STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 229456 |
/disc/ · /res/ — /show/ · /fap/ · /gg/ · /swf/ | P0001 · P2574 · P5148 |
This is the info page for Flash #21262 |
In the last episode, Eva and blackie tried to join al qaeda in order to benefit from the organization's health care insurrance. since al qaeda does not hire women, They were sent on a probation mission. The pu sisters, two south-east asian terrorists, were teamed with eva and blackie to evaluate their skills. things turned ugly when eva punched pu nani in the face for being an annoying little brat. As a consequence, eva and blackie were banned from al qaeda and any of their affiliates. they will have to find work elsewhere... |
Muqtada al-Sadr is a Shi'ite religious figure and the leader of the Mahdi Army. He is the ruler of Sadr City, named after his father, murdered by Saddam Hussein. Ever since the US invasion, Mudtada has been spreading his influence in the Iraqi streets, becoming a force to reckon with for the Americans, the Sunnis and Al Qaeda. |
Pu Tang |
pu nani |
In the last episode, Eva and blackie tried to join al qaeda in order to benefit from the organization's health care insurrance. since al qaeda does not hire women, They were sent on a probation mission. The pu sisters, two south-east asian terrorists, were teamed with eva and blackie to evaluate their skills. things turned ugly when eva punched pu nani in the face for being an annoying little brat. As a consequence, eva and blackie were banned from al qaeda and any of their affiliates. they will have to find work elsewhere... |
Muqtada al-Sadr is a Shi'ite religious figure and the leader of the Mahdi Army. He is the ruler of Sadr City, named after his father, murdered by Saddam Hussein. Ever since the US invasion, Mudtada has been spreading his influence in the Iraqi streets, becoming a force to reckon with for the Americans, the Sunnis and Al Qaeda. |
Pu Tang |
pu nani |
play! |
play! |
www.missdynamite.com |
presents |
www.missdynamite.com |
presents |
Who's your Baghdaddy? |
Who's your Baghdaddy? |
Miss DYNAMITE XXII |
Miss DYNAMITE XXII |
featuring the voice talent of |
Kagome as Eva |
kagome as Eva |
featuring the voice talent of |
Mizura as Blackie and the pu sisters |
Mizura as Blackie and the pu sisters |
TomaMoto as Moqtada al-sadr and all the other male characters |
TomaMoto as Moqtada al-sadr and all the other male characters |
farm I miss Dynamite theme by tim white from soultron ~ silly sonatina by Danny Mendez |
farm I miss Dynamite theme by tim white from soultron ~ Silly sonatina by Danny Mendez |
loading... |
loading... |
play! |
play! |
baghdad |
Where is your god now, you crusader pig! |
uh, I'm not Christian! |
Ah... Uh... Well what are you doing here then? Are you a journalist? |
Hell no! I've got some work ethics. |
I'm looking for some work as a "security contractor". |
The Americans won't hire me because they're snobs. |
And I can't work for the Sunnis because they're too close to AlQaeda, |
but that's too long to explain. |
Check out episode 21! |
Then you should meet with Moqtada al-Sadr. |
His Madhi Army could use some training to help them fight the Sunnis. |
later... |
later... |
*school bell* |
Good morning class! I'm your teacher, Miss Sirkowski, |
and today we shall learn about passive agressive resistance against imperialist invaders. |
Now before we start, any questions? |
You are not covering your shame, woman! Does it mean you are a whore? |
I forgot to present my assistant, Miss Blackie Chin! |
No more questions? No? Then let's move on. |
To begin with, learn to spot Americans in a crowd. |
The typical Americans will be easily recognized by their behavior. |
IMMA FIRIN' MAH LAZER!!! |
There is also the slightly more intelligent American. |
I think George W. Bush is a great President! |
-I say! |
...but not by much. |
now as we continue our lesson, it is important for a good insurgent... |
Would you like to share your little secret notes with the rest of the class, mustafa? |
I know this hand writing... |
a few lessons later... |
a few lessons later... |
Also, always drag your feet when you walk in the streets. |
This throws more dust in the air |
and will lead to a faster degradation of American military equipement. |
It might not seem like much, but every little bit helps. |
Ahem! Excuse me, but we'd like the kick out the Americans |
moqtada al sadr |
and exterminate the Sunnis sometime soon, not in 50 years from now. |
All right Class, we're going on a random rampage in the Sunnis district of Adhamiyah! |
Yay!!!!!!!!!!!!! |
Watch out for their RPGs! Cover your flanks! |
what's a flan? |
It's a dessert! |
? |
? |
Oh wait, no, a flank, it's a hot dog! |
*That was like the worst joke EVER!* |
I recognize that little cunt's voice! |
I'm not a cunt, I'm Pu Nani! |
Watch your language around children! |
And try not crush your sister to death under your giant rack! |
It's not her fault she's got big boobs! Stop making fun of my sister or I'll shoot you! |
Yeah, go ahead. See if you're tall enough to reach the trigger! |
Nani, no. the tracers will reveal our position. |
What are they doing here? |
Al Qaeda has sent us in Iraq to train the Sunni rebellion. |
The Shia must not be allowed to spread their influence in the region. |
But wouldn't it be best to unite our efforts? |
what?!? |
United we could control an empire that would spread |
Asia |
Europe |
Africa |
Asia |
Europe |
Africa |
from the African Northwest to Southeast Asia, and then... THE WORLD! |
mwouhahahahahaha! |
3 |
no? |
No fucking way... |
Do you have a better idea? |
grrrrr.... all right! |
V |
What are you waiting for? Tell them we refuse! |
It's an offer to consider. |
But Eva is a mean girl, she punched me in the face! That hurt! |
Nani! This isn't a kids game! |
We have to make serious and sometimes unpleasant decisions to win a war! |
But... but, don't you love me, big sister? She... hit... me... in the fa... faaa *sniffle* |
I... I... Don't worry, don't worry! I'm not gonna let these bad girls harm you anymore. |
Listen, I'm willing to share the spoils of victory 50/50 with you guys! |
what about my share? |
Only the weak accept compromises! |
You treatorous bitch! |
NO! The tracers!!! |
They're in that house over there! |
uh-oh! |
open fire!!! |
CAMP DELTA |
JTF GUANTANAMO |
"HONOR BOUND TO DEFEND FREEDOM" |
NO PHOTOGRAPHY |
GUANTANAMO BAY |
GUANTANAMO BAY |
Where is your precious Allah now, you headloppin' sand-nigger! |
Uh... I'm not a Musli.... Errr.... nevermind! |
to be continued... |
in Miss DYNAMITE XXIII |
to be continued... |
in Miss DYNAMITE XXIII |
play again |
play again |
manga on sale in the miss dynamite shop |
www.missdynamite.com |
www.missdynamite.com |
www.missdynamite.com |
www.missdynamite.com |
TomaMoto as moqtada al-sadr and all the other male characters voice.tomamoto.com |
TomaMoto as moqtada al-sadr and all the other male characters voice.tomamoto.com |
kagome as eva suzumiya-haruhi.net |
kagome as eva suzumiya-haruhi.net |
mizura as Blackie fluffyears.ms11.net |
mizura as Blackie fluffyears.ms11.net |
farm I miss Dynamite theme by tim white from soultron ~ silly sonatina by Danny Mendez home.cogeco.ca/~damonin/ |
farm I miss Dynamite theme by tim white from soultron ~ silly sonatina by Danny Mendez home.cogeco.ca/~damonin/ |
The Easter Egg is during the preloader! |
blooper |
blooper |
ActionScript [AS1/AS2]
Frame 1stop();Frame 317ifFrameLoaded (7007) { gotoAndStop ("loaded"); }Frame 331gotoAndPlay ("preloader");Frame 333stopAllSounds();Frame 7052stop();Symbol 30 Buttonon (release) { play(); }Symbol 83 Buttonon (release) { nextFrame(); }Symbol 90 MovieClip Frame 1stop();Symbol 522 MovieClip Frame 87stop();Symbol 545 Buttonon (release) { getURL ("http://www.missdynamite.com/", "_blank"); }Symbol 550 Buttonon (release) { getURL ("http://suzumiya-haruhi.net/", "_blank"); }Symbol 553 Buttonon (release) { getURL ("http://www.fluffyears.ms11.net/va/resume.html", "_blank"); }Symbol 556 Buttonon (release) { stopAllSounds(); gotoAndPlay ("start"); }Symbol 557 Buttonon (release) { getURL ("http://home.cogeco.ca/~damonin/", "_blank"); }Symbol 560 Buttonon (release) { getURL ("http://voice.tomamoto.com", "_blank"); }
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Symbol 359 Graphic | Used by:421 429 Timeline | |
Symbol 360 Graphic | Used by:Timeline | |
Symbol 361 Text | Uses:2 | Used by:Timeline |
Symbol 362 Graphic | Used by:Timeline | |
Symbol 363 Graphic | Used by:Timeline | |
Symbol 364 Text | Uses:2 | Used by:Timeline |
Symbol 365 Graphic | Used by:Timeline | |
Symbol 366 Graphic | Used by:Timeline | |
Symbol 367 Graphic | Used by:Timeline | |
Symbol 368 Graphic | Used by:Timeline | |
Symbol 369 Text | Uses:2 | Used by:Timeline |
Symbol 370 Text | Uses:2 | Used by:Timeline |
Symbol 371 Graphic | Used by:Timeline | |
Symbol 372 Graphic | Used by:Timeline | |
Symbol 373 Graphic | Used by:Timeline | |
Symbol 374 Text | Uses:2 | Used by:Timeline |
Symbol 375 Graphic | Used by:Timeline | |
Symbol 376 Text | Uses:2 | Used by:Timeline |
Symbol 377 MovieClip | Uses:18 19 | Used by:Timeline |
Symbol 378 Text | Uses:2 | Used by:Timeline |
Symbol 379 Text | Uses:2 | Used by:Timeline |
Symbol 380 Text | Uses:2 | Used by:Timeline |
Symbol 381 Graphic | Used by:Timeline | |
Symbol 382 Graphic | Used by:Timeline | |
Symbol 383 Graphic | Used by:Timeline | |
Symbol 384 Text | Uses:2 | Used by:Timeline |
Symbol 385 Text | Uses:2 | Used by:Timeline |
Symbol 386 Graphic | Used by:Timeline | |
Symbol 387 Graphic | Used by:Timeline | |
Symbol 388 Font | Used by:389 390 391 392 393 394 | |
Symbol 389 Text | Uses:388 | Used by:Timeline |
Symbol 390 Text | Uses:388 | Used by:Timeline |
Symbol 391 Text | Uses:388 | Used by:Timeline |
Symbol 392 Text | Uses:388 | Used by:Timeline |
Symbol 393 Text | Uses:388 | Used by:Timeline |
Symbol 394 Text | Uses:388 | Used by:Timeline |
Symbol 395 Text | Uses:2 | Used by:Timeline |
Symbol 396 Graphic | Used by:Timeline | |
Symbol 397 Graphic | Used by:Timeline | |
Symbol 398 Graphic | Used by:Timeline | |
Symbol 399 Graphic | Used by:Timeline | |
Symbol 400 Graphic | Used by:Timeline | |
Symbol 401 Graphic | Used by:Timeline | |
Symbol 402 Graphic | Used by:Timeline | |
Symbol 403 Graphic | Used by:Timeline | |
Symbol 404 Text | Uses:2 | Used by:Timeline |
Symbol 405 Graphic | Used by:Timeline | |
Symbol 406 Font | Used by:407 419 | |
Symbol 407 Text | Uses:406 | Used by:Timeline |
Symbol 408 Graphic | Used by:Timeline | |
Symbol 409 Text | Uses:2 | Used by:Timeline |
Symbol 410 Graphic | Used by:Timeline | |
Symbol 411 Text | Uses:2 | Used by:Timeline |
Symbol 412 Graphic | Used by:Timeline | |
Symbol 413 Sound | Used by:Timeline | |
Symbol 414 Graphic | Used by:Timeline | |
Symbol 415 Text | Uses:2 | Used by:Timeline |
Symbol 416 Graphic | Used by:Timeline | |
Symbol 417 Graphic | Used by:Timeline | |
Symbol 418 Text | Uses:2 | Used by:Timeline |
Symbol 419 Text | Uses:406 | Used by:Timeline |
Symbol 420 Text | Uses:2 | Used by:Timeline |
Symbol 421 MovieClip | Uses:24 352 353 15 354 355 356 357 358 22 359 334 20 | Used by:Timeline |
Symbol 422 Graphic | Used by:423 | |
Symbol 423 MovieClip | Uses:422 | Used by:Timeline |
Symbol 424 Text | Uses:2 | Used by:Timeline |
Symbol 425 MovieClip | Uses:24 25 | Used by:Timeline |
Symbol 426 MovieClip | Uses:334 344 345 346 347 348 349 23 336 337 338 339 340 342 343 SS2 | Used by:Timeline |
Symbol 427 Text | Uses:2 | Used by:Timeline |
Symbol 428 Graphic | Used by:Timeline | |
Symbol 429 MovieClip | Uses:24 352 353 15 354 355 357 358 22 359 50 356 277 66 274 280 282 SS3 | Used by:Timeline |
Symbol 430 Text | Uses:2 | Used by:Timeline |
Symbol 431 Sound | Used by:Timeline | |
Symbol 432 Text | Uses:2 | Used by:Timeline |
Symbol 433 Graphic | Used by:Timeline | |
Symbol 434 MovieClip | Uses:334 344 345 346 347 348 349 23 336 337 338 339 340 342 343 SS4 | Used by:Timeline |
Symbol 435 Graphic | Used by:Timeline | |
Symbol 436 Graphic | Used by:Timeline | |
Symbol 437 Text | Uses:2 | Used by:Timeline |
Symbol 438 Graphic | Used by:Timeline | |
Symbol 439 Graphic | Used by:Timeline | |
Symbol 440 Graphic | Used by:Timeline | |
Symbol 441 Text | Uses:2 | Used by:Timeline |
Symbol 442 Text | Uses:2 | Used by:Timeline |
Symbol 443 Graphic | Used by:Timeline | |
Symbol 444 Text | Uses:2 | Used by:Timeline |
Symbol 445 Graphic | Used by:Timeline | |
Symbol 446 Graphic | Used by:Timeline | |
Symbol 447 Text | Uses:2 | Used by:Timeline |
Symbol 448 Graphic | Used by:Timeline | |
Symbol 449 Graphic | Used by:Timeline | |
Symbol 450 Graphic | Used by:Timeline | |
Symbol 451 Text | Uses:2 | Used by:Timeline |
Symbol 452 Text | Uses:2 | Used by:Timeline |
Symbol 453 Graphic | Used by:Timeline | |
Symbol 454 Graphic | Used by:Timeline | |
Symbol 455 Graphic | Used by:Timeline | |
Symbol 456 Graphic | Used by:Timeline | |
Symbol 457 Graphic | Used by:Timeline | |
Symbol 458 Graphic | Used by:Timeline | |
Symbol 459 Graphic | Used by:Timeline | |
Symbol 460 Graphic | Used by:Timeline | |
Symbol 461 Graphic | Used by:Timeline | |
Symbol 462 Graphic | Used by:Timeline | |
Symbol 463 Graphic | Used by:Timeline | |
Symbol 464 Graphic | Used by:Timeline | |
Symbol 465 Graphic | Used by:Timeline | |
Symbol 466 Graphic | Used by:Timeline | |
Symbol 467 Graphic | Used by:Timeline | |
Symbol 468 Graphic | Used by:Timeline | |
Symbol 469 Text | Uses:2 | Used by:Timeline |
Symbol 470 Graphic | Used by:Timeline | |
Symbol 471 Text | Uses:2 | Used by:Timeline |
Symbol 472 Text | Uses:2 | Used by:Timeline |
Symbol 473 Graphic | Used by:Timeline | |
Symbol 474 Graphic | Used by:Timeline | |
Symbol 475 Graphic | Used by:Timeline | |
Symbol 476 Graphic | Used by:Timeline | |
Symbol 477 Graphic | Used by:Timeline | |
Symbol 478 Graphic | Used by:Timeline | |
Symbol 479 Graphic | Used by:Timeline | |
Symbol 480 Graphic | Used by:Timeline | |
Symbol 481 Graphic | Used by:Timeline | |
Symbol 482 Graphic | Used by:Timeline | |
Symbol 483 Graphic | Used by:Timeline | |
Symbol 484 Graphic | Used by:Timeline | |
Symbol 485 Graphic | Used by:Timeline | |
Symbol 486 Graphic | Used by:Timeline | |
Symbol 487 Graphic | Used by:Timeline | |
Symbol 488 Graphic | Used by:Timeline | |
Symbol 489 Graphic | Used by:Timeline | |
Symbol 490 Graphic | Used by:Timeline | |
Symbol 491 Graphic | Used by:Timeline | |
Symbol 492 Graphic | Used by:Timeline | |
Symbol 493 Graphic | Used by:Timeline | |
Symbol 494 Graphic | Used by:Timeline | |
Symbol 495 Graphic | Used by:Timeline | |
Symbol 496 Font | Used by:497 498 | |
Symbol 497 Text | Uses:496 | Used by:Timeline |
Symbol 498 Text | Uses:496 | Used by:Timeline |
Symbol 499 Font | Used by:500 502 | |
Symbol 500 Text | Uses:499 | Used by:Timeline |
Symbol 501 Graphic | Used by:Timeline | |
Symbol 502 Text | Uses:499 | Used by:Timeline |
Symbol 503 Graphic | Used by:Timeline | |
Symbol 504 Graphic | Used by:Timeline | |
Symbol 505 Text | Uses:26 | Used by:Timeline |
Symbol 506 Text | Uses:26 | Used by:Timeline |
Symbol 507 Graphic | Used by:Timeline | |
Symbol 508 Graphic | Used by:Timeline | |
Symbol 509 Graphic | Used by:Timeline | |
Symbol 510 Graphic | Used by:Timeline | |
Symbol 511 Graphic | Used by:Timeline | |
Symbol 512 Graphic | Used by:Timeline | |
Symbol 513 Graphic | Used by:Timeline | |
Symbol 514 Graphic | Used by:Timeline | |
Symbol 515 Graphic | Used by:Timeline | |
Symbol 516 Graphic | Used by:Timeline | |
Symbol 517 Graphic | Used by:Timeline | |
Symbol 518 Graphic | Used by:Timeline | |
Symbol 519 Text | Uses:2 | Used by:Timeline |
Symbol 520 Graphic | Used by:Timeline | |
Symbol 521 Graphic | Used by:Timeline | |
Symbol 522 MovieClip | Uses:274 277 280 282 66 SS5 | Used by:Timeline |
Symbol 523 Graphic | Used by:Timeline | |
Symbol 524 Graphic | Used by:Timeline | |
Symbol 525 Graphic | Used by:Timeline | |
Symbol 526 Graphic | Used by:Timeline | |
Symbol 527 Graphic | Used by:Timeline | |
Symbol 528 Graphic | Used by:Timeline | |
Symbol 529 MovieClip | Uses:112 114 51 SS6 | Used by:Timeline |
Symbol 530 Text | Uses:2 | Used by:Timeline |
Symbol 531 Graphic | Used by:Timeline | |
Symbol 532 ShapeTweening | Used by:Timeline | |
Symbol 533 Graphic | Used by:Timeline | |
Symbol 534 Text | Uses:42 | Used by:Timeline |
Symbol 535 Text | Uses:42 | Used by:Timeline |
Symbol 536 Text | Uses:42 | Used by:Timeline |
Symbol 537 Text | Uses:42 | Used by:Timeline |
Symbol 538 Text | Uses:36 | Used by:Timeline |
Symbol 539 Text | Uses:36 | Used by:Timeline |
Symbol 540 Text | Uses:54 | Used by:Timeline |
Symbol 541 Text | Uses:26 | Used by:545 |
Symbol 542 Text | Uses:26 | Used by:545 |
Symbol 543 Text | Uses:26 | Used by:545 |
Symbol 544 Text | Uses:26 | Used by:545 |
Symbol 545 Button | Uses:541 542 543 544 29 | Used by:Timeline |
Symbol 546 Text | Uses:54 36 | Used by:Timeline |
Symbol 547 Text | Uses:54 36 | Used by:Timeline |
Symbol 548 Text | Uses:54 36 | Used by:Timeline |
Symbol 549 Text | Uses:54 36 | Used by:Timeline |
Symbol 550 Button | Uses:29 | Used by:Timeline |
Symbol 551 Text | Uses:54 36 | Used by:Timeline |
Symbol 552 Text | Uses:54 36 | Used by:Timeline |
Symbol 553 Button | Uses:29 | Used by:Timeline |
Symbol 554 Text | Uses:75 2 | Used by:Timeline |
Symbol 555 Text | Uses:75 2 | Used by:Timeline |
Symbol 556 Button | Uses:29 | Used by:Timeline |
Symbol 557 Button | Uses:29 | Used by:Timeline |
Symbol 558 Text | Uses:2 | Used by:559 |
Symbol 559 MovieClip | Uses:558 | Used by:Timeline |
Symbol 560 Button | Uses:29 | Used by:Timeline |
Symbol 561 Text | Uses:36 | Used by:565 |
Symbol 562 Text | Uses:36 | Used by:565 |
Symbol 563 Graphic | Used by:565 | |
Symbol 564 Sound | Used by:565 | |
Symbol 565 Button | Uses:561 562 563 564 | Used by:Timeline |
Streaming Sound 1 | Used by:Timeline | |
Streaming Sound 2 | Used by:Symbol 426 MovieClip | |
Streaming Sound 3 | Used by:Symbol 429 MovieClip | |
Streaming Sound 4 | Used by:Symbol 434 MovieClip | |
Streaming Sound 5 | Used by:Symbol 522 MovieClip | |
Streaming Sound 6 | Used by:Symbol 529 MovieClip |
Special Tags
FileAttributes (69) | Timeline Frame 1 | Access local files only, Metadata present, AS1/AS2. |
SWFMetaData (77) | Timeline Frame 1 | 198 bytes "<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"><rdf:Description rdf:about="" xmlns ..." |
Labels
"preloader" | Frame 317 |
"loaded" | Frame 332 |
"start" | Frame 333 |
"credits" | Frame 7007 |
|