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When Ernst sketches les événements de ses rêves, he sketches
the scene, where the respected peeresses help the empress get
herself dressed, the eve, ere she weds. She resembles Eve, the
tenderest temptress. Her red-crested dress (the reddest,
fledged mesh ever sketched) enmeshes her elven slenderness.
That

Hermes, the messenger, tells her the news: "Thebes sends the
rebel fleet." The Hellene freemen seek redress. The steersmen
steer the xebecs between steep, sheer clefts, where the reefs
prevent sheltered berth; there, the tempests whelm the decks,
then wreck the keels – the helms, left crewless, whenever the
That

Enfettered, these few sentences repress free speech. The text
deletes selected letters. We see the revered exegete reject
metered verse: the sestet, the tercet – even les scènes élevées
en grec. He rebels. He sets new precedents. He lets cleverness
exceed decent levels. He eschews the esteemed genres, the
That

Whenever Helen enters extended rem-sleep, her fevered rest
meekens her; hence, she re-emerges, enfeebled – her strength,
expended; her reserves, depleted. These fevers, when severe,
entrench her enfeeblement. She clenches her teeth; then she exerts
herself; nevertheless, she feels strengthless (her meek self rendered
That

reptilian neolettrist graphics presents

chapter e (for rene crevel)

'

christian bok

:

eunoia

When geeks, then nerds, "telnet" the Web, webservers let these
teens "grep the memes," ere the screens get "de-rezzed." When
freshmen get tested, next semester, these dweebs reference dense
exegeses (les pensées des esthètes): Hegel, Engels; Frege, Brecht –
even Schlegel (hence, les élèves de cette recherche get the
degree). When presses present Les Revenentes (Perec's
bestseller), pressmen get feltpens, then emend the respected
text. The meddlers meddle (nevertheless, Perec’s creed gets
preserved; nevertheless, Perec’s tenet gets expressed – le règle-
ment des règlements: e servem lex est) – (phew)! The End.
Thatf

When perps flee the scene, these men rev the Mercedes-Benz,
then speed (seventeen metres per sec). When these speeders
veer, then swerve (beep, beep), Vettes, Edsels, even jeeps, get
dented. When newsmen see the fender-bender, the news-reps
preempt the newsdesk; then emcees retell the event between
needless segments, where fresheners, repellents (even benzene
detergents), get peddled; next, the newsreels present the weekend
news: "Sweden rejects western entente. The Chechens secede. The
Serbs get shelled. The Jews elect Knesset members, then
resettle Hebrew settlements. The elected Feds get re-elected."
That

When the jetsetters hedge even bets, the lenders pledge these
gents decent fees (seven percent); then the tellers tender the
checks; nevertheless, the spenders, when lent these shekels,
spend, spend, spend (the spree never ends); hence, the feckless
welshers never settle the debts. The expenses get deferred. The
deferments get extended; nevertheless, the jerks renege; hence, the
clerks send letters, wherever these lendees dwell: Kent, Essex,
Chester (even Leeds, then Exeter); Bern, Essen, Dresden
(even Ghent, then Bergen). The shredders shred these telexes,
sent "express"; then the temps reshelve the emended ledgers.
That

When Bernese gemsellers embezzle De Beers, the stern execs
there never detect the embezzlement; hence, the theft seems
perfect. The embezzlers resell the gems (les gemmes vertes);
then the fences fence these embezzled jewels. The resellers
peddle les perles de mer, even the merest pellet (eleven pence
per chest, twelve pence per creel); then the lensmen sell these
gemsetters, bevelled, Fresnel lenses. The mercers sell well-
kempt gents les vêtements de Sèvres: felt berets, kemp fezzes –
tweed spencers, crewneck vests; serge breeches, cheverel belts.
We see these well-dressed trendsetters set the trends.
Therefor

When French chefs serve Frenchmen les crevettes, these well-
heeled men expect les entrées très excellentes: penne, green
peppers, fennel; spelt, sweet cresses, pepper. When Swedes get
fed stewed greens (beets, leeks, herbs), the trenchermen chew
the Tex-Mex stew, ere the melted, Hervé cheese gets served.
The peelers peel twelve eggs; then the chefs pestle peeled
eggshells; next, the blenders blend les entremets éphémères;
then the freezers freeze les belles-Hélènes dégelées. The celebs
get served crêpe de chèvre et crème de menthe (never pretzels,
never seltzers). The sweeteners sweeten the crème renversée.
That

When Vermeer sketches Delft, he sketches the streets, where
renters rent tenements; there, the street-sweepers sweep the
cement; then the street-peddlers peddle well-hewn chessmen,
wherever les élèves d'échecs referee chess meets between
geezers. When Czech pewterers mend pewter kettles, street-
sellers sell the mended vessels (ewers, cressets, epergnes)
When Welsh veneerers mend veneer benches, street-venders
vend the mended effects (desks, dressers, lecterns). When the
Welshmen get new tech-sets (edgers, bevels, levels, levers –
even wrenches, even tweezers), the men re-mend the settees.
That

When Ernst sketches les événements de ses rêves, he sketches
the scene, where the respected peeresses help the empress get
herself dressed, the eve, ere she weds. She resembles Eve, the
tenderest temptress. Her red-crested dress (the reddest,
fledged mesh ever sketched) enmeshes her elven slenderness.
She seems sexless; nevertheless, the esthetes esteem her pert
svelteness (her slender legs, her perfect feet). She represents
perfectness; hence, we never see her excrescent defects – the
specks, the flecks. The excellent sketchers (Erté, Klee – even
Bellmer) respect les belles femmes – les mères de tendresse.
That

Helen spends her senescence, wherever the September breezes
bend the elmtrees. She sees egrets, then grebes, perch
wherever elms extend the slenderest perches; there, peewee
peetweets nestle themselves. The kestrels nest, wherever ernes
get fed whelks, then smelts. The merls peck seedlet kernels.
The tercels, then the petrels, screech. The wrens peep: tweet,
tweet. The terns keen: cheep, cheep. The creeks wend
between beech trees, then end, wherever freshets feed the meres
– there, the sleekest newts rest; there, the speckled perch teem.
The wet pebbles pebble the brecks. The dew bedews the ferns.
That

Helen sees these herdsmen erect fenced pens, where hens get kept;
there, the penned hens peck feed; then the shepherdesses sell the
freckled eggs. When the ferrets (les belettes) pester the pet geese,
the sheeptenders mend the fences, then tend the hedges. The
sheepmen trek, wherever the veldts seem greener; hence, these
trekkers eschew the steepest, sheerest eskers, where the chert
scree bestrews the felsenmeers. The men seek dells (where
leverets chew the vetch); then the men seek glens (where
deerlets chew the sedge) – there, the elk herds feed
themselves the deerweed; then the verderers tether the deer.
That

Helen remembers Crete – the Eden, where senescent shepherds
(les bergers des bêtes) herd bellwether sheep; there, Helen sees the
pebbled steppes, where ewes, when fleeced, chew the fresh, green
weeds. The setters, when whelped, help the sheepherders get
the gelded wethers herded; hence, these herders erect kennels,
where the whelps get bred. The even-tempered sheepbreeders
even breed well-bred steer, then geld them, ere the flensers
flense the beef. (The breeders select the sperm cells; then the
vets blend the genes; hence, the selected gender gets
engendered, whenever the eggs, then the semen, merge.)
That

Bells knell, when the keep gets levelled; then the Greek rebels
cheer, when Helen enters the Greek temple (the steepled glebe,
where we see the jewelled steeples); there, the reverend prefects
bless the freed empress. The Greek sects revere her gentleness, her
tenderness – hence, these respected reverends help her seek self-
betterment. The zen seers tell her: "greed begets greed – never
be self-centred: be selfless." She defers. Her deference
seems reverent. She kneels, wherever her ephebe sets the
pew; then she keens her vespers. The censers spew fresh
scents, then sweet smells – hence, she feels refreshed.
Thatw

Épées, when hefted, skewer the fencers; then the wrestlers
wrestle these skewered men (men's knees get threshed; men's
necks get wrenched). Deft fletchers whet steel-edged reeds,
then fletch these whetted skewers. When the helmeted men
get pelted, the slender needles (les fléchettes) dent the crested
helmets; nevertheless, the steel vests deflect even these keen
edges (hence, the steel sheen never gets etched). The deserters
defect, then flee the entrenchments, where lepers get trench
fever; there, the legless men bleed. The welts fester. The
severed members, strewn helter skelter, redden the cerements.
That

Greek schemers seek egress en ténèbres, then enter the mêlée –
the welter, where berserk tempers seethe, whenever men's
mettle, then men's fettle, gets tested; there, the Greek
berserkers sever men's thews, then shred men's flesh. When
these hellbenders beset the defended trenches, the defenders
there retrench themselves, then strengthen the embedded
defenses. The strengthened deterrence deters the rebellers;
nevertheless, the rebellers esteem relentlessness; hence, these men
expend themselves, then reject détente. We see them repel the
retrenched defensemen, then render the bested men defenseless.
Thatw

Greek schemers respect shrewdness; hence, the shrewd rebels
enter the sled’s secret recess (the sled’s nested crèche, where these
few men keep themselves secreted); then the sled gets sent,
wherever the nemeses dwell; there, the Greek pretenders pretend:
"the well-hewn steed represents the perfect present." The wedded
regent sees these presenters present the steed; hence, he
decrees: "the plebes express excellent reverence." He never
detects the pretense – hence, he errs, when he lets the
presented steed enter the crenelled keep (the shrewd rebels
never let themselves get detected, when the keep gets entered).
That

Mermen help these helmsmen berth the wrecked vessels; then the
Greek crews erect well-defended shelters, wherever the fleet gets
berthed. Men erect mess tents, then feed sheds. The settlers
dredge the kelp beds, then extend the levees; there, the
wreckers heft the sledges; then the hewers hew the evergreen
trees, when the evergreens get felled. The trestlemen erect
trestles; the smeltermen erect smelters. Men smelt the steel;
then the deftest welders weld the tempered sheet-steel,
wherever men screw the screws. The best sled ever hewn gets
erected. The shell, when welded, resembles the fleetest steed.
That

Hermes, the messenger, tells her the news: "Thebes sends the
rebel fleet." The Hellene freemen seek redress. The steersmen
steer the xebecs between steep, sheer clefts, where the reefs
prevent sheltered berth; there, the tempests whelm the decks,
then wreck the keels – the helms, left crewless, whenever the
elements beset these crewmen. The December sleet drenches
the tethered nets, then threshes the fettered pegs; hence, the
deckmen wedge the kevels, then check the kedges;
nevertheless, these vessels teeter. The lee sheets, when drenched,
get reft, then rent. The wheelmen, when wet, wrest the wheel.
That

Whenever Helen enters extended rem-sleep, her fevered rest
meekens her; hence, she re-emerges, enfeebled – her strength,
expended; her reserves, depleted. These fevers, when severe,
entrench her enfeeblement. She clenches her teeth; then she exerts
herself; nevertheless, she feels strengthless (her meek self rendered
even meeker). Her strengthlessness dejects her. She sneezes; she
wheezes – then she spews phlegm; nevertheless, she rejects
her self-centred meekness. She begs her defenders:
"defend me"; she begs her redeemers: "redeem me" – then
she decrees: "never desert me – lend me renewed verve.
That

Whenever Helen enters Hell's deepest recesses, she sees Hell's
meekest dwellers. She meets the repenters, never redeemed. She
greets her decedent elders. The elder seers, when greeted, tell her:
"repent, repent – never let the tempters here tempteth thee" –
then these helpless wretches tell her three spells (best kept
secret, lest the tempted empress reverse these hexes, then set
free the demented spectres, held here, bespelled). The three
spells, when reversed, sever these hexed fetters; hence, the
berserk efreets, when freed, screech "hells-bells," then flee
these endless deserts, where the reddest embers swelter.
That

Whenever Helen sleeps, she regresses. Her essence enters the ether
– the deep well, where she feels herself descend, deeper, deeper.
Her descent seems endless; nevertheless, the empress lets herself
be swept, wherever the gentle breeze sweeps her.  She sees nether
levels, never seen, except when men enter the seven hells (les
enfers éternels des gens désespérés): the fell dens, where beetles
creep; the deep fens, where leeches dwell – there, the sewers
reek. The stench repels; nevertheless, the sleek, green eels
feed themselves the excrement (the expelled feces, the
excreted dregs); then the serpents breed themselves.
When

Whenever Helen seeks these perverse excesses, her regretted
deeds depress her; hence, Helen beseeches Ceres (the blessèd
Demeter): "let sweet Lethe bless me, lest these recent events
be remembered" – then the empress feeds herself fermented
hempseed, her preferred nepenthe. Whenever she chews these
hell-bred seeds, the hempweed skews her senses. The hemp,
when chewed, lessens her tenseness (hence, she feels serene);
nevertheless, the weed, when needed, renders her dependent.
Her dependence gets entrenched. She enters the deepest sleep
– the nether sphere, where sleepers delve the secret depths.
Whenever

Whenever Helen needs effervescent refreshments, she tells her
expert brewer: "brew me the best beer ever brewed."
Whenever she lets her fermenters ferment the perfect schenk
beer, her revellers wreck the beer kegs, then feed themselves
the lees. Retchers retch; belchers belch. Jesters express
extreme glee. Wenches then sell these lewd perverts sex. The
lechers leer, whenever the svelte negresses tempt the perverted
gentlemen. The empress revels. She sheds her velvet dress; then
she lets repellent men pet her tender flesh. Her lewdness renders
even these letches speechless. She resembles the lewdest jezebel.
That

Whenever Helen dresses herself en fête, her sewn vestments
reflect her resplendence. Whenever she needs new ensembles,
her sempstresses sew her ten, velveteen dresses, then hem
her red, checkered sleeves. Her jewellers bevel the best gems,
then bejewel her sceptre (l'emblème des régences célestes). Her
eldest helpers preen her tresses; then her effete servers serve
her dessert. The empress prefers sweetened preserves;
hence, her serfs get her the best gels ever jelled: les pêches
gelées – blended sherbet, served fresh. The scented dessert
smells even sweeter, when served, ere the sweetness melts.
There

Whenever Helen feels these stresses, she trembles. She frets.
Her helplessness vexes her. She feels depressed (even when her
cleverest beekeepers fetch her the freshest sweets). She feels
neglected (even when her shrewdest gemseekers fetch her the
greenest jewels). She regrets her wretchedness, her
dejectedness; nevertheless, she keeps these deepest regrets
secret. She never lets herself express her echt weltzschmerz.
She never vents spleen. She feels tense, whenever she keeps
her vehemence repressed; hence, she seeks lewd revelment (les
fêtes de ses rêves), where lewd revellers lend her cheer.
Whenenver

Westerners revere the Greek legends. Versemen retell these
represented events, the resplendent scenes, where, hellbent,
the Greek freemen seek revenge when, new wed, the empress
Helen weeps. Restless, she deserts her fleece bed, where,
detested, her wedded regent sleeps. Whenever she remembers
Greece, her seceded demesne, she feels wretched, left here,
bereft, her needs, never met. She needs rest; nevertheless, her
demented fevers render her sleepless (her sleeplessness
enfeebles her). She needs help; nevertheless, her stressed
nerves render her cheerless (her cheerlessness enfetters her).
Thatthere

Relentless, the rebel peddles these theses, even when vexed
peers deem the new precepts: "mere dreck." The plebes resent
the newer verse; nevertheless, the rebel perseveres, never
deterred, never dejected, heedless, even when hecklers heckle
the vehement speeches. We feel perplexed, whenever we see
these excerpted sentences. We sneer, when we detect the
clever scheme – the emergent repetend: the letter E. We jeer;
we jest. We express resentment. We detest these depthless
pretenses – these present-tense verbs, expressed pell-mell. We
prefer genteel speech, where sense redeems senselessness.
That

Enfettered, these few sentences repress free speech. The text
deletes selected letters. We see the revered exegete reject
metered verse: the sestet, the tercet – even les scènes élevées en
grec. He rebels. He sets new precedents. He lets cleverness
exceed decent levels. He eschews the esteemed genres, the
expected themes – even les belles-lettres en vers. He prefers the
perverse, French esthetes: Verne, Péret, Genet, Perec – hence,
he pens fervent screeds, then enters the street, where he sells
these letterpress newsletters, three cents per sheet. He
engenders perfect newness, wherever we need fresh terms.
That

reptilian neolettrist graphics

email

reset

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	text_alpha_21 = "0";
}
Symbol 67 Button

on (rollOver) {
	call("6");
	setProperty("/text_22", _visible , "1");
	text_alpha_22 = "1";
}
on (rollOut) {
	text_alpha_22 = "0";
}
Symbol 68 Button

on (rollOver) {
	call("6");
	setProperty("/text_23", _visible , "1");
	text_alpha_23 = "1";
}
on (rollOut) {
	text_alpha_23 = "0";
}
Symbol 69 Button

on (rollOver) {
	call("6");
	setProperty("/text_24", _visible , "1");
	text_alpha_24 = "1";
}
on (rollOut) {
	text_alpha_24 = "0";
}
Symbol 70 Button

on (rollOver) {
	call("6");
	setProperty("/text_25", _visible , "1");
	text_alpha_25 = "1";
}
on (rollOut) {
	text_alpha_25 = "0";
}
Symbol 71 Button

on (rollOver) {
	call("6");
	setProperty("/text_26", _visible , "1");
	text_alpha_26 = "1";
}
on (rollOut) {
	text_alpha_26 = "0";
}
Symbol 72 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_1", _visible , "1");
	text_alpha_1 = "1";
}
on (press) {
	schizoid_text = "1";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_1 = "0";
}
Symbol 73 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_2", _visible , "1");
	text_alpha_2 = "1";
}
on (press) {
	schizoid_text = "2";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_2 = "0";
}
Symbol 74 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_3", _visible , "1");
	text_alpha_3 = "1";
}
on (press) {
	schizoid_text = "3";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_3 = "0";
}
Symbol 75 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_4", _visible , "1");
	text_alpha_4 = "1";
}
on (press) {
	schizoid_text = "4";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_4 = "0";
}
Symbol 76 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_5", _visible , "1");
	text_alpha_5 = "1";
}
on (press) {
	schizoid_text = "5";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_5 = "0";
}
Symbol 77 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_6", _visible , "1");
	text_alpha_6 = "1";
}
on (press) {
	schizoid_text = "6";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_6 = "0";
}
Symbol 78 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_7", _visible , "1");
	text_alpha_7 = "1";
}
on (press) {
	schizoid_text = "7";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_7 = "0";
}
Symbol 79 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_8", _visible , "1");
	text_alpha_8 = "1";
}
on (press) {
	schizoid_text = "8";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_8 = "0";
}
Symbol 80 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_9", _visible , "1");
	text_alpha_9 = "1";
}
on (press) {
	schizoid_text = "9";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_9 = "0";
}
Symbol 81 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_10", _visible , "1");
	text_alpha_10 = "1";
}
on (press) {
	schizoid_text = "10";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_10 = "0";
}
Symbol 82 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_11", _visible , "1");
	text_alpha_11 = "1";
}
on (press) {
	schizoid_text = "11";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_11 = "0";
}
Symbol 83 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_12", _visible , "1");
	text_alpha_12 = "1";
}
on (press) {
	schizoid_text = "12";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_12 = "0";
}
Symbol 84 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_13", _visible , "1");
	text_alpha_13 = "1";
}
on (press) {
	schizoid_text = "13";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_13 = "0";
}
Symbol 85 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_14", _visible , "1");
	text_alpha_14 = "1";
}
on (press) {
	schizoid_text = "14";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_14 = "0";
}
Symbol 86 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_15", _visible , "1");
	text_alpha_15 = "1";
}
on (press) {
	schizoid_text = "15";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_15 = "0";
}
Symbol 87 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_16", _visible , "1");
	text_alpha_16 = "1";
}
on (press) {
	schizoid_text = "16";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_16 = "0";
}
Symbol 88 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_17", _visible , "1");
	text_alpha_17 = "1";
}
on (press) {
	schizoid_text = "17";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_17 = "0";
}
Symbol 89 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_18", _visible , "1");
	text_alpha_18 = "1";
}
on (press) {
	schizoid_text = "18";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_18 = "0";
}
Symbol 90 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_19", _visible , "1");
	text_alpha_19 = "1";
}
on (press) {
	schizoid_text = "19";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_19 = "0";
}
Symbol 91 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_20", _visible , "1");
	text_alpha_20 = "1";
}
on (press) {
	schizoid_text = "20";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_20 = "0";
}
Symbol 92 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_21", _visible , "1");
	text_alpha_21 = "1";
}
on (press) {
	schizoid_text = "21";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_21 = "0";
}
Symbol 93 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_22", _visible , "1");
	text_alpha_22 = "1";
}
on (press) {
	schizoid_text = "22";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_22 = "0";
}
Symbol 94 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_23", _visible , "1");
	text_alpha_23 = "1";
}
on (press) {
	schizoid_text = "23";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_23 = "0";
}
Symbol 95 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_24", _visible , "1");
	text_alpha_24 = "1";
}
on (press) {
	schizoid_text = "24";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_24 = "0";
}
Symbol 96 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_25", _visible , "1");
	text_alpha_25 = "1";
}
on (press) {
	schizoid_text = "25";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_25 = "0";
}
Symbol 97 Button

on (rollOver, dragOver) {
	call("6");
	setProperty("/text_26", _visible , "1");
	text_alpha_26 = "1";
}
on (press) {
	schizoid_text = "26";
}
on (rollOut, dragOut, releaseOutside) {
	text_alpha_26 = "0";
}
Symbol 153 Button

on (release) {
	getURL ("http://www.arras.net");
}
Symbol 155 Button

on (release) {
	getURL ("mailto:reptile@arras.net");
}
Symbol 157 Button

on (press) {
	gotoAndPlay (130);
}

Library Items

Symbol 1 FontUsed by:2 152 154 156
Symbol 2 TextUses:1Used by:Timeline
Symbol 3 FontUsed by:4 5 6 7 100 102 104 106 108 110 112 114 116 118 120 122 124 126 128 130 132 134 136 138 140 142 144 146 148 150
Symbol 4 TextUses:3Used by:Timeline
Symbol 5 TextUses:3Used by:Timeline
Symbol 6 TextUses:3Used by:Timeline
Symbol 7 TextUses:3Used by:Timeline
Symbol 8 FontUsed by:9 11 12 13 14 15
Symbol 9 TextUses:8Used by:Timeline
Symbol 10 GraphicUsed by:Timeline
Symbol 11 TextUses:8Used by:Timeline
Symbol 12 TextUses:8Used by:Timeline
Symbol 13 TextUses:8Used by:Timeline
Symbol 14 TextUses:8Used by:Timeline
Symbol 15 TextUses:8Used by:Timeline
Symbol 16 GraphicUsed by:Timeline
Symbol 17 GraphicUsed by:Timeline
Symbol 18 GraphicUsed by:Timeline
Symbol 19 GraphicUsed by:Timeline
Symbol 20 GraphicUsed by:Timeline
Symbol 21 GraphicUsed by:Timeline
Symbol 22 GraphicUsed by:Timeline
Symbol 23 GraphicUsed by:Timeline
Symbol 24 GraphicUsed by:Timeline
Symbol 25 GraphicUsed by:Timeline
Symbol 26 GraphicUsed by:Timeline
Symbol 27 GraphicUsed by:Timeline
Symbol 28 GraphicUsed by:Timeline
Symbol 29 GraphicUsed by:Timeline
Symbol 30 GraphicUsed by:Timeline
Symbol 31 GraphicUsed by:Timeline
Symbol 32 GraphicUsed by:Timeline
Symbol 33 GraphicUsed by:Timeline
Symbol 34 GraphicUsed by:Timeline
Symbol 35 GraphicUsed by:Timeline
Symbol 36 GraphicUsed by:Timeline
Symbol 37 GraphicUsed by:Timeline
Symbol 38 GraphicUsed by:Timeline
Symbol 39 GraphicUsed by:Timeline
Symbol 40 GraphicUsed by:46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97
Symbol 41 GraphicUsed by:46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97
Symbol 42 GraphicUsed by:43
Symbol 43 MovieClipUses:42Used by:44
Symbol 44 MovieClipUses:43Used by:46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97
Symbol 45 GraphicUsed by:46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97
Symbol 46 ButtonUses:40 41 44 45Used by:Timeline
Symbol 47 ButtonUses:40 41 44 45Used by:Timeline
Symbol 48 ButtonUses:40 41 44 45Used by:Timeline
Symbol 49 ButtonUses:40 41 44 45Used by:Timeline
Symbol 50 ButtonUses:40 41 44 45Used by:Timeline
Symbol 51 ButtonUses:40 41 44 45Used by:Timeline
Symbol 52 ButtonUses:40 41 44 45Used by:Timeline
Symbol 53 ButtonUses:40 41 44 45Used by:Timeline
Symbol 54 ButtonUses:40 41 44 45Used by:Timeline
Symbol 55 ButtonUses:40 41 44 45Used by:Timeline
Symbol 56 ButtonUses:40 41 44 45Used by:Timeline
Symbol 57 ButtonUses:40 41 44 45Used by:Timeline
Symbol 58 ButtonUses:40 41 44 45Used by:Timeline
Symbol 59 ButtonUses:40 41 44 45Used by:Timeline
Symbol 60 ButtonUses:40 41 44 45Used by:Timeline
Symbol 61 ButtonUses:40 41 44 45Used by:Timeline
Symbol 62 ButtonUses:40 41 44 45Used by:Timeline
Symbol 63 ButtonUses:40 41 44 45Used by:Timeline
Symbol 64 ButtonUses:40 41 44 45Used by:Timeline
Symbol 65 ButtonUses:40 41 44 45Used by:Timeline
Symbol 66 ButtonUses:40 41 44 45Used by:Timeline
Symbol 67 ButtonUses:40 41 44 45Used by:Timeline
Symbol 68 ButtonUses:40 41 44 45Used by:Timeline
Symbol 69 ButtonUses:40 41 44 45Used by:Timeline
Symbol 70 ButtonUses:40 41 44 45Used by:Timeline
Symbol 71 ButtonUses:40 41 44 45Used by:Timeline
Symbol 72 ButtonUses:40 41 44 45Used by:Timeline
Symbol 73 ButtonUses:40 41 44 45Used by:Timeline
Symbol 74 ButtonUses:40 41 44 45Used by:Timeline
Symbol 75 ButtonUses:40 41 44 45Used by:Timeline
Symbol 76 ButtonUses:40 41 44 45Used by:Timeline
Symbol 77 ButtonUses:40 41 44 45Used by:Timeline
Symbol 78 ButtonUses:40 41 44 45Used by:Timeline
Symbol 79 ButtonUses:40 41 44 45Used by:Timeline
Symbol 80 ButtonUses:40 41 44 45Used by:Timeline
Symbol 81 ButtonUses:40 41 44 45Used by:Timeline
Symbol 82 ButtonUses:40 41 44 45Used by:Timeline
Symbol 83 ButtonUses:40 41 44 45Used by:Timeline
Symbol 84 ButtonUses:40 41 44 45Used by:Timeline
Symbol 85 ButtonUses:40 41 44 45Used by:Timeline
Symbol 86 ButtonUses:40 41 44 45Used by:Timeline
Symbol 87 ButtonUses:40 41 44 45Used by:Timeline
Symbol 88 ButtonUses:40 41 44 45Used by:Timeline
Symbol 89 ButtonUses:40 41 44 45Used by:Timeline
Symbol 90 ButtonUses:40 41 44 45Used by:Timeline
Symbol 91 ButtonUses:40 41 44 45Used by:Timeline
Symbol 92 ButtonUses:40 41 44 45Used by:Timeline
Symbol 93 ButtonUses:40 41 44 45Used by:Timeline
Symbol 94 ButtonUses:40 41 44 45Used by:Timeline
Symbol 95 ButtonUses:40 41 44 45Used by:Timeline
Symbol 96 ButtonUses:40 41 44 45Used by:Timeline
Symbol 97 ButtonUses:40 41 44 45Used by:Timeline
Symbol 98 GraphicUsed by:Timeline
Symbol 99 FontUsed by:100 106 108 110 112 116 122 124 136 142 144 150
Symbol 100 TextUses:3 99Used by:101
Symbol 101 MovieClipUses:100Used by:Timeline
Symbol 102 TextUses:3Used by:103
Symbol 103 MovieClipUses:102Used by:Timeline
Symbol 104 TextUses:3Used by:105
Symbol 105 MovieClipUses:104Used by:Timeline
Symbol 106 TextUses:3 99Used by:107
Symbol 107 MovieClipUses:106Used by:Timeline
Symbol 108 TextUses:3 99Used by:109
Symbol 109 MovieClipUses:108Used by:Timeline
Symbol 110 TextUses:3 99Used by:111
Symbol 111 MovieClipUses:110Used by:Timeline
Symbol 112 TextUses:3 99Used by:113
Symbol 113 MovieClipUses:112Used by:Timeline
Symbol 114 TextUses:3Used by:115
Symbol 115 MovieClipUses:114Used by:Timeline
Symbol 116 TextUses:3 99Used by:117
Symbol 117 MovieClipUses:116Used by:Timeline
Symbol 118 TextUses:3Used by:119
Symbol 119 MovieClipUses:118Used by:Timeline
Symbol 120 TextUses:3Used by:121
Symbol 121 MovieClipUses:120Used by:Timeline
Symbol 122 TextUses:99 3Used by:123
Symbol 123 MovieClipUses:122Used by:Timeline
Symbol 124 TextUses:3 99Used by:125
Symbol 125 MovieClipUses:124Used by:Timeline
Symbol 126 TextUses:3Used by:127
Symbol 127 MovieClipUses:126Used by:Timeline
Symbol 128 TextUses:3Used by:129
Symbol 129 MovieClipUses:128Used by:Timeline
Symbol 130 TextUses:3Used by:131
Symbol 131 MovieClipUses:130Used by:Timeline
Symbol 132 TextUses:3Used by:133
Symbol 133 MovieClipUses:132Used by:Timeline
Symbol 134 TextUses:3Used by:135
Symbol 135 MovieClipUses:134Used by:Timeline
Symbol 136 TextUses:3 99Used by:137
Symbol 137 MovieClipUses:136Used by:Timeline
Symbol 138 TextUses:3Used by:139
Symbol 139 MovieClipUses:138Used by:Timeline
Symbol 140 TextUses:3Used by:141
Symbol 141 MovieClipUses:140Used by:Timeline
Symbol 142 TextUses:3 99Used by:143
Symbol 143 MovieClipUses:142Used by:Timeline
Symbol 144 TextUses:3 99Used by:145
Symbol 145 MovieClipUses:144Used by:Timeline
Symbol 146 TextUses:3Used by:147
Symbol 147 MovieClipUses:146Used by:Timeline
Symbol 148 TextUses:3Used by:149
Symbol 149 MovieClipUses:148Used by:Timeline
Symbol 150 TextUses:3 99Used by:151
Symbol 151 MovieClipUses:150Used by:Timeline
Symbol 152 TextUses:1Used by:153
Symbol 153 ButtonUses:152Used by:Timeline
Symbol 154 TextUses:1Used by:155
Symbol 155 ButtonUses:154Used by:Timeline
Symbol 156 TextUses:1Used by:157
Symbol 157 ButtonUses:156Used by:Timeline

Instance Names

"text_26"Frame 120Symbol 101 MovieClip
"text_25"Frame 120Symbol 103 MovieClip
"text_24"Frame 120Symbol 105 MovieClip
"text_23"Frame 120Symbol 107 MovieClip
"text_22"Frame 120Symbol 109 MovieClip
"text_21"Frame 120Symbol 111 MovieClip
"text_20"Frame 120Symbol 113 MovieClip
"text_19"Frame 120Symbol 115 MovieClip
"text_18"Frame 120Symbol 117 MovieClip
"text_17"Frame 120Symbol 119 MovieClip
"text_16"Frame 120Symbol 121 MovieClip
"text_15"Frame 120Symbol 123 MovieClip
"text_14"Frame 120Symbol 125 MovieClip
"text_13"Frame 120Symbol 127 MovieClip
"text_12"Frame 120Symbol 129 MovieClip
"text_11"Frame 120Symbol 131 MovieClip
"text_10"Frame 120Symbol 133 MovieClip
"text_9"Frame 120Symbol 135 MovieClip
"text_8"Frame 120Symbol 137 MovieClip
"text_7"Frame 120Symbol 139 MovieClip
"text_6"Frame 120Symbol 141 MovieClip
"text_5"Frame 120Symbol 143 MovieClip
"text_4"Frame 120Symbol 145 MovieClip
"text_3"Frame 120Symbol 147 MovieClip
"text_2"Frame 120Symbol 149 MovieClip
"text_1"Frame 120Symbol 151 MovieClip
"letter"Symbol 44 MovieClip Frame 1Symbol 43 MovieClip


http://swfchan.com/48/237249/info.shtml
Created: 25/9 -2020 23:03:02 Last modified: 25/9 -2020 23:03:33 Server time: 22/12 -2024 03:22:10