClip | Uses:496 | Used by:498 505 |
| Symbol 498 MovieClip | Uses:419 497 | Used by:505 |
| Symbol 499 MovieClip | Uses:494 | Used by:505 |
| Symbol 500 Text | Uses:224 | Used by:505 |
| Symbol 501 Text | Uses:224 | Used by:505 |
| Symbol 502 Graphic | Used by:505 | |
| Symbol 503 Text | Uses:224 | Used by:505 |
| Symbol 504 ShapeTweening | Used by:505 | |
| Symbol 505 MovieClip | Uses:220 105 221 222 223 225 227 229 231 233 235 236 238 239 240 242 243 244 245 246 247 248 249 251 252 253 255 256 257 258 259 260 261 262 264 266 268 269 270 272 273 274 275 276 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 380 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 438 440 441 443 445 447 449 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 495 497 498 499 500 501 502 503 504 SS2 | Used by:Timeline |
| Symbol 506 Graphic | Used by:850 | |
| Symbol 507 Graphic | Uses:119 | Used by:850 |
| Symbol 508 Graphic | Uses:119 | Used by:850 |
| Symbol 509 Graphic | Uses:119 | Used by:850 |
| Symbol 510 ShapeTweening | Used by:513 | |
| Symbol 511 ShapeTweening | Used by:513 | |
| Symbol 512 Graphic | Used by:513 | |
| Symbol 513 MovieClip | Uses:510 511 512 | Used by:850 |
| Symbol 514 ShapeTweening | Used by:517 | |
| Symbol 515 ShapeTweening | Used by:517 | |
| Symbol 516 Graphic | Used by:517 | |
| Symbol 517 MovieClip | Uses:514 515 516 | Used by:850 |
| Symbol 518 Graphic | Used by:850 | |
| Symbol 519 ShapeTweening | Used by:522 | |
| Symbol 520 ShapeTweening | Used by:522 | |
| Symbol 521 Graphic | Used by:522 | |
| Symbol 522 MovieClip | Uses:519 520 521 | Used by:850 |
| Symbol 523 ShapeTweening | Used by:533 | |
| Symbol 524 ShapeTweening | Used by:533 | |
| Symbol 525 ShapeTweening | Used by:533 | |
| Symbol 526 ShapeTweening | Used by:533 | |
| Symbol 527 ShapeTweening | Used by:533 | |
| Symbol 528 ShapeTweening | Used by:533 | |
| Symbol 529 Graphic | Used by:533 | |
| Symbol 530 ShapeTweening | Used by:533 | |
| Symbol 531 ShapeTweening | Used by:533 | |
| Symbol 532 Graphic | Used by:533 | |
| Symbol 533 MovieClip | Uses:523 524 525 526 527 528 529 530 531 532 | Used by:850 |
| Symbol 534 Bitmap | Used by:535 | |
| Symbol 535 Graphic | Uses:534 | Used by:542 |
| Symbol 536 Bitmap | Used by:537 | |
| Symbol 537 Graphic | Uses:536 | Used by:542 |
| Symbol 538 Bitmap | Used by:539 | |
| Symbol 539 Graphic | Uses:538 | Used by:542 |
| Symbol 540 Bitmap | Used by:541 | |
| Symbol 541 Graphic | Uses:540 | Used by:542 |
| Symbol 542 MovieClip | Uses:535 537 539 541 | Used by:850 |
| Symbol 543 Graphic | Used by:850 | |
| Symbol 544 Bitmap | Used by:545 | |
| Symbol 545 Graphic | Uses:544 | Used by:546 |
| Symbol 546 MovieClip | Uses:545 | Used by:850 |
| Symbol 547 Graphic | Used by:850 | |
| Symbol 548 ShapeTweening | Used by:551 | |
| Symbol 549 ShapeTweening | Used by:551 | |
| Symbol 550 Graphic | Used by:551 | |
| Symbol 551 MovieClip | Uses:548 549 550 | Used by:850 |
| Symbol 552 Bitmap | Used by:553 562 | |
| Symbol 553 Graphic | Uses:552 | Used by:568 |
| Symbol 554 Bitmap | Used by:555 561 | |
| Symbol 555 Graphic | Uses:554 | Used by:568 |
| Symbol 556 Bitmap | Used by:557 560 | |
| Symbol 557 Graphic | Uses:556 | Used by:568 |
| Symbol 558 Bitmap | Used by:559 | |
| Symbol 559 Graphic | Uses:558 | Used by:568 |
| Symbol 560 Graphic | Uses:556 | Used by:568 |
| Symbol 561 Graphic | Uses:554 | Used by:568 |
| Symbol 562 Graphic | Uses:552 | Used by:568 |
| Symbol 563 Bitmap | Used by:564 567 | |
| Symbol 564 Graphic | Uses:563 | Used by:568 |
| Symbol 565 Bitmap | Used by:566 | |
| Symbol 566 Graphic | Uses:565 | Used by:568 |
| Symbol 567 Graphic | Uses:563 | Used by:568 |
| Symbol 568 MovieClip | Uses:553 555 557 559 560 561 562 564 566 567 | Used by:850 |
| Symbol 569 Bitmap | Used by:570 | |
| Symbol 570 Graphic | Uses:569 | Used by:582 |
| Symbol 571 Bitmap | Used by:572 581 | |
| Symbol 572 Graphic | Uses:571 | Used by:582 |
| Symbol 573 Bitmap | Used by:574 580 | |
| Symbol 574 Graphic | Uses:573 | Used by:582 |
| Symbol 575 Bitmap | Used by:576 579 | |
| Symbol 576 Graphic | Uses:575 | Used by:582 |
| Symbol 577 Bitmap | Used by:578 | |
| Symbol 578 Graphic | Uses:577 | Used by:582 |
| Symbol 579 Graphic | Uses:575 | Used by:582 |
| Symbol 580 Graphic | Uses:573 | Used by:582 |
| Symbol 581 Graphic | Uses:571 | Used by:582 |
| Symbol 582 MovieClip | Uses:570 572 574 576 578 579 580 581 | Used by:718 850 |
| Symbol 583 Graphic | Used by:850 | |
| Symbol 584 Graphic | Used by:716 850 | |
| Symbol 585 ShapeTweening | Used by:850 | |
| Symbol 586 Graphic | Used by:588 | |
| Symbol 587 Sound | Used by:588 | |
| Symbol 588 MovieClip | Uses:586 587 | Used by:850 |
| Symbol 589 ShapeTweening | Used by:850 | |
| Symbol 590 ShapeTweening | Used by:850 | |
| Symbol 591 Graphic | Used by:850 | |
| Symbol 592 Graphic | Used by:850 | |
| Symbol 593 Font | Used by:594 595 597 598 604 605 609 610 612 613 614 615 616 617 618 619 620 621 623 624 625 626 628 629 631 632 634 635 636 637 638 639 641 642 643 644 645 646 647 648 650 651 772 773 781 782 783 784 792 793 794 795 797 798 799 800 801 802 803 804 810 811 812 813 816 817 819 820 822 823 824 825 826 827 828 829 830 831 832 846 847 | |
| Symbol 594 Text | Uses:593 | Used by:850 |
| Symbol 595 Text | Uses:593 | Used by:850 |
| Symbol 596 Graphic | Used by:850 | |
| Symbol 597 Text | Uses:593 | Used by:850 |
| Symbol 598 Text | Uses:593 | Used by:850 |
| Symbol 599 Graphic | Used by:850 | |
| Symbol 600 Graphic | Used by:850 | |
| Symbol 601 Graphic | Used by:850 | |
| Symbol 602 Graphic | Used by:850 | |
| Symbol 603 Graphic | Used by:850 | |
| Symbol 604 Text | Uses:593 | Used by:850 |
| Symbol 605 Text | Uses:593 | Used by:850 |
| Symbol 606 ShapeTweening | Used by:850 | |
| Symbol 607 ShapeTweening | Used by:850 | |
| Symbol 608 Graphic | Used by:850 | |
| Symbol 609 Text | Uses:593 | Used by:850 |
| Symbol 610 Text | Uses:593 | Used by:850 |
| Symbol 611 Graphic | Used by:850 | |
| Symbol 612 Text | Uses:593 | Used by:850 |
| Symbol 613 Text | Uses:593 | Used by:850 |
| Symbol 614 Text | Uses:593 | Used by:850 |
| Symbol 615 Text | Uses:593 | Used by:850 |
| Symbol 616 Text | Uses:593 | Used by:850 |
| Symbol 617 Text | Uses:593 | Used by:850 |
| Symbol 618 Text | Uses:593 | Used by:850 |
| Symbol 619 Text | Uses:593 | Used by:850 |
| Symbol 620 Text | Uses:593 | Used by:850 |
| Symbol 621 Text | Uses:593 | Used by:850 |
| Symbol 622 Graphic | Used by:850 | |
| Symbol 623 Text | Uses:593 | Used by:850 |
| Symbol 624 Text | Uses:593 | Used by:850 |
| Symbol 625 Text | Uses:593 | Used by:850 |
| Symbol 626 Text | Uses:593 | Used by:850 |
| Symbol 627 Graphic | Used by:850 | |
| Symbol 628 Text | Uses:593 | Used by:850 |
| Symbol 629 Text | Uses:593 | Used by:850 |
| Symbol 630 Graphic | Used by:850 | |
| Symbol 631 Text | Uses:593 | Used by:850 |
| Symbol 632 Text | Uses:593 | Used by:850 |
| Symbol 633 Graphic | Used by:850 | |
| Symbol 634 Text | Uses:593 | Used by:850 |
| Symbol 635 Text | Uses:593 | Used by:850 |
| Symbol 636 Text | Uses:593 | Used by:850 |
| Symbol 637 Text | Uses:593 | Used by:850 |
| Symbol 638 Text | Uses:593 | Used by:850 |
| Symbol 639 Text | Uses:593 | Used by:850 |
| Symbol 640 Graphic | Used by:850 | |
| Symbol 641 Text | Uses:593 | Used by:850 |
| Symbol 642 Text | Uses:593 | Used by:850 |
| Symbol 643 Text | Uses:593 | Used by:850 |
| Symbol 644 Text | Uses:593 | Used by:850 |
| Symbol 645 Text | Uses:593 | Used by:850 |
| Symbol 646 Text | Uses:593 | Used by:850 |
| Symbol 647 Text | Uses:593 | Used by:850 |
| Symbol 648 Text | Uses:593 | Used by:850 |
| Symbol 649 ShapeTweening | Used by:850 | |
| Symbol 650 Text | Uses:593 | Used by:850 |
| Symbol 651 Text | Uses:593 | Used by:850 |
| Symbol 652 ShapeTweening | Used by:850 | |
| Symbol 653 ShapeTweening | Used by:850 | |
| Symbol 654 ShapeTweening | Used by:850 | |
| Symbol 655 Graphic | Used by:850 | |
| Symbol 656 Sound | Used by:850 | |
| Symbol 657 ShapeTweening | Used by:850 | |
| Symbol 658 ShapeTweening | Used by:850 | |
| Symbol 659 ShapeTweening | Used by:850 | |
| Symbol 660 ShapeTweening | Used by:850 | |
| Symbol 661 Graphic | Used by:850 | |
| Symbol 662 Sound | Used by:850 | |
| Symbol 663 ShapeTweening | Used by:850 | |
| Symbol 664 ShapeTweening | Used by:850 | |
| Symbol 665 ShapeTweening | Used by:850 | |
| Symbol 666 ShapeTweening | Used by:850 | |
| Symbol 667 Graphic | Used by:850 | |
| Symbol 668 ShapeTweening | Used by:850 | |
| Symbol 669 ShapeTweening | Used by:850 | |
| Symbol 670 Graphic | Used by:850 | |
| Symbol 671 ShapeTweening | Used by:850 | |
| Symbol 672 ShapeTweening | Used by:850 | |
| Symbol 673 ShapeTweening | Used by:850 | |
| Symbol 674 ShapeTweening | Used by:850 | |
| Symbol 675 ShapeTweening | Used by:850 | |
| Symbol 676 ShapeTweening | Used by:850 | |
| Symbol 677 ShapeTweening | Used by:850 | |
| Symbol 678 ShapeTweening | Used by:850 | |
| Symbol 679 Graphic | Used by:850 | |
| Symbol 680 ShapeTweening | Used by:850 | |
| Symbol 681 ShapeTweening | Used by:850 | |
| Symbol 682 Graphic | Used by:850 | |
| Symbol 683 ShapeTweening | Used by:850 | |
| Symbol 684 Graphic | Used by:850 | |
| Symbol 685 Graphic | Used by:850 | |
| Symbol 686 ShapeTweening | Used by:850 | |
| Symbol 687 ShapeTweening | Used by:850 | |
| Symbol 688 ShapeTweening | Used by:850 | |
| Symbol 689 Graphic | Used by:850 | |
| Symbol 690 ShapeTweening | Used by:850 | |
| Symbol 691 ShapeTweening | Used by:850 | |
| Symbol 692 ShapeTweening | Used by:850 | |
| Symbol 693 Graphic | Used by:850 | |
| Symbol 694 ShapeTweening | Used by:850 | |
| Symbol 695 ShapeTweening | Used by:850 | |
| Symbol 696 ShapeTweening | Used by:850 | |
| Symbol 697 ShapeTweening | Used by:850 | |
| Symbol 698 ShapeTweening | Used by:850 | |
| Symbol 699 ShapeTweening | Used by:850 | |
| Symbol 700 ShapeTweening | Used by:850 | |
| Symbol 701 ShapeTweening | Used by:850 | |
| Symbol 702 ShapeTweening | Used by:850 | |
| Symbol 703 ShapeTweening | Used by:850 | |
| Symbol 704 ShapeTweening | Used by:850 | |
| Symbol 705 ShapeTweening | Used by:850 | |
| Symbol 706 ShapeTweening | Used by:850 | |
| Symbol 707 Sound | Used by:850 | |
| Symbol 708 Graphic | Used by:850 | |
| Symbol 709 Sound | Used by:850 | |
| Symbol 710 Graphic | Used by:716 | |
| Symbol 711 Graphic | Used by:715 | |
| Symbol 712 ShapeTweening | Used by:715 | |
| Symbol 713 Graphic | Used by:715 | |
| Symbol 714 Graphic | Used by:715 | |
| Symbol 715 MovieClip | Uses:711 712 713 714 | Used by:716 |
| Symbol 716 MovieClip | Uses:710 584 715 | Used by:850 |
| Symbol 717 Graphic | Used by:850 | |
| Symbol 718 MovieClip | Uses:582 | Used by:850 |
| Symbol 719 Graphic | Used by:850 | |
| Symbol 720 Graphic | Used by:850 | |
| Symbol 721 ShapeTweening | Used by:850 | |
| Symbol 722 Graphic | Used by:850 | |
| Symbol 723 Graphic | Used by:850 | |
| Symbol 724 ShapeTweening | Used by:850 | |
| Symbol 725 Graphic | Used by:850 | |
| Symbol 726 Graphic | Used by:850 | |
| Symbol 727 ShapeTweening | Used by:850 | |
| Symbol 728 Graphic | Used by:850 | |
| Symbol 729 Graphic | Used by:850 | |
| Symbol 730 ShapeTweening | Used by:850 | |
| Symbol 731 Graphic | Used by:850 | |
| Symbol 732 Graphic | Used by:850 | |
| Symbol 733 ShapeTweening | Used by:850 | |
| Symbol 734 Graphic | Used by:850 | |
| Symbol 735 Bitmap | Used by:736 | |
| Symbol 736 Graphic | Uses:735 | Used by:737 850 |
| Symbol 737 MovieClip | Uses:736 | Used by:850 |
| Symbol 738 Bitmap | Used by:739 | |
| Symbol 739 Graphic | Uses:738 | Used by:746 |
| Symbol 740 Bitmap | Used by:741 | |
| Symbol 741 Graphic | Uses:740 | Used by:746 |
| Symbol 742 Bitmap | Used by:743 | |
| Symbol 743 Graphic | Uses:742 | Used by:746 |
| Symbol 744 Bitmap | Used by:745 | |
| Symbol 745 Graphic | Uses:744 | Used by:746 |
| Symbol 746 MovieClip | Uses:739 741 743 745 | Used by:850 |
| Symbol 747 Graphic | Used by:757 | |
| Symbol 748 ShapeTweening | Used by:757 | |
| Symbol 749 ShapeTweening | Used by:757 | |
| Symbol 750 ShapeTweening | Used by:757 | |
| Symbol 751 ShapeTweening | Used by:757 | |
| Symbol 752 ShapeTweening | Used by:757 | |
| Symbol 753 ShapeTweening | Used by:757 | |
| Symbol 754 ShapeTweening | Used by:757 | |
| Symbol 755 ShapeTweening | Used by:757 | |
| Symbol 756 Graphic | Used by:757 | |
| Symbol 757 MovieClip | Uses:747 748 749 750 751 752 753 754 755 756 | Used by:850 |
| Symbol 758 ShapeTweening | Used by:850 | |
| Symbol 759 Graphic | Used by:850 | |
| Symbol 760 Graphic | Used by:850 | |
| Symbol 761 Font | Used by:762 763 764 765 766 767 768 769 771 | |
| Symbol 762 Text | Uses:761 | Used by:850 |
| Symbol 763 Text | Uses:761 | Used by:770 |
| Symbol 764 Text | Uses:761 | Used by:770 |
| Symbol 765 Text | Uses:761 | Used by:770 |
| Symbol 766 Text | Uses:761 | Used by:770 |
| Symbol 767 Text | Uses:761 | Used by:770 |
| Symbol 768 Text | Uses:761 | Used by:770 |
| Symbol 769 Text | Uses:761 | Used by:770 |
| Symbol 770 MovieClip | Uses:763 764 765 766 767 768 769 SS3 | Used by:850 |
| Symbol 771 Text | Uses:761 | Used by:850 |
| Symbol 772 Text | Uses:593 | Used by:850 |
| Symbol 773 Text | Uses:593 | Used by:850 |
| Symbol 774 ShapeTweening | Used by:850 | |
| Symbol 775 Graphic | Used by:850 | |
| Symbol 776 Graphic | Used by:850 | |
| Symbol 777 ShapeTweening | Used by:850 | |
| Symbol 778 Graphic | Used by:850 | |
| Symbol 779 ShapeTweening | Used by:850 | |
| Symbol 780 ShapeTweening | Used by:850 | |
| Symbol 781 Text | Uses:593 | Used by:850 |
| Symbol 782 Text | Uses:593 | Used by:850 |
| Symbol 783 Text | Uses:593 | Used by:850 |
| Symbol 784 Text | Uses:593 | Used by:850 |
| Symbol 785 Graphic | Used by:850 | |
| Symbol 786 Graphic | Used by:850 | |
| Symbol 787 ShapeTweening | Used by:850 | |
| Symbol 788 Graphic | Used by:850 | |
| Symbol 789 Graphic | Used by:850 | |
| Symbol 790 ShapeTweening | Used by:850 | |
| Symbol 791 Graphic | Used by:850 | |
| Symbol 792 Text | Uses:593 | Used by:850 |
| Symbol 793 Text | Uses:593 | Used by:850 |
| Symbol 794 Text | Uses:593 | Used by:850 |
| Symbol 795 Text | Uses:593 | Used by:850 |
| Symbol 796 Graphic | Used by:850 | |
| Symbol 797 Text | Uses:593 | Used by:850 |
| Symbol 798 Text | Uses:593 | Used by:850 |
| Symbol 799 Text | Uses:593 | Used by:850 |
| Symbol 800 Text | Uses:593 | Used by:850 |
| Symbol 801 Text | Uses:593 | Used by:850 |
| Symbol 802 Text | Uses:593 | Used by:850 |
| Symbol 803 Text | Uses:593 | Used by:850 |
| Symbol 804 Text | Uses:593 | Used by:850 |
| Symbol 805 ShapeTweening | Used by:850 | |
| Symbol 806 Graphic | Used by:850 | |
| Symbol 807 Graphic | Used by:850 | |
| Symbol 808 ShapeTweening | Used by:850 | |
| Symbol 809 Graphic | Used by:850 | |
| Symbol 810 Text | Uses:593 | Used by:850 |
| Symbol 811 Text | Uses:593 | Used by:850 |
| Symbol 812 Text | Uses:593 | Used by:850 |
| Symbol 813 Text | Uses:593 | Used by:850 |
| Symbol 814 ShapeTweening | Used by:850 | |
| Symbol 815 ShapeTweening | Used by:850 | |
| Symbol 816 Text | Uses:593 | Used by:850 |
| Symbol 817 Text | Uses:593 | Used by:850 |
| Symbol 818 Graphic | Used by:850 | |
| Symbol 819 Text | Uses:593 | Used by:850 |
| Symbol 820 Text | Uses:593 | Used by:850 |
| Symbol 821 Graphic | Used by:850 | |
| Symbol 822 Text | Uses:593 | Used by:850 |
| Symbol 823 Text | Uses:593 | Used by:850 |
| Symbol 824 Text | Uses:593 | Used by:850 |
| Symbol 825 Text | Uses:593 | Used by:850 |
| Symbol 826 Text | Uses:593 | Used by:850 |
| Symbol 827 Text | Uses:593 | Used by:850 |
| Symbol 828 Text | Uses:593 | Used by:850 |
| Symbol 829 Text | Uses:593 | Used by:850 |
| Symbol 830 Text | Uses:593 | Used by:850 |
| Symbol 831 Text | Uses:593 | Used by:850 |
| Symbol 832 Text | Uses:593 | Used by:850 |
| Symbol 833 ShapeTweening | Used by:837 | |
| Symbol 834 Graphic | Used by:837 | |
| Symbol 835 ShapeTweening | Used by:837 | |
| Symbol 836 Graphic | Used by:837 | |
| Symbol 837 MovieClip | Uses:833 834 835 836 | Used by:842 |
| Symbol 838 ShapeTweening | Used by:841 | |
| Symbol 839 ShapeTweening | Used by:841 | |
| Symbol 840 Graphic | Used by:841 | |
| Symbol 841 MovieClip | Uses:838 839 840 | Used by:842 |
| Symbol 842 MovieClip | Uses:837 841 | Used by:850 |
| Symbol 843 ShapeTweening | Used by:850 | |
| Symbol 844 ShapeTweening | Used by:850 | |
| Symbol 845 Graphic | Used by:850 | |
| Symbol 846 Text | Uses:593 | Used by:850 |
| Symbol 847 Text | Uses:593 | Used by:850 |
| Symbol 848 ShapeTweening | Used by:850 | |
| Symbol 849 Graphic | Used by:850 | |
| Symbol 850 MovieClip | Uses:506 153 507 118 149 508 151 509 196 207 116 513 517 105 518 522 533 542 543 546 547 551 568 582 583 584 585 588 223 589 590 591 592 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 736 737 746 757 758 759 760 762 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 842 843 844 845 846 847 848 849 SS4 | Used by:Timeline |
| Symbol 851 Graphic | Used by:992 | |
| Symbol 852 ShapeTweening | Used by:856 | |
| Symbol 853 Graphic | Used by:856 | |
| Symbol 854 ShapeTweening | Used by:856 | |
| Symbol 855 Graphic | Used by:856 992 | |
| Symbol 856 MovieClip | Uses:852 853 854 855 | Used by:992 |
| Symbol 857 Graphic | Used by:858 | |
| Symbol 858 MovieClip | Uses:857 | Used by:992 |
| Symbol 859 ShapeTweening | Used by:992 | |
| Symbol 860 Graphic | Used by:992 | |
| Symbol 861 Font | Used by:862 | |
| Symbol 862 Text | Uses:861 | Used by:992 |
| Symbol 863 ShapeTweening | Used by:992 | |
| Symbol 864 ShapeTweening | Used by:992 | |
| Symbol 865 ShapeTweening | Used by:992 | |
| Symbol 866 Graphic | Used by:992 | |
| Symbol 867 ShapeTweening | Used by:992 | |
| Symbol 868 ShapeTweening | Used by:992 | |
| Symbol 869 Graphic | Used by:992 | |
| Symbol 870 ShapeTweening | Used by:992 | |
| Symbol 871 Graphic | Used by:872 | |
| Symbol 872 MovieClip | Uses:871 | Used by:992 |
| Symbol 873 ShapeTweening | Used by:992 | |
| Symbol 874 Graphic | Used by:992 | |
| Symbol 875 Bitmap | Used by:876 | |
| Symbol 876 Graphic | Uses:875 | Used by:891 |
| Symbol 877 Bitmap | Used by:878 | |
| Symbol 878 Graphic | Uses:877 | Used by:891 |
| Symbol 879 Bitmap | Used by:880 | |
| Symbol 880 Graphic | Uses:879 | Used by:891 |
| Symbol 881 Bitmap | Used by:882 | |
| Symbol 882 Graphic | Uses:881 | Used by:891 |
| Symbol 883 Bitmap | Used by:884 | |
| Symbol 884 Graphic | Uses:883 | Used by:891 |
| Symbol 885 Bitmap | Used by:886 | |
| Symbol 886 Graphic | Uses:885 | Used by:891 |
| Symbol 887 Bitmap | Used by:888 | |
| Symbol 888 Graphic | Uses:887 | Used by:891 |
| Symbol 889 Bitmap | Used by:890 | |
| Symbol 890 Graphic | Uses:889 | Used by:891 |
| Symbol 891 MovieClip | Uses:876 878 880 882 884 886 888 890 | Used by:992 |
| Symbol 892 Bitmap | Used by:893 | |
| Symbol 893 Graphic | Uses:892 | Used by:908 |
| Symbol 894 Bitmap | Used by:895 | |
| Symbol 895 Graphic | Uses:894 | Used by:908 |
| Symbol 896 Bitmap | Used by:897 | |
| Symbol 897 Graphic | Uses:896 | Used by:908 |
| Symbol 898 Bitmap | Used by:899 | |
| Symbol 899 Graphic | Uses:898 | Used by:908 |
| Symbol 900 Bitmap | Used by:901 | |
| Symbol 901 Graphic | Uses:900 | Used by:908 |
| Symbol 902 Bitmap | Used by:903 | |
| Symbol 903 Graphic | Uses:902 | Used by:908 |
| Symbol 904 Bitmap | Used by:905 | |
| Symbol 905 Graphic | Uses:904 | Used by:908 |
| Symbol 906 Bitmap | Used by:907 | |
| Symbol 907 Graphic | Uses:906 | Used by:908 |
| Symbol 908 MovieClip | Uses:893 895 897 899 901 903 905 907 | Used by:992 |
| Symbol 909 Bitmap | Used by:910 | |
| Symbol 910 Graphic | Uses:909 | Used by:925 |
| Symbol 911 Bitmap | Used by:912 | |
| Symbol 912 Graphic | Uses:911 | Used by:925 |
| Symbol 913 Bitmap | Used by:914 | |
| Symbol 914 Graphic | Uses:913 | Used by:925 |
| Symbol 915 Bitmap | Used by:916 | |
| Symbol 916 Graphic | Uses:915 | Used by:925 |
| Symbol 917 Bitmap | Used by:918 | |
| Symbol 918 Graphic | Uses:917 | Used by:925 |
| Symbol 919 Bitmap | Used by:920 | |
| Symbol 920 Graphic | Uses:919 | Used by:925 |
| Symbol 921 Bitmap | Used by:922 | |
| Symbol 922 Graphic | Uses:921 | Used by:925 |
| Symbol 923 Bitmap | Used by:924 | |
| Symbol 924 Graphic | Uses:923 | Used by:925 |
| Symbol 925 MovieClip | Uses:910 912 914 916 918 920 922 924 | Used by:992 |
| Symbol 926 Text | Uses:36 | Used by:992 |
| Symbol 927 Text | Uses:36 | Used by:992 |
| Symbol 928 Text | Uses:36 | Used by:992 |
| Symbol 929 Bitmap | Used by:930 | |
| Symbol 930 Graphic | Uses:929 | Used by:992 |
| Symbol 931 Graphic | Used by:992 | |
| Symbol 932 Bitmap | Used by:933 | |
| Symbol 933 Graphic | Uses:932 | Used by:992 |
| Symbol 934 Bitmap | Used by:935 | |
| Symbol 935 Graphic | Uses:934 | Used by:992 |
| Symbol 936 Graphic | Used by:992 | |
| Symbol 937 Bitmap | Used by:938 | |
| Symbol 938 Graphic | Uses:937 | Used by:992 |
| Symbol 939 ShapeTweening | Used by:992 | |
| Symbol 940 ShapeTweening | Used by:992 | |
| Symbol 941 Bitmap | Used by:942 | |
| Symbol 942 Graphic | Uses:941 | Used by:992 |
| Symbol 943 Bitmap | Used by:944 | |
| Symbol 944 Graphic | Uses:943 | Used by:992 |
| Symbol 945 Bitmap | Used by:946 | |
| Symbol 946 Graphic | Uses:945 | Used by:992 |
| Symbol 947 Bitmap | Used by:948 | |
| Symbol 948 Graphic | Uses:947 | Used by:992 |
| Symbol 949 Bitmap | Used by:950 | |
| Symbol 950 Graphic | Uses:949 | Used by:992 |
| Symbol 951 Bitmap | Used by:952 953 | |
| Symbol 952 Graphic | Uses:951 | Used by:992 |
| Symbol 953 Graphic | Uses:951 | Used by:992 |
| Symbol 954 Graphic | Used by:992 | |
| Symbol 955 ShapeTweening | Used by:992 | |
| Symbol 956 ShapeTweening | Used by:992 | |
| Symbol 957 ShapeTweening | Used by:992 | |
| Symbol 958 Graphic | Used by:992 | |
| Symbol 959 ShapeTweening | Used by:992 | |
| Symbol 960 Graphic | Used by:992 | |
| Symbol 961 Font | Used by:962 963 964 965 966 969 970 972 973 974 976 977 979 980 981 982 983 984 985 986 987 | |
| Symbol 962 Text | Uses:961 | Used by:992 |
| Symbol 963 Text | Uses:961 | Used by:992 |
| Symbol 964 Text | Uses:961 | Used by:992 |
| Symbol 965 Text | Uses:961 | Used by:968 992 |
| Symbol 966 Text | Uses:961 | Used by:968 |
| Symbol 967 Graphic | Used by:968 971 975 978 | |
| Symbol 968 Button | Uses:965 966 967 | Used by:992 |
| Symbol 969 Text | Uses:961 | Used by:971 |
| Symbol 970 Text | Uses:961 | Used by:971 |
| Symbol 971 Button | Uses:969 970 967 | Used by:992 |
| Symbol 972 Text | Uses:961 | Used by:992 |
| Symbol 973 Text | Uses:961 | Used by:975 |
| Symbol 974 Text | Uses:961 | Used by:975 |
| Symbol 975 Button | Uses:973 974 967 | Used by:992 |
| Symbol 976 Text | Uses:961 | Used by:978 |
| Symbol 977 Text | Uses:961 | Used by:978 |
| Symbol 978 Button | Uses:976 977 967 | Used by:992 |
| Symbol 979 Text | Uses:961 | Used by:992 |
| Symbol 980 Text | Uses:961 | Used by:992 |
| Symbol 981 Text | Uses:961 | Used by:992 |
| Symbol 982 Text | Uses:961 | Used by:992 |
| Symbol 983 Text | Uses:961 | Used by:992 |
| Symbol 984 Text | Uses:961 | Used by:992 |
| Symbol 985 Text | Uses:961 | Used by:992 |
| Symbol 986 Text | Uses:961 | Used by:992 |
| Symbol 987 Text | Uses:961 | Used by:992 |
| Symbol 988 ShapeTweening | Used by:992 | |
| Symbol 989 Graphic | Used by:992 | |
| Symbol 990 ShapeTweening | Used by:992 | |
| Symbol 991 Graphic | Used by:992 | |
| Symbol 992 MovieClip | Uses:851 856 858 859 860 855 862 863 864 865 866 867 868 869 870 872 873 874 891 908 925 926 927 928 930 264 266 268 931 272 933 935 447 936 938 939 940 242 942 944 946 948 950 952 953 954 32 955 956 957 958 959 960 962 112 963 964 965 968 971 972 975 978 979 980 981 982 983 984 985 986 987 988 989 990 991 SS5 | Used by:Timeline |
| Streaming Sound 1 | Used by:Timeline | |
| Streaming Sound 2 | Used by:Symbol 505 MovieClip | |
| Streaming Sound 3 | Used by:Symbol 770 MovieClip | |
| Streaming Sound 4 | Used by:Symbol 850 MovieClip | |
| Streaming Sound 5 | Used by:Symbol 992 MovieClip |
Instance Names
| "bar" | Symbol 38 MovieClip Frame 1 | Symbol 34 MovieClip |
Labels
| "loaded" | Symbol 38 MovieClip Frame 3 |
|
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