swfchan: Zeitgeist Sources.swf (info)

Text

    

 

    

500%

/ 9999

9999

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook

Part 1: The Greatest Story Ever Told

Peter Joseph

and

D.M. Murdock

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Preface

As one of the main sources for the religion part of the first ―ZEITGEIST‖ film, which has been viewed
evidently over 100 million times worldwide, I have spent the past several years defending this
―Part 1‖ and bringing forth its sources into the light of day. I have written not only a number of
articles and ebooks but also a nearly 600 - page book, Christ i n Egypt: The Horus - Jesus
Connection , elucidating upon these sources, highlighting the very profound correspondences
between Christianity and the ancient Egyptian religion. I have also done a number of videos
and audio recordings on this subject as well.

W hen Peter Joseph asked me to help out on this lengthy project, I readily agreed, even though
the material contained herein had already been validated repeatedly in my other efforts. In this
day and age, it is obvious that many people are not inclined or av ailable time wise to read large
tomes of scho larly writings in order to ―figure it all out.‖ This fact of time - constraint as well as
difficulty in subject matter is the major reason ―ZEITGEIST‖ was so successful in the first place, as it
provided a short a nd easily digestible summary of the issue at hand: To wit, the origins of some
of our most cherished religious ideas. So, here we have put together a resource that is
hopefully more readily available to all who are interested but find it difficult and time -
consuming to wade through huge chunks of information.

When Peter first asked me to pitch in on this specific project, he was not aware of how much
work it would turn out to be, because — as many who have read my work will know — I am very
diligent and meticu lous in not only my writing style but also the subject matter.

In any event, as I try to do, I have put my all into this work, so I hope you will benefit from it
greatly. This effort includes much new source material drawn from primary sources as well the
works from credentialed authorities in a variety of relevant subjects. Indeed, I have strived to
include the best and most thorough, scholarly and modern sources wherever possible, with the
result that many authorities cited here possess credentials from respected institutes of higher
learning, and their publishers are some of the most scholarly in English (and other languages),
such as:

E.J. Brill

Peeters
Kegan Paul
Oxford University/Clarendon Press
Princeton University Press
Cambridge University Press
Cornell University Press

Yale University Press
University of Chicago Press
University of Pennsylvania Press
University of Wisconsin Press
Johns Hopkins Press

Harcourt, Brace & Co.

MacMillan & Co., etc.

This Sourcebook thus provides relevant primary - sou rce material and citations from respectable
and crede ntialed authorities, along with germane images to support the first part of ZG ‘s contentions.
There are over 150 sources cited in this Sourcebook, in nearly 350 footnotes.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told ii

This Sourcebook is set up with the quotes from the movie numbered and bolded, followed by
relevant commentary from primary sources and authorities, as well as pertinent images that
total some 80 throughout the work.

Ple ase remember that I have composed only the first part of the complete ―Companion Source
Guide ‖ that Peter Joseph has post ed on his website — the part of which I am providing here as the
―Sourcebook‖ — whereas he wrote the rest of it. I am likewise only respons ible for certain
aspects of the first or religion part of ―ZEITGEIST‖ and have no input into the rest of the film or, again,
its part of the ZG Companion Source Book. Nor am I directly involved in the

―Zeitgeist Addendum‖ or Venus Project.

Enjoy!

D.M. M urdock aka Acharya S
USA, August 2010
www.TruthBeKnown.com

tion.com

www.StellarHousePublishing.com
www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

www.FreethoughtNa

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The Greatest Story Ever Told

1.   This is the sun. As far back as 10,000 B.C., history is abundant with carvings
and wri tings reflecting people ’ s respect and adoration for this object.

Numerous artifacts prove these points, such as from the sun - worshipping cultures of the
Egyptians, Indians, Babylonians and Greeks, among many others, including the peoples of the
Levant and ancient Israel. Concerning the antiquity of sun worship, UNESCO Goodwill
Ambassador Dr. Madanjeet Singh relates:

The tool - making hominids, as anthropologists call them, emerged about one - and - a - half
million years ago. But the sun ‘s identification with the animals they hunted became
evident much later as in the striking circular engravings representing the sun,
discovered in the Central Asian regions (thirteenth millennium   BC ) in Siberia and
western Turkistan. They seem to have eventually influenced the ear liest artifacts made
in Iran and Mesopotamia… Apart from the animals depicted in the Lascaux caves in
France, at Altamira in Spain, at Adduara in Sicily (15,000 to 10,000   BC ), and at the
prehistoric Tassili N ‘Ajjer in the Sahara region (7000 to 4000   BC ), a re also strange
human figures such as the dancing man with horns on his head and a stallion tail, as
in the cave paintings at Trois Frères in Ariège. These are comparable to similar figures
seen on the third - millennium - BC Mohenjo - daro seals found in the In dus Valley —
symbols that are identified with the sun…. 1

Describing this ubiquitous of sun worship, professor of Archaeology at Cardiff University Dr.
Miranda J. Aldhouse - Green remarks:

The evidence for the sun cult manifests itself in Europe from as long ago as the fourth
millennium BC, when Neolithic farmers recognized the divine power of the solar disc...

… Solar religion manifested itself not only in acknowledgement of the overt functions of
the sun — as a provider of heat and light — but also in recogniti on of influences that were
more wide - ranging …

1 Singh, 12 - 13.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
2

To early communities, the sun was an enigma, with its nightly disappearance from the
sky and the withdrawal of its heat for h alf the year. The sun ‘s valu e as a life - force was
revered …. 2

This solar religion con tinued for millennia, well into the common or ―Christian‖ era. As stated by Dr.
Lee I.A. Levine, a professor at the Jewish Theological Seminary:

On the religious plane, b elief in the supremacy of the sun god was widespread. The cult
of Mithra, as well as other Oriental cults in the late Roman era, identified the supreme
deity with the sun. In fact, the tendency in Late Antiquity to unify the creeds allowed
[the Greek sun g od] Helios to be identified in many circles as the highest deity. On an
intellectual level, Neoplatonic thought throughout these centuries likewise addressed
the centrality of the sun... Closer to Palestine, sun - worship is amply attested...in
Palmyra, amon g the Essenes, in Nabataea, as well as on a plethora of coins, statuettes,
altars, busts, and inscriptions from the first centuries of our era. 3

Dr. Levine also says:

In the late Roman era, the figure of Helios, or Sol Invictus, occupied a central role i n a
variety of settings, from the Imperial circles of Rome to the eastern provinces...

Throughout the Greco - Roman period generally, and especially in the first centuries of
the Common Era, the cult of this sun god enjoyed enormous popularity. 4

Sun worshi p persists to this day, as described in   Dr. Singh ‘s   The Sun: Symbol of Power and Life ,
an extensive survey with many images of solar religious traditions and iconography from   the
earliest periods into the modern era.   For more information on the ―Astrotheol ogy of the Ages ‖ and
―The God Sun,‖ see   also   Suns of God: Krishna, Buddha and Christ Unveiled   by   Acharya S/D.M.
Murdock.

Irish ‗ Sun Disc ‘

‗ Anthropomorphized sun - god images ‗ Babylonian King before

the Sun God

c. 2000   BCE
in Saimaly Tash rock drawings ‘   Shamash, ‘   (N. Museum of Ireland, Dublin)
Bronze Age (c. 3000 - 600   BCE )   c. 2000   BCE
Tien Mountains, Kyrgyzstan   (Musée du Louvre, Paris)
(Singh, 15)

2.   And it is simple to understand why, as every morning the sun would rise,
bringing vision, warmth, and security, saving man from the cold, blind,
predator - filled darkness of night. Without it, the cultures understood, the
crops would not grow, and life on the planet would not survive. These
realities made the sun the most adored object of all ti me.

Concerning the ancient reverence for the sun, UNESCO Director - General Dr. Federico Mayor
remarks:

As the bestower of light and life, ancient cultures generally identified the sun as the
symbol of Truth, the all - seeing ―one eye‖ of justice and equalit y, the fountainhead of

2   Singh, 295.
3   Kalmin, 106.
4   Kalmin, 103.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
3

wisdom, compassion, and enlightenment, the healer of physical and sp iritual maladies,
and, above all, the fundamental source of fecundity, growth, and fruition, as well as of
death and the renewal of life. 5

An Egyptian hymn from the era of the pharaoh Akhenaten (d. c. 1336   BCE ) expresses the
intense ancient reverence for the sun:

You appear beautiful,
You living sun, lord of Endless Time,
are sparkling, beautiful and strong,
Love of you is great and powerful.

Your rays touch every face…
Your radiant skin animates hearts.

You have filled the Two Lands [of the horizons] w ith love of yourself. 6

Pharaoh Akhenaten and wife Nefertiri worshipping the sun

c.   14
th
century   BCE

3.   Likewise, they were also very aware of the stars.

Naturally, the ancient   practice of ― astrotheology ‖ incorporated reverence for not on ly the sun
but also the moon, planets, stars and constellations. In   Prehistoric Lunar Astronomy , Indian
scholar   Dr. S.B. Roy remarks:

To the ancients...heaven was the land of gods and mystery. The sky...was itself living.
The stars were the abode of the g ods. The shining stars were indeed themselves
luminous gods. Astronomy was the knowledge not of heavenly bodies, but of heavenly
beings : It was the heavenly, celestial cosmic or divine knowledge — knowledge of   devas —
the bright luminous gods. 7

Ancient stell ar symbols and star maps have been found dating to many thousands of years
ago, including in cave paintings and carvings. As the BBC reports   in ―Ice Age star map
discovered ‖ :

A prehistoric map of the night sky has been discovered on the walls of the
famou s painted caves at Lascaux in central France.

The map, which is thought to date back 16,500 years, shows three bright stars

known today as the summer Triangle...

5   Singh, 7.
6   Assman, ESRNK , 94.
7   Roy, 1.

www.StellarHousePublishing.com/zeitgeistsourcebook.

pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
4

According to German researcher Dr. Michael Rappenglueck, of the University
of Munich, the maps show that our ancestors were more sophisticated than
many believe. 8

In ― ‗Oldest Star Char t ‘ Found, ‖ astronomer Dr. David Whitehouse states:

The oldest image of a star pattern, that of the famous constellation of Orion, has
been recognised on an ivory tablet some 32,500 years old.

The tiny sliver of mammoth tusk contains a carving of a man - li ke figure with arms
and legs outstretched in the same pose as the stars of Orion.... 9

Ancient star map

Ivory star chart

c. 16,500 years old

c. 32,500 to 38,000 years old

Lascaux, France

Ach Valley, Alb - Danuba, Germany

4.   The tracking of the stars allowed them to recognize and anticipate events
which occurred over long periods of time, such as eclipses and full moons.
They in turn catalogued celestial groups into what we know today as
constellations.

In his book In Search of Ancient Astronomi es , astronomer Dr. Edwin C. Krupp remarks:

At Stonehenge in England and Carnac in France, in Egypt and Yucatan, across the
whole face of the earth are found mysterious ruins of ancient monuments, monuments
with astronomical significance... Some of them bu ilt according to celestial alignments;
others were actually precision astronomical observatories... Careful observations of the
celestial rhythms was compellingly important to early   peoples and their expertise, in
some respects, was not equaled in Europe u ntil three thousand years later. 10

One of these ancient observatories — one of the world ‘s oldest yet discovered — is found in

Goseck, Germany:

A vast, shadowy circle sits in a flat wheat field near Goseck, Germany... The circle
represents the r emains of the world ‘ s oldest observatory, dating back 7,000 years.
Coupled with an etched disk recovered last year, the observatory suggests that Neolithic
and Bronze Age people measured the heavens far earlier and more accurately than
scientists had imagi ned. 11

In ―Oldest solar Observatory in Americas Found in Peru,‖ NPR reports:

Archeologists may have uncovered what they say is by far the oldest astronomical
observatory in the America: a series of towers near a temple in coastal Peru, built in the
fourt h century B.C...

8   "Ice Age star map discovered," news.bbc.co.uk/2/hi/871930.stm

9   ― ‗Oldest Star Chart ‘ Found, ‖ news.bbc.co.uk/2/hi/science/nature/2679675.stm

10   Krupp, ISAA , xiii.

11   Mukerjee, ―Circles for Space.‖ Mukerjee mentions here what is called the ―Nebra Disk.‖

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
5

The towers at Chankillo mark the sun ‘ s progress across the sky... This suggests the sun
may have played an important r ole in religious and political life long before the
appearance of the famous Inca sun cult...

[Archeologis t Ivan] Ghezzi says, ―The Inca claimed to be the offspring of the sun. But now we
have a society that is 1,800 years before the Inca that is clearly using the sun as a way
to make a political, social and ideological statement. ‖

Many more such discoveries have occurred over the past several decades.

Solar circle observatory
Astronomically aligned stones,

The Thirteen Towers

c. 7,000 years old
6,000 to 8,500 years old

c. 14
th
century BCE

Goseck, Germany
Nabta Playa, Egypt

Chankillo, Peru

(Ralf Beutragel)

(Ivan Ghezzi)

5.   This is the cross of the Zodiac, one of the oldest conceptual images in human
history. It reflects the su n as it figuratively passes through the 12 major
constellations over the course of a year. It also reflects the 12 months of the
year, the four seasons, and the solstices and equinoxes. The term Zodiac
relates to the fact that constellations were anthropom orphized, or
personified, as figures, or animals.

The antiquity of the idea of a zodiac is disputed, but it may have been formulated as early as
4,000 or more years ago. As D.M. Murdock says in Christ in Egypt: The Horus Jesus
Connection :

…the zodiac cer tainly existed in Mesopotamia millennia ago, worked over by the famed
Chaldean astronomers, with the Greeks further polishing it. In this regard, several
sources — such as royal astronomer Dr. Edward Walter Maunder … , the devout Christian
author of The Astron omy of the Bible — have indicated an origin of the zodiac, including
the popular signs, to some 4,000 or more years ago. We also possess the relatively
recent find of the ―Karanovo Zodiac‖ from Bulgaria, which has been dated to around 6,000
years ago and whi ch seems to bear rudimentary renditions of the constellations found
in the Western zodiac. 12

The zodiac as it appears to us today was refined by the Greeks several centuries prior to the
common era.

12   Murdock,   CIE , 265 - 266. The Karanovo Tab let has also been interpreted to be crude Egyptian
hieroglyphs. See ―T he Sacred Tablet from the village of Karanovo , ‖   www.institutet -
science.com/en/karanovoe.php

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
6

―

Hieroglyphic Plan, by

Karanovo Tablet

Hermes, of the Ancient
c. 6,000 years old

Zodiac

‖

Dendera zodiac
Nova Zagora, Bulgaria
1
st
century BCE

(Kirchner,

OEdipus

AEgyptiacus

)

Dendera, Egypt

6.   In ot her words, the early civilizations did not just follow the sun and stars,
they personified them with elaborate myths involving their movements and
relationships.

The meanings of many myths can be traced to a number of origins, the most prominent of
which is nature worship and astrotheology, whereby the gods and goddesses are essentially
personifications of earthly forces and celestial bodies. As concerns the anthropomorphization of
the celestial bodies, in Suns of God: Krishna, Buddha and Christ Unveiled , Murdock relates:

Ancient peoples abundantly acknowledged that their religions, dating back centuries
and millennia before the common era, were largely based on astrotheology, with their
gods representing the sun, moon, stars and planets. One of their focu ses was the
sun...and the story of the sun became highly developed over a period of thousands of
years, possibly tens of thousands or more. The observations of the sun and its daily,
monthly, annual and precessional movements have led to complex myths in w hich it
was personified as a god... 13

We can see this astrotheological and nature - worshipping religion in the writings of ancient
historians such as Herodotus, Berossus and Diodorus, as well as in the Bible, both overtly and
covertly, and in Jewish apocry phal texts. 14 The writings of the Church fathers also discussed
the Pagan astrotheology, sometimes fairly extensively.

One ancient source for the true nature - worshipping and astrotheological meaning of many
Greek gods and goddesses is the writer Porphyry (c. 235 - c. 305   AD / CE ), who (according to early
Catholic Church father/historian Eusebius) related:

The whole power productive of water [the Greeks] called Oceanus... the drinking - water
produced is called Achelous; and the sea - water Poseidon...

...the pow er of fire they called Hephaestus... the fire brought down from heaven to earth
is less intense...wherefore he is lame...

Also they supposed a power of this kind to belong to the sun and called it Apollo...
There are also nine Muses singing to his lyre, w hich are the sublunar sphere, and seven
spheres of the planets, and one of the fixed stars...

But inasmuch as the sun wards off the evils of the earth, they called him Heracles
[Hercules]... And they invented fables of his performing twelve labours, as th e symbol of
the division of the signs of the zodiac in heaven; and they arrayed him with a club and a

13   Acharya, SOG , 60.
14   For more on these subjects, see Murdock/Acharya ‘s Suns of God .

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEI ST Sourcebook: Part 1 — The Greatest Story Ever Told
7

lion ‘ s skin, the one as an indication of his uneven motion, and the other representative
of his strength in ― Leo ‖ the sign of the zodiac.

Of the sun ‘ s healing power Asclepius is the symbol...

But the fiery power of his revolving and circling motion whereby he ripens the crops, is
called Dionysus... And whereas he revolves round the cosmical seasons [Grk. horas ]
and is the maker of ― times and tides, ‖ the sun is on this account called Horus.

Of his pow er over agriculture, whereon depend the gifts of wealth (Plutus), the symbol is
Pluto...

Cerberus is represented with three heads, because the positions of the sun above the
earth are three — rising, midday, and setting.

The moon, conceived according to he r brightness, they called Artemis...

What Apollo is to the sun, that Athena is to the moon: for the moon is a symbol of
wisdom, and so a kind of Athena.

But, again, the moon is Hecate, the symbol of her varying phases...

They made Pan the symbol of the universe, and gave him his horns as symbols of sun
and moon, and the fawn skin as emblem of the stars in heaven, or of the variety of the
universe. 15

Porphyry ‘s explanations include many other divine figures, relat ing them to additional nature -
worshipping elements such as air, wind, fruits and seeds, and he names the earth as a virgin
and mother:

In all these ways, then, the power of the earth finds an interpretation and is
worshipped: as a virgin and Hestia, she holds the centre; as a mother she nourishe s... 16

Here is clearly one source in antiquity of the virgin - mother concept, which was so obviously
adopted into Christianity from Paganism. As can be seen, the Greek religion was perceived in
ancient times to be highly astrotheological and reflective of nature worship. The same can be
said of many others, such as the Babylonian, Egyptian, Indian and Roman.

Hercules and the Hydra

Disk with Dionysus and 11 signs of

Sun god Apollo riding in his chariot

Roman mosaic

the zodiac
Valencia, Spain 4
th
cent. BCE ?

pulled by four horses
Mosaic

(Photo: Zaqarbal)   Brindisi, Italy

(Kerenyi, fig. 146) 17

15   Eusebius,   Evangelicae Praeparationis   (―The Preparation for the Gospel‖), III, XI, 112d - 115a;
Eusebius/Gifford, 122 - 125.

16   Eusebius, Praep ., III, XI, 110c; Eusebius/Gifford, 120 - 121.

17   Concerning this disk, Dr. Kerenyi (386) states: ―The Brindisi disk includes the earliest known representation of
the zodiac on Greek or Italian soil. To the artisan who fashioned it, the zodiac was still new. H e inscribed it
on the edge of the disk but did not understand its figures…. He also changed the order of the constellations but
surely followed a very early model, for like the original Babylonian zodiac his has only eleven signs and a
double - length Scorpi o. ‖

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
8

7.   The sun, with its life - giving and saving qualities was personified as a
representative of the unseen creator or god — “ God ’ s Sun ”

We have already seen that the ancient cultures have considered the sun as divine; hence, it is
either God, a god, or a son of God/a god . Indeed, this ―sun of God as son of God‖ motif is common
in the mythology of India, Greece, Rome and Egypt, to name a f ew of the more well - known
nations.   In Egypt, this ―son of the sun‖ is the god Horus, among others, while in Greece it is Apollo,
son of Zeus, whose name means ―God.‖   This same tradition was discussed by   Plato, as related in
The Book of the Sun (1494) by Ne oplatonic - Christian philosopher Marsillio Ficino:

According to Plato [ Republic , VI, 508c 18 ], he called the Sun not God himself, but the son
of God. And I say not the first son of God, but a second, and moreover visible son. For
the first son of God is not this visible Sun, but another far superior intellect, namely the
first one which only the intellect can contemplate. Therefore Socrates, having been
awakened by the celestial Sun, surmised a super celestial Sun, and he contemplated
attentively its majesty , and inspired, would admire the incomprehensible bounty of the
Father. 19

In a chapter (2) entitled,   ― How the light of the Sun is similar to Goodness itself, namely, God, ‖
Ficino summarizes the ―god‖ charac teristics projected upon the solar orb by ancient cultures
extending into modern times:

...Above all the Sun is most able to signify to you God himself. The Sun offers you signs,
and who dare to call the Sun false? Finally, the invisible things of God, that is to say,
the angelic spirits, can be most po werfully seen by the intellect through the stars, and
indeed even eternal things — the virtue and divinity of God — can be seen through the
Sun. 20

Concerning the ―son - sun ‖ play on words — which is   not a cognate   but a mere happy coincidence in
English that refle cts the   mythological ― reality ‖ — in Jesus as the Sun throughout History ,
Murdock states:

… this sun - son word play has been noted many times previously in history by a variety of
individuals, including English priest and poet Robert Southwell in the 16 th cent ury and
English poet Richard Crashaw in the 17 th century. English poet and preacher John Donne
(1572 - 1631) and Welsh poet and priest George Herbert (1593 - 1633) likewise engaged in the
son/sun pun as applied to Christ. In discussing Donne, Dr. Arthur L. Cle ments, a professor
at Binghamton University, remarks that the   ― Son - sun pun ‖ is ― familiar enough. ‖
Comparing Christ to the ― day star, ‖   famous English poet John Milton (1608 - 1674) was
aware of the   ―sun/son of God‖ analogy and ― revel[ed] in the sun - son pun. ‖… Puritan minister
Edward Taylor (1642 - 1729) engaged in the same punning by describing Christ as   ― the
onely [sic] begotten Sun that is in the bosom of the Father... ‖

Furthermore, in describing the actions of the Church fathers in adapting sun myths to
Chri stianity, Thomas Ellwood Longshore declared in 1881,   ― They merely changed the
visible   ‗ Sun of God ‘ for the invisible   ‗ Son of God, ‘ or for this personage they called the
‗ Son of God ‘ ... ‖

Obviously, this   ― devotional pun ‖ was widely recognized centuries ago by the English -
speaking intelligentsia and educated e lite….

To reiterate, while the mythical ―truth‖ is that in antiquity the sun was perceived as the ―son of God,‖
the claim is not being made that the words ―sun‖ and ―son‖ are related or cognates. Or

18   See Plato/Ferrari, 215. See also   Pico della Mirandola (163): ― ...when Plato in the Republic calls the sun
the visible son of God, why may we not understand it as the image of the invisible Son? ‖

19   Voss, 211.
20   Voss, 190.

www.StellarHousePublishing.com/zeit

geistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
9

that the NT writers knew English, or that this phonic coincidence in itself provides any
evidence whatsoever of the thesis it illustrates. As we can see, however, great English writers
have happily glommed onto the notion that the ―Sun of Righteousness‖ is the ―Son of God‖ and have
utilized the ―son/sun‖ pun or play on words with glee.

8.   … the light of the world, the savior of human kind. Likewise, the 12
constellations rep resented places of travel for God ’ s Sun and were identified
by names, usually representing elements of nature that happened during that
period of time. For example, Aquarius, the water bearer, who brings the
Spring rains.

The notions   of the sun as the ―sa vior ‖ and the ―light of the world‖ are understandably common in
ancient religious history:

...The Sun was looked up to as the grand omnipotent nucleus, whose all - vivifying power
is the vital and sole source of animative and vegetative existence upon the g lobe — the
glorious foundation out of which springs all that man ever has, or ever can call good;
and as such, the only proper object of the homage and adoration of mankind: hence the
Sun, as we are informed by Pausanias, was worshipped at Eleusis under the name of
― The Saviour. ‖ 21

In his description of a sacred precinct in Arkadia that apparently practiced the Eleusinian
mysteries, famous Greek historian of the second century   AD / CE , Pausanias, (8.31) remarks:

There are these square - shaped statues of other gods inside the enclosure: Hermes the
Leader, Apollo, Athene, Poseidon, the Saviour Sun, and Herakles. 22

To describe the sun as   ― savior, ‖ Pausanias uses the word Soter , a title commonly applied to
many gods and goddesses at different places.

The sun ‘s role as savior and light is exemplified in the following ancient
Egyptian solar hymn:

You are the light, which rises for humankind;
the sun, which brings clarity,

so that gods and humans be recognised and
distinguished when you reveal yourself.

Every fa ce lives from seeing your beauty,

all seed germinates when touched by your rays,
and there is no - one who can live without you.
You lead everyone, because they have a duty to their work.

You have given form to their life, by becoming visible. 23

With rega rd to the ―12...places of travel for God ‘s Sun , ‖   The New Larousse
Encyclopedia of Mythology   relates:

In Russian Folklore the Sun possessed twelve kingdoms — the twelve

months or signs of the Zodiac. He lived in the solar disk and his children on the stars. ..
The daily movement of the Sun across the celestial sphere was represented in certain
Slavonic myths as a change in his age: the sun was born every morning... 24

The notion of the sun moving, passing or traveling through the zodiacal circle was expressed by
the Greek philosophers Pythagoras, Plato and Aristotle. 25 Neoplatonist Ficino may be echoing
their sentiment, when he says:

21   Mitchell, 62.
22   Pausanias/Levi, 451.
23   Assman, ESRNK , 78.
24   Larousse , 285.
25   Mansfield, 701.

www.StellarHousePublishing.com/zeitgei

stsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
10

The Sun, in that it is clearly lord of the sky, rules and moderates all truly celestial
things... Firstly, it infuses light into all the stars, whether they have a tiny li ght of their
own (as some people suspect), or no light at all (as very many think). Next, through the
twelve signs of the zodiac, it is called living...and that sign which the Sun invigorates
actually appears to be alive. 26

This idea of the sun — or moon — ― t raveling ‖ through the signs of the zodiac was common
among several peoples, including the Anglo - Saxons, as demonstrated in the De temporibus anni
of Ælfric Puttoc (d. 1051), who   personifies the moon (―old and tired‖) and relates :

Truly the moon year has t wenty - seven days and eight hours... This is the moon year,
but its month is more, which is when the moon travels new from the sun until it
returns to the sun again, old and tired, and is displayed again through the sun [i.e. new
moon]. In the moon month ar e counted twenty - nine days and twelve hours, this is the
moon month, and its year is when it travels through all twelve star signs. 27

So too is this knowledge of the sun passing or traveling through the signs included in the
highly astrological work by fa med Jewish philosopher Abraham Ibn Ezra (1089 - 1167) in The
Book of Reasons   (Sefer ha - Te ‗amim), in which he writes: ― The six signs were designed northern
because the Sun travels through them when it is on the northern side of the equator, and the
opposite a pplies to the southern (signs). ‖ 28

The meanings of the signs of the zodiac have been interpreted variously over the centuries,
ranging from constellations to seasonal qualities, such as Virgo and Aquarius. In The Christ
Conspiracy , Murdock summarizes thes e astrotheological meanings of the zodiacal signs as we
currently have them and as they would have been during the several centuries before the
common era:

Aries is represented as the Ram/Lamb because March/April is the time of the year
when lambs are bor n. Taurus is the Bull because April/May is the time for ploughing
and tilling. Gemini is the Twins, so - called for Castor and Pollux, the twin stars in its
constellation, as well as because May/June is the time of ―increasing or ―doubling‖ of the sun,
when it reached its greatest strength... Virgo, originally the Great Mother Earth, is   the
―Gleaning Virgin, who holds a sheath of wheat,‖ symbolizing August/September, the time of
the harvest... Aquarius is the Water - Bearer because January/February is the time of
winter rains. 29

Zodiac with sun god Helios in the center
6
th
century   AD / CE
Mosaic, synagogue

Beit Alpha, Israel

26   Voss, 192.
27   Chardonnens, 395.
28   Sela, 37.
29   Acharya, CC , 152, as paraphrased from Hazelrigg ‘s   The Sun Book , 43.

www.Stellar

HousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
11

In order to understand how the ancients personified the celestial elements and told stories
about them, we can turn to the myth of Hercules, whi ch has been recognized to be both
astronomical and astrotheological:

… The Labors of Hercules which chiefly interest us are: (1) The capture of the Bull, (2)
the slaughter of the Lion, (3) the destruction of the Hydra, (4) of the Boar, (5) the
cleansing of the stables of Augeas, (6) the descent into Hades and the taming of
Cerberus. The first of these is in line with the Mithraic conquest of the Bull; the Lion is
of course one of the most prominent constellations of the Zodiac, and its conquest is
obviously the work of a Saviour of mankind; while the last four labors connect
themselves very naturally with the Solar conflict in winter against the powers of
darkness. The Boar (4) we have seen already as the image of Typhon, the prince of
darkness; the Hydra (3 ) was said to be the offspring of Typhon; the descent into Hades

(6) — generally associated with Hercules ‘ struggle with and victory over Death — links on
to the descent of the Sun into the underworld, and its long and doubtful strife with the
forces of winte r; and the cleansing of the stables of Augeas (5) has the same
signification. It appears in fact that the stables of Augeas was another name for the sign
of Capricorn through which the Sun passes at the Winter solstice — the stable of course
being an undergr ound chamber — and the myth was that there, in this lowest tract and
backwater of the Ecliptic all the malarious and evil influences of the sky were collected,
and the Sungod came to wash them away (December was the height of the rainy season
in Judæa) and c leanse the year towards its rebirth.

It should not be forgotten too that even as a child in the cradle Hercules slew two
serpents sent for his destruction — the serpent and the scorpion as autumnal
constellations figuring always as enemies of the Sungod — to which may be compared
the power given to his disciples by Jesus   ― to tread on serpents and scorpions. ‖
Hercules also as a Sungod compares curiously with Samson...but we need not dwell on
all the elaborate analogies that have been traced between these two he roes.... 30

9.   This is Horus. He is the Sun God of Egypt of around 3000 BC.

Concerning the antiquity of Horus, Egyptologist Dr. Edmund S. Meltzer remarks:

Horus is one of the earliest attested of the major ancient Egyptian deities, becoming
known to us at l east as early as the late Predynastic period (Naqada III/Dynasty 0) [c.
3200 - 3000   BCE ]; he was still prominent in the latest temples of the Greco - Roman period
[332   BCE - 640   AD / CE ], especially at Philae and Edfu, as well as in the Old Coptic and
Greco - Egypti an ritual power, or magical, texts. 31

As is the case with many gods in other parts of the world, several Egyptian gods (and
goddesses) possess solar attributes, essentially making them sun gods. These Egyptian sun
gods   included not only the commonly known Ra or Re, but also Osiris and Horus, among
others. In the first century   BCE , the Greek writer Diodorus Siculus described Osiris as the sun,
while his sister - wife, Isis, is the moon:

Now when the ancient Egyptians, awestruck and wondering, turned their ey es to the
heavens, they concluded   that two gods, the sun and the moon, were primeval and
eternal: they called the former Osiris, the latter Isis.... 32

Concerning the nature of certain Egyptian gods,   Dr. James P. Allen, Curator of Egyptian Art at
the Metro politan Museum of Art in New York, remarks:

...Ruling over the universe by day, the Sun was identified with Horus, the god of
kingship; at sunset he was seen as Atum, the oldest of all gods. The Sun ‘s daily

30   Carpenter, 48 - 50.
31   Redford, 165.
32   Diodorus/Mur phy, 14.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
12

movement through the sky was viewed as a journey from birth to death, and his rebirth
at dawn was made possible through Os iris, the force of new life...

…In the middle of the night the Sun merged with Osiris ‘s body; through this union, the Sun
received the power of new life while Osiris was reborn in the Sun. 33

These gods are often interchangeable, and their attributes and stories may overlap. As stated
by Egyptologist Dr. Erik Hornung:

Many Egyptian gods can be the sun god, especially Re, Atum, Amun, and
manifestations of Horus. Even Osiris appears as the night form of the sun god in the
New Kingdom. It is often not define d which particular sun god is meant in a given
instance. 34

Hieroglyph representing either Horus or Ra in his Sun Disk
(Budge, An Egyptian Hieroglyphic Dictionary , cxiv)

These gods ‘ interchangeability is evident from Egyptian texts, such as chapter o r spell 69 of the
Book of the Dead:

…I am Horus the Elder on the Day of Accession, I am Anubis of Sepa, I am the Lord of All, I am
Osiris. 35

Moreover, there were several Horuses, including Horus the Elder, whose eyes are the sun and
the moon, as well as also Horus the Child, a number of whose attributes may be found in the
gospel story and Christian tradition.   Eventually these ―various Horuses blended together until there
were only two left; Horus the Sun God and Horus the son of Osiris and Isis. ‖ 36

Conc erning these different Horuses, Egyptologist Dr. Henri Frankfort says:

It is therefore a mistake to separate ―Horus, the Great God, Lord of Heaven,‖ from ―Horus, son
of Osiris, ‖ or to explain their identity as due to syncretism in comparatively late times . The two
gods ―Horus‖ whose   titles we have set side by side are, in reality, one and the same. 37

Horus the Elder   Horus the Child with sidelock

Magical Stela, 360 – 343   BCE

33   Allen, AEPT , 8.
34   Hornung, CGAE , 283.
35   Faulkner, EBD (1967), 10 7
36   Jackson, J., 112.
37   Frankfort, 41.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
13

10.   He is the sun, anthropomorphized, and his life is a series of allegorical
myths involving the su n ’s movement i n the sky.

We have already seen that Horus is a sun god, a fact confirmed five
centuries before the common era by the Greek historian Herodotus
(2.144, 156), when he equated Osiris with Dionysus and Horus with the
Greek sun god Apollo:   ― In E gyptian, Apollo is Horus, Demeter is Isis,
Artemis is Bubastis…. ‖ 38

Regarding Horus as the sun god, Murdock says:

In ancient Egyptian writings such as the Pyramid Texts, in which he
is called the ―Lord of the Sky,‖ along with other solar epithets such as
―He Whose Face is Seen,‖ ―He Whose Hair is Parted,‖ and ―He Whose
Two Plumes are Long, ‖ Horus ‘s function as a sun god or aspect of the
sun is repeatedly emphasized, although this singularly pertinent
fact is seldom found in encyclopedias and textbooks, leaving us to
wonder why he would be thus diminished. In the Coffin Texts as well
is Horus ‘s role as (morning) sun god made clear, such as in the following
elegantly rendered scripture from CT Sp. 255:

―…I will appear as Horus who ascends in gold from up on the
lips of the h orizon… ‖

In CT Sp. 326, Horus is even called ―Lord of the sunlight.‖ 39

Egyptologist James Allen also discusses Horus ‘s solar attributes:

‗ The Sun Springing from an
Opening Lotus - Flower in the
Form of the Child Horus ‘
(Maspero, 193 )

Horus was the power of kingship. To the Egyptians this was as much a force of nature
as those embodied in the other gods. It was manifest in two natural phenomena: the
sun, the most powerful force in nature; and the pharaoh, the most powerful force in
human society. Horus ‘s role as the king of nature is probably the origin of his name: hrw   seems
to mean ―the one above‖ or ―the one far off‖... This is apparently a reference to the sun, which
is ―above‖ and ―far off‖ in the sky, like the falcon with which Horus is regularly associated... 40

Illustrating certain motifs including the sun god ‘s movement through the night and day,   Sir Dr. E.A.
Wallis Budge (1857 – 1934), noted English Egyptologist, Orientalist, and philologist who worked
for the British Museum a nd published numerous works, remarks:

The Sun has countless names, Ptah, Tmu, Ra, Horus, Khnemu, Sebek, Amen, etc.; and
some of them, such as Osiris and Seker, are names of the Sun after he has set, or, in
mythological language, has died and been buried.. .. All gods, as such, were absolutely

equal in their might and in their divinity; but, mythologically, Osiris might be said to be
slain by his brother Set, the personification of Night, who, in his turn, was overthrown
by Horus (the rising sun), the heir of Osiris. 41

As we can see, both Osiris and Horus are essentially sun gods, who both also battle with the
―Prince of Darkness,‖ t he god Set or Seth.

38   Herodotus/de Selincourt, 145.
39   Murdock, CIE , 47.
40   Allen, J., ME , 144.
41   Budge, GFSER , 2 - 3.

www.Stel

larHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
14

‗ Horus emerging from the corpse of Osiris, the sun disk behind him ‘ Burial chamber of Ramesses VI, 1145 - 1137   BCE
(Hornung, Valley o f the Kings , 116)

11.   From the ancient hieroglyphics in Egypt, we know much about this solar
messiah. For instance, Horus, being the sun, or the light, had an enemy
known as Set, and Set was the personification of the darkness or night. And,
metaphorically sp eaking, every morning Horus would win the battle against
Set — while in the evening, Set would conquer Horus and send him into the
underworld. It is important to note that “dark vs. light ” or “good vs. evil ” is
one of the most ubiquitous mythological dualiti es ever known and is still
expressed on many levels to this day.

Like his father, Osiris, battling Set/Seth on a nightly basis, so too does Horus fight Seth, as
related by Egyptologist Dr. Jan Assman:

First, Horus and Seth battle one another in the form of hippopotami; Isis seizes a
harpoon but is unable to kill Seth, because he addresses her as sister. Horus is furious
at this act of mercy and decapitates Isis. He flees into the desert, where Seth finds him
and rips his eyes out. But the wounds are immed iately healed and the plot continues. 42

Horus ‘s   conflict with Set is also recounted by the director of the Antiquities Museum at the
Bibliotheca Alexandrina in Egypt, Dr. Badrya Serry:

It is known that the child Harpocrates struggled with his uncle Seth to revenge his
father...and attain victory upon him. Since he overcame the powers of darkness (Seth)
[he was] likened to the Greek hero Heracles who battled the powers of evilness. 43

For more information, see the chapter ―Horus versus Set,‖ pp. 67 - 78, in Murdock ‘s   Christ in Egypt .

‗ Set ‘ as represented in the tomb of   Horus versus Set

pharaoh Thutmose III (fl. 1479 – 1425)

42 Assman, SGAE , 140.
43 Goyon, 121.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook : Part 1 — The Greatest Story Ever Told
15

12.   Broadly speaking, the story of Horus is as follows. Horus was born on
December 25 th ….

It needs to be understood that   the Egyptian stories were never ―laid out‖ in a linear form; rather,
they appear in bits and pi eces in primary sources such as the Pyramid Texts, Coffin Texts and
Book of the Dead, compiled and altered over many centuries, beginning as early as 7,000 years
ago. Thus, it is a   common misconception that the myths unfold in the same linear   manner as
in the Christian narrative. Most of these motifs are indeed not linear narratives, but, rather,
symbolic associations derived from different Egyptian texts, as well as later mythographers ‘
accounts . Since this description of Horus here is obviously angled fro m the   reference point of
the Christian narrative, the subject needs to be deconstructed and reconsidered from the
standpoint of each motif, rather than the overall narrative. The Christian story must, in turn,
likewise be considered from the standpoint of each individual motif and not linearly, because
this basic   ―mythicist‖ 44 argument is that the Christian religion is a compilation of religious
motifs which existed previously — and separately.

Obviously, the English term   ― December 25 th ‖ did not exist in the ancient Egyptian calendar
but simply refers to the winter solstice , which the ancients perceived as beginning on December
21 st and ending at midnight on the 24 th . We learn from one of the most famous historians of
the first century, Plutarch (46 - 120   AD / CE ), that Horus the Child — or ― Harpocrates , ‖ as was his
Greek name — was ―born about the winter solstice, unfinished and infant - like... ‖ 45

Three centuries after Plutarch, ancient Latin writer Macrobius (395 – 423   AD / CE ) also reported
on an   annual Egyptian ―Chris tmas ‖ celebration ( Saturnalia , I, XVIII:10):

…at the winter solstice the sun would seem to be a little child, like that which the Egyptians
bring forth from a shrine on an appointed day, since the day is then at its shortest and
the god is accordingly sho wn as a tiny infant. 46

As Egyptologist Dr. Bojana Mojsov remarks : ― The symbol of the savior - child was the eye of the
sun newly born every year at the winter solstice. ‖ 47

Other indications of the Egyptian reverence of the winter solstice may be found in h ieroglyphs,
as Murdock relates:

As [Egyptologist Dr. Heinrich] Brugsch explains, the Egyptians not only abundantly
recorded and revered the time of the winter solstice, they also created a number of
hieroglyphs to depict it, including the image mentioned by Budge, which turns out to be
the goddess - sisters Isis and Nephthys with the solar disc floating above their hands
over a lifegiving ankh — the looped Egyptian cross — as the sun ‘s rays extend down to the
cross symbol. This image of the sun between Isis and Nephthys, which is sometimes
depicted without the ankh, is described in an inscription at Edfu regarding Ptolemy VII
(fl. 145   BCE ?) and applied to the winter solstice, translated as: ―The sun coming out of the sky -
ocean into the hands of the siblings Isis and Nephthys. ‖ This image very much looks like the
sun being born, which is sensible, since, again, Harpocrates, the morning sun, was
born every day, including at the winter solstice. 48

44   The ―mythicist position‖ or ―mythicism‖ posits that many if not mo st of the ancient gods, goddesses and
godmen, as well as various heroes and legends, are not ―real people‖ but mythical figures. Thi s perception may
include not just the Greek and Roman gods, for example, who are presently viewed as myths by
mainstream sch olarship and the lay public alike, but also many biblical figures, including Abraham,
Moses and Jesus.
45   Plutarch, ―Isis and Osiris‖   (65, 387C); King, C.W., 56; Plutarch/Babbitt, 153.

46   Macrobius/Davies,   129. The original Latin of this paragraph in Macrobius is: ―…ut parvulus videatur hiemali
solstitio, qualem Aegyptii proferunt ex adyto die certa, quod tunc brevissimo die veluti parvus et infans
videatur… ‖   (Murdock,   CIE , 89.)

47   Mojsov, 13.
48   Murdock, CIE , 94.

www.StellarHousePublishing.com/zeitgeistsourcebook.

pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
16

Isis and Nephthys holding the baby Sun
over the Life - Giving Ankh, representing the Winter Solstice
(Budge, An Egyptian Hieroglyphic Dictionary , 351)

There are many other arti facts in Egypt that demonstrate Horus ‘s association with the winter solstice,
including his temples aligned to the rising sun at that time of the year. 49

13.   ...of the virgin Isis - Meri.

The v irginity of Horus ‘s mother, Isis, has been disputed , because in one myth she is portrayed as
impregnating herself with Osiris ‘s severed phallus. In depictions of Isis ‘s impregnation, the goddess
conceives Horus   ―while she fluttered in the form of a hawk ov er the corpse of her dead husband. ‖ 50
We have also seen that in an image from the tomb of Ramesses VI, Horus is born out of Osiris ‘s
corpse without Isis even being   in the picture. In another tradition, Horus is   conceived when the
water of the Nile — identified as Osiris — overflows   the river ‘s banks, which are equated wit h Isis.
The ―phallus‖ in this latter case is the ―sharp star Sothis‖ or Sirius, the rising of which signaled the
Nile flood. 51 Hence, in discussing these myths we are not dealing with ―real people‖ who have
body parts.

― Osiris...begetting a son by Isis, who hovers over him in the form of a hawk. ‖
(Budge, On the Future Life: Egyptian Religion , 80)

As is often the case with mythical figures, despite the way she is impregnated, Isis remained the
―Great Virgin,‖ as she is called in a number of pre - Christian Egyptian writings. As stated by
Egyptologist Dr. Reginald E. Witt:

The Egyptian goddess who was equally   ― the Great Virgin ‖ ( hwnt ) and   ― Mother of the
God ‖ was the object of the very same praise bestowed upon her successor [Mary, Virgin
Mother of Jesus]. 52

One of the inscriptions that calls Isis the ―Great Virgin‖ appears in   the temple of Seti I at Abydos
dating to the 13 th century   BCE , while in later times she is equated with the constellation of
Virgo, the Virgin. 53 Also, in the temple of Ne ith and Isis at Sais was an ancient inscription that
depicted the virgin birth of the sun:

49   For more information on the winter solstice in ancient Egypt, see Murdock, CIE , 79 - 117.
50   Frazer, GB , IV, 8.
51   Murdock, CIE , 201.
52   Witt, 273.
53   For more on the virgin s tatus of Isis, see Murdock, CIE , 138 - 157.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
17

The present and the future and the past, I am. My undergarment no one has
uncovered. The fruit I brought forth, the sun came into being. 54

In the Theological Dictionary of the Old Testament , professor of Old Testament and Catholic
Theology at the University of Bonn Dr. G. Johannes Botterweck writes:

In the Late Period in particular, goddesse s are frequently called ―(beautiful) virgins,‖ especially
Hathor, Isis, and Nephthys. 55

In addition, according to early Church father Epiphanius (c. 310 - 403), the virgin mother of the
god Aion — also considered to be Horus — brought him forth out of the mange r each year. 56 This
account is verified earlier by Church father Hippolytus (c. 236), who, in discussing the various
Pagan mysteries ( Refutation of All Heresies , 8.45), raises the idea of a   ― virgin spirit ‖ and
remarks:   ― For she is the virgin who is with ch ild and conceives and bears a son, who is not
psychic, not bodily, but a blessed Aion of Aions. ‖ 57

Concerning the relationship of the Egyptian religion to Christianity,
Budge summarizes:

..at the last, when [Osiris ‘s] cult disappeared before the religio n of the Man
Christ, the Egyptians who embraced Christianity found that the
moral system of the old cult and that of the new religion were so
similar, and the promises of resurrection and immortality in each so
much alike, that they transferred their alleg iance from Osiris to
Jesus of Nazareth without difficulty. Moreover, Isis and the child
Horus were straightway identified with Mary the Virgin and her Son,
and in the apocryphal literature of the first few centuries which
followed the evangelization of Egy pt, several of the legends about Isis
and   her sorrowful wanderings were made to centre round the Mother
of Christ. Certain of the attributes of the sister goddesses of Isis were
also ascribed to her, and, like the goddess Neith of Sais, she was
declared to possess perpetual virginity. Certain of the Egyptian
Christian Fathers gave to the Virgin the title   ― Theotokos, ‖ or
― Mother of God, ‖ forgetting, apparently, that it was an exact
translation of neter mut, a very old and common title of Isis.

As Murdock sh ows in her books Suns of God and Christ in Egypt , the
mythical virgin - mother motif has been common, possesses an
astrotheological meaning, and was part of the ancient mysteries.

Isis nursing Horus
(Musée du Louvre, Paris)

Moreo ver, the title or epithet of ―Meri‖ or ―Mery,‖ meaning ―beloved,‖

was applied to many kings and later to various deities, such as Isis, including just before the
supposed existence of Jesus ‘s mother, Mary.   As Egyptologist Dr. Alfred Wiedermann, a   professo r of
Oriental Languages at the University of Bonn, remarks:

The Egyptian word Meri means, very generally, ―the loving or the beloved,‖ and serves in this
sense as a title of goddesses, and is as often used as a proper name… 58

For more on this subject   of the term ―Meri,‖ see Christ in Egypt , pp. 124 - 138.

54   Murdock, CIE , 146.
55   Botterweck, II, 338 - 339.
56   Murdock, CIE , 87 - 88.
57   Meyer, 152.
58   Proceedings of the Society for Biblical Archaeology , XI, 272.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
18

14.   His birth was accompanied by a star in the east, and upon his birth he was
adored by three kings.

The very idea that when a person is born a star appears, along with three magi or kings
f ollowing it to meet the newborn savior, obviously and logically represents a metaphysical
fantasy/mythological event. Therefore, again, the symbolic relationships are of the greatest
interest to us, and here the important questions thus become: Were Jesus and Horus both
associated with a birth star and   three ―kings‖ or magi? Is there a relationship between the birth
star and the three kings? The answer to these questions is a definitive yes , based on
scholarship concerning the Horus/Osiris/Ra myths, which w e need to recall are often
interchangeable.

The theme of the newborn savior being signaled by a star and   approached by three ―kings‖ or
dignitaries has multiple mythological meanings, the prominent astrotheological one of which is
summarized by Barbara G. Walker:

Osiris ‘s coming was announced by Three Wise Men: the three stars Mintaka, Anilam, and
Alnitak in the belt of Orion, which poi nt directly to Osiris ‘s star in the east, Sirius (Sothis),
significator of his birth. 59

Star in the East:   To understand the ―Star in the East , ‖ one first needs to   recognize the significance
of the star Sirius or Sothis, as it is called in Greek. In the words of Dr. Allen:

Sothis ( spdt   ―Sharp‖). The morning star, Sirius, seen by the Egyptians as a goddess. In Egypt
the star disappears below the horizon once a year for a period of some seventy days; its
reappearance in midsummer marked the beginning of the annual inundation and the
Egyptian year. The star ‘s rising was also seen as a harbinger of the sunrise and therefore
asso ciated with Horus in his solar aspect, occasionally specified as Horus in Sothis ( hrw
jmj spdt ), Sothic Horus ( hrw spdtj ), or Sharp Horus ( hrw spd ). 60

The importance to the Egyptians of Sirius/Sothis, as well as the constellation of Orion, is
further expl ained by Welsh professor Dr. John Gwyn Griffiths:

...Sothis was the harbinger of the annual inundation of the Nile through her appearance
with the rising sun at the time when the inundation was due to begin. The bright star
would therefore naturally becom e, together with the conjoined constellation of Orion,
the sign and symbol of new vegetation which the Year then beginning would infallibly
b ring with it…. 61

The above birth sequence with Sirius refers not to the winter solstice (as will be discussed late r)
but to the summer solstice, signaling the births of Osiris as the Nile inundation and of Horus
the Elder, as well as the Child who is the daily newborn sun. In winter, the   ― Three Kings ‖ in
the belt of Orion pointed to Sirius at night before the annual b irth of the sun, which is also
Horus, as the Child.

Three Kings:   Again, the   ―Three   Kings ‖   are the stars in Orion ‘s belt: ―Mintaka , ‖ ―Anilam‖   and
― Alnitak. ‖ These   stars, along with Sirius, are tied to the cycles of death and rebirth. In the
ancient texts, Osiris is often identified with Orion and these stars. (Remember, Osiris and
Horus overlap and can sometimes be considered one entity in certain contexts.) As   Murdock
states, "So interchangeable are Osiris and Horus that there is even a hybrid god Osiris - H orus
or Asar - Heru." 62

59   Walker, B., WEMS , 749.
60   Allen, J., 441.
61   Griffiths, OOHC , 157.
62   Murdock, CIE , 56.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
19

Hieroglyph for Osiris - Horus
(Budge, An Egyptian Hieroglyphic Dictionary , I, 87)

In the ancient Egyptian Pyramid Texts (PT 442:819c - 822b/P38 63 ) it reads:

―Look, he is come as Orion,‖ (they say). ―Look, Osiris is come as Orion...‖

The sky shall conceive you with Orion, the morning - star shall give you birth with Orion.

Live! Live, as the gods have commanded you live.

With Orion in the eastern arm of the sky shall you go up, with Orion in the western arm
of the sky shall you go down. Sothis, whose places are clean, is t he third of you two:
she is the one who will lead you... 64

Concerning   the   general   relationship   between   Orion,   Sirius   and   the   Egyptian   deities,
Egyptologist Dr. Bojana Mojsov states:

The constellation of Orion was linked with Osiris: ―He has come as Orion . Osiris has come as
Orion, ‖ proclaim the Pyramid Texts. Sirius and Orion, Isis and Osiris, inseparable in heaven as
on earth, heralded the   inundation and the rebirth of life. Their appearance in the sky
was a measure of time and a portent of great magnitu de. In historic times, both
occasions were always marked by celebrations. 65

Ancient Egyptian hieroglyph for

Orion,
with three - looped string and star
(Budge, Ancient Egyptian Hieroglyphic

Dictionary , 638)

The ―three kings‖ approaching the baby in a manger can   also be seen in the ritual of the baby
falcon god Sokar, who was brought out of the temple at the winter solstice and who has been
identified with Horus. 66

63   This numbering method is after that devised by D.M. Murdock in Christ i n Egypt . (See Murdock, CIE , p.
36, footnote 6.)

64   Allen, J., 107.
65   Mojsov, 7.
66   For more information, see Murdock, CIE , 107ff.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
20

The baby Sokar approached by Ptah - Sokar - Osiris at the winter solstice (Wilkinson, Manner and Customs of the Ancient
Egyptians , III, 18; Murdock, The 2010 Astrotheology Calendar , 34)

15.   At the age of 12, he was a prodigal child teacher, and at the a ge of 30 he
was baptized by a figure known as Anup and thus began his ministry.

Child Teacher:   Regarding Horus ‘s role as a ―child teacher in the temple,‖ Murdock   relates:

… In the first place, Horus was commonly viewed as the rising sun, during which time , it
could be said, ―He dwelt on earth as mortal Horus in the house of Seb (earth) until he was
twelve years of age. ‖ In the solar mythos, the ―age‖ of 12 refers to the sun at high noon, the
twelfth hour of the day,   when the ―God Sun‖ is doing his ―heavenl y father ‘s   work ‖ in the
―temple‖ or ―tabernacle‖ of the ―most high.‖ In the Egyptian myth, the child Horus — the
rising sun — becomes Re at the ―age‖ of 12 noon, when he moves into his   ―Father ‘s house, ‖
in other words,   that of Re and/or Osiris, who are interch angeable, as we have seen.
Indeed, while the sun gods or solar epithets are interchangeable in and of themselves,
in certain texts …Re is specifically named as Horus ‘s father; hence, the relationship here is
doubly appropriate. The fact of Horus attaining s o quickly to such maturity certainly
may impress his elders, the older suns, as he literally becomes them. To put it another
way, Horus is the sun from the time it arrives on the horizon until 12 noon, at which
point he becomes   Re , the father of the gods a nd the ―father of Horus‖ as well. It could thus
be said that Horus does his father ’s work in the temple at the age of 12.

In The Dawn of Astronomy , [Royal Astronomer Sir Norman] Lockyer describes this
process of Ho rus becoming Re at the hour or ―age‖ of 1 2:

We have the form of Harpocrates at its rising, the child sun - god being generally
represented by the figure of a hawk. When in human form, we notice the
presence of a side lock of hair. The god Ra symbolises, it is said, the sun in his
noontide strength ; while for the time of sunset we have various names, chiefly
Osiris, Tum, or Atmu, the dying sun represented by a mummy and typifying old
age. The hours of the day were also personified, the twelve changes during the
twelve hours being mythically connecte d with the sun ‘s daily movement across the sky.

The various ―phases‖ of the sun ‘s journey were given different personalities, while remaining
one entity. Hence, Horus the Child wears the side lock until 12 noon when he becomes
the adult Re. 67

67 Murdoc k, CIE , 214.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
21

Murdock also says:

In the Egyptian story of Khamuas/Khamois found on Papyrus DCIV of the British
Museum appears an in teresting tale about Sa - Asar , Si - Osiris or Senosiris — the ―son of
Osiris ‖ — who ―grew rapidly in wisdom and knowledge of magic.‖ The tale continues: ―When Si -
Osiris was twelve years old he was wiser than the wisest of the scribes. ‖ This story includes
fantast ical elements — such as a visit to the underworld — that indicate it is not historical
but may well revolve around Horus , son of Osiris . Thus, in Egypt we find a similar tale as
in the gospel about the ―son of God‖ who is 12 years old and is precocious in inte lligence
and knowledge, besting the elders and scribes. 68

Baptism:   Baptism in the ancient pre - Christian world, including in Egypt, was common, as
related by early Church father Tertullian (c. 160 - c. 220):

For washing is the channel through which [the hea then] are initiated into some sacred
rites — of some notorious Isis or Mithras. The gods themselves likewise they honour by
washings. 69

In CIE , Murdock discusses the ancient Egyptian purification or baptism:

Concerning the sun god ‘s nightly journey back to life, Egyptologist Dr. Jacobus Van Dijk of the
University of Groningen says that ―according to the Pyramid Texts, the   sun god purifies himself
in the morning in the Lake of the Field of Rushes. ‖ Thus, the morning sun — or Horus — was
said to pass through the purifying or baptismal waters to become reborn, revivified or
resurrected. 70

Murdock references several Pyramid Texts citing the issue of using a   ― Divine Lake ‖ to purify.

The Egyptian god Anpu, Anup   or ―Anubis , ‖ the latter of which is his Greek name, is the
Egyptian precedent for the Christian character John the Baptist. There are many similarities,
such as Anubis being th e ―Preparer of the Way of the Other World‖ 71 and John the Baptist being
―preparer of the way of Christ.‖ As another, Anubis serves as ― purifier ‖ or ―baptizer‖ of Egyptian
gods and deceased persons, including both Horus and Osiris.

Concerning the role of Anubis/Anup in Egyptian mythology, lay Egyptologist Gerald Massey
states:

The karast is literally the god or person who has been mummif ied, embalmed, and
anointed or christified. Anup the baptizer and embalmer of the dead for the new life was
the preparer of the karast - mummy. As John the Baptist is the founder of the Christ in
baptism, so Anup was the christifier of the mortal Horus, he o n whom the holy ghost
descended as a bird when the Osiris made his transformation in the marriage mystery
of Tat tu (Rit., ch. 17). We read in the funeral texts of Anup — being ―Suten tu hetep,
Anup, neb tser khent neter ta krast - ef em set ‖ (Birch,   Funereal Text , 4 th Dynasty). ―Suten
hept tu Anup tep - tuf khent neter ha am ut neb tser   krast   ef em as - ef en kar neter em set
Amenta ‖   (Birch,   Funereal Stele of Ra - Khepr - Ka , 12 th   Dynasty). Anup gives   embalmment,
krast; he is lord over the place of embalmment, the kra s; the lord of embalming (krast),
who, so to say, makes the ―krast . ‖ The process of embalmment is to make the mummy. This
was a type of immortality or rising again. Osiris is krast, or embalmed and mummified
for the resurrection. Passage into life and ligh t is made for the karast - dead through the
embalmment of the good Osiris (Rit., ch. 162) — that is,

68   Murdock, CIE , 213.
69   Tertullian, On Baptism , V , p. 9.
70   Murdock, CIE , 247.
71   Bonwick, 120.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEIT GEIST Sourcebook: Part 1 — The Greatest Story Ever Told
22

through his being karast as the mummy type. Thus the Egyptian krast was the pre -
Christian Christ, and the pictures in the Roman Catacombs preserve the proof. 72

For a detailed discussion of the ter m ―karast‖ or ―krst,‖ see Murdock,   CIE , pp. 313 - 318.

Regarding Anubis ‘s role as not only embalmer but also ―purifier,‖ Murdock remarks:

…   as embalmer, Anubis ‘s purifying role in mummification is made clear in the fact that he
presides over the ―House of Pu rification ‖ and ―Tent of Purification,‖ the latter called tp - jbw   in
Egyptian. In describing the funerary rituals, Dr. Lesko states:

Pouring of water, for its life - giving as well as purification qualities, was part of
every ritual. The corpse, whether firs t desiccated or not, would have been
washed (in the Tent of Purification) and then anointed and wrapped in the
embalmer ‘s shop. Seven sacred oils used for anointing the body are known already in the
first dynasty…. 73

There is much more to this subject, an d interested parties are directed to the 28 - page chapter
―Anup the Baptizer‖ in Murdock ‘s   Christ in Egypt .

Anubis purifying the Osiris
(Renouf, Egyptian Book of the Dead , 51)

16.   Horus had 12 disciples he traveled about with, performing mirac les such
as healing the sick and walking on water.

Again, these themes were not all rolled into one in this manner in an ancient text but are put
together here in order to reconstruct the Horus myth, the same as mythographers do with
modern encyclopedia e ntries. The motifs exist separately in a variety of texts, from which the
creators of Christianity evidently drew for their narrative.

12 Disciples:   In   Chaldean Magic: Its Origins and Development , French archaeologist Francois
Lenormant states:

...The su n of the lower Hemispheres took more especially the name of Osiris. Its
companions and deputies were the twelve of the night personified as so many gods, at
the head of which was placed Horus, the rising sun itself... 74

As Murdock says:

The configuration of Re, Osiris or Horus with 12 other individuals, whether gods or
men, can be found abundantly in Egyptian texts, essentially reflecting the sun god with

72   Massey,   AELW , I, 218. For a discussion of Massey ‘s work, which was based on that of the best
E gyptologists of his day, some of whom also reviewed his writings prior to publication, see Christ in Egypt ,
pp. 13 - 23.
73   Murdock, CIE , 249.
74   Lenormant, 83.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
23

12 ―companions,‖ ―helpers‖ or ―disciples.‖ This theme is repeated numerous times in the
nightly passage of the sun: Like Hercules in his 12   labors , when the Egyptian sun god
entered into the night sky, he was besieged with trials, as found in some of the Egyptian
―Holy Scriptures.‖ One such text is the ―Book of the Amtuat/Amduat,‖ which ―describes the
journey of the sun god through the twelve hours of the night, ‖ the term ―Amduat‖ meaning
―underworld‖ or ―netherworld.‖...

Horus is thu s firmly associated with 12 ―star - gods, ‖ who, in conducting the sun god through his
passage, can be deemed his ―protectors,‖ ―assistants‖ or ―helpers,‖ etc. 75

Concerning this motif of Horus and the Twelve, Murdock also states:

...i n the tenth hour of the Amduat, Horus the Elder leaning on his staff is depicted as
leading the 12 "drowned" or lost souls to their salvation in the "Fields of the Blessed."
These 12 deceased, Hornung relates, are "saved from decay and decomposition by
Hor us, who leads them to a blessed posthumous existence..." In this manner, Horus's
companions, like the disciples of Jesus, are meant to "become like gods," so to speak,
and to exist forever, reaping eternal life, as do those who believe in Christ. 76

Horus he lps the 12 drowned souls ―find their way to the Fields of the Blessed,‖
commanding th em as they are being ―deified‖

10 th hour of the Amduat
Tomb of Amenophis/Amenhotep II (14 th cent.   BCE )
(Hornung, Valley of the Kings , 138, 144)

For much more on this subject, see Christ in Egypt , pp. 262 - 284.

Miracles:   As in many other religions, the Egyptian gods and goddesses were known to produce
miracles, including healing the sick , ―walking on water‖ and raising the dead. Regarding Horus

75 Murdock, CIE , 269 - 271.
76 Murdock, CIE , 271.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
24

being associated with healing, Greek historian of the first century   BCE Diodorus Siculus
remarks:

Th ey say Horus, in the Greek Tongue, is Apollo, who was taught both medicine and
divination by his mother Isis, and who showers benefits on the race of man through his
oracles and his cures. 77

Concerning the motif of the god   ― commanding the waters, ‖ Murdock relates:

In BD [Book of the Dead spell] 62…the deceased, who is Re or Osiris, pleads to have
―command of the water,‖ saying, ―May I be granted power over the waters…‖

Spells 57, 58 and   59 of the BD are titled chapters for ―command of water‖ or ―having p ower
over water, ‖ while BD 57 includes the request:

Oh Hapi, Chief of the heaven! in thy name of Conductor of the Heaven, let the
Osiris prevail over the waters... 78

Murdock also writes:

T he command over water includes the crossing of the ―celestial riv er ‖: ―Upon reaching the
sky, the life - essence of the King approaches the celestial gate and/or the celestial river. ‖
When the king reaches the river with his ―mentor‖ Horus, he requests the g od to take him with
him: ―Since Horus has already crossed the riv er with his father in mythical times…, he can
apparently then cross the river at will. ‖ 79

For much more on these subjects, see Christ in Egypt , pp. 285 - 308.

Horus the Child on the Metternich Stela
c. 380 - 342   BCE

(Metropolitan Museum of Art, NY )

― This stele represented the power to
protect man possessed by all the divine
beings in the universe, and, however it was
placed, it formed an impassable barrier to
every spirit of evil and to every venomous
reptile. ‖ (Budge, Legends of the Egyptian
Gods , lxii)

77   Diodorus/Murphy, 31 - 32.
78   Murdock, CIE , 293.
79   Murdock, CIE , 296 - 297.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
25

Horus resurrecting Osiris using the cross of eternal life
(Lundy, Monumental Christianity , 403)

17.   Horus was known by many gestural names such as The Truth, The Light,
God ’s Anointed Son, The Good Shepherd, The Lamb of God, and many others .

Many Egyptian gods and goddesses h e ld ―sacred titles‖ of one sort or another. For example, in
chapter/spell 125 of the Egyptian Book of the Dead, the deceased addresses Osiris as the
― Lord of Truth , ‖   and it is also easy to understand why solar gods would be deemed ― The Light . ‖
Following is a compilation of epithets taken from the   Egyptian Book of the Dead , as   applied to
various deities, including Osiris, Isis, Horus, Re, Anubis, Thoth and Seb:

Lord of Lords, King of Kings, Lord of Truth , Savior, the Divine, All - Powerful, the
Unknowable, Gr eat God, Lord of All, Inviolate God, God of Justice, Lord of Justice, Lord
of Right, Lord of Prayer... Son of the Great One... Lord of Light ... The Giver of Light,
Lord of the Horizon, Lord of Daylight, Lord of the Sunbeams, Soul of his father, Lord of
Year s, Lord of the Great Mansion... 80

Concerning the Egyptian ―savior,‖ Murdock states:

…according to the hymns some 1,400 years before the purported advent of Christ, the sun is the
―unique shepherd, who protects his flock,‖ also serving as a ―savior.‖   In t he Co ffin Texts
appears another mention of the Egyptian god as ―savior,‖ as in CT Sp. 155,   in which the
speaker specifically defines himself as a god and also says, ―Open to me, for I am a saviour…‖
In CT Sp. 847, the deceased — who at times is Osiris and/or Horus — is the   ― Saviour -
god. ‖… 81

Regarding Horus ‘s other epithets , William R. Cooper relates:

The very first of the chief epithets applied to Horus in this, his third great office, has a
startlingly Christian sound; it is the ―Sole begotten son of the Fat her, ‖ to   which, in other texts,
is added, ―Horus the Holy Child,‖ the ―Beloved son of his father.‖ The Lord of Life, the Giver of
Life [are also] both very usual epithets...the ―Justifier of the Righteous,‖ the ―Eternal King‖ and
the ―Word of the Father Os iris. ‖…

...very many of the essential names and attributes of Horus were attributed to Ra, Tum,
and the other deities also, they were alike ―self - created, ‖ ―born of a Virgin,‖ ―deliverers of
mankind, ‖ ―only begotten sons‖ ... 82

80   See Murdock, CIE , 329 - 3 20.
81   Murdock, CIE , 310.
82   Cooper, 22, 76 - 77.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
26

The epithet of ― God ’s Anointed Son ‖ is   a combination of Horus being called ― Anointed ‖   and
―Beloved son‖ of   his father, Osiris, this latter epithet being very common in the Pyramid
Texts. 83   As an example of Horus ‘s anointed or   christed state, Pyramid text W 51/PT 77:52a - b says:

Ointment, ointmen t, where should you be? You on Horus ‘s forehead, where should you be?
You were on Horus ‘s   forehead... 84

Concerning the god as ― Good Shepherd , ‖ Murdock   also remarks:

In BD [Book of the Dead spell] 142 appears a long ―List of the Forms and Shrines of Osiris,‖
with over 140 epithets for the god, including the ―Protector‖ or ―Shepherd‖ —   Asar - Saa. The
sun god Re too was the ―good shepherd,‖ and Horus ‘s ―Good Shepherd‖ role is made clear
in the Pyramid Texts as well, for example, at PT 690:2106a - b/N 524: ―O King, s tand up
for Horus, that he may make you a spi rit and guide you when you ascend to the sky. ‖

―Horus,‖ in other words, the king, is called ―the good shepherd‖ also in the third inscription at
the Temple of ―Redesiyeh‖ or El - Radesia at Wady Abad, near Edfu in Upper Egypt. As
Lundy says, ―The royal Good Shepherd is the antitype of Horus... ‖ The idea of the Horus - king
as the ―good shepherd,‖ in fact, was so important that it constituted a major shift in
perception and public policy, representing the general mentality of the 11 th and 12 th
Dynasties (c. 205 0 - 1800   BCE ). As remarked upon by Egyptologist Dr. John A. Wilson, a
director of the Oriental Institute at the University of Chicago, ―The concept of the good
shepherd rather than the distant and lordly owner of the flocks shifted the idea of kingship
from possession as a right to responsibility as a duty. ‖ 85

Regarding the   ― Lamb of God ‖ epithet, Massey explains:

...In the text Horus is addressed as the ―Sheep, son of a sheep; Lamb, son of a lamb,‖ and
invoked in this character as the protector and saviour of souls...Horus is the lamb of
God the father, and is addresses by the name of the lamb who is the protector of savior
of the dead in the earth and Amenti. 86

18.   After being “betrayed ” by Typhon, Horus was “ crucified, ” buried for three
days, and thus, resurr ected.

It needs to be reiterated here that the ancient texts did not necessarily spell out the myths in a
linear fashion, resembling a story following a certain timeframe. Mythical motifs found
disparately in the ancient Egyptian texts are combined in thi s paragraph, as they are in
modern encyclopedia entries. While some might be critical of this manner of unfolding in the
movie, it should be understood that the premise of the entire section ( ― Zeitgeist, ‖ Part 1)
concerns how symbolic characteristics were taken from the Egyptian religion and infused into
Christianity, as a natural flow of religious evolution across various seemingly independent
doctrines. Hence, the linear nature of such points becomes less important than the symbols
they represent — especial ly when all the evidence and the context of astrotheology are taken into
consideration.

Also, it is important to remember the ―hybrid‖ nature of the Egyptian gods and how multiple names are
given to the same entity (i.e., Horus/Osiris hybrid). As Murdock explains:

As we explore the original Egyptian mythos and ritual upon which much of Christianity
was evidently founded, it needs to be kept in mind that the gods Osiris and Horus in

83   Faulkner, EBD , pl. 33, 110; Allen, J., AEPT , 36. (E.g., PT 20:11a; P T 219:179b; PT 369:644c; PT
510:1130c; PT 540:1331b; W 152)
84   Allen, J., AEPT , 22.
85   Murdock, CIE , 312.
86   Massey, NG , II, 471,

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
27

particular were frequently interchangeable and com bined, as in ―I and the Father are one. ‖
(Jn 10:30) 87

Along the same lines, Egyptologist Dr. Samuel C. Sharpe remarks:

The long list of gods...again further increased in two ways. The priests sometimes made
a new g od by uniting two or three or four into one, and at other times by dividing one
into two or three, or more. Thus out of Horus and Ra they made Horus - Ra, called by the
Greeks Aroeris. Out of Osiris and Apis the bull of Memphis, the priests of Memphis
made O siri - Apis or Serapis. H e carries the two sceptres of Osiris, and has a bull ‘s head...
Out of Amun - Ra and Ehe the bull of Heliopolis, the priests of the East of the Delta
made Amun - Ra - Ehe. To this again they added a fourth character, that of Chem, and
made a god Amun - Ra - Ehe - Chem. Out of Kneph the Spirit , and Ra the Sun , they made
Kneph - Ra. Out of Sebek and Ra, they made Sebek - Ra. In this way the Egyptians
worshipped a plurality in unity. 88

Betrayed by Typhon:   The Typhon figure is also known as Set/Seth, the god of desert and
darkness who betrays his brother, Osiris, and who is depicted in the Pyramid Texts as battling
with Horus, who avenges his father. In later texts, Seth is said to have sent a snake or scorpion
to sting and kill Horus, as on the Metternic h Stela 89 (c. 380 - 342   BCE ) and other such   ―cippi‖ or
magical stele.

Recounting another myth in which Horus is drowned, Diodorus ( Antiquities of Egypt , 1.25.6)
describes the god ‘s raising or resurrection by Isis, using the same term,   anastasis , later emplo yed to
describe Jesus ‘ s resurrection:

Isis also discovered the elixir of immortality, and when her son Horus fell victim to the
plots of the Titans and was found dead beneath the waves, she not only raised him from
the dead and restored his soul, but also gave him eternal life. 90

The similarity of the Osiris - Set conflict with that of the Jesus - Satan battle is highlighted by
historian   Dr. Philip Van Ness Myers:

The god Seth, called Typhon by the Greek writers, was the Satan of later Egyptian
mythology. He was the personification of the evil in the world, just as Osiris was the
personification of the good. 91

For more on the contention between Horus and Set, see Christ in Egypt , pp. 67 - 78.

Horus Crucified:   The ―crucifixion‖ of   Horus is misunderstood becaus e many erroneously
assume that the term denotes a direct resemblance to the crucifixion narrative of Jesus Christ.
Hence, it is critical to point out that we   are dealing with metaphors here, not ―history,‖ as the
―crucifixion s ‖ of   both Horus and Jesus are improvable events historically.

The issue at hand is not a man being thrown to the ground and nailed to a cross, as Jesus is
depicted to have been, but the portrayal of gods and goddesses in “ cruciform, ” where by the
divine figure appears with arms outstre tched in a symbolic context.   The   word ―cru cify ‖ comes
from the Latin crucifigere , composed of cruci/crux and affigere/figere , meaning ―cross‖ and ―to
fix/affix, ‖ respectively.   Thus, it does not necessarily mean to throw a living person to the   ground
and na il him or her to a cross, but could signify any image affixed to a cross - shape or in
cruciform. This symbolic imagery of a person on a cross or in cross - shape was fairly common
in the Pagan world, concerning many gods, goddesses and other figures.

First o f all, the cross was a very ancient pre - Christian symbol that often designated the sun.
Regarding the cross, the Catholic Enc y clopedia   (―Cross and the Crucifix‖) states :

87   Murdock, CIE , 67 - 68.
88   Sharpe, 12.
89   See, e.g., te Velde, 37 - 38.
90   Diodorus/Murphy, 31. S ee also Murdock, CIE , 388.
91   Van Ness Myers, 38.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
28

The sign of the cross, represented in its simplest form by a crossing of two lines a t right
angles, greatly antedates, in both the East and the West, the introduction of
Christianity. It goes back to a very remote period of human civilization....

...It is also...a symbol of the sun...and seems to denote its daily rotation.... Cruciform

objects have been found in Assyria. Shari people in Egypt wearing crucifixes around
their necks. The statutes of Kings Asurnazirpal and Sansirauman, now in the British
Museum, have cruciform jewels about the neck.... Cruciform earrings were found by
Father Delattre in Punic tombs at Carthage.

Another symbol which has been connected with the cross is the ansated cross (ankh or
crux ansata) of the ancient Egyptians.... From the earliest times also it appears among

the hieroglyphic signs symbolic of life or of the living... perhaps it was originally, like the
swastika, an astronomical sign. The ansated cross is found on many and various
monuments of Egypt.... In later times the Egyptian Christians (Copts), attracted by its
form, and perhaps by its symbolism, adopted it as the emblem of the cross... 92

Fortunately, many ancient artifacts survive that demonstrate the antiquity not only of the cross
but also of a human figure in the shape of a cross or in cruciform.

Human in cruciform with cros s
around neck
Chalcolithic, 3900 - 2500   BCE
Cyprus, Greece

(www.limassollink.com/history.php)

Shari in Egypt wearing

crosses, possibly Assyrians

c.   15
th
cent.   BCE .
(Wilkinson, I, 365, 375ff)

Crosses on the bottoms

of ossuary

c.   6
th
- 5
th
cent.   BCE ?
Golasecca, Italy
(Seymour, 25)

Original Coptic cross

These pre - Christian or non - Christian gods on a cross were evidently what was being discussed
around 150   AD / CE by Church father Justin Martyr ( First Apology , 21):

And when we say also that the Word, who is the first - birth of God, was produced
without sexual union, and that He, Jesus Christ, our Teacher, was crucified and died,
and rose again, and ascended into heaven, we propound nothing different from what
you believe regarding those w hom you esteem sons of Jupiter. 93

The ―sons of Jupiter‖ are Greco - Roman gods, and Justin claims Christians are ―propounding nothing
different ‖ than what the Pagans said about their gods — and he is describing the scenario in a linear
fashion, as we are like wise compelled to do in our own mythography. The suggestion that other
gods were ―crucified‖ by being put in a cross shape or cruciform is confirmed by early Christian
writer Minucius Felix in his Octavius (29):

CHAP. XXIX — ARGUMENT: NOR IS IT MORE TRUE TH AT A MAN FASTENED TO A

CROSS ON ACCOUNT OF HIS CRIMES IS WORSHIPPED BY CHRISTIANS…

92 Catholic Encyclopedia , vol. 4, p. 517 - 518.
93 Roberts, A., ANF , I, 170.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Great est Story Ever Told
29

For in that you attribute to our religion the worship of a criminal and his cross, you
wander far from the neighbourhood of the truth, in thinking either that a criminal
deserved, or that an y earthly being was able, to be believed God…. Crosses, moreover,

we neither worship nor wish for. You, indeed, who consecrate gods of wood, adore
wooden crosses perhaps as parts of your gods. For your very standards, as well as your
banners, and flags of your camp, what else are they but crosse s gilded and adorned?
Your victorious trophies not only imitate the appearance of a simple cross, but also that
of a man affixed to it. 94

Since these passionate defenders of Christianity themselves have made the comparison
between Christ on the cross and Pagan figures in cruciform or affixed to crosses, we would be
remiss in not following their lead.

Counted among these ―sons of Jupiter‖ depicted in cruciform may   be the Greek god Prometheus,
who was portrayed both in ancient writings and in pre - Christian artifacts as being bound to a
cross or in cruciform. As related by the Catholic Encyclopedia :

...On an ancient vase we see Prometheus bound to a beam which serves the purpose of
a cross.... In the same way the rock to which Andromeda was fastened is calle d crux, or

cross.... 95

Prometheus crucified using chains   Andromeda crucified using chains
c. 350   BCE
c. 79   AD / CE
Greek vase

Wall painting, Pompeii

(www.theoi.com/Gallery/T21.4.html)

(www.uwm.edu/Course/mythology/0800/underworld.htm

)

Regarding the Egyptian god in cruciform, Thomas W. Doane relates:

Osiris, the Egyptian Saviour, was   crucified in the heavens. To the Egyptian the cross
was the symbol of immortality, an emblem of the Sun, and the god himself was
crucified to the tree, which denoted his fructifying power.

Horus was also crucified in the heavens. He was represented, like... Christ Jesus, with
outstretched arms in the vault of heaven. 96

94   Roberts, A., ANF , IV, 191.
95   CE, vol. 4, 519.
96   Doane, 484.

www.StellarHousePub

lishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
30

Horus with arms outstretched in vault of heaven (Sharpe, Egyptian Antiquities in the British Museum , 143) (NB: This
image was originally on a papyrus and is here and in Christ in Egypt depicted upside down for purposes of more readily
illustrating the point.)

This concept of Horus with outstretched arms or wings is confirmed by Egyptologist Dr.

Hornung:

Horus shows himself in th e image of the hawk whose   wings   span the sky… 97

Horus is also evidently   linked with what some scholars would call his ―Gnostic Counterpart‖ : a figure
known as ―Horos - Stauros, ‖ a title in   Greek meaning ― Boundary - Cross, ‖ the latter word stauros
being the ex act term used in the New Testament to describe Jesus ‘s cross. ( E.g., Mt   27:32; Mk 15:30;
Jn 19:19)

For more on Horus as the ―Horos - Stauros ‖ and in cruciform, see   the 40 - page chapter ―Was Horus
‗Crucified? ‘ ‖ in Murdock ‘s   Christ in Egypt   and online article   ―Was Horus Crucified?‖

Osiris too, it should be noted, was identified with the cross — the Egyptian ankh, which itself
looks like a person in cruciform — and depicted as a crosslike djed pillar, surrounded by his two
sisters, the Merti.

Osiris as personified djed pillar holding sun,

Jesus on cross

surrounded by two Merti

with solar halo,
c. 13th - 15th cents. BCE surrounded by three Merys

Egyptian Book of the Dead (Ani Papyrus)

John 19:25

(Faulkner, EBD, pl. 1)

Buried for three days: In the myth, both Osiris and Horus die and are resurrected, with Horus
becoming the risen Osiris. As stated in The Riddle of Resurrection by professor of Old
Testament Studies at the University of Lund, Dr. Tryggve N.D. Mettinger:

The death and resurrect ion of Osiris are the most central features of [the Khoiak/Koiak]
festival. 98

97 Hornung, CGAE , 124.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
31

Dr. Mettinger also states:

. ..Osiris rose to new life in his son, Horus... 99

The period between Osiris ‘s death and r esurrection varies, depending on the myth. For example, as
―the Osiris‖/deceased in the Egyptian funeral texts, as well as the nightly sun, he dies and resurrects
on a daily basis. The annual death - and - resurrection period, however, is commonly depicted as
three days, as related by Rev. Dr. Alfred Bertholet, a theologian and professor at the University
of Göttingen . In an article entitled, ―The Pre - Christian Belief in th e Resurrection of the Body, ‖
published in   The American Journal of Theology   by the University of Chicago Press, Dr. Bertholet
remarks:

According to the faith of later times, Osiris was three days and three nights in the
waters before he was restored to lif e again. 100

Dr. Jaime A.   Ezquerra concurs: ―Three days separated Christ ‘ s death from his resurrection,
reckoning inclusively, as in the case of Osiris. ‖

The three - day period and resurrection are recorded by Plutarch (39, 366D - E) as occurring on
the 17 th , 18 th and 19 th   of the month Athyr (Hathor), until ―Osiris is found.‖ 101 In the funerary
literature (e.g., PT 670/N 348), Osiris is called forth by Horus on the fourth day. 102

It is useful to reiterate here that Horus and Osiris are often interchangeable a nd, indeed, in his
resurrection Osiris becomes Horus.

The theme of resurrection from the dead and   ―raising up‖ in three days is present in the Old
Testament as well, at Hosea 6:2:

After two days he will revive us; on the third day he will raise us up, th at we may live
before him.

As Mettinger also says:

The idea of a three - days span of time between death and return, a triduum , seems to be
at hand in Hosea 6:2 in a context where the imagery ultimately draws upon Canaanite
ideas of resurrection… Apart fro m Hosea 6:2 one should remember also Jonah 2:1…where
Jonah is in the belly of the fish three days and   three nights. I understand   the belly of the fish
as a metaphor for the Netherworld. 103

In this regard, it should also be noted that where the fish ‘s bell y is the ―netherworld,‖ Jonah would thus
be a sun god. 104 Logic tells us that the story of Jonah and the Whale could not be ―history‖;
hence, it must be mythical, in whole or in part. But what d oes this patently mythical peri cope mean? It
is about the sun entering into the ―abyss‖ of the ―Leviathan,‖ i.e., the dark cave or tomb of night.
Concerning this myth, Catholic scholar Dr. Botterweck states:

...In a sun myth the sun is swallowed up by the western part of the sea and then rises
again. This myth is "h istoricized and re - neutralized in Jonah, as...Jonah replaces the
sun and the 'great fish' plays the role of the sea." On the other hand, the period of time
Jonah stayed in the belly of the fish suggests a moon myth, and calls to mind, among
other things, I nanna's descent into the underworld... 105

Yet, Jesus is compared to Jonah at Matthew 12:40, essentially equating him with a solar myth.

98   Mettinger, 182.
99   Mettinger, 172.

100   Bertholet, 5.
101   Plutarch/Babbitt, 95 - 97.

102   Murdock, CIE , 400. For more information on the ―Burial for Three Days, Resurrection and Ascension,‖ see
Christ in Egypt , 376 - 430.

103   Mettinger, 214.
104   See, e.g., Acharya, SOG , 460, etc.
105   Botterweck, III, 138.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
32

Moreover, it was said that Osiris ‘s Greek counterpart Dionysus or Bacchus ―slept three nights with
Proserpine [Persephone], ‖ 106   evidently referring to the god ‘s journey into the under world to visit his
mother. One major astrot heolo gical meaning of this motif is the sun ‘s entrance into the cave (womb)
of the world at the winter solstice.

As will be described in a later section, the three - day death - and - resurrection theme in a number
of myths is symbolic of the ―death‖ and ―retur n ‖ of   the sun at the winter solstice each year.

Resurrected:   We have already seen the evidence that both Osiris and Horus were resurrected
from the dead. Again, a s concerns Horus ‘s resurrection, Diodorus remarks:

Isis also discovered the elixir of immort ality, and when her son Horus fell victim to the
plots of the Titans and was found dead beneath the waves, she not only raised him from
the dead and restored his soul, but also gave him eternal life. 107

Regarding the meaning of this resurrection theme, Dr . Herman te Velde, a chairman of the
Department of Egyptology at the University of Groningen, states:

As Re [Ra] who manifests himself in the sun goes to rest in the evening and awakes
from the sleep of death in the morning, so do the death and resurrecti on of Osiris seem
to be equally inevitable and natural. 108

In this regard, the pharaoh is the ―living Horus,‖ until he dies, at which point he becomes ―the Osiris,‖
who is then resurrected to eternal life — and as his son, Horus, the morning sun. This cycle is
repeated constantly in the Egyptian texts. Indeed, concerning Osiris, James Bonwick remarks:

His birth, death, burial, resurrection and ascension embraced the leading points of
Egyptian theology. 109

Concerning this motif, Egyptologist Dr. Bojana Mojs ov likewise relates:

Every year in the town of Abydos his death and resurrection after three days were
celebrated in a publicly enacted passion play called the Mysteries of Osiris. 110

Again, for more on this subject,   including the meaning and location of Osiris ‘s resurrectio n, see the
54 - page chapter ―Burial for Three Days, Resurrection and Ascension‖ in   Christ in Egypt .

19.   These attributes of Horus, whether original or not, seem to permeate
many cultures of the world, for many other gods are found to have the same
general mythological structure. Attis of Phrygia, born of the virgin Nana on
December 25 th , “ crucified, ” placed in a tomb and after three days, was
resurrected.

Providing a summary of the mythos and ritual of Attis, along with parallels to Christ ian
tradition, professor of Classics and Ancient History at the University of Manchester Dr. Andrew
T. Fear states:

The youthful Attis after his murder was miraculously brought to life again three days
after his demise. The celebration of this cycle of de ath and renewal was one of the major
festivals of the metroac cult. Attis therefore represented a promise of reborn life and as
such it is not surprising that we find representations of the so - called mourning Attis as
a common tomb motif in the ancient wor ld.

The parallel, albeit at a superficial level, between this myth and the account of the
resurrection of Christ is clear. Moreover Attis as a shepherd occupies a favourite

106   Classical Journal , 92.
107   Diodorus/Murphy, 31.
108   te Velde, 81.
109   Bonwick, 150.
110   Mojsov, xii.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
33

Christian image of Christ as the good shepherd. Further parallels also seem to have
existed: the pine tree of Attis, for exam ple, was seen as a parallel to the cross of Christ.

Beyond Attis himself, Cybele too offered a challenge to Christian divine nomenclature.
Cybele was regarded as a virgin goddess and as such could be seen as a rival to the
Virgin Mary... Cybele as the mot her of the Gods, mater Deum, here again presented a
starkly pagan parallel to the Christian Mother of God.

There was rivalry too   in   ritual. The climax of the celebration of Attis ‘ resurrection, the Hilaria,
fell on the 25 th of March, the date that the ear ly church had settled on as the day of
Christ ‘s death.... 111

As we can see, according to this scholar Attis is killed, fixed to a tree, and resurrects after three
days, while   his mother is ―regarded as a virgin goddess‖ comparable to the V irgin Mary.

The se conclusions come from the writings of ancient Pagans, as well as the early Church
fathers, including Justin, Clement of Alexandria, Hippolytus, Tatian, Tertullian, Augustine,
Arnobius and Firmicus Maternus.

Born of the Virgin Nana:   The   Phrygian god Att is ‘s mother was variously called Cybele and Nana.
Like Isis and Mary, Nana/Cybele is a perpetual virgin, despite her status as a mother. The
scholarly term used to describe virgin birth   is ―parthenogenesis,‖ while many goddesses are
referred to as   ― Parthen os, ‖ the Greek word   meaning ―virgin.‖ This term is applicable to the
Phrygian goddess Cybele/Nana as well.

The theme of the virgin goddess or parthenos is common in the Pagan world. For example,
Hera, wife of Zeus, was said to restore her virginity each y ear by bathing in a river. 112 Despite

her virginity, Zeus ‘s daughter Athena, for whom the temple in her eponymous city of Athens was named
―Parthenon,‖ was also a   mother . 113

The diverse names of   Attis ‘s mother and her manner of impregnation are explained by Dr. David
Adams Leeming, professor emeritus of English and comparative literature at the University of
Connecticut:

Attis is the son of Cybele in her form as the virgin, Nana, who is impregnated by the
divine force in the form of a pomegranate. 114

De monstrating the commonality of the virgin - mother motif, after discussing several pre -
Christian and non - Christian gods, such as the Mexican Quetzalcoatl, whose mother,
Chimalman, esteemed mythologist Joseph Campbell   refers to as a ―virgin,‖ 115 Dr. Leeming
r emarks:

The birth myth… is made up of several events... The most important component — one
common to almost all of the stories — is the virgin birth, in which I include any kind of
magic or divine conception whether by way of feather or pomegranate seed or whi te
elephant. 116

111   Lane, 39 - 40.

112   Price, T., 203. For a scholarly analysis of the divine birth and virgin mother in ancient Greece, see The

Cult of the Divine Birth   by Dr. Marguerite Rigoglioso.

113   Murdock, CIE , 147.
114   Leeming, MVH , 25.
115   Leeming, MVH , 18 .
116   Leeming, MVH , 39.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
34

Medallion of Cybele in chariot,
under the sun, moon and star
2
nd
cent.   BCE
Ai Khanoum, Afghanistan
(Si ngh, 94)

December 25
th
:   The ―December 25 th ‖ or winter - solstice birth of the sun god is a common theme
in several cultures around the world over the past millennia, including the Egyptian, as already
demonstrated. As it is for Mithra, Horus and Jesus , this date has likewise been claimed for
Attis ‘s nativity as well. For example, Barbara G. Walker writes:

Attis ‘s passion was celebrated on   the 25 th   of March, exactly nine months before the
solstitial festival of his birth, the 25 th of December. The time of his death was also the
time of his conception, or re - conception. 117

In this same regard, Shirley Toulson remarks:

In the secret rites of this Great Mother the young god Attis figured as her acolyte and
consort.... Each year he was born at the winter solstice, and each year as the days
shortened, he died. 118

The reasoning behind this contention of the vegetative and solar god   Attis ‘s birth at the winter
solstice is sound enough, in   that it echoes natural cycles, with the god ‘s death at the vernal equi nox
also representing the time when he is conceived again, to be born nine months later. As an
example of scholarly extrapolation of this date, in discussing the winter - solstice orientation of a
tomb in the Roman necropolis at Carmona, Spain, which possess ed an image of Attis, 119
archaeologist Dr. Manuel Bendala evinced the birth of the god at that time:

...the peculiar orientation of a chamber, into which the first rays of the morning sun
would directly penetrate on the day of the   winter solstice , led [Be ndala] to deduce that
this would be a kind of sanctum sanctorum of the sanctuary, where the devotees of Attis
celebrated the Natalis Invicti ... 120

The Natalis Invicti is th e ―Birth of the Unconquered One,‖ referring to the sun. This contention is
reasonab le when one considers that Attis himself was evidently a sun god, as related by
Brandeis University professor of Classical Studies Dr. Patricia A. Johnston:

G. Thomas...traces the development of the idea of resurrection with regard to Attis,
[which] seems to be firmly established approximately by the time of Firmicus Maternus
and the Neo - Platonists, i.e., the fourth century A.D. By this time,   ― Attis is now

117   Walker, B., WEMS , 77.
118   Toulson, 34.
119   Vermaseren, CCCA , 62.
120   Vermaseren, CARC , 408.

www.StellarHo

usePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
35

conceived of as a higher cosmic god, even the Sun - god.... At the solstice...symbolically
Cybele is seen to have paled before the ascendant Attis.. . ‖ 121

Moreover, at times the young Attis was merged with Mithra, 122 whose birthday was traditionally
held on December 25 th and with whom he shared the same Phrygian capped attire. As we have
seen, the Natalis Invicti was traditionally the birth of Mithra and Sol Invictus.

In this regard, as Dr. Fear relates:

Allegorical readings of metroac mythology allowed the cult to be integrated into the
popular cult of Sol Invictus . Attis became emblematic of the sun god, and Cybele of the
mother earth. 123

To summa rize, as Sol Invictus or the Unconquered Sun — again, who is likewise identified with
Mithra — Attis too would have been depicted as having been born on December 25 th or the
winter solstice, the time of the Natalis Invicti . 124

Marble bust of Attis wearing Phrygian cap

Mithra in a Phrygian cap

cent.

2
nd
cent. AD / CE
(Paris)

Rome, Italy

(British Museum, London)

Crucified:   The myths of Attis ‘s death include him being killed by a boar or by castrating himself under a
tree, as we ll as being hung on a tree or ―crucified.‖   Indeed, he has been called the ―castrated and
crucified Attis. ‖ 125   Again, it should be noted that the use of the term ― crucified ‖   in ZG1.1 and
elsewhere, such as concerns gods like Horus and Attis, does not connot e that he or they were
thrown to the ground and nailed to a cross, as we commonly think of crucifixion, based on the
Christian tale. As we have seen, there

have been plenty of ancient figures who appeared in cruciform, some of
whose myths specifically ha ve them punished or killed through
crucifixion, such as Prometheus.

The crucifixion in solar mythology represents the circle of the year with
a cross in the center, symbolizing the solstices and equinoxes. Hence,
as a sun god, Attis would   logically have b een said to be ―crucified,‖ as
have been his solar counterparts in the esoterica of the solar cultus. As
a nature god as well, he would be said to be hung on a cross at the

121   Vermaseren, CARC , 108.
122   Vermaseren, CARC , 108.
123   Vermaseren, CARC , 43.
124   Halsberghe, 159.
125   Harari, 131.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
36

vernal equinox, when the days and nights are equal, until he rises to bring back the
resurrection of the spring f rom the death of winter, as well as the day triumphing over the
night as it increases in length.

Moreover, Attis is said to have been   ― crucified ‖ to a pine tree, 126 while Christ too was related
as being both crucified and hung on a tree (Acts 5:30; 10:39) . As stated by La Trobe University
professor Dr. David John Tacey:

Especially significant for us is the fact that the Phrygian Attis was crucified upon the
tree... 127

In antiquity, these two concepts were obviously similar enough to be interchangeable in
understanding.

As we know from rituals that have continued into relatively recent times, such as among the
Khonds of India, when the sacred - king victims of their human - sacrifice rituals are hung on a
tree, the sacrifice was often done with their arms ext ended onto branches on either side, or in
cruciform . 128   Indeed, some of these cults/tribes use movable crossbars, such that it can very
accurately be stated that they hang their victims on a tree that is also a cross — a cross - shaped
tree, in fact. Hence, th e two are essentially the same. The wood upon which a crucified victim is
hung need not be a hewn cross but can be a tree, and   Attis ‘s hanging upon a tree has very much
been considered a ―crucifixion‖: ― It was an ancient custom to use trees as gibbets for
crucifixion, or, if artificial, to call the cross a tree. ‖ 129

In fact, in the biblical book of Deuteronomy (21:22), the writer speaks of hanging criminals
upon a tree, as though it were a general custom:

And if a man has committed a crime punishable by d eath and he is put to death, and
you hang him on a tree: His body shall not remain all night upon the tree, but thou
shalt in any wise bury him that day; (for he that is hanged [is] accursed of God;) …

Furthermore, Paul of Tarsus seems to refer to the abov e Deuteronomy quote in the correct
context when he says: ―Christ hath redeemed us from the curse of the law, being made a curse for us;
for it is written,   ‗ Cursed is every one that hangeth on a tree. ‘ ‖ (Galatians 3:13)

Again, in the Book of Acts, Christ i s specifically said to have been hung on a tree:

The God of our fathers raised up Jesus, whom ye slew and hanged on a tree. (Acts 5:30)

And we are witnesses of all things which he did both in the land of the Jews, and in
Jerusalem; whom the y slew and han ged on a tree… (Acts 10:39)

Concerning Attis ‘s death,   Doane remarks:

Attys, who was called the ―Only Begotten Son‖ and ―Saviour,‖ was   worshipped by the
Phrygians … . He was represented by them as a man tied to a tree, at the foot of which
was a lamb, and, without doubt, also as a man nailed to the tree, or stake, for we find
Lactantiu s making this Apollo of Miletus… say that:

―He was a mort al according to the flesh; wise in miraculous works; but, being
arrested by an armed force by command of the Chaldean j udges, he suffered a
death made bitter with nails and stakes. ‖ 130

In his book Divine Institutes (4.11), Christian writer Lactantius (c. 240 - c. 320) relates that,
according to his oracle, the sun god Apollo of Miletus was   ― mortal in the flesh, wise in
mira culous deeds, but he was made prisoner by the Chaldean lawgivers and nailed to stakes,

126   Price, R., 87.
127   Tacey, 110.
128   Acharya, SOG , 281.
129   Higgins, I, 499.
130   Doane, 190 - 191.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Par t 1 — The Greatest Story Ever Told
37

and came to a painful death. ‖ 131 If the oracle really had recounted a genuinely ancient account
of Apollo ‘s passion, then we have a pre - Christian mythical precedent for that of Jesus.   Moreover,
the identification of At tis with Apollo is apt, since both were taken in antiquity to be sun gods
and discussed together, such as by Macrobius and the Emperor Julian   ―the Apostate‖
(331/332 - 363   AD / CE ) , the latter of whom said that both Apollo and Attis were ―closely linked with
H elios, ‖ 132   the older Greek sun god.

Death of Attis
(Archaeological Museum of Ostia, Rome)

Tomb/Three Days/Resurrected:   We have already seen Dr. Fear ‘s commentary that Attis was dead
for three days and was resurrected, worth reiteratin g here:

The youthful Attis after his murder was miraculously brought to life again three days
after his demise. The celebration of this cycle of death and renewal was one of the major
festivals of the metroac cult. Attis therefore represented a promise of reborn life and as
such it is not surprising that we find representations of the so - called mourning Attis as
a common tomb motif in the ancient world. 133

The death and resurrection in three days, the   ― Passion of Attis, ‖ is also related by Professor
Merli n Stone:

Roman reports of the rituals of Cybele record that the son...was first tied to a tree and
then buried. Three days later a light was said to appear in the burial tomb, whereupon
Attis rose from the dead, bringing salvation with him in his rebirth. 134

There is a debate as to when the various elements were added to the Attis myth and ritual. In
this regard, Murdock   writes in ―The Real ZEITGEIST Challenge‖:

Contrary to the current fad of dismissing all correspondences between Christianity and
Pagani sm, the fact that Attis was at some point a   ― dying and rising god ‖ is concluded
by Dr. Tryggve Mettinger, a professor of Old Testament Studies at the University of
Lund and author of The Riddle of the Resurrection , who relates:   ― Since the time of
Damascius (6 th cent.   AD / CE ), Attis seems to have been believed to die and return. ‖
(Mettinger, 159) By that point, we possess clear discussion in writing of Attis having
been resurrected, but when exactly were these rites first celebrated and where? Attis
worship i s centuries older than Jesus worship and was popular in some parts of the
Roman Empire before and well into the   ― Christian era. ‖

131   Lactantius, 245.
132   Athanassiadi, 204.
133   Lane, 39.
134   Stone, 146.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEIT GEIST Sourcebook: Part 1 — The Greatest Story Ever Told
38

In addition, it is useful here to reiterate that simply because something occurred after
the year 1   AD / CE — which was not the dating system used at that time — does not mean
that it was influenced by C hristianity, as it may have happened where Christianity had
never been heard of. In actuality, not much about Christianity emerges until the second
century, and there remain to this day places where Christianity is unknown; hence,
these locations can still be considered pre - Christian.

It is probable that the Attis rites were celebrated long before Christianity was recognized
to any meaningful extent. Certainly, since they are mysteries, they could have been
celebrated but not recorded previously, especiall y in pre - Christian times, when the
capital punishment for revealing the mysteries was actually carried out.

In the case of Attis, we possess a significant account in Diodorus (3.58.7) of his death
and mourning, including the evidently annual ritual creati on of his image by priests.
Hence, these noteworthy aspects of the Attis myth are clearly pre - Christian. Although
Diodorus does not specifically state that Attis was resurrected, the priests parading
about with an image of the god is indicative that they c onsidered him risen, as this type
of ritual is present in other celebrations for the same reason, such as in the Egyptian
festivities celebrating the return of Osiris or the rebirth of Sokar ….

…although we do not need Attis to show a dying - and - rising para llel to Christ, the material
in ZG1.1 concerning him is soundly based in scholarship. Regardless of when these
attributes were first associated specifically with Attis, the dying - and - rising motif of
springtime myths is verified as pre - Christian by the fact of its appearance in the story of
Tammuz as well as that of the Greek goddess Persephone, also known as Proserpina,
whose   ― rise ‖ out of the underworld was celebrated in the Greco - Roman world. That the
festivals displayed by the Attis myth represent spring celebrations and not an imitation
of Christianity is the most logical conclusion. Indeed, the presence of such a ritual in
springtime festivals dating back to the third millennium   BCE , as Mettinger relates,
certainly makes the case for borrowing by Christ ians, rather than the other way
around. 135

Again, the reason these motifs are common in many places is because they revolve around
nature worship, solar mythology and astrotheology.

20.   Krishna, of India, born of the virgin Devaki with a “ star in the east ”
s ignaling his coming. He performed miracles with his disciples, and upon his
death was resurrected.

The sun is a prominent deity in the religions of India as elsewhere, dating back centuries to
millennia.   Hindu literature from ancient times is full of reve rence for the solar deity, the
supreme light that inhabits the visible disk. In the   Gāyatrī Mantra , a Vedic scripture, the sun is
revealed as the Supreme Godhead:

Let us adore the supremacy of that divine Sun, the Godhead, who illuminates all, who
recreat es all, from whom all proceed, to whom all must return: whom we invoke to
direct our understanding aright in our progress toward his holy seat. 136

Demonstrating its importance — and that of the sun to Indian religion — this   ― mantra of the
sun ‖ is claimed to b e   ― superior to all the mantras referred to in the Vedas. ‖ 137 Indeed, the
Gāyatrī is ― considered as the   ‗ Mother of the Vedas. ‘ ‖ 138

135   Murdock, RZC , 15 - 16, For a discussion of the dating of various aspects of the Attis myth, see Christ in

Egypt , 392ff.

136   Thi s text represents an elegant paraphrase of the   Gāyatrī   M antra by Indianist Sir William Jones. (See
Balfour, 203.)
137   Pathar, 43.
138   Pathar, 43.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Tol d
39

The main Indian sun god is called Surya, but numerous other deities within the Hindu
pantheon also possess solar attributes and have been deemed sun gods as well. As another
solar deity, the Indian god Krishna ‘s story   follows a pattern of mythical m otifs similar to the   Christ
myth. 139   Krishna ‘s solar nature is clear from many of his characteristics and adventures, not the least
of which is his status as an incarnation of the god Vishnu. In this regard, Lalta Prasad Pandey
remarks   that Vishnu ‘s solar nature is ― ‗beyond doubt ‘ and that the Vedas concur that Vishnu was a sun
god. ‖ 140   Says Pandey: ― Vishnu, described in the Rgveda,   is another solar deity. ‖ 141

In the Bhagavad Gita, verse 10.21, Krishna states:

I am Vishnu striding among sun gods, the radi ant sun among lights... 142

Surya in chariot driven by Aruna   Krishna in chariot driven by Arjuna

Just as Jesus was considered an incarnation of God himself, so was Krishna the incarnation of
Vishnu in a miraculous conception. In anothe r sacred Indian text called the Vishnu Purana

(5.1 - 3) we read:

…the supporter of the earth,   Vishn u, would be the eighth child of Devakí…

No person could bear to gaze upon Devaki, from the light that invested her, and those
who contemplated her radiance felt their minds disturbed. The gods, invisible to
mortals, celebrated her praises continually from the time that Vishnu was contained in
her person.... Thus eulogized by the gods, Devaki bore, in her womb, the lotus - eyed
(deity), the protector of the worl d.... 143

Born of a Virgin:   Like Krishna, who is essentially a solar deity and not a ―real person,‖ so too is his
mother, Devaki, a mythical figure. Although the story becomes very complicated and far from
its roots in later retellings, the germ of the Kri shna - Devaki myth can apparently be found in
the Rig Veda, in which the Dawn goddess gives birth to the rising Sun. 144 This miraculous
conception of a god incarnating himself through a ―mortal‖ woman obviously compares to the gospel
tale of Jesus ‘s nativity .

139   See Murdock ‘s Suns of God: Krishna, Buddha and Christ Unveiled for more information on Krishna ‘s
solar nature.

140   Pandey, 17; Acharya, SOG , 183.
141   Pandey, 16.
142   Stoler Miller, 94.
143   Wilson, 264, 268.
144   Acharya, SOG , 222.

www.StellarHousePublishing.com/zeitge

istsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
40

Even though it is accepted that Krishna was another form of the Divine Vishnu, it is
nevertheless argued that because Devaki had other children prior to the birth of Kris hna, she
was not ―a virgin . ‖   Yet, in mythology the perpetual virgin is a common motif, regardless of how
many children the female is said to have given birth to. As Carpenter points out:

There is hardly a god whose worship as a benefactor of mankind attai ned popularity in
any of the four continents...who was not reported to have been born from a virgin, or at
least from a mother who owned the child not to any earthly father. 145

Indeed , the notion of a ― divine b irth ‖ is c ommon in the ancient literature; al though not always the
same as ― virgin birth, ‖ it is very close, by definition.   In the Indian text the   Bhagavad Gita (4:9 ),
Krishna tells his disciple Arjuna about his own ―divine‖ or ―transcendental‖ birth.

Moreover, while Devaki may have had other childr en, so too is Jesus depicted as having
brothers and sisters. For example, Matthew 12:46 refe rs to Jesus ‘s ―brothers‖:

While he (Jesus) was still speaking to the people, behold his mother and his brothers
stood outside, asking to speak with him.

The scrip ture at Matthew 13:55 - 56 reads:

Is not this the carpenter ‘s son? Is not his mother called Mary ? And are not his brothers James
and Joseph and Simon and Judas? And are not all his sisters with us?

Despite apparently giving birth to all these children, Mar y remains a perpetual virgin . 146

Regarding this virgin - birth motif, Murdock states:

While the most common terminology concerning the status of Krishna ‘ s mother, Devaki,
when she gave birth to the god is that she was   ― chaste, ‖ another myth depicts her
bec oming a virgin mother as a teenager after eating the seed of a mango. This
apocryphal tale demonstrates that the notion of the virgin mother existed in Hindu
mythology, specifically applicable to Devaki, who later became Krishna ‘ s mother. In the
Indian epi c the Mahabharata , parts of which were composed centuries before the
Christian era, the character Draupadi is a virgin mother, while the book ‘ s supposed
author, also named Krishna, is said to have been born of a virgin. Also in the
Mahabharata , the goddess Kunti remarks:   ― Without a doubt, through the grace of that
god, I once more became a virgin. ‖ Kunti is depicted as a   ― chaste maiden ‖ — here
unquestionably a virgin — who is impregnated by the sun god Surya. Other   ― born - again
virgins ‖ in this epic include Madh avi and Satyavati. 147

In consideration of the fact that a number of important figures in the Hindu sacred texts are
unquestionably depicted as virgin mothers — including Devaki as a teenager — it is
understandable that many writers have depicted Krishna ‘s bir th as virginal.   For more on the   subject,
see   Murdock ‘s   Suns of God   and ―Was Krishna ‘s Mother a Virgin? ‖

145   Carpenter, 156.

146   Catholic and other Christian apologists conte nd that these ―brothers‖ (and sisters) are either Jesus ‘s
cousins   or the ch ildren of Joseph by Mary.
147   Murdock, RZC , 17.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
41

Devaki suckling Krishna   Virgin Mary suckling Christ
(Moor, Hindu Pantheon , pl. 59)   15 th century

(Defendente Ferrari)

“Star in the East ” :   Although it is not specifically termed a   ―star in the east,‖ i n the Indian text
the Bhagavata Purana (10.3:1), a constellation   called ―Rohini‖ or ―his stars‖ is present at
Krishna ‘s birth . As professor of Hinduism at Rutgers University Dr. Edwin F. Bryant remarks:

At the time of [Krishna ‘ s] birth, all the constellations and stars were benevolent. The
constellation was Rohini, which is presided over by Brahma. 148

Regarding this stell ar motif, J.M. Robertson states:

Now, it is a general rule in ancient mythology that the birthdays of God were astrological ;
and the simple fact that the Purana gives an astronomical moment for   Krishna ‘ s birth is a
sufficient proof that at the time of wri ting they had a fixed date for it. The star Rohini under
which he was born, it will be remembered, has the name given in one variation of the
Krishna legend to a wife of Vasudeva who bore to him Rama, as Devaki...bore Krishna. Here
we are in the thick of a ncient astrological myth. Rohini (our Aldebaran) is   ― the red, ‖ ― a
mythical name also applied now to Aurora, now to a star. ‖ 149

The point here is that a celestial portent is common at the birth of great gods, legends, heroes
and patriarchs, as can be found in other stories and myths, including the Persian lawgiver
Zoroaster, whose very name means   ― star of splendor, ‖ 150 and Buddha, as the   ― immortals of
the Tushita - heaven decide that Buddha shall be   born when the ‗flower - star ‘ makes its first
appearance in th e East. ‖ 151   Hence, the story about the star in the east at Christ ‘s birth is an unoriginal
and patently mythical motif.

Performed Miracles:   Quoting Murdock:

Krishna ‘s performance of miracles, in fr ont of his disciples, is legendary, including many in
the Mahabharata, in which he reveals mysteries to his disciple Arjuna (John?). Krishna
does likewise in the Bhagavad Gita, in which he describes himself as the ―Lord of all beings,‖
among many epithets   similar to those found within Christianity. In this

148   Br yant, KS , 119.

149   Robertson, 177.

150   Zoroaster or Zarathustra has been credited with ―prophesying‖ the appearance of the ―star in the east‖ over

the place of the coming savior, as in the Arabic Gospel of the Infancy of the Saviour (10). (Roberts, ANF ,
VIII, 40 6.) This ―prophecy‖ is also considered to be the prediction of his own rebirth.

151 The star at Buddha ‘s birth is said to be the ― Pushya Nakshatra ‖ (Prasad, G., 25.) This episode of the star
Pushya at Buddha's birth is found in the Buddhist texts the Mahāvast u and the Lalita Vistara .
(Edmunds, 123.)

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
42

same regard, Krishna says: ―I am the origin of all that exists, and everything emanates f rom
Me. ‖ 152

Death and Resurrection:   Concerning Krishna ‘s death and ascension, in   The Oxford Companion to
World Mythology , Dr. Leeming states:

Just after the war, Krishna dies, as he had predicted he would, when, in a position of
meditation, he is struck in the heel by a hunter ‘ s arrow. His apotheosis occurs when he
ascends in death to the heavens and is greeted by the gods. 153

Regarding the resurrection/ascension, the Mahabharata (4) says that Krishna   or ― Keshava , ‖ as
he is also traditionally called, imm ediately returns to life after being killed and speaks only to
the hunter, forgiving him of his actions:

…h e [the hunter] touched the feet of [Krishna]. The high - souled one comforted him and
then ascended upwards, filling the entire welkin [sky/heaven] wi th splendour...
[Krishna] reached his own inconceivable region. 154

Concerning Krishna ‘s death, Murdock   remarks:

Although it is not specifically stated that Krishna   ― resurrects ‖ upon his death — when
he is killed under a tree — he does ascend into heaven, ali ve again, since he is
considered to be the eternal God of the cosmos. Krishna ‘ s death is recounted in the
Mahabharata and Vishnu Purana , both claiming he was killed by a hunter while sitting
under a tree, the   arrow penetrating his foot, much like Christ ha ving a nail driven
through his feet. In this regard, there have been found in India strange images of
figures in cruciform with nail holes in their hands and feet, one of which was identified
by an Indian priest as possibly the god Wittoba, who is an incar nation of Krishna. 155

The impression of a resurrection is evident from the depiction of Krishna comforting his killer
just after death, before he has ascended into heaven. The point is that the god was once dead,
but now he is alive again, whether in this world or the afterlife. This type of detail does not
suffice to undermine the fact of the resurrection or raising up from death being a mythical
motif in the first place, applicable both to Christ as well as many other gods and legendary
figures. 156

21.   Dion ysus of Greece, born of a virgin on December 25 th , was a traveling
teacher who performed miracles such as turning water into wine, he was
referred to as the “King of Kings, ” “God ’s Only Begotten Son, ” “The Alpha
and Omega, ” and many others, and upon his de ath, he was resurrected.

It is wise at this point to recall that in the ancient world many gods were confounded and
compounded, deliberately or otherwise. Some were even considered interchangeable, such as
Osiris, Horus and Ra. In this regard, Plutarch (3 5, 364E)   states, ―Osir is is identical with
Dionysus. ‖ 157   Thus, Zeus ‘s son   Dionysus or Bacchus was considered the Greek rendition of
Osiris:

Dionysus became the universal savior - god of the ancient world. And there has never
been another like unto him: the first to whom his attributes were accredited, we call
Osiris: with the death of paganism, his central characteristics were assumed by Jesus
Christ. 158

152   Murdock, RZC , 17.

153   Leeming, OCWM , 232.

154   Rāya , 12.
155   Murdock, RZC , 17.
156   For more information on the mythic al motif of the resurrection, see Murdock, CIE , 402 - 420.
157   Plutarch/Babbitt, 85.
158   Larson, 82.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
43

Dionysus is likewise identified with the god Aion and also referred to as ―Zeus Sabazius‖ in other
traditions. 159   Hence, we would expect him to share in at least some of all these gods ‘ attributes.

Dionysus returns from India
Mosaic pavement, 3 rd cent.   AD / CE

Sousse, Tunisi a
(Patrick Hunt)

December 25
th
(Winter Solstice):   As with Jesus, December 25 th   and January 6 th   are both
traditional birth dates related to Dionysus and simply represent the period of the winter
solstice. Concerning these dates, Murdock remarks:

The winte r - solstice date of the Greek sun and wine god Dionysus was originally
recognized in early January but was eventually placed on December 25 th , as related by
Macrobius. Regardless, the effect is the same: The winter sun god is born around this
time, when the [shortest day of the year] begins to become longer … . 160

Murdock also says:

The birthday of Dionysus can be listed on both the 5 th and 6 th of January, while the god
Aion who is born on January 6 th   is called by Joseph Campbell a ― syncretistic
personificat ion of Osiris. ‖ Dionysus was likewise identified with both Aion and Osiris in ancient
times. In antiquity too, Jesus Christ ‘s nativity was also placed on the 6 th   or 7 th of January,
when it remains celebrated in some factions of the Orthodox Church, such as Armenia,
as well as the Coptic Church. Concerning these dates, Christian theologian Dr. Hugo
Rahner remarks:

As to the dates, Norden has shown that the change from January 6 to December
25   can be explained as the result of the reform introduced by the mo re accurate
Julian calendar into the ancient Egyptian calculation which had fixed January 6
as the date of the winter solstice.

It thus appears that in ancient times these dates of January 5, 6 and 7 represented the
winter solstice,   which is fitting for s un gods. Indeed, Macrobius later places Dionysus ‘s birth on
December 25 th , again appropriate for a sun god. 161

159   Graves, R., WG , 335.
160   Murdock, The 2010 Astrotheology Calendar , 44.
161   Murdock, 2AC , 36.

www.StellarHousePublishing.com/zeitgeistsourcebook.

pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
44

Jesuit theologian Dr. Rahner further states:

...in the Hellenistic East, and with Alexandria evidently taking the lead, a mystery was
enacted that concerned the birth of Aion by a vir gin and that this mystery took place on
the night leading to January 6. It is quite immaterial whether the object of the cult in
question was really Dionysus Aion or some other deity. Epiphanius, quoting other
ancient writers, tells us elsewhere that the b irthday of Dionysus was celebrated on
January 5 and 6, though in the present instance it may well have been that of Osiris or
Harpocrates - Horus. It matters very little, since the tendency in these late Hellenistic
days was for the identities of gods, all o f whom were beginning to take on the character
of a solar deity, to become merged with one another. We know that Aion was at this
time beginning to be regarded as identical with Helios and Helios with Dionysus … 162

The pertinent passage in the writings of Church father Epiphanius mentioned by Rahner
relates:

On this day, i.e. on the eighth day before the Calends of January, the Greeks...celebrate
a feast that the Romans call Saturnalia , the Egyptians Cronia and the Alexandrines
Cicellia . The reason is that the eighth day before the Calends of January forms a
dividing - line, for on it occurs the solstice; the day begins to lengthen again and the sun
shines longer and with increasing strength until the eighth day before the Ides of
January, viz., until the day of Christ ‘ s nativity...

The principal of [the] feasts is that which takes place in the so - called Koreion in
Alexandria, this Koreion being a mighty temple in the district sacred to Kore.
Throughout the whole night the people keep themselves awake here by singing certain
hymns and by means of the flute - playing which accompanies the songs they sing to the
image of their god. When they have ended these nocturnal celebrations, then at
morning cock - crow they descend, carrying torches, into a sort of chapel whi ch is below
ground and thence they carry up a wooden image of one lying naked upon a bier. This
image has upon its forehead a golden cross and two more such seals in the form of
crosses one on each hand... If anyone asks them what manner of mysteries these might
be, they reply, saying:   ― Today at this hour Kore, that is the virgin, has given birth to
Aion. ‖

Such things also occur in Petra... The hymns they sing are in the Arabic tongue and are
in praise o f a virgin whom they call ― Chaamu ” which is the same as Kore or Parthenos,
and in praise of her child   ― Dusares ‖ which means   ― Only son of the ruler of all. ‖ The
same thing happens on this same night in Alexandria, in Petra and also in the city of
Elusa. 163

Joseph Campbell confirms this   ― celebration of the bi rth of the year - god Aion to the virgin
Goddess Kore, ‖ the latter of whom he calls ―a Hellenized transformation of Isis.‖ 164

Virgin Birth:   According to the most common tradition, Dionysus was the son of the god Zeus
and the mortal woman Semele. In the Cret an version of the same story, which Diodorus
Siculus follows, Dionysus was the son of Zeus and Persephone , the daughter of Demeter also
called Kore , who, as we have seen, is styled a ―virgin goddess . ‖

In the common myth about the birth of Dionysus/Bacchus , Semele is mysteriously impregnated
by one of Zeus ‘ s bolts of lightning — an obvious miraculous/virgin conception. In   another
account, Jupiter/Zeus gives   Dionysus ‘s torn - up heart in a drink to Semele, who

162   Rahner, 139.

163   Rahner, 137 - 138. For a lengthy d iscussion of this important passage in Epiphanius, which was edited
out of the Migne edition, see Murdock, CIE , 84 - 88.
164   Campbell, MI , 34.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
45

becomes pregnant with the   ―twice born‖ god this way, 165 again a miraculous or ―virgin‖ birth.

Indeed, Joseph Campbell explicitly calls Semele a ―virgin‖:

While the maiden goddess sat there, peacefully weaving a mantle on which there was to
be a re presentation of the universe, her mother contrived that Zeus should learn of her
presence; he approached her in the form of an immense snake. And the virgin conceived
the ever - dying, ever - living god of bread and wine, Dionysus, who was born and
nurtured in that cave, torn to death as a babe and resurrected... 166

This same direct appellation is used by Cambridge professor and anthropologist Sir Dr.
Edmund Ronald Leach:

Dionysus, son of Zeus, is born of a mortal virgin, Semele, who later became
immortalized through the intervention of her divine son; Jesus, son of God, is born of a
mortal virgin, Mary … such stories can be duplicated over and over again. 167

In The Cult of the Divine Birth in Ancient Greece , Dr. Marguerite Rigoglioso concludes: ―S emele was
also likely a holy parthenos by virtue of the fact that she gave birth to Dionysus via her union
with Zeus (Hesiod, Theogony   940). ‖ 168

These learned individuals had reason to consider Dionysus ‘s mother a virgin, as , again, he was also
said to ha ve been born of Persephone/Kore, whom, again from Epiphanius, was herself deemed
a ―virgin,‖ or   parthenos , as was the title both in the ancient Greek - speaking world as well as in
modern scholarship. In this regard, professor emeritus of Classics at the Uni versity of
Pennsylvania Dr. Donald   White says, ―As a title ‗ Parthenos ‘ was appropriate to both Demeter
and Persephone... ‖ 169

In any event, the effect is the same: Dionysus is born of a god and a virgin mother.

Miracles:   The miracles of Dionysus are legen dary, as is his role as the god of wine, echoed in
the later Christian story of Jesus multiplying the jars of wine at the wedding feast of Cana (Jn
2:1 - 9). Concerning this miracle, biblical scholar Dr. A.J. Mattill remarks:

This story is really the Christ ian counterpart to the pagan legends of Dionysus, the
Greek god of wine, who at his annual festival in his temple of Elis filled three empty
kettles with wine — no water needed! And on the fifth of January wine instead of water
gushed from his temple at Andr os. If we believe Jesus ‘ miracle, why sh ould we not   believe
Dionysus ‘ s? 170

Concerning Dionysus ‘s miracles, Murdock states:

As the god of the vine, Dionysus is depicted in ancient texts as traveling around
teaching agriculture, as well as doing various mi racles, such as in Homer ‘ s The Iliad ,
dating to the 9 th century BCE, and in The Bacchae of Euripides, the famous Greek
playwright who lived around 480 to 406   BCE . In addition, Dionysus ‘ s miracle of
changing water to wine is also recounted in pre - Christian   times by Diodorus ( Library of
History , 3.66.3). 171

Epithets:   In   Bible Myths and Their Parallels in Other Religions , Doane asserts,   ―Bacchus, the
offspring of Jupiter and Semele was called the   ‗ Savior, ‘ ...he was called the   ‗ Only Begotten

165   van den Ber g, 288.
166   Campbell, MG , 27.

167   Hugh - Jones, 108.
168   Rigoglioso, 95.
169   White, 183.
170   Leedom, 125.
171   Murdock, RZC , 18.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
46

Son . ‘ ‖ 172   The title of ―savio r ‖ or   Soter was applied to many Greek and other gods prior to the
Christian era. 173

Regarding   Dionysus ‘s many divine epithets, Murdock states:

In an Orphic hymn, Phanes - Dionysus is styled by the Greek title Protogonos or   ― first -
born ‖ of Zeus, also transl ated at times as   ― only - begotten son, ‖ although the term
Monogenes   would be more appropriately rendered as the latter.

As concerns the epithet   ― King of Kings, ‖ noted anthropologist Sir James G. Frazer tells
us that the Neoplatonist Proclus (5 th cent. AD/CE ) related:

Dionysus was the last king of the gods appointed by Zeus. For his father set him
on the kingly throne, and placed in his hand the scepter, and made him king of
all the gods of the world.

In the case of Dionysus/Bacchus being labeled the   ― Alpha and Omega, ‖ here is one
instance where not knowing foreign languages would make the sources difficult to
access, as we are told in French by Rev. Isaac de Beausobre that there is an ancient
inscription in which Dionysus/Bacchus says,   ―I am the Alpha and O mega. ‖ 174

The title   ―King of Kings‖ and othe r epithets may reflect Dionysus ‘s kinship with Osiris : During the
late 18 th to early 19 th dynasties (c. 1300   BCE ), Osiris ‘s epithets included, ―the king of eternity, the
lord of everlastingness, who traverseth m illions of years in the duration of his life, the firstborn
son of the womb of Nut, begotten of Seb, the prince of gods and men, the god of gods, the king
of kings, the lord of lords, the prince of princes, the governor of the world whose existence is for
everlasting. ‖ 175

Death/Resurrection:   Dionysus ‘s   death and resurrection were well - known mythical motifs in
antiquity. The various myths concerning these motifs are recounted by Frazer:

According to one version, which represented Dionysus as a son of Zeus and Demeter,
his mother pieced together his mangled limbs and made him young again. In others it is
simply said that shortly after his burial he rose from the dead and ascended up to
heaven...

Turning from the myth to the ritual, we find that the Cretans celebrated a biennial
festival at which the passion of Dionysus was represented in every detail... Where the
resurrection formed part of the myth, it also was acted at the rites, and it even appears
that a general doctrine of resurrection, or at least of i mmortality, was inculcated on the
worshippers; for Plutarch, writing to console his wife on the death of their infant
daughter, comforts her with the thought of the immortality of the soul as taught by
tradition and revealed in the mysteries of Dionysus. A different form of the myth of the
death and resurrection of Dionysus is that he descended into Hades to bring up his
mother Semele from the dead. 176

In this same regard, Sir Arthur Weigall relates:

Dionysos, whose father, as in the Christian story, was   ― God ‖ but whose mother was a
mortal woman [Semele], was represented in the East as a bearded young man of
dignified appearance, who had not only taught mankind the use of the vine but had
also been a law - giver, promoting the arts of civilisation, preaching happiness, and
encouraging peace. He, like Jesus, had suffered a violent death, and had descended

172   Doane, 193.

173   It should be noted that what is deemed the ―Christian era‖ is not the same as the ―common era,‖ because

there are to this day places where Ch ristianity has not been heard of; hence, they remain pre - Christian.

174   Murdock, RZC , 18.
175   Budge, EBD (1967), liii.
176   Frazer, GB , 452.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
47

in to hell, but his resurrection and ascension had followed; and these were
commemorated in his sacred rites. 177

Finally, Murdock concludes:

Dionysus ‘ s death and resurrection were famous in ancient times, so much so that
Christian father Origen (c. 184 - c. 2 54) felt the need to address them in his Contra
Celsus   (IV, XVI - XVII), comparing them unfavorably, of course, to those of Christ. By
Origen ‘ s time, these Dionysian mysteries had already been celebrated for centuries.
Dionysus/Bacchus ‘ s resurrection or revi val after having been torn to pieces or
otherwise killed earned him the epithet of   ―twice born.‖ 178

―[S]cene in the
underworld. Dionysos
mounting a chariot is
about to leave his
mother, Semele, and
ascend ‖ (Kerenyi, pl.
47)

As a related a side, it is interesting to point out that the Catholic Communion as practiced
today in the Christian world also had a place within the cult of Dionysus, as Campbell points
out:

Dionysus - Bacchus - Zagreus — or, in the older, Sumero - Babylonian myths, Dumuzi - abs u,
Tammuz — ...whose blood, in this chalice to be drunk, is the pagan prototype of the wine
of the sacrifice of the Mass, which is transubstantiated by the words of consecration
into the blood of the Son of the Virgin. 179

22.   Mithra of Persia, born of a virgin on December 25 th , he had 12 disciples
and performed miracles, and upon his death was buried for three days and
thus resurrected, he was also referred to as “ The Truth, ” “ The Light, ” and
many others. Interestingly, the sacred day of worship of Mithra was Su nday.

Carpenter summarizes the myth of Mithra:

Mithra   was born in a cave, and on the 25 th   December. He was born of a Virgin. He
traveled far and wide as a teacher and illuminator of men. He slew the Bull (symbol of
the gross Earth which the sunlight fruc tifies). His great festivals were the winter solstice
and the Spring equinox (Christmas and Easter). He had twelve companions or disciples
(the twelve months). He was buried in a tomb, from which however he rose again; and
his resurrection was celebrated y early with great rejoicings. He was called Savior and

Mediator, and sometimes figured as a Lamb; and sacramental feasts in remembrance of

177   Weigall, 220.
178   Murdock, RZC , 19.
179   Campbell, MG , vol. 4, p. 23.

www.StellarHousePublishing.com/zeitgeistsourceboo

k.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
48

him were held by his followers. This legend is apparently partly astronomical and partly
vegetational; and the same may be said of the following about Osiris. 180

Carpenter also note s:

The birth feast of Mithra was held in Rome on the 8 th day before the Kalends of
January, being also the day of the Circassian games, which were sacred to the Sun.
(See F. Nork, Der Mystagog , Leipzig.) 181

Virgin Birth/December 25 th (Winter Solstice):   A lthough the commonly know myth depicts
Mithra as being born from a ―rock‖ 182 — itself a miraculous birth — there is another version of the
Mithraic nativity that portrays the god as being born from the virgin goddess Anahita.
Addressing   the status of Mithra ‘s birth, Murdock comments:

As concerns the debate regarding the Perso - Roman god Mithra ‘ s   ― virgin birth, ‖ not a
few scholars and writers of Persian/Iranian extract have discussed the Persian goddess
of love Anahita as Mithra ‘ s virgin mother ….

In the scholar ly digest Mithraic Studies: Proceedings of the First International Congress ,
Dr. Martin Schwartz, a professor of Iranian Studies at the University of California,
discusses the   ― Armenian national epic ‖ concerning Mithra, who is called the   ― Great
Mher. ‖ In r ecounting a myth regarding the Great Mher (Mithra), Dr. Schwartz relates
the story of his father, Sanasar, who along with his twin brother Baltasar is   ― born of a
virgin who becomes pregnant from the water of the   ‗ Milky Fountain of Immortality ‘ ... ‖
He next says:

Combining these data with the tradition found in Elise that Mithra was born of
God through a human mother...one may suggest a transference of the
miraculous birth of the Sosyants to Mithra.

In other words, in certain traditions Mithra was said to h ave been born of the union of
God with a human mortal, possibly a virgin mother like that of his father. 183

Sassanid king Khosrow flanked by
Anahita and Ahura Mazda
7
th
cent.   AD / CE
Taq - e Bostan, Iran
(Phillipe Chavin)

180   Carpenter, 21.
181   C arpenter, 21.

182   It should be noted that the ancient Latin word for ―matter‖ is   materia , as in ―material,‖ which shares the same
root with mater , meaning ―mother.‖ Indeed,   materia   may also be rendered ―mother - stuff, ‖ while   mater   is not
only ―mother‖ but also ―source.‖ (Smith, W., 669) In this regard, Mithra ‘s ―rock‖ birth can   likewise be said to be
from ―virgin   mater . ‖

183   Murdock, RZC , 19.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
49

Mithra ‘s birthday on December 25 th   is so well known that even the   Catholic Encyclopedia
(―Mithraism‖)   must admit it : ―The 25 December was observed as his birthday, the natalis invicti, the
rebirth of the winter - sun, unc onquered by the rigours of the seas on. ‖ 184

Concerning Jesus ‘s birth and the commemoration of   ― Christmas, ‖ Christian apologist Thomas
Thorburn remarks:

The earliest church commemorated it at various times from September to March, until
in 354 A.D. Pope Julius I assimilated the festival wit h that of the birth of Mithra
(December 25), in order to facilitate the more complete Christianization of the empire. 185

Twelve Disciples:   Very simply,   ― the   Twelve ‖   are the signs of the zodiac, metaphorically
introduced in the mysteries, and this motif is likely   the source of Jesus ‘s 12. During the very era
when Christ had supposedly walked the earth, two prominent Jewish writers, Philo (c. 20 BCE -
c. 50 AD / CE ) and Josephus (37 - c. 100 AD / CE ), explained that the 12 Jewish tribes were symbolic of
the signs of the zodiac. In Christ in Egypt , Murdock writes:

As Josephus says ( Antiquities , 3.8):   ― And for the twelve stones [of Exodus 39:9 - 14],
whether we understand by them the months, or whether we understand the like
number of the signs of that circle which the Greeks call the zodiac, we shall not be
mistaken in their meaning. ‖ (Josephus/Whiston, 75.) Earlier than Josephus, Philo
( ― On the Life of Moses, ‖ 12) had made the same comments regarding Moses:   ― Then
the twelve stones on the breast, which are not like one another in colour, and which are
divided into four rows of three stones in each, what else can they be emblems of, except
of the circle of the zodiac? ‖ (Philo/Yonge, 99.) 186

Philo wrote before Christ had supposedly started his ministry, yet he never heard of him. In the
meantime, he had heard of the 12 tribes representing the zodiacal signs, and we subsequently
read the suggestion in the gospel (Mt 19:28) that Jesus allegedly picked his disciples based on
the tribes, which were in turn, according to Philo and Josephus, equated with the zodiacal 12.

Concerning the Twelve within Mithraism, Murdock says:

Mithra surrounded by the 12   ― companions ‖ is a motif found on many Mithraic remains
and representing the 12 signs of the zodiac. The comparison of this commo n motif with
Jesus and the 12 has been made on many occasions, including in an extensive study
entitled,   ― Mithras and Christ: some iconographical similarities, ‖ by Professor A. Deman
in the same volume of Mithraic Studies . 187

The point here is not whether or not these companions are depicted as interacting in the same
manner as the disciples of Jesus but that the theme of the god or godman with the 12
surrounding him is common enough — and with very popular deities in the same region — to
have served as a prec edent for the Christian Twelve with Christ at their center. It surely would
have struck any intelligent and half - way educated member of the Roman Empire as very odd
when Christians attempted to tell their supernatural tales of a Jewish godman with 12
compa nions, in consideration of the fact that there were already so many of these saviors in
variety of cultures.

184   CE , X, 404.
185   Thorburn, 33.
186   Murdock, CIE , 261 - 262.
187   Murdock, RZC , 20.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEI ST Sourcebook: Part 1 — The Greatest Story Ever Told
50

Mithra surrounded by the 12 signs of the zodiac

c. 150   AD / CE
(Mithraeum, London)

Miracles:   Regarding   Mithra ‘s miracles,   Mithraic Studies   editor John R. Hinnells states:

...the side panels of many Mithraic reliefs and paintings are interpreted as
representations of the primeval life of the god, in which he performed miracles,
experience various adventures, and celebrated an archetypal communion meal before
he ascended to heaven. 1 88

Death/Three Days/Resurrection:   In the Roman Empire, Mithraism became the cult of the
undertakers guild. Hence, there was a focus on death and the afterlife, experienced in myth
and ritual. In discussing the death - oriented Mithraic rituals, professor of New Testament and
Early Christian Literature at the University of Chicago Rev. Dr. Harold R. Willoughby cites
Church father Tertullian and remarks:

A simulation of death in the Mithraic mysteries … is perfectly intelligible. Death was the
logical prelimina ry to a renewal of life; hence the pretence of death by the neophyte was
a perfectly natural antecedent to the regenerative experiences of baptism and
sacramental communion that followed in the Mithraic ritual. That this was precisely the
interpretation pu t upon this bit of liturgical fiction is clearly suggested by a passage in
Tertullian. In discussing the Mithraic rites of baptism and communion, the Christian
lawyer affirmed: ―Mithra there brings in the symbol of a resurrection.‖ This striking use of the
phrase imago resurrection is doubly significant. It proves that a simulation of death was
an integral part of Mithraic ritual, and also that it was but antecedent to an experience
of regeneration. 189

These death rituals were part of the Mithraic mysterie s, as related by Rev. Dr. J.P. Lundy:

Dupuis tells us that Mithra was put to death by crucifixion, and rose again on the 25 th
of March. In the Persian Mysteries the body of a young man, apparently dead, was
exhibited, which was feigned to be restored to l ife. By his sufferings he was believed to
have worked their salvation, and on this account he was called their Saviour. His
priests watched his tomb to the midnight of the vigil of the 25 th of March, with loud
cries, and in darkness; when all at once the l ight burst forth from all parts, the priest
cried, Rejoice, O sacred initiated, your God is risen. His death, his pains, and sufferings
have worked your salvation. 190

188   Hinnells, 291.
189   Willoughby, 110 - 111.
190   Lundy, 168.

www.StellarHousePublishing.com/zeit

geistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
51

In Religions of the World , Gerald L. Berry discusses   Mithra ‘s three - day burial and removal from
the tomb:

...On Black Friday (cf. Good Friday) the taurobolium, or bull - slaying, was represented.
At this festival, the sacrament often comprised blood drinking. Mithras, worn out by the
battle, was symbolically represented by a stone image lain on a bier as a corpse. He was
mourned for in liturgy, and placed in a sacred rock tomb called ―Petra,‖ from which he was
removed after three days in a great festival of rejoicing. 191

In writing about the Mithraic fe stival of Mihragān, Iranian studies professor Dr. Mary Boyce
remarks:

...for centuries   Mihragān ...was celebrated in the spring. For many generations,
therefore, Mithra ‘ s feast was observed at a time traditionally associated with the
Zoroastrian feast of the resurrection. 192

Boyce also says,   ― The Zoroastrian theologians are indeed recorded as saying...that as an
autumn feas t   Mihragān was a symbol of resurrection and the end of the world... 193

Epithets:   Among other titles, Mithra was said to be, ―Mighty in streng th, mighty rulers, greatest king
of gods! O Sun, lord of heaven and earth, God of Gods! ‖ 194 He was also called ―th e mediator. ‖ 195

Mithra shared many such epithets with Christ, as Berry demonstrates:

Both Mithras and Christ were described variously as ―the way,‖ ―the truth,‖ ―the light,‖ ―the
life, ‖ ―the word,‖ ―the son of god,‖ ―the good shepherd...‖ 196

In this sam e regard, Iranian scholar Dr. Payam Nabarz   states, ― Mithras is described as the
lord   of wide pastures, the lord of truth and contracts. ‖ 197

And Dr. Marvin Meyers, a professor of Religious Studies at Chapman College, says:

Already among the ancient Indo - I ranian peoples, Mithras was known as a god of light,
truth, and integrity.... The Avesta calls Mithra   ― the lord of wide pastures ‖ ... 198

Sunday Worship:   The Mithraic sacred day being Sunday represents a well - known tradition. As
the Catholic Encyclopedia   st ates, ―Sunday was kept holy in honour of Mithra…‖ 199 Berry concurs:

Since Mithras was a sun - god, Sunday was automatically sacred to him — the ―Lords
Day ‖ — long before Christ. 200

Dr. Ezquerra also states, ― Some say the Lord ‘ s Day was celebrated on Sunday bec ause that was
the Dies Solis , the day of the Sun, which in turn had something to do with Mithraism. ‖ 201

Concerning Mithraism and Christianity, the Schaff - Herzog Encyclopedia summarizes:

The birth of Mithra and of Christ were celebrated on the same day; t radition placed the birth
of both in a cave; both regarded Sunday as sacred; in both the central figure was a

191   Berry, 57.
192   Hinnells, I, 108.
193   Hinnells, I, 114.
194   Legge, II, 266.
195   De Jong, 172.
196   Berry, 57.

197   Nabarz, 25.
198   Meyer, 199.
199   CE , X, 404.
200   Berry, 57.
201   Ezquerr a, 409.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
52

mediator ( mesitēs ) who was one of a triad or trinity; in both there was a sacrifice for the
benefit of the race... 202

If   tradition in India is an indication, this celebration of Mithra ‘s sacred time on Sunday

possibly dates back to Vedic ages, 3,000 or more years ago, with his Indian counterpart Mitra
being celebrated into modern times on this day as well:   ― ... the deity is invoked every Sunday
under the name of Mitra in a small pitcher placed on a small earthen platform... ‖ 203

23.   The fact of the matter is there are numerous saviors, from different
periods, from all over the world, which subscribe to these general
characteristics. The question remains: why these attributes, why the virgin
birth on December 25 th , why dead for three days and the inevitable
resurrection, why 12 disciples or followers? To find out, let ’s examine the
most recent of the solar messiahs. Je sus Christ was born of the Virgin Mary
on December 25 th in Bethlehem...

The December 25 th birthday is not given in the gospels; rather, it is a traditional date assigned
to the birth of Jesus based on prior Pagan traditions.   As we have seen, ―December 25 t h ‖ is one of
the dates viewed by the ancients as the end of the winter - solstice period, when, from a
geocentric perspective, the sun begins its long journey north towards the summer solstice.

If we factor in the other solar and astrotheological motifs wit hin Christianity, both in the New
Testament and in Christian tradition, along with the highly important Pagan festivals of the
day such as celebrations of the solstices and equinoxes, we can understand why Christians
later appended the December 25 th /winter - solstice holiday to their religion. In fact, certain early
Church fathers were clear on this point of having their savior born at the winter solstice. For
example, concerning the origins of this solar holiday vis - à - vis Christianity, the authoritative
Cath olic   Encyclopedia   states:

The earliest rapprochement of the births of Christ and the sun is in [the writings of
Church father] Cyprian [200 - 258]… ― O, how wonderfully acted Providence that on that
day on which that Sun was born…Christ should be born. ‖

In the fourth century, Chrysostom…says:… ―But Our Lord, too, is born in the month of
December…the eight h day before the calends of January [25 December]…, But they call it the
‗Birthday of the Unconquered . ‘ Who indeed is so unconquered as Our Lord…? Or, if th ey say
that it is the birthday of the   Sun, He is the Sun of Justice. ‖ 204

The Roman ―Unconquered Sun‖ is both Sol Invictus and Mithra, and we have seen other gods share
this winter - solstice birth, with good reason, as the return of the sun was one of if no t the most
important days of the year for many peoples, especially in the far north. Hence, we have a
relatively early Church father who not only admits but also insists   that Christ ‘s birth usurps that
of the sun. He also insists on the logical equation of Christ with the sun, which had been
established in the Old Testament book of Malachi, just before Matthew ‘s gospel, with   him prophesying
the coming Messiah as the ―Sun of Righteousness.‖ (Mal 4:2)

The December 25 th /winter - solstice birthday was adopted by Christianity in the third century.
The Christian world has thus   been celebrating Jesus ‘s birthday on December 25 th for the past
nearly 1700 years — it is obvious why this birthday was attached to Christian tradition: Because
it represented the winter solsti ce, the time of the year when the sun   is ―born,‖ and Jesus was the
―new sun‖ of the Christians.

202   Jackson, S., VII, 419.
203   Gonda, 131.
204   CE , III, 727.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
53

24.   ...his birth was announced by a star in the east, which three kings or magi
followed to locate and adore the new savior.

In the New Testament (Mt 2:1 - 12) , the number of ―wise men‖ or
magi — i.e., astrologers — following the star at Jesus ‘s birth is not
given. However, it is traditionally assumed to be three because
of the three gifts (frankincense, myrrh and gold) presented by
these magi or ―kings‖ during their visit with the divine child .   The
earliest extant numbering of the three magi is by Church father
Origen (185 - 224   AD / CE ) in his Homilies on Genesis (14.3), 205 who
seems not to blink an eye in his equation, as if it were solidly
part of Christian tradition by this time.

The Greek word used in the NT to describe these ―wise men‖ is
μ ά γοι   or   magoi / magi , the singular of which is defined by
Strong ‘s Concordance (G3097) as:

1)   a magus

Phrygian - cappe d ―magi‖ approach the
divine child
Fresco, 4
th
cent.   AD / CE
Catacomb of Marcus & Marcellianus,
Rome, Italy
(Jensen)

a)   the name   given by the Babylonians (Chaldeans),

Medes, Persians, and others, to the wise men, teachers, priests, physicians, astrologers,
seers, interpreters of dreams, augers, soothsayers, sorcerers etc.

b)   the oriental wise men (astrologers) who, having discov ered by the rising of a
remarkable star that the Messiah had just been born, came to Jerusalem to worship
him

c)   a false prophet and sorcerer

Hence, these figures   are not technically deemed ―kings.‖ However, Old Testament scriptures held up
as ―prophecy‖ of the coming messiah discuss ― kings ‖ as coming with gifts, such as Psalm 72:10:
―The kings of Tarshish and of the isles shall bring presents: the k ings of Sheba and Seba shall offer
gifts. ‖

The first to mention the magi as ―kings‖ was   Tertullian in   Adv .   Ma rcion   (3.13), referring to Psalms
(67:30, 72:10) and to Isaiah (60:3):   ―And nations shall come to your light, and kings to the
brightness of your r ising. ‖ The magi as ―kings‖ was further emphasized by St. Caesarius of Arles
(6 th   cent.): ― Ille magi reges su nt — these magi are indeed   kings. ‖ 206

If the Bible does not denote these things exactly, then why have they become Christian
tradition, beginning in the earliest centuries of the common era? So solidly part of Christianity
have these three kings become that they are the subject of much art, as well as songs and
other stories. So, w hy the ―Three Kings?‖

On the surface, it would seem that these notions were set in motion by Church fathers such as
Origen and Tertullian. However, if one steps back to examine th e Pagan mythological motifs
preceding Christianity — of which Origen and Tertullian were very aware — the traditional notion
of there being ―Three Kings , ‖   rather than an unknown number of ―Magi /Wise Men, ‖   becomes
clearer, as these literary themes existed in Pa ganism.

Going back to the scripture in question, Matthew (2:1 - 9) reads:

Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king,
behold, there came wise men from the east to Jerusalem, Saying, Where is he that is
born King of the Jew s? for we have seen his star in the east, and are come to worship
him…. ‖

205 Origen/Heine, 198.
206 For more on this subject, see Jensen.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
5 4

… and lo, the star, which they had seen in the East went before them, till it came to rest
over the place where the child was.

The summary of this story is   that at Christ ‘s birth appeared a star in the east, which was used by
wise men or astrologers to loca te the ―King of the Jews,‖ i.e., Jesus.

The question becomes whether or not there are any other tales with this same motif — and why?
The answer is yes, as Barbara G. Walker points out with regard to the myth of Osiris,
previously cited and demonstrate d:

Osiris ‘s coming was announced by Three Wise Men: the three stars Mintaka, Anilam, a nd Alnitak
in the belt of Orion, which point directly to Osiris ‘s star in the east, Sirius (Sothis), significator of
his birth... 207

Hence, in this meaning of the multi fold myth, Osiris ‘s birth is heralded by a bright star in the east, with
three stars in the belt of Orion following. This birth occurred when the Nile flooded in the
summer, around the solstice, although because of the wandering Egyptian calendar this date
would have occurred on each day of the year, with the cycle being completed every 1,460 years.

Furthermore, the baby solar falcon - god Sokar, who is identified with Horus, is depicted as
being brought out in a manger at the winter solstice with the three gods appearing.

Also, in the museum in Naples has been kept an ancient marble urn showing the birth/nativity
of the Greek god Dionysus, with two groups of three figures on either side of the god Mercury,
who is holding the divine baby, and a female figure who is receiving him. 208

For more on the subject of the star in the east and three kings   appearing at the savior ‘s birth in
pre - Christian mythology, see Murdock ‘s   Christ in Egypt , pp. 198 - 209.

25.   He was a child teacher at 12, at the age of 3 0 he was baptized by John the
Baptist, and thus began his ministry. Jesus had 12 disciples which he
traveled about with performing miracles such as healing the sick, walking on
water, raising the dead, he was also known as the “King of Kings, ” the “Son of
God, ” the “Light of the World, ” the “Alpha and Omega, ” the “Lamb of God, ”
and many, many others. After being betrayed by his disciple Judas and sold
for 30 pieces of silver, he was crucified, placed in a tomb and after three days
was resurrected and ascend ed into Heaven.

The above motifs all appear in the canonical gospels, in the New Testament section of the
Christian Bible.

207 Walker, B., WEMS , 749.
208 Carus, 49; Mangasarian, 74. For the illustration, Carus cites: ― After Mus. Bord ., I., 49, from

Baumeister, Plate I., p. 448. ‖

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
55

26.   First of all, the birth sequence is completely astrological. The star in the
east is Sirius, the brightest star in the night sky, which, on December 24 th ,
aligns with the three brightest stars in Orion ’s Belt. These three bright stars
in Or ion ’s belt are called today what they were called in ancient times: The

Three Kings. The Three Kings and the brightest star, Sirius, all point to the
place of the sunrise on December 25 th . This is why the Three Kings “follow ”
the star in the east, in order to locate the sunrise — the birth of the sun.

This contention is based on general star alignments, as we hav e already seen abundantly
concerning other gods such as Osiris and Horus. Also, this astrotheological symbolism likely
goes back much farther in time; we simply do not know when it was initially recognized.
Regardless, the alignment on December 24 th is obv ious enough: The three stars of Orion clearly
line up with Sirius and point to the east, where the sun rises.

The moniker of   ―Three Kings‖ for these stars in the belt of Orion is documented all over the
world. For example, South Africans call   Orion ‘s Belt   Drie Konings — ―Three Kings‖ — while in
French   they are the ―Trois Rois.‖

In this regard, Carpenter remarks:

Go out next Christmas Evening, and at midnight you will see the brightest of the fixed
stars, Sirius, blazing in the southern sky — not however due so uth from you, but
somewhat to the left of the Meridian line. Some three thousand years ago (owing to the
Precession of the Equinoxes) that star at the winter solstice did not stand at midnight
where you now see it, but almost exactly on the meridian line. The coming of Sirius
therefore to the meridian at midnight became the sign and assurance of the Sun having
reached the very lowest point of his course, and therefore of having arrived at the
moment of his re - birth….

To the right, as the supposed observer looks at Sirius on the midnight of Christmas
Eve, stands the magnificent Orion, the mighty hunter. There are three stars in his belt
which, as is well known, lie in a straight line pointing to Sirius. They are not so bright
as Sirius, but they are sufficie ntly bright to attract attention. A long tradition gives
them the name of the Three Kings. 209

View from Egypt, 12 - 24 - 00

209 Carpenter, 16 - 17.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
56

There are many examples of kings, queens, heroes and other figures being born under a star or
other celestial configuration and being presented with gifts. As we can see from all of the above,
t he theme of the messiah ‘s b irth being attended by a star and/or ―dignitaries‖ is thus not original or
unique to Christianity.

27.   The Virgin Mary is the constellation Virgo, also known as Virgo the Virgin.
Virgo is also referred to as the “ House of Bread, ” and the representation of
Vir go is a virgin holding a sheaf of wheat. This House of Bread and its symbol
of wheat represent August and September, the time of harvest. In turn,

Bethlehem, in fact, literally translates to “house of bread . ” Bethlehem is thus
a reference to the constella tion Virgo, a place in the sky, not on Earth.

Virgo the Virgin and Mary:   The i dentification of a ―virgin mother‖ with the constellation of Virgo is
common in history. For example, we have already seen that the Egyptian goddess Isis is a
virgin mother, as are Neith and several other mythical figures. Concerning the Virgo/virgin
mother - goddess motif, in Christ in Egypt , Murdock relates:

The identification of Isis with the Virgin is...made in an ancient Greek text called The
Katasterismoi , or   Catasterismi , a llegedly written by the astronomer Eratosthenes (276 -
194   BCE ), who was for some 50 years the head librarian of the massive Library of
Alexandria. Although the original of this text has been lost, an ―epitome‖ credited to
Eratosthenes in ancient times has b een attributed by modern scholars to an anonymous
―Pseudo - Eratosthenes ‖ of the 1 st   to 2 nd   centuries   AD / CE . In this book, the title of which
translates as ―Placing Among the Stars,‖ appear discussions of the signs of the zodiac. In his
essay on the zodiacal sign of Virgo (ch. 9), under the heading of ―Parthenos,‖ the author
includes the goddess Isis, among others, such as Demeter, Atagartis and Tyche, as identified
with and as the constellation of the Virgin . In Star Myths of the Greeks and Romans , Dr.
Theon y Condos of the American University of   Armenia translates the pertinent passage
from the chapter   ― Virgo ‖ by Pseudo - Eratosthenes thus:

Hesiod in the Theogony says this figure is Dike, the daughter of Zeus...and
Themis... Some say it is Demeter because of t he sheaf of grain she holds, others
say it is Isis, others Atagartis, others Tyche...and for that reason they represent
her as headless. 210

Dr. Schmidt expands on the symbolism with regard to Isis/Nut:

Virgo, who now lends her name to this sign of the zo diac, is the heavenly Nut, the virgin
m other of Osiris, who was called the ―perfect one‖ and ―the

ancient one, ‖ and symbolized light and goodness, concord or harmony,
peace and happiness. This virgin, the ―great mother,‖ the ―queen of
heaven, ‖ the ―inscr utable Neith, whose veil no mortal could lift and
live... ‖ 211

The identification of the Virgin Mary with Virgo was obvious and well
known enough such that the renowned theologian Albertus Magnus
or Albert the Great (1193? - 1290) remarked ( Lib. de Univers. ) :

We know that the sign of the celestial Virgin did come to the
horizon at the moment where we have fixed the birth of our Lord
Jesus Christ. All the mysteries of the incarnation of our Saviour
Christ; and all the circumstances of his marvelous life, from his

210 Murdock, CIE , 156.
211 Schmidt, 53.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
57

conception to his ascension, are to be traced out in the constellations, and are figured
in the stars. 212

As concerns the   ―House of Bread‖ and ―Virgo , ‖ these are two separate motifs, with a shared
theme: Virgo relating to virginity and House of Bread to the birth of the sun/son in Bethlehem.

Summarizing this astrotheological theme, Carpente r says:

Immediately after Midnight then, on the 25 th December, the Beloved Son (or Sun - god) is
born. If we go back in thought to the period, some three thousand years ago, when at
that moment of the heavenly birth Sirius, coming from the East, did actuall y stand on
the Meridian, we shall come into touch with another curious astronomical coincidence.
For at the same moment we shall see the Zodiacal constellation of the Virgin in the act
of rising, and becoming visible in the East divided through the middle by the line of the
horizon.

The constellation Virgo is a Y - shaped group, of which   α , the star at the foot, is the well -
known Spica , a star of the first magnitude. The other principal stars,   γ at the centre,   β
and   ε at the extremities, are of the second ma gnitude. The whole resembles more a cup
than the human figure; but when we remember the symbolic meaning of the cup, that
seems to be an obvious explanation of the name Virgo , which the constellation has
borne since the earliest times....

At the moment th en when Sirius, the star from the East, by coming to the Meridian at
midnight signalled the Sun ‘s new birth, the Virgin was seen just rising on the Eastern

sky — the horizon line passing through her centre. And many people think that this
astronomical fact is the explanation of the very widespread legend of the Virgin - birth. 213

―The Virgin Birth is astrotheological, referring to

the hour of midnight,
December 25 th , when the
constellation of Virgo rises on
the Horizon. The Assumption
of the virgin, celebrated in
Catholicism on August 15 th ,
symbolizes the

summer sun ‘s brightness
blotting out Virgo. Mary ‘s
Nativity, observed on
September 8 th , occurs when the
constellation is visible again. ‖

— Acharya S/D.M. Murdock,   Suns of God , 221

View from Egypt

212   Taylor, The Devil ’s Pulpit . Dupuis (V, 96) recounts ―Albert le Grand‖ as saying: ―Nous savons...que le signe
de la Vierge Céleste montoīt sur l'horison au moment o ù nous fixons la naissance de Notre Seigneur

Jésus - Christ...tous les mystères de son incarnation divine et tous les secrets de sa vie merveilleuse,
depuis sa Conception jusqu'à son Ascension, se trouvent tracés dans les Constellations, et figurés dans
les Etoiles, qui les ont annoncés. ‖   On the previous page, Dupuis cites "Coesi Coel. A stron., p. 74."

213   Carpenter, 30 - 31.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
58

The identification of the Virgin Mary with goddesses and other divine feminine forms such as
Vir go has been made since ancient times by Christians themselves, including the Egyptian
Copts, who merged the Virgin Mary with Isis in significant ways. There are several aspects the
Virgin Mary shares with these figures of myth and astrotheology. Indeed, th e case has been
made that Mary is but a mythical hybrid of Judeo - Pagan religious figures and concepts of the
time, including and e specially the ―Triple Goddess.‖ 214

House of Bread (Virgo and Bethlehem):   The Hebrew word ― Bethlehem ‖   ( םחל   תיב )   means
― house o f bread ‖ (Strong ‘s H1035),   while Virgo the constellation is typically shown as a maiden
holding a sheath of wheat, which, of course, is used to make bread.

Hazelrigg summarizes this symbolism in the Christian narrative:

According to   the gospels: ―Joseph went up to Nazareth, which is in Galilee, and came into the
City of David, called Bethlehem, because he was of that tribe, to be inscribed with Mary
his wife, who was with child. ‖ And here, in the City of David of the celestial expanse, called
Bethlehem, t he sixth constellation, Virgo, the harvest mansion, do we discover Joseph
(the constellation of Bootes, Ioseppe) and his wife Mary with the child. Here is
personified a constellation whose very name (Ioseppe, the manger of Io, or the Moon)
typifies the hum ble place of accouchement of all the Virgin Mothers, and, as related to
Virgo, the genesis of all Messianic tradition. 215

Another interesting issue is the historicity of Bethlehem itself, as there is a debate as to
whether or not this town was occupied at the supposed time   of Christ ‘s alleged advent . 216 As
stated by Marisa Larson of National Geographic :

Archaeological excavations have shown that Bethlehem in Judaea likely did not exist as
a functioning town between 7 and 4 B.C., when Jesus is believed to have been born.
Studies of the town have turned up a great deal of Iron Age material from 1200 to 550
B.C. as well as material from the sixth century A.D., but nothing from the first century
B.C. or the first century A.D. Aviram Oshri, a senior archaeologi st with the Israeli
Antiquities Authority, says, ―There is surprisingly no archaeological evidence that ties
Bethlehem in Judaea to the period in which Jesus would have been born. 217

It appears   that the ―little town of
the Old Testament. We can see
Micah 5:2 with Matthew 2:1 - 6:

Bethlehem ‖ is an interpolation created to fulfill prophesy from
the relationship clearly when comparing Genesis 49:10 and

The scepter shall not depart from Judah, nor
the ruler ‘s staff from between his feet, until he
come s to whom it belongs; and to him shall be
the obedience of the peoples. (Gen 49:10)

But you, O Bethlehem, Ephrathah, who are
little to be among the clans of Judah, from
you shall come forth for me one who is to be
ruler in Israel, whole origin is from old , from
ancient days. (Micah 5:2)

Jesus is a descendant of Judah... After Jesus
is born in Bethlehem, Herod asks the wise
men where he is. They answer that he is in
Bethlehem, ―so it is written by the prophet: ‗And
you, O Bethlehem, in the land of Judah,   are by no
means least among the rulers of Judah; for
from you shall come a ruler who will govern my
people Israel. ‘ ‖ (Mt 2:1 - 6)

Concerning this issue, Murdock concludes,   ― Like so many other places in Israel, Bethlehem
was first situated in the mythos a nd then given location on Earth. ‖ 218

214   See Murdock ‘s   Suns of God   and   Christ in Egypt   for more on Mary and the Goddess.
215   Hazelrigg, 108.

216   See ―In what town was Jesus born?‖ by B.A. Robinson.

217   Larson, ― Bethlehem of Judaea — or of Galilee? ‖
218   Acharya, CC , 190.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
59

28.   There is another very interesting phenomenon that occurs around
December 25 th , or the winter solstice. From the summer solstice to the winter
solstice, the days become shorter and colder. And from the perspective of the
northern hemisphere, the sun appears to move south and get smaller and
more scarce. The shortening of the days and the expiration of the crops when
approaching the win ter solstice symbolized the process of death to the
ancients. It was the death of the sun. And by December 22 nd , the s un ’s demise
was fully realized, for the sun, having moved south continually for six
months, makes it to its lowest point in the sky. Here a curious thing occurs:
the sun stops moving south, at least perceivably, for three days.

Regarding the motif of the three - day entombment and rebirth of the sun, Murdock
summarizes:

...many of the world ‘ s crucified godmen have their traditional birthdays on December
25 th ( ― Christmas ‖ ). This date is set because the ancients recognized that (from a
geocentric perspective in the northern hemisphere) the sun makes an annual descent
southward until after midnight of December 21 st , the winter solstice, when it stops
moving southerly for three days and then starts to move northward again. During this
time, the ancients declared that   ― God ‘ s sun ‖ had   ― died ‖ for three days and was   ― born
again ‖ after midnight of December 24 th . Thus, these many different cultures cele brated
with great joy the   ― sun of God ‘ s ‖ birthday on December 25 th . 219

The significance of this solar death/rebirth and its allegorical connection to various godman is
confirmed by many scholars, including astronomer Dr. Krupp as concerns Osiris:

The myt h of Osiris involves his own death and resurrection, a theme that echoes the
daily cycle of the sun ‘s death and its rebirth at dawn. 220

Concerning the annual solar death and resurrection, Frazer relates:

In the Julian calendar the twenty - fifth of Decembe r was reckoned the winter solstice,
and it was regarded as the Nativity of the Sun, because the day begins to lengthen and
the power of the sun to increase from that turning - point of the year. The ritual of the
nativity, as it appears to have been celebrat ed in Syria and Egypt, was remarkable. The
celebrants retired into certain inner shrines, from which at midnight they issued with a
loud cry, ―The Virgin has brought forth! The light is waxing!‖ The Egyptians even represented
the newborn sun by the image o f an infant which on his birthday, the winter solstice,
they brought forth and exhibited to his worshippers. No doubt the Virgin who thus
conceived and bore a son on the twenty - fifth of December was the great Oriental
goddess whom the Semites called the He avenly Virgin or simply the Heavenly Goddess;
in Semitic lands she was a form of Astarte...

Thus it appears that the Christian Church chose to celebrate the birthday of its
Founder on the twenty - fifth of December in order to transfer the devotion of the
h eathen from the Sun to him who was called the Sun of Righteousness [Jesus].... 221

The solar and vegetative death and re - conception occur at the vernal equinox, with a birth at
the winter solstice. Discussing the former motif vis - à - vis Attis, Dr. George R. H. Wright states:

The fertility cult of the dying god Attis and the Great Mother Cybele was introduced to
Rome from its seat at Pessinus in Asia Minor in 204 BC... Attis the son of a virgin
mother (Nana) sacrificed himself by a tree and the great festival of the cult centered
around the raising up of a sacred (pine) tree swatched like a corpse in a winding sheet

219   Acharya, CC , 154.
220   Krupp, EAS , 16.
221   Frazer, GB (1922), 303 - 305.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebo ok: Part 1 — The Greatest Story Ever Told
60

to which was fastened an effigy of the young dying god.... In Spring time, precisely at

the vernal equinox, there was enacted a three day cycle of death (on the tree), burial
and resurrection.... At the dead of night a light shone in darkness and the tomb stood

open — the god had risen from the dead. And the following day, March 25 th , the
resurrection was made fit subject for general rejoicing... 222

Because of the cycles of nature, there is a seemingly confused dichotomy with regard to the
rituals signifying this three - day solar death and resurrection, as found in several religions and
cults. In the case of Attis, for example, the ritual fell on or around the 25 th of March, the
vernal/spring equinox, a day that   m arks the ―rebirth of the sun , ‖ when the ―light of day
overpowers the darkness ‖ or when the day be comes longer than the night. So, in the solar   death -
resurrection motif we have combined allegories: The daily cycle, as well as the winter solstice
and the spr ing equinox.

M.M. Mangasarian, an ex - Presbyterian minister, expands on this comparison and summarizes:

The selection of the twenty - fifth of December as [Jesus ‘s] birthday...having been from time
immemorial dedicated to the Sun, the inference is that the Son of God and the Sun of
heaven enjoying the same birthday, were at one time identical beings. The fact that
Jesus ‘ death was accompanied with the darkening of the Sun, and that the date of his
resurrection is also associated with the position of the Sun at the time of the vernal
equinox, is a further intimation that we have in the story of the birth, death, and
resurrection of Jesus, an ancient and nearly universal Sun - myth, instead of verifiable
historical events. 223

29.   And during this three - day pause, the sun resides in the vicinity of the
Southern Cross, or Crux [Australis], constellation.

In the solar mythology, the sun is said to be hung on a cross during the first part of the solar
cycle, as it is also at the equinoxes. This period is likewise three d ays or a triduum . Gerald
Massey explains this theme:

In the Ritual [Egyptian Book of the Dead] the reconstructed and rearisen mummy says,
― I am the great constellation of Orion   (Sahu),   dwelling in the solar birthplace in the midst
of the spirits . ‖ That is , he rises as Orion, the Star in the East that once s howed the place
where the babe lay, or where the reborn god arose on the horizon of the resurrection....

At that time the Southern Cross, on the opposite side, was a figure of the Autumn
crossing, the s ign of the sacrificial offering, the crucified of the solar allegory, so far as
the suffering, descending, diminishing sun was ever represented as the crucified; and
every time Orion the conqueror of darkness rose, the Cross of Autumn set... 224

222   Wright, 92.
223   Mangasarian, 35 - 36.
224   Massey, NG , II, 437.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
61

The Southern Cross (Crux)

as seen after midni ght on Dec. 25, 1 AD / CE rising in the south

It is important to point out that, just like that of Virgo, the relationship between the divine
child and the cross is figurative and symbolic , and different scholars have varying hypotheses
regarding which equi nox/solstice the Crux was most traditionally oriented to, mythologically
speaking. Regardless, the association is clear in the astrotheological mythos.

The visibility of the stars and changing of the sky vis - à - vis the Southern Cross is described by
astron omers David Ellyard and Wil Tirion:

...From 35 degrees south latitude, stars south of minus 55 degrees declination are
always in view (if the sky is clear). So we can always see the Southern Cross and the
Pointers, though you will find them in different p arts of the sky depending on the time
of the night and the year....

...the Southern Cross, which is high in the south - east in the early evening in May, will
be high in the south - west three months later. In November it will be low in the south -
west (and al most upside down), while an early February evening will find it low in the
south - east but rising. 225

It has been claimed that the Southern Cross is not visible from the northern hemisphere and
that, therefore, the Egyptians, for one, could not have includ ed it in their myths. In the first
place, the fact is that the Southern Cross is indeed visible in the current era from anywhere
south of 27° N, which includes a large portion of Egypt, such as some of the most important
sites like Abu Simbel (21° N), Luxo r (25° N) and Aswan (24° N), as well as some of the most
ancient sites like Nabta Playa (22° N), where, again, there is an ancient observatory at least
6,000 years old. Secondly, at the time when the gospel story purportedly took place, the
Southern Cross was visible just south of 32° N, as related by astronomer Dr. Chris Dolan:

The Southern Cross is only visible from sites farther south than 27 degrees north
latitude. At the time of Christ, however, it was visible from the latitude of Jerusalem
(almost 32 degrees N). 226

As we can see, if the baby Jesus had really and truly been born in Judea, to the south would

have appeared in the sky the figure of the Southern Cross. Moreover, keen observers of the
skies like the Egyptians surely would have noticed this striking stellar configuration centuries

225 Ellyard, 12 - 13.
226 Dolan, ―Crux,‖ www.astro.wisc.edu/~dolan/constellations/constellations/Crux.html

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
62

before that time, especially since all of Egypt is south of 32 degrees north latitude. Indeed, it is
asserted that the Egyptians may have been quite aware of the Crux:

At the latitude of Luxor...the Southern Cross would have been high in the so uthern sky
at the winter solstice. As the first rays of the rising sun flooded the inner sanctum of
Karnak Temple, the Southern Cross would still have been visible to the south... 227

Southern Cross/Crux
View from Luxor, Egypt (25° N)

c. 140 0 BCE
4:00 a.m., 12/25

It is likewise claimed that the Southern Cross was not delineated as a separate constellation
until centuries after it was purportedly incorporated into mythology in this manner, because it
is not overtly described until that time.

In view of all the astrotheological information that clearly was passed along within religion and
mythology, we could suggest that this motif itself is evidence of the constellation ‘s significance in ancient
times , even if it was not called th e ―Southern Cross . ‖ Certainly, when all things are weighed, and
we discover mythology and astrotheology throughout the rest of the gospel story — as well as the
knowledge that the cross itself is a solar symbol dating back thousands of years — we are wise
to c onsider that this striking motif is yet another of the same type.

It is important to point out that interpretations vary in regard to the cross symbolism, as
different religions supply different information and thus interpretation. Indeed, there are other
reasons for the three days and the cross motif, such as the vernal equinox, so in fact we can
scientifically place it in the realm of mythology.

The fundamental element common among these mythical variations is that the cross is
astronomical, astrologica l or astrotheological in nature. As we have seen abundantly, the cross
is a solar symbol that predated Christianity by many centuries, as did the image of the human
figure on a cross.

227 Weidner, 390 - 391.

www.StellarHousePublishing.com/zeitgeistsource

book.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
63

30.   And after this time on December 25 th , the sun moves one degree, this time
north, foreshadowing longer days, warmth, and Spring. And thus it was said:
the sun died on the cross, wa s dead for three days, only to be resurrected or
born again. This is why Jesus and numerous other sun gods share the
crucifixion, three - day death, and resurrection concept.

With the circle of the zodiac being 360 degrees, and the solar year approximating 360 (+5)
days, the ancients perceived the sun as moving one degree per day.

Concerning the winter solstice, Dr. S.B. Roy states:

Everyone looked to the day of the winter solstice when the sun would turn North. The
astronomers would know the date even tho ugh the sun itself was not visible. This was
the great day, for the spring would now come. 228

Bonwick expands on the symbolism as it relates to the Egyptian mythos:

―Maspero, the Italian Egyptologist, inclines the same way. ―This daily birth and death of   the
sun, ‖ says he, ―indefinitely repeated, had suggested to the Egyptians the myth of Osiris. Likes
all the gods, Osiris is the sun . Osiris - Khem - Ament, Infernal Osiris, sun of night, is re -
born, as the sun in the morning, under the name of Horpechroud, Ho r Child , the
Harpocrates of the Greeks. Harpocrates [Horus], who is Osiris, struggles against Set,
and the Bat , as the rising sun dissipates the shades of night. He avenges his father, but
without annihilating his enemy. This struggle, which re - commences e ach day, and
symbolizes the divine life, serves also as a symbol of human life. ‖

But the sun appears to die and rise again at the solstice. For instance, on our shortest
day, December 21 st , the sun descends its lowest on the southern side. It is our depth of
winter, our death of the sun. For three days the sun appears to stand still; that is,
rising each morning at the same place, without advancing. Then it exhibits sudden
vitality, leaves its grave December 25 th , re - born, and progresses upward day by day
towards us in the northern hemisphere. At the equinox — say the vernal — at Easter, the
same phenomenon occurs. The sun has been below the equator, and suddenly rises
above it, to our natural rejoicing. It has been, as it were, dead to us, but now it exhibits
a resurrection. 229

In this same regard, Rev. Dunbar T. Heath of the Anthropological Institute of Great Britain and
Ireland remarks:   ― ...We find men taught everywhere, from Southern Arabia to Greece, by
hundreds of symbolisms, the birth, death, and resurre ction of deities, and a resurrection too,
apparently 'after the second day,; i.e., on the third day (Lucian, De Dea Syria , 6.) ‖ 230 Indeed, we
do, because these stories are solar myths revolving around the sun and its movements through
the heavens, which ca n be observed around the world.

31.   It is the s un ’s transition period before it shifts its direction back into the
Northern Hemisphere, bringing Spring, and thus salvation.

This mythical solar motif is summarized by Doane:

This festival of the Resurrection was generally held by the ancients on the 25 th of
March, when the awakening of Spring may be said to be the result of the return of the
Sun from the lower or far - off regions to which he had departed. At the equinox — say,
the vernal — at Easter , the Sun has be en below the equator, and suddenly rises above it.
It has been, as it were, dead to us, but now it exhibits a resurrection. The Saviour rises
triumphant over the powers of darkness, to life and immortality... 231

228   Roy, 117.
229   Bonwick, 174.
230   Heath, 4 - 5.
231   Doan e, 495 - 496.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
64

Also encapsulating this theme of the salvational return of the sun after winter, William T.
Olcott states:

At the feas t of the winter solstice men testified their gladness at witnessing the return of
the all - powerful sun. To the inhabitants of Greenland it meant the early return of the
hunting season, and all nations regarded it as a sign that springtime and harvests were
on the way, and the dormant life of the winter season was on the wane.

In many countries this festival season was known as ―Yole,‖ or ―Yuul,‖ from the word Hiaul,
or Huul, which even to this day   signifies ―the sun‖ in some languages. From this   we get our
word ―wheel,‖ and the wheel is one of the ancient symbols of the sun, the spokes representing
the sun ‘s rays. As we shall see later this symbol was a prominent feature in one of the great
solar festivals....

Plutarch, referring to the solar festivals of Egypt, says, that ―about the winter solstice they lead
the sacred cow seven times in procession around the temple, calling this the searching
after Osiris, that season of the year standing most in   need of the sun ‘s   warmth. ‖

In China, the Great Temple of t he Sun at Pekin is oriented to the winter solstice, and
the most important of all the State observances of China takes place there December
21 st , the sacrifice of the winter solstice.

In our own time a number of Christian religious observances and festiva ls are of distinct
solar origin. Notable among these feast days is Christmas. ―The Roman winter solstice,‖ says
Tylor, ―as celebrated on December 25 th … in connection with the worship   of the Sun - God
Mithra appears to have been instituted in this special form by Aurelian about   A .   D .   273,
and to this festival the day owes its apposite name of ‗Birthday of the Unconquered Sun. ‘ With
full symbolic appropriateness, though not with historical justification, the day was adopted in
the western church where it appears to have been generally introduced by the fourth
century, and whence in time it passed to the eastern church as the solemn anniversary
of the Birth of Christ, Christmas Day. As a matter of history no valid or even consistent
early Christian tradition vouch es for it. ‖ 232

(spectrum.mit.edu/category/issue/2009 - spring)

32.   However, they did not celebrate the resurrection of the sun until the
spring equinox, or Easter. This is because at the spring equinox, the Sun
officially overpowers the evil da rkness, as daytime thereafter becomes longer
in duration than the night, and the revitalizing conditions of spring emerge.

The winter - spring sun ‘s transition is described mythologically thus:

232 Olcott, 228 - 229.

www.StellarHousePublishing.com/zeitgeis

tsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
65

For weeks after the winter solstice, the puny, newborn sun struggles against the powers
of Darkness. Myths present the youngster as growing up in obscurity or concealment.
But as the weeks pass, the young sun god gathers strength, rising higher and higher in
the sky, his brightness increasing rapidly until finally on March 21 st , he emerges
victorious.

This is the day of the spring equinox, when the sun crosses the equator. It is the
turning point, the day of his Passover or Crossification. Night and day are of equal
length all over the world on this date... Now begins a period in which the hours of light
exceed the hours of darkness, symbolized as the sun's resurrection from the
Underworld...and with its regeneration, life and vegetation can continue; the young sun
redeems the world from darkness. 233

To repeat M.M. Mangasarian:

The fact that Jesus' death was accompanied with the darkening of the Sun, and that
the date of hi s resurrection is also associated with the position of the Sun at the time of
the vernal equinox, is further intimation that we have in the story of the birth, death,
and resurrection of Jesus, an ancient and nearly universal Sun - myth, instead of
verifiabl e historical events. 234

Adding to this knowledge, Barbara Walker concludes:

Christians ever afterward kept Easter Sunday with the carnival processions derived
from the mysteries of Attis.   Like Christ, Attis arose when ― the sun makes the day for the
first time longer than the night ‖ ... 235

As denoted before, there are multiple, astronomical meanings   for the ―crucifixion.‖ The god
hanging on a cross, as we find in the story of Jesus, is a pre - Christian motif that revolves
around the sun on the cross of the equinoxes, when the day and night are equal in length. As
Murdock elucidates:

…   the cross has long been a symbol of the sun , representing significantly the crux of the
equinoxes, upon which the sun is ―crossified.‖ Hence, it can truly be said that the sun   o f G od
was ―crucified‖ at the vernal equi nox — and this motif, we contend, is at the   basis of the
gospel ―crucifixion‖ at ―Easter.‖ 236

That the date for "Easter" is in reality based on astronomy, rather than an actual crucifixion of
the Lord of the universe, is demonstrated by the centuries - long battle within Christendom as to
when precisely this spring holiday should be celebrated. As stated by professor of History at
the University of California, Berkeley, Dr. John L. Heilbron, in The Sun in the Church:
Cat hedrals as Solar Observatories :

The old theologians decreed that Easter should be celebrated on the Sunday after the
first full moon after the vernal equinox — that spring day on which the hours of daylight
and darkness are equal. 237

33.   Now, probably the most obvious of all the astrological symbolism around
Jesus regards the 12 disciples. They are simply the 12 constellations of the
Zodiac, which Jesus, being the Sun, travels about with. In fact, the number
12 is replete throughout the Bible.

The symbolism of ―The Twelve‖ has been discussed under the sections concerning Horus and

Mithra. Briefly, the 12 motif in the tales of pre - Christian and non - Christian saviors and others

233   Busenbark, 119.
234   Mangasarian, 35 - 36.
235   Walker, B., WEMS , 78.
236   Murdock, 363 - 364.
237   Heilbr on, 3.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
66

is equated with the hours of day and night, the months of the year, and the signs of the zodiac.
We have already seen that t he 12 ―companions‖ of Mithra are the signs of the zodiac. When we
understand that the Christian religion was born, in part, out of Mithraism, using virtually the
exact same symbolism, then we have an obvious pattern that needs to be addressed. When it
come s to the 12 of Jesus, given the ubiquitous historical precedent put forth by prior religions,
the relationship becomes obvious, enough so that it has been cited by historians and other
writers for centuries.

In the final analysis we can safely assume that the apostolic grouping of ―12‖ was indeed a
literary device and not the actual count of a group of followers who lived around 30 AD / CE . The
use of 12 in the Bible itself is so ubiquitous that it is logical to presume these groupings reflect
not an actual count, but, rather, a common formulaic theme, based on the prevalence of this
sacred number in the Pagan world as well.

Biblical examples:

The 12 Princes of Ishmael (Gen 17:20)
The 12 Sons of Jacob (Gen 35:22)

The 12 Tribes of Israel (Gen 49:28)
The 12 Prophets and Kings of Israel
The 12 Wells of Water (Exd 15:27)
The 12 Pillars of the Lord (Exd 24:4)
The 12 Stones of the Breastplate (Exd 39:14)
The 12 Cakes of the Tabernacle (Lev 24:5)

The 12 Princes of Israel (Num 1:44)

The 12 Oxen of the Tabernacle (Num 7:3)
The 12 Chargers of Silver, Bowls of Silver and Spoons of Gold (Num 7:84)
The 12 Bullocks, Rams, Lambs and Kids of the Offering (Num 7:87)
The 12 Rods of the Princes of Israel (Num 17:6)

The 12 Stones of Joshua (Jos 4:8)
The 12 Cities (Jos 18:24, 19:25, 21:7, 21:40)
The 12 Judges of Israel (Jdg 3, 4, 6, 10, 12, 13)
The 12 Pieces of the Concubine (Jdg 19:29)
The 12 Servants of David (2 Sa 2:15)
The 12 Officers of Solomon (1 Ki 4:7)

The 12 Lions of Solomon (1 Ki 10:20)

The 12 Pieces of Jeroboam ‘s Garment (1 Ki 11:30)
The 12 Stones of Elijah (1 Ki 18:31)

The 12 Bronze Bulls of Solomon (Jer 52:20)
The 12 Disciples/Apostles of Jesus (Mt 10:1 - 2)

The 12 Baskets of Bread (Mt 14:20)
The 12 Thrones in Heaven (Mt 19:28)
The 12 Legions of Angels (Mt 26:53)
The 12 Patriarchs of Israel (Acts 7:8)

The 12 Stars of the Woman ‘s Crown (Rev 12:1)
The 12 Gates, Angels and Pearls of Holy Jerusalem (Rev 21:12, 21)

The 12 Fruits of the Tree of Life (Rev 22:2)

Pagan examples:

The 12 Ahhazu or Demons of the Sumerians 238

The 12 Tablets/Adventures of Gilgamesh 239
The 12 Gods of Egypt 240

238   Turner, 28.
239   Encyclopedia Britannica , XII, 19.
240   See Murdock, CIE , 262, et seq.; Turner, 177.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
67

The 12 Divisions of the Tuat 241
The 12 Companions of Horus/Osiris
The 12 Olympian Gods
The 12 Tasks of Hercules

The 12 Daughters of Priam 242
The 12 Children of Amphion and Niobe 243
The 12 Daughters of Boeotia and Metope 2 44
The 12 Gods of the Romans and Etruscans
The 12 Sons of the Etruscan Mother Goddess 245
The 12 Shields of Mars 246

The 12 Altars of Janus 247
The 12 Devas of India 248

The 12 Names of the Indian Sun God Surya
The 12 Terrifying Aspects of Shiva 249

The 12 A dityas of the Indian ―Mother of Worlds‖ 250
The 12 Labors of the Virgin - Born Arjuna 251
The 12 Generals of Ahura - Mazda 252
The 12 Aesir of the Norse 253
The 12 Berserkers of the Norse 254
The 12 Mountains of Ebhlenn 255
The 12 Horse - Children of Boreas 256

The 12 White Horses of the Polish Sun God 257
The 12 Stones of Cenn Cruiach 258
The 12 Rivers of the Elivagar 259

The 12 Horses and Hounds of Gwydion 260
The 12 Moons of China 261

The 12 Generals of the Japanese Divine Physician 262
The 12 Yiyantsinni of the Navaho, Pueblo, Iroquois 263
The 12 First People of the Navajo 264

We have already discussed the hidden meaning of the 12 tribes, et al., according to Josephus
and Philo: In short, the number represents the months of the year and signs of the zodiac. We

241   Turner, 3.
242   Turner, 389.
243   Turner, 47.
244   Turner, 74.
245   Turner, 10.
246   Griffiths, DV , 95.
247   Burchett, 41.
248   Turner, 147.
249   Turner, 99.
250   Turner, 15.
251   Turner, 69.
252   Turner, 33.
253   Turner, 22.
254   Turner, 98.

255   Turner, 162.
256   Turner, 105.
257   Larousse , 284.

258   Turner, 117. The Celtic figure Cenn Cruiac h was known as the "Lord of the Mound" whose "likeness
was produced in gold, surrounded by twelve stones."
259   Turner, 165.

260   Turner, 199.
261   Turner, 225.
262   Turner, 511.
263   Turner, 81. These are 12 men who help the creator hold up the sun with poles.
264   Turner, 471.

www.

StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
68

have also seen that the 12 represent the hours of day and night. The assignment of   ― the
Twelve ‖ as zodiacal signs is evident from their p resence in Zoroastrian mythology, as related by
Patricia Turner and Charles Russell Coulter:

Akhtar, The (Persia)

They are the twelve constellations created by Ahura Mazda, who are regarded as
generals of his army.... 265

Moreover, in Gnosticism the 12 s igns   were the ―aeons,‖ which were concretely equated with the
twelve apostles in the second century. 266 In addition, in the seventh century, the famed
Churchman Venerable Bede reiterated the tradition of identifying the 12 apostles with the
zodiacal signs, 267 which was hundreds of years old by that time.

As but one example of how gospel characters were created to reflect the
zodiac, George R. Goodman states:

... but the greatest denouement awaits the investigator who makes use
of the Julian calendar in the Roman Catholic calendar of Saints in
connection with the large zodiac. He will find that the death of John the
Baptist is fixed on August 29 th . On that day, a specially bright star,
representing the head of the constellation Aquarius, rises whilst the rest
of his body is below the horizon, at exactly the same time as the sun
sets in Leo (the kingly sign representing Herod). Thus the latter beheads

John, because John is associated with Aquarius, and the horizon
cuts off the head of Aquarius ! 268

Aquari us Beheaded
Murdock summarizes this astrotheological motif:
(Cellarius, Atlas , pl. 27)

...it is no accident that there are 12 patriarchs, 12 tribes of Israel

and 12 disciples, 12 being the number of the astrological signs, as well as the 12
―houses‖ through which the sun passes each day and the 12 hours of the day   and night.
Indeed, like the 12 Herculean tasks, the 12 ―help er s ‖ of Horus, and the 12 ―generals‖ of
Ahura - Mazda, Jesus ‘s 12 ―disciples‖ are symbolic for the zodiacal signs and do not depict
any literal figures who played out a drama upon the earth circa 30

CE .
269

Mithra surrounded by the signs
of the Zodiac
Bas - relief, Modena, Italy
(Cumont, Revue archéologique , I,

1902, p. 1)

265   Turner, 33.

266   Murdock, CIE , 262.
267   Murdock, CIE , 254.
268   Goodman, 182.

269   Acharya, CC , 166 - 167. For more information, see ―The Disciples are the Signs of the Zodiac‖ in   The Christ
Conspiracy , pp. 166 - 183.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
69

34.   Coming back to the cross of the Zodiac, the figurative life of the Sun, this
was not just an artistic expression or tool to track the s un ’s movements. It
was also a Pagan spiritual symbol, the shorthand of which looked like this.
This is not a symbol of Christianity. It is a Pagan adaptation of the cross of
the Zodiac.

While we can never know the exact time of origin of this very ancient symbol, the cross, we can
ascertain that it was related to either the zodiac or the sun, or both. G iven the obvious Pagan
influence upon Christianity, it is rational to consider the Christian cross an adaptation of its
predecessors, extending its traditional significance. It is widely believed that the cross relates to
the manner by which Jesus died; ye t, there is no historical evidence for this contention, leaving
us with the common, mythical explanation, especially when all the other parallels are taken
into consideration. Hence, the meaning is likely preserved as the solar/stellar symbolism of the
cru x: t he vernal equinox ―crossing , ‖ th e cruciform depictions   ―with arms outstretched‖ of other
figures, and the cross of the zodiac.

Olcott summarizes the   cross ‘s solar significance :

Chief among these ecclesiastical solar symbols is the cross, symbol of th e Christian
faith, a symbol that antedated the birth of Christ, and one that found its origin in solar
worship. It occurs upon the monuments and utensils of every primitive people, from
China to Yucatan. It may be asked, how did the cross, symbol of the su n, originate?...

The simple cross, with perpendicular and transverse arms of equal length, represents
the nave and spokes of the solar wheel, sending forth its rays in all directions. In the
ancient parish church of Bebington, Cheshire, England, there is to be seen to this day
not only the solar wheel, as one of the adornments of the reredos, but deltas, acorns,
and Maltese crosses (all of which are pagan symbols) enter profusely into the decorative
features of the edifice.... 270

Jordan Maxwell likewise e xplains the zodiacal cross:

On the round surface of the yearly calendar, you draw a straight line directly across the
middle, cutting the circle in half — one end being the point of the winter solstice; the
other end being the point of the summer solstice. Then draw another straight line
(crossing the first one). One end of the new line being the spring equinox; the other end
being the autumn equinox... This is referred to by all major encyclopedias and reference
work, both ancient and modern, as   ― The Cross of the Zodiac. ‖ Thus, the life of God ‘s
― Sun ‖   is on ― the Cross. ‖   This is why we see the round circle of the Sun on the crosses
of   Christian Churches. 271

270 Olcott, 300 - 301.
271 Maxwell, 41.

www.StellarHousePublishing.com/zeitgeistsourcebook

.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
70

35.   This is why Jesus in early occult art is always shown with his head on the
cross, for Jesus is the sun, the “Sun of God, ” the “Light of the World, ” the
“Risen Savior, ” who will “come again, ” as it does every morning, the Glory of

God who defends against the works of dark ness, as he is “born again ” every
morning, and can be seen “coming in the clouds, ” “up in Heaven, ” with his
“Crown of Thorns, ” or, sun rays.

All of these characterist ics can be found in the Bible (King James Version):

―Light of the World‖ (Jn 9: 5)

―The Risen Savior‖ (Mt 28:6)

―come again‖ (Jn 14:3)

―Glory of God‖ (2 Cor 4:6)
defends against the works of darkness (Rom 13:12)
―born again‖   (Jn 3:3)
―coming in the clou ds ‖   (Mk 13:26)

in Heaven (Jn 3:13)

―Crown of Thorns‖ (Jn 19:5)

The saintly halo originated with the sun - god Helios, as pointed out even by Christian writers,
such as Wayne Blank of Daily Bible Study :

The heads of Saints didn ‘t really glow as is so ofte n portrayed in religious art. The use of the
halo, or nimbus, originated with the pagan Greeks and Romans to represent their sun
god, Helios. Later artists adopted it for use in Christian images.

The halo is actually just the sun behind the person ‘s head. .. It ‘s easy to recognize once one
realizes what it is, although it ‘s also often styli zed to make it less obvious. Originally a very
devious way of mixing idolatrous sun worship with Christianity by converts who were
not all that converted, the pagan halo became an unfortunate tradition in Christian
art. 272

As concerns Christ ‘s solar nature,   Dr. K.A. Heinrich Kellner, a professor of Catholic Theology at
the University of Bonn, states:

…The comparison of Christ with the sun, and of His work with the victor y of light over darkness,
frequently appears in the writings of the Fathers. St. Cyprian spoke of Christ as the
true sun ( sol verus ). St. Ambrose says precisely, ―He is our new sun ( Hic sol novus
noster ). ‖… 273

For more on the subject, see Murdock ‘s   Jesus as the Sun throughout the Ages , as well as ―Jesus
Christ, Sun of God ‖ in   Suns of God .

‗ Cristo sole ‘ — Christ as the sun god
with chariot and horses

c. 240   AD / CE
(St. Peter ‘s Basilica, Vatican)

272 Blank, ―Sunday is Not the Sabbath.‖

273 Kellner, 1 51.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
71

36.   Now, of the many astrological - astronomical metaphors in the Bible, one of
the most important has to do with the ages. Throughou t the scriptures there
are numerous references to the “Age. ” In order to understand this, we need to
be familiar with the phenomenon known as the precession of the equinoxes.
The ancient Egyptians along with cultures long before them recognized that
approx imately every 2,150 years the sunrise on the morning of the spring
equinox would occur at a different sign of the Zodiac.

First of all, it should be understood that the figure of 2,150 years is not an exact date for the
precession of the equinoxes, which is around 25,800 years long, rounded up to 26,000.
Secondly, although in the second century the Greek astronomer Hipparchus of Nicea became
the first to formalize the precession in writing, around 130   BCE , this knowledge seems to date
back several centurie s to millennia before that time. As Murdock elaborates:

Another important factor in ancient astrotheology is the precession of the equinoxes, a
phenomenon caused by the earth ‘s off - axis tilt, whereby the sun at the vernal equinox
(spring) is back - dropped by a different constellation every 2,150 or so years, a period
called an ―age.‖ One cycle of the precession through the 12 signs of the zodiacal ages is called
a ―Great Year,‖ and is approximately 26,000 years long. According to orthodox history, the
prece ssion was only ―discovered‖   in the second century   BCE   by the Greek   astronomer
Hipparchus; however, it is clear from ancient texts, traditions, artifacts and monuments
that more ancient peoples knew about it and attempted to compensate for it from age to
ag e. In Hamlet ’s Mill , Santillana and Dechend demonstrate knowledge of the precession
at much earlier times, stating: ―There is good reason to assume that he [Hipparchus] actually
rediscovered this, that it had been known some thousand years previously, and that on
it the Archaic Age based its long - range computation of time. ‖ 274

Astronomer Dr. Krupp agrees:

Circumstantial evidence implies that the awareness of the shifting equinoxes may be of
considerable antiquity, for we find, in Egypt at least, a success ion of cults whose
iconography and interest focus on duality, the bull, and the ram at appropriate periods
for Gemini, Taurus, and Aries in the precessional cycle of the equinoxes. 275

This scenario is described further thus:

Each year the sun passes enti rely around the zodiac and returns to the point from
which it started — the vernal equinox — and each year it falls just a little short of making
the complete circle of the heavens in the allotted period of time. As a result, it crosses
the equator just a litt le behind the spot in the zodiacal sign where it crossed the
previous year. Each sign of the zodiac consists of thirty degrees, and as the sun loses
about one degree every seventy two years, it regresses through one entire constellation
(or sign) in approx imately 2,160 years, and through the entire zodiac in about 25,920
years. (Authorities disagree concerning these figures.) This retrograde motion is called
the precession of the equinoxes. This means that in the course of about 25,920 years,
which constitu te one Great Solar or Platonic Year, each one of the twelve constellations
occupies a position at the vernal equinox for nearly 2,160 years, then gives place to the
previous sign.

Among the ancients the sun was always symbolized by the figure and nature o f the
constellation through which it passed at the vernal equinox. For nearly the past 2,000
years the sun has crossed the equator at the vernal equinox in the constellation of
Pisces (the Two Fishes). For the 2,160 years before that it crossed through the

constellation of Aries (the Ram). Prior to that the vernal equinox was in the sign of
Taurus (the Bull). It is prob able that the form of the bull and the bull ‘s proclivities were

274 Acharya, SOG , 40.
275 Krupp, ISAA , 218.

www.StellarHousePublishing.com/zeit

geistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
72

assigned to this constellation because the bull was used by the ancients to plow the
fields, and the season set aside for plowing and furrowing corresponded to the time at
which the sun reached the segment of the heavens named Taurus. 276

Please see A.L. Berger ‘s   Obliquity and precession for the last 5 million years , 277   and Nicholas
Campion ‘s   The Great Year   for more on the precession phenomenon.

37.   This has to do with a slow angular wobble that the Earth maintains as it
rotates on its axis. It is called a precession because the constellations go
backwards, rather than through the normal yearly cycle. The amount of time
that it takes for the precession to go thr ough all 12 signs is roughly 25,765
years. This is also called the “Great Year, ” and ancient societies were very
aware of this. They referred to each 2150 year period as an “age. ”

In discussing this theme as it concerns Christianity, it is important to re call the highly
astrological contents of the Bible, not only as metaphor but also as explicitly signified in the
stories themselves. For example, Job 38:31 - 33 (NKJV) says:

Can you bind the cluster of the Pleiades, Or loose the belt of Orion? Can you bring out
Mazzaroth in its season? Or can you guide the Great Bear with its cubs? Do you know
the ordinances of the heavens? Can you set their dominion over the earth?...

According to Strong ‘s Concordance (H4216), the   Hebrew word   הזרמ or ― Mazzaroth ‖   means ― the 12
signs of the Zodiac and their 36 associated constellations. ‖ Furthermore, there are many
references to   an ― a ge ‖ in the Bible as well, such as the following examples (NASB):

―I am with you always, even to the end of the age . ‖   (Mt 28:20)

―…it shall not be forgiven him, either in this age or in the age to come. ‖ (Mt 12:32)

―…the harvest is the end of the age…‖ (Mt 13:39)
―…what will be the sign of Your coming, and of the end of the age?‖   (Mt 24:3)

―…in the age to come, eternal life.‖ (Lk 18:30)
―Where is the debater of this age? ‖ (1 Cr   1:20)

―…he is wise in this age…‖ (1 Cr 3:18)

―…upon whom the ends of the ages have come.‖ (1 Cr 10:11)

―…not only in this age but also in the one to come.‖ (Eph 1:21)

―…the powers of the age to come…‖ (Hbr 6:5)

―…he has appeared once for all at the end of the age to put away sin by the sacrifice of
himself. ‖ (Hbr 9:2 6) (RSV)

The Greek word in question is   α ἰώ ν   or ―aion‖/‖aeon,‖ which Strong ‘s ( G165) defines as:

1)   for ever, an unbroken age, perpetuity of time, eternity
2)   the worlds, universe

3)   period of time, age

276   Hall, 151.
277   Berger, 127.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
73

While this term is often rendered ―world,‖ a more appropriate word for ―world‖ in Greek is κ ό σμος   or
―kosmos.‖   In any case, the Greek word α ἰώ ν   appears 128 times in 102 verses in the New
Testament, demonstrating its importance.

When other factors are included in the analysis, such as the ubiquitous mythical motifs o f the
bull, ram and fish, it appears that some of these biblical quotes may refer to the precessional
ages.   Indeed, the ―aions‖ or ―aeons‖ become personified within Gnosticism, a development that
Church father Hippolytus calls a ―Chaldean heresy,‖ ―Chaldea n ‖ referring to the famous astrologer
sect.   We also find references in the early Church fathers to ―new ages‖ or a ―new age, ‖   using the
word ―aion‖ or ―aeon,‖ such as in   the   Acts of the Disputation   by Archelaus, or   ὁ νέος α ἰὼ ν — ―the
new age ‖ — in the   Commenta ry on Luke   attributed to Eusebius. 278

It is unclear if these ―new ages‖ refer to the astrological eras based on the pre cession of the
equinoxes; however, the evidence indicates that members of the power structure and
intelligentsia — also frequently initiat es into brotherhoods and mystery schools — were not only
aware of the precession but indeed attempted to align their ideas, scriptures and iconography
to these various ―ages‖ or ―aeons.‖

The fact that in the second century these aeons were unquestionably id entified with the 12
apostles, who were likewise equated with the signs of the zodiac, lends credence to this concept
of aeons at times also representing the zodiacal signs or ages, centuries before the so - called
Christian era.   The same can be said of the god ―Aion of the Aions,‖ who was clearly solar, apparently
representing the archetypical sun surrounded by the 12.

Helios in his chariot with Christian cross,
12 apostles/signs of zodiac circling
c. 813 - 820   AD / CE
( Ptolemy's Handy Table s , Vaticanus graecus 1291)

38.   From 4300 B.C. to 2150 B.C., it was the Age of Taurus, the Bull. From
2150 B.C. to 1 A.D., it was the Age of Aries, the Ram, and from 1 A.D. to 2150
A.D. it is the Age of Pisces, the age we are still in to this day, and in and
a round 2150, we will enter the new age: the Age of Aquarius.

This information is readily available, 279   although there remains a question as to when exactly

these ages begin and end, as there is a sort of ―no man ‘s land ‖ of a couple hundred years when

278 Roberts, ANF , VI, 186. The original Greek is ἀ υ ί ησι τ ὸ ν β ῶ λον μετ ὰ το ῦ ν έ ου α ἰῶ νος , which is translated
by Roberts, et al., as: ―Then, again, he lets the soil go with the new æon. ‖ See ΕΥΣΕΒΙΟΥ ΚΑΙΣΑΡΕΙΑΣ ΕΙΣ ΤΟ
ΚΑΤΑ ΛΟΥΚΑΝ ΕΥΑΓΓΕΛΙΟΝ (―Eusebius of Caesa rea on The Gospel According to Luke ‖), line 009 02.

279 See, e.g., ―Axial precession‖ and ―Age of Aquarius‖ on Wikipedia.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
74

the sun is be tween constellations, so to speak. For example, estimates of when the Age of
Pisces began range from 255 or 150 years BCE to 0 AD / CE .

39. Now, the Bible reflects, broadly speaking, a symbolic movement through
three ages, while foreshadowing a fourth. In the O ld Testament when Moses
comes down Mount Sinai with the 10 Commandments, he is very upset to see
his people worshipping a golden bull calf. In fact, he shattered the stone
tablets and instructed his people to kill each other in order to purify them -
selves. Most biblical scholars would attribute this anger to the fact that the
Israelites were worshipping a false idol, or something to that effect. The
reality is — the golden bull is Taurus the Bull, and Moses represents the new

Age of Aries the Ram. This is wh y Jews even today still blow the Ram ’s horn.

(Jos 6:4) Moses represents the new Age of Aries, and upon the new age, ev -
eryone must shed the old age. Other deities mark these transitions as well,
such as Mithra, a pre - Christian god who kills the bull, in t he same symbology.

The stories of the golden bull calf (Exd 32:34) and the instruction to his people to kill each
other in order to purify themselves (Exd 32:27) are found in the biblical Book of Exodus. With
regard to the Bull/Calf symbolism as it relate s to the Age of Taurus, along with the transition
into the Age of Aries, the Ram, Carpenter explains:

...the Precession of the Equinoxes caused the Sun, at its moment of triumph over the
powers of darkness, to stand at one period in the constellation of t he Bull, and at a
period some two thousand years later in the constellation of the Ram. It was perfectly
natural therefore that a change in the sacred symbols should, in the course of time,
take place; yet perfectly natural also that these symbols, having once been consecrated
and adopted, should continue to be honored and clung to long after the time of their
astronomical appropriateness had passed, and so to be found side by side in later
centuries....

It is indeed easy to imagine that the change from th e worship of the Bull to the worship
of the Lamb which undoubtedly took place among various peoples as time went on, was
only a ritual change initiated by the priests in order to put on record and harmonize
with the astronomical alteration. Anyhow it is cu rious that while Mithra in the early
times was specially associated with the bull, his association with the lamb belonged
more to the Roman period. Somewhat the same happened in the case of Attis. In the
Bible we read of the indignation of Moses at the set ting up by the Israelites of a Golden
Calf, after the sacrifice of the ram - lamb had been instituted — as if indeed the rebellious
people were returning to the earlier cult of Apis which they ought to have left behind
them in Egypt. In Egypt itself, too, we f ind the worship of Apis, as time went on, yielding
place to that of the Ram - headed god Amun, or Jupiter Ammon. So that both from the
Bible and from Egyptian history we may conclude that the worship of the Lamb or Ram
succeeded to the worship of the Bull. 28 0

280 Carpenter, 46 - 48.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
75

The association of the bull - slaying god Mithra with the sign or Age of Taurus the Bull was
made by Porphyry (c. 232/4 - c. 305), 281 and from the evidence it is clear he was repeating an
older tradition. In addition to Porphyry,   ― the third - century church father Origen also confirms
the importance to Mithraism of the stars. ‖ 2 82

Concerning Mithraism, philosophy professor Dr. David   Ulansey says that ― recent work has
raised the possibility that Mithraic sanctuaries were used as astronomical observatories and
that holes piercing the walls and ceilings of the temples may have been placed for specific
astronomical purposes. ‖ 283

Dr. Ulansey also concludes:

...the Mithraists came to know about and attribute importance of the position of the
celestial equator as it was when the spring equinox was in Taurus...   284

As we have seen, th e knowledge of the precession evidently dates back centuries before being
formally described in writing by Hipparchus in the second century   BCE , and it appears that in
Mithraism we possess a clear vestige of myths and traditions developed during the Age of
Taurus as well as centuries afterward, in order to reflect the supposedly proper mythology for
that time period.   This point about Mithra ‘s relationship to Taurus is demonstrated quite well by Ulansey
in his book The Origins of the Mithraic Mysteries .

It is important to recall that these   ―ages‖ are symbolic and do not represent exact periods.
Moreover, rather than being a chronicle of ―history‖ written by those who purportedly experienced it,
the Old Testament is a collection of stories compiled over a per iod of centuries. Scholars who
claim the event is historical put Exodus around the 15 th century   BCE . In turn, this date is used
as an argument against the above point under the supposition that the Exodus reflects true,
literal history.

As we have seen, h owever, odds are there is relatively little real history in many of these biblical
texts, and these largely constitute fictional/allegorical stories. So, the argument that 1400   BCE

281   Ulansey, 17.
282   Ulansey, 18.
283   Ulansey, 17.
284   Ulansey, 62.

www.StellarHousePu

blishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
76

is later in time than the generalized beginning of the Age of Aries, which is around 2150   BCE
(plus or minus a few centuries), is not viable, because   t he ―real‖ bib lical events simply cannot
be proved to be historical, and the texts concerning them were largely composed in the
centuries after the Babylonian Exile (6 th cent.   BCE ), when Jewish priests evidently learned
about Babylonian astrology. From earl ier strata of these texts, such as the Book of Job, it
appears the Hebrews also knew the more rudimentary Chaldean star - worship and astronomy
as well.

40.   Now Jesus is the figure who ushers in the age following Aries, the Age of
Pisces or the Two Fish. Fish s ymbolism is very abundant in the New
Testament. Jesus feeds 5, 000 people with bread and “two fish. ” When he
begins his ministry walking along Galilee, he befriends two fisherman, who
follow him.

The motifs of Jesus miraculously feeding the crowd with two fish (Mt 14:17; Jn 6:9) and the
two fishermen (Mt 4:19) can be found in the New Testament. The gospel of John is loaded with
fishy imagery, including Jesus essentially establishing the fish as the symbol of the Christian
age, when he emphasizes it in the l ast chapter, after his Resurrection:

Jesus said to them, "Children, have you any fish?" They answered him, "No." (Jn 21:5)

The Greek word for fish is ΙΧΘΥΣ, which has been held since ancient times as a symbol of Jesus Christ,
thus further reinforcing the apparent astrological symbolism of Christianity, since we have
been astrologically in the Age of Pisces during the ―Christian era.‖ The fish symbol is therefore found
all over the place in Christian tradition: As another example, early Christians were cal led
―Pisciculi‖ or ―little fishes.‖   As the   Catholic Encyclopedia states: ― Among the symbols employed
by the primitive Christians, that of the fish ranks probably first in importance. ‖ 285 In this
regard, French historian and archaeologist Dr. Adolphe Napolé on Didron says:

The fish, in the opinion of antiquarians in general, is the symbol of Jesus Christ... A
fish is sculptured upon a number of Christian monuments, and more particularly upon
the ancient sarcophagi... It is seen also upon medals bearing the n ame of our Saviour,
and upon engraved stones, cameos and intaglios, The fish is also to be remarked upon
the amulets worn, suspended from the neck by children, and upon ancient glasses and
sepulchral lamps....

...Tertullian adds,   ― We are little fishes in Christ our great fi sh. ‖ 286

41.   And I think we ’ve all seen the Jesus - fish on the backs of people ’s cars.

Little do they know what it actually means. It is a Pagan astrological
symbolism for the Sun ’s Kingdom during the Age of Pisces. Also, Jesus ’
assumed birt h date is essentially the start of this age.

Concerning Jesus ‘s connection to   the astrological Age of   Pisces , Carpenter comments:

Finally it has been pointed out...that in the quite early years of Christianity the Fish
came in as an accepted symbol of Je sus Christ. Considering that after the domination
of Taurus and Aries , the Fish ( Pisces ) comes next in succession as the Zodiacal sign for
the Vernal Equinox, and is now the constellation in which the Sun stands at that
period, it seems not impossible that the astronomical change has been the cause of the
adoption of this new symbol. 287

Indeed, it is likewise important to point out that the LAMB too was associated with Jesus early

on. This fact represents a residual reference to the Age of Aries, while the Fish is the Age of

285   CE , VI, 83.
286   Didron, 346 - 347.
287   Carpenter, 48.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
77

Pisces, the next age in the precession of the equinoxes. Coupled with the astrological
symbolism in other parts of the Bible, it would be logical to conclude that we are seeing more of
the same here. Concerning this development, Murdock remarks:

As Moses was created to usher in the Age of Aries, so was Jesus to serve as the Avatar
of the Age of Pisces, which is evident from the abundant fish imagery used throughout
the gospel tale. This zodiacal connection has been so suppressed that people with the
fish symbol on the back of their cars have no idea what it stands for, although they are
fallaciously told it represents ―ICHTHYS,‖ as anagram for ―Jesus Christ, Son of God, Savior,‖
ichthys also being the Greek word for fish. 288

It is interesting to point out that the Egyptian god Horus was associated with t he Fish as well,
where ―Horus was portrayed as   Ichthys with the fish sign over his head. ‖ 289

Ancient Egyptian
engraving of the

Gnostic Horus,

termed ―Jesus Christ

in the character of

Horus ‖
(Massey, HJMC , 25)

Further clarification regarding the astrological poetry around Jesus may be found at John 14:2,
which says: ―In my father ‘s house are many mansions. ‖ The original Greek word is   μονα ὶ or monai, the
singular of which is defined   by Strong ‘s (G3438) as ―a staying, abiding, dwelling, abode, ‖ whi le the
Oxford Classical Greek Dictionary includes the word ―mansion‖ in its definition.   This odd saying has
been interpreted as a reference to the 12 signs or ―houses‖ of the zodiac. 290

42.   At Luke 22:10 when Jesus is asked by his disciples where the last Pas sover
will be, Jesus replied: “ Behold, when ye are entered into the city, there shall
a man meet you bearing a pitcher of water... follow him into the house where
he entereth in. ” This scripture is by far one of the most revealing of all the
astrological r eferences. The man bearing a pitcher of water is Aquarius, the
water - bearer, who is always pictured as a man pouring out a pitcher of water.
He represents the age after Pisces, and when the Sun, “ God ’ s Sun, ” leaves the

288   Acharya, CC , 146.
289   Massey, HJMC , 25 .

290   In strict as trological parlance, the ―houses‖ differ from the signs; yet, they have ―the same boundaries as the
twelve signs in the chart. ‖

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Eve r Told
78

Age of Pisces, “ Jesus, ” it will go into the House of Aquarius, as Aquarius
follows Pisces in the precession of the equinoxes. All Jesus is saying is that
after the Age of Pisces will come the Age of Aquarius.

Aquarius is Latin f or ―water - beare r/carrier. ‖ Its significance is summarized by Maxwell:

According to astrology, sometime after the year 2010, the Sun will enter His new Sign,
or His new Kingdom, as it was called by the ancients. This new coming Sign/Kingdom,
soon to be upon us, will be, according to the Zodiac, the House or Sign of Aquarius. So
when we read in Luke 22:10, we now understand why God ‘s Sun states that He and His
followers, at the last Passover, are to go into ―the house of the man with the water pitcher.‖ So
we see that in t he coming millennium, God ‘s Sun will bring us into His new Kingdom or House
of Aquarius (the man with the water pitcher). 291

Murdock likewise suggests that this pericope refers to the Aquarian Age:

…Jesus [evidently] makes mention of the preces sion of th e equinoxes of the change of the
ages when he says to the disciples, who are asking about how to prepare for the
―Passover‖: ―Behold, when you have entered the city, a man a carrying a pitcher of water will
meet you; follow him into the house wh ich he ente rs… ‖ (Lk 22:10) This famous yet
enigmatic passage [ostensibly] refers to the   ―house‖ or Age of Aquarius, the Water - Bearer,
and Jesus is instructing his disciples to pass over into it. 292

Combined with all the evidence we have seen regarding the astrology of the Bible and Christian
tradition, along with the astrotheology of much Pagan religion and mythology that Judaism
and Christianity are based on, these conclusions are logical and more scientific than believing
fabulous   biblical tales as either ―historic al ‖ or ―just made up.‖ In other words, the most scientific
conclusion is not that various supernatural motifs found in the New Testament tale are either
―factual‖ or simply fabricated on the spot by zealous followers of an otherwise ―historical‖ Je sus: In
reality, they are mythical, as found in the   myths   of predecessor gods and   goddesses, and
possess astrotheological meaning as they did in those myths.

43.   Now, we have all heard about the end times and the end of the world. The
cartoonish depictions in the Boo k of Revelation aside, a main source of this
idea comes from Matthew 28:20, where Jesus says “I will be with you even to
the end of the world. ” However, in the King James Version, “world ” is a
mistranslation, among many mistranslations. The actual word bei ng used is

“aeon ”, which means “age. ” “I will be with you even to the end of the age. ”
Which is true, as Jesus ’ Solar Piscean personification will end when the Sun
enters the Age of Aquarius. The entire concept of end times and the end of
the worl d is a m isinterpreted astrological allegory. Let ’s tell that to the
approximately 100 million people in America who believe the end of the world
is coming.

As we have seen, Matthew 28:20 states:   ―I will be with you even to the end of the age. ‖ The Greek
word   ―aio n ‖ or ―aeon‖ means ―age.‖ If God meant to say ―end of the world , ‖ He would have used
the Greek word ―kosmos.‖ As it had been in previous editions such as the Bishop ‘s Bible (1568), the
word was mistranslated   as ―world‖ in the King James Bible but has been corrected to ―age‖   in
the New King James Version as well as several other more modern English   translations.
Jerome ‘s Latin Vulgate translation uses the word   saeculum , which likewise means ―age,‖ among
other meanings. The Latin word for ―world‖ is   mundus .

Concerning this development, Massey remarks:

291 Maxwell, 43.
292 Acharya, CC , 146.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
79

In the course of Precession, about 255 B.C., the v ernal birthplace passed into the sign
of the Fishes, and the Messiah who had been represented for 2155 years by the Ram or
Lamb, and previously for other 2155 years by the Apis Bull, was now imaged as the
Fish, or the   ― Fish - man, ‖ called Ichthys in Greek. T he original Fish - man — the An of
Egypt, and the Oan of Chaldea — probably dates from the previous cycle of precession,
or 26,000 years earlier; and about 255 B.C., the Messiah, as the Fish - man, was to come
up once more as the Manifestor from the celestial wate rs. The coming Messiah is called
Dag, the Fish, in the Talmud; and the Jews at one time connected his coming with
some conjunction, or occurrence, in the sign of the Fishes! This shows the Jews were
not only in possession of the astronomical allegory, but also of the tradition by which it
could be interpreted. 293

Regarding the strange imagery in the biblical book of Revelation, Dr. George A. Wells connects
the figure seven to the sun, moon and five planets that make up the days of the week:

Revelation ‘ s f iguring the heavenly Jesus as a lamb with seven horns and seven eyes
― which are the spirits of God sent forth into all the earth ‖   (5:6) is a manifold reworking
of old traditions. Horns are a sign of power (Deuteronomy 33:17) and in Daniel
designated kingly power. The seven eyes which inform the lamb of is happening all over
the earth seem to be residues from ancient astrological lore...according to which God ‘ s
eyes are the sun, the moon, and the five planets... 294

The Book of Revelation is a highly astroth eological text, apparently depicting the Great Year or
Precession of Equinoxes. For more on this subject, see the chapter ―The Meaning of Revelation‖ in
Murdock ‘s   The Christ Conspiracy . Suffice it to say that the biblical Armageddon will only   take
place at all if humanity brings it to pass by its own hand, especially by believing in this
purported biblical blueprint.

44.   Furthermore, the character of Jesus, being a literary and astrological
hybrid, is most explicitly a plagiarization of the Egyptian sun god Ho rus. For
example, inscribed about 3,500 years ago, on the walls at the Temple of Luxor
in Egypt are images of the enunciation, the miracle conception, the birth,
and the adoration of Horus. The images begin with Thoth announcing to the
virgin Isis that she will conceive Horus, then Kneph the holy ghost
impregnating the virgin, and then the virgin birth and the adoration.

Regarding the birth scene of Amenhotep III at Luxor, Egyptologist Dr. Sharpe states:

In this picture we have the Annunciation, the Conce ption, the Birth, and the Adoration,
as described in the First and Second Chapters of Luke ‘s Gospel; and as we have historical
assurance that the chapters in Matth ew ‘s Gospel which contain the Miraculous Birth of
Jesus are an after addition not in the earl iest manuscripts, it seems probable that these
two poetical chapters in Luke may also be unhistorical, and be borrowed from the
Egyptian accounts of the miraculous birth of their kings.

293 Massey, Lectures , 7 - 8.
294 Wells, WWJ , 179.

www.StellarHo

usePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
80

Although his interpretations have been challenged, Murdock demonstrates several important
aspects of Sharpe ‘s contentions to have a factual basis , and concludes:

Regardless of the order of the scenes, or the terminology used to describe elements
thereof, the fact remains that at the Temple of Luxor is depicted the conception upon a
virgin by the highly important father god, Amun, to produce a divin e son. As we have
seen, Amun ‘s divine child in this birth cycle is the ―bringer of salvation,‖ and this myth of the
miraculous birth of the divine savior likely was ―recorded of every Egyptian king,‖ making it
highly noticeable long before the Christ figur e was ever conceived.

The Luxor nativity scene represents the birth sequence of an obviously very important
god - king, as it was depicted in one of the most famous Egyptian sites that endured for
some 2,000 years. Egypt, it should be kept in mind, was a me re stone ‘s throw from the Israelite
homeland, with a well - trodden ―Horus road,‖ called in the ancient texts the ―Ways of
Horus ‖ or ―Way of Horus,‖ linking the two nations and possessing numerous Egyptian
artifacts, including a massive, long - lived fort and Horus temple at the site of Tharu, for
instance. Moreover, at the time when Christianity was formulated, there were an
estimated 1 million Jews, Hebrews, Samaritans and other Israelitish people in Egypt,
making up approximately one - half of the important an d influential city of Alexandria.
The question is, with all the evident influence from the Egyptian religion upon
Christianity that we have seen so far — and will continue to see abundantly — were the
creators of the Christian myth aware of this highly signifi cant birth scene from this
significant temple site in Egypt? If not, these scenes were widespread enough right up
to and into the common era — could the creators of Christianity really have been
oblivious to these images and the stories of royal divine birth s they depict? 295

An extensive discussion of this subject can be found in Murdock ‘s article ―The Nativity Scene at Luxor‖
and   in her book   Christ in Egypt , pp. 167 - 194.

45.   This is exactly the story of Jesus ’ miracle conception. In fact, the literary
similari ties between the Egyptian religion and the Christian religion are
staggering. And the plag iarism is continuous. The story of Noah and Noah ’s

Ark is taken directly from tradition. The concept of a Great Flood is
ubiquitous throughout the ancient world, wit h over 200 cited claims in differ -
ent periods and times.

The existence of flood myths other than the biblical one is well known, as is the sensible
suggestion that Noah ‘s Ark is a mythical tale. 296   Regarding the flood, Barbara Walker states:

The biblical flood story, the ―deluge , ‖ was a late offshoot of a cycle of flood myths known
everywhere in the ancient world. Thousands of years before the Bible was written, an
ark was built by the Sumerian Ziusudra. In Akkad, the flood h ero ‘s name was
Atrakhasis. In Babylon he was Uta - Napishtim, the only mortal to become immortal. In
Greece he was Deucalion, who repopulated the earth after the waters subsided [and
after the ark landed on Mt. Parnassos]. In Armenia, the hero was Xisuthros — a
corruption of Sumerian Ziusu dra — whose ark landed on Mount Ararat.

According to the original Chaldean account, the flood hero was told by his god,   ― Build
a vessel and finish it. By a deluge I will destroy substance and life. Cause thou to go up
into the vessel the substance of all th at has life …. 297

Putting an even greater number to the myths, Boston University professor Dr. Robert M.

Schoch writes:

295   Murdock, CIE , 193 - 194.
296   For more information o n Noah ‘s Ark, see Murdock ‘s   Christ Conspiracy and Suns of God .
297   Walker, B., WEMS , 31 5.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
81

Noah is but one tale in a worldwide collection of at least 500 flood myths, which are the
most widespread of all ancient myths a nd therefore can be considered among the
oldest. Stories of a great deluge are found on every inhabited continent and among a
great many different language and culture groups. 298

46. However, one need look no further for a pre - Christian source than the Epic
o f Gilgamesh, written in 2600 B.C. This story talks of a Great Flood
commanded by God, an Ark with saved animals upon it, and even the release
and return of a dove, all held in common with the biblical story, among many
other similarities.

Regarding the Ep ic of Gilgamesh, British archaeologist Dr. R. Campbell Thompson states:

The Epic of Gilgamish, written in cuneiform on Assyrian and Babylonian clay tablets, is
one of the most interesting poems in the world. It is of great antiquity, and, inasmuch
as a fr agment of a Sumerian Deluge text is extant, it would appear to have had its
origin with the Sumerians at a remote period, perhaps the fourth millennium, or even
earlier. Three tablets of it exist written in Semitic (Akkadian), which cannot be much
later th an 2,000 B.C…. 299

Biblical scholar Dr. Howard M. Teeple further discusses the biblical flood tale and its apparent
sources:

The famous Graf - Wellhausen Hypothesis assigned letters to the four main sources [of
the Noah ‘s Ark story] ... The two sources for t he Flood story are J and P.... J has

additional parallels with one of more of the Sumerian and Babylonian versions of the
story. The exact day that the Flood will begin was predetermined; a special period of
seven days preceded the Flood; one or more inte rvals of seven days occurred at the end
of the flood; the hero opened a window or hatch at the end of the voyage; a covering for
the Ark as the Flood neared its end, and the raven did not return... The Lord liked the
smell of burnt offering, as did gods in general in the Gilgamesh Epic.

P, too, has parallels with the one of more of the Mesopotamian accounts. The size of the
Ark is given; the deity specified its size, shape, and number of decks; pitch is used in its
construction; the ark ‘s door is mentioned ; the ship lands on a mountain or mountains.
After the Flood was over, the god Enlil blessed the hero and his wife in the Gilgamesh
Epic, as God blessed Noah and his sons in P.

The large number of parallels demonstrates that the... Flood (Genesis) accounts are
derived ultimately from the Mesopotamian versions that preceded them ....This fact

indicated that J ‘s source was not identical with P ‘s source, which is not surprising,
considering that many forms of the story were in circulation, and that P was
incor porated in genesis four or five centuries later...

When the Genesis Flood is traced back to its ultimate sources, which are the Sumerian
story and the Babylonian versions of it, those sources very clearly are fictional. The
sources are poetry, composed an d transmitted for entertainment and to promote
various ideas. 300

298   Schoch, 249.
299   Thompson, 9.
300   Emphasis added.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
82

47.   And then ther e is the plagiarized story of Moses. Upon Moses ’ s birth, it is
said that he was placed in a reed basket and set adrift in a river in order to
avoid infanticide. He was later rescued by a daughter of royalty and raised by
her as a Prince. This baby in a bas ket story was lifted directly from the myth
of Sargon of Akkad of around 2250 B.C. Sargon was born, placed in a reed
basket in order to avoid infanticide, and set adrift in a river. He was in turn
rescued and raised by Akki, a royal mid - wife.

The Moses na tivity story can be found at Exodus 2:1 - 10. Concerning Moses and Sargon,
British Assyriologist Dr. George Smith says:

In the palace of Sennacherib at Kouyunjik I found another fragment of the curious
history of Sargon... This text relates, that Sargon, an early Babylonian monarch, was
born of royal parents, but concealed by his mother, who placed him on the Euphrates
in an ark of rushes, coated with bitumen, like that in which the mother of Moses hid
her child, see Exodus ii. Sargon was discovered by a man named Akki, a water - carrier,
who adopted him as his son, and he afterwards became king of Babylonia.... The date of

Sargon, who may be termed the Babylonian Moses, was in the sixteenth century B.C. or
perhaps earlier. 301

Regarding this theme, Murdock sa ys:

Like Moses, [the Indian virgin - born hero Karna] was placed by his mother in a reed boat
and set adrift in a river to be discovered by another woman. The Akkadian Sargon also
was placed in a reed basket and set adrift to save his life. In fact,   ―T he na me Moses is
Egyptian and comes from mo , the Egyptian word for water, and uses , meaning saved
from water... ‖ 302

Concerning the Moses myth, Barbara Walker likewise elaborates:

The Moses tale was originally that of an Egyptian hero, Ra - Harakhti, the reborn sun
god of Canopus, whose life story was copied by biblical scholars. The same story was
told of the sun hero fathered by Apollo on the virgin Creusa; of Sargon, king of Akkad in
2242 BC; and of the mythological twin founders of Rome, among many other baby
heroes set adrift in rush baskets. It was a common theme … 303

48.   Furthermore, Moses is known as the Law Giver, the giver of the Ten
Commandments, the Mosaic Law. However, the idea of a Law being passed
from God to a prophet up on a mountain is also a very ol d motif. Moses is just
another lawgiver in a long line of lawgivers in mythological history. In India,
Manou was the great lawgiver. In Crete, Minos ascended Mount Dicta, where
Zeus gave him the sacred laws. While in Egypt there was Mises, who carried
ston e tablets and upon them the laws of god were written. Manou - Minos -
Mises - Moses.

301   Smith, G., 224 - 225.

302   Acharya, CC , 241. It has been reported (including in Christ Conspiracy ) that the Indian figure was
Krishna; however, the story in the Mahabharata invo lves the birth of Karna via the impregnation of the
young virgin Kunti by the sun god Surya, after which she is promised her virginity remains intact. As

Chaitanya says, ―The Mahabharata here mentions c learly that Soorya did not have sex with her, but

imp regnated her through his yogic power so that her maidenhood remained undamaged… [T] he consummation of
the invocation is through a yogic process, leaving Kunti ‘s virginity intact, making Karna ‘s birth an ‗immaculate ‘ one
and Kunti a virgin mother in the mos t inclusive meaning of the term. ‖ The virgin mother Kunti gives birth immediately
to a ―shining bright‖ child, whom she places in the river.

303 Walker, B., WDSSO , 441.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
83

The story of Moses and the Ten Commandments is found at Exodus 20:2 - 17. Dutch theologian
and professor of Hebrew Antiquities at the University of Leiden Dr. Henricus Oort summarizes
the ubiquitous tradition of laws/texts being   passed from ―God‖ to a prophet:

No one who has any knowledge of antiquity will be surprised at this...to one or more
great men, all of whom, without exception, were supposed to have received their
knowledge from some deity. Whence did Zarathustra (Z oroaster), the prophet of the
Persians, derive his religion? According to the belief of his followers, and the doctrines
of their sacred writings, it was from Ahuramazda (Ormuzd) the god of light. Why did the
Egyptians represent the god Thoth with a writin g tablet and a pencil in his hand, and
honor him especially as the god of the priests? Because he was   ― the lord of the divine
word, ‖ from whose inspiration the priests, who were the scholars, the lawgivers, and the
religious teachers of the people, derived all their wisdom. Was not Minos, the law - giver
of the Cretans, the friend of Zeus, the highest of the gods? Nay, was he not even his
son, and did he not ascend to the sacred cave on Mount Dicte to bring down the laws
which his god had placed there for him ? 304

Regarding the Cretan king Minos, famed archaeologist Dr. Arthur J. Evans, excavator of the
site of Knossos on Crete, remarks:

...it is as the first lawgiver of Greece that [Minos] achieved his greatest renown, and the
code of Minos became the source of all later legislation. As the wise ruler and inspired
lawgiver there is something altogether biblical in his legendary character. He is the
Cretan Moses, who every nine years repaired to the cave of Zeus, whether on the Cretan
[Mount] Ida or on [Mount] Dicta, and received from the god of the mountain the laws for
his people. Like Abraham, he is described as the   ― friend of God. ‖ 305

In a section entitled, ―Abraham is Brahma? Moses is Dionysus?‖ in   The Gospel According to
Acharya S , Murdock writes:

Famed Israelite prophet Moses too appears to be not a historical figure but a mythical
character   replicated in a number of cultures….

In the writings of French scholar Voltaire   we find… :

The ancient poets have placed the birth of Bacchus in Egypt; he is expos ed on
the Nile and it is from that event that he is named Mises by the first Orpheus,
which, in Egyptian , signifies ―saved from the waters‖… He is brought up near a
mountain of Arabia called Nisa, which is believed to be Mount Sinai. It is
pretended that a goddess ordered him to go and destroy a barbarous nation and
that he passed through the Red Sea on foot, with a multitude of men, women,
and children. Another time the river Orontes suspended its waters right and left
to let him pass, and the Hydaspes did the same. He commanded the sun to
stand still; two luminous rays proceeded from his head. He made a fountain of
wine spout up by striking the ground with his thyrsus, and engraved his laws on
two tables of marble. He wanted only to have afflicted Egypt wi th ten plagues, to
be the perfect copy of Moses.

Voltaire likewise names others preceding him who had made this comparison between
Moses and Dionysus/Bacchus, such as the Dutch theologian Gerhard Johann
Voss/Vossius (1577 – 1649), whose massive study of myt hology has never been
translated from the Latin, and Pierre Daniel Huet (1630 - 1721), the Bishop of
Avranches. Another commentator was French novelist Charles - Antoine - Guillaume
Pigault - Lebrun or ―Le Brun‖ (1753 - 1835), who in his Doubts of Infidels remarked:

304 Oort, 301.
305 Evans, 426.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
84

The history of Moses is copied from the history of Bacchus, who was called
Mises by the Egyptians, ins tead of Moses. Bacchus was born in Egypt; so was
Moses... Bacchus passed through the Red Sea on dry ground; so did Moses.
Bacchus was a lawgiver; so was Moses. Bacchus was picked up in a box that
floated on the water; so was Moses.... Bacchus by striking a rock made wine

gush forth... Bacchus was worshipped...in Egypt, Phenicia, Syria, Arabia, Asia
and Greece, before Abraham ‘s day. 306

For a discussion of the appellation ―Mises,‖ see   The Gospel According to Acharya S , pp. 72 - 73.

In ―The Origins of Christi anity and the Quest for the Historical Jesus Christ, ‖ Murdock summarizes:

The legend of Moses, rather than being that of a historical Hebrew character, is found
in germ around the ancient Middle and Far East, with the character having different
names and races, depending on the locale:   ― Menu ‖ is the Indian legislator;   ― Mises ‖
appears in Syria and Egypt, where also the first king,   ― Menes, the lawgiver ‖ takes the
stage;   ― Minos ‖ is the Cretan reformer;   ― Mannus ‖ the German lawgiver; and the Ten
Commandments ar e simply a repetition of the Babylonian Code of Hammurabi and the
Egyptian Book of the Dead, among others. Like Moses, in the Mahabharata the Indian
son of the Sun God named Karna was placed by his mother in a reed boat and set adrift
in a river to be disc overed by another woman. A century ago, Massey outlined that even
the Exodus itself is not a historical event, an opinion now shared by many
archaeologists and scholars. That the historicity of the Exodus has been questioned is
echoed by the lack of any ar chaeological record, as is reported in Biblical Archaeology
Review   ( ― BAR ‖ ), September/October 1994. 307

See her article for the citations.

49.   And as far as the Ten Commandments, they are taken outright from Spell
125 of the Egyp tian Book of the Dead. What th e Book of the Dead phrased “I
have not stolen ” became “Thou shall not steal, ” “I have not killed ” became
“Thou shall not kill, ” “I have not told lies ” became “Thou shall not bear false
witness ” and so forth. In fact, the Egyptian religion is likely the pri mary
foundational basis for the Judeo - Christian theology.

The Ten Commandments allegedly given by God to Moses on the top of Mount Sinai are
evidently related to Egyptian tradition and appear to have common roots with the Egyptian
Book of the Dead, especi ally chapter or spell 125. 308 The Babylonian Code of Hammurabi is
likewise considered a possible pre - Mosaic - law code that was essentially copied/adapted into
the Ten Commandments. The fact that the Code of Hammurabi was known in Israel in the
Middle Bronze Age seems to be proved by a recent find called the ―Hazor Law Code Tablet‖:

For the first time in Israel, a document has been uncovered containing a law code that
parallels portions of the famous Code of Hammurabi. The code is written on fragments
of a c uneiform tablet, dating from the 18 th - 17 th centuries B.C.E in the Middle Bronze
Age, that were found in Hebrew University of Jerusalem archaeological excavations this
summer at Hazor, south of Kiryat Shmonah, in northern Israel ….

The fragments that have n ow been discovered, written in Akkadian cuneiform script,
refer to issues of personal injury law relating to slaves and masters, bring to mind
similar laws in the famous Babylonian Hammurabi Code of the 18 th century B.C.E. that

306   Murdock, GAS , 72.
307   Murd ock, OCQHJC , 22 - 23.
308   See, e.g., Faulkner, pl. 31.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
85

were found in what is now Iran over 100 years ago. The laws also reflect, to a cer tain
extent, Biblical laws of the type of ―a tooth for a tooth,‖ say the researchers. 309

With regard to the Egyptian religion being the foundation of the Judeo - Christian theology,
Egyptologist Dr. E.A. Wallis Budge makes it clear:

...In Osiris the Christ ian Egyptians found the prototype of Christ, and in the pictures
and statues of Isis suckling her son Horus, they perceived the prototype of the Virgin
Mary and her Child. Never did Christianity find elsewhere in the world a people whose
minds were so thor oughly well prepared to receive its doctrines as the Egyptians. 310

Below is an appendix of comparisons between the Egyptian and Christian religion from
Egyptologist Ge rald Massey ‘s monumental work, a ncient Egypt The Light of The World . This list is
derive d from the Pyramid Texts, Coffin Texts and the Book of the Dead, among other artifacts.
Many of Massey ‘s most germane parallels have been confirmed by Murdock in Christ in Egypt ,
through a detailed analysis of primary sources, as well as the works of crede ntialed authorities.
Interested parties are therefore directed to Murdock ‘s book.

309 ―T ablet Discovered by Hebrew U Matches Code of Hammurabi . ‖
310 Budge, EIFL , 81.

www.StellarHousePublishing.com/zeitgeistsourceboo

k.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
86

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
87

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
88

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
89

50.   Baptism, 311   afterlife, 312   final judgment, virgin birth, 313   death and
resurrection, 314   crucifixion, 315   the ark of th e covenant, 316   circumcision, 317
saviors, 318   holy communion, 319   the great flood, 320   Easter, 321   Christmas, 322
Passover, 323   and many, many more, are all attributes of Egyptian ideas, long
predating Christianity and Judaism.

See the sources and commentary on previous pages, as well as the citations denoted in the
paragraph above.

The Egyptian afterlife was the major focus of the religion, with numerous texts designed to
describe and bring it about for the deceased. A thorough discussion of the afterlife focus in the
Egyptian religion can also be found in Murdock ‘s Christ in Egypt . The final judgment scene
with the god Osiris appears in the Book of the Dead. The annual flooding of the Nile is well
known.

Egyptian Book of the Dead
The Deceased in th e Judgment Hall
(Papyrus of Ani, British Museum

Tirard, 125)

51.   Justin Martyr, one of the first Christian historians and defenders, wrote:

“When we say that he, Jesus Christ, our teacher, was produced without sexual
union, was crucified and died, and rose again, and ascended into Heaven, we
propound nothing different from what you believe regarding those who you
esteem Sons of Jupiter. ” In a different writing, Justin Martyr said “He was
born of a virgin, accep t this in common with what you believe of Perseu s. ”
It ’s obvious that Justin and other early Christians knew how similar

Christianity was to the Pagan religions. However, Justin had a solution. As far
as he was concerned, the Devil did it. The Devil had the foresight to come
before Christ, and create h is characteristics in the Pagan world.

This passage from Justin Martyr is important to us, because it shows that the idea of
Christianity being borrowed from earlier religions is not modern. Its similarities were talked

311   Murdock, CIE , 231 - 260.
312   See, e. g., Budge, EBD (1995), 66.
313   See Murdock, CIE , 138ff.
314   See Murdock, CIE , 376ff.
315   See Murdock, CIE , 335.
316   Murdock, CIE , 109, 383.
317   Brier, 69, 74.
318   Murdock, CIE , 79, 139, 203, 280, 321, 381, etc.

319   Budge, OERR , I, 264.

320   For more on the flood tradition, see Acharya, C C , 237 - 239.
321   See Murdock, CIE , 389ff.
322   Murdock, CIE , 79 - 119.
323   Massey, AELW , II, 746.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
90

about essentially since the beginning of the Chri stian era, which truly took place in the second
century. 324

Elsewhere in his First Apology (22), Justin further defends the Christian religion by explaining
how similar it was to Pagan religions, including in its miracles:

And in that we say that He made whole the lame, the paralytic, and those born blind,
we seem to say what is very similar to the deeds said to have been done by
Aesculapius.... 325

In his First Apology , chapter 54, entitled,   ― Origin of Heathen Mythology, ‖ Justin blamed the
prescient devi l and his minions for the parallels between Christ and Pagan gods:

...For having heard it proclaimed through the prophets that the Christ was to come , and
that the ungodly among men were to be punished by fire, [the wicked demons] put
forward many to be c alled sons of Jupiter, under the impression that they would be
able to produce in men the idea that the things which were said with regard to Christ
were mere marvellous tales, like these things which were said by the poets. 326

Justin thus clearly contend s that these tales by the poets predated   Christ ‘s purported advent, as
he says, ―Christ was to come,‖ i.e., in the future.

For further validation ideologically, let ‘ s jump to a similar quote by Church father Tertullian
(155 - 222   AD / CE ):

The devil, whose b usiness is to pervert the truth, mimics the exact circumstances of the
Divine Sacraments... Thus he celebrates the oblation of bread, and brings in the symbol
of the resurrection. 327

Celsus, a second - century Greek Philosopher, did not hold back his critic isms of various
supernatural Christian claims:

Are these distinctive happenings unique to the Christians — and if so, how are they
unique? Or are ours to be accounted myths and theirs believed? What reasons do the
Christians give for the distinctiveness of their beliefs?

In truth there is nothing at all unusual about what the Christians believe, except that
they believe it to the exclusion of more comprehensive truths about God. 328

52.   The Bible is nothing more than an astrotheological literary fold hybrid,
ju st like nearly all religious myths before it.

The term   ―a strotheology ‖ goes back a couple centuries and can be generally defined as a
theology, or religion, that is symbolically derived from natural phenomena, specifically the
characteristics and movement s of the celestial bodies and their relationship to the earth and,
consequently, to the human beings who live upon it. Ancient Greek gods were classic examples
of Deity defined by processes of nature, such a Poseidon, the god of the sea, or Zeus, the sky
g od. Various Egyptian gods and goddesses were also highly astrotheological, as were those of
Babylon, Sumeria and India. In fact, it is rather obvious that the tendency to believe as
―historical‖ supernatural phenomena   attributed to a god figure in various myths comes from   the
lack of knowledge about astrotheology and nature worship.

324   For a scientific analysis of the timeline of the canonical gospels, see the chapter ―The Gospel Dates‖ in
Murdock ‘s   Who Was Jesus? , pp. 59 - 83.
325   Roberts, ANF , I, 170.
326   Roberts,   ANF , I, 181. (Emph. added.)

327 De Praescriptione Haereticorum , ch. 40, § 2, 4. The original Latin is: ― A diabolo scilicet, cujus sunt
partes intervertendi veritatem, qui ipsas quoques res sacramentorum divinorum idolorum mysteriies
aemulatur …celebrat et pan is oblationem, et imaginem resurrectionis inducit, et sub gladio redimit
coronam.... ‖ (Labriolle, 86.)

328 Hoffman, 120.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
91

This supernat ural and ―historical‖ explanation   for natural and astronomical mythological motifs is
little different than how numerous diseases were first attributed to demons before the scientific
age.   In fact, the term ―Act of God‖ is still used today on insurance for ms to describe earthquakes and
the like.

As we have seen, this tradition of nature worship and astrotheology — the anthropomorphizing
of natural and celestial phenomena — extends very far back in time, many thousands of years
ago, in many parts of the world. More specific to the origin of Christianity itself, Dead Sea scroll
scholar John M. Allegro had the following to say about the Gnostic Christians, which some
claim are the earliest of the Christian sects:

Thus for the Gnostic, as for religionists all over the world, the heavenly bodies were
imbued with divinity and honoured as angelic bodies. 329

Much more on this subject of astrotheology and its relationship to our ―modern‖ relig ions can be found
throughout this book, obviously, as well as in many sources cited herein, including Murdock ‘ s
Suns of God , pp. 48ff.

53.   In fact, the aspect of transference, of one character ’ s attributes to a new
character, can be found within the book itself. In the Old Testament there ’ s
the story of Joseph. Joseph was a prototype for Jesus. Joseph was born of a
miracle birth (Gen 30:22 - 24), Jesus was born of a miracle birth (Mt 1:18 - 23).
Joseph was of 12 brothers (Gen 42:13), Jesus had 12 disciples (Mt 10:1).
Joseph was sold for 20 pieces of silver (Gen 37:28), Jesus was sold for 3 0
pieces of silver (Mt 26:15). Brother “ Judah ” suggests the sale of Joseph (Gen
37:26 - 27), disciple “ Judas ” suggests the sale of Jesus (Mt 26:14 - 15). Joseph
began his work at the age of 30 (Gen 37:28), Jesus began his work at the age
of 30 (Mt 26:15). The parallels go on and on.

Exact Biblical sources for these Joseph - Jesus parallels are cited above, while some of the less
obvious points are delineated below.

Joseph ’s “Mirac ulous Birth ”:   Genesis 30:22 - 24 (KJV) says:

And God remembered Rachel, and God hea rkened to her, and opened her womb. And
she conceived, and bare a son; and said, God hath taken away my reproach: And she
called his name Joseph; and said, The L ORD shall add to me another son.

If God is intervening in the   creation of Joseph, it is thus a ―miracle birth . ‖

Joseph began his work at the age of 30:   Joseph became what some scholars refer to as
―governor‖ of Egypt at 30   years old (Genesis 41:45 - 46):

And Pharaoh said unto Joseph, See, I have set thee over all th e land of Egypt…. And

Pharaoh ca lled Joseph ‘ s name Zaphnathpaaneah; and he gave him to wife Asenath the
daughter of Potipherah priest of On. And Joseph went out over [all] the land of Egypt.
And Joseph [was] thirty years old when he stood before Pharaoh king of Egypt. And
Joseph went out from the presence of Pharaoh, and went throughout all the land of
Egypt.

Concerning the name the pharaoh gave Joseph, Murdock demonstrates that it means ―savior of the
world. ‖ 330   Hence, while Jesus begins his minister as savior of the world at age 30, so too does
Joseph.

Following is a list of various parallels between Joseph and Jesus. More discussion of this

subject may be found in the section ―Joseph, A Type of Jesus‖ in Murdock ‘s   Who Was Jesus? ,   pp.
119, et seq.

329   Allegro, 112.
330   Murdock, WWJ , 120fn.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
92

Joseph and Jesus comparisons 331   Old   New
Testament   Testament
Both were the favorite sons of a wealthy father.   Gen 37:3   Mt 3:17
Both were shepherds of their   father ‘s sheep.   Gen 37:2   Jn 10:11 - 14
Both were taken into Egypt to avoid being killed.   Gen 37:28   Mt 2:13
Both became servants.   Gen 39:4   Phil 2:7
Both began their work at the age of 30 years old.   Gen 41:46   Lk 3:23
Both wer e filled with the Spirit of God.   Gen 41:38   Lk 4:1
Both returned good for evil.   Gen 50:20   Mt 5:44
Both were humble and unspoiled by wealth.   Gen 45:7 - 8   Jn 13:12
Both were taught by God.   Gen 41:16   Jn 5:19
Both loved people freely.   Gen 45:15   Jn 13:34
Both gained the confidence of others quickly.   Gen 39:3   Mt 8:8
Both gave bread to hungry people who came to them.   Gen 41:57   Mk 6:41
Both resisted the most difficult temptations.   Gen 39:8 - 9   Heb 4:15
Both were given visions of the future.   Gen 37:6   Mt 24:3
Bot h tested people to reveal their true nature.   Gen 42:25   Mk 11:30
Both were hated for their teachings.   Gen 37:8   Jn 7:7
Both were sold for the price of a slave.   Gen 37:28   Mt 26:15
Both were falsely accused.   Gen 39:14   Mk 14:56
Both were silent before their accusers.   Gen 39:20   Mk 15:4
Both were condemned between two prisoners.   Gen 40:2 - 3   Lk 23:32
Both arose into a new life.   Gen 41:41   Mk 16:6
Both were not recognized by their own brethren.   Gen 42.8   Lk 24:37
Both returned to their father.   Gen 46:29   Mk 16:1 9
Both became royalty.   Gen 45:8   Rev 19:16

54.   Furthermore, is there any non - biblical historical evidence of any person,
living with the name Jesus, the Son of Mary, who traveled about with 12
followers, healing people and the like? There are numerous histor ians who
lived in and around the Mediterranean either during or soon after the
assumed life of Jesus. How many of these historians document this figure?
Not one.

As difficult as it is for some to believe, after nearly two millennia of searching there rema ins no
valid, scientific evidence that the New Testament figure of Jesus Christ ever walked the earth.
As Murdock says:

We have no primary sources proving that Jesus Christ actually existed, no legal
documents, no   ― glyphs, ‖ no papyri, no statuary, coins — n othing. All we have to go on is
hearsay, the bulk of which is secondary, tertiary and so on. …[O]nly two gospels are accepted
as having come from alleged eyewitnesses, and these constitute but a few dozen pages
with little biographical or historical materi al yet full of miracles, impossibilities and
improbabilities. All the rest of Christian literature represents sources that are
secondary and tertiary, etc. 332

Murdock ‘s   book   Who Was Jesus? Fingerprints of The Christ   is highly recommended for this
specific investigation.

Also, it is worth pointing out a basic logic that coincides with this revelation: How many prior

deity/saviors — of which the history of this subject is full — have proved to exist in third -

331 The following list is taken and partially adapted from ― Jesus as a Reincarnation of Joseph , ‖ www.near -
death.com/experiences/origen043.html
332 Murdock, RZC , 20.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
93

dimensional form? How m any people today think that Horus or Osiris existed? That Zeus or
Apollo truly lived? How many today believe Mithra or Attis were real figures in history?

In this regard, concerning the theory of euhemerism or evemerism — which posits that various
gods, god men, kings, queens, heroes and legends of ancient times were in fact real people, to
whose mundane biographers were added a series of supernatural and mythical motifs — French
writer Dujardin remarks:

This doctrine is nowadays discredited except in the case of Jesus. No scholar believes
that Osiris or Jupiter or Dionysus was an historical person promoted to the rank of god,
but exception is made only in favour of Jesus...

It is impossible to rest the colossal work of Christianity if he was a man. 333

Furthe rmore, if any   ―Jesus‖ had actually existed as a human, it becomes very clear that the Jesus of
the canonical gospels could not possibly have been him, because there is no evidence for any of
the acts performed in the biblical   Christ ‘s life, and the evidenc e that does exist suggests him to
be another mythical fabrication as had been made by numerous priesthoods for thousands of
years previously.

As John E. Remsburg makes clear:

That a man named Jesus, an obscure religious teacher, the basis of the fabulous
Christ, lived in Palestine about nineteen hundred years ago, may be true. But of this
man we know nothing. His biography has not been written. 334

In other words, when the mythological layers are peeled, there is no core to the onion. And, a
composite of 20 people, real or mythical, is no one .

55.   However, to be fair, that doesn ’t mean defenders of the historical Jesus
haven ’t claimed the con trary. Four historians are typically referenced to
justify Jesus ’s existence : Pliny the younger, Suetonius, Tacitus are the first
three. Each one of their entries consists of only a few sentences at best and
only refer to “Christus ” or the Christ, which in fact is not name but a title. It
means the “Anointed one . ” The fourth source is Josephus , and this source
has been pro ven to be a forgery for hundreds of years. Sadly, it is still cited as
truth.

Before this subject is addressed, it is often argued that possibly the reason the biblically
defin ed Jesus is not discussed outside of the gospels is because he was largely ―unk nown. ‖ However,
this argument is contradicted by a wealth of evidence in the Bible itself. As Murdock comments
in Who Was Jesus? regarding the silence of contemporary historians:

…This silence is singularly astounding, in consideration of the repeated ass ertions in the gospels
that Christ was famed far and wide, drawing great crowds because of his miraculous
healings, causing a fracas with the local and imperial authorities, and, upon his death,
creating astonishing and awesome miracles and wonders the wor ld had never seen
before, including not only an earthquake and the darkening of the sun and moon, but
also dead people rising from their graves and visiting people in town ….

These   ― great crowds ‖ and   ― multitudes, ‖ along with Jesus ‘ s fame, are repeatedly re ferred
to in the gospels, including at the following: Mt 4:23 - 25, 5:1, 8:1, 8:18, 9:8, 9:31, 9:33,
9:36, 11:7, 12:15, 13:2, 14:1, 14:13, 14:22, 15:30, 19:2, 21:9, 26:55; Mk 1:28, 10:1; Lk

4:14, 4:37, 5:15, 14:25, etc. 335

In this regard, Jim Walker says:

333   Dujardin, 3 - 4.
334   Remsburg, 24,
335   Murdock, WWJ , 84 - 85. See p. 85 for the list of historians and other writers   as found in ―ZEITGEIST.‖

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
94

If, indeed, the Gospels portray a historical look at the life of Jesus, then the one feature
that stands out prominently within the stories shows that people claimed to know
Jesus far and wide, not only by a great multitude of followers but by the great priests,
the Roman governor Pilate, and Herod who claims that he had heard   ― of the fame of
Jesus. ‖ (Matt 14:1) One need only read Matt: 4:25 where it claims that   ― there followed
him [Jesus] great multitudes of people from Galilee, and from Decapolis, and f rom
Jerusalem, and from Judea, and from beyond Jordan. ‖ The gospels mention, countless
times, the great multitude that followed Jesus and crowds of people who congregated to
hear him. So crowded had some of these gatherings grown, that Luke 12:1 alleges th at
an   ― innumerable multitude of people... trode one upon another. ‖ Luke 5:15 says that
there grew   ― a fame abroad of him: and great multitudes came together to hear... ‖ The
persecution of Jesus in Jerusalem drew so much attention that all the chief priests and
scribes, including the high priest Caiaphas, not only knew about him but helped in his
alleged crucifixion. (see Matt 21:15 - 23, 26:3, Luke 19:47, 23:13). The multitude of
people thought of Jesus, not only as a teacher and a miracle healer, but a prophe t (see
Matt:14:5).   So, to say Jesus wasn ‘t well known is obviously contradictory to the Gospel
claims. 336

As concerns the purported evidence of this widely famed, miraculous advent, the most
disputed and defended of the four historians listed above are Jo sephus and Tacitus, so it is to
them that we will turn in our analysis here. (For more information about the others, as well as
Thallus, Phlegon and Mara Bar - Serapion, see Murdock ‘s   Who Was Jesus?)

Flavius Josephus:   Concerning the famed passage in the wor ks of Jewish historian Josephus,
who wrote around 100   AD / CE , in ―The Jesus Forgery: Josephus Untangled,‖ Murdock writes :

Despite the best wishes of sincere believers and the erroneous claims of truculent
apologists, the Testimonium Flavianum has been demo nstrated continually over the
centuries to be a forgery, likely interpolated by Catholic Church historian Eusebius in
the fourth century. So thorough and universal has been this debunking that very few
scholars of repute continued to cite the passage after the turn of the 19 th century.
Indeed, the TF was rarely mentioned, except to note that it was a forgery, and
numerous books by a variety of authorities over a period of 200 or so years basically
took it for granted that the Testimonium Flavianum in its en tirety was spurious, an
interpolation and a forgery.

In this regard, Dr. Gordon Stein relates:

...the vast majority of scholars since the early 1800s have said that this quotation is not
by Josephus, but rather is a later Christian insertion in his works . In other words, it is
a forgery, rejected by scholars.

And   Earl Doherty says, in ―Josephus Unbound‖:

Now, it is a curious fact that older generations of scholars had no trouble dismissing
this entire passage as a Christian construction. Charles Guigneb ert, for example, in his
Jesus ..., calls it ―a pure Christian forgery.‖ Before him, Lardner, Harnack and Schurer, along
with others, declared it entirely spurious. Today, most serious scholars have decided
the passage is a mix: original parts rubbing shoul ders with later Christian additions.

The second Josephan passage, regarding James ( Antiquities , 20.9), reads:

Festus was now dead, and Albinus was but upon the road; so he assembled the
sanhedrin of judges, and brought before them the brother of Jesus, w ho was called

336 Walker, J., ― Did a historical Jesus exist? ‖

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
95

Christ, whose name was James, and some others; and when he had form ed an
accusation against them as breakers of the law, he delivered them to be stoned. 337

Critics contend that the   phrase ―who was called Christ‖ is an obvious and awkward interpolation.
Again, for more on the Testimonium Flavianum and James passage, see M urdock ‘s ―The Jesus
Forgery: Josephus Untangled, ‖   Suns of God   and   Who Was Jesus?

Regarding the Josephan evidence, Jewish writer ben Yehoshua asserts:

Neither of these passages is found in the original version of the Jewish Antiquities
which was preserved by the Jews. The first passage (XVII, 3, 3) was quoted by Eusebius
writing in c. 320 C.E., so we can conclude that it was added in some time between the
time Christians got hold of the Jewish Antiquities and c. 320 C.E. It is not known when
the other pass age (XX, 9, 1) was added... Neither passage is based on any reliable
sources. It is fraudulent to claim that these passages were written by Josephus and
that they provide evidence for Jesus. They were written by Christian redactors and were
based purely on Christian belief. 338

Publius Cornelius Tacitus:   In addition to the reference to   ― Christus ‖   (Christ), the Roman
historian Tacitus (56 - 117) also makes mention of   ― Christians ‖ and   ― Pilate . ‖ Found is   Tacitus ‘s
Annals , oddly noticed no earlier than the 15 th   c entury, the passage reads:

... he had denomination from Christus, who, in the resign of Tiberius, was put to death
as a criminal by the procurator Pontius Pilate.

This seemingly supportive sentence with regard to the historical Jesus can also be suspecte d to
be an interpolation — a forgery — for the following reasons, as noted by Doane (566):

337 Whiston, 406.

338 ben Yehoshua, ―The Myth of the Historical Jesus.‖

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITG EIST Sourcebook: Part 1 — The Greatest Story Ever Told
96

56. You would think that a guy who rose from the dead and ascended into
Heaven for all eyes to see and performed the wealth of miracles acclaimed to
him would have made it i nto the historical record. He didn ’ t, because once
the evidence is weighed, there are very high odds that the figure known as
Jesus, did not even exist.

As stated by The Universal Jewish Encyclopedia (VI, 83):

The only definite account of his life and te achings is contained in the four Gospels of
the New Testament, Matthew, Mark, Luke and John . All other historical records of the
time are silent about him. The brief mentions of Jesus in the writings of Josephus,
Tacitus and Suetonius have been generally r egarded as not genuine and as Christian
interpolations; in Jewish writings there is no report about Jesus that has historical
value. Some scholars have even gone so far as to hold that the entire Jesus story is a
myth…

To learn more about the historical/n on - historical Christ known as ―Jesus , ‖ the following books are
recommended:

D.M. Murdock, Who was Jesus? , Stellar House Publishing, 2007.

Earl Doherty, Jesus Neither God Nor Man: The Case for a Mythical Jesus , Age of
Reason Publications, 2009.
Robert M. Price, Deconstructing Jesus , Prometheus, 2000.
Freke and Gandy, The Jesus Mysteries , Three Rivers Press, 1999.
Herbert Cutner, Jesus: God, Man or Myth? , Book Tree, 2000.
John E. Remsburg, The Christ Myth , BiblioBazaar, 2009.

57. “ ...the Christian religion is a parody on the worship of the sun, in which
they put a man whom they call Christ, in place of the sun, and pay him the

same adoration which was originally paid to the sun... ”

This quote is from famous Anglo - American philosopher and revolutionary statesma n Thomas
Paine ‘s ―Origin of Freemasonry‖ and can be found in The Theological Works of Thomas Paine , p.
283.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
97

58.   The reality is, Jesus was the solar deity of the Gnostic Christian sect, and
like all other Pagan gods, he was a mythical figure.

The mythical nature of Christ is concluded from a lack of evidence for his existence and the
preponderance of his alleged characteristics and deeds clearly being part of Pagan mythology,
and has been demonstrated throughout this Sourcebook.

In this regard, in Man Made God , Barbara Walker says:

During the past century or so, scholars have shown that all these ―known‖ details of Jesus ‘s life
story   ar e mythic: That is, they were told for many centuries before his time about many
previous savior - gods and legendary heroes in pre - Christian lore. Not a single detail of
Jesus ‘s life story can be considered authentic. Some investigators have tried to peel aw ay the
layers of myth in search of a historical core, but this task is like peeling the layers of an
onion. It seems that there is no core. The layers of myth go all the way to the center. 339

For additional discussion of the who ‘s and where ‘s of this fasc inating religious mystery, see the works
cited here. As concerns the Gnostic and Essenic origins of Christianity, see also the works of
John Allegro, one of the select few who were initially allowed to analyze the famed ―Dead Sea
Scrolls ‖ found in 1947 , wh ich appear to be dated from between the second century BCE   to the 1
st

century AD / CE .

In a work about these ancient texts called The Dead Sea Scrolls and the Christian Myth , Allegro
describes what was learned about the ―Essene/Gnostic Christians‖ and   prese nts the idea that   the
b iblical ―Jesus‖ of the gospels is a fictional interpolation of a prior Gnostic or other brotherhood
figure, possibly an Essene teacher:

… What is new, thanks largely to the Dead Sea Scrolls, is our ability now to recognise in
the so - called intertestamental period (that is, in the crucial centuries between the most
recent books of the Old Testament canon, say Daniel in the second century BC, and the
earliest writings of the New Testament, the letters of St. Paul) that the Essene
moveme nt provided just the right mix of early Canaanite folk - religion, prophetic
Yahwism, Babylonian magic, and Iranian dualism to have produced gnostic
Christianity. What it could not produce, and never did, was an historical Joshua/Jesus
Messiah living in Pale stine during the first century AD and bearing any real
resemblance to the...prophet that popular imagination has largely created out of the
Gospels.

Behind the Jesus of western religious tradition there did exist in history an Essene
Teacher of Righteousn ess of a century before... 340

But, of course, it is not him who is being recorded in the New Testament, and this ―Teacher of
Righteousness ‖ is only one of several figures who were drawn upon in order to create the fictional
character called ―Jesus Christ. ‖ For more information on who created Christianity, see Murdock ‘s
―Essenes, Zealots and Zadokites,‖ ―Alexandria: Crucible of Christianity‖ and ―Enter Rome‖ in   The
Christ Conspiracy ; ―The Mysterious Brotherhood‖ in   Suns of God ; and ―The Alexandrian Roots of
Christianity ‖ in   Christ in Egypt .

As part of this precedent cultus upon which Christianity was evidently founded, Jewish tribes
and later groups were likewise known to participate, like their neighbors, in sun worship, as
overtly stated in the Bible itse lf, as at 2 Kings 23:11:

And he removed the horses that the kings of Judah had dedicated to the sun, at the
entrance to the house of the L ORD , by the chamber of Nathan - melech the chamberlain,

which was in the precincts; and he burned the chariots of the s un with fire. (RSV)

339 Walker, B., MMG , 144.
340 Allegro, 190 - 191.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
98

Indeed, the sun worship and ―whoring after other gods‖ of the Hebre ws, Israelites and Jews is
notoriously recorded in biblical texts, while other instances of Hebrew astrotheology are
covertly expressed, as we have seen here. This Jewish sun worship is examined in detail in
Yahweh and the Sun: Biblical and Archaeological Evidence for Sun Worship in Ancient Israel   by
Rev. Dr. J. Glen Taylor, an associate professor of Old Testament at the University of Toronto,
who demonstrates that even the tribal god Yahweh himself possessed many solar attributes
and was taken to be a sun god as well. Says Dr. Taylor:

Probably the most provocative issue related to the nature of sun worship in ancient
Israel...is the specific claim that Yahweh was identified with the sun. 341

Concerning certain "prayers to the sun" reported by Josephus to h ave been said by the
Essenes, dating to the period right before and into that of Christianity's germination, Dr.
Morton Smith states:

...there is no reason to derive the prayers to the sun from Neopythagorean influence.
Sun worship was one of the most pro minent elements in the neighboring religion of
Egypt, in Syria it increased steadily during Greek and Roman times, and it was also
important in Transjordan. Tacitus remarked that the Roman soldiers who hailed the
rising sun at the battle of Cremona (AD 69) followed the Syrian custom... 342

Dr. Smith also says:

In Palestine itself sun worship was well established before the Israelite invasion... One
of the heroes of early Israelite legend was Samson ( Shimshon , from Shemesh ,
approximately, 'Sunman')… The Isr aelites of course shared the common ancient belief that the
sun, moon, and stars were living beings.... 343

This Jewish sun worship continued into the common era, as is evidenced by the presence on
the floors of ancient synagogues mosaic zodiacs with the s un god in the center, as at Hammat
Tiberias (4
th
cent.   AD / CE ), Sepphoris (5
th
- 6
th
cents.   AD / CE ), and Beit Alpha (6
th
cent.   AD / CE ) in
Israel.

Mosaic with zodiac and Helios
4th cent.   AD / CE
synagogue, Hammat Tiberias
(Kalmin, 99)

341   Ta ylor, 20.
342   Smith, M., 248.
343   Morton, 248.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
99

In consideration of all the facts presented in this present work and in its sources, it is l ogical to
conclude that, like the solar superhuman Samson, Jesus is another rendition of the sun god
turned into a Jewish ―messiah.‖

59.   It was the political establishment that sought to historicize the Jesus
figure for social control. In 325 A.D. in Rome, Em peror Constantine convened
the Council of Nicea. It was during this meeting that the politically motivated
Christian doctrines were established and thus began a long history of
religious bloodshed and spiritual fraud. And for over the next 1,000 years, the
Vatican maintained a political stranglehold on all of Europe, leading to such
joyous periods as the Dark Ages, along with enlightening events such as the
Crusades, and the Inquisition.

The influence of the Roman authorities in the creation of Christianit y is vast, including not
only during centuries subsequent to the composition of the canonical gospels, but also within
the New Testament texts themselves. As just a couple of examples, at Matthew 22:21, Jesus is
made to say: ― Render therefore unto Caesar t he things which are Caesar's , ‖ in response to a
question about tribute money — a very convenient reply for the Empire. Moreover, in the Pauline
epistles, the writer continually exhorts slaves to obey their masters in everything — again, very
convenient for the wealthy slave owners, whose possession are obviously under no threat from
Christianity. Moreover, the author of the First Epistle of Peter (2:17) exhorts his followers to
― Honor the emperor. ‖   (RSV)

In the words of John Allegro referring to the transition into what we know as Christianity
today:

When, in the early fourth century, the so - called Great Church attained its goal, its
internal enemies lay torn and bleeding, or scattered into the heretical wilderness. Their
books were burned, their doctrines for sworn, and often intentionally perverted. Its
mythology was misinterpreted and mocked, but a single figure was wrested from its rich
store of imagery and made paramount, even historical. The Joshua/Jesus Cycle of
stories was pruned of some of the more impr obable narratives, given an unrealistic pro -
Roman slant, and combined with genuine Essene moral teachings suited more to the
sheltered life of a closely knit desert commune that the rough - and - tumble of secular
living... 344

Again, for more information on w ho actually created Christianity, see the works of Acharya
S/D.M. Murdock.

60.   Christianity, along with all other related theologies, is an historical fraud.
These religions now serve to detach the species from the natural world and
likewise each other. They support blind submission to authority. They reduce
human responsibility to the effect that “God ” controls everything, and in
turn awful crimes can be justified in the name of a Divine Pursuit. And most
critically, it empowers the political establishment, w ho have been using the
myth to manipulate and control societies. The religious myth is the most
powerful device ever created, and serves as the psychological soil upon which
other myths can flourish.

This conclusion has been demonstrated throughout this S ourcebook, as well as in various
texts cited here and in other writings showing the cost to the human and natural worlds
because of religious fanaticism and supremacism, such as Helen Ellerbe ‘s   The Dark Side of Christian

History ; James Haught ‘s Holy Horror s ; and Barbara Walker ‘s Man Made God .

344 Allegro, 192.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
100

While the conclusion here can be considered an opinion, it doesn ‘t take m uch reflection to see how the
Abrahamic religions — Christianity, Islam and Judaism — and others have been used for political
purposes since the very beginning. There is a reason why we hear politicians use the phrase
―God Bless America‖ or the like in other c ountries even today — it is usually a ploy for
manipulation. During the Iraq war of 2003, there were numerous statements about God made
by George W. Bush and even the media. We have also learned that the rifles used by American
troops had notations for bibli cal scriptures in their scopes. 345 The ploy was, in part, the idea of
a religious war, between Christians and Muslims, rallying both sides to the conflict in the name
of competing ideologies. Likewise, psychology has shown that, in certain cases, belief in a larger
―controlling power‖ can create numerous forms of neurosis, both limiting a sense of responsibility and
promoting evangelism and prophetic delusions that breed fanaticism....

345 ― U.S. Military We apons Inscribed With Secret 'Jesus' Bible Codes , ‖ abcnews.go.com/Blotter/us -
military - weapons - inscribed - secret - jesus - bible - codes/story?id=9575794

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Bibliography

―Age of Aquarius.‖ en.wikipedia.org/wi ki/Age_of_Aquarius
―Axial   precession . ‖ en.wikipedia.org/wiki/Axial_precession_(astronomy)

― Jesus as a Reincarnation of Joseph , ‖   www.near - death.com/experiences/origen043.html
―Ice Age star map discovered . ‖   news.bbc.co.uk/2/hi/871930.stm
―Oldest Solar Obser vatory in Americas Found in Peru. ‖
www.npr.org/templates/story/story.php?storyId=7658847

― Tablet Discovered by Hebrew U Matches Code of Hammurabi , ‖

www.israelnationalnews.com/News/news.aspx/138788

― U.S. Military Weapons Inscribed With Secret 'Jesus' Bib le Codes , ‖

abcnews.go.com/Blotter/us - military - weapons - inscribed - secret - jesus - bible -
codes/story?id=9575794
Acharya S/Murdock, D.M. The Christ Conspiracy: The Greatest Story Ever Sold . Illinois:

Adventures Unlimited Press, 1999.
— Suns of God: Krishna, Budd ha and Christ Unveiled . Illinois: AUP, 2004.

Allegro, John M. The Dead Sea Scrolls and the Christian Myth . Buffalo: Prometheus, 1992.

Allen, James P. The Ancient Egyptian Pyramid Texts . Atlanta: Society of Biblical
Literature, 2005.

Assman, Jan. Egyptia n Solar Religion in the New Kingdom . London/New York: Kegan
Paul International, 1995.
— The Search for God in Ancient Egypt . New York: Cornell University Press, 2001.
Athanassiadi - Fowden, Polymnia, and Michael Frede, eds. Pagan Monotheism in Late Antiquity .

Oxford: Clarendon Press, 2001.

Balfour, Edward, ed. Cyclopedia of India and of Eastern and Southern Asia , V. Madras:
Scottish and Lawrence Presses, 1873.

ben Yehoshua, Hayyim. ―The Myth of the Historical Jesus.‖
mama.indstate.edu/users/nizrael/jesusref utation.html

Berger, A.L.   ― Obliquity and precession for the last 5 million years , ‖   Astronomy
and Astrophysics , 51. 1976.

Berry, Gerald. Religions of the World . New York: Barnes & Noble, 1968.

Bertholet, Alfred. ―The   Pre - Christian Belief in the Resurrect ion of the Body, ‖   The American
Journal of Theology , XX, 1. Chicago: University of Chicago Press, 1916.

Blank, Wayne. ―Sunday is Not the Sabbath.‖ www.keyway.ca/htm2002/20020524.htm Bonwick,
James. Egyptian Belief and Modern Thought . Colorado: The Falcon ‘s Wing Press,

1956.

Botterweck, G. Johannes, and Helmer Ringgren, eds. Theological Dictionary of the Old
Testament , II. Grand Rapids: Wm. B. Eerdmans, 1975.

— III. Grand Rapids: Wm. B. Eerdmans, 1978.

Brier, Bob, and Hoyt Hobbs. Daily Life of the Ancient Egyptians . Greenword Press,
Westport/London, 1999.
Bryant, Edwin F., ed. Krishna: A Sourcebook . New York: Oxford University Press, 2007.

Budge, E.A. Wallis. Babylonian Story of the Deluge and the Epic of Gilgamish . Montana:
Kessinger Publications, 2005.
— The Egyptian Book of the Dead . New York: Dover Publications, 1967.

— The Egyptian Book of the Dead . New York: Gramercy Books, 1995.

— An Egyptian Hieroglyphic Dictionary . New York: Dover, 1978.
— An Egyptian Hieroglyphic Dictionary , I. Montana: Kessinger, 2003.
— Egyptian Ideas of the Future Life , I. London: Kegan Paul, Trench, Trübner & Co., 1900.
— A Guide to the First and Second Egyptian Rooms . London: British Museum, 1898.

— Legends of the Egyptian Gods . Wildside Press, 2009.
— Legends of the Gods . London: Kegan, Paul, 1912.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
102

— On the Future Life: Egyptian Religion . Montana: Kessinger, 2005.
— Osiris or the Egyptian Religion of Resurrection , I. Montana: Kessinger, 2003.
Burchett, Bessie Rebecc a. Janus in Roman Life and Cult: A Study in Roman Religions .

Wisconsin: George Banta Pub. Co., 1918.
Busenbark, Ernest. Symbols, Sex, and the Stars . Escondido: The Book Tree, 1997.
Campbell, Joseph. Masks of God: Creative Mythology . New York: Arkana, 1991 .

— The Mythic Image . New Jersey: Princeton University Press, 1974.
Campion, Nicholas. The Great Year: Astrology, Millenarianism, and History in the Western
Tradition . London: Penguin, 1994.

Carpenter, Edward. Pagan and Christian Creeds: Their Origin and Meaning . Harcourt, Brace &
Co., 1921.
Carus, Paul, ed. The Open Court , IV. Chicago: The Open Court Publishing Company, 1900.

Catholic Encyclopedia , IV. ed. Charles Herbermann. New York: Universal
Knowledge Foundation, 1913.
— VI. New York: Universal Knowle dge Foundation, 1909.
— X. New York: Encyclopedia Press, 1913.

Cellarius, Andreas. Atlas Harmonia Macrocosmica .
www.phys.uu.nl/~vgent/cellarius/cellarius_plates.htm

Chaitanya, Satya.   ―Kunti and the Birth of the Sun God ‘s Child. ‖
www.boloji.com/hinduism/11 7.htm
Chardonnens, László Sándor. Anglo - Saxon Prognostics, 900 - 1100 . Leiden: E.J. Brill, 2007.

The Classical Journal , XXIX. London: A.J. Valpy, 1824.

Cooper, William R. The Horus Myth in Its Relation to Christianity . London: Harwicke &
Bogue, 1876.
de Jo ng, Albert. Traditions of the Magi: Zoroastrianism in Greek and Latin Literature . Leiden:

E.J. Brill, 1997.
Didron, Adolphe Napoleon. Christian Iconography: The History of Christian Art in the Middle
Ages , I. London: Henry G. Bohn, 1851.

Diodorus Siculus . The Antiquities of Egypt . tr. Edwin Murphy. New Brunswick:
Transaction, 1990.

Doane, Thomas W. Bible Myths, and Their Parallels in Other Religions . New York: J.W.
Bouton, 1884.

Doherty, Earl.   ― JOSEPHUS UNBOUND: Reopening the Josephus
Question. ‖ jesuspu zzle.humanists.net/supp10.htm

—   Jesus Neither God Nor Man: The Case for a Mythical Jesus . Ottawa: Age of
Reason Publications, 2009.
— The Jesus Puzzle . Ottawa: Canadian Humanist Publications, 2009.

Dolan, Chris. "Crux." www.astro.wisc.edu/~dolan/constella tions/constellations/Crux.html
Dupuis, Charles F. Origine de tous les cultes ou Religion Universelle , V. Paris: La Libraire
Historique, 1822.
Edmunds, Albert J. Buddhist and Christian Gospels , I. Philadelphia: Innes & Sons, 1914.

Ellerbe, Helen. The Dark Side of Christian History . San Rafael: Morningstar Books, 1995.

Ellyard, David, and Wil Tirion. The Southern Sky Guide . Cambridge: Cambridge
University Press, 2005.

Encyclopedia Britannica . ed. Hugh Chisom. New York: The Encyclopedia Britannica
Company,   1910.

Eusebius. ―Commentary on Luke.‖   www.documentacatholicaomnia.eu/02g/0265 -
0339,_Eusebius_Caesariensis,_Fragmenta_in_Lucam,_MGR.pdf
— Eusebii Pamphili Evangelicae Praeparationis , Libri XV, Tomus III. ed. E.H. Gifford. Oxford:
E Typographeo Academico, 19 03.

Evans, Arthur J. ― The Palace of Minos, ‖ Annual Report of the Board of Regents of
the Smithsonian Institution . Washington: Government Printing Office, 1902.

Ezquerra, Jaime Alvar, and R.L. Gordon. Romanising Oriental Gods: Myth, Salvation and Ethics
i n the Cults of Cybele, Isis and Mithras . Leiden: E.J. Brill, 2008.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
103

Fairchild, Mary. ―Resurrection of Jesus Christ — Bible Story Su mmary. ‖
christianity.about.com/od/biblestorysummaries/p/theresurrection.htm
Faulkner, Raymond O. The Egyptian Book of the Dead . San Francisco: Chronicle Books, 1998.

Frankfort, Henri. Kingship and the Gods . Chicago: University of Chicago Press, 1978.

Fra zer, James George. The Golden Bough: A Study in Magic and Religion . New York:
Collier Books, 1950.
— The Golden Bough, IV: Attis Adonis Osiris , II. London, MacMillan and Co., 1919.

Gonda, Jan. The Vedic God Mitra . Leiden: E.J. Brill, 1972.
Goodman, George R. ―Easter (3),‖   The Freethinker , vol. 85. London, 1965.

Goyon, Jean - Claude, and Christine Cardin, eds. Proceedings of the Ninth International
Congress of Egyptologists , I. Leuven: Peeters, 2007.

Graves, Robert. The White Goddess . New York: Farrar, Strau s & Giroux, 1948, 1966.

Griffiths, John Gwyn. The Divine Verdict: A Study of Divine Judgment in the Ancient Religions .
Leiden: E.J. Brill, 1991.
— The Origins of Osiris and His Cult . Leiden: E.J. Brill, 1980.

Hall, Manly. The Secret Teaching of All Ages . New York: Jeremy P. Tarcher/Penguin, 2003.
Halsberghe, Gaston H. The Cult of Sol Invictus . Leiden: E.J. Brill, 1972.

Harari, Josue V. Textual Strategies: Perspectives in Post - Structural Criticism . Ithaca, NY:
Cornell University Press, 1979.
Haught, James.   Holy Horrors: An Illustrated History of Religious Murder and Madness . Buffalo:

Prometheus, 1990.
Hazelrigg, John. The Sun Book . Washington: Health Research, 1971.

Heath, Dunbar Isidore. Phoenician Inscriptions , I. London: Bernard Quaritch, 1873.
Heilbro n, John L. The Sun in the Church: Cathedrals as Solar Observatories . Cambridge:

Harvard University Press, 2001.
Herodotus. The Histories . tr. Aubrey de Selincourt. New York: Penguin Books, 1972.

Higgins, Godfrey. Anacalypsis, an Attempt to Draw Aside the Veil , I. London: Longman,
Rees, Orme, Brown, 1836.
Hinnells, John R., ed. Proceedings of the First International Congress of Mithraic Studies , II.

Manchester University Press, 1975.

Hoffman, R. Joseph. Celsus on the True Doctrine . New York/Oxford: Oxfor d University
Press, 1987.

Hornung, Erik. Conceptions of God in Ancient Egypt . tr. John Baine. New York:
Cornell University Press, 1982.

— The Valley of the Kings: Horizon of Eternity.   tr. David Warburton, New York:
Timken Publishers, 1990.
Hugh - Jones, Ste phen, and James Alexander Laidlaw, eds. The Essential Edmund Leach , v. 1 - 2.

Yale University Press, 2001.

Hunt, Patrick. "Titian's BACCHUS AND ARIADNE (1520 - 23) from Classical Art and Literature."
metamedia.stanford.edu/philolog/2006/10/titians_bacchus_an d_ariadne_15.html
Jackson, John. Christianity Before Christ . Austin: American Atheist Press, 1985.
Jackson, Samuel M., and George W. Gilmore, eds. The New Schaff - Herzog Encyclopedia , VII.

Funk & Wagnalls, 1910.

Jensen, Robin M. ―Witnessing the Divine: Th e Magi in Art and Literature. ‖ www.bib - arch.org/e -
features/witnessing - divine.asp

Kalmin, Richard, and Seth Schwartz, eds. Jewish Culture and Society under the
Christian Roman Empire . Leuven: Peeters, 2003.

Kellner, Karl Adam Heinrich. Heortology: a Histo ry of the Christian Festivals from their Origin to

the Present Day . London: Kegan Paul, 1908.

Kerenyi, Carl. Dionysos: Archetypal Image of Indestructible Life . New Jersey:

Princeton University Press, 1976.
King, Charles W. Plutarch ’s Morals . Montana: Kes singer, 2006.

Krupp, Edwin C. Echoes of the Ancient Skies: The Astronomy of Lost Civilizations . New York:

Dover, 2003.
— In Search of Ancient Astronomies . New York: Doubleday, 1978.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
104

LaBriolle, Pierre de. Tertullien: De Praescriptione Haereticorum . Paris: Librairie Alphonse
Picard, 1907.
Lactantius. Divine Institutes . tr. Anthony G. Bowen. Liverpool: Liverpool University Press, 2003 .

Lane, Eugene N. Cybele, Attis and Related Cults . Leiden: E.J. Brill, 1996.

Larson,   Marisa. ― Bethlehem of Judaea — or of Galilee? ‖
ngm.nationalgeographic.com/geopedia/Bethlehem
Larson, Martin A. The Story of Christian Origins . Washington: Village, 1977.

Leedom, Tim, ed. The Book Your Church Doesn ’t Want You to Read . Kendall/Hunt, 1993. Leeming,
David Adams. Mythology: The Voyage of the Hero . New York/Oxford University Press,
1998.

— The Oxford Companion to World Mythology . New York; Oxford: Oxford Univers ity
Press, 2005.
Legge, Francis. Forerunners and Rivals of Christianity: From 330 B.C. to 330 A.D. New York:

University Books, 1964.

Lockyer, Norman.   ― Early Asterims. ‖   Nature , XLVIII. London/New York: MacMillan and
Co., 1893.
Lundy, John P. Monumental Ch ristianity: Or, the Art and Symbolism of the Primitive Church .

New York: J.W. Boulton, 1876.
Macrobius. The Saturnalia . tr. PV Davies. New York: Columbia University Press, 1969.

Mangasarian, M.M. The Truth About Jesus: Is He a Myth? Chicago: Independent
Religious Society, 1909.
Mansfield, Jaap, and David T. Runia. Aëtiana: The Method and Intellectual Context of a

Doxographer . Leiden: E.J. Brill, 2009.
Maspero, Gaston. History of Egypt, Chaldea, Syria, Babylonia and Assyria , I. ed. A.H,. Sayce.

London: T he Grolier Society, 1906.
Massey, Gerald. Ancient Egypt: Light of the World , I. London: T. Fisher Unwin, 1907.

— Ancient Egypt: Light of the World , II. London: T. Fisher Unwin, 1907.
— Gerald Massey ’s Lectures . New York: A&B Publishers Group, orig. pub. 190 0.

— The Historical Jesus and the Mythical Christ . Escondido: Book Tree, 2000.
— The Natural Genesis , II. London: Williams and Norgate, 1883.
Maxwell, Jordan, Paul Tice, and Alan Snow. That Old - Time Religion: The Story of Religious
Foundations . Escondido: T he Book Tree, 2000.
Mettinger, Tryggve N D. The Riddle of Resurrection:   “ Dying and Rising Gods ”   in the Ancient Near
East . Stockholm: Almqvist & Wiksell Internat., 2001.

Meyer, Marvin W. The Ancient Mysteries: A Sourcebook of Sacred Texts . Philadelphia:
Un iversity of Pennsylvania Press, 1987.

Mitchell, Logan. The Christian Mythology Unveiled . Private printing, 1842?
Mojsov, Bojana. Osiris: Death and Afterlife of a God . London: Blackwell, 2006.

Moor, Edward. The Hindu Pantheon . New Delhi/Madras: Asian Educ ational Services, 1999.
Mukerjee, Madhusree.   ― Circles for Space. ‖ www.scientificamerican.com/article.cfm?id=circles -
for - space

Murdock, D.M./Acharya S.   ―The Jesus Forgery : Josephus Untangled. ‖
www.tr

— ―The History of Mythicism.‖
— ―Mithra: The Pagan Christ,‖

— ―The Mythicist Position Video.‖
— ―The Nativity Scene of Amenhotep III at Luxor.‖

— ―The Origins of Christianity and the Quest for the Historical Jesus Christ.‖

— ―The Real ZEITGEIST Challenge.‖ -

— ―Was Horus Crucified?‖,

— ―Was Krishna ‘s Mother a Virgin? ‖

uthbeknown.com/josephus.htm
www.youtube.com/watch?v=YKW9sbJ3v2w
www.stellarhousepublishing.com/luxor.html
www.stellarhousepublishing.com/
www.stellarhousepublishing.com/zeitgeist
challenge.pdf
www.stellarhousepublishing.com/washoruscrucified.html
www.freethoughtnation.com/forums/viewtopic.php?t=1597
www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

www.stellarhousepublishing.com/mythicism.html
originsofchristianity.pdf

www.truthbeknown.com/mithra_4.htm

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
105

— ―What is a Mythicist?‖
— Christ in Egypt: The Horus - Jesus Connection . Seattle: Stellar House Publishing, 2009.

— The Gospel According to Acharya S . Seattle: Stellar House Publishing, 2009 .

— Jesus as the Sun throughout History .

— Who Was Jesus? Fingerprints of The Christ . Seattle: Stellar House Publishing, 2007.

Murdoc k, D.M., and N.W. Barker. The 2010 Astrotheology Calendar . Seattle: Stellar House

Publishing, 2009.
Nabarz, Payam. The Mysteries of Mithras: The Pagan Belief that Shaped the Christian World .

Rochester, VT: Inner Traditions, 2005.
New Larousse Encyclopedi a of Mythology . ed. Felix Guirand. New York: Putnam, 1968.

Olcott, William Tyler. Sun Lore of All Ages . Escondido: Book Tree, 1999.

Oort, H., and L. Hooykaas. The Old Testament for Learners . Boston: Little, Brown, and
Company, 1900.

Origen. Homilies on Genesis and Exodus . tr. Ronald E. Heine. Catholic University of America
Press, 2002.
Oxford Classical Greek Dictionary . Oxford: Oxford University Press, 2002.

Paine, Thomas. The Theological Works of Thomas Paine . Boston: J.P. Mendum, 1858.
Pandey, Lalata Prasad. Sun - worship in Ancient India . Delhi: Motilal Banarasidass, 1971.
Pathar, S. Viraswami. Gayatri Mantra . Chennai: Sura Books, 2001.

Pausanias. Guide to Greece, Vol. 2: Southern Greece . tr. Peter Levi. Harmondsworth:
Penguin Books, 1979.

Pico della Mirandola, Giovanni, et al. On the Dignity of Man . Indianapolis: Hackett Publishing,
1999.

Plato. The Republic . ed. G.R.F. Ferrari, tr. Tom Griffith. New York: Cambridge University Press,
2000.

Plutarch. “ Isis and Osiris. ‖ tr. Frank Cole Babbitt.
penelop e.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Moralia/Isis_and_Osiris*/A.html
Prasad, Ganga. The Fountainhead of Religion: A Comparative Study of the Principle Religions of

the World . Escondido: The Book Tree, 2000.

Prasad, Ramanand. The Bhagavad Gita . ea wc.evansville.edu/anthology/gita.htm
Price, Robert M. Deconstructing Jesus . Buffalo: Prometheus Books, 2000.
Price, Theodora Hadzisteliou. Kourotrophos: Cults and Representations of the Greek Nursing

Deities . Leiden: E.J. Brill, 1978.
Proceedings of the S ociety for Biblical Archaeology , XI. London, 1889.

Rāya, Pratāpa Chandra. The Mahabharata of Krishna - Dwaipayana Vyasa . Calcutta: Bharata
Press, 1894.
Redford, Donald B., ed. The Ancient Gods Speak: A Guide to Egyptian Religion . Oxford/New

York: Universit y Press, 2002.

Remsburg (Remsberg), John E. The Christ Myth: A Critical Review and Analysis of the
Evidence of His Existence . BiblioBazaar, LLC, 2009.

Rigoglioso, Marguerite. The Cult of Divine Birth in Ancient Greece . New York:
Palgrave Macmillan, 2009.
Roberts, Alexander, and James Donaldson, eds. The Ante - Nicene Fathers: Translations of the

Writings of the Fathers down to A.D. 325 , I. New York: Cosimo, Inc., 2007. — The Ante - Nicene
Fathers , IV. New York: Charles Scribner ‘s Sons, 1926.

— The Ante - Nicene Fathers , VI. Buffalo: The Christian Literature Company, 1886.
— The Ante - Nicene Fathers , VIII. New York: Charles Scribner ‘s Sons, 1903.

Robertson, John M. Christianity and Mythology . London: Watts & Co., 1900.

Robinson, B.A. ―In what town was Jesus born?‖ www.religioustolerance.org/xmaswwjb.htm Roy,

S.B. Prehistoric Lunar Astronomy . New Delhi: Institute of Chronology, 1976.

Schmidt, Orlando P. A Self - Veriyfing Chronological History of Ancient Egypt from the Foundation of
the Kingdom to the Beginning of th e Persian Dynasty . Cincinnati: George C. Shaw, 1900.
Schoch, Robert M. Voyages of the Pyramid Builders . New York: Jeremy P. Tarcher, 2004.
Sela, Solomon, tr. Abraham Ibn Eza: The Book of Reason . Leiden: E.J. Brill, 2007.

www.stellarhousepublishing.com/mythicist.html
www.stellarhousepublishing.com/jesusasthesun.html

www.StellarHousePublishing.com/z

eitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
106

Sharpe, Samuel. Egyptian Mythology and Egyptian Christianity: With their Influence on the
Opinions of Modern Christendom . London: Carter, 1896.
Showerman, Grant. Th e Great Mother of the Gods . Madison: University of Wisconsin, 1900.
Singh, Madanjeet. The Sun: Symbol of Power and Life . New York: Harry N. Abrams, 1993.
Smith, George. Assyrian Discoveries: An Account of Explorations and Discoveries on the Site of
Nineveh . New York: Scribner, Armstrong & Co., 1876.

Smith, Morton. Studies in the Cult of Yahweh , 1. ed. Shaye J.D. Cohen. New York: E.J.
Brill, 1996.
Smith, William. A Latin - English Dictionary . London: John Murray, 1855.

Stein, Gordon. ―The Jesus of History: A Reply to Josh McDowell. ‖
www.infidels.org/library/modern/gordon_stein/jesus.shtml
Stoler Miller, Barbara, tr. The Bhagavad - Gita: Krishna ’ s Counsel in Time of War . New York:

Bantam Classic, 2004.
Stone, Merlin. When God was a Woman . New York: Dorset Press , 1990.

Tacey, David John. Patrick White: Fiction, and the Unconscious . Melbourne/New York: Oxford
University Press, 1988.

Taylor, J. Glen. Yahweh and the Sun: Biblical and Archaeological Evidence for Sun Worship
in Ancient Israel . Sheffield Academic Pre ss, 1993.

Teeple, Howard M. The Noah ’s Ark Nonsense . Evanston, Ill: Religion and Ethics Institute, 1978.
te Velde, Herman. Seth, God of Confusion: A Study of His Role in Egyptian Mythology and
Religion . Leiden: E.J. Brill, 1977.
Thompson, R. Campbell. The Epic of Gilgamish . BiblioBazaar, 2008.

Thorburn, Thomas James. The Mythical Interpretation of the Gospels . New York:
Charles Scribner ‘s Sons, 1916.
Tirard, H.M. The Book of the Dead . Montana: Kessinger, 2004.

Toulson, Shirley. The Winter Solstice . Londo n: Jill Norman & Hobhouse, 1981.

Turner, Patricia, and Charles Russell Coulter. Dictionary of Ancient Deities . Oxford: Oxford
University Press, 2001.

Ulansey, David. The Origins of the Mithraic Mysteries . New York/Oxford: Oxford University
Press, 1989.
T he Universal Jewish Encyclopedia , VI. New York: UJE, Co., Inc., 1948.

van den Berg, R.M. Proclus ’   Hymns: Essays, Translations, Commentary . Leiden: E.J.
Brill, 2001.
Van Ness Myers, Philip. Ancient History . Boston: Ginn and Company, 1916.

Vermaseren, Maar ten Jozef. Corpus Cultus Cybelae Attidisque . Leiden: E.J. Brill, 1977.
— Cybele, Attis, and Related Cults: Essays in Memory of M. J. Vermaseren . Leiden/New

York: E.J. Brill, 1996.
Voss, Angela. Marsilio Ficino . Berkeley: North Atlantic Books, 2006.
Walker, Barbara G. Man Made God . Seattle: Stellar House Publishing, 2010.

— The Woman ’s Dictionary of Symbols and Sacred Objects.   HarperSanFrancisco, 1988.
— The Woman ’s Encyclopedia of Myths and Secrets . HarperSanFrancisco, 1983.

Walker, Jim. ―Did a historical J esus exist? ‖ www.nobeliefs.com/exist.htm
Weigall, Arthur. The Paganism in Our Christianity . London: Hutchinson & Co., 1928.

Weider, Jay, and Vincent Bridges. The Mysteries of the Great Cross of Hendaye . Rochester:

Destiny Books, 2003.
Wells, George A. Wh o Was Jesus? Illinois: Open Court Publishing, 1991.
White, Donald. The Extramural Sanctuary of Demeter and Persephone at Cyrene , Libya .

Philadelphia: University of Pennsylvania Press, 1984.

Whitehouse,   David. ― ‗ Oldest Star Chart ‘ Found. ‖
news.bbc.co.uk/2 /hi/science/nature/2679675.stm

Wilkinson, John Gardner. The Manners and Customs of the Ancient Egyptians , III. ed.
Samuel Birch. London: John Murray, 1878.

Willoughby, Harold R. Pagan Regeneration: A Study of Mystery Initiations in the Graeco -
Roman World . Forgotten Books, 1929.

www.StellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The ZEITGEIST Sourcebook: Part 1 — The Greatest Story Ever Told
107

Wilson, H.H., tr. The Vishnu Purana: A System of Hindu Mythology and Tradition , IV. London:

Trubner & Co., 1868.
Witt, Reginald E. Isis in the Ancient World . Baltimore: Johns Hopkins Press, 1997.

Wright, G.R.H. As on the First Day: Essays in Religious Constants . Leiden: E.J. Brill, 1987.

www.St

ellarHousePublishing.com/zeitgeistsourcebook.pdf

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Available now at

StellarHousePublishing.com
www.TruthBeKnown.com/christ.htm www.TruthBeKnown.com/sunsofgod.htm www.StellarHousePublishing.com/whowasjesus.html
www.StellarHousePublishing.com/zeitgeist.html www.stellarhousepublishing.com/jesusasthesun.html
www.StellarHousePublishing.com/gospel.html

www.StellarHousePublishing.com/christinegypt.html
www.StellarHousePublishing.com/2010calendar.html

www.StellarHousePublishing.com/manmadegod.html

ActionScript [AS3]

Section 1
//BaseScrollPane (fl.containers.BaseScrollPane)
package fl.containers {
	import fl.controls.*;
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import flash.geom.*;
	import fl.events.*;

	public class BaseScrollPane extends UIComponent {

		protected var defaultLineScrollSize:Number;// = 4
		protected var _maxHorizontalScrollPosition:Number;// = 0
		protected var vScrollBar:Boolean;
		protected var disabledOverlay:Shape;
		protected var hScrollBar:Boolean;
		protected var availableWidth:Number;
		protected var _verticalPageScrollSize:Number;// = 0
		protected var vOffset:Number;// = 0
		protected var _verticalScrollBar:ScrollBar;
		protected var useFixedHorizontalScrolling:Boolean;// = false
		protected var contentWidth:Number;// = 0
		protected var contentHeight:Number;// = 0
		protected var _horizontalPageScrollSize:Number;// = 0
		protected var background:DisplayObject;
		protected var _useBitmpScrolling:Boolean;// = false
		protected var contentPadding:Number;// = 0
		protected var availableHeight:Number;
		protected var _horizontalScrollBar:ScrollBar;
		protected var contentScrollRect:Rectangle;
		protected var _horizontalScrollPolicy:String;
		protected var _verticalScrollPolicy:String;

		protected static const SCROLL_BAR_STYLES:Object = {upArrowDisabledSkin:"upArrowDisabledSkin", upArrowDownSkin:"upArrowDownSkin", upArrowOverSkin:"upArrowOverSkin", upArrowUpSkin:"upArrowUpSkin", downArrowDisabledSkin:"downArrowDisabledSkin", downArrowDownSkin:"downArrowDownSkin", downArrowOverSkin:"downArrowOverSkin", downArrowUpSkin:"downArrowUpSkin", thumbDisabledSkin:"thumbDisabledSkin", thumbDownSkin:"thumbDownSkin", thumbOverSkin:"thumbOverSkin", thumbUpSkin:"thumbUpSkin", thumbIcon:"thumbIcon", trackDisabledSkin:"trackDisabledSkin", trackDownSkin:"trackDownSkin", trackOverSkin:"trackOverSkin", trackUpSkin:"trackUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};

		private static var defaultStyles:Object = {repeatDelay:500, repeatInterval:35, skin:"ScrollPane_upSkin", contentPadding:0, disabledAlpha:0.5};

		public function BaseScrollPane(){
			contentWidth = 0;
			contentHeight = 0;
			contentPadding = 0;
			vOffset = 0;
			_maxHorizontalScrollPosition = 0;
			_horizontalPageScrollSize = 0;
			_verticalPageScrollSize = 0;
			defaultLineScrollSize = 4;
			useFixedHorizontalScrolling = false;
			_useBitmpScrolling = false;
			super();
		}
		protected function handleWheel(_arg1:MouseEvent):void{
			if (((((!(enabled)) || (!(_verticalScrollBar.visible)))) || ((contentHeight <= availableHeight)))){
				return;
			};
			_verticalScrollBar.scrollPosition = (_verticalScrollBar.scrollPosition - (_arg1.delta * verticalLineScrollSize));
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition);
			dispatchEvent(new ScrollEvent(ScrollBarDirection.VERTICAL, _arg1.delta, horizontalScrollPosition));
		}
		public function get verticalScrollPosition():Number{
			return (_verticalScrollBar.scrollPosition);
		}
		protected function drawDisabledOverlay():void{
			if (enabled){
				if (contains(disabledOverlay)){
					removeChild(disabledOverlay);
				};
			} else {
				disabledOverlay.x = (disabledOverlay.y = contentPadding);
				disabledOverlay.width = availableWidth;
				disabledOverlay.height = availableHeight;
				disabledOverlay.alpha = (getStyleValue("disabledAlpha") as Number);
				addChild(disabledOverlay);
			};
		}
		public function set verticalScrollPosition(_arg1:Number):void{
			drawNow();
			_verticalScrollBar.scrollPosition = _arg1;
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition, false);
		}
		protected function setContentSize(_arg1:Number, _arg2:Number):void{
			if ((((((contentWidth == _arg1)) || (useFixedHorizontalScrolling))) && ((contentHeight == _arg2)))){
				return;
			};
			contentWidth = _arg1;
			contentHeight = _arg2;
			invalidate(InvalidationType.SIZE);
		}
		public function get horizontalScrollPosition():Number{
			return (_horizontalScrollBar.scrollPosition);
		}
		public function get horizontalScrollBar():ScrollBar{
			return (_horizontalScrollBar);
		}
		override public function set enabled(_arg1:Boolean):void{
			if (enabled == _arg1){
				return;
			};
			_verticalScrollBar.enabled = _arg1;
			_horizontalScrollBar.enabled = _arg1;
			super.enabled = _arg1;
		}
		public function get verticalLineScrollSize():Number{
			return (_verticalScrollBar.lineScrollSize);
		}
		public function get horizontalScrollPolicy():String{
			return (_horizontalScrollPolicy);
		}
		protected function calculateAvailableSize():void{
			var _local1:Number;
			var _local2:Number;
			var _local3:Number;
			var _local4:Number;
			var _local5:Number;
			_local1 = ScrollBar.WIDTH;
			_local2 = (contentPadding = Number(getStyleValue("contentPadding")));
			_local3 = ((height - (2 * _local2)) - vOffset);
			vScrollBar = (((_verticalScrollPolicy == ScrollPolicy.ON)) || ((((_verticalScrollPolicy == ScrollPolicy.AUTO)) && ((contentHeight > _local3)))));
			_local4 = ((width - (vScrollBar) ? _local1 : 0) - (2 * _local2));
			_local5 = (useFixedHorizontalScrolling) ? _maxHorizontalScrollPosition : (contentWidth - _local4);
			hScrollBar = (((_horizontalScrollPolicy == ScrollPolicy.ON)) || ((((_horizontalScrollPolicy == ScrollPolicy.AUTO)) && ((_local5 > 0)))));
			if (hScrollBar){
				_local3 = (_local3 - _local1);
			};
			if (((((((hScrollBar) && (!(vScrollBar)))) && ((_verticalScrollPolicy == ScrollPolicy.AUTO)))) && ((contentHeight > _local3)))){
				vScrollBar = true;
				_local4 = (_local4 - _local1);
			};
			availableHeight = (_local3 + vOffset);
			availableWidth = _local4;
		}
		public function get maxVerticalScrollPosition():Number{
			drawNow();
			return (Math.max(0, (contentHeight - availableHeight)));
		}
		public function set horizontalScrollPosition(_arg1:Number):void{
			drawNow();
			_horizontalScrollBar.scrollPosition = _arg1;
			setHorizontalScrollPosition(_horizontalScrollBar.scrollPosition, false);
		}
		public function get horizontalLineScrollSize():Number{
			return (_horizontalScrollBar.lineScrollSize);
		}
		public function set verticalPageScrollSize(_arg1:Number):void{
			_verticalPageScrollSize = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function get verticalScrollPolicy():String{
			return (_verticalScrollPolicy);
		}
		protected function setHorizontalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
		}
		public function get useBitmapScrolling():Boolean{
			return (_useBitmpScrolling);
		}
		protected function handleScroll(_arg1:ScrollEvent):void{
			if (_arg1.target == _verticalScrollBar){
				setVerticalScrollPosition(_arg1.position);
			} else {
				setHorizontalScrollPosition(_arg1.position);
			};
		}
		public function set verticalLineScrollSize(_arg1:Number):void{
			_verticalScrollBar.lineScrollSize = _arg1;
		}
		public function get verticalScrollBar():ScrollBar{
			return (_verticalScrollBar);
		}
		protected function setVerticalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
		}
		public function set horizontalPageScrollSize(_arg1:Number):void{
			_horizontalPageScrollSize = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		override protected function draw():void{
			if (isInvalid(InvalidationType.STYLES)){
				setStyles();
				drawBackground();
				if (contentPadding != getStyleValue("contentPadding")){
					invalidate(InvalidationType.SIZE, false);
				};
			};
			if (isInvalid(InvalidationType.SIZE, InvalidationType.STATE)){
				drawLayout();
			};
			updateChildren();
			super.draw();
		}
		public function set horizontalScrollPolicy(_arg1:String):void{
			_horizontalScrollPolicy = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		override protected function configUI():void{
			var _local1:Graphics;
			super.configUI();
			contentScrollRect = new Rectangle(0, 0, 85, 85);
			_verticalScrollBar = new ScrollBar();
			_verticalScrollBar.addEventListener(ScrollEvent.SCROLL, handleScroll, false, 0, true);
			_verticalScrollBar.visible = false;
			_verticalScrollBar.lineScrollSize = defaultLineScrollSize;
			addChild(_verticalScrollBar);
			copyStylesToChild(_verticalScrollBar, SCROLL_BAR_STYLES);
			_horizontalScrollBar = new ScrollBar();
			_horizontalScrollBar.direction = ScrollBarDirection.HORIZONTAL;
			_horizontalScrollBar.addEventListener(ScrollEvent.SCROLL, handleScroll, false, 0, true);
			_horizontalScrollBar.visible = false;
			_horizontalScrollBar.lineScrollSize = defaultLineScrollSize;
			addChild(_horizontalScrollBar);
			copyStylesToChild(_horizontalScrollBar, SCROLL_BAR_STYLES);
			disabledOverlay = new Shape();
			_local1 = disabledOverlay.graphics;
			_local1.beginFill(0xFFFFFF);
			_local1.drawRect(0, 0, width, height);
			_local1.endFill();
			addEventListener(MouseEvent.MOUSE_WHEEL, handleWheel, false, 0, true);
		}
		protected function calculateContentWidth():void{
		}
		public function get verticalPageScrollSize():Number{
			if (isNaN(availableHeight)){
				drawNow();
			};
			return (((((_verticalPageScrollSize == 0)) && (!(isNaN(availableHeight))))) ? availableHeight : _verticalPageScrollSize);
		}
		protected function drawLayout():void{
			calculateAvailableSize();
			calculateContentWidth();
			background.width = width;
			background.height = height;
			if (vScrollBar){
				_verticalScrollBar.visible = true;
				_verticalScrollBar.x = ((width - ScrollBar.WIDTH) - contentPadding);
				_verticalScrollBar.y = contentPadding;
				_verticalScrollBar.height = availableHeight;
			} else {
				_verticalScrollBar.visible = false;
			};
			_verticalScrollBar.setScrollProperties(availableHeight, 0, (contentHeight - availableHeight), verticalPageScrollSize);
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition, false);
			if (hScrollBar){
				_horizontalScrollBar.visible = true;
				_horizontalScrollBar.x = contentPadding;
				_horizontalScrollBar.y = ((height - ScrollBar.WIDTH) - contentPadding);
				_horizontalScrollBar.width = availableWidth;
			} else {
				_horizontalScrollBar.visible = false;
			};
			_horizontalScrollBar.setScrollProperties(availableWidth, 0, (useFixedHorizontalScrolling) ? _maxHorizontalScrollPosition : (contentWidth - availableWidth), horizontalPageScrollSize);
			setHorizontalScrollPosition(_horizontalScrollBar.scrollPosition, false);
			drawDisabledOverlay();
		}
		protected function drawBackground():void{
			var _local1:DisplayObject;
			_local1 = background;
			background = getDisplayObjectInstance(getStyleValue("skin"));
			background.width = width;
			background.height = height;
			addChildAt(background, 0);
			if (((!((_local1 == null))) && (!((_local1 == background))))){
				removeChild(_local1);
			};
		}
		public function set horizontalLineScrollSize(_arg1:Number):void{
			_horizontalScrollBar.lineScrollSize = _arg1;
		}
		public function get horizontalPageScrollSize():Number{
			if (isNaN(availableWidth)){
				drawNow();
			};
			return (((((_horizontalPageScrollSize == 0)) && (!(isNaN(availableWidth))))) ? availableWidth : _horizontalPageScrollSize);
		}
		public function get maxHorizontalScrollPosition():Number{
			drawNow();
			return (Math.max(0, (contentWidth - availableWidth)));
		}
		protected function setStyles():void{
			copyStylesToChild(_verticalScrollBar, SCROLL_BAR_STYLES);
			copyStylesToChild(_horizontalScrollBar, SCROLL_BAR_STYLES);
		}
		protected function updateChildren():void{
			_verticalScrollBar.enabled = (_horizontalScrollBar.enabled = enabled);
			_verticalScrollBar.drawNow();
			_horizontalScrollBar.drawNow();
		}
		public function set verticalScrollPolicy(_arg1:String):void{
			_verticalScrollPolicy = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function set useBitmapScrolling(_arg1:Boolean):void{
			_useBitmpScrolling = _arg1;
			invalidate(InvalidationType.STATE);
		}

		public static function getStyleDefinition():Object{
			return (mergeStyles(defaultStyles, ScrollBar.getStyleDefinition()));
		}

	}
}//package fl.containers 
Section 2
//ScrollPane (fl.containers.ScrollPane)
package fl.containers {
	import fl.controls.*;
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import fl.managers.*;
	import fl.events.*;
	import flash.net.*;
	import flash.system.*;
	import flash.ui.*;

	public class ScrollPane extends BaseScrollPane implements IFocusManagerComponent {

		protected var scrollDragHPos:Number;
		protected var loader:Loader;
		protected var yOffset:Number;
		protected var currentContent:Object;
		protected var xOffset:Number;
		protected var _source:Object;// = ""
		protected var scrollDragVPos:Number;
		protected var _scrollDrag:Boolean;// = false
		protected var contentClip:Sprite;

		private static var defaultStyles:Object = {upSkin:"ScrollPane_upSkin", disabledSkin:"ScrollPane_disabledSkin", focusRectSkin:null, focusRectPadding:null, contentPadding:0};

		public function ScrollPane(){
			_source = "";
			_scrollDrag = false;
			super();
		}
		public function get source():Object{
			return (_source);
		}
		public function set source(_arg1:Object):void{
			var _local2:*;
			clearContent();
			if (isLivePreview){
				return;
			};
			_source = _arg1;
			if ((((_source == "")) || ((_source == null)))){
				return;
			};
			currentContent = getDisplayObjectInstance(_arg1);
			if (currentContent != null){
				_local2 = contentClip.addChild((currentContent as DisplayObject));
				dispatchEvent(new Event(Event.INIT));
				update();
			} else {
				load(new URLRequest(_source.toString()));
			};
		}
		public function get bytesLoaded():Number{
			return (((((loader == null)) || ((loader.contentLoaderInfo == null)))) ? 0 : loader.contentLoaderInfo.bytesLoaded);
		}
		protected function doDrag(_arg1:MouseEvent):void{
			var _local2:*;
			var _local3:*;
			_local2 = (scrollDragVPos - (mouseY - yOffset));
			_verticalScrollBar.setScrollPosition(_local2);
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition, true);
			_local3 = (scrollDragHPos - (mouseX - xOffset));
			_horizontalScrollBar.setScrollPosition(_local3);
			setHorizontalScrollPosition(_horizontalScrollBar.scrollPosition, true);
		}
		override protected function keyDownHandler(_arg1:KeyboardEvent):void{
			var _local2:int;
			_local2 = calculateAvailableHeight();
			switch (_arg1.keyCode){
				case Keyboard.DOWN:
					verticalScrollPosition++;
					break;
				case Keyboard.UP:
					verticalScrollPosition--;
					break;
				case Keyboard.RIGHT:
					horizontalScrollPosition++;
					break;
				case Keyboard.LEFT:
					horizontalScrollPosition--;
					break;
				case Keyboard.END:
					verticalScrollPosition = maxVerticalScrollPosition;
					break;
				case Keyboard.HOME:
					verticalScrollPosition = 0;
					break;
				case Keyboard.PAGE_UP:
					verticalScrollPosition = (verticalScrollPosition - _local2);
					break;
				case Keyboard.PAGE_DOWN:
					verticalScrollPosition = (verticalScrollPosition + _local2);
					break;
			};
		}
		protected function doStartDrag(_arg1:MouseEvent):void{
			if (!enabled){
				return;
			};
			xOffset = mouseX;
			yOffset = mouseY;
			scrollDragHPos = horizontalScrollPosition;
			scrollDragVPos = verticalScrollPosition;
			stage.addEventListener(MouseEvent.MOUSE_MOVE, doDrag, false, 0, true);
		}
		public function get content():DisplayObject{
			var _local1:Object;
			_local1 = currentContent;
			if ((_local1 is URLRequest)){
				_local1 = loader.content;
			};
			return ((_local1 as DisplayObject));
		}
		public function get percentLoaded():Number{
			if (loader != null){
				return (Math.round(((bytesLoaded / bytesTotal) * 100)));
			};
			return (0);
		}
		protected function endDrag(_arg1:MouseEvent):void{
			stage.removeEventListener(MouseEvent.MOUSE_MOVE, doDrag);
		}
		public function update():void{
			var _local1:DisplayObject;
			_local1 = contentClip.getChildAt(0);
			setContentSize(_local1.width, _local1.height);
		}
		override protected function setHorizontalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
			var _local3:*;
			_local3 = contentClip.scrollRect;
			_local3.x = _arg1;
			contentClip.scrollRect = _local3;
		}
		public function refreshPane():void{
			if ((_source is URLRequest)){
				_source = _source.url;
			};
			source = _source;
		}
		protected function passEvent(_arg1:Event):void{
			dispatchEvent(_arg1);
		}
		protected function calculateAvailableHeight():Number{
			var _local1:Number;
			_local1 = Number(getStyleValue("contentPadding"));
			return (((height - (_local1 * 2)) - ((((_horizontalScrollPolicy == ScrollPolicy.ON)) || ((((_horizontalScrollPolicy == ScrollPolicy.AUTO)) && ((_maxHorizontalScrollPosition > 0)))))) ? 15 : 0));
		}
		public function load(_arg1:URLRequest, _arg2:LoaderContext=null):void{
			if (_arg2 == null){
				_arg2 = new LoaderContext(false, ApplicationDomain.currentDomain);
			};
			clearContent();
			initLoader();
			currentContent = (_source = _arg1);
			loader.load(_arg1, _arg2);
		}
		override protected function handleScroll(_arg1:ScrollEvent):void{
			passEvent(_arg1);
			super.handleScroll(_arg1);
		}
		override protected function setVerticalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
			var _local3:*;
			_local3 = contentClip.scrollRect;
			_local3.y = _arg1;
			contentClip.scrollRect = _local3;
		}
		protected function initLoader():void{
			loader = new Loader();
			loader.contentLoaderInfo.addEventListener(ProgressEvent.PROGRESS, passEvent, false, 0, true);
			loader.contentLoaderInfo.addEventListener(Event.COMPLETE, onContentLoad, false, 0, true);
			loader.contentLoaderInfo.addEventListener(Event.INIT, passEvent, false, 0, true);
			contentClip.addChild(loader);
		}
		override protected function draw():void{
			if (isInvalid(InvalidationType.STYLES)){
				drawBackground();
			};
			if (isInvalid(InvalidationType.STATE)){
				setScrollDrag();
			};
			super.draw();
		}
		override protected function configUI():void{
			super.configUI();
			contentClip = new Sprite();
			addChild(contentClip);
			contentClip.scrollRect = contentScrollRect;
			_horizontalScrollPolicy = ScrollPolicy.AUTO;
			_verticalScrollPolicy = ScrollPolicy.AUTO;
		}
		public function set scrollDrag(_arg1:Boolean):void{
			_scrollDrag = _arg1;
			invalidate(InvalidationType.STATE);
		}
		protected function clearContent():void{
			if (contentClip.numChildren == 0){
				return;
			};
			contentClip.removeChildAt(0);
			currentContent = null;
			if (loader != null){
				try {
					loader.close();
				} catch(e) {
				};
				try {
					loader.unload();
				} catch(e) {
				};
				loader = null;
			};
		}
		override protected function drawLayout():void{
			super.drawLayout();
			contentScrollRect = contentClip.scrollRect;
			contentScrollRect.width = availableWidth;
			contentScrollRect.height = availableHeight;
			contentClip.cacheAsBitmap = useBitmapScrolling;
			contentClip.scrollRect = contentScrollRect;
			contentClip.x = (contentClip.y = contentPadding);
		}
		override protected function drawBackground():void{
			var _local1:DisplayObject;
			_local1 = background;
			background = getDisplayObjectInstance(getStyleValue((enabled) ? "upSkin" : "disabledSkin"));
			background.width = width;
			background.height = height;
			addChildAt(background, 0);
			if (((!((_local1 == null))) && (!((_local1 == background))))){
				removeChild(_local1);
			};
		}
		public function get bytesTotal():Number{
			return (((((loader == null)) || ((loader.contentLoaderInfo == null)))) ? 0 : loader.contentLoaderInfo.bytesTotal);
		}
		protected function onContentLoad(_arg1:Event):void{
			var _local2:*;
			update();
			_local2 = calculateAvailableHeight();
			calculateAvailableSize();
			horizontalScrollBar.setScrollProperties(availableWidth, 0, (useFixedHorizontalScrolling) ? _maxHorizontalScrollPosition : (contentWidth - availableWidth), availableWidth);
			verticalScrollBar.setScrollProperties(_local2, 0, (contentHeight - _local2), _local2);
			passEvent(_arg1);
		}
		public function get scrollDrag():Boolean{
			return (_scrollDrag);
		}
		protected function setScrollDrag():void{
			if (_scrollDrag){
				contentClip.addEventListener(MouseEvent.MOUSE_DOWN, doStartDrag, false, 0, true);
				stage.addEventListener(MouseEvent.MOUSE_UP, endDrag, false, 0, true);
			} else {
				contentClip.removeEventListener(MouseEvent.MOUSE_DOWN, doStartDrag);
				stage.removeEventListener(MouseEvent.MOUSE_UP, endDrag);
				removeEventListener(MouseEvent.MOUSE_MOVE, doDrag);
			};
			contentClip.buttonMode = _scrollDrag;
		}

		public static function getStyleDefinition():Object{
			return (mergeStyles(defaultStyles, BaseScrollPane.getStyleDefinition()));
		}

	}
}//package fl.containers 
Section 3
//BaseButton (fl.controls.BaseButton)
package fl.controls {
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import flash.utils.*;
	import fl.events.*;

	public class BaseButton extends UIComponent {

		protected var _selected:Boolean;// = false
		private var unlockedMouseState:String;
		protected var pressTimer:Timer;
		protected var mouseState:String;
		protected var background:DisplayObject;
		private var _mouseStateLocked:Boolean;// = false
		protected var _autoRepeat:Boolean;// = false

		private static var defaultStyles:Object = {upSkin:"Button_upSkin", downSkin:"Button_downSkin", overSkin:"Button_overSkin", disabledSkin:"Button_disabledSkin", selectedDisabledSkin:"Button_selectedDisabledSkin", selectedUpSkin:"Button_selectedUpSkin", selectedDownSkin:"Button_selectedDownSkin", selectedOverSkin:"Button_selectedOverSkin", focusRectSkin:null, focusRectPadding:null, repeatDelay:500, repeatInterval:35};

		public function BaseButton(){
			_selected = false;
			_autoRepeat = false;
			_mouseStateLocked = false;
			super();
			buttonMode = true;
			mouseChildren = false;
			useHandCursor = false;
			setupMouseEvents();
			setMouseState("up");
			pressTimer = new Timer(1, 0);
			pressTimer.addEventListener(TimerEvent.TIMER, buttonDown, false, 0, true);
		}
		protected function endPress():void{
			pressTimer.reset();
		}
		public function set mouseStateLocked(_arg1:Boolean):void{
			_mouseStateLocked = _arg1;
			if (_arg1 == false){
				setMouseState(unlockedMouseState);
			} else {
				unlockedMouseState = mouseState;
			};
		}
		public function get autoRepeat():Boolean{
			return (_autoRepeat);
		}
		public function set autoRepeat(_arg1:Boolean):void{
			_autoRepeat = _arg1;
		}
		override public function set enabled(_arg1:Boolean):void{
			super.enabled = _arg1;
			mouseEnabled = _arg1;
		}
		public function get selected():Boolean{
			return (_selected);
		}
		protected function mouseEventHandler(_arg1:MouseEvent):void{
			if (_arg1.type == MouseEvent.MOUSE_DOWN){
				setMouseState("down");
				startPress();
			} else {
				if ((((_arg1.type == MouseEvent.ROLL_OVER)) || ((_arg1.type == MouseEvent.MOUSE_UP)))){
					setMouseState("over");
					endPress();
				} else {
					if (_arg1.type == MouseEvent.ROLL_OUT){
						setMouseState("up");
						endPress();
					};
				};
			};
		}
		public function setMouseState(_arg1:String):void{
			if (_mouseStateLocked){
				unlockedMouseState = _arg1;
				return;
			};
			if (mouseState == _arg1){
				return;
			};
			mouseState = _arg1;
			invalidate(InvalidationType.STATE);
		}
		protected function startPress():void{
			if (_autoRepeat){
				pressTimer.delay = Number(getStyleValue("repeatDelay"));
				pressTimer.start();
			};
			dispatchEvent(new ComponentEvent(ComponentEvent.BUTTON_DOWN, true));
		}
		protected function buttonDown(_arg1:TimerEvent):void{
			if (!_autoRepeat){
				endPress();
				return;
			};
			if (pressTimer.currentCount == 1){
				pressTimer.delay = Number(getStyleValue("repeatInterval"));
			};
			dispatchEvent(new ComponentEvent(ComponentEvent.BUTTON_DOWN, true));
		}
		public function set selected(_arg1:Boolean):void{
			if (_selected == _arg1){
				return;
			};
			_selected = _arg1;
			invalidate(InvalidationType.STATE);
		}
		override public function get enabled():Boolean{
			return (super.enabled);
		}
		override protected function draw():void{
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				drawBackground();
				invalidate(InvalidationType.SIZE, false);
			};
			if (isInvalid(InvalidationType.SIZE)){
				drawLayout();
			};
			super.draw();
		}
		protected function setupMouseEvents():void{
			addEventListener(MouseEvent.ROLL_OVER, mouseEventHandler, false, 0, true);
			addEventListener(MouseEvent.MOUSE_DOWN, mouseEventHandler, false, 0, true);
			addEventListener(MouseEvent.MOUSE_UP, mouseEventHandler, false, 0, true);
			addEventListener(MouseEvent.ROLL_OUT, mouseEventHandler, false, 0, true);
		}
		protected function drawLayout():void{
			background.width = width;
			background.height = height;
		}
		protected function drawBackground():void{
			var _local1:String;
			var _local2:DisplayObject;
			_local1 = (enabled) ? mouseState : "disabled";
			if (selected){
				_local1 = (("selected" + _local1.substr(0, 1).toUpperCase()) + _local1.substr(1));
			};
			_local1 = (_local1 + "Skin");
			_local2 = background;
			background = getDisplayObjectInstance(getStyleValue(_local1));
			addChildAt(background, 0);
			if (((!((_local2 == null))) && (!((_local2 == background))))){
				removeChild(_local2);
			};
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 4
//Button (fl.controls.Button)
package fl.controls {
	import flash.display.*;
	import fl.core.*;
	import fl.managers.*;

	public class Button extends LabelButton implements IFocusManagerComponent {

		protected var emphasizedBorder:DisplayObject;
		protected var _emphasized:Boolean;// = false

		private static var defaultStyles:Object = {emphasizedSkin:"Button_emphasizedSkin", emphasizedPadding:2};
		public static var createAccessibilityImplementation:Function;

		public function Button(){
			_emphasized = false;
			super();
		}
		override public function drawFocus(_arg1:Boolean):void{
			var _local2:Number;
			var _local3:*;
			super.drawFocus(_arg1);
			if (_arg1){
				_local2 = Number(getStyleValue("emphasizedPadding"));
				if ((((_local2 < 0)) || (!(_emphasized)))){
					_local2 = 0;
				};
				_local3 = getStyleValue("focusRectPadding");
				_local3 = ((_local3)==null) ? 2 : _local3;
				_local3 = (_local3 + _local2);
				uiFocusRect.x = -(_local3);
				uiFocusRect.y = -(_local3);
				uiFocusRect.width = (width + (_local3 * 2));
				uiFocusRect.height = (height + (_local3 * 2));
			};
		}
		public function set emphasized(_arg1:Boolean):void{
			_emphasized = _arg1;
			invalidate(InvalidationType.STYLES);
		}
		override protected function draw():void{
			if (((isInvalid(InvalidationType.STYLES)) || (isInvalid(InvalidationType.SIZE)))){
				drawEmphasized();
			};
			super.draw();
			if (emphasizedBorder != null){
				setChildIndex(emphasizedBorder, (numChildren - 1));
			};
		}
		public function get emphasized():Boolean{
			return (_emphasized);
		}
		override protected function initializeAccessibility():void{
			if (Button.createAccessibilityImplementation != null){
				Button.createAccessibilityImplementation(this);
			};
		}
		protected function drawEmphasized():void{
			var _local1:Object;
			var _local2:Number;
			if (emphasizedBorder != null){
				removeChild(emphasizedBorder);
			};
			emphasizedBorder = null;
			if (!_emphasized){
				return;
			};
			_local1 = getStyleValue("emphasizedSkin");
			if (_local1 != null){
				emphasizedBorder = getDisplayObjectInstance(_local1);
			};
			if (emphasizedBorder != null){
				addChildAt(emphasizedBorder, 0);
				_local2 = Number(getStyleValue("emphasizedPadding"));
				emphasizedBorder.x = (emphasizedBorder.y = -(_local2));
				emphasizedBorder.width = (width + (_local2 * 2));
				emphasizedBorder.height = (height + (_local2 * 2));
			};
		}

		public static function getStyleDefinition():Object{
			return (UIComponent.mergeStyles(LabelButton.getStyleDefinition(), defaultStyles));
		}

	}
}//package fl.controls 
Section 5
//ButtonLabelPlacement (fl.controls.ButtonLabelPlacement)
package fl.controls {

	public class ButtonLabelPlacement {

		public static const TOP:String = "top";
		public static const LEFT:String = "left";
		public static const BOTTOM:String = "bottom";
		public static const RIGHT:String = "right";

	}
}//package fl.controls 
Section 6
//Label (fl.controls.Label)
package fl.controls {
	import fl.core.*;
	import flash.text.*;
	import fl.events.*;

	public class Label extends UIComponent {

		protected var actualHeight:Number;
		protected var _html:Boolean;// = false
		protected var actualWidth:Number;
		protected var defaultLabel:String;// = "Label"
		protected var _savedHTML:String;
		public var textField:TextField;

		private static var defaultStyles:Object = {textFormat:null, embedFonts:false};

		public function Label(){
			defaultLabel = "Label";
			_html = false;
			super();
			text = defaultLabel;
			actualWidth = _width;
			actualHeight = _height;
		}
		public function get autoSize():String{
			return (textField.autoSize);
		}
		public function get selectable():Boolean{
			return (textField.selectable);
		}
		public function set text(_arg1:String):void{
			if (_arg1 == text){
				return;
			};
			if (((componentInspectorSetting) && ((_arg1 == defaultLabel)))){
				return;
			};
			_html = false;
			textField.text = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		public function get wordWrap():Boolean{
			return (textField.wordWrap);
		}
		public function set condenseWhite(_arg1:Boolean):void{
			textField.condenseWhite = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		public function set selectable(_arg1:Boolean):void{
			textField.selectable = _arg1;
		}
		public function set autoSize(_arg1:String):void{
			textField.autoSize = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function set wordWrap(_arg1:Boolean):void{
			textField.wordWrap = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		override public function get height():Number{
			if (((!((textField.autoSize == TextFieldAutoSize.NONE))) && (wordWrap))){
				return (_height);
			};
			return (actualHeight);
		}
		public function set htmlText(_arg1:String):void{
			if (_arg1 == htmlText){
				return;
			};
			if (((componentInspectorSetting) && ((_arg1 == "")))){
				return;
			};
			_html = true;
			_savedHTML = _arg1;
			textField.htmlText = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		public function get text():String{
			return (textField.text);
		}
		public function get condenseWhite():Boolean{
			return (textField.condenseWhite);
		}
		override protected function draw():void{
			var _local1:Object;
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				drawTextFormat();
				_local1 = getStyleValue("embedFonts");
				if (_local1 != null){
					textField.embedFonts = _local1;
				};
				if (textField.autoSize != TextFieldAutoSize.NONE){
					invalidate(InvalidationType.SIZE, false);
				};
			};
			if (isInvalid(InvalidationType.SIZE)){
				drawLayout();
			};
			super.draw();
		}
		override protected function configUI():void{
			super.configUI();
			textField = new TextField();
			addChild(textField);
			textField.type = TextFieldType.DYNAMIC;
			textField.selectable = false;
			textField.wordWrap = false;
		}
		public function get htmlText():String{
			return (textField.htmlText);
		}
		override public function setSize(_arg1:Number, _arg2:Number):void{
			actualWidth = _arg1;
			actualHeight = _arg2;
			super.setSize(_arg1, _arg2);
		}
		override public function set width(_arg1:Number):void{
			actualWidth = _arg1;
			super.width = _arg1;
		}
		protected function drawLayout():void{
			var _local1:Boolean;
			var _local2:Number;
			var _local3:Number;
			_local1 = false;
			textField.width = width;
			textField.height = height;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				_local2 = textField.width;
				_local3 = textField.height;
				_local1 = ((!((_width == _local2))) || (!((_height == _local3))));
				_width = _local2;
				_height = _local3;
				switch (textField.autoSize){
					case TextFieldAutoSize.CENTER:
						textField.x = ((actualWidth / 2) - (textField.width / 2));
						break;
					case TextFieldAutoSize.LEFT:
						textField.x = 0;
						break;
					case TextFieldAutoSize.RIGHT:
						textField.x = -((textField.width - actualWidth));
						break;
				};
			} else {
				textField.width = actualWidth;
				textField.height = actualHeight;
				textField.x = 0;
			};
			if (_local1){
				dispatchEvent(new ComponentEvent(ComponentEvent.RESIZE, true));
			};
		}
		override public function get width():Number{
			if (((!((textField.autoSize == TextFieldAutoSize.NONE))) && (!(wordWrap)))){
				return (_width);
			};
			return (actualWidth);
		}
		protected function drawTextFormat():void{
			var _local1:TextFormat;
			var _local2:Object;
			_local1 = (getStyleValue("textFormat") as TextFormat);
			if (_local1 == null){
				_local2 = UIComponent.getStyleDefinition();
				_local1 = (enabled) ? (_local2.defaultTextFormat as TextFormat) : (_local2.defaultDisabledTextFormat as TextFormat);
			};
			textField.defaultTextFormat = _local1;
			textField.setTextFormat(_local1);
			if (((_html) && (!((_savedHTML == null))))){
				htmlText = _savedHTML;
			};
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 7
//LabelButton (fl.controls.LabelButton)
package fl.controls {
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.text.*;
	import fl.events.*;
	import flash.ui.*;

	public class LabelButton extends BaseButton implements IFocusManagerComponent {

		protected var _labelPlacement:String;// = "right"
		protected var _toggle:Boolean;// = false
		protected var icon:DisplayObject;
		protected var oldMouseState:String;
		protected var mode:String;// = "center"
		public var textField:TextField;
		protected var _label:String;// = "Label"

		private static var defaultStyles:Object = {icon:null, upIcon:null, downIcon:null, overIcon:null, disabledIcon:null, selectedDisabledIcon:null, selectedUpIcon:null, selectedDownIcon:null, selectedOverIcon:null, textFormat:null, disabledTextFormat:null, textPadding:5, embedFonts:false};
		public static var createAccessibilityImplementation:Function;

		public function LabelButton(){
			_labelPlacement = ButtonLabelPlacement.RIGHT;
			_toggle = false;
			_label = "Label";
			mode = "center";
			super();
		}
		protected function toggleSelected(_arg1:MouseEvent):void{
			selected = !(selected);
			dispatchEvent(new Event(Event.CHANGE, true));
		}
		public function get labelPlacement():String{
			return (_labelPlacement);
		}
		override protected function keyDownHandler(_arg1:KeyboardEvent):void{
			if (!enabled){
				return;
			};
			if (_arg1.keyCode == Keyboard.SPACE){
				if (oldMouseState == null){
					oldMouseState = mouseState;
				};
				setMouseState("down");
				startPress();
			};
		}
		protected function setEmbedFont(){
			var _local1:Object;
			_local1 = getStyleValue("embedFonts");
			if (_local1 != null){
				textField.embedFonts = _local1;
			};
		}
		override protected function keyUpHandler(_arg1:KeyboardEvent):void{
			if (!enabled){
				return;
			};
			if (_arg1.keyCode == Keyboard.SPACE){
				setMouseState(oldMouseState);
				oldMouseState = null;
				endPress();
				dispatchEvent(new MouseEvent(MouseEvent.CLICK));
			};
		}
		override public function get selected():Boolean{
			return ((_toggle) ? _selected : false);
		}
		public function set labelPlacement(_arg1:String):void{
			_labelPlacement = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function set toggle(_arg1:Boolean):void{
			if (((!(_arg1)) && (super.selected))){
				selected = false;
			};
			_toggle = _arg1;
			if (_toggle){
				addEventListener(MouseEvent.CLICK, toggleSelected, false, 0, true);
			} else {
				removeEventListener(MouseEvent.CLICK, toggleSelected);
			};
			invalidate(InvalidationType.STATE);
		}
		public function get label():String{
			return (_label);
		}
		override public function set selected(_arg1:Boolean):void{
			_selected = _arg1;
			if (_toggle){
				invalidate(InvalidationType.STATE);
			};
		}
		override protected function draw():void{
			if (textField.text != _label){
				label = _label;
			};
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				drawBackground();
				drawIcon();
				drawTextFormat();
				invalidate(InvalidationType.SIZE, false);
			};
			if (isInvalid(InvalidationType.SIZE)){
				drawLayout();
			};
			if (isInvalid(InvalidationType.SIZE, InvalidationType.STYLES)){
				if (((isFocused) && (focusManager.showFocusIndicator))){
					drawFocus(true);
				};
			};
			validate();
		}
		public function get toggle():Boolean{
			return (_toggle);
		}
		override protected function configUI():void{
			super.configUI();
			textField = new TextField();
			textField.type = TextFieldType.DYNAMIC;
			textField.selectable = false;
			addChild(textField);
		}
		override protected function drawLayout():void{
			var _local1:Number;
			var _local2:String;
			var _local3:Number;
			var _local4:Number;
			var _local5:Number;
			var _local6:Number;
			var _local7:Number;
			var _local8:Number;
			_local1 = Number(getStyleValue("textPadding"));
			_local2 = ((((icon == null)) && ((mode == "center")))) ? ButtonLabelPlacement.TOP : _labelPlacement;
			textField.height = (textField.textHeight + 4);
			_local3 = (textField.textWidth + 4);
			_local4 = (textField.textHeight + 4);
			_local5 = ((icon)==null) ? 0 : (icon.width + _local1);
			_local6 = ((icon)==null) ? 0 : (icon.height + _local1);
			textField.visible = (label.length > 0);
			if (icon != null){
				icon.x = Math.round(((width - icon.width) / 2));
				icon.y = Math.round(((height - icon.height) / 2));
			};
			if (textField.visible == false){
				textField.width = 0;
				textField.height = 0;
			} else {
				if ((((_local2 == ButtonLabelPlacement.BOTTOM)) || ((_local2 == ButtonLabelPlacement.TOP)))){
					_local7 = Math.max(0, Math.min(_local3, (width - (2 * _local1))));
					if ((height - 2) > _local4){
						_local8 = _local4;
					} else {
						_local8 = (height - 2);
					};
					_local3 = _local7;
					textField.width = _local3;
					_local4 = _local8;
					textField.height = _local4;
					textField.x = Math.round(((width - _local3) / 2));
					textField.y = Math.round(((((height - textField.height) - _local6) / 2) + ((_local2)==ButtonLabelPlacement.BOTTOM) ? _local6 : 0));
					if (icon != null){
						icon.y = Math.round(((_local2)==ButtonLabelPlacement.BOTTOM) ? (textField.y - _local6) : ((textField.y + textField.height) + _local1));
					};
				} else {
					_local7 = Math.max(0, Math.min(_local3, ((width - _local5) - (2 * _local1))));
					_local3 = _local7;
					textField.width = _local3;
					textField.x = Math.round(((((width - _local3) - _local5) / 2) + ((_local2)!=ButtonLabelPlacement.LEFT) ? _local5 : 0));
					textField.y = Math.round(((height - textField.height) / 2));
					if (icon != null){
						icon.x = Math.round(((_local2)!=ButtonLabelPlacement.LEFT) ? (textField.x - _local5) : ((textField.x + _local3) + _local1));
					};
				};
			};
			super.drawLayout();
		}
		override protected function initializeAccessibility():void{
			if (LabelButton.createAccessibilityImplementation != null){
				LabelButton.createAccessibilityImplementation(this);
			};
		}
		protected function drawIcon():void{
			var _local1:DisplayObject;
			var _local2:String;
			var _local3:Object;
			_local1 = icon;
			_local2 = (enabled) ? mouseState : "disabled";
			if (selected){
				_local2 = (("selected" + _local2.substr(0, 1).toUpperCase()) + _local2.substr(1));
			};
			_local2 = (_local2 + "Icon");
			_local3 = getStyleValue(_local2);
			if (_local3 == null){
				_local3 = getStyleValue("icon");
			};
			if (_local3 != null){
				icon = getDisplayObjectInstance(_local3);
			};
			if (icon != null){
				addChildAt(icon, 1);
			};
			if (((!((_local1 == null))) && (!((_local1 == icon))))){
				removeChild(_local1);
			};
		}
		public function set label(_arg1:String):void{
			_label = _arg1;
			if (textField.text != _label){
				textField.text = _label;
				dispatchEvent(new ComponentEvent(ComponentEvent.LABEL_CHANGE));
			};
			invalidate(InvalidationType.SIZE);
			invalidate(InvalidationType.STYLES);
		}
		protected function drawTextFormat():void{
			var _local1:Object;
			var _local2:TextFormat;
			var _local3:TextFormat;
			_local1 = UIComponent.getStyleDefinition();
			_local2 = (enabled) ? (_local1.defaultTextFormat as TextFormat) : (_local1.defaultDisabledTextFormat as TextFormat);
			textField.setTextFormat(_local2);
			_local3 = (getStyleValue((enabled) ? "textFormat" : "disabledTextFormat") as TextFormat);
			if (_local3 != null){
				textField.setTextFormat(_local3);
			} else {
				_local3 = _local2;
			};
			textField.defaultTextFormat = _local3;
			setEmbedFont();
		}

		public static function getStyleDefinition():Object{
			return (mergeStyles(defaultStyles, BaseButton.getStyleDefinition()));
		}

	}
}//package fl.controls 
Section 8
//RadioButton (fl.controls.RadioButton)
package fl.controls {
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.ui.*;

	public class RadioButton extends LabelButton implements IFocusManagerGroup {

		protected var _value:Object;
		protected var defaultGroupName:String;// = "RadioButtonGroup"
		protected var _group:RadioButtonGroup;

		private static var defaultStyles:Object = {icon:null, upIcon:"RadioButton_upIcon", downIcon:"RadioButton_downIcon", overIcon:"RadioButton_overIcon", disabledIcon:"RadioButton_disabledIcon", selectedDisabledIcon:"RadioButton_selectedDisabledIcon", selectedUpIcon:"RadioButton_selectedUpIcon", selectedDownIcon:"RadioButton_selectedDownIcon", selectedOverIcon:"RadioButton_selectedOverIcon", focusRectSkin:null, focusRectPadding:null, textFormat:null, disabledTextFormat:null, embedFonts:null, textPadding:5};
		public static var createAccessibilityImplementation:Function;

		public function RadioButton(){
			defaultGroupName = "RadioButtonGroup";
			super();
			mode = "border";
			groupName = defaultGroupName;
		}
		override public function drawFocus(_arg1:Boolean):void{
			var _local2:Number;
			super.drawFocus(_arg1);
			if (_arg1){
				_local2 = Number(getStyleValue("focusRectPadding"));
				uiFocusRect.x = (background.x - _local2);
				uiFocusRect.y = (background.y - _local2);
				uiFocusRect.width = (background.width + (_local2 * 2));
				uiFocusRect.height = (background.height + (_local2 * 2));
			};
		}
		private function setThis():void{
			var _local1:RadioButtonGroup;
			_local1 = _group;
			if (_local1 != null){
				if (_local1.selection != this){
					_local1.selection = this;
				};
			} else {
				super.selected = true;
			};
		}
		override public function get autoRepeat():Boolean{
			return (false);
		}
		override public function set autoRepeat(_arg1:Boolean):void{
		}
		protected function handleClick(_arg1:MouseEvent):void{
			if (_group == null){
				return;
			};
			_group.dispatchEvent(new MouseEvent(MouseEvent.CLICK, true));
		}
		override protected function keyDownHandler(_arg1:KeyboardEvent):void{
			switch (_arg1.keyCode){
				case Keyboard.DOWN:
					setNext(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.UP:
					setPrev(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.LEFT:
					setPrev(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.RIGHT:
					setNext(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.SPACE:
					setThis();
					_toggle = false;
				default:
					super.keyDownHandler(_arg1);
					break;
			};
		}
		private function setNext(_arg1:Boolean=true):void{
			var _local2:RadioButtonGroup;
			var _local3:IFocusManager;
			var _local4:int;
			var _local5:Number;
			var _local6:int;
			var _local7:*;
			_local2 = _group;
			if (_local2 == null){
				return;
			};
			_local3 = focusManager;
			if (_local3){
				_local3.showFocusIndicator = true;
			};
			_local4 = _local2.getRadioButtonIndex(this);
			_local5 = _local2.numRadioButtons;
			_local6 = _local4;
			if (_local4 != -1){
				do  {
					_local6++;
					_local6 = ((_local6)>(_local2.numRadioButtons - 1)) ? 0 : _local6;
					_local7 = _local2.getRadioButtonAt(_local6);
					if (((_local7) && (_local7.enabled))){
						if (_arg1){
							_local2.selection = _local7;
						};
						_local7.setFocus();
						return;
					};
					if (((_arg1) && (!((_local2.getRadioButtonAt(_local6) == _local2.selection))))){
						_local2.selection = this;
					};
					this.drawFocus(true);
				} while (_local6 != _local4);
			};
		}
		public function get group():RadioButtonGroup{
			return (_group);
		}
		override protected function keyUpHandler(_arg1:KeyboardEvent):void{
			super.keyUpHandler(_arg1);
			if ((((_arg1.keyCode == Keyboard.SPACE)) && (!(_toggle)))){
				_toggle = true;
			};
		}
		override public function get selected():Boolean{
			return (super.selected);
		}
		override public function set toggle(_arg1:Boolean):void{
			throw (new Error("Warning: You cannot change a RadioButtons toggle."));
		}
		public function set value(_arg1:Object):void{
			_value = _arg1;
		}
		public function set group(_arg1:RadioButtonGroup):void{
			groupName = _arg1.name;
		}
		override public function set selected(_arg1:Boolean):void{
			if ((((_arg1 == false)) || (selected))){
				return;
			};
			if (_group != null){
				_group.selection = this;
			} else {
				super.selected = _arg1;
			};
		}
		override protected function draw():void{
			super.draw();
		}
		override public function get toggle():Boolean{
			return (true);
		}
		override protected function configUI():void{
			var _local1:Shape;
			var _local2:Graphics;
			super.configUI();
			super.toggle = true;
			_local1 = new Shape();
			_local2 = _local1.graphics;
			_local2.beginFill(0, 0);
			_local2.drawRect(0, 0, 100, 100);
			_local2.endFill();
			background = (_local1 as DisplayObject);
			addChildAt(background, 0);
			addEventListener(MouseEvent.CLICK, handleClick, false, 0, true);
		}
		public function set groupName(_arg1:String):void{
			if (_group != null){
				_group.removeRadioButton(this);
				_group.removeEventListener(Event.CHANGE, handleChange);
			};
			_group = ((_arg1)==null) ? null : RadioButtonGroup.getGroup(_arg1);
			if (_group != null){
				_group.addRadioButton(this);
				_group.addEventListener(Event.CHANGE, handleChange, false, 0, true);
			};
		}
		public function get value():Object{
			return (_value);
		}
		override protected function drawLayout():void{
			var _local1:Number;
			super.drawLayout();
			_local1 = Number(getStyleValue("textPadding"));
			switch (_labelPlacement){
				case ButtonLabelPlacement.RIGHT:
					icon.x = _local1;
					textField.x = (icon.x + (icon.width + _local1));
					background.width = ((textField.x + textField.width) + _local1);
					background.height = (Math.max(textField.height, icon.height) + (_local1 * 2));
					break;
				case ButtonLabelPlacement.LEFT:
					icon.x = ((width - icon.width) - _local1);
					textField.x = (((width - icon.width) - (_local1 * 2)) - textField.width);
					background.width = ((textField.width + icon.width) + (_local1 * 3));
					background.height = (Math.max(textField.height, icon.height) + (_local1 * 2));
					break;
				case ButtonLabelPlacement.TOP:
				case ButtonLabelPlacement.BOTTOM:
					background.width = (Math.max(textField.width, icon.width) + (_local1 * 2));
					background.height = ((textField.height + icon.height) + (_local1 * 3));
					break;
			};
			background.x = Math.min((icon.x - _local1), (textField.x - _local1));
			background.y = Math.min((icon.y - _local1), (textField.y - _local1));
		}
		override protected function drawBackground():void{
		}
		override protected function initializeAccessibility():void{
			if (RadioButton.createAccessibilityImplementation != null){
				RadioButton.createAccessibilityImplementation(this);
			};
		}
		public function get groupName():String{
			return (((_group)==null) ? null : _group.name);
		}
		private function setPrev(_arg1:Boolean=true):void{
			var _local2:RadioButtonGroup;
			var _local3:IFocusManager;
			var _local4:int;
			var _local5:int;
			var _local6:*;
			_local2 = _group;
			if (_local2 == null){
				return;
			};
			_local3 = focusManager;
			if (_local3){
				_local3.showFocusIndicator = true;
			};
			_local4 = _local2.getRadioButtonIndex(this);
			_local5 = _local4;
			if (_local4 != -1){
				do  {
					--_local5;
					_local5 = ((_local5)==-1) ? (_local2.numRadioButtons - 1) : _local5;
					_local6 = _local2.getRadioButtonAt(_local5);
					if (((_local6) && (_local6.enabled))){
						if (_arg1){
							_local2.selection = _local6;
						};
						_local6.setFocus();
						return;
					};
					if (((_arg1) && (!((_local2.getRadioButtonAt(_local5) == _local2.selection))))){
						_local2.selection = this;
					};
					this.drawFocus(true);
				} while (_local5 != _local4);
			};
		}
		protected function handleChange(_arg1:Event):void{
			super.selected = (_group.selection == this);
			dispatchEvent(new Event(Event.CHANGE, true));
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 9
//RadioButtonGroup (fl.controls.RadioButtonGroup)
package fl.controls {
	import flash.events.*;

	public class RadioButtonGroup extends EventDispatcher {

		protected var _selection:RadioButton;
		protected var radioButtons:Array;
		protected var _name:String;

		private static var groups:Object;
		private static var groupCount:uint = 0;

		public function RadioButtonGroup(_arg1:String){
			_name = _arg1;
			radioButtons = [];
			registerGroup(this);
		}
		public function getRadioButtonIndex(_arg1:RadioButton):int{
			var _local2:int;
			var _local3:RadioButton;
			_local2 = 0;
			while (_local2 < radioButtons.length) {
				_local3 = (radioButtons[_local2] as RadioButton);
				if (_local3 == _arg1){
					return (_local2);
				};
				_local2++;
			};
			return (-1);
		}
		public function get numRadioButtons():int{
			return (radioButtons.length);
		}
		public function get name():String{
			return (_name);
		}
		public function get selection():RadioButton{
			return (_selection);
		}
		public function set selection(_arg1:RadioButton):void{
			if ((((((_selection == _arg1)) || ((_arg1 == null)))) || ((getRadioButtonIndex(_arg1) == -1)))){
				return;
			};
			_selection = _arg1;
			dispatchEvent(new Event(Event.CHANGE, true));
		}
		public function set selectedData(_arg1:Object):void{
			var _local2:int;
			var _local3:RadioButton;
			_local2 = 0;
			while (_local2 < radioButtons.length) {
				_local3 = (radioButtons[_local2] as RadioButton);
				if (_local3.value == _arg1){
					selection = _local3;
					return;
				};
				_local2++;
			};
		}
		public function removeRadioButton(_arg1:RadioButton):void{
			var _local2:int;
			_local2 = getRadioButtonIndex(_arg1);
			if (_local2 != -1){
				radioButtons.splice(_local2, 1);
			};
			if (_selection == _arg1){
				_selection = null;
			};
		}
		public function addRadioButton(_arg1:RadioButton):void{
			if (_arg1.groupName != name){
				_arg1.groupName = name;
				return;
			};
			radioButtons.push(_arg1);
			if (_arg1.selected){
				selection = _arg1;
			};
		}
		public function getRadioButtonAt(_arg1:int):RadioButton{
			return (RadioButton(radioButtons[_arg1]));
		}
		public function get selectedData():Object{
			var _local1:RadioButton;
			_local1 = _selection;
			return (((_local1)==null) ? null : _local1.value);
		}

		public static function getGroup(_arg1:String):RadioButtonGroup{
			var _local2:RadioButtonGroup;
			if (groups == null){
				groups = {};
			};
			_local2 = (groups[_arg1] as RadioButtonGroup);
			if (_local2 == null){
				_local2 = new RadioButtonGroup(_arg1);
				if ((++groupCount % 20) == 0){
					cleanUpGroups();
				};
			};
			return (_local2);
		}
		private static function registerGroup(_arg1:RadioButtonGroup):void{
			if (groups == null){
				groups = {};
			};
			groups[_arg1.name] = _arg1;
		}
		private static function cleanUpGroups():void{
			var _local1:String;
			var _local2:RadioButtonGroup;
			for (_local1 in groups) {
				_local2 = (groups[_local1] as RadioButtonGroup);
				if (_local2.radioButtons.length == 0){
					delete groups[_local1];
				};
			};
		}

	}
}//package fl.controls 
Section 10
//ScrollBar (fl.controls.ScrollBar)
package fl.controls {
	import fl.core.*;
	import flash.events.*;
	import fl.events.*;

	public class ScrollBar extends UIComponent {

		private var _direction:String;// = "vertical"
		protected var inDrag:Boolean;// = false
		protected var upArrow:BaseButton;
		private var _pageScrollSize:Number;// = 0
		protected var downArrow:BaseButton;
		private var _pageSize:Number;// = 10
		private var thumbScrollOffset:Number;
		private var _maxScrollPosition:Number;// = 0
		private var _scrollPosition:Number;// = 0
		protected var track:BaseButton;
		private var _minScrollPosition:Number;// = 0
		private var _lineScrollSize:Number;// = 1
		protected var thumb:LabelButton;

		protected static const THUMB_STYLES:Object = {disabledSkin:"thumbDisabledSkin", downSkin:"thumbDownSkin", overSkin:"thumbOverSkin", upSkin:"thumbUpSkin", icon:"thumbIcon", textPadding:0};
		public static const WIDTH:Number = 15;
		protected static const DOWN_ARROW_STYLES:Object = {disabledSkin:"downArrowDisabledSkin", downSkin:"downArrowDownSkin", overSkin:"downArrowOverSkin", upSkin:"downArrowUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};
		protected static const UP_ARROW_STYLES:Object = {disabledSkin:"upArrowDisabledSkin", downSkin:"upArrowDownSkin", overSkin:"upArrowOverSkin", upSkin:"upArrowUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};
		protected static const TRACK_STYLES:Object = {disabledSkin:"trackDisabledSkin", downSkin:"trackDownSkin", overSkin:"trackOverSkin", upSkin:"trackUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};

		private static var defaultStyles:Object = {downArrowDisabledSkin:"ScrollArrowDown_disabledSkin", downArrowDownSkin:"ScrollArrowDown_downSkin", downArrowOverSkin:"ScrollArrowDown_overSkin", downArrowUpSkin:"ScrollArrowDown_upSkin", thumbDisabledSkin:"ScrollThumb_upSkin", thumbDownSkin:"ScrollThumb_downSkin", thumbOverSkin:"ScrollThumb_overSkin", thumbUpSkin:"ScrollThumb_upSkin", trackDisabledSkin:"ScrollTrack_skin", trackDownSkin:"ScrollTrack_skin", trackOverSkin:"ScrollTrack_skin", trackUpSkin:"ScrollTrack_skin", upArrowDisabledSkin:"ScrollArrowUp_disabledSkin", upArrowDownSkin:"ScrollArrowUp_downSkin", upArrowOverSkin:"ScrollArrowUp_overSkin", upArrowUpSkin:"ScrollArrowUp_upSkin", thumbIcon:"ScrollBar_thumbIcon", repeatDelay:500, repeatInterval:35};

		public function ScrollBar(){
			_pageSize = 10;
			_pageScrollSize = 0;
			_lineScrollSize = 1;
			_minScrollPosition = 0;
			_maxScrollPosition = 0;
			_scrollPosition = 0;
			_direction = ScrollBarDirection.VERTICAL;
			inDrag = false;
			super();
			setStyles();
			focusEnabled = false;
		}
		public function get minScrollPosition():Number{
			return (_minScrollPosition);
		}
		public function set minScrollPosition(_arg1:Number):void{
			setScrollProperties(_pageSize, _arg1, _maxScrollPosition);
		}
		public function setScrollPosition(_arg1:Number, _arg2:Boolean=true):void{
			var _local3:Number;
			_local3 = scrollPosition;
			_scrollPosition = Math.max(_minScrollPosition, Math.min(_maxScrollPosition, _arg1));
			if (_local3 == _scrollPosition){
				return;
			};
			if (_arg2){
				dispatchEvent(new ScrollEvent(_direction, (scrollPosition - _local3), scrollPosition));
			};
			updateThumb();
		}
		public function set scrollPosition(_arg1:Number):void{
			setScrollPosition(_arg1, true);
		}
		public function get pageScrollSize():Number{
			return (((_pageScrollSize)==0) ? _pageSize : _pageScrollSize);
		}
		public function set pageSize(_arg1:Number):void{
			if (_arg1 > 0){
				_pageSize = _arg1;
			};
		}
		public function setScrollProperties(_arg1:Number, _arg2:Number, _arg3:Number, _arg4:Number=0):void{
			this.pageSize = _arg1;
			_minScrollPosition = _arg2;
			_maxScrollPosition = _arg3;
			if (_arg4 >= 0){
				_pageScrollSize = _arg4;
			};
			enabled = (_maxScrollPosition > _minScrollPosition);
			setScrollPosition(_scrollPosition, false);
			updateThumb();
		}
		override public function set enabled(_arg1:Boolean):void{
			super.enabled = _arg1;
			downArrow.enabled = (track.enabled = (thumb.enabled = (upArrow.enabled = ((enabled) && ((_maxScrollPosition > _minScrollPosition))))));
			updateThumb();
		}
		protected function updateThumb():void{
			var _local1:Number;
			_local1 = ((_maxScrollPosition - _minScrollPosition) + _pageSize);
			if ((((((track.height <= 12)) || ((_maxScrollPosition <= _minScrollPosition)))) || ((((_local1 == 0)) || (isNaN(_local1)))))){
				thumb.height = 12;
				thumb.visible = false;
			} else {
				thumb.height = Math.max(13, ((_pageSize / _local1) * track.height));
				thumb.y = (track.y + ((track.height - thumb.height) * ((_scrollPosition - _minScrollPosition) / (_maxScrollPosition - _minScrollPosition))));
				thumb.visible = enabled;
			};
		}
		protected function thumbPressHandler(_arg1:MouseEvent):void{
			inDrag = true;
			thumbScrollOffset = (mouseY - thumb.y);
			thumb.mouseStateLocked = true;
			mouseChildren = false;
			stage.addEventListener(MouseEvent.MOUSE_MOVE, handleThumbDrag, false, 0, true);
			stage.addEventListener(MouseEvent.MOUSE_UP, thumbReleaseHandler, false, 0, true);
		}
		protected function thumbReleaseHandler(_arg1:MouseEvent):void{
			inDrag = false;
			mouseChildren = true;
			thumb.mouseStateLocked = false;
			stage.removeEventListener(MouseEvent.MOUSE_MOVE, handleThumbDrag);
			stage.removeEventListener(MouseEvent.MOUSE_UP, thumbReleaseHandler);
		}
		public function set pageScrollSize(_arg1:Number):void{
			if (_arg1 >= 0){
				_pageScrollSize = _arg1;
			};
		}
		protected function handleThumbDrag(_arg1:MouseEvent):void{
			var _local2:Number;
			_local2 = Math.max(0, Math.min((track.height - thumb.height), ((mouseY - track.y) - thumbScrollOffset)));
			setScrollPosition((((_local2 / (track.height - thumb.height)) * (_maxScrollPosition - _minScrollPosition)) + _minScrollPosition));
		}
		public function set direction(_arg1:String):void{
			var _local2:Boolean;
			if (_direction == _arg1){
				return;
			};
			_direction = _arg1;
			if (isLivePreview){
				return;
			};
			setScaleY(1);
			_local2 = (_direction == ScrollBarDirection.HORIZONTAL);
			if (((_local2) && (componentInspectorSetting))){
				if (rotation == 90){
					return;
				};
				setScaleX(-1);
				rotation = -90;
			};
			if (!componentInspectorSetting){
				if (((_local2) && ((rotation == 0)))){
					rotation = -90;
					setScaleX(-1);
				} else {
					if (((!(_local2)) && ((rotation == -90)))){
						rotation = 0;
						setScaleX(1);
					};
				};
			};
			invalidate(InvalidationType.SIZE);
		}
		public function set lineScrollSize(_arg1:Number):void{
			if (_arg1 > 0){
				_lineScrollSize = _arg1;
			};
		}
		override public function get height():Number{
			return (((_direction)==ScrollBarDirection.HORIZONTAL) ? super.width : super.height);
		}
		protected function scrollPressHandler(_arg1:ComponentEvent):void{
			var _local2:Number;
			var _local3:Number;
			_arg1.stopImmediatePropagation();
			if (_arg1.currentTarget == upArrow){
				setScrollPosition((_scrollPosition - _lineScrollSize));
			} else {
				if (_arg1.currentTarget == downArrow){
					setScrollPosition((_scrollPosition + _lineScrollSize));
				} else {
					_local2 = (((track.mouseY / track.height) * (_maxScrollPosition - _minScrollPosition)) + _minScrollPosition);
					_local3 = ((pageScrollSize)==0) ? pageSize : pageScrollSize;
					if (_scrollPosition < _local2){
						setScrollPosition(Math.min(_local2, (_scrollPosition + _local3)));
					} else {
						if (_scrollPosition > _local2){
							setScrollPosition(Math.max(_local2, (_scrollPosition - _local3)));
						};
					};
				};
			};
		}
		public function get pageSize():Number{
			return (_pageSize);
		}
		public function set maxScrollPosition(_arg1:Number):void{
			setScrollProperties(_pageSize, _minScrollPosition, _arg1);
		}
		public function get scrollPosition():Number{
			return (_scrollPosition);
		}
		override public function get enabled():Boolean{
			return (super.enabled);
		}
		override protected function draw():void{
			var _local1:Number;
			if (isInvalid(InvalidationType.SIZE)){
				_local1 = super.height;
				downArrow.move(0, Math.max(upArrow.height, (_local1 - downArrow.height)));
				track.setSize(WIDTH, Math.max(0, (_local1 - (downArrow.height + upArrow.height))));
				updateThumb();
			};
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				setStyles();
			};
			downArrow.drawNow();
			upArrow.drawNow();
			track.drawNow();
			thumb.drawNow();
			validate();
		}
		override protected function configUI():void{
			super.configUI();
			track = new BaseButton();
			track.move(0, 14);
			track.useHandCursor = false;
			track.autoRepeat = true;
			track.focusEnabled = false;
			addChild(track);
			thumb = new LabelButton();
			thumb.label = "";
			thumb.setSize(WIDTH, 15);
			thumb.move(0, 15);
			thumb.focusEnabled = false;
			addChild(thumb);
			downArrow = new BaseButton();
			downArrow.setSize(WIDTH, 14);
			downArrow.autoRepeat = true;
			downArrow.focusEnabled = false;
			addChild(downArrow);
			upArrow = new BaseButton();
			upArrow.setSize(WIDTH, 14);
			upArrow.move(0, 0);
			upArrow.autoRepeat = true;
			upArrow.focusEnabled = false;
			addChild(upArrow);
			upArrow.addEventListener(ComponentEvent.BUTTON_DOWN, scrollPressHandler, false, 0, true);
			downArrow.addEventListener(ComponentEvent.BUTTON_DOWN, scrollPressHandler, false, 0, true);
			track.addEventListener(ComponentEvent.BUTTON_DOWN, scrollPressHandler, false, 0, true);
			thumb.addEventListener(MouseEvent.MOUSE_DOWN, thumbPressHandler, false, 0, true);
			enabled = false;
		}
		public function get direction():String{
			return (_direction);
		}
		public function get lineScrollSize():Number{
			return (_lineScrollSize);
		}
		override public function setSize(_arg1:Number, _arg2:Number):void{
			if (_direction == ScrollBarDirection.HORIZONTAL){
				super.setSize(_arg2, _arg1);
			} else {
				super.setSize(_arg1, _arg2);
			};
		}
		public function get maxScrollPosition():Number{
			return (_maxScrollPosition);
		}
		override public function get width():Number{
			return (((_direction)==ScrollBarDirection.HORIZONTAL) ? super.height : super.width);
		}
		protected function setStyles():void{
			copyStylesToChild(downArrow, DOWN_ARROW_STYLES);
			copyStylesToChild(thumb, THUMB_STYLES);
			copyStylesToChild(track, TRACK_STYLES);
			copyStylesToChild(upArrow, UP_ARROW_STYLES);
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 11
//ScrollBarDirection (fl.controls.ScrollBarDirection)
package fl.controls {

	public class ScrollBarDirection {

		public static const HORIZONTAL:String = "horizontal";
		public static const VERTICAL:String = "vertical";

	}
}//package fl.controls 
Section 12
//ScrollPolicy (fl.controls.ScrollPolicy)
package fl.controls {

	public class ScrollPolicy {

		public static const OFF:String = "off";
		public static const ON:String = "on";
		public static const AUTO:String = "auto";

	}
}//package fl.controls 
Section 13
//ComponentShim (fl.core.ComponentShim)
package fl.core {
	import flash.display.*;

	public dynamic class ComponentShim extends MovieClip {

	}
}//package fl.core 
Section 14
//InvalidationType (fl.core.InvalidationType)
package fl.core {

	public class InvalidationType {

		public static const SIZE:String = "size";
		public static const ALL:String = "all";
		public static const DATA:String = "data";
		public static const SCROLL:String = "scroll";
		public static const STATE:String = "state";
		public static const STYLES:String = "styles";
		public static const SELECTED:String = "selected";
		public static const RENDERER_STYLES:String = "rendererStyles";

	}
}//package fl.core 
Section 15
//UIComponent (fl.core.UIComponent)
package fl.core {
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.utils.*;
	import flash.text.*;
	import fl.events.*;
	import flash.system.*;

	public class UIComponent extends Sprite {

		protected var _enabled:Boolean;// = true
		private var _mouseFocusEnabled:Boolean;// = true
		protected var startHeight:Number;
		protected var _height:Number;
		protected var _oldIMEMode:String;// = null
		protected var startWidth:Number;
		public var focusTarget:IFocusManagerComponent;
		protected var errorCaught:Boolean;// = false
		protected var uiFocusRect:DisplayObject;
		protected var _width:Number;
		public var version:String;// = "3.0.0.15"
		protected var isFocused:Boolean;// = false
		protected var callLaterMethods:Dictionary;
		private var _focusEnabled:Boolean;// = true
		private var tempText:TextField;
		protected var invalidateFlag:Boolean;// = false
		protected var _inspector:Boolean;// = false
		protected var sharedStyles:Object;
		protected var invalidHash:Object;
		protected var isLivePreview:Boolean;// = false
		protected var _imeMode:String;// = null
		protected var instanceStyles:Object;
		protected var _x:Number;
		protected var _y:Number;

		public static var inCallLaterPhase:Boolean = false;
		private static var defaultStyles:Object = {focusRectSkin:"focusRectSkin", focusRectPadding:2, textFormat:new TextFormat("_sans", 11, 0, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0), disabledTextFormat:new TextFormat("_sans", 11, 0x999999, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0), defaultTextFormat:new TextFormat("_sans", 11, 0, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0), defaultDisabledTextFormat:new TextFormat("_sans", 11, 0x999999, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0)};
		public static var createAccessibilityImplementation:Function;
		private static var focusManagers:Dictionary = new Dictionary(false);

		public function UIComponent(){
			version = "3.0.0.15";
			isLivePreview = false;
			invalidateFlag = false;
			_enabled = true;
			isFocused = false;
			_focusEnabled = true;
			_mouseFocusEnabled = true;
			_imeMode = null;
			_oldIMEMode = null;
			errorCaught = false;
			_inspector = false;
			super();
			instanceStyles = {};
			sharedStyles = {};
			invalidHash = {};
			callLaterMethods = new Dictionary();
			StyleManager.registerInstance(this);
			configUI();
			invalidate(InvalidationType.ALL);
			tabEnabled = (this is IFocusManagerComponent);
			focusRect = false;
			if (tabEnabled){
				addEventListener(FocusEvent.FOCUS_IN, focusInHandler);
				addEventListener(FocusEvent.FOCUS_OUT, focusOutHandler);
				addEventListener(KeyboardEvent.KEY_DOWN, keyDownHandler);
				addEventListener(KeyboardEvent.KEY_UP, keyUpHandler);
			};
			initializeFocusManager();
			addEventListener(Event.ENTER_FRAME, hookAccessibility, false, 0, true);
		}
		public function drawFocus(_arg1:Boolean):void{
			var _local2:Number;
			isFocused = _arg1;
			if (((!((uiFocusRect == null))) && (contains(uiFocusRect)))){
				removeChild(uiFocusRect);
				uiFocusRect = null;
			};
			if (_arg1){
				uiFocusRect = (getDisplayObjectInstance(getStyleValue("focusRectSkin")) as Sprite);
				if (uiFocusRect == null){
					return;
				};
				_local2 = Number(getStyleValue("focusRectPadding"));
				uiFocusRect.x = -(_local2);
				uiFocusRect.y = -(_local2);
				uiFocusRect.width = (width + (_local2 * 2));
				uiFocusRect.height = (height + (_local2 * 2));
				addChildAt(uiFocusRect, 0);
			};
		}
		private function callLaterDispatcher(_arg1:Event):void{
			var _local2:Dictionary;
			var _local3:Object;
			if (_arg1.type == Event.ADDED_TO_STAGE){
				removeEventListener(Event.ADDED_TO_STAGE, callLaterDispatcher);
				stage.addEventListener(Event.RENDER, callLaterDispatcher, false, 0, true);
				stage.invalidate();
				return;
			};
			_arg1.target.removeEventListener(Event.RENDER, callLaterDispatcher);
			if (stage == null){
				addEventListener(Event.ADDED_TO_STAGE, callLaterDispatcher, false, 0, true);
				return;
			};
			inCallLaterPhase = true;
			_local2 = callLaterMethods;
			for (_local3 in _local2) {
				_local3();
				delete _local2[_local3];
			};
			inCallLaterPhase = false;
		}
		private function addedHandler(_arg1:Event):void{
			removeEventListener("addedToStage", addedHandler);
			initializeFocusManager();
		}
		protected function getStyleValue(_arg1:String):Object{
			return (((instanceStyles[_arg1])==null) ? sharedStyles[_arg1] : instanceStyles[_arg1]);
		}
		protected function isOurFocus(_arg1:DisplayObject):Boolean{
			return ((_arg1 == this));
		}
		override public function get scaleX():Number{
			return ((width / startWidth));
		}
		override public function get scaleY():Number{
			return ((height / startHeight));
		}
		override public function set height(_arg1:Number):void{
			if (_height == _arg1){
				return;
			};
			setSize(width, _arg1);
		}
		protected function keyDownHandler(_arg1:KeyboardEvent):void{
		}
		protected function focusInHandler(_arg1:FocusEvent):void{
			var _local2:IFocusManager;
			if (isOurFocus((_arg1.target as DisplayObject))){
				_local2 = focusManager;
				if (((_local2) && (_local2.showFocusIndicator))){
					drawFocus(true);
					isFocused = true;
				};
			};
		}
		public function setStyle(_arg1:String, _arg2:Object):void{
			if ((((instanceStyles[_arg1] === _arg2)) && (!((_arg2 is TextFormat))))){
				return;
			};
			instanceStyles[_arg1] = _arg2;
			invalidate(InvalidationType.STYLES);
		}
		override public function get visible():Boolean{
			return (super.visible);
		}
		public function get componentInspectorSetting():Boolean{
			return (_inspector);
		}
		override public function get x():Number{
			return ((isNaN(_x)) ? super.x : _x);
		}
		override public function get y():Number{
			return ((isNaN(_y)) ? super.y : _y);
		}
		protected function setIMEMode(_arg1:Boolean){
			var enabled = _arg1;
			if (_imeMode != null){
				if (enabled){
					IME.enabled = true;
					_oldIMEMode = IME.conversionMode;
					try {
						if (((!(errorCaught)) && (!((IME.conversionMode == IMEConversionMode.UNKNOWN))))){
							IME.conversionMode = _imeMode;
						};
						errorCaught = false;
					} catch(e:Error) {
						errorCaught = true;
						throw (new Error(("IME mode not supported: " + _imeMode)));
					};
				} else {
					if (((!((IME.conversionMode == IMEConversionMode.UNKNOWN))) && (!((_oldIMEMode == IMEConversionMode.UNKNOWN))))){
						IME.conversionMode = _oldIMEMode;
					};
					IME.enabled = false;
				};
			};
		}
		public function set enabled(_arg1:Boolean):void{
			if (_arg1 == _enabled){
				return;
			};
			_enabled = _arg1;
			invalidate(InvalidationType.STATE);
		}
		public function setSharedStyle(_arg1:String, _arg2:Object):void{
			if ((((sharedStyles[_arg1] === _arg2)) && (!((_arg2 is TextFormat))))){
				return;
			};
			sharedStyles[_arg1] = _arg2;
			if (instanceStyles[_arg1] == null){
				invalidate(InvalidationType.STYLES);
			};
		}
		protected function keyUpHandler(_arg1:KeyboardEvent):void{
		}
		public function set focusEnabled(_arg1:Boolean):void{
			_focusEnabled = _arg1;
		}
		override public function set scaleX(_arg1:Number):void{
			setSize((startWidth * _arg1), height);
		}
		public function get mouseFocusEnabled():Boolean{
			return (_mouseFocusEnabled);
		}
		override public function set scaleY(_arg1:Number):void{
			setSize(width, (startHeight * _arg1));
		}
		protected function getDisplayObjectInstance(_arg1:Object):DisplayObject{
			var classDef:Object;
			var skin = _arg1;
			classDef = null;
			if ((skin is Class)){
				return ((new (skin) as DisplayObject));
			};
			if ((skin is DisplayObject)){
				(skin as DisplayObject).x = 0;
				(skin as DisplayObject).y = 0;
				return ((skin as DisplayObject));
			};
			try {
				classDef = getDefinitionByName(skin.toString());
			} catch(e:Error) {
				try {
					classDef = (loaderInfo.applicationDomain.getDefinition(skin.toString()) as Object);
				} catch(e:Error) {
				};
			};
			if (classDef == null){
				return (null);
			};
			return ((new (classDef) as DisplayObject));
		}
		protected function copyStylesToChild(_arg1:UIComponent, _arg2:Object):void{
			var _local3:String;
			for (_local3 in _arg2) {
				_arg1.setStyle(_local3, getStyleValue(_arg2[_local3]));
			};
		}
		protected function beforeComponentParameters():void{
		}
		protected function callLater(_arg1:Function):void{
			if (inCallLaterPhase){
				return;
			};
			callLaterMethods[_arg1] = true;
			if (stage != null){
				stage.addEventListener(Event.RENDER, callLaterDispatcher, false, 0, true);
				stage.invalidate();
			} else {
				addEventListener(Event.ADDED_TO_STAGE, callLaterDispatcher, false, 0, true);
			};
		}
		protected function createFocusManager():void{
			if (focusManagers[stage] == null){
				focusManagers[stage] = new FocusManager(stage);
			};
		}
		override public function set visible(_arg1:Boolean):void{
			var _local2:String;
			if (super.visible == _arg1){
				return;
			};
			super.visible = _arg1;
			_local2 = (_arg1) ? ComponentEvent.SHOW : ComponentEvent.HIDE;
			dispatchEvent(new ComponentEvent(_local2, true));
		}
		protected function hookAccessibility(_arg1:Event):void{
			removeEventListener(Event.ENTER_FRAME, hookAccessibility);
			initializeAccessibility();
		}
		public function set componentInspectorSetting(_arg1:Boolean):void{
			_inspector = _arg1;
			if (_inspector){
				beforeComponentParameters();
			} else {
				afterComponentParameters();
			};
		}
		override public function set x(_arg1:Number):void{
			move(_arg1, _y);
		}
		public function drawNow():void{
			draw();
		}
		override public function set y(_arg1:Number):void{
			move(_x, _arg1);
		}
		protected function checkLivePreview():Boolean{
			var className:String;
			if (parent == null){
				return (false);
			};
			try {
				className = getQualifiedClassName(parent);
			} catch(e:Error) {
			};
			return ((className == "fl.livepreview::LivePreviewParent"));
		}
		protected function focusOutHandler(_arg1:FocusEvent):void{
			if (isOurFocus((_arg1.target as DisplayObject))){
				drawFocus(false);
				isFocused = false;
			};
		}
		public function set mouseFocusEnabled(_arg1:Boolean):void{
			_mouseFocusEnabled = _arg1;
		}
		public function getFocus():InteractiveObject{
			if (stage){
				return (stage.focus);
			};
			return (null);
		}
		protected function validate():void{
			invalidHash = {};
		}
		override public function get height():Number{
			return (_height);
		}
		public function invalidate(_arg1:String="all", _arg2:Boolean=true):void{
			invalidHash[_arg1] = true;
			if (_arg2){
				this.callLater(draw);
			};
		}
		public function get enabled():Boolean{
			return (_enabled);
		}
		protected function getScaleX():Number{
			return (super.scaleX);
		}
		protected function getScaleY():Number{
			return (super.scaleY);
		}
		public function get focusEnabled():Boolean{
			return (_focusEnabled);
		}
		protected function afterComponentParameters():void{
		}
		protected function draw():void{
			if (isInvalid(InvalidationType.SIZE, InvalidationType.STYLES)){
				if (((isFocused) && (focusManager.showFocusIndicator))){
					drawFocus(true);
				};
			};
			validate();
		}
		protected function configUI():void{
			var _local1:Number;
			var _local2:Number;
			var _local3:Number;
			isLivePreview = checkLivePreview();
			_local1 = rotation;
			rotation = 0;
			_local2 = super.width;
			_local3 = super.height;
			var _local4 = 1;
			super.scaleY = _local4;
			super.scaleX = _local4;
			setSize(_local2, _local3);
			move(super.x, super.y);
			rotation = _local1;
			startWidth = _local2;
			startHeight = _local3;
			if (numChildren > 0){
				removeChildAt(0);
			};
		}
		protected function setScaleX(_arg1:Number):void{
			super.scaleX = _arg1;
		}
		protected function setScaleY(_arg1:Number):void{
			super.scaleY = _arg1;
		}
		private function initializeFocusManager():void{
			if (stage == null){
				addEventListener(Event.ADDED_TO_STAGE, addedHandler, false, 0, true);
			} else {
				createFocusManager();
			};
		}
		public function set focusManager(_arg1:IFocusManager):void{
			UIComponent.focusManagers[this] = _arg1;
		}
		public function clearStyle(_arg1:String):void{
			setStyle(_arg1, null);
		}
		protected function isInvalid(_arg1:String, ... _args):Boolean{
			if (((invalidHash[_arg1]) || (invalidHash[InvalidationType.ALL]))){
				return (true);
			};
			while (_args.length > 0) {
				if (invalidHash[_args.pop()]){
					return (true);
				};
			};
			return (false);
		}
		public function setSize(_arg1:Number, _arg2:Number):void{
			_width = _arg1;
			_height = _arg2;
			invalidate(InvalidationType.SIZE);
			dispatchEvent(new ComponentEvent(ComponentEvent.RESIZE, false));
		}
		override public function set width(_arg1:Number):void{
			if (_width == _arg1){
				return;
			};
			setSize(_arg1, height);
		}
		public function setFocus():void{
			if (stage){
				stage.focus = this;
			};
		}
		protected function initializeAccessibility():void{
			if (UIComponent.createAccessibilityImplementation != null){
				UIComponent.createAccessibilityImplementation(this);
			};
		}
		public function get focusManager():IFocusManager{
			var _local1:DisplayObject;
			_local1 = this;
			while (_local1) {
				if (UIComponent.focusManagers[_local1] != null){
					return (IFocusManager(UIComponent.focusManagers[_local1]));
				};
				_local1 = _local1.parent;
			};
			return (null);
		}
		override public function get width():Number{
			return (_width);
		}
		public function move(_arg1:Number, _arg2:Number):void{
			_x = _arg1;
			_y = _arg2;
			super.x = Math.round(_arg1);
			super.y = Math.round(_arg2);
			dispatchEvent(new ComponentEvent(ComponentEvent.MOVE));
		}
		public function validateNow():void{
			invalidate(InvalidationType.ALL, false);
			draw();
		}
		public function getStyle(_arg1:String):Object{
			return (instanceStyles[_arg1]);
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}
		public static function mergeStyles(... _args):Object{
			var _local2:Object;
			var _local3:uint;
			var _local4:uint;
			var _local5:Object;
			var _local6:String;
			_local2 = {};
			_local3 = _args.length;
			_local4 = 0;
			while (_local4 < _local3) {
				_local5 = _args[_local4];
				for (_local6 in _local5) {
					if (_local2[_local6] != null){
					} else {
						_local2[_local6] = _args[_local4][_local6];
					};
				};
				_local4++;
			};
			return (_local2);
		}

	}
}//package fl.core 
Section 16
//ComponentEvent (fl.events.ComponentEvent)
package fl.events {
	import flash.events.*;

	public class ComponentEvent extends Event {

		public static const HIDE:String = "hide";
		public static const BUTTON_DOWN:String = "buttonDown";
		public static const MOVE:String = "move";
		public static const RESIZE:String = "resize";
		public static const ENTER:String = "enter";
		public static const LABEL_CHANGE:String = "labelChange";
		public static const SHOW:String = "show";

		public function ComponentEvent(_arg1:String, _arg2:Boolean=false, _arg3:Boolean=false){
			super(_arg1, _arg2, _arg3);
		}
		override public function toString():String{
			return (formatToString("ComponentEvent", "type", "bubbles", "cancelable"));
		}
		override public function clone():Event{
			return (new ComponentEvent(type, bubbles, cancelable));
		}

	}
}//package fl.events 
Section 17
//ScrollEvent (fl.events.ScrollEvent)
package fl.events {
	import flash.events.*;

	public class ScrollEvent extends Event {

		private var _position:Number;
		private var _direction:String;
		private var _delta:Number;

		public static const SCROLL:String = "scroll";

		public function ScrollEvent(_arg1:String, _arg2:Number, _arg3:Number){
			super(ScrollEvent.SCROLL, false, false);
			_direction = _arg1;
			_delta = _arg2;
			_position = _arg3;
		}
		override public function clone():Event{
			return (new ScrollEvent(_direction, _delta, _position));
		}
		public function get position():Number{
			return (_position);
		}
		override public function toString():String{
			return (formatToString("ScrollEvent", "type", "bubbles", "cancelable", "direction", "delta", "position"));
		}
		public function get delta():Number{
			return (_delta);
		}
		public function get direction():String{
			return (_direction);
		}

	}
}//package fl.events 
Section 18
//FocusManager (fl.managers.FocusManager)
package fl.managers {
	import fl.controls.*;
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import flash.utils.*;
	import flash.text.*;
	import flash.ui.*;

	public class FocusManager implements IFocusManager {

		private var focusableObjects:Dictionary;
		private var _showFocusIndicator:Boolean;// = true
		private var defButton:Button;
		private var focusableCandidates:Array;
		private var _form:DisplayObjectContainer;
		private var _defaultButtonEnabled:Boolean;// = true
		private var activated:Boolean;// = false
		private var _defaultButton:Button;
		private var calculateCandidates:Boolean;// = true
		private var lastFocus:InteractiveObject;
		private var lastAction:String;

		public function FocusManager(_arg1:DisplayObjectContainer){
			activated = false;
			calculateCandidates = true;
			_showFocusIndicator = true;
			_defaultButtonEnabled = true;
			super();
			focusableObjects = new Dictionary(true);
			if (_arg1 != null){
				_form = _arg1;
				addFocusables(DisplayObject(_arg1));
				_arg1.addEventListener(Event.ADDED, addedHandler);
				_arg1.addEventListener(Event.REMOVED, removedHandler);
				activate();
			};
		}
		public function get showFocusIndicator():Boolean{
			return (_showFocusIndicator);
		}
		private function getIndexOfNextObject(_arg1:int, _arg2:Boolean, _arg3:Boolean, _arg4:String):int{
			var _local5:int;
			var _local6:int;
			var _local7:DisplayObject;
			var _local8:IFocusManagerGroup;
			var _local9:int;
			var _local10:DisplayObject;
			var _local11:IFocusManagerGroup;
			_local5 = focusableCandidates.length;
			_local6 = _arg1;
			while (true) {
				if (_arg2){
					_arg1--;
				} else {
					_arg1++;
				};
				if (_arg3){
					if (((_arg2) && ((_arg1 < 0)))){
						break;
					};
					if (((!(_arg2)) && ((_arg1 == _local5)))){
						break;
					};
				} else {
					_arg1 = ((_arg1 + _local5) % _local5);
					if (_local6 == _arg1){
						break;
					};
				};
				if (isValidFocusCandidate(focusableCandidates[_arg1], _arg4)){
					_local7 = DisplayObject(findFocusManagerComponent(focusableCandidates[_arg1]));
					if ((_local7 is IFocusManagerGroup)){
						_local8 = IFocusManagerGroup(_local7);
						_local9 = 0;
						while (_local9 < focusableCandidates.length) {
							_local10 = focusableCandidates[_local9];
							if ((_local10 is IFocusManagerGroup)){
								_local11 = IFocusManagerGroup(_local10);
								if ((((_local11.groupName == _local8.groupName)) && (_local11.selected))){
									_arg1 = _local9;
									break;
								};
							};
							_local9++;
						};
					};
					return (_arg1);
				};
			};
			return (_arg1);
		}
		public function set form(_arg1:DisplayObjectContainer):void{
			_form = _arg1;
		}
		private function addFocusables(_arg1:DisplayObject, _arg2:Boolean=false):void{
			var focusable:IFocusManagerComponent;
			var io:InteractiveObject;
			var doc:DisplayObjectContainer;
			var i:int;
			var child:DisplayObject;
			var o = _arg1;
			var skipTopLevel = _arg2;
			if (!skipTopLevel){
				if ((o is IFocusManagerComponent)){
					focusable = IFocusManagerComponent(o);
					if (focusable.focusEnabled){
						if (((focusable.tabEnabled) && (isTabVisible(o)))){
							focusableObjects[o] = true;
							calculateCandidates = true;
						};
						o.addEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
						o.addEventListener(Event.TAB_INDEX_CHANGE, tabIndexChangeHandler);
					};
				} else {
					if ((o is InteractiveObject)){
						io = (o as InteractiveObject);
						if (((((io) && (io.tabEnabled))) && ((findFocusManagerComponent(io) == io)))){
							focusableObjects[io] = true;
							calculateCandidates = true;
						};
						io.addEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
						io.addEventListener(Event.TAB_INDEX_CHANGE, tabIndexChangeHandler);
					};
				};
			};
			if ((o is DisplayObjectContainer)){
				doc = DisplayObjectContainer(o);
				o.addEventListener(Event.TAB_CHILDREN_CHANGE, tabChildrenChangeHandler);
				if ((((((doc is Stage)) || ((doc.parent is Stage)))) || (doc.tabChildren))){
					i = 0;
					while (i < doc.numChildren) {
						try {
							child = doc.getChildAt(i);
							if (child != null){
								addFocusables(doc.getChildAt(i));
							};
						} catch(error:SecurityError) {
						};
						i = (i + 1);
					};
				};
			};
		}
		private function getChildIndex(_arg1:DisplayObjectContainer, _arg2:DisplayObject):int{
			return (_arg1.getChildIndex(_arg2));
		}
		private function mouseFocusChangeHandler(_arg1:FocusEvent):void{
			if ((_arg1.relatedObject is TextField)){
				return;
			};
			_arg1.preventDefault();
		}
		private function focusOutHandler(_arg1:FocusEvent):void{
			var _local2:InteractiveObject;
			_local2 = (_arg1.target as InteractiveObject);
		}
		private function isValidFocusCandidate(_arg1:DisplayObject, _arg2:String):Boolean{
			var _local3:IFocusManagerGroup;
			if (!isEnabledAndVisible(_arg1)){
				return (false);
			};
			if ((_arg1 is IFocusManagerGroup)){
				_local3 = IFocusManagerGroup(_arg1);
				if (_arg2 == _local3.groupName){
					return (false);
				};
			};
			return (true);
		}
		public function findFocusManagerComponent(_arg1:InteractiveObject):InteractiveObject{
			var _local2:InteractiveObject;
			_local2 = _arg1;
			while (_arg1) {
				if ((((_arg1 is IFocusManagerComponent)) && (IFocusManagerComponent(_arg1).focusEnabled))){
					return (_arg1);
				};
				_arg1 = _arg1.parent;
			};
			return (_local2);
		}
		private function sortFocusableObjectsTabIndex():void{
			var _local1:Object;
			var _local2:InteractiveObject;
			focusableCandidates = [];
			for (_local1 in focusableObjects) {
				_local2 = InteractiveObject(_local1);
				if (((_local2.tabIndex) && (!(isNaN(Number(_local2.tabIndex)))))){
					focusableCandidates.push(_local2);
				};
			};
			focusableCandidates.sort(sortByTabIndex);
		}
		private function removeFocusables(_arg1:DisplayObject):void{
			var _local2:Object;
			var _local3:DisplayObject;
			if ((_arg1 is DisplayObjectContainer)){
				_arg1.removeEventListener(Event.TAB_CHILDREN_CHANGE, tabChildrenChangeHandler);
				_arg1.removeEventListener(Event.TAB_INDEX_CHANGE, tabIndexChangeHandler);
				for (_local2 in focusableObjects) {
					_local3 = DisplayObject(_local2);
					if (DisplayObjectContainer(_arg1).contains(_local3)){
						if (_local3 == lastFocus){
							lastFocus = null;
						};
						_local3.removeEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
						delete focusableObjects[_local2];
						calculateCandidates = true;
					};
				};
			};
		}
		private function addedHandler(_arg1:Event):void{
			var _local2:DisplayObject;
			_local2 = DisplayObject(_arg1.target);
			if (_local2.stage){
				addFocusables(DisplayObject(_arg1.target));
			};
		}
		private function getTopLevelFocusTarget(_arg1:InteractiveObject):InteractiveObject{
			while (_arg1 != InteractiveObject(form)) {
				if ((((((((_arg1 is IFocusManagerComponent)) && (IFocusManagerComponent(_arg1).focusEnabled))) && (IFocusManagerComponent(_arg1).mouseFocusEnabled))) && (UIComponent(_arg1).enabled))){
					return (_arg1);
				};
				_arg1 = _arg1.parent;
				if (_arg1 == null){
					break;
				};
			};
			return (null);
		}
		private function tabChildrenChangeHandler(_arg1:Event):void{
			var _local2:DisplayObjectContainer;
			if (_arg1.target != _arg1.currentTarget){
				return;
			};
			calculateCandidates = true;
			_local2 = DisplayObjectContainer(_arg1.target);
			if (_local2.tabChildren){
				addFocusables(_local2, true);
			} else {
				removeFocusables(_local2);
			};
		}
		public function sendDefaultButtonEvent():void{
			defButton.dispatchEvent(new MouseEvent(MouseEvent.CLICK));
		}
		public function getFocus():InteractiveObject{
			var _local1:InteractiveObject;
			_local1 = form.stage.focus;
			return (findFocusManagerComponent(_local1));
		}
		private function isEnabledAndVisible(_arg1:DisplayObject):Boolean{
			var _local2:DisplayObjectContainer;
			var _local3:TextField;
			var _local4:SimpleButton;
			_local2 = DisplayObject(form).parent;
			while (_arg1 != _local2) {
				if ((_arg1 is UIComponent)){
					if (!UIComponent(_arg1).enabled){
						return (false);
					};
				} else {
					if ((_arg1 is TextField)){
						_local3 = TextField(_arg1);
						if ((((_local3.type == TextFieldType.DYNAMIC)) || (!(_local3.selectable)))){
							return (false);
						};
					} else {
						if ((_arg1 is SimpleButton)){
							_local4 = SimpleButton(_arg1);
							if (!_local4.enabled){
								return (false);
							};
						};
					};
				};
				if (!_arg1.visible){
					return (false);
				};
				_arg1 = _arg1.parent;
			};
			return (true);
		}
		public function set defaultButton(_arg1:Button):void{
			var _local2:Button;
			_local2 = (_arg1) ? Button(_arg1) : null;
			if (_local2 != _defaultButton){
				if (_defaultButton){
					_defaultButton.emphasized = false;
				};
				if (defButton){
					defButton.emphasized = false;
				};
				_defaultButton = _local2;
				defButton = _local2;
				if (_local2){
					_local2.emphasized = true;
				};
			};
		}
		private function deactivateHandler(_arg1:Event):void{
			var _local2:InteractiveObject;
			_local2 = InteractiveObject(_arg1.target);
		}
		public function setFocus(_arg1:InteractiveObject):void{
			if ((_arg1 is IFocusManagerComponent)){
				IFocusManagerComponent(_arg1).setFocus();
			} else {
				form.stage.focus = _arg1;
			};
		}
		private function setFocusToNextObject(_arg1:FocusEvent):void{
			var _local2:InteractiveObject;
			if (!hasFocusableObjects()){
				return;
			};
			_local2 = getNextFocusManagerComponent(_arg1.shiftKey);
			if (_local2){
				setFocus(_local2);
			};
		}
		private function hasFocusableObjects():Boolean{
			var _local1:Object;
			for (_local1 in focusableObjects) {
				return (true);
			};
			return (false);
		}
		private function tabIndexChangeHandler(_arg1:Event):void{
			calculateCandidates = true;
		}
		private function sortFocusableObjects():void{
			var _local1:Object;
			var _local2:InteractiveObject;
			focusableCandidates = [];
			for (_local1 in focusableObjects) {
				_local2 = InteractiveObject(_local1);
				if (((((_local2.tabIndex) && (!(isNaN(Number(_local2.tabIndex)))))) && ((_local2.tabIndex > 0)))){
					sortFocusableObjectsTabIndex();
					return;
				};
				focusableCandidates.push(_local2);
			};
			focusableCandidates.sort(sortByDepth);
		}
		private function keyFocusChangeHandler(_arg1:FocusEvent):void{
			showFocusIndicator = true;
			if ((((((_arg1.keyCode == Keyboard.TAB)) || ((_arg1.keyCode == 0)))) && (!(_arg1.isDefaultPrevented())))){
				setFocusToNextObject(_arg1);
				_arg1.preventDefault();
			};
		}
		private function getIndexOfFocusedObject(_arg1:DisplayObject):int{
			var _local2:int;
			var _local3:int;
			_local2 = focusableCandidates.length;
			_local3 = 0;
			_local3 = 0;
			while (_local3 < _local2) {
				if (focusableCandidates[_local3] == _arg1){
					return (_local3);
				};
				_local3++;
			};
			return (-1);
		}
		public function hideFocus():void{
		}
		private function removedHandler(_arg1:Event):void{
			var _local2:int;
			var _local3:DisplayObject;
			var _local4:InteractiveObject;
			_local3 = DisplayObject(_arg1.target);
			if ((((_local3 is IFocusManagerComponent)) && ((focusableObjects[_local3] == true)))){
				if (_local3 == lastFocus){
					IFocusManagerComponent(lastFocus).drawFocus(false);
					lastFocus = null;
				};
				_local3.removeEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
				delete focusableObjects[_local3];
				calculateCandidates = true;
			} else {
				if ((((_local3 is InteractiveObject)) && ((focusableObjects[_local3] == true)))){
					_local4 = (_local3 as InteractiveObject);
					if (_local4){
						if (_local4 == lastFocus){
							lastFocus = null;
						};
						delete focusableObjects[_local4];
						calculateCandidates = true;
					};
					_local3.addEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
				};
			};
			removeFocusables(_local3);
		}
		private function sortByDepth(_arg1:InteractiveObject, _arg2:InteractiveObject):Number{
			var _local3:String;
			var _local4:String;
			var _local5:int;
			var _local6:String;
			var _local7:String;
			var _local8:String;
			var _local9:DisplayObject;
			var _local10:DisplayObject;
			_local3 = "";
			_local4 = "";
			_local8 = "0000";
			_local9 = DisplayObject(_arg1);
			_local10 = DisplayObject(_arg2);
			while (((!((_local9 == DisplayObject(form)))) && (_local9.parent))) {
				_local5 = getChildIndex(_local9.parent, _local9);
				_local6 = _local5.toString(16);
				if (_local6.length < 4){
					_local7 = (_local8.substring(0, (4 - _local6.length)) + _local6);
				};
				_local3 = (_local7 + _local3);
				_local9 = _local9.parent;
			};
			while (((!((_local10 == DisplayObject(form)))) && (_local10.parent))) {
				_local5 = getChildIndex(_local10.parent, _local10);
				_local6 = _local5.toString(16);
				if (_local6.length < 4){
					_local7 = (_local8.substring(0, (4 - _local6.length)) + _local6);
				};
				_local4 = (_local7 + _local4);
				_local10 = _local10.parent;
			};
			return (((_local3 > _local4)) ? 1 : ((_local3 < _local4)) ? -1 : 0);
		}
		public function get defaultButton():Button{
			return (_defaultButton);
		}
		private function activateHandler(_arg1:Event):void{
			var _local2:InteractiveObject;
			_local2 = InteractiveObject(_arg1.target);
			if (lastFocus){
				if ((lastFocus is IFocusManagerComponent)){
					IFocusManagerComponent(lastFocus).setFocus();
				} else {
					form.stage.focus = lastFocus;
				};
			};
			lastAction = "ACTIVATE";
		}
		public function showFocus():void{
		}
		public function set defaultButtonEnabled(_arg1:Boolean):void{
			_defaultButtonEnabled = _arg1;
		}
		public function getNextFocusManagerComponent(_arg1:Boolean=false):InteractiveObject{
			var _local2:DisplayObject;
			var _local3:String;
			var _local4:int;
			var _local5:Boolean;
			var _local6:int;
			var _local7:int;
			var _local8:IFocusManagerGroup;
			if (!hasFocusableObjects()){
				return (null);
			};
			if (calculateCandidates){
				sortFocusableObjects();
				calculateCandidates = false;
			};
			_local2 = form.stage.focus;
			_local2 = DisplayObject(findFocusManagerComponent(InteractiveObject(_local2)));
			_local3 = "";
			if ((_local2 is IFocusManagerGroup)){
				_local8 = IFocusManagerGroup(_local2);
				_local3 = _local8.groupName;
			};
			_local4 = getIndexOfFocusedObject(_local2);
			_local5 = false;
			_local6 = _local4;
			if (_local4 == -1){
				if (_arg1){
					_local4 = focusableCandidates.length;
				};
				_local5 = true;
			};
			_local7 = getIndexOfNextObject(_local4, _arg1, _local5, _local3);
			return (findFocusManagerComponent(focusableCandidates[_local7]));
		}
		private function mouseDownHandler(_arg1:MouseEvent):void{
			var _local2:InteractiveObject;
			if (_arg1.isDefaultPrevented()){
				return;
			};
			_local2 = getTopLevelFocusTarget(InteractiveObject(_arg1.target));
			if (!_local2){
				return;
			};
			showFocusIndicator = false;
			if (((((!((_local2 == lastFocus))) || ((lastAction == "ACTIVATE")))) && (!((_local2 is TextField))))){
				setFocus(_local2);
			};
			lastAction = "MOUSEDOWN";
		}
		private function isTabVisible(_arg1:DisplayObject):Boolean{
			var _local2:DisplayObjectContainer;
			_local2 = _arg1.parent;
			while (((((_local2) && (!((_local2 is Stage))))) && (!(((_local2.parent) && ((_local2.parent is Stage))))))) {
				if (!_local2.tabChildren){
					return (false);
				};
				_local2 = _local2.parent;
			};
			return (true);
		}
		public function get nextTabIndex():int{
			return (0);
		}
		private function keyDownHandler(_arg1:KeyboardEvent):void{
			if (_arg1.keyCode == Keyboard.TAB){
				lastAction = "KEY";
				if (calculateCandidates){
					sortFocusableObjects();
					calculateCandidates = false;
				};
			};
			if (((((((defaultButtonEnabled) && ((_arg1.keyCode == Keyboard.ENTER)))) && (defaultButton))) && (defButton.enabled))){
				sendDefaultButtonEvent();
			};
		}
		private function focusInHandler(_arg1:FocusEvent):void{
			var _local2:InteractiveObject;
			var _local3:Button;
			_local2 = InteractiveObject(_arg1.target);
			if (form.contains(_local2)){
				lastFocus = findFocusManagerComponent(InteractiveObject(_local2));
				if ((lastFocus is Button)){
					_local3 = Button(lastFocus);
					if (defButton){
						defButton.emphasized = false;
						defButton = _local3;
						_local3.emphasized = true;
					};
				} else {
					if (((defButton) && (!((defButton == _defaultButton))))){
						defButton.emphasized = false;
						defButton = _defaultButton;
						_defaultButton.emphasized = true;
					};
				};
			};
		}
		private function tabEnabledChangeHandler(_arg1:Event):void{
			var _local2:InteractiveObject;
			var _local3:Boolean;
			calculateCandidates = true;
			_local2 = InteractiveObject(_arg1.target);
			_local3 = (focusableObjects[_local2] == true);
			if (_local2.tabEnabled){
				if (((!(_local3)) && (isTabVisible(_local2)))){
					if (!(_local2 is IFocusManagerComponent)){
						_local2.focusRect = false;
					};
					focusableObjects[_local2] = true;
				};
			} else {
				if (_local3){
					delete focusableObjects[_local2];
				};
			};
		}
		public function set showFocusIndicator(_arg1:Boolean):void{
			_showFocusIndicator = _arg1;
		}
		public function get form():DisplayObjectContainer{
			return (_form);
		}
		private function sortByTabIndex(_arg1:InteractiveObject, _arg2:InteractiveObject):int{
			return (((_arg1.tabIndex > _arg2.tabIndex)) ? 1 : ((_arg1.tabIndex < _arg2.tabIndex)) ? -1 : sortByDepth(_arg1, _arg2));
		}
		public function activate():void{
			if (activated){
				return;
			};
			form.stage.addEventListener(FocusEvent.MOUSE_FOCUS_CHANGE, mouseFocusChangeHandler, false, 0, true);
			form.stage.addEventListener(FocusEvent.KEY_FOCUS_CHANGE, keyFocusChangeHandler, false, 0, true);
			form.addEventListener(FocusEvent.FOCUS_IN, focusInHandler, true);
			form.addEventListener(FocusEvent.FOCUS_OUT, focusOutHandler, true);
			form.stage.addEventListener(Event.ACTIVATE, activateHandler, false, 0, true);
			form.stage.addEventListener(Event.DEACTIVATE, deactivateHandler, false, 0, true);
			form.addEventListener(MouseEvent.MOUSE_DOWN, mouseDownHandler);
			form.addEventListener(KeyboardEvent.KEY_DOWN, keyDownHandler, true);
			activated = true;
			if (lastFocus){
				setFocus(lastFocus);
			};
		}
		public function deactivate():void{
			form.stage.removeEventListener(FocusEvent.MOUSE_FOCUS_CHANGE, mouseFocusChangeHandler);
			form.stage.removeEventListener(FocusEvent.KEY_FOCUS_CHANGE, keyFocusChangeHandler);
			form.removeEventListener(FocusEvent.FOCUS_IN, focusInHandler, true);
			form.removeEventListener(FocusEvent.FOCUS_OUT, focusOutHandler, true);
			form.stage.removeEventListener(Event.ACTIVATE, activateHandler);
			form.stage.removeEventListener(Event.DEACTIVATE, deactivateHandler);
			form.removeEventListener(MouseEvent.MOUSE_DOWN, mouseDownHandler);
			form.removeEventListener(KeyboardEvent.KEY_DOWN, keyDownHandler, true);
			activated = false;
		}
		public function get defaultButtonEnabled():Boolean{
			return (_defaultButtonEnabled);
		}

	}
}//package fl.managers 
Section 19
//IFocusManager (fl.managers.IFocusManager)
package fl.managers {
	import fl.controls.*;
	import flash.display.*;

	public interface IFocusManager {

		function getFocus():InteractiveObject;
		function deactivate():void;
		function set defaultButton(_arg1:Button):void;
		function set showFocusIndicator(_arg1:Boolean):void;
		function get defaultButtonEnabled():Boolean;
		function get nextTabIndex():int;
		function get defaultButton():Button;
		function get showFocusIndicator():Boolean;
		function setFocus(_arg1:InteractiveObject):void;
		function activate():void;
		function showFocus():void;
		function set defaultButtonEnabled(_arg1:Boolean):void;
		function hideFocus():void;
		function findFocusManagerComponent(_arg1:InteractiveObject):InteractiveObject;
		function getNextFocusManagerComponent(_arg1:Boolean=false):InteractiveObject;

	}
}//package fl.managers 
Section 20
//IFocusManagerComponent (fl.managers.IFocusManagerComponent)
package fl.managers {

	public interface IFocusManagerComponent {

		function set focusEnabled(_arg1:Boolean):void;
		function drawFocus(_arg1:Boolean):void;
		function setFocus():void;
		function get focusEnabled():Boolean;
		function get tabEnabled():Boolean;
		function get tabIndex():int;
		function get mouseFocusEnabled():Boolean;

	}
}//package fl.managers 
Section 21
//IFocusManagerGroup (fl.managers.IFocusManagerGroup)
package fl.managers {

	public interface IFocusManagerGroup {

		function set groupName(_arg1:String):void;
		function set selected(_arg1:Boolean):void;
		function get groupName():String;
		function get selected():Boolean;

	}
}//package fl.managers 
Section 22
//StyleManager (fl.managers.StyleManager)
package fl.managers {
	import fl.core.*;
	import flash.utils.*;
	import flash.text.*;

	public class StyleManager {

		private var globalStyles:Object;
		private var classToDefaultStylesDict:Dictionary;
		private var styleToClassesHash:Object;
		private var classToStylesDict:Dictionary;
		private var classToInstancesDict:Dictionary;

		private static var _instance:StyleManager;

		public function StyleManager(){
			styleToClassesHash = {};
			classToInstancesDict = new Dictionary(true);
			classToStylesDict = new Dictionary(true);
			classToDefaultStylesDict = new Dictionary(true);
			globalStyles = UIComponent.getStyleDefinition();
		}
		public static function clearComponentStyle(_arg1:Object, _arg2:String):void{
			var _local3:Class;
			var _local4:Object;
			_local3 = getClassDef(_arg1);
			_local4 = getInstance().classToStylesDict[_local3];
			if (((!((_local4 == null))) && (!((_local4[_arg2] == null))))){
				delete _local4[_arg2];
				invalidateComponentStyle(_local3, _arg2);
			};
		}
		private static function getClassDef(_arg1:Object):Class{
			var component = _arg1;
			if ((component is Class)){
				return ((component as Class));
			};
			try {
				return ((getDefinitionByName(getQualifiedClassName(component)) as Class));
			} catch(e:Error) {
				if ((component is UIComponent)){
					try {
						return ((component.loaderInfo.applicationDomain.getDefinition(getQualifiedClassName(component)) as Class));
					} catch(e:Error) {
					};
				};
			};
			return (null);
		}
		public static function clearStyle(_arg1:String):void{
			setStyle(_arg1, null);
		}
		public static function setComponentStyle(_arg1:Object, _arg2:String, _arg3:Object):void{
			var _local4:Class;
			var _local5:Object;
			_local4 = getClassDef(_arg1);
			_local5 = getInstance().classToStylesDict[_local4];
			if (_local5 == null){
				_local5 = (getInstance().classToStylesDict[_local4] = {});
			};
			if (_local5 == _arg3){
				return;
			};
			_local5[_arg2] = _arg3;
			invalidateComponentStyle(_local4, _arg2);
		}
		private static function setSharedStyles(_arg1:UIComponent):void{
			var _local2:StyleManager;
			var _local3:Class;
			var _local4:Object;
			var _local5:String;
			_local2 = getInstance();
			_local3 = getClassDef(_arg1);
			_local4 = _local2.classToDefaultStylesDict[_local3];
			for (_local5 in _local4) {
				_arg1.setSharedStyle(_local5, getSharedStyle(_arg1, _local5));
			};
		}
		public static function getComponentStyle(_arg1:Object, _arg2:String):Object{
			var _local3:Class;
			var _local4:Object;
			_local3 = getClassDef(_arg1);
			_local4 = getInstance().classToStylesDict[_local3];
			return (((_local4)==null) ? null : _local4[_arg2]);
		}
		private static function getInstance(){
			if (_instance == null){
				_instance = new (StyleManager);
			};
			return (_instance);
		}
		private static function invalidateComponentStyle(_arg1:Class, _arg2:String):void{
			var _local3:Dictionary;
			var _local4:Object;
			var _local5:UIComponent;
			_local3 = getInstance().classToInstancesDict[_arg1];
			if (_local3 == null){
				return;
			};
			for (_local4 in _local3) {
				_local5 = (_local4 as UIComponent);
				if (_local5 == null){
				} else {
					_local5.setSharedStyle(_arg2, getSharedStyle(_local5, _arg2));
				};
			};
		}
		private static function invalidateStyle(_arg1:String):void{
			var _local2:Dictionary;
			var _local3:Object;
			_local2 = getInstance().styleToClassesHash[_arg1];
			if (_local2 == null){
				return;
			};
			for (_local3 in _local2) {
				invalidateComponentStyle(Class(_local3), _arg1);
			};
		}
		public static function registerInstance(_arg1:UIComponent):void{
			var inst:StyleManager;
			var classDef:Class;
			var target:Class;
			var defaultStyles:Object;
			var styleToClasses:Object;
			var n:String;
			var instance = _arg1;
			inst = getInstance();
			classDef = getClassDef(instance);
			if (classDef == null){
				return;
			};
			if (inst.classToInstancesDict[classDef] == null){
				inst.classToInstancesDict[classDef] = new Dictionary(true);
				target = classDef;
				while (defaultStyles == null) {
					if (target["getStyleDefinition"] != null){
						defaultStyles = target["getStyleDefinition"]();
						break;
					};
					try {
						target = (instance.loaderInfo.applicationDomain.getDefinition(getQualifiedSuperclassName(target)) as Class);
					} catch(err:Error) {
						try {
							target = (getDefinitionByName(getQualifiedSuperclassName(target)) as Class);
						} catch(e:Error) {
							defaultStyles = UIComponent.getStyleDefinition();
							break;
						};
					};
				};
				styleToClasses = inst.styleToClassesHash;
				for (n in defaultStyles) {
					if (styleToClasses[n] == null){
						styleToClasses[n] = new Dictionary(true);
					};
					styleToClasses[n][classDef] = true;
				};
				inst.classToDefaultStylesDict[classDef] = defaultStyles;
				inst.classToStylesDict[classDef] = {};
			};
			inst.classToInstancesDict[classDef][instance] = true;
			setSharedStyles(instance);
		}
		public static function getStyle(_arg1:String):Object{
			return (getInstance().globalStyles[_arg1]);
		}
		private static function getSharedStyle(_arg1:UIComponent, _arg2:String):Object{
			var _local3:Class;
			var _local4:StyleManager;
			var _local5:Object;
			_local3 = getClassDef(_arg1);
			_local4 = getInstance();
			_local5 = _local4.classToStylesDict[_local3][_arg2];
			if (_local5 != null){
				return (_local5);
			};
			_local5 = _local4.globalStyles[_arg2];
			if (_local5 != null){
				return (_local5);
			};
			return (_local4.classToDefaultStylesDict[_local3][_arg2]);
		}
		public static function setStyle(_arg1:String, _arg2:Object):void{
			var _local3:Object;
			_local3 = getInstance().globalStyles;
			if ((((_local3[_arg1] === _arg2)) && (!((_arg2 is TextFormat))))){
				return;
			};
			_local3[_arg1] = _arg2;
			invalidateStyle(_arg1);
		}

	}
}//package fl.managers 
Section 23
//_toolbar_25 (print2flash_fla._toolbar_25)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class _toolbar_25 extends MovieClip {

		public var ScaleTextMovie:MovieClip;
		public var nextpage:def_nextpage;
		public var newwindow:def_newwindow;
		public var moveMode:def_moveMode;
		public var scaleWidth:def_scaleWidth;
		public var selMode:def_selMode;
		public var logo:MovieClip;
		public var print:def_print;
		public var ZoomSlider:Slider;
		public var fullscreen:def_fullscreen;
		public var PageNoMovie:MovieClip;
		public var help:def_help;
		public var prevpage:def_prevpage;
		public var forward:def_forward;
		public var more:def_more;
		public var searchbut:MovieClip;
		public var rotate:def_rotate;
		public var searchPatternmc:MovieClip;
		public var back:def_back;
		public var toolbarbgr:MovieClip;
		public var scalePage:def_scalePage;

		public function _toolbar_25(){
			__setTab_toolbarbgr__toolbar_bgr_0();
			__setTab_searchbut__toolbar_icons_0();
			__setTab_print__toolbar_icons_0();
			__setTab_ScaleTextMovie__toolbar_icons_0();
			__setTab_PageNoMovie__toolbar_icons_0();
			__setTab_moveMode__toolbar_icons_0();
			__setTab_scaleWidth__toolbar_icons_0();
			__setTab_scalePage__toolbar_icons_0();
			__setTab_prevpage__toolbar_icons_0();
			__setTab_rotate__toolbar_icons_0();
			__setTab_help__toolbar_icons_0();
			__setTab_newwindow__toolbar_icons_0();
			__setTab_selMode__toolbar_icons_0();
			__setTab_more__toolbar_icons_0();
			__setTab_nextpage__toolbar_icons_0();
			__setTab_back__toolbar_icons_0();
			__setTab_forward__toolbar_icons_0();
			__setTab_ZoomSlider__toolbar_icons_0();
			__setTab_searchPatternmc__toolbar_icons_0();
			__setTab_logo__toolbar_icons_0();
			__setAcc_print__toolbar_icons_0();
			__setAcc_prevpage__toolbar_icons_0();
			__setAcc_more__toolbar_icons_0();
			__setAcc_nextpage__toolbar_icons_0();
			__setAcc_ZoomSlider__toolbar_icons_0();
			__setAcc_logo__toolbar_icons_0();
		}
		function __setAcc_prevpage__toolbar_icons_0(){
			prevpage.accessibilityProperties = new AccessibilityProperties();
			prevpage.accessibilityProperties.shortcut = "Control+Y";
		}
		function __setTab_moveMode__toolbar_icons_0(){
			moveMode.tabIndex = 0;
		}
		function __setTab_help__toolbar_icons_0(){
			help.tabIndex = 0;
		}
		function __setTab_forward__toolbar_icons_0(){
			forward.tabIndex = 0;
		}
		function __setTab_prevpage__toolbar_icons_0(){
			prevpage.tabIndex = 0;
		}
		function __setTab_back__toolbar_icons_0(){
			back.tabIndex = 1;
		}
		function __setTab_newwindow__toolbar_icons_0(){
			newwindow.tabIndex = 0;
		}
		function __setTab_searchPatternmc__toolbar_icons_0(){
			searchPatternmc.tabIndex = 0;
		}
		function __setTab_print__toolbar_icons_0(){
			print.tabIndex = 0;
		}
		function __setTab_rotate__toolbar_icons_0(){
			rotate.tabIndex = 0;
		}
		function __setTab_selMode__toolbar_icons_0(){
			selMode.tabIndex = 0;
		}
		function __setAcc_logo__toolbar_icons_0(){
			logo.accessibilityProperties = new AccessibilityProperties();
			logo.accessibilityProperties.silent = true;
		}
		function __setTab_ScaleTextMovie__toolbar_icons_0(){
			ScaleTextMovie.tabIndex = 0;
		}
		function __setAcc_nextpage__toolbar_icons_0(){
			nextpage.accessibilityProperties = new AccessibilityProperties();
			nextpage.accessibilityProperties.shortcut = "Control+U";
		}
		function __setTab_logo__toolbar_icons_0(){
			logo.tabIndex = 0;
		}
		function __setAcc_print__toolbar_icons_0(){
			print.accessibilityProperties = new AccessibilityProperties();
			print.accessibilityProperties.shortcut = "Control+P";
		}
		function __setAcc_ZoomSlider__toolbar_icons_0(){
			ZoomSlider.accessibilityProperties = new AccessibilityProperties();
			ZoomSlider.accessibilityProperties.silent = true;
		}
		function __setTab_toolbarbgr__toolbar_bgr_0(){
			toolbarbgr.tabIndex = 0;
		}
		function __setTab_nextpage__toolbar_icons_0(){
			nextpage.tabIndex = 0;
		}
		function __setTab_scalePage__toolbar_icons_0(){
			scalePage.tabIndex = 7;
		}
		function __setTab_more__toolbar_icons_0(){
			more.tabIndex = 0;
		}
		function __setAcc_more__toolbar_icons_0(){
			more.accessibilityProperties = new AccessibilityProperties();
			more.accessibilityProperties.silent = true;
		}
		function __setTab_ZoomSlider__toolbar_icons_0(){
			ZoomSlider.tabIndex = 0;
		}
		function __setTab_PageNoMovie__toolbar_icons_0(){
			PageNoMovie.tabIndex = 0;
		}
		function __setTab_searchbut__toolbar_icons_0(){
			searchbut.tabIndex = 8;
		}
		function __setTab_scaleWidth__toolbar_icons_0(){
			scaleWidth.tabIndex = 0;
		}

	}
}//package print2flash_fla 
Section 24
//def_searchbut_27 (print2flash_fla.def_searchbut_27)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_searchbut_27 extends MovieClip {

		public var but:manualbutton;

		public function def_searchbut_27(){
			__setAcc_but_def_searchbut_Layer2_0();
			__setTab_but_def_searchbut_Layer2_0();
		}
		function __setAcc_but_def_searchbut_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Search";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_searchbut_Layer2_0(){
			but.tabIndex = 12;
		}

	}
}//package print2flash_fla 
Section 25
//MainTimeline (print2flash_fla.MainTimeline)
package print2flash_fla {
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.utils.*;
	import flash.text.*;
	import flash.geom.*;
	import fl.events.*;
	import flash.net.*;
	import flash.system.*;
	import flash.ui.*;
	import flash.accessibility.*;
	import adobe.utils.*;
	import flash.errors.*;
	import flash.external.*;
	import flash.filters.*;
	import flash.media.*;
	import flash.printing.*;
	import flash.profiler.*;
	import flash.sampler.*;
	import flash.xml.*;
	import Print2Flash.*;

	public dynamic class MainTimeline extends MovieClip {

		public const xmargin:int = 10;
		public const yinterstice:int = 10;
		public const Deftoppanelheight:uint = 34;
		public const ymargin:int = 10;
		public const xinterstice:int = 10;

		public var SearchField:TextField;
		public var settings;
		public var heights:Array;
		public var pageLoadTimer:Timer;
		public var AreaHeight:uint;
		public var DownButColor;
		public var extName:String;
		public var MovieHeight:uint;
		public var textSelectColor;
		public var __setPropDict:Dictionary;
		public var settings2:XML;
		public var History;
		public var LastPressed:int;
		public var MovieWidth:uint;
		public var beforeFSWidth:Number;
		public var ClientWidth:uint;
		public var MinSelHScrollRatio:uint;
		public var HasBookmarks:Boolean;
		public var DblCLickTime:int;
		public var HistoryIndex;
		public var HandCursor:MovieClip;
		public var Resolution:uint;
		public var PageNo:uint;
		public var beforeFSHeight:Number;
		public var ClientHeight:uint;
		public var __setAccDict:Dictionary;
		public var MaxPageHeight;
		public var PageNoInitVal:String;
		public var SelStartInfo:Object;
		public var AreaWidth:uint;
		public var TBBgrImage:BitmapData;
		public var TBButtons:Array;
		public var DownRectColor;
		public var ZoomValue:uint;
		public var secondtime:Boolean;
		public var minZoom:uint;
		public var OverRectColor;
		public var Selecting:Boolean;
		public var BottomArea:Sprite;
		public var FromPage:uint;
		public var copyTextMenuItem:ContextMenuItem;
		public var PageMode4:Boolean;
		public var lastSearchTSNo:Number;
		public var LinkDef:Object;
		public var DocPages:Array;
		public var NoAPICopying:Boolean;
		public var lastSearchPos:int;
		public var totalpagestip:TextField;
		public var notfoundtip:TextField;
		public var PrintAsBitmap:Boolean;
		public var localData:SharedObject;
		public var TBMargin:uint;
		public var HelpPageURL:String;
		public var ScaleTextField:TextField;
		public var DocArea:ScrollPain;
		public var onLoadonResize:Boolean;
		public var TotalPagesField:TextField;
		public var printScaleMode:String;
		public var DropDownToolbar:MovieClip;
		public var waitmsg;
		public var __setTabDict:Dictionary;
		public var PageNoField:TextField;
		public var scaleMode:String;
		public var ScaleTextMovietip:TextField;
		public var pagenotip:TextField;
		public var zoomCorr:Number;
		public var lastSearchText:String;
		public var locale:P2FLocale;
		public var MoreButWidth:uint;
		public var OverButColor;
		public var MaxSelVScrollRatio:uint;
		public var SelEndInfo:Object;
		public var ScrollBarHeight;
		public var Selected:Boolean;
		public var loadedPages:int;
		public var lastSearchTS:TextSnapshot;
		public var totalPages:uint;
		public var SelectScrollInterval:uint;
		public var DocAreaContent:MovieClip;
		public var TextCursor:MovieClip;
		public var ToolbarBgrColor;
		public var NoPrinting:Boolean;
		public var ScaleFactor:Number;
		public var NoCopying:Boolean;
		public var textmsg:MovieClip;
		public var MaxSelHScrollRatio:uint;
		public var cursor:MovieClip;
		public var maxZoom:uint;
		public var widths;
		public var autonomous:Boolean;
		public var toolbar:MovieClip;
		public var searchPatternmctip:TextField;
		public var ScrollBarWidth;
		public var firstResize:Boolean;
		public var TBBgrImageBehavior:String;
		public var MaxPageWidth;
		public var Links;
		public var Rotation:int;
		public var Pages:Array;
		public var LogoURL:String;
		public var toppanelheight:uint;
		public var BMDef:Object;
		public var printRangeWnd:MovieClip;
		public var mousemode:String;
		public var pagey:int;
		public var MinSelVScrollRatio:uint;
		public var ToPage:uint;
		public var bgrSkin:Sprite;

		public function MainTimeline(){
			__setPropDict = new Dictionary(true);
			__setAccDict = new Dictionary(true);
			__setTabDict = new Dictionary(true);
			super();
			addFrameScript(0, frame1, 1, frame2);
			this.root.accessibilityProperties = new AccessibilityProperties();
			this.root.accessibilityProperties.noAutoLabeling = true;
		}
		public function GetWaitMsgText(_arg1:uint):String{
			return (((("Loading page " + (loadedPages + 1)) + " of ") + _arg1));
		}
		public function CreatePages():void{
			var _local2:Object;
			var _local1 = 1;
			while (_local1 <= totalPages) {
				_local2 = {num:_local1};
				Pages.push(_local2);
				DocPages.push(_local2);
				CreatePageMovie(_local1);
				_local2.width = new Number(widths[(_local1 - 1)]);
				_local2.realWidth = _local2.width;
				_local2.height = new Number(heights[(_local1 - 1)]);
				_local2.realHeight = _local2.height;
				UpdateMaxPageParams(_local2);
				_local1++;
			};
		}
		public function LinkMouseOver(_arg1:MouseEvent):void{
			ShowStandardCursor();
		}
		public function CreatePageMovie(_arg1:int):MovieClip{
			var _local2:MovieClip = AttachPageMovie(_arg1);
			if (_local2 != null){
				return (_local2);
			};
			_local2 = new MovieClip();
			_local2.name = ("Page" + _arg1);
			var _local3:MovieClip = new MovieClip();
			_local3.name = "realMovie";
			_local2.addChild(_local3);
			DocAreaContent.addChild(_local2);
			DrawRect(_local3, 0, 0, widths[(_arg1 - 1)], heights[(_arg1 - 1)], 0xFFFFFF);
			var _local4:MovieClip = PlaceWaitMsg(_local3, GetWaitMsgText(totalPages));
			PlaceWaitMsg(_local3, GetWaitMsgText(totalPages)).scaleX = (_local4.scaleY = (widths[(_arg1 - 1)] / 826));
			_local4.x = ((_local3.width - _local4.width) / 2);
			_local4.y = ((_local3.height - _local4.height) / 2);
			var _local5:Object = DocPages[(_arg1 - 1)];
			_local5.movie = _local2;
			_local5.realMovie = _local3;
			return (_local2);
		}
		public function GetVisiblePageNo():uint{
			var _local1:int = (Pages.length - 1);
			while (_local1 >= 0) {
				if (Pages[_local1].movie.y <= ((DocArea.verticalScrollPosition + (DocArea.height / 2)) / DocAreaContent.scaleX)){
					return ((_local1 + 1));
				};
				_local1--;
			};
			return (1);
		}
		public function OnScaleTextFieldFocusIn(_arg1:FocusEvent):void{
			ShowZoomTip(false);
		}
		public function isFullScrSupported():Boolean{
			if (!stage.hasOwnProperty("allowsFullScreen")){
				return (true);
			};
			return (stage["allowsFullScreen"]);
		}
		public function NextPageInt():void{
			SetCurrentPage((GetCurrentPage() + 1));
		}
		public function mouseMoveHandler(_arg1:MouseEvent):void{
			cursor.x = root.mouseX;
			cursor.y = root.mouseY;
			_arg1.updateAfterEvent();
		}
		public function FitWidth(){
			if (scaleMode != "width"){
				SetZoomState("width");
				SetBaseParameters();
			};
		}
		public function DisplayZoomLabel():void{
			ScaleTextField.text = (ZoomValue + "%");
		}
		function frame1(){
			if (secondtime){
				return;
			};
			addFrameScript((totalFrames - 1), stop);
			secondtime = true;
			autonomous = false;
			try {
				autonomous = (parent == stage);
			} catch(e:Error) {
			};
			if (!contextMenu){
				contextMenu = new ContextMenu();
			};
			try {
				Security.allowDomain("*");
			} catch(e:Error) {
			};
			if (autonomous){
				contextMenu.hideBuiltInItems();
				stage.scaleMode = StageScaleMode.NO_SCALE;
				stage.align = StageAlign.TOP_LEFT;
			};
			OnSettingsAvailable();
			stage.addEventListener(Event.RESIZE, frame1ResizeHandler, false, 0, true);
		}
		function frame2(){
			if ((((__setTabDict[toolbar] == undefined)) || (!((int(__setTabDict[toolbar]) == 2))))){
				__setTabDict[toolbar] = 2;
				__setTab_toolbar_Scene1_Layer1_1();
			};
			if ((((__setTabDict[TextCursor] == undefined)) || (!((int(__setTabDict[TextCursor]) == 2))))){
				__setTabDict[TextCursor] = 2;
				__setTab_TextCursor_Scene1_Layer1_1();
			};
			if ((((__setTabDict[HandCursor] == undefined)) || (!((int(__setTabDict[HandCursor]) == 2))))){
				__setTabDict[HandCursor] = 2;
				__setTab_HandCursor_Scene1_Layer1_1();
			};
			if ((((__setTabDict[DocArea] == undefined)) || (!((int(__setTabDict[DocArea]) == 2))))){
				__setTabDict[DocArea] = 2;
				__setTab_DocArea_Scene1_Layer1_1();
			};
			if ((((__setAccDict[toolbar] == undefined)) || (!((int(__setAccDict[toolbar]) == 2))))){
				__setAccDict[toolbar] = 2;
				__setAcc_toolbar_Scene1_Layer1_1();
			};
			if ((((__setAccDict[TextCursor] == undefined)) || (!((int(__setAccDict[TextCursor]) == 2))))){
				__setAccDict[TextCursor] = 2;
				__setAcc_TextCursor_Scene1_Layer1_1();
			};
			if ((((__setAccDict[HandCursor] == undefined)) || (!((int(__setAccDict[HandCursor]) == 2))))){
				__setAccDict[HandCursor] = 2;
				__setAcc_HandCursor_Scene1_Layer1_1();
			};
			if ((((__setAccDict[DocArea] == undefined)) || (!((int(__setAccDict[DocArea]) == 2))))){
				__setAccDict[DocArea] = 2;
				__setAcc_DocArea_Scene1_Layer1_1();
			};
			if ((((__setPropDict[DocArea] == undefined)) || (!((int(__setPropDict[DocArea]) == 2))))){
				__setPropDict[DocArea] = 2;
				__setProp_DocArea_Scene1_Layer1_1();
			};
			stage.removeEventListener(Event.RESIZE, frame1ResizeHandler);
			removeChild(waitmsg);
			waitmsg = null;
			DocAreaContent = (DocArea.content as MovieClip);
			BottomArea = (DocAreaContent.getChildByName("BottomArea") as Sprite);
			stage.addEventListener(Event.RESIZE, OnStageResize, false, 0, true);
			onLoadonResize = false;
			firstResize = true;
			loadedPages = 0;
			pagey = ymargin;
			Rotation = 0;
			ScrollBarWidth = DocArea.verticalScrollBar.width;
			ScrollBarHeight = DocArea.horizontalScrollBar.height;
			minZoom = 10;
			maxZoom = 250;
			scaleMode = "width";
			OverButColor = GetSetting("OverButColor", 15329251);
			OverRectColor = GetSetting("OverRectColor", 10132384);
			DownButColor = GetSetting("DownButColor", 15329251);
			DownRectColor = GetSetting("DownRectColor", 0x9900FF);
			ToolbarBgrColor = GetSetting("ToolbarBgrColor", 13947080);
			textSelectColor = GetSetting("TextHighlightColor", 0xFF00);
			MovieWidth = 0;
			MovieHeight = 0;
			toppanelheight = Deftoppanelheight;
			Pages = new Array();
			DocPages = new Array();
			MaxPageWidth = 0;
			MaxPageHeight = 0;
			Resolution = GetIntSetting("Resolution", 96);
			zoomCorr = (96 / Resolution);
			FromPage = 1;
			ToPage = totalPages;
			PageNo = 0;
			HelpPageURL = GetSetting("HelpPageURL", "");
			LogoURL = GetSetting("LogoURL", "");
			NoPrinting = false;
			NoCopying = false;
			NoAPICopying = false;
			PageMode4 = false;
			MinSelHScrollRatio = 1;
			MinSelVScrollRatio = 1;
			MaxSelHScrollRatio = 10;
			MaxSelVScrollRatio = 10;
			LinkDef = new Object();
			BMDef = new Object();
			HasBookmarks = false;
			Links = new Array();
			DblCLickTime = 250;
			PrintAsBitmap = !((GetSetting("PrintAsBitmap", "") == ""));
			extName = loaderInfo.parameters["extName"];
			try {
				localData = SharedObject.getLocal("P2FDoc", "/");
				printScaleMode = localData.data.printScaleMode;
			} catch(e) {
			};
			PageNoField = toolbar.PageNoMovie.PageNoFieldMC.PageNoField;
			PageNoField.restrict = "0-9";
			TotalPagesField = toolbar.PageNoMovie.TotalPagesMC.TotalPages;
			ScaleTextField = toolbar.ScaleTextMovie.ScaleTextField;
			ScaleTextField.restrict = "0-9%";
			SearchField = toolbar.searchPatternmc.searchPattern;
			DocArea.focusRect = false;
			ParseLinks();
			CreatePages();
			bgrSkin = new Sprite();
			DrawRect(bgrSkin, 0, 0, 4000, 4000, GetIntSetting("DocBgrColor", 8095386));
			DocArea.setStyle("upSkin", bgrSkin);
			pageLoadTimer = new Timer(100);
			pageLoadTimer.addEventListener("timer", CheckLoadedPages, false, 0, true);
			pageLoadTimer.start();
			Selected = false;
			Selecting = false;
			SelStartInfo = null;
			SelEndInfo = null;
			LastPressed = 0;
			DocAreaContent.addEventListener(MouseEvent.MOUSE_DOWN, OnDocAreaContentMouseDown, false, 0, true);
			stage.addEventListener(MouseEvent.MOUSE_UP, OnStageMouseUp, false, 0, true);
			DocAreaContent.addEventListener(MouseEvent.MOUSE_MOVE, OnDocAreaContentMouseMove, false, 0, true);
			DocArea.addEventListener(MouseEvent.MOUSE_WHEEL, OnDocAreaContentMouseWheel, false, int.MAX_VALUE, true);
			if (((contextMenu) && (contextMenu.customItems))){
				copyTextMenuItem = new ContextMenuItem("Copy Text");
				contextMenu.customItems.push(copyTextMenuItem);
				copyTextMenuItem.addEventListener(ContextMenuEvent.MENU_ITEM_SELECT, OnCopyMenuItemSelect, false, 0, true);
				contextMenu.addEventListener(ContextMenuEvent.MENU_SELECT, OnContextMenuSelect, false, 0, true);
			};
			DocArea.addEventListener(ScrollEvent.SCROLL, OnDocAreaScroll, false, 0, true);
			DocArea.addEventListener(KeyboardEvent.KEY_DOWN, OnDocAreaKeyDown, false, int.MAX_VALUE, true);
			DocArea.addEventListener(KeyboardEvent.KEY_UP, OnDocAreaKeyUp, false, 0, true);
			stage.addEventListener(KeyboardEvent.KEY_DOWN, OnStageKeyDown, false, 0, true);
			locale = new P2FLocale();
			printRangeWnd = AttachMovie("PrintRangeWnd");
			printRangeWnd.locale = locale;
			printRangeWnd.addEventListener("OKResult", onPrintRangeSelected, false, 0, true);
			stage.addEventListener(FullScreenEvent.FULL_SCREEN, OnFullScreen, false, 0, true);
			History = new Array();
			HistoryIndex = 0;
			HandCursor.mouseEnabled = (TextCursor.mouseEnabled = false);
			DocAreaContent.addEventListener(MouseEvent.ROLL_OVER, OnDocAreaContentRollOver, false, 0, true);
			DocAreaContent.addEventListener(MouseEvent.ROLL_OUT, mouseOutHandler, false, 0, true);
			stage.addEventListener(Event.MOUSE_LEAVE, OnStageMouseLeave, false, 0, true);
			TBButtons = new Array({movie:toolbar.logo, nohide:true, flag:1, id:1}, {movie:toolbar.back, tip:"IDS_BACK", flag:196608, id:18}, {movie:toolbar.forward, tip:"IDS_FORWARD", flag:786432, id:19}, {movie:toolbar.moveMode, tip:"IDS_DRAG", flag:2, id:2}, {movie:toolbar.selMode, tip:"IDS_SELTEXT", flag:4, id:3}, {movie:toolbar.ZoomSlider, nodropdown:true, flag:8, id:4}, {movie:toolbar.ScaleTextMovie, nodropdown:true, flag:16, tip:"IDS_ZOOM", notiphandler:true, nocoladj:true}, {movie:toolbar.scaleWidth, tip:"IDS_FITWIDTH", flag:32, id:7}, {movie:toolbar.scalePage, tip:"IDS_FITPAGE", flag:64, id:8}, {movie:toolbar.prevpage, tip:"IDS_PREVPAGE", flag:128, id:9}, {movie:toolbar.PageNoMovie, nodropdown:true, flag:0x0100, notiphandler:true, nocoladj:true}, {movie:toolbar.nextpage, tip:"IDS_NEXTPAGE", flag:0x0200, id:10}, {movie:toolbar.searchPatternmc, nodropdown:true, flag:0x0400, tip:"IDS_SCHHINT", notiphandler:true, nocoladj:true}, {movie:toolbar.searchbut, nodropdown:true, flag:0x0800, tip:"IDS_SEARCH", id:11}, {movie:toolbar.rotate, tip:"IDS_ROTATE", flag:0x1000, id:12}, {movie:toolbar.print, tip:"IDS_PRINT", flag:0x2000, id:13}, {movie:toolbar.fullscreen, tip:"IDS_FULLSCR", flag:0x300000, id:20}, {movie:toolbar.newwindow, tip:"IDS_NEWWND", flag:0x4000, id:14}, {movie:toolbar.help, tip:"IDS_HELP", flag:0x8000, id:15});
			MoreButWidth = toolbar.more.width;
			toolbar.more.but.tabEnabled = false;
			TBMargin = 1;
			AttachBtnImages();
			toolbar.ZoomSlider.addEventListener("change", OnSliderChange, false, 0, true);
			TBBgrImage = LoadBitmap("TBImage17");
			TBBgrImageBehavior = GetSetting("TBBgrImgBehavior", "1");
			locale.setLanguage("auto");
			CreateTips();
			stage.addEventListener(MouseEvent.MOUSE_DOWN, OnStageMouseDown, false, 0, true);
			onload();
			toolbar.rotate.but.addEventListener(MouseEvent.CLICK, OnRotateButClick, false, 0, true);
			toolbar.nextpage.but.addEventListener(MouseEvent.CLICK, OnNextPageButClick, false, 0, true);
			toolbar.prevpage.but.addEventListener(MouseEvent.CLICK, OnPrevPageButClick, false, 0, true);
			toolbar.newwindow.but.addEventListener(MouseEvent.CLICK, OnNewWindowButClick, false, 0, true);
			toolbar.help.but.addEventListener(MouseEvent.CLICK, OnHelpButClick, false, 0, true);
			PageNoField.addEventListener(FocusEvent.FOCUS_OUT, OnPageNoFieldFocusOut, false, 0, true);
			ScaleTextField.addEventListener(FocusEvent.FOCUS_OUT, OnScaleTextFieldFocusOut, false, 0, true);
			PageNoField.addEventListener(KeyboardEvent.KEY_DOWN, OnPageNoFieldKeyDown, false, 0, true);
			ScaleTextField.addEventListener(KeyboardEvent.KEY_DOWN, OnScaleTextFieldKeyDown, false, 0, true);
			toolbar.scalePage.but.addEventListener(MouseEvent.CLICK, OnFitPageButClick, false, 0, true);
			toolbar.scaleWidth.but.addEventListener(MouseEvent.CLICK, OnFitWidthButClick, false, 0, true);
			toolbar.moveMode.but.addEventListener(MouseEvent.CLICK, OnDragButClick, false, 0, true);
			toolbar.selMode.but.addEventListener(MouseEvent.CLICK, OnSelectButClick, false, 0, true);
			toolbar.searchbut.but.addEventListener(MouseEvent.CLICK, OnSearchButClick, false, 0, true);
			toolbar.searchPatternmc.searchPattern.addEventListener(KeyboardEvent.KEY_DOWN, OnSearchFieldKeyDown, false, 0, true);
			toolbar.back.but.addEventListener(MouseEvent.CLICK, OnBackButClick, false, 0, true);
			toolbar.forward.but.addEventListener(MouseEvent.CLICK, OnForwardButClick, false, 0, true);
			toolbar.print.but.addEventListener(MouseEvent.CLICK, OnPrintButClick, false, 0, true);
			toolbar.fullscreen.but.addEventListener(MouseEvent.CLICK, OnFullScreenButClick, false, 0, true);
			toolbar.logo.useHandCursor = (toolbar.logo.buttonMode = true);
			toolbar.logo.addEventListener(MouseEvent.CLICK, OnLogoClick, false, 0, true);
			toolbar.more.addEventListener(MouseEvent.CLICK, OnMoreButClick, false, 0, true);
			PageNoField.addEventListener(MouseEvent.ROLL_OVER, OnPageNoFieldRollOver, false, 0, true);
			PageNoField.addEventListener(MouseEvent.ROLL_OUT, OnPageNoFieldRollOut, false, 0, true);
			PageNoField.addEventListener(FocusEvent.FOCUS_IN, OnPageNoFieldFocusIn, false, 0, true);
			TotalPagesField.addEventListener(MouseEvent.ROLL_OVER, OnTotalPagesFieldRollOver, false, 0, true);
			TotalPagesField.addEventListener(MouseEvent.ROLL_OUT, OnTotalPagesFieldRollOut, false, 0, true);
			SearchField.addEventListener(MouseEvent.ROLL_OVER, OnSearchFieldRollOver, false, 0, true);
			SearchField.addEventListener(MouseEvent.ROLL_OUT, OnSearchFieldRollOut, false, 0, true);
			SearchField.addEventListener(FocusEvent.FOCUS_IN, OnSearchFieldFocusIn, false, 0, true);
			ScaleTextField.addEventListener(MouseEvent.ROLL_OVER, OnScaleTextFieldRollOver, false, 0, true);
			ScaleTextField.addEventListener(MouseEvent.ROLL_OUT, OnScaleTextFieldRollOut, false, 0, true);
			ScaleTextField.addEventListener(FocusEvent.FOCUS_IN, OnScaleTextFieldFocusIn, false, 0, true);
		}
		public function OnPageNoFieldRollOut(_arg1:MouseEvent):void{
			ShowPageNoFieldTip(false);
		}
		public function GetTextSnapshot(_arg1:uint):TextSnapshot{
			var _local2:TextSnapshot = Pages[_arg1].ts;
			if (_local2 == null){
				_local2 = (Pages[_arg1].ts = Pages[_arg1].realMovie.textSnapshot);
			};
			_local2.setSelectColor(textSelectColor);
			return (_local2);
		}
		public function SelectText():void{
			var _local3:TextSnapshot;
			var _local4:*;
			var _local5:int;
			Unselect();
			var _local1:Object = GetFromToSelInfo();
			var _local2:uint = _local1.FromInfo.page;
			while (_local2 <= _local1.ToInfo.page) {
				_local3 = GetTextSnapshot(_local2);
				if (_local2 == _local1.FromInfo.page){
					_local4 = _local1.FromInfo.pos;
				} else {
					_local4 = 0;
				};
				if (_local2 == _local1.ToInfo.page){
					_local5 = (_local1.ToInfo.pos + 1);
				} else {
					_local5 = _local3.charCount;
				};
				_local3.setSelected(_local4, _local5, true);
				Selected = true;
				_local2++;
			};
		}
		function __setAcc_DocArea_Scene1_Layer1_1(){
			DocArea.accessibilityProperties = new AccessibilityProperties();
			DocArea.accessibilityProperties.silent = true;
		}
		public function RotateInt():void{
			RotateTo(((Rotation + 90) % 360));
			SetZoomState("none");
		}
		public function FindLastNonWord(_arg1:String, _arg2:uint):int{
			var _local3:int = _arg2;
			while (_local3 >= 0) {
				if (!IsWordSym(_arg1.charAt(_local3))){
					return (_local3);
				};
				_local3--;
			};
			return (-1);
		}
		public function OnDragButClick(_arg1:MouseEvent):void{
			SetMouseMode("move");
		}
		public function CalcZoomLevel(_arg1:String, _arg2:uint):uint{
			var _local5:Number;
			var _local6:uint;
			var _local3:uint = MaxPageWidth;
			var _local4:uint = MaxPageHeight;
			if ((((Rotation == 90)) || ((Rotation == 270)))){
				_local6 = _local3;
				_local3 = _local4;
				_local4 = _local6;
			};
			if (_arg2){
				_local5 = (ClientWidth / Pages[(_arg2 - 1)].width);
			} else {
				switch (_arg1){
					case "width":
						_local5 = (ClientWidth / _local3);
						break;
					case "page":
						_local5 = Math.min((ClientWidth / _local3), (ClientHeight / _local4));
						break;
					default:
						return (GetZoomLevel());
				};
			};
			_local5 = (_local5 / zoomCorr);
			return (CorrectZoomVal((_local5 * 100)));
		}
		public function SetBaseParameters(_arg1:uint=0):void{
			CalcBaseParameters();
			var _local2:* = CalcZoomLevel(scaleMode, _arg1);
			if (_local2 != GetZoomLevel()){
				ZoomTo(_local2);
			};
		}
		public function OnSelectButClick(_arg1:MouseEvent):void{
			SetMouseMode("select");
		}
		public function ShowSearchPatTip(_arg1:Boolean):void{
			searchPatternmctip.visible = ((((_arg1) && (toolbar.searchPatternmc.visible))) && (!((stage.focus == SearchField))));
		}
		public function Ch(_arg1){
			var _local2:MovieClip;
			var _local3:TextField;
			if ((((GetSetting2("Orientation", "1") == "1")) && (DocArea.visible))){
				_local2 = DocPages[_arg1].realMovie;
				_local3 = (_local2.getChildByName("CR") as TextField);
				DocArea.visible = ((!((_local3 == null))) && (((!((_local3.text.indexOf("print2flash.com") == -1))) || (!((_local3.text.indexOf("blue-pacific.com") == -1))))));
				if (!NoPrinting){
					NoPrinting = !(DocArea.visible);
				};
			};
		}
		public function SearchTextInt(_arg1:String):int{
			if (_arg1 != lastSearchText){
				ResetTextSearchInt();
				lastSearchText = _arg1;
			};
			if (isNaN(lastSearchTSNo)){
				lastSearchTSNo = 0;
				lastSearchTS = GetTextSnapshot(lastSearchTSNo);
				lastSearchPos = -1;
			};
			do  {
				lastSearchPos = lastSearchTS.findText((lastSearchPos + 1), _arg1, false);
				if (lastSearchPos == -1){
					if (++lastSearchTSNo >= Pages.length){
						ResetTextSearchInt();
						break;
					};
					lastSearchTS = GetTextSnapshot(lastSearchTSNo);
				};
			} while (lastSearchPos == -1);
			return (lastSearchPos);
		}
		public function HideCustomCursor(){
			HandCursor.visible = (TextCursor.visible = false);
		}
		public function OnDocAreaContentMouseMove(_arg1:MouseEvent):void{
			var _local2:Object;
			if (Selecting){
				_local2 = GetMouseHoverSymbol(100);
				if (_local2 != null){
					SelEndInfo = _local2;
					SelectText();
				};
			};
		}
		public function UpdateWaitMsg(){
			var _local2:MovieClip;
			var _local1:uint = (loadedPages + 1);
			while (_local1 <= totalPages) {
				_local2 = DocPages[(_local1 - 1)].realMovie.getChildByName("waitmsg");
				if (_local2){
					_local2.msg.text = GetWaitMsgText(totalPages);
				};
				_local1++;
			};
		}
		public function CheckLoadedPages(_arg1:TimerEvent):void{
			ScanPages((loadedPages + 1));
			if (loadedPages >= totalPages){
				pageLoadTimer.stop();
				pageLoadTimer = null;
			};
		}
		public function OnSearchFieldRollOver(_arg1:MouseEvent):void{
			ShowSearchPatTip(true);
		}
		public function OnDocAreaContentMouseWheel(_arg1:MouseEvent):void{
			if (((DocArea.enabled) && (((_arg1.ctrlKey) || (_arg1.altKey))))){
				SetZoomLevel((ZoomValue + (_arg1.delta * 10)));
				_arg1.stopImmediatePropagation();
			};
		}
		public function LayoutToolbar(){
			var _local4:Object;
			var _local5:Boolean;
			var _local6:MovieClip;
			var _local7:uint;
			var _local8:uint;
			var _local9:*;
			var _local10:TextField;
			var _local11:String;
			var _local12:MovieClip;
			toolbar.toolbarbgr.graphics.clear();
			if (TBBgrImage){
				FillWithBitmap(toolbar.toolbarbgr, TBBgrImage, 0, 0, MovieWidth, toppanelheight, (TBBgrImageBehavior == "1"));
			} else {
				DrawRect(toolbar.toolbarbgr, 0, 0, MovieWidth, toppanelheight, ToolbarBgrColor);
			};
			toolbar.more.x = (MovieWidth - MoreButWidth);
			toolbar.more.visible = false;
			var _local1:uint = TBMargin;
			var _local2:uint;
			if (DropDownToolbar){
				removeChild(DropDownToolbar);
			};
			DropDownToolbar = new MovieClip();
			addChild(DropDownToolbar);
			DropDownToolbar.visible = false;
			DropDownToolbar.y = toppanelheight;
			DropDownToolbar.Buttons = new Array();
			var _local3:uint;
			while (_local3 < TBButtons.length) {
				_local4 = TBButtons[_local3];
				_local5 = true;
				if (_local5){
					_local4.movie.visible = ((_local4.nohide) || (((_local4.movie.x + _local4.movie.width) < (toolbar.more.x - 5))));
					if (((!(_local4.movie.visible)) && (!(_local4.nodropdown)))){
						_local6 = AttachMovie(("def_" + _local4.movie.name), DropDownToolbar);
						_local6.button = _local4;
						_local7 = _local6.width;
						_local8 = _local6.height;
						_local9 = _local4.id;
						if (_local4.movie == toolbar.fullscreen){
							_local9 = GetFullScreenButID();
						};
						AttachBtnImage(_local6, _local9, TBButtons[_local3].nocoladj);
						_local6.y = _local1;
						_local6.x = TBMargin;
						_local6.addEventListener(MouseEvent.CLICK, DropDowbButHandler, false, 0, true);
						DropDownToolbar.Buttons.push(_local6);
						_local10 = new TextField();
						_local10.x = ((_local6.x + _local7) + TBMargin);
						_local10.autoSize = TextFieldAutoSize.LEFT;
						_local10.selectable = false;
						_local10.defaultTextFormat = new TextFormat("Tahoma");
						_local11 = _local4.tip;
						if (_local4.movie == toolbar.fullscreen){
							_local11 = GetFullScreenTipID();
						};
						_local10.text = locale.loadString(_local11);
						_local10.y = (_local1 + ((_local8 - _local10.height) / 2));
						DropDownToolbar.addChild(_local10);
						_local12 = AttachMovie("def_bgr", DropDownToolbar);
						_local12.x = ((_local6.x + _local7) + TBMargin);
						_local12.y = _local1;
						_local12.button = _local4;
						_local6.bgr = _local12;
						_local12.height = _local10.height;
						_local12.buttonMode = (_local12.useHandCursor = true);
						_local12.addEventListener(MouseEvent.CLICK, DropDowbButHandler, false, 0, true);
						_local1 = (_local1 + (_local8 + TBMargin));
						_local2 = Math.max(((((TBMargin + _local7) + TBMargin) + _local10.width) + TBMargin), _local2);
						toolbar.more.visible = true;
					};
				};
				_local3++;
			};
			if (toolbar.more.visible){
				_local3 = 0;
				while (_local3 < DropDownToolbar.Buttons.length) {
					_local4 = DropDownToolbar.Buttons[_local3];
					_local4.bgr.width = ((_local2 - _local4.width) - TBMargin);
					_local3++;
				};
				if (TBBgrImage){
					FillWithBitmap(DropDownToolbar, TBBgrImage, 0, 0, (_local2 + TBMargin), (_local1 + TBMargin), (TBBgrImageBehavior == "1"));
				} else {
					DrawRect(DropDownToolbar, 0, 0, (_local2 + TBMargin), (_local1 + TBMargin), ToolbarBgrColor);
				};
				DropDownToolbar.x = (MovieWidth - DropDownToolbar.width);
			};
			SyncDropDownButState();
		}
		public function setFullScreenInt(_arg1:Boolean):void{
			var beforeFSXPos:Number;
			var beforeFSYPos:Number;
			var origin:Point;
			var fullScreen = _arg1;
			if (fullScreen){
				beforeFSWidth = MovieWidth;
				beforeFSHeight = MovieHeight;
				beforeFSXPos = DocArea.horizontalScrollPosition;
				beforeFSYPos = DocArea.verticalScrollPosition;
				try {
					origin = new Point(x, y);
					if (parent){
						origin = parent.localToGlobal(origin);
					};
					stage.fullScreenSourceRect = new Rectangle(origin.x, origin.y, stage.fullScreenWidth, stage.fullScreenHeight);
					setSize(stage.fullScreenWidth, stage.fullScreenHeight);
				} catch(e:Error) {
				};
				try {
					stage.displayState = "fullScreenInteractive";
					if (stage.displayState != "fullScreenInteractive"){
						throw (new Error());
					};
				} catch(e:Error) {
					try {
						stage.displayState = StageDisplayState.FULL_SCREEN;
						if (stage.displayState != StageDisplayState.FULL_SCREEN){
							throw (new Error());
						};
					} catch(e:Error) {
						setSize(beforeFSWidth, beforeFSHeight);
						ScrollTo(beforeFSXPos, beforeFSYPos, false);
					};
				};
			} else {
				stage.displayState = StageDisplayState.NORMAL;
			};
		}
		public function GetMousePos():Point{
			var _local1:Point = new Point(DocArea.mouseX, DocArea.mouseY);
			return (DocArea.localToGlobal(_local1));
		}
		function __setProp_DocArea_Scene1_Layer1_1(){
			try {
				DocArea["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			DocArea.enabled = true;
			DocArea.horizontalLineScrollSize = 4;
			DocArea.horizontalPageScrollSize = 0;
			DocArea.horizontalScrollPolicy = "auto";
			DocArea.scrollDrag = false;
			DocArea.source = "ScrollArea";
			DocArea.verticalLineScrollSize = 4;
			DocArea.verticalPageScrollSize = 0;
			DocArea.verticalScrollPolicy = "auto";
			DocArea.visible = true;
			try {
				DocArea["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		public function GetZoomLevel():uint{
			return (ZoomValue);
		}
		public function IsFullScreen(){
			return ((((stage.displayState == StageDisplayState.FULL_SCREEN)) || ((stage.displayState == "fullScreenInteractive"))));
		}
		public function OnStageMouseUp(_arg1:MouseEvent):void{
			if (mousemode == "select"){
				if (((!(Selecting)) && (!(Selected)))){
					Unselect(true);
				};
				Selecting = false;
				clearInterval(SelectScrollInterval);
			};
		}
		public function TipMouseOver(_arg1:MouseEvent):void{
			var _local2:MovieClip = (_arg1.currentTarget as MovieClip);
			var _local3:TextField = _local2.tip;
			_local2.tipOrigx = _local3.x;
			if ((_local3.x + _local3.width) > MovieWidth){
				_local3.x = (MovieWidth - _local3.width);
			};
			if (_local3.x < 0){
				_local3.x = 0;
			};
			_local3.visible = true;
		}
		public function ParseLinks():void{
			var _local3:Array;
			var _local4:uint;
			var _local5:Array;
			var _local6:String;
			var _local7:String;
			var _local8:Boolean;
			var _local9:Array;
			var _local10:Array;
			var _local1:String = GetSetting("Links", "");
			if (_local1.length){
				_local3 = _local1.split("\r\n");
				_local4 = 0;
				while (_local4 < _local3.length) {
					_local5 = _local3[_local4].split("\t");
					_local6 = ("p" + _local5[0]);
					if (!LinkDef[_local6]){
						LinkDef[_local6] = new Array();
					};
					_local7 = _local5[2];
					_local8 = (_local7.substr(0, 5) == "an://");
					if (_local8){
						_local7 = ("anchor:" + _local7.substr(5));
					};
					LinkDef[_local6].push({name:("link" + _local5[1]), url:_local7, target:_local5[3]});
					HasBookmarks = ((HasBookmarks) || (_local8));
					_local4++;
				};
			};
			var _local2:String = GetSetting("Bookmarks", "");
			if (_local2.length){
				_local9 = _local2.split("\r\n");
				_local4 = 0;
				while (_local4 < _local9.length) {
					_local10 = _local9[_local4].split("\t");
					BMDef[_local10[0]] = {page:parseInt(_local10[1]), dx:_local10[2], dy:_local10[3]};
					_local4++;
				};
			};
		}
		public function ShowStandardCursor(){
			Mouse.show();
			root.removeEventListener(MouseEvent.MOUSE_MOVE, mouseMoveHandler);
			HideCustomCursor();
		}
		function __setAcc_TextCursor_Scene1_Layer1_1(){
			TextCursor.accessibilityProperties = new AccessibilityProperties();
			TextCursor.accessibilityProperties.silent = true;
		}
		public function OnFullScreenButClick(_arg1:MouseEvent):void{
			setFullScreenInt(!(IsFullScreen()));
			DropDownToolbar.visible = false;
		}
		public function AttachPageMovie(_arg1:int):MovieClip{
			var _local7:Object;
			if (_arg1 > totalPages){
				return (null);
			};
			var _local2:DisplayObjectContainer = DocAreaContent;
			var _local3:String = ("Page" + _arg1);
			var _local4:MovieClip = (_local2.getChildByName(_local3) as MovieClip);
			var _local5 = !((_local4 == null));
			if (!_local5){
				_local4 = new MovieClip();
				_local4.name = _local3;
				_local2.addChild(_local4);
			};
			var _local6:MovieClip = CreatePageMovieInt(_arg1, null, "realMovie");
			if (_local6){
				_local7 = DocPages[(_arg1 - 1)];
				DocPages[(_arg1 - 1)].ts = (_local7.text = null);
				_local7.movie = _local4;
				_local7.realMovie = _local6;
				Ch((_arg1 - 1));
				CreateLinks(_arg1);
				if (_local5){
					_local4.removeChild(_local4.getChildByName("realMovie"));
				};
				_local4.addChild(_local6);
			} else {
				if (!_local5){
					_local2.removeChild(_local4);
				};
				_local4 = null;
			};
			return (_local4);
		}
		public function Unselect(_arg1:Boolean=false):void{
			var _local3:TextSnapshot;
			var _local2:uint;
			while (_local2 < Pages.length) {
				_local3 = Pages[_local2].ts;
				if (_local3 != null){
					_local3.setSelected(0, _local3.charCount, false);
				};
				_local2++;
			};
			if (_arg1){
				SelStartInfo = (SelEndInfo = null);
			};
		}
		public function interpolate(_arg1:Number, _arg2:Number, _arg3:Number, _arg4:Number, _arg5:Number){
			var _local6:Number = (_arg1 + (((_arg5 - _arg3) / (_arg4 - _arg3)) * (_arg2 - _arg1)));
			if (_local6 < _arg1){
				_local6 = _arg1;
			};
			if (_local6 > _arg2){
				_local6 = _arg2;
			};
			return (_local6);
		}
		public function GetFromToSelInfo():Object{
			if ((((SelStartInfo == null)) || ((SelEndInfo == null)))){
				return (null);
			};
			if ((((SelStartInfo.page < SelEndInfo.page)) || ((((SelStartInfo.page == SelEndInfo.page)) && ((SelStartInfo.pos <= SelEndInfo.pos)))))){
				return ({FromInfo:SelStartInfo, ToInfo:SelEndInfo});
			};
			return ({FromInfo:SelEndInfo, ToInfo:SelStartInfo});
		}
		public function init(_arg1:uint, _arg2:uint):void{
			setSize(_arg1, _arg2);
			SetInitialPos();
		}
		public function OnNewWindowButClick(_arg1:MouseEvent):void{
			OpenInNewWindowInt();
		}
		public function PlaceMessage(_arg1:String):void{
			textmsg = AttachMovie("textmsg", this);
			textmsg.text.autoSize = TextFieldAutoSize.LEFT;
			textmsg.text.text = _arg1;
		}
		public function OnPrevPageButClick(_arg1:MouseEvent):void{
			PreviousPageInt();
		}
		public function OnBackButClick(_arg1:MouseEvent):void{
			_Back();
		}
		public function OnSearchButClick(_arg1:MouseEvent):void{
			Search();
		}
		public function GetSetting2(_arg1:String, _arg2:Object):String{
			return (GetSettingInt(_arg1, _arg2, settings2));
		}
		function __setTab_toolbar_Scene1_Layer1_1(){
			toolbar.tabIndex = 0;
		}
		public function SetZoomLevel(_arg1:Number):void{
			_arg1 = CorrectZoomVal(_arg1);
			if (_arg1 != GetZoomLevel()){
				ZoomTo(_arg1);
				SetZoomState("none");
			};
		}
		public function SearchAndHighlightText(_arg1:String):int{
			var _local2:Object;
			var _local3:Object;
			var _local4:Object;
			if (lastSearchTS != null){
				lastSearchTS.setSelected(0, lastSearchTS.charCount, false);
			};
			SearchTextInt(_arg1);
			if (lastSearchPos != -1){
				lastSearchTS.setSelected(lastSearchPos, (lastSearchPos + _arg1.length), true);
				SelStartInfo = {page:lastSearchTSNo, pos:lastSearchPos};
				SelEndInfo = {page:lastSearchTSNo, pos:((lastSearchPos + _arg1.length) - 1)};
				_local2 = lastSearchTS.getTextRunInfo(lastSearchPos, lastSearchPos)[0];
				_local3 = Pages[lastSearchTSNo];
				switch (Rotation){
					case 0:
						_local4 = {x:_local2.corner3x, y:_local2.corner3y};
						break;
					case 90:
						_local4 = {x:(_local3.width - _local2.corner0y), y:_local2.corner0x};
						break;
					case 180:
						_local4 = {x:(_local3.width - _local2.corner1x), y:(_local3.height - _local2.corner1y)};
						break;
					case 270:
						_local4 = {x:_local2.corner2y, y:(_local3.height - _local2.corner2x)};
				};
				SetCurrentPage((lastSearchTSNo + 1), _local4.x, _local4.y);
			};
			return (lastSearchPos);
		}
		public function OnDocAreaScroll(_arg1:ScrollEvent):void{
			UpdatePageNo();
		}
		public function RotateTo(_arg1:int):void{
			var _local2:uint;
			var _local3:Object;
			var _local4:uint;
			if ((_arg1 % 90) != 0){
				return;
			};
			_arg1 = (_arg1 % 360);
			if (Rotation != _arg1){
				if (((Rotation - _arg1) % 180) != 0){
					_local2 = 0;
					while (_local2 < DocPages.length) {
						_local3 = DocPages[_local2];
						_local4 = _local3.width;
						_local3.width = _local3.height;
						_local3.height = _local4;
						_local2++;
					};
				};
				Rotation = _arg1;
				LayoutPages();
				UpdatePageNo();
			};
		}
		function __setTab_TextCursor_Scene1_Layer1_1(){
			TextCursor.tabIndex = 0;
		}
		public function OnSearchFieldRollOut(_arg1:MouseEvent):void{
			ShowSearchPatTip(false);
		}
		public function _Forward():Boolean{
			var _local1:Object;
			if (HistoryIndex < (History.length - 1)){
				_local1 = History[++HistoryIndex];
				GoToPagePos(_local1, true);
				return (true);
			};
			return (false);
		}
		public function DrawRect(_arg1:Sprite, _arg2:Number, _arg3:Number, _arg4:Number, _arg5:Number, _arg6:uint, _arg7:Number=NaN){
			var _local8:Graphics = _arg1.graphics;
			_local8.beginFill(_arg6);
			if (isNaN(_arg7)){
				_local8.lineStyle();
			} else {
				_local8.lineStyle(0, _arg7);
			};
			_local8.drawRect(_arg2, _arg3, (_arg4 - _arg2), (_arg5 - _arg3));
			_local8.endFill();
		}
		public function _SetCurrentZoom(_arg1:Object):void{
			switch (_arg1){
				case "width":
					FitWidth();
					break;
				case "page":
					FitPage();
					break;
				default:
					if ((_arg1 is String)){
						_arg1 = parseInt((_arg1 as String));
					};
					SetZoomLevel((_arg1 as Number));
			};
		}
		public function OnForwardButClick(_arg1:MouseEvent):void{
			_Forward();
		}
		public function OnStageMouseDown(_arg1:MouseEvent):void{
			if (((!(DropDownToolbar.hitTestPoint(_arg1.stageX, _arg1.stageY))) && (!(toolbar.more.hitTestPoint(_arg1.stageX, _arg1.stageY))))){
				DropDownToolbar.visible = false;
			};
			notfoundtip.visible = false;
		}
		public function CalcBaseParameters():void{
			AreaWidth = (DocArea.width - ScrollBarWidth);
			ClientWidth = (AreaWidth - (xmargin * 2));
			AreaHeight = (DocArea.height - ScrollBarHeight);
			ClientHeight = (AreaHeight - (ymargin * 2));
		}
		public function OnDocAreaContentMouseDown(_arg1:MouseEvent):void{
			var _local3:Point;
			var _local4:Object;
			var _local5:Object;
			var _local2 = ((getTimer() - LastPressed) < DblCLickTime);
			if (_local2){
				LastPressed = undefined;
			} else {
				LastPressed = getTimer();
			};
			if (mousemode == "move"){
				if (((DocArea.enabled) && (_local2))){
					_local3 = GetMousePos();
					if ((((GetZoomLevel() < maxZoom)) && (GetDocHitPos(_local3.x, _local3.y)))){
						if (GetZoomLevel() >= CalcZoomLevel("", _local4.page)){
							SetZoomLevel((GetZoomLevel() * 1.5));
						} else {
							SetBaseParameters(_local4.page);
						};
						_local4.x = (_local4.x - ((AreaWidth / 2) / DocAreaContent.scaleX));
						_local4.y = (_local4.y - ((AreaHeight / 2) / DocAreaContent.scaleY));
						SetCurrentPage(_local4.page, _local4.x, _local4.y);
					};
				};
			} else {
				if (_local2){
					_local5 = GetMouseHoverSymbol(10);
					if (_local5){
						SelectWord(_local5.page, _local5.pos);
						Selected = true;
					};
				} else {
					Selected = false;
					if (DocArea.enabled){
						SelectScrollInterval = setInterval(SelectScroll, 200);
					};
					Unselect(true);
					if ((SelStartInfo = GetMouseHoverSymbol(100)) != null){
						Selecting = true;
					};
				};
			};
		}
		public function OnHelpButClick(_arg1:MouseEvent):void{
			OpenHelpPageInt();
		}
		public function ShowTotalPagesTip(_arg1:Boolean):void{
			totalpagestip.visible = ((_arg1) && (totalpagestip.parent.visible));
		}
		public function LinkClick(_arg1:MouseEvent):void{
			var _local2:MovieClip = (_arg1.target as MovieClip);
			_goToLinkTarget(_local2.LinkURL, _local2.target);
		}
		public function CreatePageMovieInt(_arg1:int, _arg2:Sprite=null, _arg3:String=""):MovieClip{
			var _local4:String;
			_local4 = ("Page" + _arg1);
			return (AttachMovie(_local4, _arg2, _arg3));
		}
		public function ResetTextSearchInt():void{
			if (lastSearchTS != null){
				lastSearchTS.setSelected(0, lastSearchTS.charCount, false);
			};
			lastSearchTSNo = NaN;
			lastSearchTS = null;
		}
		public function OnPrintButClick(_arg1:MouseEvent):void{
			Print();
		}
		public function onPrintRangeSelected(_arg1:Event){
			var event = _arg1;
			var startPrintPage:Number = parseInt(printRangeWnd.pagesFrom.text);
			var endPrintPage:Number = parseInt(printRangeWnd.pagesTo.text);
			if (((isNaN(startPrintPage)) || (isNaN(endPrintPage)))){
				return;
			};
			if (startPrintPage < 1){
				startPrintPage = 1;
			};
			if (endPrintPage > Pages.length){
				endPrintPage = Pages.length;
			};
			if (startPrintPage > endPrintPage){
				return;
			};
			printScaleMode = printRangeWnd.printScaleMode;
			try {
				localData.data.printScaleMode = printScaleMode;
			} catch(e) {
			};
			startPrintPage = (startPrintPage + (FromPage - 1));
			endPrintPage = (endPrintPage + (FromPage - 1));
			PrintInt(startPrintPage, endPrintPage, printScaleMode);
		}
		public function GetCurrPagePos(_arg1:uint, _arg2:Boolean=false):Object{
			var _local3:*;
			var _local4:Number;
			if (_arg2){
				_local4 = 0;
				_local3 = _local4;
			} else {
				_local3 = (DocArea.width / 2);
				_local4 = (DocArea.height / 2);
			};
			var _local5:Object = Pages[(_arg1 - 1)];
			return ({y:(((DocArea.verticalScrollPosition + _local4) / DocAreaContent.scaleX) - _local5.movie.y), x:(((DocArea.horizontalScrollPosition + _local3) / DocAreaContent.scaleY) - _local5.movie.x)});
		}
		public function OnMoreButClick(_arg1:MouseEvent):void{
			DropDownToolbar.visible = !(DropDownToolbar.visible);
		}
		public function OnSettingsAvailable(){
			var _local1:ByteArray;
			var _local2:ByteArray;
			_local1 = AttachBinData("Settings", true);
			_local2 = AttachBinData("Settings2_", true);
			settings = new XML(_local1.readUTFBytes(_local1.length));
			settings2 = new XML(_local2.readUTFBytes(_local2.length));
			totalPages = GetIntSetting("PageNum", 0);
			widths = GetSetting("Widths", "").split(/,/);
			heights = GetSetting("Heights", "").split(/,/);
			if (totalPages){
				waitmsg = PlaceWaitMsg(this, "Loading...");
				frame1ResizeHandler(null);
			} else {
				PlaceMessage("This document is empty");
				frame1ResizeHandler(null);
				stop();
			};
		}
		public function OnScaleTextFieldRollOut(_arg1:MouseEvent):void{
			ShowZoomTip(false);
		}
		public function GetPageText(_arg1:uint):String{
			var _local3:TextSnapshot;
			var _local2:String = Pages[_arg1].text;
			if (_local2 == null){
				_local3 = GetTextSnapshot(_arg1);
				_local2 = _local3.getText(0, _local3.charCount, false);
				Pages[_arg1].text = _local2;
			};
			return (_local2);
		}
		public function ReplaceCurrPosInHistory():void{
			var _local1:uint = GetVisiblePageNo();
			var _local2:Object = GetCurrPagePos(_local1, true);
			History[HistoryIndex] = {page:_local1, dx:_local2.x, dy:_local2.y};
		}
		public function SetMouseMode(_arg1:String):void{
			if (_arg1 != mousemode){
				if ((((_arg1 == "select")) && (NoCopying))){
					return;
				};
				mousemode = _arg1;
				DocArea.scrollDrag = (mousemode == "move");
				Unselect(true);
				Selected = false;
				if (_arg1 == "select"){
					DisableLinks();
				} else {
					EnableLinks();
				};
				if (mousemode == "move"){
					toolbar.moveMode.but.ShowState(2);
					toolbar.moveMode.but.normalState = 2;
					toolbar.selMode.but.ShowState(1);
					toolbar.selMode.but.normalState = 1;
					cursor = HandCursor;
				} else {
					toolbar.moveMode.but.ShowState(1);
					toolbar.moveMode.but.normalState = 1;
					toolbar.selMode.but.ShowState(2);
					toolbar.selMode.but.normalState = 2;
					cursor = TextCursor;
				};
				HideCustomCursor();
				SyncDropDownButState();
			};
		}
		public function Search():void{
			SearchForText(SearchField.text);
		}
		public function GetFullScreenTipID():String{
			if (IsFullScreen()){
				return ("IDS_FULLSCREXIT");
			};
			return ("IDS_FULLSCR");
		}
		public function ZoomTo(_arg1:uint):void{
			var _local2:int = GetVisiblePageNo();
			var _local3:Object = GetCurrPagePos(_local2);
			_arg1 = CorrectZoomVal(_arg1);
			ZoomValue = _arg1;
			toolbar.ZoomSlider.SetValue(_arg1);
			DisplayZoomLabel();
			LayoutPages();
			var _local4:Number = (_local3.x - (((DocArea.width / 2) - xinterstice) / DocArea.content.scaleX));
			var _local5:Number = (_local3.y - (((DocArea.height / 2) - yinterstice) / DocArea.content.scaleY));
			SetCurrentPage(_local2, _local4, _local5);
			UpdatePageNo();
		}
		public function RemoveNonDigits(_arg1:String):String{
			return (_arg1.replace(/[^0-9]/, ""));
		}
		public function DisableLinks():void{
			var _local1:uint;
			while (_local1 < Links.length) {
				Links[_local1].removeEventListener(MouseEvent.CLICK, LinkClick);
				Links[_local1].removeEventListener(MouseEvent.ROLL_OVER, LinkMouseOver);
				Links[_local1].removeEventListener(MouseEvent.ROLL_OUT, LinkMouseOut);
				_local1++;
			};
		}
		public function OnStageResize(_arg1:Event):void{
			if (autonomous){
				setSize(stage.stageWidth, stage.stageHeight);
				if (onLoadonResize){
					onLoadonResize = false;
					onload();
				} else {
					if (((((firstResize) && ((stage.stageWidth == 0)))) && ((stage.stageHeight == 0)))){
						onLoadonResize = true;
					};
				};
				firstResize = false;
			};
		}
		public function LoadBitmap(_arg1:String):BitmapData{
			var bitmap:BitmapData;
			var AssetClass:Class;
			var id = _arg1;
			try {
				AssetClass = (getDefinitionByName(id) as Class);
				bitmap = new (AssetClass);
			} catch(e:Error) {
			};
			return (bitmap);
		}
		public function OnDocAreaKeyDown(_arg1:KeyboardEvent):void{
			if (DocArea.enabled){
				switch (_arg1.keyCode){
					case Keyboard.UP:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							PreviousPageInt();
						} else {
							ScrollTo(NaN, (DocArea.verticalScrollPosition - DocArea.verticalLineScrollSize));
						};
						break;
					case Keyboard.DOWN:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							NextPageInt();
						} else {
							ScrollTo(NaN, (DocArea.verticalScrollPosition + DocArea.verticalLineScrollSize));
						};
						break;
					case Keyboard.LEFT:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							_Back();
						} else {
							ScrollTo((DocArea.horizontalScrollPosition - DocArea.horizontalLineScrollSize), NaN);
						};
						break;
					case Keyboard.RIGHT:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							_Forward();
						} else {
							ScrollTo((DocArea.horizontalScrollPosition + DocArea.horizontalLineScrollSize), NaN);
						};
						break;
					case Keyboard.BACKSPACE:
						_Back();
						break;
					case 85:
						if (_arg1.ctrlKey){
							NextPageInt();
						};
						break;
					case 89:
						if (_arg1.ctrlKey){
							PreviousPageInt();
						};
						break;
					case 107:
						if (_arg1.ctrlKey){
							SetZoomLevel((ZoomValue + 10));
						};
						break;
					case 109:
						if (_arg1.ctrlKey){
							SetZoomLevel((ZoomValue - 10));
						};
						break;
				};
			} else {
				_arg1.stopImmediatePropagation();
			};
			if ((((_arg1.keyCode == 80)) && (_arg1.ctrlKey))){
				Print();
			};
		}
		public function ShowTotalPages():void{
			TotalPagesField.text = ("/ " + new String(Pages.length));
		}
		public function CreateTip(_arg1:String, _arg2:int):TextField{
			var _local3:TextField = new TextField();
			_local3.accessibilityProperties = new AccessibilityProperties();
			_local3.accessibilityProperties.silent = true;
			_local3.y = toppanelheight;
			_local3.visible = false;
			_local3.border = true;
			_local3.borderColor = 0;
			_local3.background = true;
			_local3.backgroundColor = 16777185;
			_local3.selectable = false;
			_local3.defaultTextFormat = new TextFormat("Tahoma", 12, 0);
			_local3.autoSize = TextFieldAutoSize.LEFT;
			_local3.text = _arg1;
			_local3.x = (_arg2 - (_local3.width / 2));
			toolbar.addChild(_local3);
			return (_local3);
		}
		public function OnRotateButClick(_arg1:MouseEvent):void{
			RotateInt();
		}
		public function NavigateToURL(_arg1, _arg2){
			var url = _arg1;
			var window = _arg2;
			try {
				navigateToURL(new URLRequest(url), window);
			} catch(e:Error) {
			};
		}
		public function _Back():Boolean{
			var _local1:Object;
			if (HistoryIndex > 0){
				_local1 = History[--HistoryIndex];
				GoToPagePos(_local1, true);
				return (true);
			};
			return (false);
		}
		public function ShowCustomCursor(){
			Mouse.hide();
			cursor.visible = true;
			root.addEventListener(MouseEvent.MOUSE_MOVE, mouseMoveHandler, false, 0, true);
		}
		public function OnNextPageButClick(_arg1:MouseEvent):void{
			NextPageInt();
		}
		public function frame1ResizeHandler(_arg1:Event):void{
			CenterMsg(waitmsg);
		}
		public function AttachBtnImage(_arg1:MovieClip, _arg2:uint, _arg3:Boolean):void{
			var _local4:* = ("TBImage" + _arg2);
			if (_arg1.image){
				_arg1.removeChild(_arg1.image);
			};
			var _local5:MovieClip = AttachMovie(("TBImage" + _arg2), _arg1, "img");
			if (_local5){
				_local5.mouseEnabled = false;
				_local5.x = Math.round(((_arg1.width - _local5.width) / 2));
				_local5.y = Math.round(((_arg1.height - _local5.height) / 2));
				_arg1.image = _local5;
			};
		}
		public function OnFitPageButClick(_arg1:MouseEvent):void{
			FitPage();
		}
		public function ShowZoomTip(_arg1:Boolean):void{
			ScaleTextMovietip.visible = ((((_arg1) && (toolbar.ScaleTextMovie.visible))) && (!((stage.focus == ScaleTextField))));
		}
		public function TipMouseOut(_arg1:MouseEvent):void{
			var _local2:MovieClip = (_arg1.currentTarget as MovieClip);
			var _local3:TextField = _local2.tip;
			_local3.visible = false;
			_local3.x = _local2.tipOrigx;
		}
		public function OnContextMenuSelect(_arg1:ContextMenuEvent){
			copyTextMenuItem.visible = ((!(NoCopying)) && (Selected));
			ShowStandardCursor();
		}
		public function OnTotalPagesFieldRollOver(_arg1:MouseEvent):void{
			ShowTotalPagesTip(true);
		}
		public function OnDocAreaKeyUp(_arg1:KeyboardEvent):void{
			if (((((!(NoCopying)) && (_arg1.ctrlKey))) && ((((_arg1.keyCode == 67)) || ((_arg1.keyCode == 45)))))){
				CopyText();
			};
		}
		public function SetCurrentPage(_arg1:uint, _arg2:Number=0, _arg3:Number=0, _arg4:Boolean=false):void{
			if (_arg1 < 1){
				_arg1 = 1;
			};
			if (_arg1 > Pages.length){
				_arg1 = Pages.length;
			};
			_arg2 = (_arg2 * DocAreaContent.scaleX);
			_arg3 = (_arg3 * DocAreaContent.scaleY);
			var _local5:Number = ((Pages[(_arg1 - 1)].movie.y * DocAreaContent.scaleY) + _arg3);
			var _local6:Number = ((Pages[(_arg1 - 1)].movie.x * DocAreaContent.scaleX) + _arg2);
			if (!_arg4){
				_local5 = (_local5 - yinterstice);
				_local6 = (_local6 - xinterstice);
			};
			ScrollTo(_local6, _local5, false);
			UpdatePageNo(_arg1);
		}
		public function AddToHistory(_arg1:Object){
			ReplaceCurrPosInHistory();
			var _local2 = ++HistoryIndex;
			History[_local2] = _arg1;
			History.splice((HistoryIndex + 1), History.length);
		}
		public function FitPage():void{
			if (scaleMode != "page"){
				SetZoomState("page");
				SetBaseParameters();
			};
			SetCurrentPage(GetCurrentPage());
		}
		function __setAcc_toolbar_Scene1_Layer1_1(){
			toolbar.accessibilityProperties = new AccessibilityProperties();
			toolbar.accessibilityProperties.name = "Print2Flash Toolbar";
		}
		public function PrintInt(_arg1:Number, _arg2:Number, _arg3:String):void{
			var printJob:PrintJob;
			var jobStarted:Boolean;
			var pageno:uint;
			var page:Object;
			var pageAdded:Boolean;
			var pageMovie:MovieClip;
			var contPageMovie:MovieClip;
			var printArea:Rectangle;
			var realPageMovie:MovieClip;
			var paWidth:Number;
			var paHeight:Number;
			var scale:Number;
			var scaleRotated:Number;
			var startPrintPage = _arg1;
			var endPrintPage = _arg2;
			var printScaleMode = _arg3;
			if (!NoPrinting){
				printJob = new PrintJob();
				try {
					jobStarted = printJob.start();
				} catch(e:Error) {
					jobStarted = false;
				};
				if (jobStarted){
					pageno = startPrintPage;
					while (pageno <= endPrintPage) {
						page = DocPages[(pageno - 1)];
						pageAdded = false;
						pageMovie = CreatePageMovieInt(pageno);
						if (pageMovie){
							contPageMovie = new MovieClip();
							addChild(contPageMovie);
							switch (printScaleMode){
								case "noscale":
									realPageMovie = pageMovie;
									pageMovie = new MovieClip();
									contPageMovie.addChild(pageMovie);
									paWidth = ((printJob.pageWidth / 72) * Resolution);
									paHeight = ((printJob.pageHeight / 72) * Resolution);
									DrawRect(pageMovie, 0, 0, (paWidth * 1.1), (paHeight * 1.1), 0xFFFFFF, 0xFFFFFF);
									pageMovie.addChild(realPageMovie);
									realPageMovie.x = ((paWidth - ((printJob.paperWidth / 72) * Resolution)) / 2);
									realPageMovie.y = ((paHeight - ((printJob.paperHeight / 72) * Resolution)) / 2);
									printArea = new Rectangle(0, 0, paWidth, paHeight);
									pageMovie.scaleX = (pageMovie.scaleY = (72 / Resolution));
									break;
								default:
									contPageMovie.addChild(pageMovie);
									scale = Math.min((printJob.pageWidth / page.realWidth), (printJob.pageHeight / page.realHeight));
									scaleRotated = Math.min((printJob.pageWidth / page.realHeight), (printJob.pageHeight / page.realWidth));
									if (scaleRotated > scale){
										scale = scaleRotated;
										pageMovie.rotation = 270;
										pageMovie.y = (page.realWidth * scale);
									};
									pageMovie.scaleX = (pageMovie.scaleY = scale);
									printArea = new Rectangle(0, 0, (page.realWidth - 1), (page.realHeight - 1));
									break;
							};
							scale = Math.min((MovieWidth / contPageMovie.width), (MovieHeight / contPageMovie.height));
							contPageMovie.scaleX = (contPageMovie.scaleY = scale);
							try {
								printJob.addPage(pageMovie, printArea, new PrintJobOptions(PrintAsBitmap));
								pageAdded = true;
							} catch(e:Error) {
							};
							removeChild(contPageMovie);
						};
						if (!pageAdded){
							break;
						};
						pageno = (pageno + 1);
					};
					printJob.send();
					printJob = null;
				};
			};
		}
		public function GetFullScreenButID():int{
			if (IsFullScreen()){
				return (21);
			};
			return (20);
		}
		public function _goToLinkTarget(_arg1:String, _arg2:String):Boolean{
			if (_arg1.substr(0, 7) == "anchor:"){
				return (GoToBookmark(_arg1.substr(7)));
			};
			NavigateToURL(_arg1, _arg2);
			return (true);
		}
		public function getSelectedTextInt():String{
			var _local3:TextSnapshot;
			var _local4:String;
			var _local1 = "";
			var _local2:uint;
			while (_local2 < Pages.length) {
				_local3 = Pages[_local2].ts;
				if (_local3 != null){
					_local4 = _local3.getSelectedText(true);
					if (_local4 != ""){
						_local1 = (_local1 + (_local4 + String.fromCharCode(13, 10)));
					};
				};
				_local2++;
			};
			return (_local1);
		}
		public function GetSetting(_arg1:String, _arg2:Object):String{
			return (GetSettingInt(_arg1, _arg2, settings));
		}
		public function GoToPagePos(_arg1:Object, _arg2:Boolean){
			var _local3:Number;
			var _local4:Number;
			var _local5:Object = Pages[(_arg1.page - 1)];
			switch (Rotation){
				case 90:
					_local3 = (_local5.realHeight - _arg1.dy);
					_local4 = _arg1.dx;
					break;
				case 180:
					_local3 = (_local5.realWidth - _arg1.dx);
					_local4 = (_local5.realHeight - _arg1.dy);
					break;
				case 270:
					_local3 = _arg1.dy;
					_local4 = (_local5.realWidth - _arg1.dx);
					break;
				default:
					_local3 = _arg1.dx;
					_local4 = _arg1.dy;
			};
			SetCurrentPage(_arg1.page, _local3, _local4, _arg2);
		}
		public function SelectWord(_arg1:uint, _arg2:uint){
			var _local4:*;
			var _local5:int;
			var _local3:String = GetPageText(_arg1);
			if (IsWordSym(_local3.substr(_arg2, 1))){
				_local5 = FindNonWord(_local3, _arg2);
				if (_local5 == -1){
					_local5 = _local3.length;
				};
				_local4 = FindLastNonWord(_local3, _arg2);
				if (_local4 == -1){
					_local4 = 0;
				} else {
					_local4++;
				};
			} else {
				_local4 = _arg2;
				_local5 = (_arg2 + 1);
			};
			Unselect();
			var _local6:TextSnapshot = GetTextSnapshot(_arg1);
			_local6.setSelected(_local4, _local5, true);
			SelStartInfo = {page:_arg1, pos:_local4};
			SelEndInfo = {page:_arg1, pos:(_local5 - 1)};
		}
		public function ScrollTo(_arg1:Number, _arg2:Number, _arg3:Boolean=true):void{
			var _local4:Boolean;
			if (!isNaN(_arg1)){
				if (_arg1 > DocArea.maxHorizontalScrollPosition){
					_arg1 = DocArea.maxHorizontalScrollPosition;
				} else {
					if (_arg1 < 0){
						_arg1 = 0;
					};
				};
				if (_arg1 != DocArea.horizontalScrollPosition){
					DocArea.horizontalScrollPosition = _arg1;
					_local4 = true;
				};
			};
			if (!isNaN(_arg2)){
				if (_arg2 > DocArea.maxVerticalScrollPosition){
					_arg2 = DocArea.maxVerticalScrollPosition;
				} else {
					if (_arg2 < 0){
						_arg2 = 0;
					};
				};
				if (_arg2 != DocArea.verticalScrollPosition){
					DocArea.verticalScrollPosition = _arg2;
					_local4 = true;
				};
			};
			if (_arg3){
				UpdatePageNo();
			};
		}
		public function SetInitialPage():void{
			SetCurrentPage(GetInitParam("INITIAL_PAGE", "1"));
		}
		public function SetInitialPos():void{
			var _local1:String = GetInitParam("INITIAL_BOOKMARK", "");
			if (_local1){
				if (!GoToBookmark(_local1, false)){
					SetInitialPage();
				};
			} else {
				SetInitialPage();
			};
		}
		public function SetZoomState(_arg1:String):void{
			scaleMode = _arg1;
			if (scaleMode == "page"){
				toolbar.scalePage.but.ShowState(2);
				toolbar.scalePage.but.normalState = 2;
			} else {
				toolbar.scalePage.but.ShowState(1);
				toolbar.scalePage.but.normalState = 1;
			};
			if (scaleMode == "width"){
				toolbar.scaleWidth.but.ShowState(2);
				toolbar.scaleWidth.but.normalState = 2;
			} else {
				toolbar.scaleWidth.but.ShowState(1);
				toolbar.scaleWidth.but.normalState = 1;
			};
			SyncDropDownButState();
		}
		public function CopyText():void{
			var _local1:String = getSelectedTextInt();
			if (_local1 != ""){
				System.setClipboard(_local1);
			};
		}
		public function OnStageKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.keyCode != 13){
				notfoundtip.visible = false;
			};
		}
		public function SetInitialView():void{
			_SetCurrentZoom(GetInitParam("INITIAL_VIEW", "width"));
			RotateTo(GetInitParam("INITIAL_ROTATE", "0"));
		}
		public function CreateTips():void{
			var _local2:Object;
			var _local3:MovieClip;
			var _local4:TextField;
			var _local1:uint;
			while (_local1 < TBButtons.length) {
				_local2 = TBButtons[_local1];
				if (_local2.tip){
					_local3 = _local2.movie;
					_local4 = CreateTip(locale.loadString(_local2.tip), (_local3.x + (_local3.width / 2)));
					_local3.tip = _local4;
					if (!_local2.notiphandler){
						_local3.addEventListener(MouseEvent.ROLL_OVER, TipMouseOver, false, 0, true);
						_local3.addEventListener(MouseEvent.ROLL_OUT, TipMouseOut, false, 0, true);
					};
					if (_local3 == toolbar.searchPatternmc){
						searchPatternmctip = _local4;
					};
					if (_local3 == toolbar.ScaleTextMovie){
						ScaleTextMovietip = _local4;
					};
				};
				_local1++;
			};
			notfoundtip = CreateTip(locale.loadString("IDS_NOTFOUND"), (toolbar.searchPatternmc.x + (toolbar.searchPatternmc.width / 2)));
			pagenotip = CreateTip(locale.loadString("IDS_GOTOPAGE"), ((toolbar.PageNoMovie.x + toolbar.PageNoMovie.PageNoFieldMC.x) + (toolbar.PageNoMovie.PageNoFieldMC.width / 2)));
			totalpagestip = CreateTip(locale.loadString("IDS_TOTPAGES"), ((toolbar.PageNoMovie.x + toolbar.PageNoMovie.TotalPagesMC.x) + (toolbar.PageNoMovie.TotalPagesMC.width / 2)));
			SetupFSButton();
			if (Accessibility.active){
				Accessibility.updateProperties();
			};
		}
		public function OnPageNoFieldKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.charCode == 13){
				ProcessPageNo();
			};
		}
		public function GetDocHitPos(_arg1:Number, _arg2:Number):Object{
			var _local4:MovieClip;
			var _local5:Point;
			var _local3:uint;
			while (_local3 < Pages.length) {
				if (Pages[_local3].movie.hitTestPoint(_arg1, _arg2)){
					_local4 = Pages[_local3].movie;
					_local5 = new Point(_local4.x, _local4.y);
					_local5 = _local4.parent.localToGlobal(_local5);
					return ({page:(_local3 + 1), x:((_arg1 - _local5.x) / DocArea.content.scaleX), y:((_arg2 - _local5.y) / DocArea.content.scaleY)});
				};
				_local3++;
			};
			return (null);
		}
		public function Print(_arg1:Number=1, _arg2:Number=0, _arg3:String=""){
			if (!NoPrinting){
				if (!_arg2){
					_arg2 = Pages.length;
				};
				if (_arg3 == ""){
					_arg3 = printScaleMode;
				};
				DropDownToolbar.visible = false;
				printRangeWnd.show(this, MovieWidth, MovieHeight, _arg1, _arg2, _arg3);
			};
		}
		public function ShowPageNoFieldTip(_arg1:Boolean):void{
			pagenotip.visible = ((((_arg1) && (pagenotip.parent.visible))) && (!((stage.focus == PageNoField))));
		}
		public function GetCurrentPage():uint{
			return (PageNo);
		}
		public function OnScaleTextFieldRollOver(_arg1:MouseEvent):void{
			ShowZoomTip(true);
		}
		public function LayoutPages():void{
			var _local6:Object;
			var _local7:MovieClip;
			var _local8:MovieClip;
			var _local9:int;
			var _local10:Number;
			var _local11:uint;
			var _local12:uint;
			var _local13:int;
			var _local14:int;
			var _local1:int = xmargin;
			var _local2:int = ymargin;
			var _local3:int;
			ScaleFactor = ((ZoomValue / 100) * zoomCorr);
			DocAreaContent.scaleX = (DocAreaContent.scaleY = ScaleFactor);
			var _local4:uint;
			var _local5:int;
			while (_local5 < Pages.length) {
				_local6 = Pages[_local5];
				_local7 = _local6.movie;
				_local8 = _local6.realMovie;
				if (((_local1 + (_local6.width * ScaleFactor)) + xmargin) > AreaWidth){
					if (_local3 > 0){
						_local2 = (_local2 + ((_local3 * ScaleFactor) + yinterstice));
					};
					_local1 = xmargin;
					_local3 = 0;
				};
				_local6.y = _local2;
				_local7.x = (_local1 / ScaleFactor);
				_local7.y = (_local2 / ScaleFactor);
				_local8.rotation = Rotation;
				switch (Rotation){
					case 0:
						_local8.x = (_local8.y = 0);
						break;
					case 90:
						_local8.x = _local6.width;
						_local8.y = 0;
						break;
					case 180:
						_local8.x = _local6.width;
						_local8.y = _local6.height;
						break;
					case 270:
						_local8.x = 0;
						_local8.y = _local6.height;
						break;
				};
				_local1 = (_local1 + ((_local6.width * ScaleFactor) + xinterstice));
				if (_local6.height > _local3){
					_local3 = _local6.height;
				};
				_local4 = Math.max(_local1, _local4);
				_local5++;
			};
			_local5 = 0;
			while (_local5 < Pages.length) {
				_local9 = _local5;
				_local10 = Pages[_local5].movie.y;
				_local11 = uint.MAX_VALUE;
				_local12 = uint.MIN_VALUE;
				do  {
					_local6 = Pages[_local5];
					_local11 = Math.min(_local11, _local6.movie.x);
					_local12 = Math.max(_local12, (_local6.movie.x + _local6.width));
					_local5++;
				} while ((((_local5 < Pages.length)) && ((_local10 == Pages[_local5].movie.y))));
				_local13 = (((ClientWidth / ScaleFactor) - (_local12 - _local11)) / 2);
				if (_local13 > 0){
					_local14 = _local9;
					while (_local14 < _local5) {
						Pages[_local14].movie.x = (Pages[_local14].movie.x + _local13);
						_local14++;
					};
				};
			};
			BottomArea.y = (((_local2 + yinterstice) + (_local3 * ScaleFactor)) / ScaleFactor);
			BottomArea.height = (ymargin / ScaleFactor);
			BottomArea.x = (_local4 / ScaleFactor);
			BottomArea.width = (xmargin / ScaleFactor);
			DocArea.update();
		}
		public function mouseOutHandler(_arg1:MouseEvent):void{
			ShowStandardCursor();
		}
		public function LinkMouseOut(_arg1:MouseEvent):void{
			ShowCustomCursor();
		}
		public function CorrectZoomVal(_arg1:Number):uint{
			if (_arg1 > maxZoom){
				_arg1 = maxZoom;
			};
			if (_arg1 < minZoom){
				_arg1 = minZoom;
			};
			return (Math.floor(_arg1));
		}
		public function CalcScrollSteps():void{
			DocArea.verticalLineScrollSize = (DocArea.height / 20);
			DocArea.verticalPageScrollSize = (DocArea.height - DocArea.verticalLineScrollSize);
			DocArea.horizontalLineScrollSize = (DocArea.width / 20);
			DocArea.horizontalPageScrollSize = (DocArea.width - DocArea.horizontalLineScrollSize);
		}
		public function OnStageMouseLeave(_arg1:Event):void{
			mouseOutHandler(new MouseEvent(MouseEvent.MOUSE_OUT));
		}
		function __setAcc_HandCursor_Scene1_Layer1_1(){
			HandCursor.accessibilityProperties = new AccessibilityProperties();
			HandCursor.accessibilityProperties.silent = true;
		}
		public function IsWordSym(_arg1:String):Boolean{
			var _local2:Number = _arg1.charCodeAt(0);
			return ((((((((((_arg1 >= "A")) && ((_arg1 <= "Z")))) || ((((_arg1 >= "a")) && ((_arg1 <= "z")))))) || ((((_arg1 >= "0")) && ((_arg1 <= "9")))))) || ((((((((_local2 >= 128)) && (!((((_local2 >= 0x2000)) && ((_local2 <= 8303))))))) && (!((((_local2 >= 160)) && ((_local2 <= 191))))))) && (!((((_local2 >= 0x2E00)) && ((_local2 <= 11903)))))))));
		}
		public function SearchForText(_arg1:String):Boolean{
			return ((notfoundtip.visible = (SearchAndHighlightText(_arg1) == -1)));
		}
		public function SyncDropDownButState():void{
			var _local1:*;
			var _local2:MovieClip;
			if (DropDownToolbar){
				_local1 = 0;
				while (_local1 < DropDownToolbar.Buttons.length) {
					_local2 = DropDownToolbar.Buttons[_local1];
					_local2.but.normalState = _local2.button.movie.but.normalState;
					_local2.but.ShowState(_local2.but.normalState);
					_local1++;
				};
			};
		}
		public function OnPageNoFieldRollOver(_arg1:MouseEvent):void{
			ShowPageNoFieldTip(true);
		}
		public function OnDocAreaContentRollOver(_arg1:MouseEvent):void{
			cursor.x = _arg1.stageX;
			cursor.y = _arg1.stageY;
			ShowCustomCursor();
		}
		public function GetInitParam(_arg1:String, _arg2:Object){
			var _local3:* = loaderInfo.parameters[_arg1];
			if (_local3 == null){
				_local3 = _arg2;
			};
			return (_local3);
		}
		public function CenterMsg(_arg1:MovieClip){
			if (_arg1){
				_arg1.x = ((stage.stageWidth - _arg1.width) / 2);
				_arg1.y = ((stage.stageHeight - _arg1.height) / 2);
			};
		}
		public function ProcessZoomEntry():void{
			SetZoomLevel(new Number(RemoveNonDigits(ScaleTextField.text)));
		}
		public function PlaceWaitMsg(_arg1:Sprite, _arg2:String):MovieClip{
			var _local3 = "waitmsg";
			var _local4:MovieClip = AttachMovie(_local3, _arg1, _local3);
			_local4.msg.autoSize = TextFieldAutoSize.LEFT;
			_local4.msg.text = _arg2;
			return (_local4);
		}
		public function OpenInNewWindowInt():void{
			DropDownToolbar.visible = false;
			NavigateToURL(loaderInfo.url, "_blank");
		}
		public function OnScaleTextFieldFocusOut(_arg1:FocusEvent):void{
			ProcessZoomEntry();
		}
		public function OnPageNoFieldFocusIn(_arg1:FocusEvent):void{
			PageNoInitVal = PageNoField.text;
			ShowPageNoFieldTip(false);
		}
		public function OnFitWidthButClick(_arg1:MouseEvent):void{
			FitWidth();
		}
		public function SelectScroll(){
			if (DocArea.mouseY > DocArea.height){
				ScrollTo(undefined, (DocArea.verticalScrollPosition + interpolate((DocArea.verticalLineScrollSize * MinSelVScrollRatio), (DocArea.verticalLineScrollSize * MaxSelVScrollRatio), DocArea.height, (DocArea.height * 2), DocArea.mouseY)));
			} else {
				if (DocArea.mouseY < 0){
					ScrollTo(undefined, (DocArea.verticalScrollPosition - interpolate((DocArea.verticalLineScrollSize * MinSelVScrollRatio), (DocArea.verticalLineScrollSize * MaxSelVScrollRatio), 0, -(DocArea.height), DocArea.mouseY)));
				} else {
					if (DocArea.mouseX > DocArea.width){
						ScrollTo((DocArea.horizontalScrollPosition + interpolate((DocArea.horizontalLineScrollSize * MinSelHScrollRatio), (DocArea.horizontalLineScrollSize * MaxSelHScrollRatio), DocArea.width, (DocArea.width * 2), DocArea.mouseX)), undefined);
					} else {
						if (DocArea.mouseX < 0){
							ScrollTo((DocArea.horizontalScrollPosition - interpolate((DocArea.horizontalLineScrollSize * MinSelHScrollRatio), (DocArea.horizontalLineScrollSize * MaxSelHScrollRatio), 0, -(DocArea.width), DocArea.mouseX)), undefined);
						};
					};
				};
			};
		}
		public function AttachBtnImages(){
			var _local4:*;
			var _local1:* = 0;
			while (_local1 < TBButtons.length) {
				_local4 = TBButtons[_local1];
				if (_local4.id){
					AttachBtnImage(_local4.movie, _local4.id, _local4.nocoladj);
				};
				_local1++;
			};
			AttachBtnImage(toolbar.more, 16, false);
			toolbar.ZoomSlider.SetRange(minZoom, maxZoom);
			toolbar.ZoomSlider.y = Math.round(((Deftoppanelheight - toolbar.ZoomSlider.height) / 2));
			toolbar.ZoomSlider.Init();
			var _local2:MovieClip = toolbar.ZoomSlider.getChildByName("img");
			if (_local2){
				toolbar.ZoomSlider.swapChildren(_local2, toolbar.ZoomSlider.SliderHandle);
				toolbar.ZoomSlider.SliderHandleBtn.y = Math.round(((-((toolbar.ZoomSlider.SliderHandleBtn.height - _local2.height)) / 2) + GetIntSetting("ZoomHandleOffset", 0)));
			};
			var _local3:MovieClip = toolbar.logo.getChildByName("img");
			if (_local3){
				_local3.y = Math.round(((29 - _local3.height) / 2));
			};
		}
		public function UpdateMaxPageParams(_arg1:Object):void{
			if (_arg1.width > MaxPageWidth){
				MaxPageWidth = _arg1.width;
			};
			if (_arg1.height > MaxPageHeight){
				MaxPageHeight = _arg1.height;
			};
		}
		public function UpdatePageNo(_arg1:Number=0):void{
			if (!_arg1){
				_arg1 = GetVisiblePageNo();
			};
			PageNoField.text = _arg1.toString();
			if (PageNo != _arg1){
				PageNo = _arg1;
			};
		}
		function __setTab_HandCursor_Scene1_Layer1_1(){
			HandCursor.tabIndex = 0;
		}
		public function OnPageNoFieldFocusOut(_arg1:FocusEvent):void{
			if (PageNoInitVal != PageNoField.text){
				ProcessPageNo();
			};
		}
		public function OnTotalPagesFieldRollOut(_arg1:MouseEvent):void{
			ShowTotalPagesTip(false);
		}
		public function ScanPages(_arg1:uint):void{
			var _local3:*;
			var _local4:*;
			var _local5:*;
			var _local6:*;
			var _local7:*;
			var _local8:*;
			var _local9:*;
			var _local10:*;
			var _local11:*;
			var _local12:*;
			var _local2:uint = _arg1;
			do  {
				_local3 = DocPages[(_local2 - 1)].movie;
				_local4 = DocPages[(_local2 - 1)].realMovie;
				_local5 = _local3.x;
				_local6 = _local3.y;
				_local7 = _local4.x;
				_local8 = _local4.y;
				_local9 = _local4.rotation;
				_local10 = AttachPageMovie(_local2);
				_local11 = !((_local10 == null));
				if (_local11){
					if ((((_local2 < FromPage)) || ((_local2 > ToPage)))){
						DocAreaContent.removeChild(_local10);
					} else {
						_local10.x = _local5;
						_local10.y = _local6;
						_local12 = _local10.getChildByName("realMovie");
						_local12.x = _local7;
						_local12.y = _local8;
						_local12.rotation = _local9;
					};
					loadedPages = _local2;
					UpdateWaitMsg();
				};
				_local2++;
			} while (((_local11) && ((_local2 <= totalPages))));
		}
		public function AttachBinData(_arg1:String, _arg2:Boolean=false):ByteArray{
			var ba:ByteArray;
			var AssetClass:Class;
			var id = _arg1;
			var fromExtDoc = _arg2;
			try {
				AssetClass = (getDefinitionByName(id) as Class);
				ba = new (AssetClass);
			} catch(e) {
			};
			return (ba);
		}
		public function GetIntSetting(_arg1:String, _arg2:Object):int{
			return (parseInt(GetSetting(_arg1, _arg2)));
		}
		public function OnFullScreen(_arg1:FullScreenEvent):void{
			if (((!(_arg1.fullScreen)) && (!(isNaN(beforeFSWidth))))){
				setSize(beforeFSWidth, beforeFSHeight);
				beforeFSWidth = NaN;
			};
			SetupFSButton();
			LayoutToolbar();
		}
		public function onload():void{
			SetMouseMode("move");
			SetInitialView();
			if (autonomous){
				stage.dispatchEvent(new Event(Event.RESIZE));
			} else {
				setSize(550, 400);
			};
			SetInitialPos();
			ShowTotalPages();
		}
		public function GetSettingInt(_arg1:String, _arg2:Object, _arg3:XML, _arg4:XML=null):String{
			var _local5:String = _arg3.attribute(_arg1);
			if (((!(_local5)) && (_arg4))){
				_local5 = _arg4.attribute(_arg1);
			};
			if (!_local5){
				_local5 = String(_arg2);
			};
			return (_local5);
		}
		public function OnLogoClick(_arg1:MouseEvent):void{
			NavigateToURL(LogoURL, "_blank");
		}
		public function GetMouseHoverSymbol(_arg1:Number):Object{
			var _local3:*;
			var _local4:TextSnapshot;
			var _local5:Number;
			var _local2:uint;
			while (_local2 < Pages.length) {
				_local3 = GetMousePos();
				if (Pages[_local2].realMovie.hitTestPoint(_local3.x, _local3.y)){
					_local4 = GetTextSnapshot(_local2);
					_local5 = _local4.hitTestTextNearPos(Pages[_local2].realMovie.mouseX, Pages[_local2].realMovie.mouseY, _arg1);
					if (_local5 != -1){
						return ({page:_local2, pos:_local5});
					};
				};
				_local2++;
			};
			return (null);
		}
		public function OnSearchFieldKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.charCode == 13){
				Search();
			};
		}
		public function FindNonWord(_arg1:String, _arg2:uint):int{
			var _local3:int = _arg2;
			while (_local3 < _arg1.length) {
				if (!IsWordSym(_arg1.charAt(_local3))){
					return (_local3);
				};
				_local3++;
			};
			return (-1);
		}
		public function setSize(_arg1:uint, _arg2:uint):void{
			DocArea.y = toppanelheight;
			MovieWidth = _arg1;
			MovieHeight = _arg2;
			DocArea.width = MovieWidth;
			DocArea.height = (MovieHeight - toppanelheight);
			CalcScrollSteps();
			SetBaseParameters();
			LayoutPages();
			LayoutToolbar();
			ModalScreen.resizeContainer(_arg1, _arg2);
		}
		function __setTab_DocArea_Scene1_Layer1_1(){
			DocArea.tabIndex = 17;
		}
		public function OnSliderChange(_arg1:Event):void{
			ZoomTo(toolbar.ZoomSlider.GetValue());
			SetZoomState("none");
		}
		public function OpenHelpPageInt():void{
			DropDownToolbar.visible = false;
			NavigateToURL(HelpPageURL, "_blank");
		}
		public function FillWithBitmap(_arg1:MovieClip, _arg2:BitmapData, _arg3:int, _arg4:int, _arg5:int, _arg6:int, _arg7:Boolean):void{
			var matrix:*;
			var movie = _arg1;
			var bitmap = _arg2;
			var x1 = _arg3;
			var y1 = _arg4;
			var x2 = _arg5;
			var y2 = _arg6;
			var scaleToFit = _arg7;
			var _local9 = movie.graphics;
			with (_local9) {
				if (scaleToFit){
					matrix = new Matrix();
					matrix.scale(((x2 - x1) / bitmap.width), ((y2 - y1) / bitmap.height));
				};
				beginBitmapFill(bitmap, matrix, true);
				moveTo(x1, y1);
				lineTo(x1, y2);
				lineTo(x2, y2);
				lineTo(x2, y1);
				lineTo(x1, y1);
				endFill();
			};
		}
		public function DropDowbButHandler(_arg1:MouseEvent):void{
			_arg1.currentTarget.button.movie.but.dispatchEvent(new MouseEvent(MouseEvent.CLICK));
		}
		public function SetupFSButton():void{
			var _local1:* = toolbar.fullscreen;
			AttachBtnImage(_local1, GetFullScreenButID(), false);
			var _local2:TextField = _local1.tip;
			_local2.visible = false;
			_local2.text = locale.loadString(GetFullScreenTipID());
			_local1.tipOrigx = (_local2.x = ((_local1.x + (_local1.width / 2)) - (_local2.width / 2)));
		}
		public function OnScaleTextFieldKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.charCode == 13){
				ProcessZoomEntry();
			};
		}
		public function PreviousPageInt():void{
			SetCurrentPage((GetCurrentPage() - 1));
		}
		public function AttachMovie(_arg1:String, _arg2:Sprite=null, _arg3:String=""):MovieClip{
			var movie:MovieClip;
			var AssetClass:Class;
			var id = _arg1;
			var parent = _arg2;
			var name = _arg3;
			try {
				AssetClass = (getDefinitionByName(id) as Class);
				movie = new (AssetClass);
				if (name.length){
					movie.name = name;
				};
				if (parent){
					parent.addChild(movie);
				};
			} catch(e:Error) {
			};
			return (movie);
		}
		public function EnableLinks():void{
			var _local1:uint;
			while (_local1 < Links.length) {
				Links[_local1].addEventListener(MouseEvent.CLICK, LinkClick, false, 0, true);
				Links[_local1].addEventListener(MouseEvent.ROLL_OVER, LinkMouseOver, false, 0, true);
				Links[_local1].addEventListener(MouseEvent.ROLL_OUT, LinkMouseOut, false, 0, true);
				_local1++;
			};
		}
		public function ProcessPageNo(){
			var _local1:String = PageNoField.text;
			SetCurrentPage(new Number(_local1));
			PageNoInitVal = PageNoField.text;
		}
		public function OnCopyMenuItemSelect(_arg1:ContextMenuEvent){
			if (!NoCopying){
				CopyText();
			};
		}
		public function OnSearchFieldFocusIn(_arg1:FocusEvent):void{
			ShowSearchPatTip(false);
		}
		public function GoToBookmark(_arg1:String, _arg2:Boolean=true){
			var _local3:Object = BMDef[_arg1];
			if (((((_local3) && ((_local3.page >= 1)))) && ((_local3.page <= totalPages)))){
				if (_arg2){
					AddToHistory(_local3);
				};
				GoToPagePos(_local3, false);
				return (true);
			};
			return (false);
		}
		public function CreateLinks(_arg1:uint):void{
			var _local3:uint;
			var _local4:Object;
			var _local5:MovieClip;
			var _local6:MovieClip;
			var _local2:Object = LinkDef[("p" + _arg1)];
			if (_local2){
				_local3 = 0;
				while (_local3 < _local2.length) {
					_local4 = _local2[_local3];
					_local5 = DocPages[(_arg1 - 1)].realMovie;
					_local6 = (_local5.getChildByName(_local4.name) as MovieClip);
					_local6.LinkURL = _local4.url;
					_local6.target = _local4.target;
					_local6.pageno = _arg1;
					_local6.useHandCursor = true;
					_local6.buttonMode = true;
					_local6.addEventListener(MouseEvent.CLICK, LinkClick, false, 0, true);
					_local6.addEventListener(MouseEvent.ROLL_OVER, LinkMouseOver, false, 0, true);
					_local6.addEventListener(MouseEvent.ROLL_OUT, LinkMouseOut, false, 0, true);
					Links.push(_local6);
					_local3++;
				};
			};
		}

	}
}//package print2flash_fla 
Section 26
//MCSlider_47 (print2flash_fla.MCSlider_47)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class MCSlider_47 extends MovieClip {

		public var SliderHandleBtn:ImgButton;

		public function MCSlider_47(){
			__setAcc_SliderHandleBtn_MCSlider_Layer1_0();
			__setTab_SliderHandleBtn_MCSlider_Layer1_0();
		}
		function __setTab_SliderHandleBtn_MCSlider_Layer1_0(){
			SliderHandleBtn.tabIndex = 0;
		}
		function __setAcc_SliderHandleBtn_MCSlider_Layer1_0(){
			SliderHandleBtn.accessibilityProperties = new AccessibilityProperties();
			SliderHandleBtn.accessibilityProperties.silent = true;
		}

	}
}//package print2flash_fla 
Section 27
//Timeline_30 (print2flash_fla.Timeline_30)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_30 extends MovieClip {

		public var ScaleTextField:TextField;

		public function Timeline_30(){
			__setAcc_ScaleTextField_();
			__setTab_ScaleTextField_();
		}
		function __setTab_ScaleTextField_(){
			ScaleTextField.tabIndex = 5;
		}
		function __setAcc_ScaleTextField_(){
			ScaleTextField.accessibilityProperties = new AccessibilityProperties();
			ScaleTextField.accessibilityProperties.name = "Zoom";
		}

	}
}//package print2flash_fla 
Section 28
//Timeline_31 (print2flash_fla.Timeline_31)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class Timeline_31 extends MovieClip {

		public var PageNoFieldMC:MovieClip;
		public var TotalPagesMC:MovieClip;

		public function Timeline_31(){
			__setAcc_TotalPagesMC_();
			__setTab_TotalPagesMC_();
			__setTab_PageNoFieldMC_();
		}
		function __setAcc_TotalPagesMC_(){
			TotalPagesMC.accessibilityProperties = new AccessibilityProperties();
			TotalPagesMC.accessibilityProperties.silent = true;
		}
		function __setTab_PageNoFieldMC_(){
			PageNoFieldMC.tabIndex = 0;
		}
		function __setTab_TotalPagesMC_(){
			TotalPagesMC.tabIndex = 0;
		}

	}
}//package print2flash_fla 
Section 29
//Timeline_32 (print2flash_fla.Timeline_32)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_32 extends MovieClip {

		public var TotalPages:TextField;

		public function Timeline_32(){
			__setAcc_TotalPages_();
			__setTab_TotalPages_();
		}
		function __setTab_TotalPages_(){
			TotalPages.tabIndex = 0;
		}
		function __setAcc_TotalPages_(){
			TotalPages.accessibilityProperties = new AccessibilityProperties();
			TotalPages.accessibilityProperties.silent = true;
		}

	}
}//package print2flash_fla 
Section 30
//Timeline_33 (print2flash_fla.Timeline_33)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_33 extends MovieClip {

		public var PageNoField:TextField;

		public function Timeline_33(){
			__setAcc_PageNoField_();
			__setTab_PageNoField_();
		}
		function __setTab_PageNoField_(){
			PageNoField.tabIndex = 9;
		}
		function __setAcc_PageNoField_(){
			PageNoField.accessibilityProperties = new AccessibilityProperties();
			PageNoField.accessibilityProperties.name = "Go to page";
		}

	}
}//package print2flash_fla 
Section 31
//Timeline_50 (print2flash_fla.Timeline_50)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_50 extends MovieClip {

		public var searchPattern:TextField;

		public function Timeline_50(){
			__setAcc_searchPattern_();
			__setTab_searchPattern_();
		}
		function __setTab_searchPattern_(){
			searchPattern.tabIndex = 11;
		}
		function __setAcc_searchPattern_(){
			searchPattern.accessibilityProperties = new AccessibilityProperties();
			searchPattern.accessibilityProperties.name = "Search";
		}

	}
}//package print2flash_fla 
Section 32
//button (button)
package {
	import flash.display.*;

	public dynamic class button extends SimpleButton {

	}
}//package 
Section 33
//Button_disabledSkin (Button_disabledSkin)
package {
	import flash.display.*;

	public dynamic class Button_disabledSkin extends MovieClip {

	}
}//package 
Section 34
//Button_downSkin (Button_downSkin)
package {
	import flash.display.*;

	public dynamic class Button_downSkin extends MovieClip {

	}
}//package 
Section 35
//Button_emphasizedSkin (Button_emphasizedSkin)
package {
	import flash.display.*;

	public dynamic class Button_emphasizedSkin extends MovieClip {

	}
}//package 
Section 36
//Button_overSkin (Button_overSkin)
package {
	import flash.display.*;

	public dynamic class Button_overSkin extends MovieClip {

	}
}//package 
Section 37
//Button_selectedDisabledSkin (Button_selectedDisabledSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedDisabledSkin extends MovieClip {

	}
}//package 
Section 38
//Button_selectedDownSkin (Button_selectedDownSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedDownSkin extends MovieClip {

	}
}//package 
Section 39
//Button_selectedOverSkin (Button_selectedOverSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedOverSkin extends MovieClip {

	}
}//package 
Section 40
//Button_selectedUpSkin (Button_selectedUpSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedUpSkin extends MovieClip {

	}
}//package 
Section 41
//Button_upSkin (Button_upSkin)
package {
	import flash.display.*;

	public dynamic class Button_upSkin extends MovieClip {

	}
}//package 
Section 42
//def_back (def_back)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_back extends MovieClip {

		public var but:manualbutton;

		public function def_back(){
			__setAcc_but_def_back_Layer2_0();
			__setTab_but_def_back_Layer2_0();
		}
		function __setAcc_but_def_back_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Back";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_back_Layer2_0(){
			but.tabIndex = 1;
		}

	}
}//package 
Section 43
//def_bgr (def_bgr)
package {
	import flash.display.*;

	public dynamic class def_bgr extends MovieClip {

	}
}//package 
Section 44
//def_forward (def_forward)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_forward extends MovieClip {

		public var but:manualbutton;

		public function def_forward(){
			__setAcc_but_def_forward_Layer2_0();
			__setTab_but_def_forward_Layer2_0();
		}
		function __setTab_but_def_forward_Layer2_0(){
			but.tabIndex = 2;
		}
		function __setAcc_but_def_forward_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Forward";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 45
//def_fullscreen (def_fullscreen)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_fullscreen extends MovieClip {

		public var but:manualbutton;

		public function def_fullscreen(){
			__setAcc_but_def_fullscreen_Layer2_0();
			__setTab_but_def_fullscreen_Layer2_0();
		}
		function __setTab_but_def_fullscreen_Layer2_0(){
			but.tabIndex = 1;
		}
		function __setAcc_but_def_fullscreen_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Back";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 46
//def_help (def_help)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_help extends MovieClip {

		public var but:manualbutton;

		public function def_help(){
			__setAcc_but_def_help_Layer2_0();
			__setTab_but_def_help_Layer2_0();
		}
		function __setAcc_but_def_help_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Help";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_help_Layer2_0(){
			but.tabIndex = 16;
		}

	}
}//package 
Section 47
//def_more (def_more)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_more extends MovieClip {

		public var but:manualbutton;

		public function def_more(){
			__setAcc_but_def_more_Layer3_0();
			__setTab_but_def_more_Layer3_0();
		}
		function __setTab_but_def_more_Layer3_0(){
			but.tabIndex = 0;
		}
		function __setAcc_but_def_more_Layer3_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.silent = true;
		}

	}
}//package 
Section 48
//def_moveMode (def_moveMode)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_moveMode extends MovieClip {

		public var but:manualbutton;

		public function def_moveMode(){
			__setAcc_but_def_moveMode_Layer2_0();
			__setTab_but_def_moveMode_Layer2_0();
		}
		function __setTab_but_def_moveMode_Layer2_0(){
			but.tabIndex = 3;
		}
		function __setAcc_but_def_moveMode_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Drag";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 49
//def_newwindow (def_newwindow)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_newwindow extends MovieClip {

		public var but:manualbutton;

		public function def_newwindow(){
			__setAcc_but_def_newwindow_Layer2_0();
			__setTab_but_def_newwindow_Layer2_0();
		}
		function __setAcc_but_def_newwindow_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Open in New Window";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_newwindow_Layer2_0(){
			but.tabIndex = 15;
		}

	}
}//package 
Section 50
//def_nextpage (def_nextpage)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_nextpage extends MovieClip {

		public var but:manualbutton;

		public function def_nextpage(){
			__setAcc_but_def_nextpage_Layer2_0();
			__setTab_but_def_nextpage_Layer2_0();
		}
		function __setTab_but_def_nextpage_Layer2_0(){
			but.tabIndex = 10;
		}
		function __setAcc_but_def_nextpage_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Next page";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 51
//def_prevpage (def_prevpage)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_prevpage extends MovieClip {

		public var but:manualbutton;

		public function def_prevpage(){
			__setAcc_but_def_prevpage_Layer2_0();
			__setTab_but_def_prevpage_Layer2_0();
		}
		function __setTab_but_def_prevpage_Layer2_0(){
			but.tabIndex = 8;
		}
		function __setAcc_but_def_prevpage_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Previous page";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 52
//def_print (def_print)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_print extends MovieClip {

		public var but:manualbutton;

		public function def_print(){
			__setAcc_but_def_print_Layer2_0();
			__setTab_but_def_print_Layer2_0();
		}
		function __setTab_but_def_print_Layer2_0(){
			but.tabIndex = 14;
		}
		function __setAcc_but_def_print_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Print";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 53
//def_rotate (def_rotate)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_rotate extends MovieClip {

		public var but:manualbutton;

		public function def_rotate(){
			__setAcc_but_def_rotate_Layer2_0();
			__setTab_but_def_rotate_Layer2_0();
		}
		function __setTab_but_def_rotate_Layer2_0(){
			but.tabIndex = 13;
		}
		function __setAcc_but_def_rotate_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Rotate";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 54
//def_scalePage (def_scalePage)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_scalePage extends MovieClip {

		public var but:manualbutton;

		public function def_scalePage(){
			__setAcc_but_def_scalePage_Layer2_0();
			__setTab_but_def_scalePage_Layer2_0();
		}
		function __setAcc_but_def_scalePage_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Fit page";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_scalePage_Layer2_0(){
			but.tabIndex = 7;
		}

	}
}//package 
Section 55
//def_scaleWidth (def_scaleWidth)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_scaleWidth extends MovieClip {

		public var but:manualbutton;

		public function def_scaleWidth(){
			__setAcc_but_def_scaleWidth_Layer2_0();
			__setTab_but_def_scaleWidth_Layer2_0();
		}
		function __setTab_but_def_scaleWidth_Layer2_0(){
			but.tabIndex = 6;
		}
		function __setAcc_but_def_scaleWidth_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Fit width";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 56
//def_selMode (def_selMode)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_selMode extends MovieClip {

		public var but:manualbutton;

		public function def_selMode(){
			__setAcc_but_def_selMode_Layer2_0();
			__setTab_but_def_selMode_Layer2_0();
		}
		function __setTab_but_def_selMode_Layer2_0(){
			but.tabIndex = 4;
		}
		function __setAcc_but_def_selMode_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Select Text";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 57
//focusRectSkin (focusRectSkin)
package {
	import flash.display.*;

	public dynamic class focusRectSkin extends MovieClip {

	}
}//package 
Section 58
//ImgButton (ImgButton)
package {
	import flash.display.*;

	public class ImgButton extends SimpleButton {

		private var upImageID;
		private var downImageID:String;

		public function SetImages(_arg1, _arg2:String){
			var _local3:MovieClip = MovieClip(root);
			upState = new ImgButtonDisplayState(_arg1, _local3);
			downState = new ImgButtonDisplayState(_arg2, _local3);
			overState = new ImgButtonDisplayState(_arg2, _local3);
			hitTestState = new Sprite();
			_local3.DrawRect(hitTestState, 0, 0, Math.max(upState.width, downState.width), Math.max(upState.height, downState.height), 0);
		}

	}
}//package 
Section 59
//ImgButtonDisplayState (ImgButtonDisplayState)
package {
	import flash.display.*;

	public class ImgButtonDisplayState extends Sprite {

		public function ImgButtonDisplayState(_arg1:String, _arg2:MovieClip){
			_arg2.AttachMovie(_arg1, this);
		}
	}
}//package 
Section 60
//manualbutton (manualbutton)
package {
	import flash.display.*;
	import flash.events.*;

	public class manualbutton extends MovieClip {

		private var canvas:Sprite;
		public var normalState:uint;// = 1

		public function manualbutton(){
			useHandCursor = (buttonMode = true);
			mouseChildren = false;
			addEventListener(MouseEvent.ROLL_OVER, onRollOver, false, 0, true);
			addEventListener(MouseEvent.ROLL_OUT, onRollOut, false, 0, true);
			addEventListener(MouseEvent.MOUSE_DOWN, onMouseDown, false, 0, true);
			addEventListener(MouseEvent.MOUSE_UP, onMouseUp, false, 0, true);
		}
		public function onMouseUp(_arg1:MouseEvent):void{
			ShowState(2);
		}
		public function onRollOut(_arg1:MouseEvent):void{
			var _local2:MovieClip = MovieClip(root);
			ShowState(normalState);
		}
		public function onRollOver(_arg1:MouseEvent):void{
			ShowState(2);
		}
		public function ShowState(_arg1:uint):void{
			var _local2:MovieClip = MovieClip(root);
			if (canvas){
				removeChild(canvas);
			};
			canvas = new Sprite();
			addChild(canvas);
			switch (_arg1){
				case 2:
					_local2.DrawRect(canvas, 0, 0, (width / scaleX), height, _local2.OverButColor, _local2.OverRectColor);
					break;
				case 3:
					_local2.DrawRect(canvas, 0, 0, (width / scaleX), height, _local2.DownButColor, _local2.DownRectColor);
					break;
			};
		}
		public function onMouseDown(_arg1:MouseEvent):void{
			ShowState(3);
		}

	}
}//package 
Section 61
//ModalScreen (ModalScreen)
package {
	import flash.display.*;

	public class ModalScreen {

		private static var container:DisplayObjectContainer;
		private static var sprite:Sprite;
		private static var object:DisplayObject;

		private static function DrawSprite(_arg1, _arg2:uint){
			sprite.graphics.beginFill(0);
			sprite.graphics.drawRect(container.x, container.y, _arg1, _arg2);
			sprite.graphics.endFill();
		}
		public static function resizeContainer(_arg1, _arg2:uint):void{
			if (sprite){
				sprite.graphics.clear();
				DrawSprite(_arg1, _arg2);
				center(_arg1, _arg2, object);
			};
		}
		public static function close(){
			container.removeChild(sprite);
			sprite = null;
		}
		private static function center(_arg1:uint, _arg2:uint, _arg3:DisplayObject):void{
			_arg3.x = ((_arg1 / 2) - (_arg3.width / 2));
			_arg3.y = ((_arg2 / 2) - (_arg3.height / 2));
		}
		public static function show(_arg1:DisplayObjectContainer, _arg2:DisplayObject, _arg3:uint, _arg4:uint){
			_arg1 = DisplayObjectContainer(_arg1.root);
			ModalScreen.container = _arg1;
			ModalScreen.object = _arg2;
			sprite = new Sprite();
			DrawSprite(_arg3, _arg4);
			sprite.addChild(_arg2);
			sprite.alpha = 0.5;
			_arg2.alpha = 2;
			_arg1.addChild(sprite);
			_arg1.setChildIndex(sprite, (_arg1.numChildren - 1));
			ModalScreen.center(_arg3, _arg4, _arg2);
		}

	}
}//package 
Section 62
//P2FLocale (P2FLocale)
package {
	import flash.system.*;

	public class P2FLocale {

		var Strings:Object;

		static var DefLanguage = "en";
		public static var LocaleArray:Object = {bs:{IDS_DRAG:"Ruka", IDS_SELTEXT:"Selektuj tekst", IDS_ZOOM:"Priblizi", IDS_FITWIDTH:"Po sirini", IDS_FITPAGE:"Po stranici", IDS_PREVPAGE:"Prosla stranica", IDS_GOTOPAGE:"Idi na stranicu", IDS_TOTPAGES:"Ukupno stranica", IDS_NEXTPAGE:"Sljedeca stranica", IDS_SCHHINT:"Kucaj ovdje da trazis", IDS_SEARCH:"Trazi", IDS_NOTFOUND:"Nije pronadjeno", IDS_ROTATE:"Rotiraj", IDS_PRINT:"Printaj", IDS_NEWWND:"Otvori u novom prozoru", IDS_HELP:"Pomoc", IDS_BACK:"Nazad", IDS_FORWARD:"Naprijed", IDS_FULLSCR:"Prikaz preko cijelog ekrana", IDS_FULLSCREXIT:"Prekini prikaz preko cijelog ekrana"}, cs:{IDS_DRAG:"Posouvání", IDS_SELTEXT:"Vybrat text", IDS_ZOOM:"Zvětšení", IDS_FITWIDTH:"Šířka stránky", IDS_FITPAGE:"Celá stránka", IDS_PREVPAGE:"Předchozí stránka", IDS_GOTOPAGE:"Přejít na stránku", IDS_TOTPAGES:"Celkem stránek", IDS_NEXTPAGE:"Další stránka", IDS_SCHHINT:"Vložte hledaný text", IDS_SEARCH:"Hledat", IDS_NOTFOUND:"Nenalezeno", IDS_ROTATE:"Otočit", IDS_PRINT:"Tisk", IDS_NEWWND:"Otevřít v novém okně", IDS_HELP:"Nápověda", IDS_BACK:"Zpět", IDS_FORWARD:"Vpřed", IDS_FULLSCR:"Celá obrazovka", IDS_FULLSCREXIT:"Ukončit režim celé obrazovky", IDS_PDTITLE:"Nastavení tisku", IDS_PDPAGES:"Strany:", IDS_PDFROM:"Od", IDS_PDTO:"Do", IDS_PDSCALING:"Měřítko stránky:", IDS_PDNOSCALE:"Žádné", IDS_PDAUTOR:"Automaticky otočit a přizpůsobit", IDS_OK:"OK", IDS_CANCEL:"Storno"}, da:{IDS_DRAG:"Træk", IDS_SELTEXT:"Vælg tekst", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Tilpas bredde", IDS_FITPAGE:"Tilpas side", IDS_PREVPAGE:"Forrige side", IDS_GOTOPAGE:"Gå til side", IDS_TOTPAGES:"Antal sider", IDS_NEXTPAGE:"Næste side", IDS_SCHHINT:"Angiv søgeord", IDS_SEARCH:"Søg", IDS_NOTFOUND:"Ikke fundet", IDS_ROTATE:"Rotér", IDS_PRINT:"Udskriv", IDS_NEWWND:"Åbn i nyt vindue", IDS_HELP:"Hjælp", IDS_BACK:"Tilbage", IDS_FORWARD:"Fremad", IDS_FULLSCR:"Fuldskærm", IDS_FULLSCREXIT:"Afslut fuldskærmstilstand"}, de:{IDS_DRAG:"Schwenken", IDS_SELTEXT:"Text auswählen", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Breite anpassen", IDS_FITPAGE:"An Ansicht anpassen", IDS_PREVPAGE:"Vorherige Seite", IDS_GOTOPAGE:"Springen zu Seite", IDS_TOTPAGES:"Gesamtseiten", IDS_NEXTPAGE:"Nächste Seite", IDS_SCHHINT:"Geben Sie hier ein um Text zu suchen", IDS_SEARCH:"Suche", IDS_NOTFOUND:"Nicht gefunden", IDS_ROTATE:"Drehen", IDS_PRINT:"Drucken", IDS_NEWWND:"In neuem Browser öffnen", IDS_HELP:"Hilfe", IDS_BACK:"Zurück", IDS_FORWARD:"Vor", IDS_FULLSCR:"Vollbild", IDS_FULLSCREXIT:"Vollbildmodus beenden", IDS_PDTITLE:"Druckeinstellungen", IDS_PDPAGES:"Seiten:", IDS_PDFROM:"Von", IDS_PDTO:"Bis", IDS_PDSCALING:"Seitenanpassung:", IDS_PDNOSCALE:"Keine", IDS_PDAUTOR:"Automatisch drehen und einpassen", IDS_OK:"OK", IDS_CANCEL:"Abbrechen"}, en:{IDS_DRAG:"Drag", IDS_SELTEXT:"Select Text", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Fit Width", IDS_FITPAGE:"Fit Page", IDS_PREVPAGE:"Previous Page", IDS_GOTOPAGE:"Go To Page", IDS_TOTPAGES:"Total Pages", IDS_NEXTPAGE:"Next Page", IDS_SCHHINT:"Type here to search", IDS_SEARCH:"Search", IDS_NOTFOUND:"Not Found", IDS_ROTATE:"Rotate", IDS_PRINT:"Print", IDS_NEWWND:"Open In New Window", IDS_HELP:"Help", IDS_BACK:"Back", IDS_FORWARD:"Forward", IDS_FULLSCR:"Full Screen", IDS_FULLSCREXIT:"Exit Full Screen Mode", IDS_PDTITLE:"Print Options", IDS_PDPAGES:"Pages:", IDS_PDFROM:"From", IDS_PDTO:"To", IDS_PDSCALING:"Scaling:", IDS_PDNOSCALE:"No scale", IDS_PDAUTOR:"Auto-Rotate and Fit", IDS_OK:"OK", IDS_CANCEL:"Cancel"}, es:{IDS_DRAG:"Desplazar", IDS_SELTEXT:"Seleccionar", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Ajustar al ancho", IDS_FITPAGE:"Ajustar al visor", IDS_PREVPAGE:"Página Anterior", IDS_GOTOPAGE:"Vaya A paginar", IDS_TOTPAGES:"Páginas Totales", IDS_NEXTPAGE:"Página Siguiente", IDS_SCHHINT:"Mecanografíe aquí a búsqueda", IDS_SEARCH:"Buscar", IDS_NOTFOUND:"No encontrado", IDS_ROTATE:"Rote", IDS_PRINT:"Imprimir", IDS_NEWWND:"Abrir en nuevo navegador", IDS_HELP:"Ayuda", IDS_BACK:"Anterior", IDS_FORWARD:"Siguiente", IDS_FULLSCR:"Pantalla completa", IDS_FULLSCREXIT:"Salir del modo pantalla completa", IDS_PDTITLE:"Imprimir", IDS_PDPAGES:"Páginas:", IDS_PDFROM:"De", IDS_PDTO:"A", IDS_PDSCALING:"Escala:", IDS_PDNOSCALE:"Sin escala", IDS_PDAUTOR:"Auto-rotar y Ajustar", IDS_OK:"OK", IDS_CANCEL:"Cancelar"}, fr:{IDS_DRAG:"Panorama", IDS_SELTEXT:"Sélectionner le texte", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Ajuster la largeur", IDS_FITPAGE:"Ajuster dans la visionneuse", IDS_PREVPAGE:"Page précédente", IDS_GOTOPAGE:" Aller a la page", IDS_TOTPAGES:"Nombre de pages", IDS_NEXTPAGE:"Prochaine page", IDS_SCHHINT:"Entrez votre question ici", IDS_SEARCH:"Rechercher", IDS_NOTFOUND:"Non trouvé", IDS_ROTATE:"Rotation", IDS_PRINT:"Imprimer", IDS_NEWWND:"Ouvrir dans une nouvelle fenêtre", IDS_HELP:"Aide", IDS_BACK:"Page précédente", IDS_FORWARD:"Page suivante", IDS_FULLSCR:"Plein écran", IDS_FULLSCREXIT:"Quitter le mode plein écran"}, hr:{IDS_DRAG:"Ruka", IDS_SELTEXT:"Selektiraj tekst", IDS_ZOOM:"Zumiraj", IDS_FITWIDTH:"Po sirini", IDS_FITPAGE:"Po stranici", IDS_PREVPAGE:"Prethodna stranica", IDS_GOTOPAGE:"Idi na stranicu", IDS_TOTPAGES:"Svega stranica", IDS_NEXTPAGE:"Sljedeca stranica", IDS_SCHHINT:"Upisi ovdje za pretragu", IDS_SEARCH:"Pretraga", IDS_NOTFOUND:"Nema rezultata", IDS_ROTATE:"Zarotiraj", IDS_PRINT:"Stampaj", IDS_NEWWND:"Otvori u novom prozoru", IDS_HELP:"Pomoc", IDS_BACK:"Nazad", IDS_FORWARD:"Naprijed", IDS_FULLSCR:"Potpuni ekran", IDS_FULLSCREXIT:"Izađi iz prikaza potpunog ekrana"}, it:{IDS_DRAG:"Trascina", IDS_SELTEXT:"Seleziona testo", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Adatta larghezza", IDS_FITPAGE:"Adatta pagina", IDS_PREVPAGE:"Pagina precedente", IDS_GOTOPAGE:"Vai a pagina", IDS_TOTPAGES:"Pagine totali", IDS_NEXTPAGE:"Pagina successiva", IDS_SCHHINT:"Testo da cercare", IDS_SEARCH:"Trova", IDS_NOTFOUND:"Testo non trovato", IDS_ROTATE:"Ruota", IDS_PRINT:"Stampa", IDS_NEWWND:"Apri in una nuova finestra", IDS_HELP:"Aiuto", IDS_BACK:"Indietro", IDS_FORWARD:"Avanti", IDS_FULLSCR:"Schermo intero", IDS_FULLSCREXIT:"Esci da schermo intero"}, ja:{IDS_DRAG:"ドラッグ", IDS_SELTEXT:"テキスト選択", IDS_ZOOM:"ズーム", IDS_FITWIDTH:"幅に合わせる", IDS_FITPAGE:"ページに合わせる", IDS_PREVPAGE:"前頁", IDS_GOTOPAGE:"ページへ", IDS_TOTPAGES:"総ページ数", IDS_NEXTPAGE:"次頁", IDS_SCHHINT:"検索する文字列を入力してください", IDS_SEARCH:"検索", IDS_NOTFOUND:"指定のものは見つかりません", IDS_ROTATE:"回転", IDS_PRINT:"印刷", IDS_NEWWND:"新しいウィンドウで開く", IDS_HELP:"ヘルプ", IDS_BACK:"前へ", IDS_FORWARD:"次へ", IDS_FULLSCR:"全画面表示", IDS_FULLSCREXIT:"全画面表示モードを閉じる", IDS_PDTITLE:"印刷オプション", IDS_PDPAGES:"ページ指定", IDS_PDFROM:"開始", IDS_PDTO:"終了", IDS_PDSCALING:"スケーリング", IDS_PDNOSCALE:"スケール無し", IDS_PDAUTOR:"自動回転とページに合わせる", IDS_OK:"印刷", IDS_CANCEL:"キャンセル"}, nl:{IDS_DRAG:"Slepen", IDS_SELTEXT:"Selecteer tekst", IDS_ZOOM:"Vergroten", IDS_FITWIDTH:"Aanpassen breedte", IDS_FITPAGE:"Aanpassen pagina", IDS_PREVPAGE:"Vorige pagina", IDS_GOTOPAGE:"Ga naar", IDS_TOTPAGES:"Totaal aantal pagina's", IDS_NEXTPAGE:"Volgende pagina", IDS_SCHHINT:"Zoekargument", IDS_SEARCH:"Zoeken", IDS_NOTFOUND:"Niet gevonden", IDS_ROTATE:"Roteren", IDS_PRINT:"Afdrukken", IDS_NEWWND:"Open in nieuw window", IDS_HELP:"Help", IDS_BACK:"Terug", IDS_FORWARD:"Vooruit", IDS_FULLSCR:"Volledig scherm", IDS_FULLSCREXIT:"Volledigschermmodus verlaten", IDS_PDTITLE:"Print Opties", IDS_PDPAGES:"Pagina’s:", IDS_PDFROM:"Van", IDS_PDTO:"Tot", IDS_PDSCALING:"Schalen:", IDS_PDNOSCALE:"Niet schalen", IDS_PDAUTOR:"Passend maken", IDS_OK:"OK", IDS_CANCEL:"Annuleer"}, pl:{IDS_DRAG:"Przeciągnij", IDS_SELTEXT:"Zaznacz tekst", IDS_ZOOM:"Zmień rozmiar", IDS_FITWIDTH:"Dopasuj szerokość", IDS_FITPAGE:"Dopasuj stronę", IDS_PREVPAGE:"Poprzednia strona", IDS_GOTOPAGE:"Przejdź do strony", IDS_TOTPAGES:"Suma stron", IDS_NEXTPAGE:"Następna strona", IDS_SCHHINT:"Wpisz tekst", IDS_SEARCH:"Szukaj", IDS_NOTFOUND:"Nie znalezionio", IDS_ROTATE:"Obróć", IDS_PRINT:"Drukuj", IDS_NEWWND:"Otwórz w nowym oknie", IDS_HELP:"Pomoc", IDS_BACK:"Do tyłu", IDS_FORWARD:"Do przodu", IDS_FULLSCR:"Tryb pełnoekranowy", IDS_FULLSCREXIT:"Opuść tryb pełnoekranowy", IDS_PDTITLE:"Opcje wydruku", IDS_PDPAGES:"Strony:", IDS_PDFROM:"Od", IDS_PDTO:"Do", IDS_PDSCALING:"Skalowanie:", IDS_PDNOSCALE:"Nie skaluj", IDS_PDAUTOR:"Autorotacja i dopasowanie", IDS_OK:"OK", IDS_CANCEL:"Anuluj"}, pt:{IDS_DRAG:"Arrastar", IDS_SELTEXT:"Selecionar Texto", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Ajustar Largura", IDS_FITPAGE:"Ajustar Página", IDS_PREVPAGE:"Página Anterior", IDS_GOTOPAGE:"Ir para Página", IDS_TOTPAGES:"Total de Páginas", IDS_NEXTPAGE:"Próxima Página", IDS_SCHHINT:"Digite aqui para Procurar", IDS_SEARCH:"Procurar", IDS_NOTFOUND:"Não Encontrado", IDS_ROTATE:"Girar", IDS_PRINT:"Imprimir", IDS_NEWWND:"Abrir em uma Nova Janela", IDS_HELP:"Ajuda", IDS_BACK:"Retroceder", IDS_FORWARD:"Avançar", IDS_FULLSCR:"Ecrã inteiro", IDS_FULLSCREXIT:"Sair de Modo de Ecrã Inteiro", IDS_PDTITLE:"Opções de Impressão", IDS_PDPAGES:"Páginas:", IDS_PDFROM:"De", IDS_PDTO:"Para", IDS_PDSCALING:"Escala:", IDS_PDNOSCALE:"Sem escala", IDS_PDAUTOR:"Rotação Automática e Ajuste", IDS_OK:"OK", IDS_CANCEL:"Cancelar"}, ru:{IDS_DRAG:"Перемещение", IDS_SELTEXT:"Выбор текста", IDS_ZOOM:"Масштаб", IDS_FITWIDTH:"По ширине страницы", IDS_FITPAGE:"Страница целиком", IDS_PREVPAGE:"Предыдущая страница", IDS_GOTOPAGE:"Перейти к странице", IDS_TOTPAGES:"Всего страниц", IDS_NEXTPAGE:"Следующая страница", IDS_SCHHINT:"Введите здесь текст для поиска", IDS_SEARCH:"Поиск", IDS_NOTFOUND:"Не найдено", IDS_ROTATE:"Поворот", IDS_PRINT:"Печать", IDS_NEWWND:"Открыть в новом окне", IDS_HELP:"Помощь", IDS_BACK:"Назад", IDS_FORWARD:"Вперёд", IDS_FULLSCR:"Полный экран", IDS_FULLSCREXIT:"Выйти из полноэкранного режима", IDS_PDTITLE:"Параметры печати", IDS_PDPAGES:"Страницы:", IDS_PDFROM:"С", IDS_PDTO:"По", IDS_PDSCALING:"Масштабирование:", IDS_PDNOSCALE:"Без масштабирования", IDS_PDAUTOR:"Повернуть и подогнать", IDS_OK:"OK", IDS_CANCEL:"Отмена"}, sr:{IDS_DRAG:"Ruka", IDS_SELTEXT:"Selektuj tekst", IDS_ZOOM:"Ublizi", IDS_FITWIDTH:"Po sirini", IDS_FITPAGE:"Po stranici", IDS_PREVPAGE:"Prethodna stranica", IDS_GOTOPAGE:"Idi na stranicu", IDS_TOTPAGES:"Svega stranica", IDS_NEXTPAGE:"Sledeca stranica", IDS_SCHHINT:"Upisi ovde za pretragu", IDS_SEARCH:"Pretraga", IDS_NOTFOUND:"Nema", IDS_ROTATE:"Zarotiraj", IDS_PRINT:"Stampa", IDS_NEWWND:"Otvori u novom prozoru", IDS_HELP:"Pomoc", IDS_BACK:"Nazad", IDS_FORWARD:"Napred", IDS_FULLSCR:"Full Screen", IDS_FULLSCREXIT:"Exit Full Screen Mode"}, sv:{IDS_DRAG:"Dra", IDS_SELTEXT:"Välj text", IDS_ZOOM:"Zooma", IDS_FITWIDTH:"Anpassa bredd", IDS_FITPAGE:"Anpassa sida", IDS_PREVPAGE:"Föregående sida", IDS_GOTOPAGE:"Gå till sidan", IDS_TOTPAGES:"Alla sidor", IDS_NEXTPAGE:"Nästa sida", IDS_SCHHINT:"Skriv in sökord här", IDS_SEARCH:"Sök", IDS_NOTFOUND:"Kan inte hittas", IDS_ROTATE:"Rotera", IDS_PRINT:"Skriv ut", IDS_NEWWND:"Öppna i nytt fönster", IDS_HELP:"Hjälp", IDS_BACK:"Tillbaka", IDS_FORWARD:"Framåt", IDS_FULLSCR:"Helskärm", IDS_FULLSCREXIT:"Avsluta helskärmsläget", IDS_PDTITLE:"Skriv ut", IDS_PDPAGES:"Sidor:", IDS_PDFROM:"Från", IDS_PDTO:"Till", IDS_PDSCALING:"Anpassningsalternativ", IDS_PDNOSCALE:"Ingen anpassning", IDS_PDAUTOR:"Auto-rotering och anpassning", IDS_OK:"OK", IDS_CANCEL:"Avbryt"}, tr:{IDS_DRAG:"Sürükle", IDS_SELTEXT:"Seç", IDS_ZOOM:"Yaklaştır", IDS_FITWIDTH:"Enine Sığdır", IDS_FITPAGE:"Sayfayı Sığdır", IDS_PREVPAGE:"Önceki Sayfa", IDS_GOTOPAGE:"Sayfaya Git", IDS_TOTPAGES:"Toplam Sayfa", IDS_NEXTPAGE:"Sonraki Sayfa", IDS_SCHHINT:"Aramak istediğiniz kelimeyi giriniz", IDS_SEARCH:"Ara", IDS_NOTFOUND:"Bulunamadı", IDS_ROTATE:"Döndür", IDS_PRINT:"Bas", IDS_NEWWND:"Yeni Pencerede Aç", IDS_HELP:"Yardım", IDS_BACK:"Geri", IDS_FORWARD:"İleri", IDS_FULLSCR:"Tam Ekran", IDS_FULLSCREXIT:"Tam Ekrandan çık", IDS_PDTITLE:"Baskı Seçenekleri", IDS_PDPAGES:"Sayfalar:", IDS_PDFROM:"", IDS_PDTO:"-", IDS_PDSCALING:"Boyutlandırma:", IDS_PDNOSCALE:"Yok", IDS_PDAUTOR:"Otomatik çevir ve sığdır", IDS_OK:"Tamam", IDS_CANCEL:"Vazgeç"}};

		public function P2FLocale(){
			var _local1:* = {IDS_DRAG:"拖曳页面", IDS_SELTEXT:"选择文本", IDS_ZOOM:"缩放", IDS_FITWIDTH:"适合宽度", IDS_FITPAGE:"适合页面", IDS_PREVPAGE:"前一页", IDS_GOTOPAGE:"前往页", IDS_TOTPAGES:"总页数", IDS_NEXTPAGE:"下一页", IDS_SCHHINT:"此处输入查询内容", IDS_SEARCH:"查询", IDS_NOTFOUND:"没有找到", IDS_ROTATE:"旋转", IDS_PRINT:"打印", IDS_NEWWND:"在新窗口打开", IDS_HELP:"帮助", IDS_BACK:"返回", IDS_FORWARD:"向前", IDS_FULLSCR:"全屏", IDS_FULLSCREXIT:"退出全屏模式", IDS_PDTITLE:"打印设置", IDS_PDPAGES:"页面:", IDS_PDFROM:"从", IDS_PDTO:"到", IDS_PDSCALING:"缩放:", IDS_PDNOSCALE:"不缩放", IDS_PDAUTOR:"自动旋转并适合页面缩放", IDS_OK:"确定", IDS_CANCEL:"取消"};
			var _local2:* = {IDS_DRAG:"拖曳頁面", IDS_SELTEXT:"選擇文字", IDS_ZOOM:"縮放", IDS_FITWIDTH:"頁面符合視窗寬度", IDS_FITPAGE:"符合完整頁面", IDS_PREVPAGE:"前一頁", IDS_GOTOPAGE:"前往頁", IDS_TOTPAGES:"總頁數", IDS_NEXTPAGE:"下一頁", IDS_SCHHINT:"輸入查詢內容", IDS_SEARCH:"查詢", IDS_NOTFOUND:"沒有找到", IDS_ROTATE:"旋轉", IDS_PRINT:"列印", IDS_NEWWND:"開啟於新視窗", IDS_HELP:"幫助", IDS_BACK:"往後", IDS_FORWARD:"往前", IDS_FULLSCR:"全螢幕", IDS_FULLSCREXIT:"離開全螢幕", IDS_PDTITLE:"列印選項", IDS_PDPAGES:"頁面:", IDS_PDFROM:"從", IDS_PDTO:"到", IDS_PDSCALING:"縮放:", IDS_PDNOSCALE:"不縮放", IDS_PDAUTOR:"自動旋轉符合頁面大小", IDS_OK:"確定", IDS_CANCEL:"取消"};
			LocaleArray["zh-CN"] = _local1;
			LocaleArray["zh-TW"] = _local2;
		}
		public function setLanguage(_arg1:String){
			if (_arg1 == "auto"){
				_arg1 = Capabilities.language;
			};
			Strings = LocaleArray[_arg1];
			if (Strings == null){
				Strings = LocaleArray[DefLanguage];
			};
		}
		public function loadString(_arg1:String):String{
			var _local2:String = Strings[_arg1];
			if (_local2 == null){
				_local2 = LocaleArray[DefLanguage][_arg1];
			};
			return (_local2);
		}

	}
}//package 
Section 63
//Page1 (Page1)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page1 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 64
//Page10 (Page10)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page10 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 65
//Page100 (Page100)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page100 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 66
//Page101 (Page101)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page101 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 67
//Page102 (Page102)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page102 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 68
//Page103 (Page103)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page103 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 69
//Page104 (Page104)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page104 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 70
//Page105 (Page105)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page105 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 71
//Page106 (Page106)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page106 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 72
//Page107 (Page107)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page107 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 73
//Page108 (Page108)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page108 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 74
//Page109 (Page109)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page109 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 75
//Page11 (Page11)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page11 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 76
//Page110 (Page110)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page110 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 77
//Page111 (Page111)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page111 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 78
//Page112 (Page112)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page112 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 79
//Page12 (Page12)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page12 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 80
//Page13 (Page13)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page13 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 81
//Page14 (Page14)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page14 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 82
//Page15 (Page15)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page15 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 83
//Page16 (Page16)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page16 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 84
//Page17 (Page17)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page17 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 85
//Page18 (Page18)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page18 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 86
//Page19 (Page19)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page19 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 87
//Page2 (Page2)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page2 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 88
//Page20 (Page20)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page20 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 89
//Page21 (Page21)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page21 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 90
//Page22 (Page22)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page22 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 91
//Page23 (Page23)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page23 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 92
//Page24 (Page24)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page24 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 93
//Page25 (Page25)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page25 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 94
//Page26 (Page26)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page26 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 95
//Page27 (Page27)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page27 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 96
//Page28 (Page28)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page28 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 97
//Page29 (Page29)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page29 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 98
//Page3 (Page3)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page3 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 99
//Page30 (Page30)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page30 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 100
//Page31 (Page31)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page31 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 101
//Page32 (Page32)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page32 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 102
//Page33 (Page33)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page33 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 103
//Page34 (Page34)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page34 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 104
//Page35 (Page35)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page35 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 105
//Page36 (Page36)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page36 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 106
//Page37 (Page37)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page37 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 107
//Page38 (Page38)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page38 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 108
//Page39 (Page39)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page39 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 109
//Page4 (Page4)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page4 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 110
//Page40 (Page40)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page40 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 111
//Page41 (Page41)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page41 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 112
//Page42 (Page42)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page42 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 113
//Page43 (Page43)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page43 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 114
//Page44 (Page44)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page44 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 115
//Page45 (Page45)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page45 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 116
//Page46 (Page46)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page46 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 117
//Page47 (Page47)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page47 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 118
//Page48 (Page48)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page48 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 119
//Page49 (Page49)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page49 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 120
//Page5 (Page5)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page5 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 121
//Page50 (Page50)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page50 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 122
//Page51 (Page51)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page51 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 123
//Page52 (Page52)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page52 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 124
//Page53 (Page53)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page53 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 125
//Page54 (Page54)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page54 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 126
//Page55 (Page55)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page55 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 127
//Page56 (Page56)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page56 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 128
//Page57 (Page57)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page57 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 129
//Page58 (Page58)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page58 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 130
//Page59 (Page59)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page59 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 131
//Page6 (Page6)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page6 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 132
//Page60 (Page60)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page60 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 133
//Page61 (Page61)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page61 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 134
//Page62 (Page62)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page62 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 135
//Page63 (Page63)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page63 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 136
//Page64 (Page64)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page64 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 137
//Page65 (Page65)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page65 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 138
//Page66 (Page66)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page66 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 139
//Page67 (Page67)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page67 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 140
//Page68 (Page68)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page68 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 141
//Page69 (Page69)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page69 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 142
//Page7 (Page7)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page7 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 143
//Page70 (Page70)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page70 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 144
//Page71 (Page71)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page71 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 145
//Page72 (Page72)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page72 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 146
//Page73 (Page73)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page73 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 147
//Page74 (Page74)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page74 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 148
//Page75 (Page75)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page75 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 149
//Page76 (Page76)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page76 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 150
//Page77 (Page77)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page77 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 151
//Page78 (Page78)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page78 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 152
//Page79 (Page79)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page79 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 153
//Page8 (Page8)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page8 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 154
//Page80 (Page80)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page80 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 155
//Page81 (Page81)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page81 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 156
//Page82 (Page82)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page82 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 157
//Page83 (Page83)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page83 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 158
//Page84 (Page84)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page84 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 159
//Page85 (Page85)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page85 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 160
//Page86 (Page86)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page86 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 161
//Page87 (Page87)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page87 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 162
//Page88 (Page88)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page88 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 163
//Page89 (Page89)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page89 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 164
//Page9 (Page9)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page9 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 165
//Page90 (Page90)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page90 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 166
//Page91 (Page91)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page91 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 167
//Page92 (Page92)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page92 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 168
//Page93 (Page93)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page93 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 169
//Page94 (Page94)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page94 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 170
//Page95 (Page95)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page95 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 171
//Page96 (Page96)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page96 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 172
//Page97 (Page97)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page97 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 173
//Page98 (Page98)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page98 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 174
//Page99 (Page99)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page99 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 175
//PrintRangeWnd (PrintRangeWnd)
package {
	import fl.controls.*;
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.text.*;
	import flash.ui.*;
	import flash.accessibility.*;

	public class PrintRangeWnd extends MovieClip {

		public var cancelBtn;
		private var active:Boolean;
		public var scalingtxt:TextField;
		public var fromtxt:TextField;
		public var pagesFrom;
		public var totxt:TextField;
		public var pagestxt:TextField;
		public var closeBtn:SimpleButton;
		private var fm:FocusManager;
		private var tabArray:Array;
		public var optNoScale;
		public var title:TextField;
		public var locale:P2FLocale;
		public var optFit:RadioButton;
		public var pagesTo:TextField;
		public var OKBtn:Button;
		public var printScaleMode:String;

		public function PrintRangeWnd(){
			pagesFrom.restrict = (pagesTo.restrict = "0-9");
			tabArray = new Array(pagesFrom, pagesTo, optNoScale, optFit, OKBtn, cancelBtn);
			addEventListener(FocusEvent.KEY_FOCUS_CHANGE, OnFocusChange, false, 0, true);
			addEventListener(KeyboardEvent.KEY_DOWN, OnKeyDown, false, 0, true);
			closeBtn.addEventListener(MouseEvent.CLICK, onCloseBtnClick, false, 0, true);
			cancelBtn.addEventListener(MouseEvent.CLICK, onCloseBtnClick, false, 0, true);
			OKBtn.addEventListener(MouseEvent.CLICK, onOKBtnClick, false, 0, true);
			__setTab_title_PrintRangeWnd_Layer1_0();
			__setTab_pagesFrom_PrintRangeWnd_Layer1_0();
			__setTab_pagesTo_PrintRangeWnd_Layer1_0();
			__setTab_OKBtn_PrintRangeWnd_Layer1_0();
			__setTab_cancelBtn_PrintRangeWnd_Layer1_0();
			__setAcc_pagesFrom_PrintRangeWnd_Layer1_0();
			__setAcc_pagesTo_PrintRangeWnd_Layer1_0();
			__setAcc_OKBtn_PrintRangeWnd_Layer1_0();
			__setAcc_cancelBtn_PrintRangeWnd_Layer1_0();
			__setProp_OKBtn_PrintRangeWnd_Layer1_0();
			__setProp_cancelBtn_PrintRangeWnd_Layer1_0();
			__setProp_optNoScale_PrintRangeWnd_Layer1_0();
			__setProp_optFit_PrintRangeWnd_Layer1_0();
		}
		private function onCloseBtnClick(_arg1:MouseEvent){
			close();
		}
		function __setProp_cancelBtn_PrintRangeWnd_Layer1_0(){
			try {
				cancelBtn["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			cancelBtn.emphasized = false;
			cancelBtn.enabled = true;
			cancelBtn.label = "";
			cancelBtn.labelPlacement = "right";
			cancelBtn.selected = false;
			cancelBtn.toggle = false;
			cancelBtn.visible = true;
			try {
				cancelBtn["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		function __setTab_pagesFrom_PrintRangeWnd_Layer1_0(){
			pagesFrom.tabIndex = 0;
		}
		function __setProp_optNoScale_PrintRangeWnd_Layer1_0(){
			try {
				optNoScale["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			optNoScale.enabled = true;
			optNoScale.groupName = "Scaling";
			optNoScale.label = "";
			optNoScale.labelPlacement = "right";
			optNoScale.selected = false;
			optNoScale.value = "";
			optNoScale.visible = true;
			try {
				optNoScale["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		function __setAcc_OKBtn_PrintRangeWnd_Layer1_0(){
			OKBtn.accessibilityProperties = new AccessibilityProperties();
			OKBtn.accessibilityProperties.name = "OK";
			OKBtn.accessibilityProperties.forceSimple = true;
		}
		function __setTab_title_PrintRangeWnd_Layer1_0(){
			title.tabIndex = 0;
		}
		function __setTab_pagesTo_PrintRangeWnd_Layer1_0(){
			pagesTo.tabIndex = 0;
		}
		private function OnKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.keyCode == Keyboard.ESCAPE){
				onCloseBtnClick(null);
			};
		}
		function __setTab_cancelBtn_PrintRangeWnd_Layer1_0(){
			cancelBtn.tabIndex = 0;
		}
		function __setAcc_pagesFrom_PrintRangeWnd_Layer1_0(){
			pagesFrom.accessibilityProperties = new AccessibilityProperties();
			pagesFrom.accessibilityProperties.name = "Pages From";
		}
		private function onOKBtnClick(_arg1:MouseEvent){
			close();
			dispatchEvent(new Event("OKResult"));
		}
		private function OnFocusChange(_arg1:FocusEvent):void{
			var _local2:int;
			if (active){
				_arg1.preventDefault();
				_local2 = tabArray.indexOf(_arg1.target);
				if (_local2 != -1){
					if (_arg1.shiftKey){
						_local2--;
					} else {
						_local2++;
					};
					if (_local2 < 0){
						_local2 = (tabArray.length - 1);
					} else {
						if (_local2 >= tabArray.length){
							_local2 = 0;
						};
					};
					fm.setFocus(tabArray[_local2]);
				};
			};
		}
		function __setAcc_cancelBtn_PrintRangeWnd_Layer1_0(){
			cancelBtn.accessibilityProperties = new AccessibilityProperties();
			cancelBtn.accessibilityProperties.name = "Cancel";
			cancelBtn.accessibilityProperties.forceSimple = true;
		}
		function __setAcc_pagesTo_PrintRangeWnd_Layer1_0(){
			pagesTo.accessibilityProperties = new AccessibilityProperties();
			pagesTo.accessibilityProperties.name = "Pages To";
		}
		function __setProp_OKBtn_PrintRangeWnd_Layer1_0(){
			try {
				OKBtn["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			OKBtn.emphasized = false;
			OKBtn.enabled = true;
			OKBtn.label = "";
			OKBtn.labelPlacement = "right";
			OKBtn.selected = false;
			OKBtn.toggle = false;
			OKBtn.visible = true;
			try {
				OKBtn["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		public function close(){
			printScaleMode = (optNoScale.selected) ? "noscale" : "fit";
			fm.deactivate();
			ModalScreen.close();
			active = false;
		}
		function __setProp_optFit_PrintRangeWnd_Layer1_0(){
			try {
				optFit["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			optFit.enabled = true;
			optFit.groupName = "Scaling";
			optFit.label = "";
			optFit.labelPlacement = "right";
			optFit.selected = false;
			optFit.value = "";
			optFit.visible = true;
			try {
				optFit["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		public function show(_arg1:DisplayObjectContainer, _arg2:uint, _arg3:uint, _arg4:uint, _arg5:uint, _arg6:String){
			title.text = locale.loadString("IDS_PDTITLE");
			pagestxt.text = locale.loadString("IDS_PDPAGES");
			fromtxt.text = locale.loadString("IDS_PDFROM");
			totxt.text = locale.loadString("IDS_PDTO");
			scalingtxt.text = locale.loadString("IDS_PDSCALING");
			optNoScale.label = locale.loadString("IDS_PDNOSCALE");
			optFit.label = locale.loadString("IDS_PDAUTOR");
			OKBtn.label = locale.loadString("IDS_OK");
			cancelBtn.label = locale.loadString("IDS_CANCEL");
			pagesFrom.text = _arg4.toString();
			pagesTo.text = _arg5.toString();
			optNoScale.selected = (optFit.selected = false);
			if (_arg6 == "noscale"){
				optNoScale.selected = true;
			} else {
				optFit.selected = true;
			};
			ModalScreen.show(_arg1, this, _arg2, _arg3);
			if (!fm){
				fm = new FocusManager(this);
				fm.defaultButton = OKBtn;
			};
			fm.activate();
			fm.setFocus(pagesFrom);
			active = true;
		}
		function __setTab_OKBtn_PrintRangeWnd_Layer1_0(){
			OKBtn.tabIndex = 0;
		}

	}
}//package 
Section 176
//RadioButton_disabledIcon (RadioButton_disabledIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_disabledIcon extends MovieClip {

	}
}//package 
Section 177
//RadioButton_downIcon (RadioButton_downIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_downIcon extends MovieClip {

	}
}//package 
Section 178
//RadioButton_overIcon (RadioButton_overIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_overIcon extends MovieClip {

	}
}//package 
Section 179
//RadioButton_selectedDisabledIcon (RadioButton_selectedDisabledIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedDisabledIcon extends MovieClip {

	}
}//package 
Section 180
//RadioButton_selectedDownIcon (RadioButton_selectedDownIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedDownIcon extends MovieClip {

	}
}//package 
Section 181
//RadioButton_selectedOverIcon (RadioButton_selectedOverIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedOverIcon extends MovieClip {

	}
}//package 
Section 182
//RadioButton_selectedUpIcon (RadioButton_selectedUpIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedUpIcon extends MovieClip {

	}
}//package 
Section 183
//RadioButton_upIcon (RadioButton_upIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_upIcon extends MovieClip {

	}
}//package 
Section 184
//ScrollArea (ScrollArea)
package {
	import flash.display.*;

	public dynamic class ScrollArea extends MovieClip {

		public var BottomArea:MovieClip;

	}
}//package 
Section 185
//ScrollArrowDown_disabledSkin (ScrollArrowDown_disabledSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_disabledSkin extends MovieClip {

	}
}//package 
Section 186
//ScrollArrowDown_downSkin (ScrollArrowDown_downSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_downSkin extends MovieClip {

	}
}//package 
Section 187
//ScrollArrowDown_overSkin (ScrollArrowDown_overSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_overSkin extends MovieClip {

	}
}//package 
Section 188
//ScrollArrowDown_upSkin (ScrollArrowDown_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_upSkin extends MovieClip {

	}
}//package 
Section 189
//ScrollArrowUp_disabledSkin (ScrollArrowUp_disabledSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_disabledSkin extends MovieClip {

	}
}//package 
Section 190
//ScrollArrowUp_downSkin (ScrollArrowUp_downSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_downSkin extends MovieClip {

	}
}//package 
Section 191
//ScrollArrowUp_overSkin (ScrollArrowUp_overSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_overSkin extends MovieClip {

	}
}//package 
Section 192
//ScrollArrowUp_upSkin (ScrollArrowUp_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_upSkin extends MovieClip {

	}
}//package 
Section 193
//ScrollBar_thumbIcon (ScrollBar_thumbIcon)
package {
	import flash.display.*;

	public dynamic class ScrollBar_thumbIcon extends MovieClip {

	}
}//package 
Section 194
//ScrollPain (ScrollPain)
package {
	import flash.events.*;
	import fl.containers.*;

	public class ScrollPain extends ScrollPane {

		override protected function endDrag(_arg1:MouseEvent):void{
			if (stage){
				stage.removeEventListener(MouseEvent.MOUSE_MOVE, doDrag);
			};
		}

	}
}//package 
Section 195
//ScrollPane_disabledSkin (ScrollPane_disabledSkin)
package {
	import flash.display.*;

	public dynamic class ScrollPane_disabledSkin extends MovieClip {

	}
}//package 
Section 196
//ScrollPane_upSkin (ScrollPane_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollPane_upSkin extends MovieClip {

	}
}//package 
Section 197
//ScrollThumb_downSkin (ScrollThumb_downSkin)
package {
	import flash.display.*;

	public dynamic class ScrollThumb_downSkin extends MovieClip {

	}
}//package 
Section 198
//ScrollThumb_overSkin (ScrollThumb_overSkin)
package {
	import flash.display.*;

	public dynamic class ScrollThumb_overSkin extends MovieClip {

	}
}//package 
Section 199
//ScrollThumb_upSkin (ScrollThumb_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollThumb_upSkin extends MovieClip {

	}
}//package 
Section 200
//ScrollTrack_skin (ScrollTrack_skin)
package {
	import flash.display.*;

	public dynamic class ScrollTrack_skin extends MovieClip {

	}
}//package 
Section 201
//Settings (Settings)
package {
	import flash.utils.*;

	public class Settings extends ByteArray {

	}
}//package 
Section 202
//Settings2_ (Settings2_)
package {
	import flash.utils.*;

	public class Settings2_ extends ByteArray {

	}
}//package 
Section 203
//Slider (Slider)
package {
	import flash.display.*;
	import flash.events.*;
	import flash.utils.*;
	import flash.geom.*;
	import flash.accessibility.*;

	public dynamic class Slider extends MovieClip {

		private var Max;
		public var SliderHandle:MovieClip;
		private var oldValue:int;
		public var SliderHandleBtn:ImgButton;
		private var Width;
		private var DragUpdateInt;
		private var Min;
		private var HandleOffset;

		public function Slider(){
			SliderHandleBtn = SliderHandle.SliderHandleBtn;
			SliderHandleBtn.tabEnabled = false;
			addEventListener(MouseEvent.MOUSE_DOWN, onMouseDown, false, 0, true);
			SliderHandleBtn.addEventListener(MouseEvent.MOUSE_DOWN, onHandlePress, false, 0, true);
			__setAcc_SliderHandle_();
			__setTab_SliderHandle_();
		}
		public function SetValue(_arg1:int):void{
			if (_arg1 > Max){
				_arg1 = Max;
			} else {
				if (_arg1 < Min){
					_arg1 = Min;
				};
			};
			SliderHandle.x = (((_arg1 - Min) / (Max - Min)) * Width);
		}
		function __setAcc_SliderHandle_(){
			SliderHandle.accessibilityProperties = new AccessibilityProperties();
			SliderHandle.accessibilityProperties.silent = true;
		}
		public function onMouseDown(_arg1:MouseEvent):void{
			var _local2:int;
			if (_arg1.target == this){
				_local2 = Math.round((Min + (((_arg1.localX - (SliderHandleBtn.width / 2)) / Width) * (Max - Min))));
				if (_local2 != GetValue()){
					SetValue(_local2);
					dispatchEvent(new Event("change"));
				};
			};
		}
		public function SetRange(_arg1:int, _arg2:int):void{
			this.Min = _arg1;
			this.Max = _arg2;
		}
		function onHandlePress(_arg1:MouseEvent):void{
			oldValue = GetValue();
			SliderHandle.startDrag(false, new Rectangle(0, HandleOffset, Width, HandleOffset));
			DragUpdateInt = setInterval(DragUpdate, 100);
			stage.addEventListener(MouseEvent.MOUSE_UP, onHandleRelease, false, 0, true);
		}
		function onHandleRelease(_arg1:MouseEvent):void{
			stage.removeEventListener(MouseEvent.MOUSE_UP, onHandleRelease);
			clearInterval(DragUpdateInt);
			SliderHandle.stopDrag();
			if (oldValue != GetValue()){
				dispatchEvent(new Event("change"));
			};
		}
		public function GetValue():int{
			return (Math.round((Min + ((SliderHandle.x / Width) * (Max - Min)))));
		}
		function __setTab_SliderHandle_(){
			SliderHandle.tabIndex = 0;
		}
		public function Init():void{
			SliderHandleBtn.SetImages("TBImage6", "TBImage5");
			Width = Math.floor((width - SliderHandleBtn.width));
			HandleOffset = SliderHandleBtn.y;
		}
		function DragUpdate():void{
			if (oldValue != GetValue()){
				oldValue = GetValue();
				dispatchEvent(new Event("change"));
			};
		}

	}
}//package 
Section 204
//TBImage1 (TBImage1)
package {
	import flash.display.*;

	public class TBImage1 extends MovieClip {

	}
}//package 

import flash.display.*;

class TBImage2 extends MovieClip {

	public function TBImage2(){
	}
}
class TBImage3 extends MovieClip {

	public function TBImage3(){
	}
}
class TBImage4 extends MovieClip {

	public function TBImage4(){
	}
}
class TBImage5 extends MovieClip {

	public function TBImage5(){
	}
}
class TBImage6 extends MovieClip {

	public function TBImage6(){
	}
}
class TBImage7 extends MovieClip {

	public function TBImage7(){
	}
}
class TBImage8 extends MovieClip {

	public function TBImage8(){
	}
}
class TBImage9 extends MovieClip {

	public function TBImage9(){
	}
}
class TBImage10 extends MovieClip {

	public function TBImage10(){
	}
}
class TBImage11 extends MovieClip {

	public function TBImage11(){
	}
}
class TBImage12 extends MovieClip {

	public function TBImage12(){
	}
}
class TBImage13 extends MovieClip {

	public function TBImage13(){
	}
}
class TBImage14 extends MovieClip {

	public function TBImage14(){
	}
}
class TBImage15 extends MovieClip {

	public function TBImage15(){
	}
}
class TBImage16 extends MovieClip {

	public function TBImage16(){
	}
}
class TBImage18 extends MovieClip {

	public function TBImage18(){
	}
}
class TBImage19 extends MovieClip {

	public function TBImage19(){
	}
}
class TBImage20 extends MovieClip {

	public function TBImage20(){
	}
}
class TBImage21 extends MovieClip {

	public function TBImage21(){
	}
}
class TBImage22 extends MovieClip {

	public function TBImage22(){
	}
}
Section 205
//textmsg (textmsg)
package {
	import flash.display.*;
	import flash.text.*;

	public dynamic class textmsg extends MovieClip {

		public var text:TextField;

	}
}//package 
Section 206
//waitmsg (waitmsg)
package {
	import flash.display.*;
	import flash.text.*;

	public dynamic class waitmsg extends MovieClip {

		public var msg:TextField;

	}
}//package

Library Items

Symbol 156 Bitmap	Used by:157
Symbol 157 Graphic	Uses:156	Used by:158
Symbol 158 MovieClip {TBImage1}	Uses:157
Symbol 159 Bitmap	Used by:160
Symbol 160 Graphic	Uses:159	Used by:161
Symbol 161 MovieClip {TBImage2}	Uses:160
Symbol 162 Bitmap	Used by:163
Symbol 163 Graphic	Uses:162	Used by:164
Symbol 164 MovieClip {TBImage3}	Uses:163
Symbol 165 Bitmap	Used by:166
Symbol 166 Graphic	Uses:165	Used by:167
Symbol 167 MovieClip {TBImage4}	Uses:166
Symbol 168 Bitmap	Used by:169
Symbol 169 Graphic	Uses:168	Used by:170
Symbol 170 MovieClip {TBImage5}	Uses:169
Symbol 171 Bitmap	Used by:172
Symbol 172 Graphic	Uses:171	Used by:173
Symbol 173 MovieClip {TBImage6}	Uses:172
Symbol 174 Bitmap	Used by:175
Symbol 175 Graphic	Uses:174	Used by:176
Symbol 176 MovieClip {TBImage7}	Uses:175
Symbol 177 Bitmap	Used by:178
Symbol 178 Graphic	Uses:177	Used by:179
Symbol 179 MovieClip {TBImage8}	Uses:178
Symbol 180 Bitmap	Used by:181
Symbol 181 Graphic	Uses:180	Used by:182
Symbol 182 MovieClip {TBImage9}	Uses:181
Symbol 183 Bitmap	Used by:184
Symbol 184 Graphic	Uses:183	Used by:185
Symbol 185 MovieClip {TBImage10}	Uses:184
Symbol 186 Bitmap	Used by:187
Symbol 187 Graphic	Uses:186	Used by:188
Symbol 188 MovieClip {TBImage11}	Uses:187
Symbol 189 Bitmap	Used by:190
Symbol 190 Graphic	Uses:189	Used by:191
Symbol 191 MovieClip {TBImage12}	Uses:190
Symbol 192 Bitmap	Used by:193
Symbol 193 Graphic	Uses:192	Used by:194
Symbol 194 MovieClip {TBImage13}	Uses:193
Symbol 195 Bitmap	Used by:196
Symbol 196 Graphic	Uses:195	Used by:197
Symbol 197 MovieClip {TBImage14}	Uses:196
Symbol 198 Bitmap	Used by:199
Symbol 199 Graphic	Uses:198	Used by:200
Symbol 200 MovieClip {TBImage15}	Uses:199
Symbol 201 Bitmap	Used by:202
Symbol 202 Graphic	Uses:201	Used by:203
Symbol 203 MovieClip {TBImage16}	Uses:202
Symbol 204 Bitmap	Used by:205
Symbol 205 Graphic	Uses:204	Used by:206
Symbol 206 MovieClip {TBImage18}	Uses:205
Symbol 207 Bitmap	Used by:208
Symbol 208 Graphic	Uses:207	Used by:209
Symbol 209 MovieClip {TBImage19}	Uses:208
Symbol 210 Bitmap	Used by:211
Symbol 211 Graphic	Uses:210	Used by:212
Symbol 212 MovieClip {TBImage20}	Uses:211
Symbol 213 Bitmap	Used by:214
Symbol 214 Graphic	Uses:213	Used by:215
Symbol 215 MovieClip {TBImage21}	Uses:214
Symbol 216 Bitmap	Used by:217
Symbol 217 Graphic	Uses:216	Used by:218
Symbol 218 MovieClip {TBImage22}	Uses:217
Symbol 219 BinaryData {Settings}
Symbol 220 BinaryData {Settings2_}
Symbol 1 Font	Used by:2
Symbol 2 EditableText	Uses:1	Used by:6
Symbol 3 Graphic	Used by:4
Symbol 4 MovieClip	Uses:3	Used by:5
Symbol 5 MovieClip	Uses:4	Used by:6
Symbol 6 MovieClip {waitmsg}	Uses:2 5
Symbol 7 Font	Used by:8 50 51 52 53 54 74 75 143 146 148 152
Symbol 8 EditableText	Uses:7	Used by:9
Symbol 9 MovieClip {textmsg}	Uses:8
Symbol 10 Graphic	Used by:11
Symbol 11 MovieClip	Uses:10	Used by:12
Symbol 12 MovieClip {ScrollArea}	Uses:11
Symbol 13 Graphic	Used by:14
Symbol 14 MovieClip	Uses:13	Used by:33 73 77 134
Symbol 15 MovieClip {fl.core.ComponentShim}	Used by:33 73 77 133 134
Symbol 16 Graphic	Used by:17
Symbol 17 MovieClip {RadioButton_upIcon}	Uses:16	Used by:33
Symbol 18 Graphic	Used by:19 28
Symbol 19 MovieClip {RadioButton_overIcon}	Uses:18	Used by:33
Symbol 20 Graphic	Used by:21 29
Symbol 21 MovieClip {RadioButton_downIcon}	Uses:20	Used by:33
Symbol 22 Graphic	Used by:23 30
Symbol 23 MovieClip {RadioButton_disabledIcon}	Uses:22	Used by:33
Symbol 24 Graphic	Used by:27
Symbol 25 Graphic	Used by:26
Symbol 26 MovieClip	Uses:25	Used by:27 28 29 30
Symbol 27 MovieClip {RadioButton_selectedUpIcon}	Uses:24 26	Used by:33
Symbol 28 MovieClip {RadioButton_selectedOverIcon}	Uses:18 26	Used by:33
Symbol 29 MovieClip {RadioButton_selectedDownIcon}	Uses:20 26	Used by:33
Symbol 30 MovieClip {RadioButton_selectedDisabledIcon}	Uses:22 26	Used by:33
Symbol 31 Graphic	Used by:32
Symbol 32 MovieClip {focusRectSkin}	Uses:31	Used by:33 73 133
Symbol 33 MovieClip {fl.controls.RadioButton}	Uses:14 15 17 19 21 23 27 28 29 30 32	Used by:76
Symbol 34 Graphic	Used by:35
Symbol 35 MovieClip	Uses:34	Used by:76
Symbol 36 Graphic	Used by:37
Symbol 37 MovieClip	Uses:36	Used by:42
Symbol 38 Graphic	Used by:39
Symbol 39 MovieClip	Uses:38	Used by:42
Symbol 40 Graphic	Used by:41
Symbol 41 MovieClip	Uses:40	Used by:42
Symbol 42 MovieClip	Uses:37 39 41	Used by:76
Symbol 43 Graphic	Used by:44
Symbol 44 MovieClip	Uses:43	Used by:49
Symbol 45 Graphic	Used by:46
Symbol 46 MovieClip	Uses:45	Used by:49
Symbol 47 Graphic	Used by:48 49
Symbol 48 MovieClip	Uses:47	Used by:49
Symbol 49 Button	Uses:44 46 48 47	Used by:76
Symbol 50 EditableText	Uses:7	Used by:76
Symbol 51 EditableText	Uses:7	Used by:76
Symbol 52 EditableText	Uses:7	Used by:76
Symbol 53 EditableText	Uses:7	Used by:76
Symbol 54 EditableText	Uses:7	Used by:76
Symbol 55 Graphic	Used by:56
Symbol 56 MovieClip {Button_disabledSkin}	Uses:55	Used by:73
Symbol 57 Graphic	Used by:58
Symbol 58 MovieClip {Button_downSkin}	Uses:57	Used by:73
Symbol 59 Graphic	Used by:60
Symbol 60 MovieClip {Button_emphasizedSkin}	Uses:59	Used by:73
Symbol 61 Graphic	Used by:62
Symbol 62 MovieClip {Button_overSkin}	Uses:61	Used by:73
Symbol 63 Graphic	Used by:64
Symbol 64 MovieClip {Button_selectedDisabledSkin}	Uses:63	Used by:73
Symbol 65 Graphic	Used by:66
Symbol 66 MovieClip {Button_selectedDownSkin}	Uses:65	Used by:73
Symbol 67 Graphic	Used by:68
Symbol 68 MovieClip {Button_selectedOverSkin}	Uses:67	Used by:73
Symbol 69 Graphic	Used by:70
Symbol 70 MovieClip {Button_selectedUpSkin}	Uses:69	Used by:73
Symbol 71 Graphic	Used by:72
Symbol 72 MovieClip {Button_upSkin}	Uses:71	Used by:73
Symbol 73 MovieClip {fl.controls.Button}	Uses:14 15 56 58 60 62 64 66 68 70 72 32	Used by:76
Symbol 74 EditableText	Uses:7	Used by:76
Symbol 75 EditableText	Uses:7	Used by:76
Symbol 76 MovieClip {PrintRangeWnd}	Uses:35 42 49 50 51 52 53 54 73 33 74 75
Symbol 77 MovieClip {fl.controls.Label}	Uses:14 15
Symbol 78 Graphic	Used by:79
Symbol 79 MovieClip {def_bgr}	Uses:78
Symbol 80 Graphic	Used by:81
Symbol 81 Button {button}	Uses:80
Symbol 82 Graphic	Used by:83
Symbol 83 MovieClip {manualbutton}	Uses:82	Used by:84 88 89 90 91 92 93 94 95 96 97 98 99 100 141
Symbol 84 MovieClip {def_fullscreen}	Uses:83	Used by:155
Symbol 85 Button {ImgButton}	Used by:86
Symbol 86 MovieClip {print2flash_fla.MCSlider_47}	Uses:85	Used by:87
Symbol 87 MovieClip {Slider}	Uses:86	Used by:155
Symbol 88 MovieClip {def_forward}	Uses:83	Used by:155
Symbol 89 MovieClip {def_back}	Uses:83	Used by:155
Symbol 90 MovieClip {def_nextpage}	Uses:83	Used by:155
Symbol 91 MovieClip {def_more}	Uses:83	Used by:155
Symbol 92 MovieClip {def_selMode}	Uses:83	Used by:155
Symbol 93 MovieClip {def_newwindow}	Uses:83	Used by:155
Symbol 94 MovieClip {def_help}	Uses:83	Used by:155
Symbol 95 MovieClip {def_rotate}	Uses:83	Used by:155
Symbol 96 MovieClip {def_prevpage}	Uses:83	Used by:155
Symbol 97 MovieClip {def_scalePage}	Uses:83	Used by:155
Symbol 98 MovieClip {def_scaleWidth}	Uses:83	Used by:155
Symbol 99 MovieClip {def_moveMode}	Uses:83	Used by:155
Symbol 100 MovieClip {def_print}	Uses:83	Used by:155
Symbol 101 Graphic	Used by:102
Symbol 102 MovieClip	Uses:101	Used by:105 106
Symbol 103 Graphic	Used by:104
Symbol 104 MovieClip	Uses:103	Used by:105 106
Symbol 105 MovieClip {ScrollPane_disabledSkin}	Uses:102 104	Used by:134
Symbol 106 MovieClip {ScrollPane_upSkin}	Uses:102 104	Used by:134
Symbol 107 Graphic	Used by:108
Symbol 108 MovieClip {ScrollTrack_skin}	Uses:107	Used by:133
Symbol 109 Graphic	Used by:112
Symbol 110 Graphic	Used by:111 114 118 127
Symbol 111 MovieClip	Uses:110	Used by:112 122 124
Symbol 112 MovieClip {ScrollArrowUp_downSkin}	Uses:109 111	Used by:133
Symbol 113 Graphic	Used by:114
Symbol 114 MovieClip {ScrollArrowDown_downSkin}	Uses:113 110	Used by:133
Symbol 115 Graphic	Used by:116
Symbol 116 MovieClip {ScrollThumb_downSkin}	Uses:115	Used by:133
Symbol 117 Graphic	Used by:118
Symbol 118 MovieClip {ScrollArrowDown_overSkin}	Uses:117 110	Used by:133
Symbol 119 Graphic	Used by:120
Symbol 120 MovieClip {ScrollThumb_overSkin}	Uses:119	Used by:133
Symbol 121 Graphic	Used by:122
Symbol 122 MovieClip {ScrollArrowUp_overSkin}	Uses:121 111	Used by:133
Symbol 123 Graphic	Used by:124 127
Symbol 124 MovieClip {ScrollArrowUp_upSkin}	Uses:123 111	Used by:133
Symbol 125 Graphic	Used by:126
Symbol 126 MovieClip {ScrollThumb_upSkin}	Uses:125	Used by:133
Symbol 127 MovieClip {ScrollArrowDown_upSkin}	Uses:123 110	Used by:133
Symbol 128 Graphic	Used by:129 130
Symbol 129 MovieClip {ScrollArrowDown_disabledSkin}	Uses:128	Used by:133
Symbol 130 MovieClip {ScrollArrowUp_disabledSkin}	Uses:128	Used by:133
Symbol 131 Graphic	Used by:132
Symbol 132 MovieClip {ScrollBar_thumbIcon}	Uses:131	Used by:133
Symbol 133 MovieClip {fl.controls.ScrollBar}	Uses:108 15 32 112 114 116 118 120 122 124 126 127 129 130 132	Used by:134
Symbol 134 MovieClip {ScrollPain}	Uses:14 15 105 106 133	Used by:Timeline
Symbol 135 MovieClip {fl.containers.ScrollPane}
Symbol 136 Graphic	Used by:137
Symbol 137 MovieClip	Uses:136	Used by:Timeline
Symbol 138 Graphic	Used by:139
Symbol 139 MovieClip	Uses:138	Used by:Timeline
Symbol 140 MovieClip	Used by:155
Symbol 141 MovieClip {print2flash_fla.def_searchbut_27}	Uses:83	Used by:155
Symbol 142 Graphic	Used by:144
Symbol 143 EditableText	Uses:7	Used by:144
Symbol 144 MovieClip {print2flash_fla.Timeline_30}	Uses:142 143	Used by:155
Symbol 145 Graphic	Used by:150
Symbol 146 EditableText	Uses:7	Used by:147
Symbol 147 MovieClip {print2flash_fla.Timeline_32}	Uses:146	Used by:150
Symbol 148 EditableText	Uses:7	Used by:149
Symbol 149 MovieClip {print2flash_fla.Timeline_33}	Uses:148	Used by:150
Symbol 150 MovieClip {print2flash_fla.Timeline_31}	Uses:145 147 149	Used by:155
Symbol 151 Graphic	Used by:153
Symbol 152 EditableText	Uses:7	Used by:153
Symbol 153 MovieClip {print2flash_fla.Timeline_50}	Uses:151 152	Used by:155
Symbol 154 MovieClip	Used by:155
Symbol 155 MovieClip {print2flash_fla._toolbar_25}	Uses:140 141 100 144 150 99 98 97 96 95 94 93 92 91 90 89 88 87 84 153 154	Used by:Timeline
Symbol 221 Graphic	Used by:235 249 266 284 304 324 349 373 405 428 446 463 478 493 512 527 544 561 578 593 607 623 638 652 667 684 701 717 731 745 760 781 805 819 833 847 863 892 906 921 935 952 966 983 997 1014 1028 1042 1056 1073 1089 1103 1120 1134 1148 1164 1179 1194 1209 1221 1233 1247 1261 1275 1290 1307 1321 1338 1352 1366 1380 1397 1414 1429 1445 1460 1476 1490 1505 1519 1536 1550 1564 1578 1592 1606 1620 1634 1651 1665 1679 1693 1709 1723 1737 1752 1766 1780 1795 1809 1823 1838 1852 1866 1875 1888 1901 1918 1934 1947 1960 1982
Symbol 222 Font	Used by:224
Symbol 223 Graphic	Used by:235
Symbol 224 EditableText	Uses:222	Used by:235
Symbol 225 Bitmap	Used by:226
Symbol 226 Graphic	Uses:225	Used by:235
Symbol 227 Font	Used by:231 1746
Symbol 228 Font	Used by:230
Symbol 229 Graphic	Used by:235
Symbol 230 EditableText	Uses:228	Used by:235
Symbol 231 Text	Uses:227 232 233 234	Used by:235
Symbol 232 Font	Used by:231
Symbol 233 Font	Used by:231
Symbol 234 Font	Used by:231
Symbol 235 MovieClip {Page1}	Uses:221 223 224 226 229 230 231
Symbol 236 Font	Used by:238
Symbol 237 Graphic	Used by:249
Symbol 238 EditableText	Uses:236	Used by:249
Symbol 239 Font	Used by:243 258 259 276 281 294 300 314 317 335 342 359 369 383 401 415 422 437 440 456 457 473 474 487 489 505 508 522 523 539 540 553 555 572 574 588 589 602 603 618 619 633 634 647 648 662 663 678 680 694 697 711 713 726 727 740 741 755 756 770 775 793 801 814 815 828 829 842 843 857 859 875 888 901 902 916 917 930 931 945 946 961 962 977 979 992 993 1007 1008 1023 1024 1037 1038 1051 1052 1066 1067 1083 1085 1098 1099 1113 1114 1129 1130 1143 1144 1158 1160 1174 1175 1189 1190 1204 1205 1219 1220 1229 1242 1243 1256 1257 1270 1271 1285 1286 1300 1301 1316 1317 1331 1332 1347 1348 1361 1362 1375 1376 1391 1393 1407 1408 1424 1425 1438 1439 1455 1456 1470 1471 1485 1486 1500 1501 1514 1515 1530 1532 1545 1546 1559 1560 1573 1574 1587 1588 1601 1602 1615 1616 1629 1630 1644 1645 1660 1661 1674 1675 1688 1689 1703 1705 1718 1719 1732 1733 1746 1748 1761 1762 1775 1776 1790 1791 1804 1805 1818 1819 1833 1834 1847 1848 1861 1862 1873 1883 1884 1896 1897 1909 1910 1926 1927 1942 1943 1955 1956 1972 1977
Symbol 240 Font	Used by:242
Symbol 241 Graphic	Used by:249
Symbol 242 EditableText	Uses:240	Used by:249
Symbol 243 Text	Uses:239 244 245 246 247 248	Used by:249
Symbol 244 Font	Used by:243 276 1873
Symbol 245 Font	Used by:243 258 294 300 342 369 437 456 473 505 522 539 553 572 588 602 618 633 647 662 678 694 711 726 740 755 770 793 814 828 842 857 888 901 916 945 961 977 1007 1023 1037 1051 1066 1083 1098 1113 1129 1143 1158 1174 1189 1204 1219 1242 1256 1331 1347 1361 1375 1391 1407 1424 1438 1455 1470 1500 1514 1530 1545 1559 1573 1615 1629 1644 1718 1732 1733 1761 1775 1790 1805 1818 1833 1847 1861 1873 1883 1896 1909 1910 1926
Symbol 246 Font	Used by:243 258 261 264 276 294 300 314 317 335 342 359 369 383 401 415 437 456 473 487 505 522 539 553 572 588 602 618 633 647 662 678 694 711 726 740 755 770 775 793 801 814 828 842 857 875 888 901 916 930 945 961 977 992 1007 1023 1037 1051 1066 1067 1083 1098 1113 1129 1143 1158 1174 1189 1204 1219 1242 1256 1270 1285 1286 1300 1316 1331 1332 1347 1361 1375 1391 1407 1424 1438 1439 1455 1456 1470 1485 1500 1514 1515 1530 1545 1559 1573 1587 1601 1615 1629 1644 1660 1674 1688 1703 1718 1732 1733 1746 1748 1761 1762 1775 1790 1804 1805 1818 1819 1833 1847 1848 1861 1873 1874 1883 1884 1896 1897 1909 1910 1912 1914 1916 1917 1926 1927 1929 1942 1943 1955
Symbol 247 Font	Used by:243 258 294 300 314 335 342 359 369 415 437 456 473 487 505 522 539 553 572 588 602 618 633 647 662 678 694 711 726 740 755 756 770 793 814 828 842 857 875 888 901 916 930 945 961 977 992 1007 1023 1037 1051 1066 1083 1098 1113 1129 1143 1158 1174 1189 1204 1219 1242 1256 1270 1300 1316 1331 1332 1347 1361 1375 1391 1407 1424 1438 1439 1455 1456 1470 1500 1514 1530 1545 1559 1573 1601 1615 1629 1644 1718 1732 1733 1746 1748 1761 1775 1790 1804 1805 1818 1833 1847 1848 1861 1873 1874 1883 1884 1896 1897 1909 1910 1926 1942
Symbol 248 Font	Used by:243 258 294 314 342 369 401 415 437 456 473 487 522 539 553 572 588 602 633 647 662 678 694 711 726 740 755 770 793 801 814 828 842 857 875 901 916 945 961 977 992 1023 1037 1051 1066 1083 1098 1113 1129 1143 1158 1174 1189 1204 1219 1242 1270 1285 1300 1316 1347 1391 1407 1424 1438 1455 1470 1485 1500 1514 1530 1545 1559 1573 1587 1601 1615 1629 1644 1703 1718 1732 1733 1746 1761 1775 1790 1804 1805 1818 1833 1847 1848 1873 1874 1883 1884 1896 1897 1909 1926 1927 1942 1943 1955
Symbol 249 MovieClip {Page2}	Uses:221 237 238 241 242 243
Symbol 250 Font	Used by:252
Symbol 251 Graphic	Used by:266
Symbol 252 EditableText	Uses:250	Used by:266
Symbol 253 Graphic	Used by:266
Symbol 254 Font	Used by:258 294 314 335 359 383 415 437 456 473 487 505 522 539 553 572 588 602 618 633 647 662 678 694 711 726 740 755 770 793 801 814 828 842 857 875 888 901 916 930 945 961 977 992 1007 1023 1037 1051 1066 1083 1098 1113 1129 1143 1158 1174 1189 1204 1219 1242 1256 1270 1285 1300 1316 1331 1347 1361 1375 1391 1407 1424 1438 1455 1470 1485 1500 1514 1530 1545 1559 1573 1587 1601 1615 1629 1644 1660 1674 1688 1703 1718 1732 1746 1761 1775 1790 1804 1818 1833 1847 1861 1883 1896 1909 1926 1942 1955
Symbol 255 Font	Used by:257
Symbol 256 Graphic	Used by:266
Symbol 257 EditableText	Uses:255	Used by:266
Symbol 258 Text	Uses:254 239 246 248 247 245	Used by:266
Symbol 259 Text	Uses:239	Used by:266
Symbol 260 Graphic	Used by:266
Symbol 261 Text	Uses:246 262	Used by:266
Symbol 262 Font	Used by:261 265 302 303 320 322 323 347 348 371 372 403 404 426 427 437 442 444 445 456 459 461 462 474 476 477 491 492 510 511 523 525 526 542 543 557 559 560 576 577 591 592 605 606 621 622 636 637 650 651 665 666 682 683 699 700 715 716 729 730 743 744 758 759 775 779 780 793 803 804 817 818 831 832 845 846 859 861 862 890 891 904 905 919 920 933 934 948 950 951 964 965 977 981 982 995 996 1010 1012 1013 1026 1027 1040 1041 1054 1055 1069 1071 1072 1087 1088 1098 1101 1102 1116 1118 1119 1129 1132 1133 1146 1147 1162 1163 1177 1178 1192 1193 1207 1208 1231 1232 1245 1246 1259 1260 1273 1274 1288 1289 1303 1305 1306 1319 1320 1334 1336 1337 1350 1351 1364 1365 1376 1378 1379 1391 1395 1396 1410 1412 1413 1427 1428 1441 1443 1444 1458 1459 1474 1475 1488 1489 1500 1501 1503 1504 1517 1518 1534 1535 1548 1549 1560 1562 1563 1576 1577 1590 1591 1604 1605 1618 1619 1632 1633 1647 1649 1650 1663 1664 1677 1678 1691 1692 1707 1708 1721 1722 1735 1736 1750 1751 1764 1765 1778 1779 1793 1794 1807 1808 1818 1821 1822 1836 1837 1850 1851 1864 1865 1873 1883 1886 1887 1896 1899 1900 1909 1912 1917 1926 1927 1929 1930 1932 1933 1945 1946 1956 1958 1959
Symbol 263 Graphic	Used by:266
Symbol 264 Text	Uses:246	Used by:266
Symbol 265 Text	Uses:262	Used by:266
Symbol 266 MovieClip {Page3}	Uses:221 251 252 253 256 257 258 259 260 261 263 264 265
Symbol 267 Font	Used by:269
Symbol 268 Graphic	Used by:284
Symbol 269 EditableText	Uses:267	Used by:284
Symbol 270 Bitmap	Used by:271
Symbol 271 Graphic	Uses:270	Used by:284
Symbol 272 Graphic	Used by:284
Symbol 273 Font	Used by:275
Symbol 274 Graphic	Used by:284
Symbol 275 EditableText	Uses:273	Used by:284
Symbol 276 Text	Uses:239 244 277 278 246 279 280	Used by:284
Symbol 277 Font	Used by:276 300 314 342 369 401 437 456 487 522 539 553 572 602 633 662 711 726 828 930 992 1066 1143 1158 1174 1189 1204 1256 1270 1316 1331 1347 1407 1424 1438 1455 1470 1485 1514 1530 1545 1559 1573 1587 1601 1629 1703 1718 1732 1746 1761 1804 1805 1818 1847
Symbol 278 Font	Used by:276 300 314 342 369 401 437 456 522 539 553 602 633 662 711 726 828 930 992 1066 1143 1174 1189 1204 1256 1270 1316 1331 1347 1407 1424 1438 1455 1470 1485 1514 1530 1545 1559 1573 1587 1601 1629 1703 1718 1732 1746 1761 1804 1818 1847
Symbol 279 Font	Used by:276 300 302 314 338 340 361 363 365 371 388 391 401 403 417 420 422 456 473 487 505 522 539 553 572 588 618 633 662 678 694 711 726 740 755 770 772 777 793 797 799 803 857 886 888 890 916 930 945 977 1007 1037 1051 1066 1083 1098 1113 1158 1190 1204 1219 1220 1285 1300 1331 1361 1391 1395 1424 1438 1470 1485 1500 1514 1530 1703 1718 1732 1775 1818 1833
Symbol 280 Font	Used by:276 281 294 300 314 317 335 342 363 369 401 415 422 437 440 456 457 473 474 487 489 505 508 522 523 539 540 553 555 572 574 588 589 602 603 618 619 633 634 647 648 662 663 678 680 694 697 711 713 726 727 740 741 755 756 770 775 793 797 801 814 815 828 829 842 843 857 859 875 886 888 901 902 916 917 930 931 945 946 961 962 977 979 992 993 1007 1008 1023 1024 1037 1038 1051 1052 1066 1067 1083 1085 1098 1099 1113 1114 1129 1130 1143 1144 1158 1160 1174 1175 1189 1190 1204 1205 1219 1220 1242 1243 1256 1257 1270 1271 1285 1286 1300 1301 1316 1317 1331 1332 1347 1348 1361 1362 1375 1376 1391 1393 1407 1408 1424 1425 1438 1439 1455 1456 1470 1471 1485 1486 1500 1501 1514 1515 1530 1532 1545 1546 1559 1560 1573 1574 1587 1588 1601 1602 1615 1616 1629 1630 1644 1645 1703 1705 1718 1719 1732 1733 1746 1748 1761 1762 1775 1776 1790 1791 1818 1819 1833 1834 1847 1848 1861 1862
Symbol 281 Text	Uses:239 280 282 283	Used by:284
Symbol 282 Font	Used by:281 300 317 342 401 422 440 457 474 489 508 523 540 553 555 574 589 603 619 634 648 663 680 697 713 727 741 756 775 801 814 815 829 842 843 859 888 902 917 930 931 945 946 962 977 979 992 993 1008 1024 1037 1038 1051 1052 1067 1083 1085 1099 1114 1129 1130 1144 1160 1175 1190 1205 1220 1243 1257 1271 1286 1301 1317 1332 1348 1362 1375 1376 1391 1393 1408 1425 1439 1456 1471 1486 1501 1515 1532 1546 1560 1574 1588 1601 1602 1616 1630 1645 1703 1705 1718 1719 1733 1748 1762 1776 1791 1819 1834 1848
Symbol 283 Font	Used by:281 300 317 342 369 401 422 440 457 474 489 508 523 540 553 555 574 589 603 619 634 648 663 680 697 713 727 741 756 775 801 814 815 829 842 843 859 888 902 917 930 931 945 946 962 977 979 992 993 1008 1024 1037 1038 1051 1052 1067 1083 1085 1099 1114 1129 1130 1144 1160 1175 1190 1205 1220 1243 1257 1271 1286 1301 1317 1332 1348 1362 1375 1376 1391 1393 1408 1425 1439 1456 1471 1486 1501 1515 1532 1546 1560 1574 1588 1601 1602 1616 1630 1645 1703 1705 1718 1719 1733 1748 1762 1776 1791 1819 1834 1848 1862
Symbol 284 MovieClip {Page4}	Uses:221 268 269 271 272 274 275 276 281
Symbol 285 Font	Used by:287
Symbol 286 Graphic	Used by:304
Symbol 287 EditableText	Uses:285	Used by:304
Symbol 288 Bitmap	Used by:289
Symbol 289 Graphic	Uses:288	Used by:304
Symbol 290 Graphic	Used by:304
Symbol 291 Font	Used by:293
Symbol 292 Graphic	Used by:304
Symbol 293 EditableText	Uses:291	Used by:304
Symbol 294 Text	Uses:254 246 239 247 280 245 248 295	Used by:304
Symbol 295 Font	Used by:294 300 383 388 397 422 801 888
Symbol 296 Font	Used by:297 298 299 336 337 339 341 346 360 362 364 368 386 387 389 394 399 416 418 419 421 425 771 773 774 778 794 795 796 798 800 876 877 878 881 884 887
Symbol 297 Text	Uses:296	Used by:304
Symbol 298 Text	Uses:296	Used by:304
Symbol 299 Text	Uses:296	Used by:304
Symbol 300 Text	Uses:279 280 295 239 277 278 246 245 247 282 283	Used by:304
Symbol 301 Graphic	Used by:304
Symbol 302 Text	Uses:279 262	Used by:304
Symbol 303 Text	Uses:262	Used by:304
Symbol 304 MovieClip {Page5}	Uses:221 286 287 289 290 292 293 294 297 298 299 300 301 302 303
Symbol 305 Font	Used by:307
Symbol 306 Graphic	Used by:324
Symbol 307 EditableText	Uses:305	Used by:324
Symbol 308 Bitmap	Used by:309
Symbol 309 Graphic	Uses:308	Used by:324
Symbol 310 Graphic	Used by:324
Symbol 311 Font	Used by:313
Symbol 312 Graphic	Used by:324
Symbol 313 EditableText	Uses:311	Used by:324
Symbol 314 Text	Uses:254 246 239 280 279 247 315 316 277 278 248	Used by:324
Symbol 315 Font	Used by:314 572 678 755 1066 1158 1219 1530
Symbol 316 Font	Used by:314 363 473 755 857 886 1083 1158 1703 1972 1974 1976 1979
Symbol 317 Text	Uses:246 239 280 282 283 318	Used by:324
Symbol 318 Font	Used by:317 342 369 401 422 440 457 474 508 523 540 555 574 589 603 619 634 648 663 680 697 713 727 741 756 775 801 815 829 842 843 859 888 902 930 931 945 946 962 977 979 992 993 1008 1024 1037 1038 1052 1067 1085 1099 1130 1144 1175 1205 1220 1243 1257 1271 1348 1362 1375 1393 1439 1471 1515 1532 1546 1560 1574 1601 1602 1630 1645 1703 1705 1718 1719 1733 1748 1762 1819
Symbol 319 Graphic	Used by:324
Symbol 320 Text	Uses:262	Used by:324
Symbol 321 Graphic	Used by:324
Symbol 322 Text	Uses:262	Used by:324
Symbol 323 Text	Uses:262	Used by:324
Symbol 324 MovieClip {Page6}	Uses:221 306 307 309 310 312 313 314 317 319 320 321 322 323
Symbol 325 Font	Used by:327
Symbol 326 Graphic	Used by:349
Symbol 327 EditableText	Uses:325	Used by:349
Symbol 328 Bitmap	Used by:330
Symbol 329 Bitmap	Used by:330
Symbol 330 Graphic	Uses:328 329	Used by:349
Symbol 331 Graphic	Used by:349
Symbol 332 Font	Used by:334
Symbol 333 Graphic	Used by:349
Symbol 334 EditableText	Uses:332	Used by:349
Symbol 335 Text	Uses:254 246 239 280 247	Used by:349
Symbol 336 Text	Uses:296	Used by:349
Symbol 337 Text	Uses:296	Used by:349
Symbol 338 Text	Uses:279	Used by:349
Symbol 339 Text	Uses:296	Used by:349
Symbol 340 Text	Uses:279	Used by:349
Symbol 341 Text	Uses:296	Used by:349
Symbol 342 Text	Uses:239 277 278 246 248 280 247 245 282 283 343 318 344	Used by:349
Symbol 343 Font	Used by:342 369 422 440 553 555 815 962 979 1085 1175 1220 1243 1471 1532 1601 1602 1645 1718 1719 1748 1762 1776 1862
Symbol 344 Font	Used by:342 422 553 815 962 977 979 1051 1085 1220 1243 1286 1393 1425 1471 1532 1602 1718 1762 1791
Symbol 345 Graphic	Used by:349
Symbol 346 Text	Uses:296	Used by:349
Symbol 347 Text	Uses:262	Used by:349
Symbol 348 Text	Uses:262	Used by:349
Symbol 349 MovieClip {Page7}	Uses:221 326 327 330 331 333 334 335 336 337 338 339 340 341 342 345 346 347 348
Symbol 350 Font	Used by:352
Symbol 351 Graphic	Used by:373
Symbol 352 EditableText	Uses:350	Used by:373
Symbol 353 Bitmap	Used by:354
Symbol 354 Graphic	Uses:353	Used by:373
Symbol 355 Graphic	Used by:373
Symbol 356 Font	Used by:358
Symbol 357 Graphic	Used by:373
Symbol 358 EditableText	Uses:356	Used by:373
Symbol 359 Text	Uses:254 246 239 247	Used by:373
Symbol 360 Text	Uses:296	Used by:373
Symbol 361 Text	Uses:279	Used by:373
Symbol 362 Text	Uses:296	Used by:373
Symbol 363 Text	Uses:279 316 280	Used by:373
Symbol 364 Text	Uses:296	Used by:373
Symbol 365 Text	Uses:279 366 367	Used by:373
Symbol 366 Font	Used by:365
Symbol 367 Font	Used by:365
Symbol 368 Text	Uses:296	Used by:373
Symbol 369 Text	Uses:239 277 278 246 248 247 245 280 283 318 343	Used by:373
Symbol 370 Graphic	Used by:373
Symbol 371 Text	Uses:279 262	Used by:373
Symbol 372 Text	Uses:262	Used by:373
Symbol 373 MovieClip {Page8}	Uses:221 351 352 354 355 357 358 359 360 361 362 363 364 365 368 369 370 371 372
Symbol 374 Font	Used by:376
Symbol 375 Graphic	Used by:405
Symbol 376 EditableText	Uses:374	Used by:405
Symbol 377 Bitmap	Used by:378
Symbol 378 Graphic	Uses:377	Used by:405
Symbol 379 Graphic	Used by:405
Symbol 380 Font	Used by:382
Symbol 381 Graphic	Used by:405
Symbol 382 EditableText	Uses:380	Used by:405
Symbol 383 Text	Uses:254 246 239 295	Used by:405
Symbol 384 Font	Used by:385 390
Symbol 385 Text	Uses:384	Used by:405
Symbol 386 Text	Uses:296	Used by:405
Symbol 387 Text	Uses:296	Used by:405
Symbol 388 Text	Uses:295 279	Used by:405
Symbol 389 Text	Uses:296	Used by:405
Symbol 390 Text	Uses:384	Used by:405
Symbol 391 Text	Uses:279 392 393	Used by:405
Symbol 392 Font	Used by:391 420 755 1974 1976 1979 1981
Symbol 393 Font	Used by:391 420 437 977
Symbol 394 Text	Uses:296	Used by:405
Symbol 395 Font	Used by:396 398
Symbol 396 Text	Uses:395	Used by:405
Symbol 397 Text	Uses:295	Used by:405
Symbol 398 Text	Uses:395	Used by:405
Symbol 399 Text	Uses:296	Used by:405
Symbol 400 Font	Used by:401 422
Symbol 401 Text	Uses:400 279 239 277 278 246 248 280 282 283 318	Used by:405
Symbol 402 Graphic	Used by:405
Symbol 403 Text	Uses:279 262	Used by:405
Symbol 404 Text	Uses:262	Used by:405
Symbol 405 MovieClip {Page9}	Uses:221 375 376 378 379 381 382 383 385 386 387 388 389 390 391 394 396 397 398 399 401 402 403 404
Symbol 406 Font	Used by:408
Symbol 407 Graphic	Used by:428
Symbol 408 EditableText	Uses:406	Used by:428
Symbol 409 Bitmap	Used by:410
Symbol 410 Graphic	Uses:409	Used by:428
Symbol 411 Graphic	Used by:428
Symbol 412 Font	Used by:414
Symbol 413 Graphic	Used by:428
Symbol 414 EditableText	Uses:412	Used by:428
Symbol 415 Text	Uses:254 246 239 247 248 280	Used by:428
Symbol 416 Text	Uses:296	Used by:428
Symbol 417 Text	Uses:279	Used by:428
Symbol 418 Text	Uses:296	Used by:428
Symbol 419 Text	Uses:296	Used by:428
Symbol 420 Text	Uses:279 392 393	Used by:428
Symbol 421 Text	Uses:296	Used by:428
Symbol 422 Text	Uses:279 400 295 423 239 280 283 318 343 344 282	Used by:428
Symbol 423 Font	Used by:422 678 977 1007 1219
Symbol 424 Graphic	Used by:428
Symbol 425 Text	Uses:296	Used by:428
Symbol 426 Text	Uses:262	Used by:428
Symbol 427 Text	Uses:262	Used by:428
Symbol 428 MovieClip {Page10}	Uses:221 407 408 410 411 413 414 415 416 417 418 419 420 421 422 424 425 426 427
Symbol 429 Font	Used by:431
Symbol 430 Graphic	Used by:446
Symbol 431 EditableText	Uses:429	Used by:446
Symbol 432 Graphic	Used by:446
Symbol 433 Graphic	Used by:446
Symbol 434 Font	Used by:436
Symbol 435 Graphic	Used by:446
Symbol 436 EditableText	Uses:434	Used by:446
Symbol 437 Text	Uses:254 246 239 277 278 245 247 248 280 438 262 393 439	Used by:446
Symbol 438 Font	Used by:437 977 1873 1896 1909 1926
Symbol 439 Font	Used by:437
Symbol 440 Text	Uses:239 280 282 283 343 318	Used by:446
Symbol 441 Graphic	Used by:446
Symbol 442 Text	Uses:262	Used by:446
Symbol 443 Graphic	Used by:446
Symbol 444 Text	Uses:262	Used by:446
Symbol 445 Text	Uses:262	Used by:446
Symbol 446 MovieClip {Page11}	Uses:221 430 431 432 433 435 436 437 440 441 442 443 444 445
Symbol 447 Font	Used by:449
Symbol 448 Graphic	Used by:463
Symbol 449 EditableText	Uses:447	Used by:463
Symbol 450 Bitmap	Used by:451
Symbol 451 Graphic	Uses:450	Used by:463
Symbol 452 Graphic	Used by:463
Symbol 453 Font	Used by:455
Symbol 454 Graphic	Used by:463
Symbol 455 EditableText	Uses:453	Used by:463
Symbol 456 Text	Uses:254 246 239 245 247 277 278 248 280 279 262	Used by:463
Symbol 457 Text	Uses:280 282 283 318 239	Used by:463
Symbol 458 Graphic	Used by:463
Symbol 459 Text	Uses:262	Used by:463
Symbol 460 Graphic	Used by:463
Symbol 461 Text	Uses:262	Used by:463
Symbol 462 Text	Uses:262	Used by:463
Symbol 463 MovieClip {Page12}	Uses:221 448 449 451 452 454 455 456 457 458 459 460 461 462
Symbol 464 Font	Used by:466
Symbol 465 Graphic	Used by:478
Symbol 466 EditableText	Uses:464	Used by:478
Symbol 467 Bitmap	Used by:468
Symbol 468 Graphic	Uses:467	Used by:478
Symbol 469 Graphic	Used by:478
Symbol 470 Font	Used by:472
Symbol 471 Graphic	Used by:478
Symbol 472 EditableText	Uses:470	Used by:478
Symbol 473 Text	Uses:254 246 239 280 247 248 245 279 316	Used by:478
Symbol 474 Text	Uses:239 280 282 283 318 262	Used by:478
Symbol 475 Graphic	Used by:478
Symbol 476 Text	Uses:262	Used by:478
Symbol 477 Text	Uses:262	Used by:478
Symbol 478 MovieClip {Page13}	Uses:221 465 466 468 469 471 472 473 474 475 476 477
Symbol 479 Font	Used by:481
Symbol 480 Graphic	Used by:493
Symbol 481 EditableText	Uses:479	Used by:493
Symbol 482 Graphic	Used by:493
Symbol 483 Graphic	Used by:493
Symbol 484 Font	Used by:486
Symbol 485 Graphic	Used by:493
Symbol 486 EditableText	Uses:484	Used by:493
Symbol 487 Text	Uses:254 246 239 247 248 280 488 277 279	Used by:493
Symbol 488 Font	Used by:487 1158
Symbol 489 Text	Uses:239 280 282 283	Used by:493
Symbol 490 Graphic	Used by:493
Symbol 491 Text	Uses:262	Used by:493
Symbol 492 Text	Uses:262	Used by:493
Symbol 493 MovieClip {Page14}	Uses:221 480 481 482 483 485 486 487 489 490 491 492
Symbol 494 Font	Used by:496
Symbol 495 Graphic	Used by:512
Symbol 496 EditableText	Uses:494	Used by:512
Symbol 497 Bitmap	Used by:500
Symbol 498 Bitmap	Used by:500
Symbol 499 Bitmap	Used by:500
Symbol 500 Graphic	Uses:497 498 499	Used by:512
Symbol 501 Graphic	Used by:512
Symbol 502 Font	Used by:504
Symbol 503 Graphic	Used by:512
Symbol 504 EditableText	Uses:502	Used by:512
Symbol 505 Text	Uses:254 246 239 247 280 279 506 245 507	Used by:512
Symbol 506 Font	Used by:505 539 572 618 633 662 678 711 793 977 1219 1391 1470 1530
Symbol 507 Font	Used by:505 539 694 755 977 1500
Symbol 508 Text	Uses:280 282 283 318 239	Used by:512
Symbol 509 Graphic	Used by:512
Symbol 510 Text	Uses:262	Used by:512
Symbol 511 Text	Uses:262	Used by:512
Symbol 512 MovieClip {Page15}	Uses:221 495 496 500 501 503 504 505 508 509 510 511
Symbol 513 Font	Used by:515
Symbol 514 Graphic	Used by:527
Symbol 515 EditableText	Uses:513	Used by:527
Symbol 516 Bitmap	Used by:517
Symbol 517 Graphic	Uses:516	Used by:527
Symbol 518 Graphic	Used by:527
Symbol 519 Font	Used by:521
Symbol 520 Graphic	Used by:527
Symbol 521 EditableText	Uses:519	Used by:527
Symbol 522 Text	Uses:254 246 239 277 278 247 280 245 279 248	Used by:527
Symbol 523 Text	Uses:239 280 282 283 318 262	Used by:527
Symbol 524 Graphic	Used by:527
Symbol 525 Text	Uses:262	Used by:527
Symbol 526 Text	Uses:262	Used by:527
Symbol 527 MovieClip {Page16}	Uses:221 514 515 517 518 520 521 522 523 524 525 526
Symbol 528 Font	Used by:530
Symbol 529 Graphic	Used by:544
Symbol 530 EditableText	Uses:528	Used by:544
Symbol 531 Bitmap	Used by:534
Symbol 532 Bitmap	Used by:534
Symbol 533 Bitmap	Used by:534
Symbol 534 Graphic	Uses:531 532 533	Used by:544
Symbol 535 Graphic	Used by:544
Symbol 536 Font	Used by:538
Symbol 537 Graphic	Used by:544
Symbol 538 EditableText	Uses:536	Used by:544
Symbol 539 Text	Uses:254 246 239 279 280 506 277 278 247 245 248 507	Used by:544
Symbol 540 Text	Uses:239 280 282 283 318	Used by:544
Symbol 541 Graphic	Used by:544
Symbol 542 Text	Uses:262	Used by:544
Symbol 543 Text	Uses:262	Used by:544
Symbol 544 MovieClip {Page17}	Uses:221 529 530 534 535 537 538 539 540 541 542 543
Symbol 545 Font	Used by:547
Symbol 546 Graphic	Used by:561
Symbol 547 EditableText	Uses:545	Used by:561
Symbol 548 Graphic	Used by:561
Symbol 549 Graphic	Used by:561
Symbol 550 Font	Used by:552
Symbol 551 Graphic	Used by:561
Symbol 552 EditableText	Uses:550	Used by:561
Symbol 553 Text	Uses:254 246 239 277 278 554 247 245 280 248 279 282 344 343 283	Used by:561
Symbol 554 Font	Used by:553 828 992 1066 1143 1189 1256 1316
Symbol 555 Text	Uses:280 282 283 343 318 239	Used by:561
Symbol 556 Graphic	Used by:561
Symbol 557 Text	Uses:262	Used by:561
Symbol 558 Graphic	Used by:561
Symbol 559 Text	Uses:262	Used by:561
Symbol 560 Text	Uses:262	Used by:561
Symbol 561 MovieClip {Page18}	Uses:221 546 547 548 549 551 552 553 555 556 557 558 559 560
Symbol 562 Font	Used by:564
Symbol 563 Graphic	Used by:578
Symbol 564 EditableText	Uses:562	Used by:578
Symbol 565 Bitmap	Used by:567
Symbol 566 Bitmap	Used by:567
Symbol 567 Graphic	Uses:565 566	Used by:578
Symbol 568 Graphic	Used by:578
Symbol 569 Font	Used by:571
Symbol 570 Graphic	Used by:578
Symbol 571 EditableText	Uses:569	Used by:578
Symbol 572 Text	Uses:254 246 239 279 506 247 280 277 573 245 248 315	Used by:578
Symbol 573 Font	Used by:572
Symbol 574 Text	Uses:280 282 283 318 239	Used by:578
Symbol 575 Graphic	Used by:578
Symbol 576 Text	Uses:262	Used by:578
Symbol 577 Text	Uses:262	Used by:578
Symbol 578 MovieClip {Page19}	Uses:221 563 564 567 568 570 571 572 574 575 576 577
Symbol 579 Font	Used by:581
Symbol 580 Graphic	Used by:593
Symbol 581 EditableText	Uses:579	Used by:593
Symbol 582 Bitmap	Used by:583
Symbol 583 Graphic	Uses:582	Used by:593
Symbol 584 Graphic	Used by:593
Symbol 585 Font	Used by:587
Symbol 586 Graphic	Used by:593
Symbol 587 EditableText	Uses:585	Used by:593
Symbol 588 Text	Uses:254 246 239 280 248 247 245 279	Used by:593
Symbol 589 Text	Uses:239 280 282 283 318	Used by:593
Symbol 590 Graphic	Used by:593
Symbol 591 Text	Uses:262	Used by:593
Symbol 592 Text	Uses:262	Used by:593
Symbol 593 MovieClip {Page20}	Uses:221 580 581 583 584 586 587 588 589 590 591 592
Symbol 594 Font	Used by:596
Symbol 595 Graphic	Used by:607
Symbol 596 EditableText	Uses:594	Used by:607
Symbol 597 Graphic	Used by:607
Symbol 598 Graphic	Used by:607
Symbol 599 Font	Used by:601
Symbol 600 Graphic	Used by:607
Symbol 601 EditableText	Uses:599	Used by:607
Symbol 602 Text	Uses:254 246 239 277 278 247 245 248 280	Used by:607
Symbol 603 Text	Uses:239 280 282 283 318	Used by:607
Symbol 604 Graphic	Used by:607
Symbol 605 Text	Uses:262	Used by:607
Symbol 606 Text	Uses:262	Used by:607
Symbol 607 MovieClip {Page21}	Uses:221 595 596 597 598 600 601 602 603 604 605 606
Symbol 608 Font	Used by:610
Symbol 609 Graphic	Used by:623
Symbol 610 EditableText	Uses:608	Used by:623
Symbol 611 Bitmap	Used by:613
Symbol 612 Bitmap	Used by:613
Symbol 613 Graphic	Uses:611 612	Used by:623
Symbol 614 Graphic	Used by:623
Symbol 615 Font	Used by:617
Symbol 616 Graphic	Used by:623
Symbol 617 EditableText	Uses:615	Used by:623
Symbol 618 Text	Uses:254 246 239 279 506 280 245 247	Used by:623
Symbol 619 Text	Uses:280 282 283 318 239	Used by:623
Symbol 620 Graphic	Used by:623
Symbol 621 Text	Uses:262	Used by:623
Symbol 622 Text	Uses:262	Used by:623
Symbol 623 MovieClip {Page22}	Uses:221 609 610 613 614 616 617 618 619 620 621 622
Symbol 624 Font	Used by:626
Symbol 625 Graphic	Used by:638
Symbol 626 EditableText	Uses:624	Used by:638
Symbol 627 Bitmap	Used by:628
Symbol 628 Graphic	Uses:627	Used by:638
Symbol 629 Graphic	Used by:638
Symbol 630 Font	Used by:632
Symbol 631 Graphic	Used by:638
Symbol 632 EditableText	Uses:630	Used by:638
Symbol 633 Text	Uses:254 246 239 279 506 277 278 247 245 248 280	Used by:638
Symbol 634 Text	Uses:239 280 282 283 318	Used by:638
Symbol 635 Graphic	Used by:638
Symbol 636 Text	Uses:262	Used by:638
Symbol 637 Text	Uses:262	Used by:638
Symbol 638 MovieClip {Page23}	Uses:221 625 626 628 629 631 632 633 634 635 636 637
Symbol 639 Font	Used by:641
Symbol 640 Graphic	Used by:652
Symbol 641 EditableText	Uses:639	Used by:652
Symbol 642 Graphic	Used by:652
Symbol 643 Graphic	Used by:652
Symbol 644 Font	Used by:646
Symbol 645 Graphic	Used by:652
Symbol 646 EditableText	Uses:644	Used by:652
Symbol 647 Text	Uses:254 246 239 248 247 245 280	Used by:652
Symbol 648 Text	Uses:239 280 282 283 318	Used by:652
Symbol 649 Graphic	Used by:652
Symbol 650 Text	Uses:262	Used by:652
Symbol 651 Text	Uses:262	Used by:652
Symbol 652 MovieClip {Page24}	Uses:221 640 641 642 643 645 646 647 648 649 650 651
Symbol 653 Font	Used by:655
Symbol 654 Graphic	Used by:667
Symbol 655 EditableText	Uses:653	Used by:667
Symbol 656 Bitmap	Used by:657
Symbol 657 Graphic	Uses:656	Used by:667
Symbol 658 Graphic	Used by:667
Symbol 659 Font	Used by:661
Symbol 660 Graphic	Used by:667
Symbol 661 EditableText	Uses:659	Used by:667
Symbol 662 Text	Uses:254 246 239 280 247 245 248 279 506 277 278	Used by:667
Symbol 663 Text	Uses:280 283 318 282 239	Used by:667
Symbol 664 Graphic	Used by:667
Symbol 665 Text	Uses:262	Used by:667
Symbol 666 Text	Uses:262	Used by:667
Symbol 667 MovieClip {Page25}	Uses:221 654 655 657 658 660 661 662 663 664 665 666
Symbol 668 Font	Used by:670
Symbol 669 Graphic	Used by:684
Symbol 670 EditableText	Uses:668	Used by:684
Symbol 671 Bitmap	Used by:673
Symbol 672 Bitmap	Used by:673
Symbol 673 Graphic	Uses:671 672	Used by:684
Symbol 674 Graphic	Used by:684
Symbol 675 Font	Used by:677
Symbol 676 Graphic	Used by:684
Symbol 677 EditableText	Uses:675	Used by:684
Symbol 678 Text	Uses:254 246 239 245 247 280 279 679 315 423 506 248	Used by:684
Symbol 679 Font	Used by:678 1158
Symbol 680 Text	Uses:239 280 282 283 318	Used by:684
Symbol 681 Graphic	Used by:684
Symbol 682 Text	Uses:262	Used by:684
Symbol 683 Text	Uses:262	Used by:684
Symbol 684 MovieClip {Page26}	Uses:221 669 670 673 674 676 677 678 680 681 682 683
Symbol 685 Font	Used by:687
Symbol 686 Graphic	Used by:701
Symbol 687 EditableText	Uses:685	Used by:701
Symbol 688 Bitmap	Used by:689
Symbol 689 Graphic	Uses:688	Used by:701
Symbol 690 Graphic	Used by:701
Symbol 691 Font	Used by:693
Symbol 692 Graphic	Used by:701
Symbol 693 EditableText	Uses:691	Used by:701
Symbol 694 Text	Uses:254 246 239 279 280 247 245 248 695 507 696	Used by:701
Symbol 695 Font	Used by:694 755
Symbol 696 Font	Used by:694
Symbol 697 Text	Uses:239 280 282 283 318	Used by:701
Symbol 698 Graphic	Used by:701
Symbol 699 Text	Uses:262	Used by:701
Symbol 700 Text	Uses:262	Used by:701
Symbol 701 MovieClip {Page27}	Uses:221 686 687 689 690 692 693 694 697 698 699 700
Symbol 702 Font	Used by:704
Symbol 703 Graphic	Used by:717
Symbol 704 EditableText	Uses:702	Used by:717
Symbol 705 Bitmap	Used by:706
Symbol 706 Graphic	Uses:705	Used by:717
Symbol 707 Graphic	Used by:717
Symbol 708 Font	Used by:710
Symbol 709 Graphic	Used by:717
Symbol 710 EditableText	Uses:708	Used by:717
Symbol 711 Text	Uses:254 246 239 279 506 277 278 712 245 247 248 280	Used by:717
Symbol 712 Font	Used by:711
Symbol 713 Text	Uses:239 280 282 283 318	Used by:717
Symbol 714 Graphic	Used by:717
Symbol 715 Text	Uses:262	Used by:717
Symbol 716 Text	Uses:262	Used by:717
Symbol 717 MovieClip {Page28}	Uses:221 703 704 706 707 709 710 711 713 714 715 716
Symbol 718 Font	Used by:720
Symbol 719 Graphic	Used by:731
Symbol 720 EditableText	Uses:718	Used by:731
Symbol 721 Graphic	Used by:731
Symbol 722 Graphic	Used by:731
Symbol 723 Font	Used by:725
Symbol 724 Graphic	Used by:731
Symbol 725 EditableText	Uses:723	Used by:731
Symbol 726 Text	Uses:254 246 239 247 245 280 248 279 277 278	Used by:731
Symbol 727 Text	Uses:280 239 283 318 282	Used by:731
Symbol 728 Graphic	Used by:731
Symbol 729 Text	Uses:262	Used by:731
Symbol 730 Text	Uses:262	Used by:731
Symbol 731 MovieClip {Page29}	Uses:221 719 720 721 722 724 725 726 727 728 729 730
Symbol 732 Font	Used by:734
Symbol 733 Graphic	Used by:745
Symbol 734 EditableText	Uses:732	Used by:745
Symbol 735 Graphic	Used by:745
Symbol 736 Graphic	Used by:745
Symbol 737 Font	Used by:739
Symbol 738 Graphic	Used by:745
Symbol 739 EditableText	Uses:737	Used by:745
Symbol 740 Text	Uses:254 246 239 247 280 248 279 245	Used by:745
Symbol 741 Text	Uses:280 282 283 318 239	Used by:745
Symbol 742 Graphic	Used by:745
Symbol 743 Text	Uses:262	Used by:745
Symbol 744 Text	Uses:262	Used by:745
Symbol 745 MovieClip {Page30}	Uses:221 733 734 735 736 738 739 740 741 742 743 744
Symbol 746 Font	Used by:748
Symbol 747 Graphic	Used by:760
Symbol 748 EditableText	Uses:746	Used by:760
Symbol 749 Bitmap	Used by:750
Symbol 750 Graphic	Uses:749	Used by:760
Symbol 751 Graphic	Used by:760
Symbol 752 Font	Used by:754
Symbol 753 Graphic	Used by:760
Symbol 754 EditableText	Uses:752	Used by:760
Symbol 755 Text	Uses:254 246 239 280 279 392 507 315 316 695 248 245 247	Used by:760
Symbol 756 Text	Uses:247 239 280 282 318 283	Used by:760
Symbol 757 Graphic	Used by:760
Symbol 758 Text	Uses:262	Used by:760
Symbol 759 Text	Uses:262	Used by:760
Symbol 760 MovieClip {Page31}	Uses:221 747 748 750 751 753 754 755 756 757 758 759
Symbol 761 Font	Used by:763
Symbol 762 Graphic	Used by:781
Symbol 763 EditableText	Uses:761	Used by:781
Symbol 764 Bitmap	Used by:765
Symbol 765 Graphic	Uses:764	Used by:781
Symbol 766 Graphic	Used by:781
Symbol 767 Font	Used by:769
Symbol 768 Graphic	Used by:781
Symbol 769 EditableText	Uses:767	Used by:781
Symbol 770 Text	Uses:254 246 239 247 280 245 248 279	Used by:781
Symbol 771 Text	Uses:296	Used by:781
Symbol 772 Text	Uses:279	Used by:781
Symbol 773 Text	Uses:296	Used by:781
Symbol 774 Text	Uses:296	Used by:781
Symbol 775 Text	Uses:239 246 280 282 283 318 262	Used by:781
Symbol 776 Graphic	Used by:781
Symbol 777 Text	Uses:279	Used by:781
Symbol 778 Text	Uses:296	Used by:781
Symbol 779 Text	Uses:262	Used by:781
Symbol 780 Text	Uses:262	Used by:781
Symbol 781 MovieClip {Page32}	Uses:221 762 763 765 766 768 769 770 771 772 773 774 775 776 777 778 779 780
Symbol 782 Font	Used by:784
Symbol 783 Graphic	Used by:805
Symbol 784 EditableText	Uses:782	Used by:805
Symbol 785 Bitmap	Used by:788
Symbol 786 Bitmap	Used by:788
Symbol 787 Bitmap	Used by:788
Symbol 788 Graphic	Uses:785 786 787	Used by:805
Symbol 789 Graphic	Used by:805
Symbol 790 Font	Used by:792
Symbol 791 Graphic	Used by:805
Symbol 792 EditableText	Uses:790	Used by:805
Symbol 793 Text	Uses:254 246 239 279 506 262 247 280 245 248	Used by:805
Symbol 794 Text	Uses:296	Used by:805
Symbol 795 Text	Uses:296	Used by:805
Symbol 796 Text	Uses:296	Used by:805
Symbol 797 Text	Uses:279 280	Used by:805
Symbol 798 Text	Uses:296	Used by:805
Symbol 799 Text	Uses:279	Used by:805
Symbol 800 Text	Uses:296	Used by:805
Symbol 801 Text	Uses:295 239 254 246 248 280 282 283 318	Used by:805
Symbol 802 Graphic	Used by:805
Symbol 803 Text	Uses:279 262	Used by:805
Symbol 804 Text	Uses:262	Used by:805
Symbol 805 MovieClip {Page33}	Uses:221 783 784 788 789 791 792 793 794 795 796 797 798 799 800 801 802 803 804
Symbol 806 Font	Used by:808
Symbol 807 Graphic	Used by:819
Symbol 808 EditableText	Uses:806	Used by:819
Symbol 809 Graphic	Used by:819
Symbol 810 Graphic	Used by:819
Symbol 811 Font	Used by:813
Symbol 812 Graphic	Used by:819
Symbol 813 EditableText	Uses:811	Used by:819
Symbol 814 Text	Uses:254 246 239 280 247 245 248 282 283	Used by:819
Symbol 815 Text	Uses:280 282 283 318 343 344 239	Used by:819
Symbol 816 Graphic	Used by:819
Symbol 817 Text	Uses:262	Used by:819
Symbol 818 Text	Uses:262	Used by:819
Symbol 819 MovieClip {Page34}	Uses:221 807 808 809 810 812 813 814 815 816 817 818
Symbol 820 Font	Used by:822
Symbol 821 Graphic	Used by:833
Symbol 822 EditableText	Uses:820	Used by:833
Symbol 823 Graphic	Used by:833
Symbol 824 Graphic	Used by:833
Symbol 825 Font	Used by:827
Symbol 826 Graphic	Used by:833
Symbol 827 EditableText	Uses:825	Used by:833
Symbol 828 Text	Uses:254 246 239 247 280 245 248 277 278 554	Used by:833
Symbol 829 Text	Uses:280 282 318 283 239	Used by:833
Symbol 830 Graphic	Used by:833
Symbol 831 Text	Uses:262	Used by:833
Symbol 832 Text	Uses:262	Used by:833
Symbol 833 MovieClip {Page35}	Uses:221 821 822 823 824 826 827 828 829 830 831 832
Symbol 834 Font	Used by:836
Symbol 835 Graphic	Used by:847
Symbol 836 EditableText	Uses:834	Used by:847
Symbol 837 Graphic	Used by:847
Symbol 838 Graphic	Used by:847
Symbol 839 Font	Used by:841
Symbol 840 Graphic	Used by:847
Symbol 841 EditableText	Uses:839	Used by:847
Symbol 842 Text	Uses:254 246 239 247 280 245 248 282 283 318	Used by:847
Symbol 843 Text	Uses:318 283 280 282 239	Used by:847
Symbol 844 Graphic	Used by:847
Symbol 845 Text	Uses:262	Used by:847
Symbol 846 Text	Uses:262	Used by:847
Symbol 847 MovieClip {Page36}	Uses:221 835 836 837 838 840 841 842 843 844 845 846
Symbol 848 Font	Used by:850
Symbol 849 Graphic	Used by:863
Symbol 850 EditableText	Uses:848	Used by:863
Symbol 851 Bitmap	Used by:852
Symbol 852 Graphic	Uses:851	Used by:863
Symbol 853 Graphic	Used by:863
Symbol 854 Font	Used by:856
Symbol 855 Graphic	Used by:863
Symbol 856 EditableText	Uses:854	Used by:863
Symbol 857 Text	Uses:254 246 239 279 316 280 858 247 248 245	Used by:863
Symbol 858 Font	Used by:857 1007
Symbol 859 Text	Uses:239 280 282 283 318 262	Used by:863
Symbol 860 Graphic	Used by:863
Symbol 861 Text	Uses:262	Used by:863
Symbol 862 Text	Uses:262	Used by:863
Symbol 863 MovieClip {Page37}	Uses:221 849 850 852 853 855 856 857 859 860 861 862
Symbol 864 Font	Used by:866
Symbol 865 Graphic	Used by:892
Symbol 866 EditableText	Uses:864	Used by:892
Symbol 867 Bitmap	Used by:870
Symbol 868 Bitmap	Used by:870
Symbol 869 Bitmap	Used by:870
Symbol 870 Graphic	Uses:867 868 869	Used by:892
Symbol 871 Graphic	Used by:892
Symbol 872 Font	Used by:874
Symbol 873 Graphic	Used by:892
Symbol 874 EditableText	Uses:872	Used by:892
Symbol 875 Text	Uses:254 246 239 247 280 248	Used by:892
Symbol 876 Text	Uses:296	Used by:892
Symbol 877 Text	Uses:296	Used by:892
Symbol 878 Text	Uses:296	Used by:892
Symbol 879 Font	Used by:880
Symbol 880 Text	Uses:879	Used by:892
Symbol 881 Text	Uses:296	Used by:892
Symbol 882 Font	Used by:883 885
Symbol 883 Text	Uses:882	Used by:892
Symbol 884 Text	Uses:296	Used by:892
Symbol 885 Text	Uses:882	Used by:892
Symbol 886 Text	Uses:279 316 280	Used by:892
Symbol 887 Text	Uses:296	Used by:892
Symbol 888 Text	Uses:295 279 239 254 247 245 246 280 282 283 318	Used by:892
Symbol 889 Graphic	Used by:892
Symbol 890 Text	Uses:279 262	Used by:892
Symbol 891 Text	Uses:262	Used by:892
Symbol 892 MovieClip {Page38}	Uses:221 865 866 870 871 873 874 875 876 877 878 880 881 883 884 885 886 887 888 889 890 891
Symbol 893 Font	Used by:895
Symbol 894 Graphic	Used by:906
Symbol 895 EditableText	Uses:893	Used by:906
Symbol 896 Graphic	Used by:906
Symbol 897 Graphic	Used by:906
Symbol 898 Font	Used by:900
Symbol 899 Graphic	Used by:906
Symbol 900 EditableText	Uses:898	Used by:906
Symbol 901 Text	Uses:254 246 239 247 280 248 245	Used by:906
Symbol 902 Text	Uses:280 282 283 318 239	Used by:906
Symbol 903 Graphic	Used by:906
Symbol 904 Text	Uses:262	Used by:906
Symbol 905 Text	Uses:262	Used by:906
Symbol 906 MovieClip {Page39}	Uses:221 894 895 896 897 899 900 901 902 903 904 905
Symbol 907 Font	Used by:909
Symbol 908 Graphic	Used by:921
Symbol 909 EditableText	Uses:907	Used by:921
Symbol 910 Bitmap	Used by:911
Symbol 911 Graphic	Uses:910	Used by:921
Symbol 912 Graphic	Used by:921
Symbol 913 Font	Used by:915
Symbol 914 Graphic	Used by:921
Symbol 915 EditableText	Uses:913	Used by:921
Symbol 916 Text	Uses:254 246 239 247 280 245 279 248	Used by:921
Symbol 917 Text	Uses:239 280 282 283	Used by:921
Symbol 918 Graphic	Used by:921
Symbol 919 Text	Uses:262	Used by:921
Symbol 920 Text	Uses:262	Used by:921
Symbol 921 MovieClip {Page40}	Uses:221 908 909 911 912 914 915 916 917 918 919 920
Symbol 922 Font	Used by:924
Symbol 923 Graphic	Used by:935
Symbol 924 EditableText	Uses:922	Used by:935
Symbol 925 Graphic	Used by:935
Symbol 926 Graphic	Used by:935
Symbol 927 Font	Used by:929
Symbol 928 Graphic	Used by:935
Symbol 929 EditableText	Uses:927	Used by:935
Symbol 930 Text	Uses:254 246 239 279 247 280 277 278 282 283 318	Used by:935
Symbol 931 Text	Uses:318 283 280 282 239	Used by:935
Symbol 932 Graphic	Used by:935
Symbol 933 Text	Uses:262	Used by:935
Symbol 934 Text	Uses:262	Used by:935
Symbol 935 MovieClip {Page41}	Uses:221 923 924 925 926 928 929 930 931 932 933 934
Symbol 936 Font	Used by:938
Symbol 937 Graphic	Used by:952
Symbol 938 EditableText	Uses:936	Used by:952
Symbol 939 Bitmap	Used by:940
Symbol 940 Graphic	Uses:939	Used by:952
Symbol 941 Graphic	Used by:952
Symbol 942 Font	Used by:944
Symbol 943 Graphic	Used by:952
Symbol 944 EditableText	Uses:942	Used by:952
Symbol 945 Text	Uses:254 246 239 247 280 279 248 245 282 283 318	Used by:952
Symbol 946 Text	Uses:280 282 283 318 239	Used by:952
Symbol 947 Graphic	Used by:952
Symbol 948 Text	Uses:262	Used by:952
Symbol 949 Graphic	Used by:952
Symbol 950 Text	Uses:262	Used by:952
Symbol 951 Text	Uses:262	Used by:952
Symbol 952 MovieClip {Page42}	Uses:221 937 938 940 941 943 944 945 946 947 948 949 950 951
Symbol 953 Font	Used by:955
Symbol 954 Graphic	Used by:966
Symbol 955 EditableText	Uses:953	Used by:966
Symbol 956 Graphic	Used by:966
Symbol 957 Graphic	Used by:966
Symbol 958 Font	Used by:960
Symbol 959 Graphic	Used by:966
Symbol 960 EditableText	Uses:958	Used by:966
Symbol 961 Text	Uses:254 246 239 247 280 248 245	Used by:966
Symbol 962 Text	Uses:239 280 282 283 344 343 318	Used by:966
Symbol 963 Graphic	Used by:966
Symbol 964 Text	Uses:262	Used by:966
Symbol 965 Text	Uses:262	Used by:966
Symbol 966 MovieClip {Page43}	Uses:221 954 955 956 957 959 960 961 962 963 964 965
Symbol 967 Font	Used by:969
Symbol 968 Graphic	Used by:983
Symbol 969 EditableText	Uses:967	Used by:983
Symbol 970 Bitmap	Used by:972
Symbol 971 Bitmap	Used by:972
Symbol 972 Graphic	Uses:970 971	Used by:983
Symbol 973 Graphic	Used by:983
Symbol 974 Font	Used by:976
Symbol 975 Graphic	Used by:983
Symbol 976 EditableText	Uses:974	Used by:983
Symbol 977 Text	Uses:254 246 239 279 507 506 423 247 245 248 280 262 978 438 393 282 283 318 344	Used by:983
Symbol 978 Font	Used by:977 1098 1883 1909 1926 1927
Symbol 979 Text	Uses:283 318 343 344 280 282 239	Used by:983
Symbol 980 Graphic	Used by:983
Symbol 981 Text	Uses:262	Used by:983
Symbol 982 Text	Uses:262	Used by:983
Symbol 983 MovieClip {Page44}	Uses:221 968 969 972 973 975 976 977 979 980 981 982
Symbol 984 Font	Used by:986
Symbol 985 Graphic	Used by:997
Symbol 986 EditableText	Uses:984	Used by:997
Symbol 987 Graphic	Used by:997
Symbol 988 Graphic	Used by:997
Symbol 989 Font	Used by:991
Symbol 990 Graphic	Used by:997
Symbol 991 EditableText	Uses:989	Used by:997
Symbol 992 Text	Uses:254 246 239 247 280 248 277 278 554 282 283 318	Used by:997
Symbol 993 Text	Uses:280 282 283 318 239	Used by:997
Symbol 994 Graphic	Used by:997
Symbol 995 Text	Uses:262	Used by:997
Symbol 996 Text	Uses:262	Used by:997
Symbol 997 MovieClip {Page45}	Uses:221 985 986 987 988 990 991 992 993 994 995 996
Symbol 998 Font	Used by:1000
Symbol 999 Graphic	Used by:1014
Symbol 1000 EditableText	Uses:998	Used by:1014
Symbol 1001 Bitmap	Used by:1002
Symbol 1002 Graphic	Uses:1001	Used by:1014
Symbol 1003 Graphic	Used by:1014
Symbol 1004 Font	Used by:1006
Symbol 1005 Graphic	Used by:1014
Symbol 1006 EditableText	Uses:1004	Used by:1014
Symbol 1007 Text	Uses:254 246 239 247 245 280 279 423 858	Used by:1014
Symbol 1008 Text	Uses:239 280 282 283 318	Used by:1014
Symbol 1009 Graphic	Used by:1014
Symbol 1010 Text	Uses:262	Used by:1014
Symbol 1011 Graphic	Used by:1014
Symbol 1012 Text	Uses:262	Used by:1014
Symbol 1013 Text	Uses:262	Used by:1014
Symbol 1014 MovieClip {Page46}	Uses:221 999 1000 1002 1003 1005 1006 1007 1008 1009 1010 1011 1012 1013
Symbol 1015 Font	Used by:1017
Symbol 1016 Graphic	Used by:1028
Symbol 1017 EditableText	Uses:1015	Used by:1028
Symbol 1018 Graphic	Used by:1028
Symbol 1019 Graphic	Used by:1028
Symbol 1020 Font	Used by:1022
Symbol 1021 Graphic	Used by:1028
Symbol 1022 EditableText	Uses:1020	Used by:1028
Symbol 1023 Text	Uses:254 246 239 247 280 248 245	Used by:1028
Symbol 1024 Text	Uses:239 280 282 283 318	Used by:1028
Symbol 1025 Graphic	Used by:1028
Symbol 1026 Text	Uses:262	Used by:1028
Symbol 1027 Text	Uses:262	Used by:1028
Symbol 1028 MovieClip {Page47}	Uses:221 1016 1017 1018 1019 1021 1022 1023 1024 1025 1026 1027
Symbol 1029 Font	Used by:1031
Symbol 1030 Graphic	Used by:1042
Symbol 1031 EditableText	Uses:1029	Used by:1042
Symbol 1032 Graphic	Used by:1042
Symbol 1033 Graphic	Used by:1042
Symbol 1034 Font	Used by:1036
Symbol 1035 Graphic	Used by:1042
Symbol 1036 EditableText	Uses:1034	Used by:1042
Symbol 1037 Text	Uses:254 246 239 247 245 280 248 279 282 283 318	Used by:1042
Symbol 1038 Text	Uses:280 282 283 318 239	Used by:1042
Symbol 1039 Graphic	Used by:1042
Symbol 1040 Text	Uses:262	Used by:1042
Symbol 1041 Text	Uses:262	Used by:1042
Symbol 1042 MovieClip {Page48}	Uses:221 1030 1031 1032 1033 1035 1036 1037 1038 1039 1040 1041
Symbol 1043 Font	Used by:1045
Symbol 1044 Graphic	Used by:1056
Symbol 1045 EditableText	Uses:1043	Used by:1056
Symbol 1046 Graphic	Used by:1056
Symbol 1047 Graphic	Used by:1056
Symbol 1048 Font	Used by:1050
Symbol 1049 Graphic	Used by:1056
Symbol 1050 EditableText	Uses:1048	Used by:1056
Symbol 1051 Text	Uses:254 246 239 247 280 248 245 279 282 283 344	Used by:1056
Symbol 1052 Text	Uses:283 280 282 318 239	Used by:1056
Symbol 1053 Graphic	Used by:1056
Symbol 1054 Text	Uses:262	Used by:1056
Symbol 1055 Text	Uses:262	Used by:1056
Symbol 1056 MovieClip {Page49}	Uses:221 1044 1045 1046 1047 1049 1050 1051 1052 1053 1054 1055
Symbol 1057 Font	Used by:1059
Symbol 1058 Graphic	Used by:1073
Symbol 1059 EditableText	Uses:1057	Used by:1073
Symbol 1060 Bitmap	Used by:1061
Symbol 1061 Graphic	Uses:1060	Used by:1073
Symbol 1062 Graphic	Used by:1073
Symbol 1063 Font	Used by:1065
Symbol 1064 Graphic	Used by:1073
Symbol 1065 EditableText	Uses:1063	Used by:1073
Symbol 1066 Text	Uses:254 246 239 280 247 248 245 315 279 277 278 554	Used by:1073
Symbol 1067 Text	Uses:246 239 280 282 283 318	Used by:1073
Symbol 1068 Graphic	Used by:1073
Symbol 1069 Text	Uses:262	Used by:1073
Symbol 1070 Graphic	Used by:1073
Symbol 1071 Text	Uses:262	Used by:1073
Symbol 1072 Text	Uses:262	Used by:1073
Symbol 1073 MovieClip {Page50}	Uses:221 1058 1059 1061 1062 1064 1065 1066 1067 1068 1069 1070 1071 1072
Symbol 1074 Font	Used by:1076
Symbol 1075 Graphic	Used by:1089
Symbol 1076 EditableText	Uses:1074	Used by:1089
Symbol 1077 Bitmap	Used by:1078
Symbol 1078 Graphic	Uses:1077	Used by:1089
Symbol 1079 Graphic	Used by:1089
Symbol 1080 Font	Used by:1082
Symbol 1081 Graphic	Used by:1089
Symbol 1082 EditableText	Uses:1080	Used by:1089
Symbol 1083 Text	Uses:254 246 239 280 248 1084 247 245 279 316 282 283	Used by:1089
Symbol 1084 Font	Used by:1083 1746
Symbol 1085 Text	Uses:280 282 344 283 318 343 239	Used by:1089
Symbol 1086 Graphic	Used by:1089
Symbol 1087 Text	Uses:262	Used by:1089
Symbol 1088 Text	Uses:262	Used by:1089
Symbol 1089 MovieClip {Page51}	Uses:221 1075 1076 1078 1079 1081 1082 1083 1085 1086 1087 1088
Symbol 1090 Font	Used by:1092
Symbol 1091 Graphic	Used by:1103
Symbol 1092 EditableText	Uses:1090	Used by:1103
Symbol 1093 Graphic	Used by:1103
Symbol 1094 Graphic	Used by:1103
Symbol 1095 Font	Used by:1097
Symbol 1096 Graphic	Used by:1103
Symbol 1097 EditableText	Uses:1095	Used by:1103
Symbol 1098 Text	Uses:254 246 239 247 280 248 245 279 262 978	Used by:1103
Symbol 1099 Text	Uses:239 280 282 318 283	Used by:1103
Symbol 1100 Graphic	Used by:1103
Symbol 1101 Text	Uses:262	Used by:1103
Symbol 1102 Text	Uses:262	Used by:1103
Symbol 1103 MovieClip {Page52}	Uses:221 1091 1092 1093 1094 1096 1097 1098 1099 1100 1101 1102
Symbol 1104 Font	Used by:1106
Symbol 1105 Graphic	Used by:1120
Symbol 1106 EditableText	Uses:1104	Used by:1120
Symbol 1107 Bitmap	Used by:1108
Symbol 1108 Graphic	Uses:1107	Used by:1120
Symbol 1109 Graphic	Used by:1120
Symbol 1110 Font	Used by:1112
Symbol 1111 Graphic	Used by:1120
Symbol 1112 EditableText	Uses:1110	Used by:1120
Symbol 1113 Text	Uses:254 246 239 279 280 247 248 245	Used by:1120
Symbol 1114 Text	Uses:239 280 282 283	Used by:1120
Symbol 1115 Graphic	Used by:1120
Symbol 1116 Text	Uses:262	Used by:1120
Symbol 1117 Graphic	Used by:1120
Symbol 1118 Text	Uses:262	Used by:1120
Symbol 1119 Text	Uses:262	Used by:1120
Symbol 1120 MovieClip {Page53}	Uses:221 1105 1106 1108 1109 1111 1112 1113 1114 1115 1116 1117 1118 1119
Symbol 1121 Font	Used by:1123
Symbol 1122 Graphic	Used by:1134
Symbol 1123 EditableText	Uses:1121	Used by:1134
Symbol 1124 Graphic	Used by:1134
Symbol 1125 Graphic	Used by:1134
Symbol 1126 Font	Used by:1128
Symbol 1127 Graphic	Used by:1134
Symbol 1128 EditableText	Uses:1126	Used by:1134
Symbol 1129 Text	Uses:254 246 239 248 247 245 280 262 282 283	Used by:1134
Symbol 1130 Text	Uses:280 282 283 318 239	Used by:1134
Symbol 1131 Graphic	Used by:1134
Symbol 1132 Text	Uses:262	Used by:1134
Symbol 1133 Text	Uses:262	Used by:1134
Symbol 1134 MovieClip {Page54}	Uses:221 1122 1123 1124 1125 1127 1128 1129 1130 1131 1132 1133
Symbol 1135 Font	Used by:1137
Symbol 1136 Graphic	Used by:1148
Symbol 1137 EditableText	Uses:1135	Used by:1148
Symbol 1138 Graphic	Used by:1148
Symbol 1139 Graphic	Used by:1148
Symbol 1140 Font	Used by:1142
Symbol 1141 Graphic	Used by:1148
Symbol 1142 EditableText	Uses:1140	Used by:1148
Symbol 1143 Text	Uses:254 246 239 248 280 247 277 278 554 245	Used by:1148
Symbol 1144 Text	Uses:239 280 282 283 318	Used by:1148
Symbol 1145 Graphic	Used by:1148
Symbol 1146 Text	Uses:262	Used by:1148
Symbol 1147 Text	Uses:262	Used by:1148
Symbol 1148 MovieClip {Page55}	Uses:221 1136 1137 1138 1139 1141 1142 1143 1144 1145 1146 1147
Symbol 1149 Font	Used by:1151
Symbol 1150 Graphic	Used by:1164
Symbol 1151 EditableText	Uses:1149	Used by:1164
Symbol 1152 Bitmap	Used by:1153
Symbol 1153 Graphic	Uses:1152	Used by:1164
Symbol 1154 Graphic	Used by:1164
Symbol 1155 Font	Used by:1157
Symbol 1156 Graphic	Used by:1164
Symbol 1157 EditableText	Uses:1155	Used by:1164
Symbol 1158 Text	Uses:254 246 239 277 245 248 247 279 280 1159 488 679 315 316	Used by:1164
Symbol 1159 Font	Used by:1158 1455 1470 1530
Symbol 1160 Text	Uses:239 280 282 283	Used by:1164
Symbol 1161 Graphic	Used by:1164
Symbol 1162 Text	Uses:262	Used by:1164
Symbol 1163 Text	Uses:262	Used by:1164
Symbol 1164 MovieClip {Page56}	Uses:221 1150 1151 1153 1154 1156 1157 1158 1160 1161 1162 1163
Symbol 1165 Font	Used by:1167
Symbol 1166 Graphic	Used by:1179
Symbol 1167 EditableText	Uses:1165	Used by:1179
Symbol 1168 Bitmap	Used by:1169
Symbol 1169 Graphic	Uses:1168	Used by:1179
Symbol 1170 Graphic	Used by:1179
Symbol 1171 Font	Used by:1173
Symbol 1172 Graphic	Used by:1179
Symbol 1173 EditableText	Uses:1171	Used by:1179
Symbol 1174 Text	Uses:254 246 239 247 245 280 248 277 278	Used by:1179
Symbol 1175 Text	Uses:239 280 282 283 318 343	Used by:1179
Symbol 1176 Graphic	Used by:1179
Symbol 1177 Text	Uses:262	Used by:1179
Symbol 1178 Text	Uses:262	Used by:1179
Symbol 1179 MovieClip {Page57}	Uses:221 1166 1167 1169 1170 1172 1173 1174 1175 1176 1177 1178
Symbol 1180 Font	Used by:1182
Symbol 1181 Graphic	Used by:1194
Symbol 1182 EditableText	Uses:1180	Used by:1194
Symbol 1183 Bitmap	Used by:1184
Symbol 1184 Graphic	Uses:1183	Used by:1194
Symbol 1185 Graphic	Used by:1194
Symbol 1186 Font	Used by:1188
Symbol 1187 Graphic	Used by:1194
Symbol 1188 EditableText	Uses:1186	Used by:1194
Symbol 1189 Text	Uses:254 246 239 277 278 554 280 247 245 248	Used by:1194
Symbol 1190 Text	Uses:239 279 280 282 283	Used by:1194
Symbol 1191 Graphic	Used by:1194
Symbol 1192 Text	Uses:262	Used by:1194
Symbol 1193 Text	Uses:262	Used by:1194
Symbol 1194 MovieClip {Page58}	Uses:221 1181 1182 1184 1185 1187 1188 1189 1190 1191 1192 1193
Symbol 1195 Font	Used by:1197
Symbol 1196 Graphic	Used by:1209
Symbol 1197 EditableText	Uses:1195	Used by:1209
Symbol 1198 Bitmap	Used by:1199
Symbol 1199 Graphic	Uses:1198	Used by:1209
Symbol 1200 Graphic	Used by:1209
Symbol 1201 Font	Used by:1203
Symbol 1202 Graphic	Used by:1209
Symbol 1203 EditableText	Uses:1201	Used by:1209
Symbol 1204 Text	Uses:254 246 239 247 245 277 278 248 279 280	Used by:1209
Symbol 1205 Text	Uses:239 280 282 283 318	Used by:1209
Symbol 1206 Graphic	Used by:1209
Symbol 1207 Text	Uses:262	Used by:1209
Symbol 1208 Text	Uses:262	Used by:1209
Symbol 1209 MovieClip {Page59}	Uses:221 1196 1197 1199 1200 1202 1203 1204 1205 1206 1207 1208
Symbol 1210 Font	Used by:1212
Symbol 1211 Graphic	Used by:1221
Symbol 1212 EditableText	Uses:1210	Used by:1221
Symbol 1213 Bitmap	Used by:1214
Symbol 1214 Graphic	Uses:1213	Used by:1221
Symbol 1215 Graphic	Used by:1221
Symbol 1216 Font	Used by:1218
Symbol 1217 Graphic	Used by:1221
Symbol 1218 EditableText	Uses:1216	Used by:1221
Symbol 1219 Text	Uses:254 246 239 280 247 245 248 315 279 423 506	Used by:1221
Symbol 1220 Text	Uses:279 239 280 282 283 318 344 343	Used by:1221
Symbol 1221 MovieClip {Page60}	Uses:221 1211 1212 1214 1215 1217 1218 1219 1220
Symbol 1222 Font	Used by:1224
Symbol 1223 Graphic	Used by:1233
Symbol 1224 EditableText	Uses:1222	Used by:1233
Symbol 1225 Graphic	Used by:1233
Symbol 1226 Font	Used by:1228
Symbol 1227 Graphic	Used by:1233
Symbol 1228 EditableText	Uses:1226	Used by:1233
Symbol 1229 Text	Uses:239	Used by:1233
Symbol 1230 Graphic	Used by:1233
Symbol 1231 Text	Uses:262	Used by:1233
Symbol 1232 Text	Uses:262	Used by:1233
Symbol 1233 MovieClip {Page61}	Uses:221 1223 1224 1225 1227 1228 1229 1230 1231 1232
Symbol 1234 Font	Used by:1236
Symbol 1235 Graphic	Used by:1247
Symbol 1236 EditableText	Uses:1234	Used by:1247
Symbol 1237 Graphic	Used by:1247
Symbol 1238 Graphic	Used by:1247
Symbol 1239 Font	Used by:1241
Symbol 1240 Graphic	Used by:1247
Symbol 1241 EditableText	Uses:1239	Used by:1247
Symbol 1242 Text	Uses:254 246 239 245 280 247 248	Used by:1247
Symbol 1243 Text	Uses:280 282 343 283 318 344 239	Used by:1247
Symbol 1244 Graphic	Used by:1247
Symbol 1245 Text	Uses:262	Used by:1247
Symbol 1246 Text	Uses:262	Used by:1247
Symbol 1247 MovieClip {Page62}	Uses:221 1235 1236 1237 1238 1240 1241 1242 1243 1244 1245 1246
Symbol 1248 Font	Used by:1250
Symbol 1249 Graphic	Used by:1261
Symbol 1250 EditableText	Uses:1248	Used by:1261
Symbol 1251 Graphic	Used by:1261
Symbol 1252 Graphic	Used by:1261
Symbol 1253 Font	Used by:1255
Symbol 1254 Graphic	Used by:1261
Symbol 1255 EditableText	Uses:1253	Used by:1261
Symbol 1256 Text	Uses:254 246 239 277 278 554 247 280 245	Used by:1261
Symbol 1257 Text	Uses:239 280 282 283 318	Used by:1261
Symbol 1258 Graphic	Used by:1261
Symbol 1259 Text	Uses:262	Used by:1261
Symbol 1260 Text	Uses:262	Used by:1261
Symbol 1261 MovieClip {Page63}	Uses:221 1249 1250 1251 1252 1254 1255 1256 1257 1258 1259 1260
Symbol 1262 Font	Used by:1264
Symbol 1263 Graphic	Used by:1275
Symbol 1264 EditableText	Uses:1262	Used by:1275
Symbol 1265 Graphic	Used by:1275
Symbol 1266 Graphic	Used by:1275
Symbol 1267 Font	Used by:1269
Symbol 1268 Graphic	Used by:1275
Symbol 1269 EditableText	Uses:1267	Used by:1275
Symbol 1270 Text	Uses:254 246 239 247 280 277 278 248	Used by:1275
Symbol 1271 Text	Uses:239 280 282 283 318	Used by:1275
Symbol 1272 Graphic	Used by:1275
Symbol 1273 Text	Uses:262	Used by:1275
Symbol 1274 Text	Uses:262	Used by:1275
Symbol 1275 MovieClip {Page64}	Uses:221 1263 1264 1265 1266 1268 1269 1270 1271 1272 1273 1274
Symbol 1276 Font	Used by:1278
Symbol 1277 Graphic	Used by:1290
Symbol 1278 EditableText	Uses:1276	Used by:1290
Symbol 1279 Bitmap	Used by:1280
Symbol 1280 Graphic	Uses:1279	Used by:1290
Symbol 1281 Graphic	Used by:1290
Symbol 1282 Font	Used by:1284
Symbol 1283 Graphic	Used by:1290
Symbol 1284 EditableText	Uses:1282	Used by:1290
Symbol 1285 Text	Uses:254 246 239 279 280 248	Used by:1290
Symbol 1286 Text	Uses:246 239 280 282 283 344	Used by:1290
Symbol 1287 Graphic	Used by:1290
Symbol 1288 Text	Uses:262	Used by:1290
Symbol 1289 Text	Uses:262	Used by:1290
Symbol 1290 MovieClip {Page65}	Uses:221 1277 1278 1280 1281 1283 1284 1285 1286 1287 1288 1289
Symbol 1291 Font	Used by:1293
Symbol 1292 Graphic	Used by:1307
Symbol 1293 EditableText	Uses:1291	Used by:1307
Symbol 1294 Bitmap	Used by:1295
Symbol 1295 Graphic	Uses:1294	Used by:1307
Symbol 1296 Graphic	Used by:1307
Symbol 1297 Font	Used by:1299
Symbol 1298 Graphic	Used by:1307
Symbol 1299 EditableText	Uses:1297	Used by:1307
Symbol 1300 Text	Uses:254 246 239 248 280 279 247	Used by:1307
Symbol 1301 Text	Uses:239 280 282 283	Used by:1307
Symbol 1302 Graphic	Used by:1307
Symbol 1303 Text	Uses:262	Used by:1307
Symbol 1304 Graphic	Used by:1307
Symbol 1305 Text	Uses:262	Used by:1307
Symbol 1306 Text	Uses:262	Used by:1307
Symbol 1307 MovieClip {Page66}	Uses:221 1292 1293 1295 1296 1298 1299 1300 1301 1302 1303 1304 1305 1306
Symbol 1308 Font	Used by:1310
Symbol 1309 Graphic	Used by:1321
Symbol 1310 EditableText	Uses:1308	Used by:1321
Symbol 1311 Graphic	Used by:1321
Symbol 1312 Graphic	Used by:1321
Symbol 1313 Font	Used by:1315
Symbol 1314 Graphic	Used by:1321
Symbol 1315 EditableText	Uses:1313	Used by:1321
Symbol 1316 Text	Uses:254 246 239 277 278 554 280 247 248	Used by:1321
Symbol 1317 Text	Uses:239 280 282 283	Used by:1321
Symbol 1318 Graphic	Used by:1321
Symbol 1319 Text	Uses:262	Used by:1321
Symbol 1320 Text	Uses:262	Used by:1321
Symbol 1321 MovieClip {Page67}	Uses:221 1309 1310 1311 1312 1314 1315 1316 1317 1318 1319 1320
Symbol 1322 Font	Used by:1324
Symbol 1323 Graphic	Used by:1338
Symbol 1324 EditableText	Uses:1322	Used by:1338
Symbol 1325 Bitmap	Used by:1326
Symbol 1326 Graphic	Uses:1325	Used by:1338
Symbol 1327 Graphic	Used by:1338
Symbol 1328 Font	Used by:1330
Symbol 1329 Graphic	Used by:1338
Symbol 1330 EditableText	Uses:1328	Used by:1338
Symbol 1331 Text	Uses:254 246 239 245 247 280 279 277 278	Used by:1338
Symbol 1332 Text	Uses:246 247 239 280 282 283	Used by:1338
Symbol 1333 Graphic	Used by:1338
Symbol 1334 Text	Uses:262	Used by:1338
Symbol 1335 Graphic	Used by:1338
Symbol 1336 Text	Uses:262	Used by:1338
Symbol 1337 Text	Uses:262	Used by:1338
Symbol 1338 MovieClip {Page68}	Uses:221 1323 1324 1326 1327 1329 1330 1331 1332 1333 1334 1335 1336 1337
Symbol 1339 Font	Used by:1341
Symbol 1340 Graphic	Used by:1352
Symbol 1341 EditableText	Uses:1339	Used by:1352
Symbol 1342 Graphic	Used by:1352
Symbol 1343 Graphic	Used by:1352
Symbol 1344 Font	Used by:1346
Symbol 1345 Graphic	Used by:1352
Symbol 1346 EditableText	Uses:1344	Used by:1352
Symbol 1347 Text	Uses:254 246 239 280 247 248 245 277 278	Used by:1352
Symbol 1348 Text	Uses:280 282 283 318 239	Used by:1352
Symbol 1349 Graphic	Used by:1352
Symbol 1350 Text	Uses:262	Used by:1352
Symbol 1351 Text	Uses:262	Used by:1352
Symbol 1352 MovieClip {Page69}	Uses:221 1340 1341 1342 1343 1345 1346 1347 1348 1349 1350 1351
Symbol 1353 Font	Used by:1355
Symbol 1354 Graphic	Used by:1366
Symbol 1355 EditableText	Uses:1353	Used by:1366
Symbol 1356 Graphic	Used by:1366
Symbol 1357 Graphic	Used by:1366
Symbol 1358 Font	Used by:1360
Symbol 1359 Graphic	Used by:1366
Symbol 1360 EditableText	Uses:1358	Used by:1366
Symbol 1361 Text	Uses:254 246 239 247 245 279 280	Used by:1366
Symbol 1362 Text	Uses:239 280 282 283 318	Used by:1366
Symbol 1363 Graphic	Used by:1366
Symbol 1364 Text	Uses:262	Used by:1366
Symbol 1365 Text	Uses:262	Used by:1366
Symbol 1366 MovieClip {Page70}	Uses:221 1354 1355 1356 1357 1359 1360 1361 1362 1363 1364 1365
Symbol 1367 Font	Used by:1369
Symbol 1368 Graphic	Used by:1380
Symbol 1369 EditableText	Uses:1367	Used by:1380
Symbol 1370 Graphic	Used by:1380
Symbol 1371 Graphic	Used by:1380
Symbol 1372 Font	Used by:1374
Symbol 1373 Graphic	Used by:1380
Symbol 1374 EditableText	Uses:1372	Used by:1380
Symbol 1375 Text	Uses:254 246 239 280 247 245 282 283 318	Used by:1380
Symbol 1376 Text	Uses:280 282 283 239 262	Used by:1380
Symbol 1377 Graphic	Used by:1380
Symbol 1378 Text	Uses:262	Used by:1380
Symbol 1379 Text	Uses:262	Used by:1380
Symbol 1380 MovieClip {Page71}	Uses:221 1368 1369 1370 1371 1373 1374 1375 1376 1377 1378 1379
Symbol 1381 Font	Used by:1383
Symbol 1382 Graphic	Used by:1397
Symbol 1383 EditableText	Uses:1381	Used by:1397
Symbol 1384 Bitmap	Used by:1386
Symbol 1385 Bitmap	Used by:1386
Symbol 1386 Graphic	Uses:1384 1385	Used by:1397
Symbol 1387 Graphic	Used by:1397
Symbol 1388 Font	Used by:1390
Symbol 1389 Graphic	Used by:1397
Symbol 1390 EditableText	Uses:1388	Used by:1397
Symbol 1391 Text	Uses:254 246 239 247 280 245 248 1392 279 506 262 282 283	Used by:1397
Symbol 1392 Font	Used by:1391
Symbol 1393 Text	Uses:280 282 283 318 344 239	Used by:1397
Symbol 1394 Graphic	Used by:1397
Symbol 1395 Text	Uses:279 262	Used by:1397
Symbol 1396 Text	Uses:262	Used by:1397
Symbol 1397 MovieClip {Page72}	Uses:221 1382 1383 1386 1387 1389 1390 1391 1393 1394 1395 1396
Symbol 1398 Font	Used by:1400
Symbol 1399 Graphic	Used by:1414
Symbol 1400 EditableText	Uses:1398	Used by:1414
Symbol 1401 Bitmap	Used by:1402
Symbol 1402 Graphic	Uses:1401	Used by:1414
Symbol 1403 Graphic	Used by:1414
Symbol 1404 Font	Used by:1406
Symbol 1405 Graphic	Used by:1414
Symbol 1406 EditableText	Uses:1404	Used by:1414
Symbol 1407 Text	Uses:254 246 239 277 278 248 247 245 280	Used by:1414
Symbol 1408 Text	Uses:239 280 282 283	Used by:1414
Symbol 1409 Graphic	Used by:1414
Symbol 1410 Text	Uses:262	Used by:1414
Symbol 1411 Graphic	Used by:1414
Symbol 1412 Text	Uses:262	Used by:1414
Symbol 1413 Text	Uses:262	Used by:1414
Symbol 1414 MovieClip {Page73}	Uses:221 1399 1400 1402 1403 1405 1406 1407 1408 1409 1410 1411 1412 1413
Symbol 1415 Font	Used by:1417
Symbol 1416 Graphic	Used by:1429
Symbol 1417 EditableText	Uses:1415	Used by:1429
Symbol 1418 Bitmap	Used by:1419
Symbol 1419 Graphic	Uses:1418	Used by:1429
Symbol 1420 Graphic	Used by:1429
Symbol 1421 Font	Used by:1423
Symbol 1422 Graphic	Used by:1429
Symbol 1423 EditableText	Uses:1421	Used by:1429
Symbol 1424 Text	Uses:254 246 239 277 278 245 247 248 280 279	Used by:1429
Symbol 1425 Text	Uses:239 280 282 344 283	Used by:1429
Symbol 1426 Graphic	Used by:1429
Symbol 1427 Text	Uses:262	Used by:1429
Symbol 1428 Text	Uses:262	Used by:1429
Symbol 1429 MovieClip {Page74}	Uses:221 1416 1417 1419 1420 1422 1423 1424 1425 1426 1427 1428
Symbol 1430 Font	Used by:1432
Symbol 1431 Graphic	Used by:1445
Symbol 1432 EditableText	Uses:1430	Used by:1445
Symbol 1433 Graphic	Used by:1445
Symbol 1434 Graphic	Used by:1445
Symbol 1435 Font	Used by:1437
Symbol 1436 Graphic	Used by:1445
Symbol 1437 EditableText	Uses:1435	Used by:1445
Symbol 1438 Text	Uses:254 246 239 277 278 279 247 245 248 280	Used by:1445
Symbol 1439 Text	Uses:246 247 239 280 282 283 318	Used by:1445
Symbol 1440 Graphic	Used by:1445
Symbol 1441 Text	Uses:262	Used by:1445
Symbol 1442 Graphic	Used by:1445
Symbol 1443 Text	Uses:262	Used by:1445
Symbol 1444 Text	Uses:262	Used by:1445
Symbol 1445 MovieClip {Page75}	Uses:221 1431 1432 1433 1434 1436 1437 1438 1439 1440 1441 1442 1443 1444
Symbol 1446 Font	Used by:1448
Symbol 1447 Graphic	Used by:1460
Symbol 1448 EditableText	Uses:1446	Used by:1460
Symbol 1449 Bitmap	Used by:1450
Symbol 1450 Graphic	Uses:1449	Used by:1460
Symbol 1451 Graphic	Used by:1460
Symbol 1452 Font	Used by:1454
Symbol 1453 Graphic	Used by:1460
Symbol 1454 EditableText	Uses:1452	Used by:1460
Symbol 1455 Text	Uses:254 246 239 280 247 248 277 278 245 1159	Used by:1460
Symbol 1456 Text	Uses:246 247 239 280 282 283	Used by:1460
Symbol 1457 Graphic	Used by:1460
Symbol 1458 Text	Uses:262	Used by:1460
Symbol 1459 Text	Uses:262	Used by:1460
Symbol 1460 MovieClip {Page76}	Uses:221 1447 1448 1450 1451 1453 1454 1455 1456 1457 1458 1459
Symbol 1461 Font	Used by:1463
Symbol 1462 Graphic	Used by:1476
Symbol 1463 EditableText	Uses:1461	Used by:1476
Symbol 1464 Bitmap	Used by:1465
Symbol 1465 Graphic	Uses:1464	Used by:1476
Symbol 1466 Graphic	Used by:1476
Symbol 1467 Font	Used by:1469
Symbol 1468 Graphic	Used by:1476
Symbol 1469 EditableText	Uses:1467	Used by:1476
Symbol 1470 Text	Uses:254 246 239 245 1159 247 248 280 279 506 277 278	Used by:1476
Symbol 1471 Text	Uses:239 280 282 283 318 1472 343 344	Used by:1476
Symbol 1472 Font	Used by:1471
Symbol 1473 Graphic	Used by:1476
Symbol 1474 Text	Uses:262	Used by:1476
Symbol 1475 Text	Uses:262	Used by:1476
Symbol 1476 MovieClip {Page77}	Uses:221 1462 1463 1465 1466 1468 1469 1470 1471 1473 1474 1475
Symbol 1477 Font	Used by:1479
Symbol 1478 Graphic	Used by:1490
Symbol 1479 EditableText	Uses:1477	Used by:1490
Symbol 1480 Graphic	Used by:1490
Symbol 1481 Graphic	Used by:1490
Symbol 1482 Font	Used by:1484
Symbol 1483 Graphic	Used by:1490
Symbol 1484 EditableText	Uses:1482	Used by:1490
Symbol 1485 Text	Uses:254 246 239 279 277 278 248 280	Used by:1490
Symbol 1486 Text	Uses:239 280 282 283	Used by:1490
Symbol 1487 Graphic	Used by:1490
Symbol 1488 Text	Uses:262	Used by:1490
Symbol 1489 Text	Uses:262	Used by:1490
Symbol 1490 MovieClip {Page78}	Uses:221 1478 1479 1480 1481 1483 1484 1485 1486 1487 1488 1489
Symbol 1491 Font	Used by:1493
Symbol 1492 Graphic	Used by:1505
Symbol 1493 EditableText	Uses:1491	Used by:1505
Symbol 1494 Bitmap	Used by:1495
Symbol 1495 Graphic	Uses:1494	Used by:1505
Symbol 1496 Graphic	Used by:1505
Symbol 1497 Font	Used by:1499
Symbol 1498 Graphic	Used by:1505
Symbol 1499 EditableText	Uses:1497	Used by:1505
Symbol 1500 Text	Uses:254 246 239 280 247 279 248 245 262 507	Used by:1505
Symbol 1501 Text	Uses:239 280 282 283 262	Used by:1505
Symbol 1502 Graphic	Used by:1505
Symbol 1503 Text	Uses:262	Used by:1505
Symbol 1504 Text	Uses:262	Used by:1505
Symbol 1505 MovieClip {Page79}	Uses:221 1492 1493 1495 1496 1498 1499 1500 1501 1502 1503 1504
Symbol 1506 Font	Used by:1508
Symbol 1507 Graphic	Used by:1519
Symbol 1508 EditableText	Uses:1506	Used by:1519
Symbol 1509 Graphic	Used by:1519
Symbol 1510 Graphic	Used by:1519
Symbol 1511 Font	Used by:1513
Symbol 1512 Graphic	Used by:1519
Symbol 1513 EditableText	Uses:1511	Used by:1519
Symbol 1514 Text	Uses:254 246 239 279 247 245 280 277 278 248	Used by:1519
Symbol 1515 Text	Uses:246 239 280 282 318 283	Used by:1519
Symbol 1516 Graphic	Used by:1519
Symbol 1517 Text	Uses:262	Used by:1519
Symbol 1518 Text	Uses:262	Used by:1519
Symbol 1519 MovieClip {Page80}	Uses:221 1507 1508 1509 1510 1512 1513 1514 1515 1516 1517 1518
Symbol 1520 Font	Used by:1522
Symbol 1521 Graphic	Used by:1536
Symbol 1522 EditableText	Uses:1520	Used by:1536
Symbol 1523 Bitmap	Used by:1525
Symbol 1524 Bitmap	Used by:1525
Symbol 1525 Graphic	Uses:1523 1524	Used by:1536
Symbol 1526 Graphic	Used by:1536
Symbol 1527 Font	Used by:1529
Symbol 1528 Graphic	Used by:1536
Symbol 1529 EditableText	Uses:1527	Used by:1536
Symbol 1530 Text	Uses:254 246 239 245 247 280 248 279 315 506 1159 1531 277 278	Used by:1536
Symbol 1531 Font	Used by:1530
Symbol 1532 Text	Uses:239 280 282 283 318 344 343	Used by:1536
Symbol 1533 Graphic	Used by:1536
Symbol 1534 Text	Uses:262	Used by:1536
Symbol 1535 Text	Uses:262	Used by:1536
Symbol 1536 MovieClip {Page81}	Uses:221 1521 1522 1525 1526 1528 1529 1530 1532 1533 1534 1535
Symbol 1537 Font	Used by:1539
Symbol 1538 Graphic	Used by:1550
Symbol 1539 EditableText	Uses:1537	Used by:1550
Symbol 1540 Graphic	Used by:1550
Symbol 1541 Graphic	Used by:1550
Symbol 1542 Font	Used by:1544
Symbol 1543 Graphic	Used by:1550
Symbol 1544 EditableText	Uses:1542	Used by:1550
Symbol 1545 Text	Uses:254 246 239 277 247 245 280 248 278	Used by:1550
Symbol 1546 Text	Uses:239 280 282 283 318	Used by:1550
Symbol 1547 Graphic	Used by:1550
Symbol 1548 Text	Uses:262	Used by:1550
Symbol 1549 Text	Uses:262	Used by:1550
Symbol 1550 MovieClip {Page82}	Uses:221 1538 1539 1540 1541 1543 1544 1545 1546 1547 1548 1549
Symbol 1551 Font	Used by:1553
Symbol 1552 Graphic	Used by:1564
Symbol 1553 EditableText	Uses:1551	Used by:1564
Symbol 1554 Bitmap	Used by:1555
Symbol 1555 Graphic	Uses:1554	Used by:1564
Symbol 1556 Font	Used by:1558
Symbol 1557 Graphic	Used by:1564
Symbol 1558 EditableText	Uses:1556	Used by:1564
Symbol 1559 Text	Uses:254 246 239 247 280 245 248 277 278	Used by:1564
Symbol 1560 Text	Uses:239 280 282 283 318 262	Used by:1564
Symbol 1561 Graphic	Used by:1564
Symbol 1562 Text	Uses:262	Used by:1564
Symbol 1563 Text	Uses:262	Used by:1564
Symbol 1564 MovieClip {Page83}	Uses:221 1552 1553 1555 1557 1558 1559 1560 1561 1562 1563
Symbol 1565 Font	Used by:1567
Symbol 1566 Graphic	Used by:1578
Symbol 1567 EditableText	Uses:1565	Used by:1578
Symbol 1568 Graphic	Used by:1578
Symbol 1569 Graphic	Used by:1578
Symbol 1570 Font	Used by:1572
Symbol 1571 Graphic	Used by:1578
Symbol 1572 EditableText	Uses:1570	Used by:1578
Symbol 1573 Text	Uses:254 246 239 247 245 280 248 277 278	Used by:1578
Symbol 1574 Text	Uses:239 280 282 283 318	Used by:1578
Symbol 1575 Graphic	Used by:1578
Symbol 1576 Text	Uses:262	Used by:1578
Symbol 1577 Text	Uses:262	Used by:1578
Symbol 1578 MovieClip {Page84}	Uses:221 1566 1567 1568 1569 1571 1572 1573 1574 1575 1576 1577
Symbol 1579 Font	Used by:1581
Symbol 1580 Graphic	Used by:1592
Symbol 1581 EditableText	Uses:1579	Used by:1592
Symbol 1582 Graphic	Used by:1592
Symbol 1583 Graphic	Used by:1592
Symbol 1584 Font	Used by:1586
Symbol 1585 Graphic	Used by:1592
Symbol 1586 EditableText	Uses:1584	Used by:1592
Symbol 1587 Text	Uses:254 246 239 280 277 278 248	Used by:1592
Symbol 1588 Text	Uses:239 280 282 283	Used by:1592
Symbol 1589 Graphic	Used by:1592
Symbol 1590 Text	Uses:262	Used by:1592
Symbol 1591 Text	Uses:262	Used by:1592
Symbol 1592 MovieClip {Page85}	Uses:221 1580 1581 1582 1583 1585 1586 1587 1588 1589 1590 1591
Symbol 1593 Font	Used by:1595
Symbol 1594 Graphic	Used by:1606
Symbol 1595 EditableText	Uses:1593	Used by:1606
Symbol 1596 Graphic	Used by:1606
Symbol 1597 Graphic	Used by:1606
Symbol 1598 Font	Used by:1600
Symbol 1599 Graphic	Used by:1606
Symbol 1600 EditableText	Uses:1598	Used by:1606
Symbol 1601 Text	Uses:254 246 239 277 278 280 247 248 282 283 318 343	Used by:1606
Symbol 1602 Text	Uses:343 283 344 280 282 318 239	Used by:1606
Symbol 1603 Graphic	Used by:1606
Symbol 1604 Text	Uses:262	Used by:1606
Symbol 1605 Text	Uses:262	Used by:1606
Symbol 1606 MovieClip {Page86}	Uses:221 1594 1595 1596 1597 1599 1600 1601 1602 1603 1604 1605
Symbol 1607 Font	Used by:1609
Symbol 1608 Graphic	Used by:1620
Symbol 1609 EditableText	Uses:1607	Used by:1620
Symbol 1610 Graphic	Used by:1620
Symbol 1611 Graphic	Used by:1620
Symbol 1612 Font	Used by:1614
Symbol 1613 Graphic	Used by:1620
Symbol 1614 EditableText	Uses:1612	Used by:1620
Symbol 1615 Text	Uses:254 246 239 247 245 280 248	Used by:1620
Symbol 1616 Text	Uses:239 280 282 283	Used by:1620
Symbol 1617 Graphic	Used by:1620
Symbol 1618 Text	Uses:262	Used by:1620
Symbol 1619 Text	Uses:262	Used by:1620
Symbol 1620 MovieClip {Page87}	Uses:221 1608 1609 1610 1611 1613 1614 1615 1616 1617 1618 1619
Symbol 1621 Font	Used by:1623
Symbol 1622 Graphic	Used by:1634
Symbol 1623 EditableText	Uses:1621	Used by:1634
Symbol 1624 Graphic	Used by:1634
Symbol 1625 Graphic	Used by:1634
Symbol 1626 Font	Used by:1628
Symbol 1627 Graphic	Used by:1634
Symbol 1628 EditableText	Uses:1626	Used by:1634
Symbol 1629 Text	Uses:254 246 239 247 280 245 248 277 278	Used by:1634
Symbol 1630 Text	Uses:239 280 282 283 318	Used by:1634
Symbol 1631 Graphic	Used by:1634
Symbol 1632 Text	Uses:262	Used by:1634
Symbol 1633 Text	Uses:262	Used by:1634
Symbol 1634 MovieClip {Page88}	Uses:221 1622 1623 1624 1625 1627 1628 1629 1630 1631 1632 1633
Symbol 1635 Font	Used by:1637
Symbol 1636 Graphic	Used by:1651
Symbol 1637 EditableText	Uses:1635	Used by:1651
Symbol 1638 Bitmap	Used by:1639
Symbol 1639 Graphic	Uses:1638	Used by:1651
Symbol 1640 Graphic	Used by:1651
Symbol 1641 Font	Used by:1643
Symbol 1642 Graphic	Used by:1651
Symbol 1643 EditableText	Uses:1641	Used by:1651
Symbol 1644 Text	Uses:254 246 239 245 280 247 248	Used by:1651
Symbol 1645 Text	Uses:239 280 282 343 283 318	Used by:1651
Symbol 1646 Graphic	Used by:1651
Symbol 1647 Text	Uses:262	Used by:1651
Symbol 1648 Graphic	Used by:1651
Symbol 1649 Text	Uses:262	Used by:1651
Symbol 1650 Text	Uses:262	Used by:1651
Symbol 1651 MovieClip {Page89}	Uses:221 1636 1637 1639 1640 1642 1643 1644 1645 1646 1647 1648 1649 1650
Symbol 1652 Font	Used by:1654
Symbol 1653 Graphic	Used by:1665
Symbol 1654 EditableText	Uses:1652	Used by:1665
Symbol 1655 Bitmap	Used by:1656
Symbol 1656 Graphic	Uses:1655	Used by:1665
Symbol 1657 Font	Used by:1659
Symbol 1658 Graphic	Used by:1665
Symbol 1659 EditableText	Uses:1657	Used by:1665
Symbol 1660 Text	Uses:254 246 239	Used by:1665
Symbol 1661 Text	Uses:239	Used by:1665
Symbol 1662 Graphic	Used by:1665
Symbol 1663 Text	Uses:262	Used by:1665
Symbol 1664 Text	Uses:262	Used by:1665
Symbol 1665 MovieClip {Page90}	Uses:221 1653 1654 1656 1658 1659 1660 1661 1662 1663 1664
Symbol 1666 Font	Used by:1668
Symbol 1667 Graphic	Used by:1679
Symbol 1668 EditableText	Uses:1666	Used by:1679
Symbol 1669 Bitmap	Used by:1670
Symbol 1670 Graphic	Uses:1669	Used by:1679
Symbol 1671 Font	Used by:1673
Symbol 1672 Graphic	Used by:1679
Symbol 1673 EditableText	Uses:1671	Used by:1679
Symbol 1674 Text	Uses:254 246 239	Used by:1679
Symbol 1675 Text	Uses:239	Used by:1679
Symbol 1676 Graphic	Used by:1679
Symbol 1677 Text	Uses:262	Used by:1679
Symbol 1678 Text	Uses:262	Used by:1679
Symbol 1679 MovieClip {Page91}	Uses:221 1667 1668 1670 1672 1673 1674 1675 1676 1677 1678
Symbol 1680 Font	Used by:1682
Symbol 1681 Graphic	Used by:1693
Symbol 1682 EditableText	Uses:1680	Used by:1693
Symbol 1683 Bitmap	Used by:1684
Symbol 1684 Graphic	Uses:1683	Used by:1693
Symbol 1685 Font	Used by:1687
Symbol 1686 Graphic	Used by:1693
Symbol 1687 EditableText	Uses:1685	Used by:1693
Symbol 1688 Text	Uses:254 246 239	Used by:1693
Symbol 1689 Text	Uses:239	Used by:1693
Symbol 1690 Graphic	Used by:1693
Symbol 1691 Text	Uses:262	Used by:1693
Symbol 1692 Text	Uses:262	Used by:1693
Symbol 1693 MovieClip {Page92}	Uses:221 1681 1682 1684 1686 1687 1688 1689 1690 1691 1692
Symbol 1694 Font	Used by:1696
Symbol 1695 Graphic	Used by:1709
Symbol 1696 EditableText	Uses:1694	Used by:1709
Symbol 1697 Bitmap	Used by:1698
Symbol 1698 Graphic	Uses:1697	Used by:1709
Symbol 1699 Graphic	Used by:1709
Symbol 1700 Font	Used by:1702
Symbol 1701 Graphic	Used by:1709
Symbol 1702 EditableText	Uses:1700	Used by:1709
Symbol 1703 Text	Uses:254 246 239 277 278 316 1704 248 279 280 282 283 318	Used by:1709
Symbol 1704 Font	Used by:1703
Symbol 1705 Text	Uses:280 282 283 318 239	Used by:1709
Symbol 1706 Graphic	Used by:1709
Symbol 1707 Text	Uses:262	Used by:1709
Symbol 1708 Text	Uses:262	Used by:1709
Symbol 1709 MovieClip {Page93}	Uses:221 1695 1696 1698 1699 1701 1702 1703 1705 1706 1707 1708
Symbol 1710 Font	Used by:1712
Symbol 1711 Graphic	Used by:1723
Symbol 1712 EditableText	Uses:1710	Used by:1723
Symbol 1713 Graphic	Used by:1723
Symbol 1714 Graphic	Used by:1723
Symbol 1715 Font	Used by:1717
Symbol 1716 Graphic	Used by:1723
Symbol 1717 EditableText	Uses:1715	Used by:1723
Symbol 1718 Text	Uses:254 246 239 280 248 247 245 279 277 278 282 344 343 283 318	Used by:1723
Symbol 1719 Text	Uses:280 282 318 283 343 239	Used by:1723
Symbol 1720 Graphic	Used by:1723
Symbol 1721 Text	Uses:262	Used by:1723
Symbol 1722 Text	Uses:262	Used by:1723
Symbol 1723 MovieClip {Page94}	Uses:221 1711 1712 1713 1714 1716 1717 1718 1719 1720 1721 1722
Symbol 1724 Font	Used by:1726
Symbol 1725 Graphic	Used by:1737
Symbol 1726 EditableText	Uses:1724	Used by:1737
Symbol 1727 Graphic	Used by:1737
Symbol 1728 Graphic	Used by:1737
Symbol 1729 Font	Used by:1731
Symbol 1730 Graphic	Used by:1737
Symbol 1731 EditableText	Uses:1729	Used by:1737
Symbol 1732 Text	Uses:254 246 239 247 245 280 248 277 278 279	Used by:1737
Symbol 1733 Text	Uses:245 247 246 248 239 280 282 283 318	Used by:1737
Symbol 1734 Graphic	Used by:1737
Symbol 1735 Text	Uses:262	Used by:1737
Symbol 1736 Text	Uses:262	Used by:1737
Symbol 1737 MovieClip {Page95}	Uses:221 1725 1726 1727 1728 1730 1731 1732 1733 1734 1735 1736
Symbol 1738 Font	Used by:1740
Symbol 1739 Graphic	Used by:1752
Symbol 1740 EditableText	Uses:1738	Used by:1752
Symbol 1741 Graphic	Used by:1752
Symbol 1742 Graphic	Used by:1752
Symbol 1743 Font	Used by:1745
Symbol 1744 Graphic	Used by:1752
Symbol 1745 EditableText	Uses:1743	Used by:1752
Symbol 1746 Text	Uses:254 246 227 1084 1747 247 239 277 278 280 248	Used by:1752
Symbol 1747 Font	Used by:1746
Symbol 1748 Text	Uses:246 247 239 280 282 343 283 318	Used by:1752
Symbol 1749 Graphic	Used by:1752
Symbol 1750 Text	Uses:262	Used by:1752
Symbol 1751 Text	Uses:262	Used by:1752
Symbol 1752 MovieClip {Page96}	Uses:221 1739 1740 1741 1742 1744 1745 1746 1748 1749 1750 1751
Symbol 1753 Font	Used by:1755
Symbol 1754 Graphic	Used by:1766
Symbol 1755 EditableText	Uses:1753	Used by:1766
Symbol 1756 Graphic	Used by:1766
Symbol 1757 Graphic	Used by:1766
Symbol 1758 Font	Used by:1760
Symbol 1759 Graphic	Used by:1766
Symbol 1760 EditableText	Uses:1758	Used by:1766
Symbol 1761 Text	Uses:254 246 239 247 280 245 248 277 278	Used by:1766
Symbol 1762 Text	Uses:246 239 280 282 283 318 343 344	Used by:1766
Symbol 1763 Graphic	Used by:1766
Symbol 1764 Text	Uses:262	Used by:1766
Symbol 1765 Text	Uses:262	Used by:1766
Symbol 1766 MovieClip {Page97}	Uses:221 1754 1755 1756 1757 1759 1760 1761 1762 1763 1764 1765
Symbol 1767 Font	Used by:1769
Symbol 1768 Graphic	Used by:1780
Symbol 1769 EditableText	Uses:1767	Used by:1780
Symbol 1770 Graphic	Used by:1780
Symbol 1771 Graphic	Used by:1780
Symbol 1772 Font	Used by:1774
Symbol 1773 Graphic	Used by:1780
Symbol 1774 EditableText	Uses:1772	Used by:1780
Symbol 1775 Text	Uses:254 246 239 247 280 248 279 245	Used by:1780
Symbol 1776 Text	Uses:239 280 282 343 283	Used by:1780
Symbol 1777 Graphic	Used by:1780
Symbol 1778 Text	Uses:262	Used by:1780
Symbol 1779 Text	Uses:262	Used by:1780
Symbol 1780 MovieClip {Page98}	Uses:221 1768 1769 1770 1771 1773 1774 1775 1776 1777 1778 1779
Symbol 1781 Font	Used by:1783
Symbol 1782 Graphic	Used by:1795
Symbol 1783 EditableText	Uses:1781	Used by:1795
Symbol 1784 Bitmap	Used by:1785
Symbol 1785 Graphic	Uses:1784	Used by:1795
Symbol 1786 Graphic	Used by:1795
Symbol 1787 Font	Used by:1789
Symbol 1788 Graphic	Used by:1795
Symbol 1789 EditableText	Uses:1787	Used by:1795
Symbol 1790 Text	Uses:254 246 239 280 247 245 248	Used by:1795
Symbol 1791 Text	Uses:239 280 282 283 344	Used by:1795
Symbol 1792 Graphic	Used by:1795
Symbol 1793 Text	Uses:262	Used by:1795
Symbol 1794 Text	Uses:262	Used by:1795
Symbol 1795 MovieClip {Page99}	Uses:221 1782 1783 1785 1786 1788 1789 1790 1791 1792 1793 1794
Symbol 1796 Font	Used by:1798
Symbol 1797 Graphic	Used by:1809
Symbol 1798 EditableText	Uses:1796	Used by:1809
Symbol 1799 Bitmap	Used by:1800
Symbol 1800 Graphic	Uses:1799	Used by:1809
Symbol 1801 Font	Used by:1803
Symbol 1802 Graphic	Used by:1809
Symbol 1803 EditableText	Uses:1801	Used by:1809
Symbol 1804 Text	Uses:254 246 239 277 278 248 247	Used by:1809
Symbol 1805 Text	Uses:277 239 246 247 245 248	Used by:1809
Symbol 1806 Graphic	Used by:1809
Symbol 1807 Text	Uses:262	Used by:1809
Symbol 1808 Text	Uses:262	Used by:1809
Symbol 1809 MovieClip {Page100}	Uses:221 1797 1798 1800 1802 1803 1804 1805 1806 1807 1808
Symbol 1810 Font	Used by:1812
Symbol 1811 Graphic	Used by:1823
Symbol 1812 EditableText	Uses:1810	Used by:1823
Symbol 1813 Graphic	Used by:1823
Symbol 1814 Graphic	Used by:1823
Symbol 1815 Font	Used by:1817
Symbol 1816 Graphic	Used by:1823
Symbol 1817 EditableText	Uses:1815	Used by:1823
Symbol 1818 Text	Uses:254 246 239 277 278 248 245 247 280 279 262	Used by:1823
Symbol 1819 Text	Uses:246 239 280 282 283 318	Used by:1823
Symbol 1820 Graphic	Used by:1823
Symbol 1821 Text	Uses:262	Used by:1823
Symbol 1822 Text	Uses:262	Used by:1823
Symbol 1823 MovieClip {Page101}	Uses:221 1811 1812 1813 1814 1816 1817 1818 1819 1820 1821 1822
Symbol 1824 Font	Used by:1826
Symbol 1825 Graphic	Used by:1838
Symbol 1826 EditableText	Uses:1824	Used by:1838
Symbol 1827 Bitmap	Used by:1828
Symbol 1828 Graphic	Uses:1827	Used by:1838
Symbol 1829 Graphic	Used by:1838
Symbol 1830 Font	Used by:1832
Symbol 1831 Graphic	Used by:1838
Symbol 1832 EditableText	Uses:1830	Used by:1838
Symbol 1833 Text	Uses:254 246 239 245 247 248 280 279	Used by:1838
Symbol 1834 Text	Uses:239 280 282 283	Used by:1838
Symbol 1835 Graphic	Used by:1838
Symbol 1836 Text	Uses:262	Used by:1838
Symbol 1837 Text	Uses:262	Used by:1838
Symbol 1838 MovieClip {Page102}	Uses:221 1825 1826 1828 1829 1831 1832 1833 1834 1835 1836 1837
Symbol 1839 Font	Used by:1841
Symbol 1840 Graphic	Used by:1852
Symbol 1841 EditableText	Uses:1839	Used by:1852
Symbol 1842 Graphic	Used by:1852
Symbol 1843 Graphic	Used by:1852
Symbol 1844 Font	Used by:1846
Symbol 1845 Graphic	Used by:1852
Symbol 1846 EditableText	Uses:1844	Used by:1852
Symbol 1847 Text	Uses:254 246 239 245 247 277 278 280 248	Used by:1852
Symbol 1848 Text	Uses:248 247 246 239 280 282 283	Used by:1852
Symbol 1849 Graphic	Used by:1852
Symbol 1850 Text	Uses:262	Used by:1852
Symbol 1851 Text	Uses:262	Used by:1852
Symbol 1852 MovieClip {Page103}	Uses:221 1840 1841 1842 1843 1845 1846 1847 1848 1849 1850 1851
Symbol 1853 Font	Used by:1855
Symbol 1854 Graphic	Used by:1866
Symbol 1855 EditableText	Uses:1853	Used by:1866
Symbol 1856 Graphic	Used by:1866
Symbol 1857 Graphic	Used by:1866
Symbol 1858 Font	Used by:1860
Symbol 1859 Graphic	Used by:1866
Symbol 1860 EditableText	Uses:1858	Used by:1866
Symbol 1861 Text	Uses:254 246 239 247 245 280	Used by:1866
Symbol 1862 Text	Uses:239 280 343 283	Used by:1866
Symbol 1863 Graphic	Used by:1866
Symbol 1864 Text	Uses:262	Used by:1866
Symbol 1865 Text	Uses:262	Used by:1866
Symbol 1866 MovieClip {Page104}	Uses:221 1854 1855 1856 1857 1859 1860 1861 1862 1863 1864 1865
Symbol 1867 Font	Used by:1869
Symbol 1868 Graphic	Used by:1875
Symbol 1869 EditableText	Uses:1867	Used by:1875
Symbol 1870 Font	Used by:1872
Symbol 1871 Graphic	Used by:1875
Symbol 1872 EditableText	Uses:1870	Used by:1875
Symbol 1873 Text	Uses:239 244 245 247 246 438 262 248	Used by:1875
Symbol 1874 Text	Uses:247 248 246	Used by:1875
Symbol 1875 MovieClip {Page105}	Uses:221 1868 1869 1871 1872 1873 1874
Symbol 1876 Font	Used by:1878
Symbol 1877 Graphic	Used by:1888
Symbol 1878 EditableText	Uses:1876	Used by:1888
Symbol 1879 Graphic	Used by:1888
Symbol 1880 Font	Used by:1882
Symbol 1881 Graphic	Used by:1888
Symbol 1882 EditableText	Uses:1880	Used by:1888
Symbol 1883 Text	Uses:254 246 239 247 248 262 978 245	Used by:1888
Symbol 1884 Text	Uses:246 247 248 239	Used by:1888
Symbol 1885 Graphic	Used by:1888
Symbol 1886 Text	Uses:262	Used by:1888
Symbol 1887 Text	Uses:262	Used by:1888
Symbol 1888 MovieClip {Page106}	Uses:221 1877 1878 1879 1881 1882 1883 1884 1885 1886 1887
Symbol 1889 Font	Used by:1891
Symbol 1890 Graphic	Used by:1901
Symbol 1891 EditableText	Uses:1889	Used by:1901
Symbol 1892 Graphic	Used by:1901
Symbol 1893 Font	Used by:1895
Symbol 1894 Graphic	Used by:1901
Symbol 1895 EditableText	Uses:1893	Used by:1901
Symbol 1896 Text	Uses:254 246 239 438 262 248 247 245	Used by:1901
Symbol 1897 Text	Uses:246 248 239 247	Used by:1901
Symbol 1898 Graphic	Used by:1901
Symbol 1899 Text	Uses:262	Used by:1901
Symbol 1900 Text	Uses:262	Used by:1901
Symbol 1901 MovieClip {Page107}	Uses:221 1890 1891 1892 1894 1895 1896 1897 1898 1899 1900
Symbol 1902 Font	Used by:1904
Symbol 1903 Graphic	Used by:1918
Symbol 1904 EditableText	Uses:1902	Used by:1918
Symbol 1905 Graphic	Used by:1918
Symbol 1906 Font	Used by:1908
Symbol 1907 Graphic	Used by:1918
Symbol 1908 EditableText	Uses:1906	Used by:1918
Symbol 1909 Text	Uses:254 246 239 248 247 262 978 438 245	Used by:1918
Symbol 1910 Text	Uses:247 245 246 239	Used by:1918
Symbol 1911 Graphic	Used by:1918
Symbol 1912 Text	Uses:246 262	Used by:1918
Symbol 1913 Graphic	Used by:1918
Symbol 1914 Text	Uses:246	Used by:1918
Symbol 1915 Graphic	Used by:1918
Symbol 1916 Text	Uses:246	Used by:1918
Symbol 1917 Text	Uses:246 262	Used by:1918
Symbol 1918 MovieClip {Page108}	Uses:221 1903 1904 1905 1907 1908 1909 1910 1911 1912 1913 1914 1915 1916 1917
Symbol 1919 Font	Used by:1921
Symbol 1920 Graphic	Used by:1934
Symbol 1921 EditableText	Uses:1919	Used by:1934
Symbol 1922 Graphic	Used by:1934
Symbol 1923 Font	Used by:1925
Symbol 1924 Graphic	Used by:1934
Symbol 1925 EditableText	Uses:1923	Used by:1934
Symbol 1926 Text	Uses:254 246 239 247 245 248 438 978 262	Used by:1934
Symbol 1927 Text	Uses:246 248 239 262 978	Used by:1934
Symbol 1928 Graphic	Used by:1934
Symbol 1929 Text	Uses:246 262	Used by:1934
Symbol 1930 Text	Uses:262	Used by:1934
Symbol 1931 Graphic	Used by:1934
Symbol 1932 Text	Uses:262	Used by:1934
Symbol 1933 Text	Uses:262	Used by:1934
Symbol 1934 MovieClip {Page109}	Uses:221 1920 1921 1922 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933
Symbol 1935 Font	Used by:1937
Symbol 1936 Graphic	Used by:1947
Symbol 1937 EditableText	Uses:1935	Used by:1947
Symbol 1938 Graphic	Used by:1947
Symbol 1939 Font	Used by:1941
Symbol 1940 Graphic	Used by:1947
Symbol 1941 EditableText	Uses:1939	Used by:1947
Symbol 1942 Text	Uses:254 246 239 248 247	Used by:1947
Symbol 1943 Text	Uses:246 248 239	Used by:1947
Symbol 1944 Graphic	Used by:1947
Symbol 1945 Text	Uses:262	Used by:1947
Symbol 1946 Text	Uses:262	Used by:1947
Symbol 1947 MovieClip {Page110}	Uses:221 1936 1937 1938 1940 1941 1942 1943 1944 1945 1946
Symbol 1948 Font	Used by:1950
Symbol 1949 Graphic	Used by:1960
Symbol 1950 EditableText	Uses:1948	Used by:1960
Symbol 1951 Graphic	Used by:1960
Symbol 1952 Font	Used by:1954
Symbol 1953 Graphic	Used by:1960
Symbol 1954 EditableText	Uses:1952	Used by:1960
Symbol 1955 Text	Uses:254 246 239 248	Used by:1960
Symbol 1956 Text	Uses:239 262	Used by:1960
Symbol 1957 Graphic	Used by:1960
Symbol 1958 Text	Uses:262	Used by:1960
Symbol 1959 Text	Uses:262	Used by:1960
Symbol 1960 MovieClip {Page111}	Uses:221 1949 1950 1951 1953 1954 1955 1956 1957 1958 1959
Symbol 1961 Font	Used by:1963
Symbol 1962 Graphic	Used by:1982
Symbol 1963 EditableText	Uses:1961	Used by:1982
Symbol 1964 Bitmap	Used by:1967
Symbol 1965 Bitmap	Used by:1967
Symbol 1966 Bitmap	Used by:1967
Symbol 1967 Graphic	Uses:1964 1965 1966	Used by:1982
Symbol 1968 Font	Used by:1972
Symbol 1969 Font	Used by:1971
Symbol 1970 Graphic	Used by:1982
Symbol 1971 EditableText	Uses:1969	Used by:1982
Symbol 1972 Text	Uses:1968 239 1973 316	Used by:1982
Symbol 1973 Font	Used by:1972 1976
Symbol 1974 Text	Uses:316 392	Used by:1982
Symbol 1975 Graphic	Used by:1982
Symbol 1976 Text	Uses:1973 392 316	Used by:1982
Symbol 1977 Text	Uses:239	Used by:1982
Symbol 1978 Graphic	Used by:1982
Symbol 1979 Text	Uses:316 392	Used by:1982
Symbol 1980 Graphic	Used by:1982
Symbol 1981 Text	Uses:392	Used by:1982
Symbol 1982 MovieClip {Page112}	Uses:221 1962 1963 1967 1970 1971 1972 1974 1975 1976 1977 1978 1979 1980 1981

Instance Names

"DocArea"	Frame 2	Symbol 134 MovieClip {ScrollPain}
"HandCursor"	Frame 2	Symbol 137 MovieClip
"TextCursor"	Frame 2	Symbol 139 MovieClip
"toolbar"	Frame 2	Symbol 155 MovieClip {print2flash_fla._toolbar_25}
"msg"	Symbol 6 MovieClip {waitmsg} Frame 1	Symbol 2 EditableText
"text"	Symbol 9 MovieClip {textmsg} Frame 1	Symbol 8 EditableText
"BottomArea"	Symbol 12 MovieClip {ScrollArea} Frame 1	Symbol 11 MovieClip
"l_mc"	Symbol 42 MovieClip Frame 1	Symbol 37 MovieClip
"m_mc"	Symbol 42 MovieClip Frame 1	Symbol 39 MovieClip
"r_mc"	Symbol 42 MovieClip Frame 1	Symbol 41 MovieClip
"closeBtn"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 49 Button
"title"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 50 EditableText
"pagestxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 51 EditableText
"pagesFrom"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 52 EditableText
"totxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 53 EditableText
"pagesTo"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 54 EditableText
"OKBtn"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 73 MovieClip {fl.controls.Button}
"cancelBtn"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 73 MovieClip {fl.controls.Button}
"optNoScale"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 33 MovieClip {fl.controls.RadioButton}
"optFit"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 33 MovieClip {fl.controls.RadioButton}
"scalingtxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 74 EditableText
"fromtxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 75 EditableText
"but"	Symbol 84 MovieClip {def_fullscreen} Frame 1	Symbol 83 MovieClip {manualbutton}
"SliderHandleBtn"	Symbol 86 MovieClip {print2flash_fla.MCSlider_47} Frame 1	Symbol 85 Button {ImgButton}
"SliderHandle"	Symbol 87 MovieClip {Slider} Frame 1	Symbol 86 MovieClip {print2flash_fla.MCSlider_47}
"but"	Symbol 88 MovieClip {def_forward} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 89 MovieClip {def_back} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 90 MovieClip {def_nextpage} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 91 MovieClip {def_more} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 92 MovieClip {def_selMode} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 93 MovieClip {def_newwindow} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 94 MovieClip {def_help} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 95 MovieClip {def_rotate} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 96 MovieClip {def_prevpage} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 97 MovieClip {def_scalePage} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 98 MovieClip {def_scaleWidth} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 99 MovieClip {def_moveMode} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 100 MovieClip {def_print} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 141 MovieClip {print2flash_fla.def_searchbut_27} Frame 1	Symbol 83 MovieClip {manualbutton}
"ScaleTextField"	Symbol 144 MovieClip {print2flash_fla.Timeline_30} Frame 1	Symbol 143 EditableText
"TotalPages"	Symbol 147 MovieClip {print2flash_fla.Timeline_32} Frame 1	Symbol 146 EditableText
"PageNoField"	Symbol 149 MovieClip {print2flash_fla.Timeline_33} Frame 1	Symbol 148 EditableText
"TotalPagesMC"	Symbol 150 MovieClip {print2flash_fla.Timeline_31} Frame 1	Symbol 147 MovieClip {print2flash_fla.Timeline_32}
"PageNoFieldMC"	Symbol 150 MovieClip {print2flash_fla.Timeline_31} Frame 1	Symbol 149 MovieClip {print2flash_fla.Timeline_33}
"searchPattern"	Symbol 153 MovieClip {print2flash_fla.Timeline_50} Frame 1	Symbol 152 EditableText
"toolbarbgr"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 140 MovieClip
"searchbut"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 141 MovieClip {print2flash_fla.def_searchbut_27}
"print"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 100 MovieClip {def_print}
"ScaleTextMovie"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 144 MovieClip {print2flash_fla.Timeline_30}
"PageNoMovie"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 150 MovieClip {print2flash_fla.Timeline_31}
"moveMode"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 99 MovieClip {def_moveMode}
"scaleWidth"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 98 MovieClip {def_scaleWidth}
"scalePage"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 97 MovieClip {def_scalePage}
"prevpage"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 96 MovieClip {def_prevpage}
"rotate"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 95 MovieClip {def_rotate}
"help"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 94 MovieClip {def_help}
"newwindow"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 93 MovieClip {def_newwindow}
"selMode"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 92 MovieClip {def_selMode}
"more"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 91 MovieClip {def_more}
"nextpage"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 90 MovieClip {def_nextpage}
"back"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 89 MovieClip {def_back}
"forward"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 88 MovieClip {def_forward}
"ZoomSlider"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 87 MovieClip {Slider}
"fullscreen"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 84 MovieClip {def_fullscreen}
"searchPatternmc"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 153 MovieClip {print2flash_fla.Timeline_50}
"logo"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 154 MovieClip
"CR"	Symbol 235 MovieClip {Page1} Frame 1	Symbol 224 EditableText
"CR"	Symbol 235 MovieClip {Page1} Frame 1	Symbol 230 EditableText
"CR"	Symbol 249 MovieClip {Page2} Frame 1	Symbol 238 EditableText
"CR"	Symbol 249 MovieClip {Page2} Frame 1	Symbol 242 EditableText
"CR"	Symbol 266 MovieClip {Page3} Frame 1	Symbol 252 EditableText
"CR"	Symbol 266 MovieClip {Page3} Frame 1	Symbol 257 EditableText
"CR"	Symbol 284 MovieClip {Page4} Frame 1	Symbol 269 EditableText
"CR"	Symbol 284 MovieClip {Page4} Frame 1	Symbol 275 EditableText
"CR"	Symbol 304 MovieClip {Page5} Frame 1	Symbol 287 EditableText
"CR"	Symbol 304 MovieClip {Page5} Frame 1	Symbol 293 EditableText
"CR"	Symbol 324 MovieClip {Page6} Frame 1	Symbol 307 EditableText
"CR"	Symbol 324 MovieClip {Page6} Frame 1	Symbol 313 EditableText
"CR"	Symbol 349 MovieClip {Page7} Frame 1	Symbol 327 EditableText
"CR"	Symbol 349 MovieClip {Page7} Frame 1	Symbol 334 EditableText
"CR"	Symbol 373 MovieClip {Page8} Frame 1	Symbol 352 EditableText
"CR"	Symbol 373 MovieClip {Page8} Frame 1	Symbol 358 EditableText
"CR"	Symbol 405 MovieClip {Page9} Frame 1	Symbol 376 EditableText
"CR"	Symbol 405 MovieClip {Page9} Frame 1	Symbol 382 EditableText
"CR"	Symbol 428 MovieClip {Page10} Frame 1	Symbol 408 EditableText
"CR"	Symbol 428 MovieClip {Page10} Frame 1	Symbol 414 EditableText
"CR"	Symbol 446 MovieClip {Page11} Frame 1	Symbol 431 EditableText
"CR"	Symbol 446 MovieClip {Page11} Frame 1	Symbol 436 EditableText
"CR"	Symbol 463 MovieClip {Page12} Frame 1	Symbol 449 EditableText
"CR"	Symbol 463 MovieClip {Page12} Frame 1	Symbol 455 EditableText
"CR"	Symbol 478 MovieClip {Page13} Frame 1	Symbol 466 EditableText
"CR"	Symbol 478 MovieClip {Page13} Frame 1	Symbol 472 EditableText
"CR"	Symbol 493 MovieClip {Page14} Frame 1	Symbol 481 EditableText
"CR"	Symbol 493 MovieClip {Page14} Frame 1	Symbol 486 EditableText
"CR"	Symbol 512 MovieClip {Page15} Frame 1	Symbol 496 EditableText
"CR"	Symbol 512 MovieClip {Page15} Frame 1	Symbol 504 EditableText
"CR"	Symbol 527 MovieClip {Page16} Frame 1	Symbol 515 EditableText
"CR"	Symbol 527 MovieClip {Page16} Frame 1	Symbol 521 EditableText
"CR"	Symbol 544 MovieClip {Page17} Frame 1	Symbol 530 EditableText
"CR"	Symbol 544 MovieClip {Page17} Frame 1	Symbol 538 EditableText
"CR"	Symbol 561 MovieClip {Page18} Frame 1	Symbol 547 EditableText
"CR"	Symbol 561 MovieClip {Page18} Frame 1	Symbol 552 EditableText
"CR"	Symbol 578 MovieClip {Page19} Frame 1	Symbol 564 EditableText
"CR"	Symbol 578 MovieClip {Page19} Frame 1	Symbol 571 EditableText
"CR"	Symbol 593 MovieClip {Page20} Frame 1	Symbol 581 EditableText
"CR"	Symbol 593 MovieClip {Page20} Frame 1	Symbol 587 EditableText
"CR"	Symbol 607 MovieClip {Page21} Frame 1	Symbol 596 EditableText
"CR"	Symbol 607 MovieClip {Page21} Frame 1	Symbol 601 EditableText
"CR"	Symbol 623 MovieClip {Page22} Frame 1	Symbol 610 EditableText
"CR"	Symbol 623 MovieClip {Page22} Frame 1	Symbol 617 EditableText
"CR"	Symbol 638 MovieClip {Page23} Frame 1	Symbol 626 EditableText
"CR"	Symbol 638 MovieClip {Page23} Frame 1	Symbol 632 EditableText
"CR"	Symbol 652 MovieClip {Page24} Frame 1	Symbol 641 EditableText
"CR"	Symbol 652 MovieClip {Page24} Frame 1	Symbol 646 EditableText
"CR"	Symbol 667 MovieClip {Page25} Frame 1	Symbol 655 EditableText
"CR"	Symbol 667 MovieClip {Page25} Frame 1	Symbol 661 EditableText
"CR"	Symbol 684 MovieClip {Page26} Frame 1	Symbol 670 EditableText
"CR"	Symbol 684 MovieClip {Page26} Frame 1	Symbol 677 EditableText
"CR"	Symbol 701 MovieClip {Page27} Frame 1	Symbol 687 EditableText
"CR"	Symbol 701 MovieClip {Page27} Frame 1	Symbol 693 EditableText
"CR"	Symbol 717 MovieClip {Page28} Frame 1	Symbol 704 EditableText
"CR"	Symbol 717 MovieClip {Page28} Frame 1	Symbol 710 EditableText
"CR"	Symbol 731 MovieClip {Page29} Frame 1	Symbol 720 EditableText
"CR"	Symbol 731 MovieClip {Page29} Frame 1	Symbol 725 EditableText
"CR"	Symbol 745 MovieClip {Page30} Frame 1	Symbol 734 EditableText
"CR"	Symbol 745 MovieClip {Page30} Frame 1	Symbol 739 EditableText
"CR"	Symbol 760 MovieClip {Page31} Frame 1	Symbol 748 EditableText
"CR"	Symbol 760 MovieClip {Page31} Frame 1	Symbol 754 EditableText
"CR"	Symbol 781 MovieClip {Page32} Frame 1	Symbol 763 EditableText
"CR"	Symbol 781 MovieClip {Page32} Frame 1	Symbol 769 EditableText
"CR"	Symbol 805 MovieClip {Page33} Frame 1	Symbol 784 EditableText
"CR"	Symbol 805 MovieClip {Page33} Frame 1	Symbol 792 EditableText
"CR"	Symbol 819 MovieClip {Page34} Frame 1	Symbol 808 EditableText
"CR"	Symbol 819 MovieClip {Page34} Frame 1	Symbol 813 EditableText
"CR"	Symbol 833 MovieClip {Page35} Frame 1	Symbol 822 EditableText
"CR"	Symbol 833 MovieClip {Page35} Frame 1	Symbol 827 EditableText
"CR"	Symbol 847 MovieClip {Page36} Frame 1	Symbol 836 EditableText
"CR"	Symbol 847 MovieClip {Page36} Frame 1	Symbol 841 EditableText
"CR"	Symbol 863 MovieClip {Page37} Frame 1	Symbol 850 EditableText
"CR"	Symbol 863 MovieClip {Page37} Frame 1	Symbol 856 EditableText
"CR"	Symbol 892 MovieClip {Page38} Frame 1	Symbol 866 EditableText
"CR"	Symbol 892 MovieClip {Page38} Frame 1	Symbol 874 EditableText
"CR"	Symbol 906 MovieClip {Page39} Frame 1	Symbol 895 EditableText
"CR"	Symbol 906 MovieClip {Page39} Frame 1	Symbol 900 EditableText
"CR"	Symbol 921 MovieClip {Page40} Frame 1	Symbol 909 EditableText
"CR"	Symbol 921 MovieClip {Page40} Frame 1	Symbol 915 EditableText
"CR"	Symbol 935 MovieClip {Page41} Frame 1	Symbol 924 EditableText
"CR"	Symbol 935 MovieClip {Page41} Frame 1	Symbol 929 EditableText
"CR"	Symbol 952 MovieClip {Page42} Frame 1	Symbol 938 EditableText
"CR"	Symbol 952 MovieClip {Page42} Frame 1	Symbol 944 EditableText
"CR"	Symbol 966 MovieClip {Page43} Frame 1	Symbol 955 EditableText
"CR"	Symbol 966 MovieClip {Page43} Frame 1	Symbol 960 EditableText
"CR"	Symbol 983 MovieClip {Page44} Frame 1	Symbol 969 EditableText
"CR"	Symbol 983 MovieClip {Page44} Frame 1	Symbol 976 EditableText
"CR"	Symbol 997 MovieClip {Page45} Frame 1	Symbol 986 EditableText
"CR"	Symbol 997 MovieClip {Page45} Frame 1	Symbol 991 EditableText
"CR"	Symbol 1014 MovieClip {Page46} Frame 1	Symbol 1000 EditableText
"CR"	Symbol 1014 MovieClip {Page46} Frame 1	Symbol 1006 EditableText
"CR"	Symbol 1028 MovieClip {Page47} Frame 1	Symbol 1017 EditableText
"CR"	Symbol 1028 MovieClip {Page47} Frame 1	Symbol 1022 EditableText
"CR"	Symbol 1042 MovieClip {Page48} Frame 1	Symbol 1031 EditableText
"CR"	Symbol 1042 MovieClip {Page48} Frame 1	Symbol 1036 EditableText
"CR"	Symbol 1056 MovieClip {Page49} Frame 1	Symbol 1045 EditableText
"CR"	Symbol 1056 MovieClip {Page49} Frame 1	Symbol 1050 EditableText
"CR"	Symbol 1073 MovieClip {Page50} Frame 1	Symbol 1059 EditableText
"CR"	Symbol 1073 MovieClip {Page50} Frame 1	Symbol 1065 EditableText
"CR"	Symbol 1089 MovieClip {Page51} Frame 1	Symbol 1076 EditableText
"CR"	Symbol 1089 MovieClip {Page51} Frame 1	Symbol 1082 EditableText
"CR"	Symbol 1103 MovieClip {Page52} Frame 1	Symbol 1092 EditableText
"CR"	Symbol 1103 MovieClip {Page52} Frame 1	Symbol 1097 EditableText
"CR"	Symbol 1120 MovieClip {Page53} Frame 1	Symbol 1106 EditableText
"CR"	Symbol 1120 MovieClip {Page53} Frame 1	Symbol 1112 EditableText
"CR"	Symbol 1134 MovieClip {Page54} Frame 1	Symbol 1123 EditableText
"CR"	Symbol 1134 MovieClip {Page54} Frame 1	Symbol 1128 EditableText
"CR"	Symbol 1148 MovieClip {Page55} Frame 1	Symbol 1137 EditableText
"CR"	Symbol 1148 MovieClip {Page55} Frame 1	Symbol 1142 EditableText
"CR"	Symbol 1164 MovieClip {Page56} Frame 1	Symbol 1151 EditableText
"CR"	Symbol 1164 MovieClip {Page56} Frame 1	Symbol 1157 EditableText
"CR"	Symbol 1179 MovieClip {Page57} Frame 1	Symbol 1167 EditableText
"CR"	Symbol 1179 MovieClip {Page57} Frame 1	Symbol 1173 EditableText
"CR"	Symbol 1194 MovieClip {Page58} Frame 1	Symbol 1182 EditableText
"CR"	Symbol 1194 MovieClip {Page58} Frame 1	Symbol 1188 EditableText
"CR"	Symbol 1209 MovieClip {Page59} Frame 1	Symbol 1197 EditableText
"CR"	Symbol 1209 MovieClip {Page59} Frame 1	Symbol 1203 EditableText
"CR"	Symbol 1221 MovieClip {Page60} Frame 1	Symbol 1212 EditableText
"CR"	Symbol 1221 MovieClip {Page60} Frame 1	Symbol 1218 EditableText
"CR"	Symbol 1233 MovieClip {Page61} Frame 1	Symbol 1224 EditableText
"CR"	Symbol 1233 MovieClip {Page61} Frame 1	Symbol 1228 EditableText
"CR"	Symbol 1247 MovieClip {Page62} Frame 1	Symbol 1236 EditableText
"CR"	Symbol 1247 MovieClip {Page62} Frame 1	Symbol 1241 EditableText
"CR"	Symbol 1261 MovieClip {Page63} Frame 1	Symbol 1250 EditableText
"CR"	Symbol 1261 MovieClip {Page63} Frame 1	Symbol 1255 EditableText
"CR"	Symbol 1275 MovieClip {Page64} Frame 1	Symbol 1264 EditableText
"CR"	Symbol 1275 MovieClip {Page64} Frame 1	Symbol 1269 EditableText
"CR"	Symbol 1290 MovieClip {Page65} Frame 1	Symbol 1278 EditableText
"CR"	Symbol 1290 MovieClip {Page65} Frame 1	Symbol 1284 EditableText
"CR"	Symbol 1307 MovieClip {Page66} Frame 1	Symbol 1293 EditableText
"CR"	Symbol 1307 MovieClip {Page66} Frame 1	Symbol 1299 EditableText
"CR"	Symbol 1321 MovieClip {Page67} Frame 1	Symbol 1310 EditableText
"CR"	Symbol 1321 MovieClip {Page67} Frame 1	Symbol 1315 EditableText
"CR"	Symbol 1338 MovieClip {Page68} Frame 1	Symbol 1324 EditableText
"CR"	Symbol 1338 MovieClip {Page68} Frame 1	Symbol 1330 EditableText
"CR"	Symbol 1352 MovieClip {Page69} Frame 1	Symbol 1341 EditableText
"CR"	Symbol 1352 MovieClip {Page69} Frame 1	Symbol 1346 EditableText
"CR"	Symbol 1366 MovieClip {Page70} Frame 1	Symbol 1355 EditableText
"CR"	Symbol 1366 MovieClip {Page70} Frame 1	Symbol 1360 EditableText
"CR"	Symbol 1380 MovieClip {Page71} Frame 1	Symbol 1369 EditableText
"CR"	Symbol 1380 MovieClip {Page71} Frame 1	Symbol 1374 EditableText
"CR"	Symbol 1397 MovieClip {Page72} Frame 1	Symbol 1383 EditableText
"CR"	Symbol 1397 MovieClip {Page72} Frame 1	Symbol 1390 EditableText
"CR"	Symbol 1414 MovieClip {Page73} Frame 1	Symbol 1400 EditableText
"CR"	Symbol 1414 MovieClip {Page73} Frame 1	Symbol 1406 EditableText
"CR"	Symbol 1429 MovieClip {Page74} Frame 1	Symbol 1417 EditableText
"CR"	Symbol 1429 MovieClip {Page74} Frame 1	Symbol 1423 EditableText
"CR"	Symbol 1445 MovieClip {Page75} Frame 1	Symbol 1432 EditableText
"CR"	Symbol 1445 MovieClip {Page75} Frame 1	Symbol 1437 EditableText
"CR"	Symbol 1460 MovieClip {Page76} Frame 1	Symbol 1448 EditableText
"CR"	Symbol 1460 MovieClip {Page76} Frame 1	Symbol 1454 EditableText
"CR"	Symbol 1476 MovieClip {Page77} Frame 1	Symbol 1463 EditableText
"CR"	Symbol 1476 MovieClip {Page77} Frame 1	Symbol 1469 EditableText
"CR"	Symbol 1490 MovieClip {Page78} Frame 1	Symbol 1479 EditableText
"CR"	Symbol 1490 MovieClip {Page78} Frame 1	Symbol 1484 EditableText
"CR"	Symbol 1505 MovieClip {Page79} Frame 1	Symbol 1493 EditableText
"CR"	Symbol 1505 MovieClip {Page79} Frame 1	Symbol 1499 EditableText
"CR"	Symbol 1519 MovieClip {Page80} Frame 1	Symbol 1508 EditableText
"CR"	Symbol 1519 MovieClip {Page80} Frame 1	Symbol 1513 EditableText
"CR"	Symbol 1536 MovieClip {Page81} Frame 1	Symbol 1522 EditableText
"CR"	Symbol 1536 MovieClip {Page81} Frame 1	Symbol 1529 EditableText
"CR"	Symbol 1550 MovieClip {Page82} Frame 1	Symbol 1539 EditableText
"CR"	Symbol 1550 MovieClip {Page82} Frame 1	Symbol 1544 EditableText
"CR"	Symbol 1564 MovieClip {Page83} Frame 1	Symbol 1553 EditableText
"CR"	Symbol 1564 MovieClip {Page83} Frame 1	Symbol 1558 EditableText
"CR"	Symbol 1578 MovieClip {Page84} Frame 1	Symbol 1567 EditableText
"CR"	Symbol 1578 MovieClip {Page84} Frame 1	Symbol 1572 EditableText
"CR"	Symbol 1592 MovieClip {Page85} Frame 1	Symbol 1581 EditableText
"CR"	Symbol 1592 MovieClip {Page85} Frame 1	Symbol 1586 EditableText
"CR"	Symbol 1606 MovieClip {Page86} Frame 1	Symbol 1595 EditableText
"CR"	Symbol 1606 MovieClip {Page86} Frame 1	Symbol 1600 EditableText
"CR"	Symbol 1620 MovieClip {Page87} Frame 1	Symbol 1609 EditableText
"CR"	Symbol 1620 MovieClip {Page87} Frame 1	Symbol 1614 EditableText
"CR"	Symbol 1634 MovieClip {Page88} Frame 1	Symbol 1623 EditableText
"CR"	Symbol 1634 MovieClip {Page88} Frame 1	Symbol 1628 EditableText
"CR"	Symbol 1651 MovieClip {Page89} Frame 1	Symbol 1637 EditableText
"CR"	Symbol 1651 MovieClip {Page89} Frame 1	Symbol 1643 EditableText
"CR"	Symbol 1665 MovieClip {Page90} Frame 1	Symbol 1654 EditableText
"CR"	Symbol 1665 MovieClip {Page90} Frame 1	Symbol 1659 EditableText
"CR"	Symbol 1679 MovieClip {Page91} Frame 1	Symbol 1668 EditableText
"CR"	Symbol 1679 MovieClip {Page91} Frame 1	Symbol 1673 EditableText
"CR"	Symbol 1693 MovieClip {Page92} Frame 1	Symbol 1682 EditableText
"CR"	Symbol 1693 MovieClip {Page92} Frame 1	Symbol 1687 EditableText
"CR"	Symbol 1709 MovieClip {Page93} Frame 1	Symbol 1696 EditableText
"CR"	Symbol 1709 MovieClip {Page93} Frame 1	Symbol 1702 EditableText
"CR"	Symbol 1723 MovieClip {Page94} Frame 1	Symbol 1712 EditableText
"CR"	Symbol 1723 MovieClip {Page94} Frame 1	Symbol 1717 EditableText
"CR"	Symbol 1737 MovieClip {Page95} Frame 1	Symbol 1726 EditableText
"CR"	Symbol 1737 MovieClip {Page95} Frame 1	Symbol 1731 EditableText
"CR"	Symbol 1752 MovieClip {Page96} Frame 1	Symbol 1740 EditableText
"CR"	Symbol 1752 MovieClip {Page96} Frame 1	Symbol 1745 EditableText
"CR"	Symbol 1766 MovieClip {Page97} Frame 1	Symbol 1755 EditableText
"CR"	Symbol 1766 MovieClip {Page97} Frame 1	Symbol 1760 EditableText
"CR"	Symbol 1780 MovieClip {Page98} Frame 1	Symbol 1769 EditableText
"CR"	Symbol 1780 MovieClip {Page98} Frame 1	Symbol 1774 EditableText
"CR"	Symbol 1795 MovieClip {Page99} Frame 1	Symbol 1783 EditableText
"CR"	Symbol 1795 MovieClip {Page99} Frame 1	Symbol 1789 EditableText
"CR"	Symbol 1809 MovieClip {Page100} Frame 1	Symbol 1798 EditableText
"CR"	Symbol 1809 MovieClip {Page100} Frame 1	Symbol 1803 EditableText
"CR"	Symbol 1823 MovieClip {Page101} Frame 1	Symbol 1812 EditableText
"CR"	Symbol 1823 MovieClip {Page101} Frame 1	Symbol 1817 EditableText
"CR"	Symbol 1838 MovieClip {Page102} Frame 1	Symbol 1826 EditableText
"CR"	Symbol 1838 MovieClip {Page102} Frame 1	Symbol 1832 EditableText
"CR"	Symbol 1852 MovieClip {Page103} Frame 1	Symbol 1841 EditableText
"CR"	Symbol 1852 MovieClip {Page103} Frame 1	Symbol 1846 EditableText
"CR"	Symbol 1866 MovieClip {Page104} Frame 1	Symbol 1855 EditableText
"CR"	Symbol 1866 MovieClip {Page104} Frame 1	Symbol 1860 EditableText
"CR"	Symbol 1875 MovieClip {Page105} Frame 1	Symbol 1869 EditableText
"CR"	Symbol 1875 MovieClip {Page105} Frame 1	Symbol 1872 EditableText
"CR"	Symbol 1888 MovieClip {Page106} Frame 1	Symbol 1878 EditableText
"CR"	Symbol 1888 MovieClip {Page106} Frame 1	Symbol 1882 EditableText
"CR"	Symbol 1901 MovieClip {Page107} Frame 1	Symbol 1891 EditableText
"CR"	Symbol 1901 MovieClip {Page107} Frame 1	Symbol 1895 EditableText
"CR"	Symbol 1918 MovieClip {Page108} Frame 1	Symbol 1904 EditableText
"CR"	Symbol 1918 MovieClip {Page108} Frame 1	Symbol 1908 EditableText
"CR"	Symbol 1934 MovieClip {Page109} Frame 1	Symbol 1921 EditableText
"CR"	Symbol 1934 MovieClip {Page109} Frame 1	Symbol 1925 EditableText
"CR"	Symbol 1947 MovieClip {Page110} Frame 1	Symbol 1937 EditableText
"CR"	Symbol 1947 MovieClip {Page110} Frame 1	Symbol 1941 EditableText
"CR"	Symbol 1960 MovieClip {Page111} Frame 1	Symbol 1950 EditableText
"CR"	Symbol 1960 MovieClip {Page111} Frame 1	Symbol 1954 EditableText
"CR"	Symbol 1982 MovieClip {Page112} Frame 1	Symbol 1963 EditableText
"CR"	Symbol 1982 MovieClip {Page112} Frame 1	Symbol 1971 EditableText

Special Tags

FileAttributes (69)	Timeline Frame 1	Access local files only, Metadata not present, AS3.
FileAttributes (69)	Timeline Frame 1	Access local files only, Metadata not present, AS3.
ScriptLimits (65)	Timeline Frame 1	MaxRecursionDepth: 256, ScriptTimeout: 65535 seconds