swfchan: looking forward.swf (info)

Text

    

 

    

500%

/ 9999

9999

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Looking
Forward

KENNETH S. KEYES, JR. and JACQUE FRESCO

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Dedicated to the youth of the world who must meet the challenge of the twenty - first century.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

About the Authors

Kenneth S. Keyes, Jr., is a multi - faceted man. He atten ded Duke
University and obtained a BA from, the University of Miami, majoring
in psychology and minoring in music. His interests include art,
symphonic music, yachting - he lives aboard a 71 - foot yacht named
Caprice and writing - he is the author of How to Dev elop Your Thinking
Ability and How to Live Longer - Stronger - Slimmer . He has taught in
the Evening Division of the University of Miami.

Jacque Fresco worked as an industrial designer for thirty years,
designing all types of equipment from pr efabricated houses to
automobiles, electronic and medical equipment, human factors
systems, and hundreds of commercial products and inventions. He has
designed and patented such varying items as a radical aircraft wing
structure patented by the USAAF and t hree - dimensional motion
pictures not requiring the "use of viewers. Numerous articles and
photographs have been published about his work in many magazines
and newspapers. He has served as technical advisor in a number of
motion pictures, including one of t he first on space stations and a
journey to the moon called Project Moon Base . He lives in Miami.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

LOOKING FORWARD

by Kenneth S. Keyes, Jr. and Jacques Fresco

Looking forward is an imaginative and fascinating book in which the authors take you on a jour ney into
the culture and technology of the twenty - first century. After an introductory section that discusses the
"Things that Shape Your Future." you will explore the whys and wherefores of the unfamiliar, alarming,
but exciting world of a hundred years f rom now.

You will see this society through the eyes of Scott and Hella, a couple of the next century. Their living
quarters are equipped with a cybernator. a seemingly magical computer device, but one that is based on
scientific principles now known. It r egulates sleeping hours, communications throughout the world, an
incredible underwater living complex, and even the daily caloric intake of the "young" couple. (They are
in their forties but can expect to live 200 years.)

The world that Scott and Hella li ve in is a world that has achieved full weather control, has developed a
finger - sized computer that is implanted in the brain of every baby at birth (and the babies are scientifically
incubated the women of the twenty - first century need not go through the pains of childbirth), and that has
perfected genetic manipulation that allows the human race to be improved by means of science.

Economically, the world is Utopian by our standards. Jobs, wages, and money have long since been
phased out. Nothing has a pr ice tag, and personal possessions are not needed. Nationalism has been
surpassed, and total disarmament has been achieved; educational technology has made schools and
teachers obsolete. The children learn by doing, and are independent in this friendly worl d by the time
they are five.

The chief source of this greater society is the Correlation Center, "Corcen," a gigantic complex of
computers that serves but never enslaves mankind. Corcen regulates production, communication,
transportation and all other bur densome and monotonous tasks of the past. This frees men and women
to achieve creative challenging experiences rather than empty lives of meaningless leisure.

Obviously this book is speculative, but it is soundly based upon scientific developments that ar e
now known. And as the authors state:
"You will understand this book best if you are one who sees today only as a stepping stone
between yesterday and tomorrow.

You will need a sensitivity to the injustices, lost opportunities for happiness, and searing conflicts that
characterize our twentieth - century civilization. If your mind can weigh new ideas and evaluate them
with insight, this book is for you.
"We have no crystal ball. ... We want you to feed our ideas into your own computer, so that you can
find even better ideas that may play a part in molding the future of our civilization."

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Designs and Illustrations by Jacque Fresco
South Brunswick and New York: A. S. Barnes and Company

London: Thomas Yoseloff Ltd
© 1969 by Kenneth S. Keyes, Jr. and Jacque Fr esco

Library of Congress Catalogue Card Number: 68 - 27189
A. S. Barnes and Co., Inc.
Cranbury, New Jersey 08512
Thomas Yoseloff Ltd
108 New Bond Street
London W1Y OQX, England
SBN: 498 06752 1
Printed in the United States of America

Other Books by Kennet h S. Keyes, Jr.

Member of the Authors League of America

HOW TO DEVELOP YOUR THINKING ABILITY HOW
TO LIVE LONGER — STRONGER — SLIMMER

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Contents

Acknowledgments

Part I. THINGS THAT SHAPE OUR FUTURE

1.   The Leap from the Jungle
2.   The Confusion of Our Times
3.   Pre dicting the Future
4.   Our Values Chart Our Course
5.   The Scientific Method
6.   Cybernated Technology
7.   Away We Go!

Part II. A PROJECTION OF OUR FUTURE

8.   At Home in the Twenty - first Century
9.   A Multi - Dimensional Life
10.   Designing the New Generation
11.   A Visit to Corcen
12.   The Cul tural Center
13.   The Cybernated Industrial Complex
14.   The Limitless Frontiers of Space
15.   The New Personality

Part III. LOOKING FORWARD

16.Education for Change

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Acknowledgments

The authors are indebted to countless people for the ideas and encouragement that hav e made this
book possible. Most of those who reviewed the manuscript felt that these enormous changes in man and
his environment might happen in 1,000 years but not in the next century as we suggest. The authors,
however, have wondered whether the future s ociety they describe may be partially in existence by the
time the book is published. We see so many of our predictions of things to come being discussed,
developed and tried that we suspect we have been too conservative in estimating the time.

The follow ing kind friends have read the manuscript and offered excellent suggestions — some of which
were used: Anne Ammirati, John Bethea, Louise Boches, Janice Burr, Charles Kimball, Shirley Lewis,
William A. McCall, Gretchen McCall, Graham Miller, Joe Prospero, Ch arles Ray, Christie Ray, Arden
Richards, Velma Richards, Marjofie Sherrill, and Anitra Thor - haug. We are indebted to Herbert Wallach,
Jr., for suggesting our title — Looking Forward. Bonita Bennett listened to these "far - out" ideas, typed
them studiously, a nd still had the stamina to assist greatly in editing and revising. Shirley Rosichan
offered many excellent editorial suggestions. Others who helped with various phases of the work were
Marty Costello, Karen Brandt, and Stephanie Brovold. Frank Seldon and Carl Green tirelessly assisted in
reproducing copies of the manuscript. Also thanks to Iván García who helped digitalizing the paperbook
trough OCR. Our thanks are also due to the authors and publishers who have kindly given permission to
quote from their works.

Kenneth S. Keyes, Jr.
Jacque Fresco

Miami, Florida

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

PART I
THINGS THAT SHAPE OUR FUTURE

1.The Leap from the Jungle

The lives of most men and women are blighted by problems they cannot solve. And people usually
blame themselves, or they bl ame "fate" whatever that is. However, when two cars collide at an
intersection, should we, as students of society, concentrate our attention on the individual blame of the
drivers, on "fate" or on the way transportation is engineered so that it permits col lisions?

If you believe that cars and roads should be designed so that it is almost impossible for people to lose
their lives through collisions, this book is for you. If you believe that the mind is capable of gradually
applying the method of patient, sc ientific investigation to find out how to rearrange the structure of our
society to give each individual a greater opportunity for self - realization and happiness while he is on
earth, we welcome and need your help.

If you believe it's about time for the h uman race to stop spinning its wheels, then let's get going!

But this book on the future of our civilization is not for everyone. Few will be able to read it without forming
an opinion before they see the picture as a whole. To enjoy this book you will ha ve to blend open -
mindedness with critical skepticism. It is hard enough to face the problems of our own time. And it is
many times more difficult to understand a projection of fantastic and shocking changes that may occur
over the next hundred years!

Supp ose an intelligent man in New York City around 1860 had sat down one evening with a
book predicting life a century later.

He would have refused to believe that almost everyone in 1960 would be able to own a horseless
carriage that could whisk about at 60 or more miles per hour. With his Victorian attitudes he would have
been deeply shocked by the brief bikinis. In 1860, not even a "woman of ill repute" would have appeared
so undressed in public. He would have smiled smugly at the ridiculous prediction that man - made flying
machines would travel faster than the speed of sound. The thought of sending pictures and sounds
through miles of air would have seemed impossible to a sensible person in 1860. It would have been
incredible to him that the art of war would progress to the point where one small bomb would destroy a
city. Our Victorian would have been alarmed that a part of his wages could be withheld to provide for
retirement. At this point, let us leave this gentleman of the last century muttering to himsel f about loss of
freedom and the world's moving too fast.

Are we more flexible — more farsighted — today? We will need to become experts at changing our
minds. The differences between the nineteenth and twentieth centuries will probably be small when

compared with the accelerating pace of the next century.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

You will understand this book best if you see today as only a stepping stone between yesterday
and tomorrow. You will need a sensitivity to the injustices, lost opportunities for happiness, and
searing confl icts that characterize our twentieth - century civilization. If your mind can weigh new
ideas and evaluate them with insight, this book is for you.

We have no crystal ball that gives an accurate picture of the twenty - first century. We want you to feed our
ideas into your own computer. Perhaps you may find even better ideas that may play a part in molding
the future of our civilization. In the next six chapters we'll explore the "why" and "wherefore" of the
unfamiliar, alarming, unbelievable, wonderful, and exciting picture we will paint of the twenty - first century.
Then we'll join Scott and Hella, who live in the next century. We'll experience with them the new
dimensions of life in the changed world of the future.

The Long Journey

To understand the pr obable courses of man's future development, let's spend a few minutes looking into
his past. The world came into existence around four and one - half billion years ago, and all sorts of weird
fishes and monstrous dinosaurs got into the act before we did. Mil lions of years ago our ancestors were
little apelike fellows that spent most of their time in trees. Then some of these little beasts began to do
things that were to make a lot of difference to you and me. They quit jumping from branch to branch like
the s quirrels and, instead, began swinging from limb to limb somewhat like the man on the flying
trapeze. This led to some important changes from head to toe. The arms, which previously moved in a
restricted arc, developed free rotation.

This makes it possible for a baseball pitcher to whirl his arms around and zing one over home plate.
The intestinal organs, which had been slung from the backbone, as in a dog, were now supported by
the pelvis, which became somewhat bowl - shaped.

The front feet didn't have to s upport the weight of the body anymore, and they developed into a bunch
of skyhooks that we call fingers. Since animals that misjudged distances when swinging from branch to
branch left fewer offspring, we are blessed today with excellent stereoscopic visio n and neuro - muscular
co - ordination. We owe a large part of what we are today to our swinging primate ancestors.

Man has made three big steps away from his animal cousins. The first cultural jump occurred when he
began to use fire, tools, and language. Alt hough men of our own species, Homo sapiens, have been here
about 50,000 years, radioactive carbon datings show that our ancestors were using tools and fire as
much as 600,000 years ago.

The beginnings of language probably occurred several hundred thousand years ago. This was a
tremendous leap forward. The development of language may have played a part in helping us be as
intelligent as we are today. Suppose someone had yelled, "Watch out for the tiger in the tree behind
you!" The more intelligent ones woul d have got the message fast. They probably charmed the greater
number of females that evening and, thus, left more offspring.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The second big cultural jump taken by our ancestors occurred about 7,500 years ago. This was the
discovery of how to raise food. The development of agriculture and animal - raising made it possible for
us to live in crowded nests known as cities. When man had to gather his food in the form of fleeing
animals and random plants, it took a lot of land to support a small group.

For examp le, there were probably not over 100,000 people on the entire continent of Europe before
they learned to raise food.

A good year might have increased the birth rate. But they would soon have been killed off by famine
and disease if there were even one rou gh year when the game and plants were less available.

When man began to raise food, he could stay in one place instead of roaming all over the countryside.
Socially and technologically, lots of things began to happen for the first time. He began to accumu late
bric - a - brac. The wheel was developed. He learned how to heat metals to make them soft so that they
could be poured or beaten into useful shapes. He developed the plow for working the land and the loom
for weaving cloth. Social patterns that were need ed in city life were developed. He amplified political
structures and created armies equipped with death - dealing instruments. Within a thousand years after our
ancestors acquired the know - how for raising food, the cultural patterns of city life, politics, business, and
technology were invented. Since then they have continued with very little change until recently.

Many anthropologists consider the city as our most fundamental social invention. The first cities evolved in
southwestern Asia, and the pattern of the city was well worked out in Mesopotamia by 4,500 to 4,000 B.C.
Cities did not appear in China until around 2,000 B.C. Europe had to wait until the Greeks put together a few
cities around 900 to 800 B.C. The city did not appear in Scandinavia until a fter 1,000 A.D.

Writing developed almost simultaneously, about 5,000 to 6,000 years ago, in Egypt, Mesopotamia, and the
Indus Valley. The Chinese invented their cumbersome symbols 2,000 years later. When a man's thoughts
were written, they could speak out after his death. The human race began to accumulate information that
permitted the building of a modern civilization with a complex value system.

Whereas learning was previously a monopoly of a privileged class, the development of the alphabet
eventually made it possible for everyone to acquire an education. All alphabets now in use seem to
stem from a single point of origin in the Sinai Peninsula where the Egyptians were busy mining. Most of
the time the Egyptians used criminals and prisoners of war for this type of work. Occasionally, some
wandering Semites who needed food came to work for them. Since they were pretty smart fellows, the
sheiks of the Semites were appointed foremen of the mines.

As part of their job they drew up reports on how much metal was mined and how much money
was earned by the various men.

From the complicated Egyptian system of writing, these foremen abstracted the simple symbols
representing single sounds in the Egyptian system. We are indebted to them for giving us the
first al phabet.

We were doing business as usual by at least 3,000 B.C. Standard weights and measures were in use in

Sumeria. Barley was one of the earliest mediums of exchange. A measure for barley was available for

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

public use in the market place. If a farmer ha d felt he was being gypped, he could have walked over and
measured it out. By 3,000 B.C. convenient metal coins began to be used in place of the more awkward
sacks of barley, and a shortage of money became a continual problem for the government. The Code o f
Hammurabi set the value ratio of barley and metal. This code provided serious penalties for anyone
caught cheating. To make sure this money system would work, a merchant could have been put to
death if he had refused to accept either barley or coins in p ayment for his merchandise.

There are cuneiform records of loans with interest that ran as high as 300 per cent when an
individual could not offer security.

Even the lowest rate was 25 per cent per year. The Sumerians worked out business methods such as
stock companies and corporations. Many tablets recording their business deals and their private
correspondence have survived. One tablet dated before 2000 B.C. describes the complaint of an old
man about the degeneracy of the younger generation. Another ta blet is from a boy at school telling his
parents about the "lousy food."

The late Ralph Linton , a noted American anthropologist, wrote:

Many of the economic and social patterns which still operate in modern Western society can be
traced to this region. It has been said that if George Washington had been transported back to the
court of Hammurabi of Babylon, about 2067 - 2025 B.C., he would have felt vastly more at home
there than he would in the modern capital city which bears his name. Apart from language
difficulties, he would have encountered very few things in Hammurabi's empire which were not
familiar and understandable, while in Washington he would have been baffled and confused by
the tremendous technological changes . . .
and the fumbling efforts wh ich our society is making to bring the other aspects of its culture
into adjustment with these.*

* (The Tree of Culture (New York: Alfred A. Knopf,1959), p. 298.)

The third enormous step in the development of human culture took place when we began to su pplement the
puny muscles of human beings and animals with other sources of power. The use of sails on boats eventually
replaced galley slaves. Water power was used to carry things downstream. The water wheel furnished power
to run mills. Later, steam powe r replaced even more human muscles. During the last hundred years we
learned to manufacture large amounts of electrical energy. Then things began to hum because this made
energy or power available at any point to which we could run a wire or lug a generato r.

From a modern point of view one of the most useful measures of the development of a civilization is
the amount of available energy per person. To a large extent the degree of physical comfort that you
enjoy today is correlated with the energy that is a t your disposal.

The application of the scientific method of thinking has made it possible to develop almost unlimited
amounts of energy. This energy may be in the form of electricity which will run a constellation of labor -
saving and life - enriching appli ances and instruments. It may be in the form of coal, gasoline, oil, or nuclear

power. It may be in chemical form, such as in an automobile battery or a flashlight cell. Imagine

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

the almost complete paralysis that would occur if your electricity and gasoli ne supply were cut off, and
you had to use your own muscles in place of the complex of machines upon which you now rely.

Our Rapidly Evolving Civilization

We are today but a few steps from the jungle. While we've been trying to get away from the animal
patterns of the jungle for a little over a half - million years, we really got moving only a few thousand
years ago with the development of cities and the invention of writing. It has just been in the last century
that we have started the large scale use o f non - muscular sources of energy and power. Most factory
workers today are laboring in industries that were not even in existence in 1900. Although our world may
in some ways appear stable to us, we are in a furious transitional phase in which changes are occurring
at the fastest rate in history.

Today we are at the beginning of this third phase of the development of our civilization.
Fantastic developments lie ahead.

If life at times seems bewildering, if you feel pulled in many directions, if you find t hat no matter what
you do, you still have sticky problems, if you find that our economic, political, and social ways of doing
things sometimes create more difficulties than they solve, then you are simply playing your part in
suffering through the present transitional phase of our civilization.

Much of your life is patterned along the lines used in western Asia several thousand years ago. Yet,
some of the conditions to which you are trying to adjust have come out of the laboratory in the last few
decades. If the day - by - day pattern of your personal, business, and social life is something less than
serene, you've been caught in the wringer of change, and you've got lots of company.

2.The Confusion of Our Times

The habit patterns of men and women that m ay have been appropriate several thousand years ago
cannot be made to yield maximum happiness in the changed world of today — to say nothing of the future
civilization toward which we are rapidly evolving. This chapter will briefly catalogue some of the thin gs
that keep us frustrated, insecure, and jumpy. As might be expected in a time of rapid transition, few of the
basic needs of men and women are now met in a satisfying way. We hope you will bear with us as we
haul out some of the dirt that usually stays l umpily under the rug.

Among the hangovers from the past, we might list the grisly pattern of war. Back in Mesopotamia a war
might have chewed up a few thousand people. The First World War killed approximately ten million
people of whom 5 per cent were civ ilians. But that's only the beginning. The Second World War rolled

up a death toll five times as large — approximately fifty million. About 50 per cent were civilians.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Suppose there were no police and no laws in your city. Who would be safe? Criminals might like it. But
not you and your family. Similarly, the lack of a respected and enforced international law between
nations endangers everyone on earth today. It's like living in a jungle.

General Eisenhower has summed up the tragic effects of the custom of war as a method of
settling disputes between nations:

... a life of perpetual fear and tension; a burden of arms draining the wealth and the labor of all
peoples; a wasting of strength that defies the American system or the Soviet system or any
system to achieve true abundance and happiness for the peoples of this earth . . .
Every gun that is made, every warship launched, every rocket fired signifies, in the final sense,
a theft from those who hunger and are not fed, those who are cold and are not clothed . This
world in arms is not spending money alone.
It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children.
The cost of one modern heavy bomber is this:

A modern brick school in more than 30 cities.
It is two elect ric power plants, each serving a town of 60,000 population.
It is two fine, fully equipped hospitals.
It is some 50 miles of concrete highway.
We pay for a single fighter plane with a half a million bushels of wheat.
We pay for a single destroyer with new homes that could have housed more than 8,000
people . . .

This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is
humanity hanging from a cross of iron.

When Bertrand Russell, world famous philosopher, participated at the age of ninety in a big peace
demonstration in London in 1962, he was arrested and sent to jail for a week! It seemed that he wanted to
change some of our habit patterns. He wished to end nuclear bomb testing, get rid of all nuclear
weapons, and abo lish the institution of organized murder that we call "war".

Economic Insecurity

In spite of our program of so - called "social security," both personal and economic insecurity are usual in
our time. Few people can be sure of continued employment. In man y cases one can not be sure that the
business that employs him will be in existence a year from now. Often, one can not be sure that the type
of work for which he has been trained will be in demand next year. Automation is eliminating hundreds
of thousands of jobs each year in the United States.

We are quite ingenious in building factories that can turn out enormous quantities of television sets,
automobiles, refrigerators, toothbrushes, packaged foods, etc. But we wouldn't dare let these factories run ful l

time because they would produce more goods than we could sell. So we have idle factories some of

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

the time with large numbers of people in need all of the time. Paradoxically, it seems that only when
we're fighting a war are we able to keep our industria l machines operating at full capacity. Although much
of our population can use better clothing, better housing, and better food, our techniques in distributing
the bounty of mass production are bogged down by economic diseases that go under the names of
"o verpopulation," "unemployment," and "lack of purchasing power."

Dr. Ralph Linton has observed:

As the disharmonies within the culture become increasingly pronounced, more and more of the
society's energy and resources have to be expended on makeshift adj ustments until the period of
rapid change gradually grinds to a halt. Our own society would seem to be in such a period at the
present time. Its tremendous and still accelerating development of science and technology has not
been accompanied by an equal de velopment in social, economic, and political patterns . . . We
are now . . . only beginning to explore the potentialities which it offers for developments in our
culture outside technology, particularly in the social, political, and economic fields. It is safe to
predict that even two or three centuries from now, such social inventions as modern - type
Capitalism, Fascism, and Communism will be regarded as primitive experiments directed toward
the adjustment of modern society to modern technology.*

* Linton, T he Tree of Culture (New York: Alfred A. Knopf, 1959), pp.47 - 8.

Our Polluted World

Although this is the only world we have, we're certainly not taking good care of it. We've already
exploded enough atomic bombs to contaminate the atmosphere with stronti um 90 and other radioactive
elements. According to Hathaway and Leverton of the U.S. Department of Agriculture:

Strontium 90 . . . may become a health problem. Its radioactivity is slow to disappear, and its
accumulation in the body could be dangerous. . . . Strontium 90 was first detected in animal
bones, dairy products, and soil in 1953. It now occurs in all human beings regardless of their age
or where they live.*

* Milicent L. Hathaway and Ruth M. Leverton, "Calcium and Phosphorous," Food, The Yearbook
o/ Agriculture, 1959 (United States Department of Agriculture, Washington, D.C., 1959), p. 117.

Atomic bombs are not the only means we use to pollute the air we breathe. The exhausts of
automobiles, the excretions of industry, and the burning of coal, oi l, and garbage are also busy
contaminating the air. Today air pollution affects in some degree more than 7,000 urban areas inhabited
by 115,000,000 Americans. When bituminous coal and low grade fuel oil are burned, sulphur dioxide gas
and smoke are release d. A five - day killer smog hit London in 1952 and killed 4,000 people. Air pollution
has been linked with the common cold, asthma, pneumonia, tuberculosis, influenza, chronic bronchitis,
pulmonary emphysema, and lung cancer.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Those who are not overly worrie d about human beings might well ponder other costs of air pollution.
Sulphur dioxide has been shown to disintegrate nylon stockings. It reacts chemically with moisture to
form sulphuric acid, which eats away roofs, eaves, downspouts, and other exposed meta ls. It even
affects stone buildings and the proud statutes of military heroes in the parks.

Air and water are the most immediate physical necessities of life. Lest we neglect the latter, it may be
pointed out that our largest river is well polluted with o ils, phenols, ammonia and toxic metals, blood,
refuse from hospitals and undertakers, and acids from mines. For example, in the St. Louis area there
have been times when the chicken feathers, viscera, and offal collect in patches too thick to drive a
motor boat through. The 300,000,000 gallons of sewage a day coming from St. Louis and East St. Louis
contain 460 tons of solid garbage and 165 tons of ground garbage. In the part of the Mississippi from St.
Louis to New Orleans, a mouthful of water contains half a million coliform bacilli, which come largely
from untreated sewage. Nor does the United States have a monopoly on polluted water. Throughout the
world about five million children die each year before their first birthday from diarrhea or dysentery
throu gh drinking unclean water.

Ephemeral Machines

The pleasure of living in the twentieth century is somewhat tarnished by the constant deterioration of the
machines and gadg ets we use. They are, unfortunately, designed for a short life — both style - wise an d
function - wise. It is possible to build a washing machine or television set that would probably not need
service during a ten - year period. It is possible to design an automobile that may remain trouble - free for
a ten - year period and to give it an attract ive design that would be appreciated even longer. Instead of
designing for longevity and service, automobile designers rack their brains for ways to make next year's
car so appealing that we'll trade in this year's car. Gerald Piel informs us:

According t o the standard practice of our durable goods industries — always with the aim of
perpetuating scarcity in the face of abundance — the automobile is designed for 1,000 hours
of service, to be traded in at 40,000 miles or less.

Can you think of any electrical or mechanical device in your home that will remain trouble - free for a long
period? There is only one device in your home that is designed to last about twenty years. It is likely that it
won't require service during this time. And you don't even own it! Al though it is a complicated electronic
instrument, you can drop it on the floor, and it probably won't break. Whether you use it once a day or
continuously throughout the day, it does not seem to wear out. The reason it was designed to give at
least two dec ades of trouble - free service is that it was not made to be sold. The company that rents it to
you would have to repair it at their own expense if something were to go wrong. So they make sure that
this complex device is engineered to high standards. They can't make money if it breaks down every few
months. In case you haven't guessed the name of this one thing in your home that has been engineered
to give you maximum utility and minimum maintenance, it is the telephone! It is designed for trouble - free
use, not for cheap production at a profit. How wonderful it is to realize that there are ways to get off the
treadmill of buy it, use it, junk it, and buy it again!

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Standing Room Only

Overpopulation of the world is a twentieth - century problem. It took until about Ï800 for us to spawn a
world population of one billion. Current predictions indicate that the present population of three and one -
third billion will explode to seven billion by the end of this century and to sixteen billion by the year 2040 if
the g rowth rate is not changed.

This enormous growth in population in many areas of the world is greatly exceeding the ability of most
countries to provide food and decent living standards. The FAO World Food Survey of 1963 found that
at least 60 per cent of t he people in the under - developed areas were undernourished and that half of the
world suffers from hunger, or malnutrition, or both. In Africa, Latin America, and the Far East, food
production is growing only two - thirds as fast as the population. In the la tter two areas the per capita food
production is still below the levels attained twenty - five years ago ! Eugene R. Black, former president of
the World Bank, has summed it up in this way:

I must be blunt. Population growth threatens to nullify all our ef fort to raise living standards in
many of the poorer countries. We are coming to a situation in which the optimist will be the man
who thinks present living standards can be maintained.

Cultural Dilemmas

Most of the built - in dilemmas that face human be ings in our fast - changing world pose problems for which
the wisdom of the past offers no effective solutions. In so many ways we're like a man chased to the edge
of a cliff by a roaring lion. If he jumps, he'll be hurt. And if he stays there, the lion's go ing to get him. For
example, we have built - in sexual drives that become strong in the teen years. Marriage may seem to
offer a solution. Yet, the marriage counselors advise us that early marriages have a greater rate of
divorce — that a person needs to expe rience life and achieve a degree of maturity before choosing a life
partner.The individual suffers no matter how he tries to solve the problem. If a person has an active sex
life before marriage, the mores of our tribe may load him with feelings of guilt. If an unmarried person
denies his need for sexual expression, he may enjoy a culturally - clean conscience, but he will be fighting
a constantly stimulated, deep need that has been structured into his body. Guilt feelings may still arise
from vivid sexual fa ntasies, erotic dreams, or masturbation. No matter what choice a person makes in this
situation, it is usually accompanied by conflict and doubt. Not only in matters of sex, but in most business,
personal, and social matters we are confronted with countles s dilemmas. Our present folkways make it
difficult to achieve effective solutions that deeply contribute to human dignity and happiness.

On the Homefront

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"The mass of men," said Thoreau, "lead lives of quiet desperation."
The lives of most people in o ur present civilization fall far short of fulfilling levels of serenity and
happiness. Ann Landers, a newspaper columnist, who deals with personal problems received
this poignant letter:

Dear Ann Landers :
How do you feel after reading a couple of hundred letters? Disenchanted, I'll bet.
When I look back at my own life, its problems and its failures, I wonder what is it all about?
Then I look at my children and what has happened to their lives. Dear God, I tried. He knows I
tried. But where did I fail? I m ust have failed. I am their mother.
The children went to church and Sunday School. They earned Bibles for perfect attendance
and they had love. But here is the record :
One married while in the Air Force. Five years later — debt, drinking, divorce. Two child ren,
two unhappy pawns. Remarriage out of the church. More debts.
Our daughter, desperately in love in high school, married to a fine but sick man. Willing but
unable to work. Debts, then death.
A new love? She thought so, but her second marriage was a poo r one. Where will it end?
Heaven only knows. . . .

The lives of not - so - quiet desperation of many people are reflected in another letter received by
Ann Landers.

Dear Ann:

Our five children are in bed and I am looking at a huge basket of clothes that I should be
ironing, but I'm writing this letter to you instead.
I'm so exhausted if I walked past the bed and looked at it I'd fall asleep standing up.

My husband is a wonderful person and a terrific father. He doesn't drink or gamble and wouldn't
think of spending a dime on himself. He always puts me and the children first. He works hard at
his job, but every week they take something out of his paycheck. I don't think we'll ever be a dollar
ahead.In 18 years this house will be paid for, and then it will pr obably fall apart.
The kids, God love them, are wonderful. They help me by doing for themselves and by just being
good. Never do I hear a complaint because they have to wear their cousin's hand - me - downs or
because there is no money for treats or Scout unif orms.
If I could get my hair done in a beauty shop and eat dinner out once in a while I'd think I was
in heaven. Is this what life was meant to be?

Tired

Ann Landers began her reply, "Only if you're lucky. . . ." *

* Reprinted by permission of Ann Land ers and Hall Publisher's Syndicate.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The Quandary of Women

It is quite possible that most women in our rapidly changing civilization have a rougher time of it than
men. A woman who lived on a farm two centuries ago was deeply needed and felt secure. Sh e and her
home were the center of vocation, recreation, and education. Although she worked hard, she was
psychlogically secure in her own feeling of worth. She was confident of the great need which she supplied
in the lives of her husband and children. Tod ay, household gadgets have relieved woman of some of the
work, but the secure emotional foundations of her life have been largely swept away. The home is no
longer the place where the family makes its living. Factories and offices beckon the father to a wo rld of
business not shared by the rest of his family. Schools grab up the children and take over the responsibility
for educating them — frequently, in a way that is quite different from the training of the parents. Although
television has added to the recre ational aspect of modern homes, most of the really exciting things
happen away from home. Automobiles scatter the family in all directions, and the home is often used
primarily as a hotel in which to eat and sleep.

The modern housewife is expected to be a fascinating and energetic companion to her husband. She
must meet the endless needs of her children. And at the same time she must operate the household,
including food - gathering at the grocery store. In addition to these three full - time occupations whic h
stretch her out pretty thin, she should find time to develop her own mind and body, including frequent trips
to the beauty salon. After a number of years of this tearing in every direction, most wives begin to feel
that, "Life is passing me by." They beg in to question their self - worth. They realize that they are needed
less and less by their husbands and children. Unhappiness, divorce, suicide bitterness, and blighted
personalities are often the consequences of our rapidly changing culture.

In the United States there are currently around four million divorces a year that affect about a third of
a million children mostly under ten years of age. Divorce statistics themselves are not important, but
the painful bickering, searing accusations, and damaged egos that lead to a divorce greatly affect the
total sum of human happiness.

When a woman tries to live a fuller life in the world outside her home, the path is not smooth. Dr. Ruth B.
Kundsin, a prominent Harvard bacteriologist, said:

It is my contention th at women in the United States have been victims of both prejudice and
discrimination . . . If she has a sprinkling of Harlowian traits, her male colleagues are flirtatious. If
she looks like a benevolent moose, they are merciless and their appraisal of her appearance
takes precedence over what she has to say.

Dr. Kundsin would have us consider the enjoyment of living with a happy, independent woman who
is utilizing her talents completely and arrives home with sparkling, challenging expertenees of her
own t o tell and share. . . . Couldn't it be that the love of such a woman is a wondrous, exciting
experience? Or does the American male ego really need a female slave in residence?

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Just in case it's beginning to look as though only the women have a rough time of it, there's a tragedy in
the monotonous, routine - filled hours by which most men earn their living. Spending most of the prime
years of one's life fighting to earn an existence severely limits the self - realization and happiness of most
men. The world is so full of exciting things to learn, of interesting places to travel, of countless creative
hobbies, of body - building sports, and of lovely sunsets and natural beauty that one must wistfully sigh
at our limited opportunity to experience the best things in life.

A Hornet's Nest of Problems

In this chapter we have briefly touched on some of the problems of our confused civilization that scream
the loudest for solutions. It would be possible to write several books just describing the "hangovers" of
our tra nsitional civilization. Take a deep breath because we haven't covered even a hundredth of the
problems of the present. Help us fill out the long, long list:

The failure to apply scientific methods to solve social problems; the thousands of insidious types of
prejudice and prejudice - inspired violence and killing; the hollowness of so much of family and social
life; a competitive life pattern that makes it difficult for us to give fellow humans the deep acceptance
that their egos need so much; the failure of men to cooperate in joining hands over national boundaries
to build a civilization in which all men may be happier, the failure to seek and utilize the abilities of
geniuses, the shortage of good teachers; schools that indoctrinate in what to think instea d of teaching
how to think; the unfortunate attitude that education stops when "schooling" is over; the failure of 40
per cent of our young people to finish high school; the restlessness of our adolescent population; drug
addiction; the problem of abortion ; mental illness; the failure of prisons to rehabilitate; the growing
crime rate; slums that mar our beauty and disgrace our humanity; a countryside made ugly with
shoddy stores, screaming signs, and junkyards; the primitive automotive systems which kill o ver
40,000 people each year; the high rate of all kinds of accidents that kill one person in the United States
every six minutes and injure someone every three seconds; the difficulty of consumers in getting
reliable information on products because of adve rtising that exaggerates little differences; the
competitive system in which one man's success in business may throw three into the tragedy of
bankruptcy; unemployment; the insecurity of men and women in the forty to sixty - five age range who
have difficult y in finding well - paying, dignified employment; price - fixing; industrial strikes; the squeeze
on the small businessman; monopoly; the graft of politicians and the hypocrisy of lawmakers; high
taxes; senior citizens, restless in retirement; unscientific tam pering with our land, resulting in floods,
dust storms, and the loss of valuable forests; the fertile acres wasted in the growth of tobacco that is
detrimental to the health of mankind; water shortage that hampers agriculture and industry:

the use of pest icides in ways that injure people and kill wildlife; agricultural practices and
processing techniques that result in low quality foods; choosing foods by taste and habit instead of
by vitamin - mineral - protein - unsaturated fat content; immature personalities reinforced by the
deficiencies of television, radio, and motion pictures; the prevalence of inadequate values based
on wealth and social prestige, which seldom bring happiness when achieved; and the list may go
on and on and on.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The purpose of this book i s to show how the mind and heart of man can solve these apparently
"unsolvable" problems. The readers of this book may be "pioneers" in a deeply significant way
when the long - range story of civilization is written.

3.Predicting the Future

At every poi nt in history [warns Dr. George Gallup] man has assumed that civilization has reached
its zenith. He has smugly refused to place himself on a scale of time that reaches thousands and
millions of years into the future as well as into the past. Looked at fro m the vantage point of 8,000
years hence — approximately the period of recorded history — man's progress up to the present
time may appear far less impressive than it does today.*

* George Gallup, The Miracle Ahead (New York, Evanston, and London: Harper & Row, 1964),
p. ix.

We have been here such a short time that we could almost be called "newborn." If you were to use a
twenty - four hour clock to represent the time since life began on earth, it would show that man has only
been in existence since the last mi nute of the twenty - fourth hour; only during the last few seconds of the
last minute has modern man begun to use scientific methods to lead him to the most effective ways to
get things done. We are just now beginning to hit our stride. More new knowledge ha s been created
during the twentieth century than in the previous billion years. Change is everywhere.

How does one go about predicting the most probable changes in man's future? One might at first think
that scientists could give us worthwhile information on the future. They're busy hammering out the next
step. They're running experiments to find out what works and what doesn't. They're patiently sifting
facts and theories that form the stepping stones to the future. But a glance at the record shows that f ew
scientists have been able to anticipate future developments correctly. They have often been woefully
wrong in giving opinions on the probability of events even a decade in the future.

About eighty years ago Thomas Edison, after his brilliant success wi th the phonograph and carbon
microphone, became interested in using electricity to make light. When the news of this got around, the
securities of the gas companies began to drop. The British Parliament appointed a committee to
investigate the possibility of developing an electric light. The concensus of the experts was that
Edison's ideas were, "good enough for our transatlantic friends . . . but unworthy of the attention of
practical or scientific men."

C. D. Darlington the brilliant English geneticist s aid:

It is no accident that bacteria were first seen under the microscope by a draper, . . . that
oxygen was first isolated by a Unitarian minister, that the theory of infection was first

established by a chemist, the theory of heredity by a man who was u nfitted to be a university
instructor in either Botany or Zoology.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

At the beginning of this century, most scientists unanimously agreed that an airplane was probably
impossible, and, even if it worked, it was impractical. The eminent American astronom er Simon
Newcomb declared with finality:

The demonstration that no possible combination of known substances, known forms of machinery
and known forms of force, can be united in a practical machine by which man shall fly long
distances through the air, see ms to the writer as complete as it is possible for the demonstration
of any physical fact to be.

Fortunately, the Wright brothers did not have time to worry about Newcomb's conclusions. They were
too busy bolting a gasoline engine onto some wings in thei r bicycle shop in Dayton. Here's what William
H. Pickering, a well - known scientist, had to say after the Wright brothers had flown their airplane at Kitty
Hawk:

The popular mind often pictures gigantic flying machines speeding across the Atlantic and
car rying innumerable passengers in a way analogous to our modern steamships. ... It seems safe
to say that such ideas must be wholly visionary, and even if a machine could get across with one
or two passengers the expense would be prohibitive to any but the c apitalist who could own his
own yacht.

Another popular fallacy is to expect enormous speed to be obtained. It must be remembered that the
resistance of the air increases as the square of the speed and the work as the cube.... If with

30 h.p. we can now a ttain a speed of 40 m.p.h., then in order to reach a speed of 100 m.p.h. we
must use a motor capable of 470 h.p. ... it is clear that with our present devices there is no hope of
competing for racing speed with either our locomotives or our automobiles.

Scientists may have struck out when it came to airplanes, but they had another chance to improve
their batting average on predictions as the rocket age approached. In spite of the pioneering
researches of American Robert Goddard and the Romanian Hermann Ob erth, who outlined in detail
the basic technology of rockets and spaceships, Professor A. W. Bickerton in 1926 wrote:

This foolish idea of shooting at the moon is an example of the absurd length to which vicious
specialization will carry scientists workin g in thought - tight compartments. Let us critically examine
the proposal. For a projectile entirely to escape the gravitation of the earth, it needs a velocity of
7 miles a second. The thermal energy of a gramme at this speed is 15,180 calories. . . . The
e nergy of our most violent explosive — nitroglycerine — is less than 1,500 calories per gramme.
Consequently, even had the explosive nothing to carry, it has only one - tenth of the energy
necessary to escape the earth. . . . Hence the proposition appears to be b asically impossible. . . .

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

During the last few months of World War II, the Germans surprised the world with a V - 2 rocket, which they
fired from the Continent to England. This naturally raised the possibility that an intercontinental missile might
be built which could he fired in Europe to destroy American cities. Dr. Vannevar Bush, who was head of the
United States scientific war effort, testified before a Senate Committee on December 3, 1945:

There has been a great deal said about a 3,000 miles high - ang le rocket. In my opinion such a
thing is impossible for many years. The people who have been writing these things that annoy me,
have been talking about a 3,00U mile high - angle rocket shot from one continent to another,
carrying an atomic bomb and so direc ted as to be a precise weapon which would land exactly on
a certain target, such as a city. I say, technically, I don't think anyone in the world knows how to do
such a thing, and I feel confident that it will not be done for a very long period of time to come . ... I
think we can leave that out of our thinking. I wish the American public would leave that out of their
thinking.

Slightly over a decade after this expert delivered his words of wisdom, there were intercontinental
missiles in actual productio n, and the Russians had Sputnik I orbiting the earth ! Arthur C. Clarke in his
excellent book Profiles of the Future (and to whom we are indebted for the examples of predictions given
in this chapter) wrote:

Too great a burden of knowledge can clog the wh eels of imagination; I have tried to embody
this fact of observation in Clarke's Law, which may be formulated as follows:

When a distinguished but elderly scientist states that something is possible, he is almost
certainly right. When he states that somet hing is impossible, he is very probably wrong.

Perhaps the adjective "elderly" requires definition. In physics, mathematics, and astronautics it
means over thirty; in the other disciplines, senile decay is sometimes postponed to the forties.
There are, of course, glorious exceptions; but as every researcher just out of college knows,
scientists of over fifty are good for nothing but board meetings, and should at all costs be kept
out of the laboratory!*

* Arthur C. Clarke, Profiles of the Future (New York : Harper & Row 1964), p. 14.

Men Who Scored

There have been many men who have been successful in making remarkably accurate predictions of the
future. Leonardo da Vinci possessed the necessary combination of imagination and nerve. Jules Verne,
in the last century, gave us fantastic predictions, almost all of which have become present - day realities.
Thorsten Veblen was able to foresee economic and social trends far in advance of their occurrence. H.

G. Wells encompassed, at least in outline, the inevit ability of a world society essentially based upon

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

scientific, rather than political, orientation.

Anyone who doubts the possibility of long - range prediction might well consider the statements of Friar
Roger Bacon, who lived between 1214 and 1294. These words were written at a time when science
and technology as we know them were non - existent :

Instruments may be made by which the largest ships, with only one man guiding them, will be
carried with greater velocity than if they were full of sailors. Char iots may be constructed that will
move with incredible rapidity without the help of animals. Instruments of flying may be formed in
which a man,sitting at his ease and meditating in any subject, may beat the air with his artificial
wings after the manner o f birds ... as also machines which will enable men to walk at the bottom
of the seas. . . .

Perhaps the only thing we can be sure about when predicting the future is that it will sound utterly
fantastic. It will be enormously different from anything tha t we regard as "natural" or "right." If our
predictions in this book seem plausible to you, we have probably failed to see far enough ahead. If
our projection of the future seems completely impossible and utterly fantastic, there is a possibility
that we m ay be on the right track.

How We Predict the Future

As we pointed out in the first chapter, we have not been able to find a crystal ball we consider reliable for
predicting the future. We have, instead, developed a method of analysis which we wish to s et forth clearly. If
you agree with the method by which we will attempt to predict some of the features of our twenty - first century
civilization, perhaps you will then find some of the revolutionary conclusions more acceptable.

It is our hypothesis that t here are three important factors that will greatly influence the evolution of
our civilization. They are:

1.   The values, purposes, and ideals toward which man is striving.
2.   The method of thinking that we use to select our courses of action.
3.   The state of techn ology, or, what sort of tools are available to help us do what we want to do.

In the next three chapters we are going to discuss each of these three factors that we believe will generate
the future shape of our civilization. We believe that if we are abl e to determine what people really want here
on earth, we will be able to anticipate the general directions in which men will go in building the civilization of
the future. We will inquire into the "mind" and "heart" of man to see what he really seems to wa nt most. We
will see if there have been values that have been on a steady upswing for centuries. If we are successful in

correctly pinpointing the values and ideals that human beings will most

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

desire in the future, we will be on our way toward accurately predicting the type of civilization that
lies ahead of us.

Values are only a first step. To know what man really wants is most helpful, but it is equally important that
we accurately pick the method of thinking that he will use to try to get what he wants . For example, man
has always placed a high value on good health. But simply having this value is not enough. The methods
of thinking that accompany a value have a lot to do with whether it will be achieved. Thinking
methodology that was in vogue during pa st centuries resulted in seriously ill people being bled by
barbers. Blood - sucking leeches were considered a necessary item in the doctor's bag. In contrast, the
methods of thinking in use today in the field of medicine often call for a blood transfusion.

In the past if an idea sounded plausible, people believed it. If an authority said something was true, it
was generally accepted. It was very rare for a person to say, "I don't care how reasonable it sounds or
who says it's so, I want to make some careful tests to see for myself."

Thus, the methods of thinking that people employ play a big part in determining what kind of
civilization they have.

A third factor that interacts with the value structure and the methods of thinking is the technology of a
give n age. For example, as a consequence of our value structure, we want to travel to the moon. We
use scientific methods of thinking to arrive at the basic theories that show us how to get there. But if the
state of technology does not yield a metal strong en ough and light enough to build spacecraft, we're not
likely to set foot on the moon.

Our technology has been slowly evolving for the last 600,000 years. It was a great day when prehistoric man
first picked up a stick and used it as an instrument to achiev e greater control over his environment. The
invention of the wheel was a big step forward. But there has been more technological development in the last
half - century than in the preceding 600,000 years. Computers, automation, and the development of atomic
power enormously enhance man's potential to achieve whatever values and ideals he chooses.

Now you know how we are going about this. If anyone wishes to spell out in useful detail some of
the forms of our future, we believe he must pick the right horse in three different races:

1.   He must correctly assess what man will want to do — what he really values most.
2.   He must accurately find out how he's going to try to do it — what methods of thinking he will rely
upon most.
3.   He must analyze the tools that man will have for accomplishing what he sets out to do — he
must pinpoint the significant technological developments that will play major roles in the future.

All three factors interact with each other. The value structure not only influences the method of thinking
and the technology, but it is, in turn, influenced by them. The method of thinking that man employs is
affected by his value structure and the technology of the age, but it also plays a part in modifying both of
these. Similarly, the technology of any given ci vilization interacts in a mutual way with the value
structure and the method of thinking. These pregnant factors might be viewed as three gears that mesh
with each other.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Now you have a way to judge how well we accomplish what we set out to do. If you don't feel that we
have picked the trends that will play the largest part in shaping the future, then you probably won't accept
the type of civilization that we describe in Part II of this book. If, however, you feel that we have correctl y
assessed the dominant trends in mankind's value system, if you feel that the method of thinking has
been accurately pinpointed, and if you view technology in the same vein, then you may be intrigued by
our projection of the experiences of a man and woman in the twenty - first century.

4.Our Values Chart Our Course

Many people have pessimistic feelings about the future. Perhaps the enormous growth of technology
that enables man to build bombs that can destroy a city, automobiles that kill more people tha n wars,
and planes that exceed the speed of sound give them a "What's next?" feeling. Perhaps some of the
pessimism is due to the failure of economic, social, and political inventions to keep pace with the
developments of physical science.

Many people ide ntify the future with the value system projected by Aldous Huxley in Brave New World
and George Orwell in 1984. These authors had an important message for us. They pointed out that if we
choose values that ignore the inner needs of man, we can create a hor ror here on earth. Orwell wrote of
a society in which technology was used to the ultimate to curtail freedom of thought and action. A
television camera in every apartment enabled secret police to see what was going on. The only way for
an individual to hav e any privacy was to turn his back to the camera and speak softly. This was modern
technology implementing a value system of the past. Most science fiction uses an inadequate system of
crude values that conflict with man's need to be a free spirit enjoying the potentialities of life.

We are rapidly approaching a stage in human development that will permit man to do almost anything he
wants. We feel confident man will choose a set of values that will yield happiness. The warnings of
Orwell and Huxley have n ot been in vain. We'd be glad to trade two hours in the present world of conflict

for one hour in the advanced civilization of one hundred years from now. We feel that the next century
will open the door to new horizons of human experience and happiness.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

How We Got Our Value System

Perhaps the most significant thing a person can know about himself is to understand his own system of
values. Almost every thing we do is a reflection of our own personal value system. What do we mean by
values? Our values are what we want out of life. No one is born with a set of values. Except for our
basic physiological needs, such as air, water, and food, most of our values are acquired after birth.

As an example of how values are picked up, individuals who grow up in the twentieth - century America
are conditioned to the acquisition of money as a part of their value structure. It isn't "natural" for a person
to Want money. It's a value most people in our culture acquire. When we were perhaps two years old, we
learned tha t a penny would buy a piece of candy. We heard adults say with obvious approval, "He has a
lot of money." As we grew up, we observed the correlation between money and larger cars, more
beautiful homes, finer clothes, etc. Feelings of self - worth became ass ociated with money. Over the years
we gradually acquired a value structure that led us to place such a high value on money that in our
present economy of scarcity we spend a large part of our lives scratching for dollars.

If we had grown up in a society w here people do not stress material wealth, money would not have
played an important part in our value structure. In Samoa food is there for the taking. Coconuts and fruit
grow without cultivation, fish are available in the nearby sea, little or no clothing is needed, and it doesn't
take long to put up a thatched - roof hut from materials that grow on all sides. In such a society people may
be less likely to work hard for money. People conditioned in this manner do not act in ways men consider
acquisitive, com petitive, and thrifty.

When a culture is in a rapid state of transition, we have conflicting values which often yield hostility and
unhappiness. Most people in twentieth - century America have a value system that includes both sincerity
and the desire for m oney. Suppose a merchant advertising a sale were to include a "loss - leader" item
such as a dacron shirt for $1.49. But if people flocked to purchase this advertised shirt, they would find
that he had only six for sale at this price. The conflict in values might be felt by both the merchant and
his customers. Our transitional culture of today keeps us in perpetual conflict.

Values are not immutable and eternal. They are created largely by the feelings of human beings. "The
values both of individuals and of groups both large and small have been changed," Ralph Borsodi
advises us:

They are being changed today more rapidly than ever before. The acquisition and the inculcation
of values begins at birth in the acceptance or rejection of the child by its parents; the values
inculcated and acquired during the first few years of life affect the unconscious mind so deeply that
their alteration is not easy, but they can be changed and it is easier to change them in the modern .
. . world than ever before.*

* Ralph Bors odi, "Eight Propositions About Values," The Humanist, (1964, Number Five), p. 152.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Reprinted by permission.

We can test a value by asking, "Does it yield happin ess for us?" There is nothing absolute about any
value — it's not a question of "right" or "wrong," "true" or "false," "good" or "bad." We should ask
ourselves, "How do our values affect our happiness, both present and future?"

The happenstance of when and where we are born determines what set of values we acquire. A few
years or a few miles can make a whale of a difference. Although we know that no one is born with a set
of values, the particular set of values we acquire seems both "inborn" and "natural" to us. We always feel
strange when we meet people with a different set of values. They don't act "right."

Jacques Fresco, one of the authors, visited Bora - Bora in the Society Islands thirty years ago. He carried
with him fifty pocket mirrors and hundreds of beads and other novelties that he hoped to use in place of
money. Fresco showed these gifts to several natives and then put them into a suitcase. When he
returned to his living quarters several hours later, he was surprised to see a number of men and wome n
freely handing out the beads, mirrors, and other trinkets to their Polynesian friends. He interrupted them
and asked what was going on. One of the older men replied that Fresco had more than he needed and
that it was a shame to see so many wonderful thin gs not being put to use.

After establishing a favorable relationship with the Polynesians, he made a casual comment that he
would appreciate their help in building an outrigger canoe. They gathered in a huddle and left without
saying anything. Several day s later, they appeared carrying an outrigger canoe and presented him with
this extravagant gift. During the next two weeks he was unable to find time to enjoy their gift. They
appeared disturbed and picked up the canoe and carried it away.

"Why are you ta king my canoe away?" he asked.
An older Polynesian stepped forth and commented resentfully, "We give you boat. You no use. We
take back."

It took Fresco a while to grasp fully the significance of such a system of values based on need and
use, instead of o wnership.
Many of the values that you and I have today were devised thousands of years ago in a world of great
scarcity. For example, during past centuries it took about twenty farmers to produce enough surplus
food to maintain one townsman. To have a deep feeling of worth in such a world, it was usual to have a
value structure that generated hardworking and thrifty behavior.

The scarcity conditions of the past have led men to place a high value on owning as many things as
possible. The ownership of a set of tools enabled a man to make his living. If someone had stolen these
from him, his ability to earn a living would have been threatened. The ownership of material goods
became associated with a feeling of self - esteem. In some of our past cultures, the con cept of private
ownership even extended to include women. Women could be bought and sold in the marketplace.
Even in the twentieth century we have conflicts in our value system as the status of women is evolving
from being the property of men to the role o f free human beings.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"Life, Liberty, and the Pursuit of Happiness"

If we are to make a reasonable anticipation of the type of world our descendants will have, we must
adequately choose the dominant trends in values. So here we go! Although there are many ways to
phrase it, we feel that the value wave of the future was expressed well by Thomas Jefferson in The
Declaration of Independence in that historic phrase, "Life, Liberty, and the Pursuit of Happiness."

Although we in mid - twentieth - century Ameri ca have a degree of liberty and freedom, we have only
reached the first rung in climbing the ladder toward achieving the highest degree of life and liberty. When
men of the future look back and try to understand the relatively primitive conditions of mid - t wentieth -
century America, they will be most perplexed. They may comment that while Fourth of July speeches in
which the blessings of liberty, freedom, and the right of everyone to be an individual were spoken of quite
highly, yet every year more and more l aws were passed telling people that they couldn't do this, and they
would pay a fine if they did that, and they would go to jail for doing something else. Perhaps further
research by future historians might reveal that many of our laws were passed because we felt they were
needed to keep men from hurting other men. In other words, the liberty of one person had to be limited
so that he could not destroy the freedom and happiness of others. And this will be a curious thing for
people in the future to understa nd about our present civilization. For they will find it unthinkable that
conditions existed that permitted conflict between human beings.

The civilization of the future will outgrow the need for laws as we know them. For example, we have a
law against mu rder.

In the future there will be no laws dealing with murder. No baby is born a murderer. Immersed in a
conflict - culture such as ours, he interacts with the conditions of his environment to develop a pattern of
reaction that can, under certain circumstan ces, lead him to kill another human being. As he grows up, he
often sees headlines and pictures in newspapers telling of murder. In literature, movies, and television
he witnesses thousands of murders.

Our sick society dotes over such legendary murderers as Jesse James, Al Capone and Bonnie and
Clyde. A young child lives under conditions where he is trained to be jealous and acquisitive. His
king - sized ego learns to respond with feelings of deep hurt and rejection. If one day the grown man
were to find his wife in bed with another man, he would respond in a way that is dictated by the years
of conditioning. It would seem natural for him to seize a gun and murder the man.

Today we are beginning to identify various things which condition us to act as we do. In the future the
factors that condition human beings to kill or do other things that harm fellow human beings will be
understood and eliminated. The value structure will not permit children to be conditioned in sick, twisted,
and insane ways. If it is fou nd that someone might do something that could hurt another human being,
the reaction will not be to pass a law against it. People will not use an archaic structure of courts, judges,
and laws. They will simply ask themselves, "What is it that permits a per son to act in a way that could hurt

someone else?" When they find the root of the difficulty, they will modify conditions so that people will not

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

— or can not — act in this way.

What About Human Nature?

When little was known about cultural anthropolo gy, sociology, and psychology, it seemed quite valid to
resist proposed reforms by saying, "It won't work. It's against human nature." It is difficult for many people
to appreciate the fact that what they call "human nature" just doesn't exist. Scientific research has
discovered that it is probably not even "human nature" for a man to be attracted sexually to a woman!
The particular object to which one is attracted sexually seems to be determined by experiences that
happen early in life. This even applies t o some animals. Eckhard Hess kept a young male jungle fowl with
him for the first month of its life. It was not permitted to be with any of its own species during this time.
Hess noticed :

This animal, even after five years — much of that time in associati on with his own species — courts
human beings with typical behavior, but not females of his own species. This certainly is a far -
reaching effect and is similar to the finding of Räber (1948), who reported on a male turkey
whose behavior toward human beings w as similar.*

* Eckhard H. Hess, "Imprinting," Science, (1959), p. 140.

Man is like a mirror — he largely reflects his surroundings. If man were to come into the world with a
fixed "nature" consisting of automatic responses, civilization would be impossi ble. Like the ants, we
would live out our lives in patterns that are modified but little with the passing of time. The wonderful
thing about us is that we come into this world with maximum flexibility.

Values of the Future

We believe that man's pursuit of happiness under the conditions of the twenty - first century will permit
him to achieve the fullest expression of the following values:

A matured society will permit man a maximum degree of life, liberty, and freedom. Individuals will
u nderstand themselves. They will choose patterns of living that will deeply express their own inner
selves. Never before has society been able to permit all individuals to express their intellectual,
emotional, and physical needs. At long last, individuals will no longer be subordinated and pressured to
conform to a set pattern.

Life and Liberty

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Economic Abundance.
There will be economic abundance so that the material needs of men are amply met. Competitiveness,
acquisitiveness, thriftiness, and the hardworking syndrome wil l be as extinct as the dinosaur.

The ideal of radiant health will continue to be valued as it has in the past. But for the first time it can be
realized. Scientific nutrition along the lines suggested by one of the authors in How to Live Longer —
Stronger — Slimmer will be built into everyday life - patterns.* Improved genetic designs and living
conditions which promote maximal health will give a freedom from disease and a maximum of energy
that was seldom achieved in older civilizations. The average life - span may well exceed 150 years in the
twenty - first century. Eventually, it will stretch toward immortality.

* Kenneth S. Keyes, Jr., How to Live Longer — Stronger — Slimmer (New York: Frederick Fell, 1966).

Man's feeling s of friendship, warmth, and love for all other men will deepen to an extent that can not be
understood by those who live in the twentieth - century world of scarcity. Friendship and love in the
twentieth century are so clouded with conscious and unconscious hostilities, competitiveness, envy,
greed, and insecurity that the deepest levels of human warmth can not be approached. Only in a
mature society is it possible for man to savor fully his relationships with fellow human beings.

The po tential that men and women have for enjoying the pleasures of sex will reach their greatest fruition in a
mature society. Sexual behavior in mid - twentieth - century America will be regarded as incredibly primitive, for
it is overladen with guilt feelings inc ulcated by early raining. In the twenty - first century sexual emotions will be
treasured because of their historical association with the creation of life. Deep feelings of pleasure, oneness,
and relaxation will flow from the mature expressions of human sex ual feelings.

Man's appreciation of beauty will expand from the narrow ranges of the present into the greatly enlarged
horizons he will achieve in the future. The physical beauty of human beings will not be confined to the
narrow s tandards of the "beauty queen" mentality of today. The beauty of human beings of all ages from
birth to the lovely mellowness of old age will be appreciated. Esthetic experience will become a pervasive
reality in the lives of all men. Almost everything in the twenty - first - century world will be beautiful. Man's
esthetic sense will not be dulled by exposure to sham and artificiality, slums, jukeboxes, and advertising
art. As we will discuss in a later chapter, music will acquire new dimensions that completely transcend
the limited orchestral ranges of today. Beauty will become an integral part of life, not just something we
appreciate at detached moments. People will be more interested in producing art than in acquiring and
displaying it.

-
People in the twenty - first - century world will achieve penetrating levels of rapport, both with themselves and
with the feelings of others. Many of the inner feelings of people in the twentieth century are repressed and do
not come fully into awareness. It is extremely rare that one's innermost feelings can be continually, fully, and
freely expressed, even between friends or lovers. In the future all feelings will be eagerly sought, verbalized,

and thoroughly accepte d by others. This will produce a new dimension of relaxed living that is

Health and Longevity.
Love and Friendship.
Physical Pleasures.
Appreciation of Beauty.
Deep Levels of Self Knowledge and Communication of Feelings.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

almost unknown today.

The relaxed egos of individuals in the twenty - first century will permit them to achieve a deep pleasure in
sharing the happiness and the experiences of others. The achievement of happiness will not be on a
narrow self - centered basis in which one ego fights another for a feeling of worth. People in the future will
feel that the happiness levels of all individuals are t o a large degree interlocked and rise and fall
together. For example, if one person is sick, the disease might spread to others. If he is unhappy, the
interaction with others might make them unhappy. If an individual is given an inferior status, his
resent ment might lead to hostile acts that hurt others. Hence, individuals in the twenty - first century will
value the feelings of other people as their own and derive a deep satisfaction from knowing that all men
in their society live relaxed, deeply - fulfilled a nd fascinating lives. No one will stand alone.

The challenge of life that men and women will experience in the future will, perhaps, be a supreme
value. For the first time all men and women will live a multidimensional life, limited only by their
imagination. In the twentieth century we could classify people by saying, "He is good in
sports. She is an intellectual. He is an artist." In the future all people will have the time and the facilities to
accept the fantastic variety of chal lenges that life offers them. Men and women will feel perfectly at home
in all parts of their world. The satisfaction of a continuing self - development will be a normal part of life,
not a rare thing as it is in the mid - twentieth century.

Open Eyes and O pen Minds

As we sketch a picture of the twenty - first - century world, we will seek values that will help individual men,
women, and children to achieve feelings of fulfillment. Most of the functional value systems of the past
will seem inappropriate in t he world of the future that we project in Part II.

We must be prepared to see the dissolution of human institutions that have been with us for thousands of
years if they no longer contribute maximally to human happiness in the changed world of the twenty - first
century. As we study the future value structures of mankind, we must not be like travelers who go to a
foreign land and immediately compare everything with their own home town. To understand another
place, we must lay aside the value patterns that w e are used to. We must relax our mental sets so that
we may feel a new pattern of human experience. The biggest problem that we face is to get the twentieth -
century dust out of our eyes so that we may feel and think as freshly as possible about the almost
limitless permutations and combinations of life patterns that mankind may explore for ever higher levels of
fulfillment in the future.

If you think that today's vices and virtues are absolute and ultimate and reflect the final value system for
all times a nd all civilizations, you will find our projection of the future to be shocking and incredible. If
you have an absolute attitude toward values, all you can do is to project your particular conditioning

onto mankind's dynamically evolving future. You will t end to see the future in terms of the present with,
of

Vicarious Sharing of the Delights of Others
The Challenge of Life.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

course, some of the burrs removed. If you want even the slightest chance of understanding where we
are going — and possibly helping us get there — shake out the absolutes and put in the relatives. A cultu re
must be seen relative to time, relative to place, and relative to a particular framework of values, thinking
methodology, and technology.

Civilization has just recently given up crawling and has begun to toddle. With the development of
scientific metho ds of thinking several centuries ago, mankind began to blossom into what might be called
the childhood of civilization. We are today fast - growing adolescents. We have clashing values. We are
torn between our inside feelings and needs and outside structures and pressures. The adulthood of
human civilization lies before us. There is only one thing we can know for certain — the world of the future
will be enormously different from anything in the past or present.

5.The Scientific Method

Our method of thin king helps us choose between formulations, ideas, thoughts, notions, hypotheses,
theories, and other cerebral itches. It enables us to decide what is "true" and what is "false." Our
method of thinking should help us pick the most reliable thing to do that offers maximum predictability. It
should enable us to reject ideas that do not correspond with observable facts.

What are the various methods of thinking that man has used? There is the method of appealing to
authority, or, asking what the wise men, prese nt or past, have to say about the problem. There is the
method of intuition, which means pumping your feelings for something that may bear on the problem.
There is the method of rational, philosophical, logical thinking, which means using your brain to tes t
out various verbal structures.

We're in favor of using all the above methods of thinking, and any others you can find, for the purpose of
coming up with creative ideas that may be useful. It is vital that we should not misuse these methods of
thinking b y relying on them to make a final selection. To choose the most useful ideas we must finally
quit talking and check whether a verbal formulation corresponds with observable facts.

The history of human thought shows that we don't get very far as long as we spin words around in our
heads and fail to take the scientific step of checking them against observable facts. Non - scientific
methods of thinking do not produce agreement between individuals of different backgrounds. They can
argue "until the cows come ho me," and problems still don't get settled. Even worse, non - scientific
methods have never been successful in building an effective structure of knowledge on which men of
all nations can rely. Reliable knowledge accumulates only when men slow the flow of wor ds and start
scientifically checking their ideas against something outside their skulls. The enormous progress of
science and the technological marvels of our age were possible because men tested their ideas against
observable facts.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The Beginning of the Scientific Method

Although the Greeks dabbled in and seemed to have anticipated almost everything, it was not until
Francis Bacon (1561 - 1626) appeared on the scene that men began to use systemically the method of
science. As Dr. George Gallup pointed o ut :

Bacon argued strenuously for an entirely new approach to the physical world. ... He advocated
the experimental approach, its virtue being that every finding and conclusion could be tested.
Since every new bit of knowledge was demonstrably true, the re would be no room for quarreling
schools of thought, and knowledge about the physical world could be rapidly expanded. Bacon's
foresight has proved correct.
The world of knowledge, as a result, has been literally transformed by this special way
of channe ling man's intelligence.
Almost all of the physical and material benefits mankind enjoys today are a product of this
method of science.*

* George Gallup, The Miracle Ahead (New York, Evanston, and London: Harper &
Row, Publishers, 1964), p. 153.

In a way this scientific method of thinking is really nothing new and not so unusual. We use it often in our
everyday personal, business, and social problems. The thing that makes the big difference is the
thorough insistence that all knowledge pass the test of be ing checked by observation. Most of our
everyday thinking is a mixture of all methods of thinking.

The scientific method is almost as "old as the hills." Imagine a group of cave men perched on a river bank,
arguing whether Onk or Donk can run faster. They 'll probably use all of the methods of thinking that we have
described above. They may get the opinion of the wise men of the tribe (reference to authority). They'll
probably argue and argue (the use of logic). Onk has bigger muscles, but Donk has longer l egs, etc. The
words will whirl around endlessly. Perhaps one of the women will use her intuition and try to pick the man that
can run faster. Or they may use a method to settle the argument that, unfortunately, is still with us — they may
fight about it. The one who beats up the other one is assumed to be right. This is the way of the jungle, and it
is universally relied upon by lions, tigers, wolves, etc. Unfortunately, in our mid twentieth - century world almost
all really big disputes between nations are set tled in this age - old fashion.

None of the above methods of settling the dispute may be called scientific. The words go 'round and
'round, the tempers go up and up, but all this has very little to do with who can run faster. Finally, some
little genius per ched on a branch interrupts the sweating people below, "Why don't we let them run

to the big oak tree over there and see who is faster?" This genius has proposed a method of settling the
dispute that would probably enable most reasonable men to reach agre ement. It is the method of

science. It is a method that does not involve the use of words to decide the problem.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The two men get ready to run. The signal is given. They start running. Everybody stops arguing and
starts observing. They are anxious to know the facts. They use their senses to report information that will
help them decide. They will carefully note whether Onk arrives first, Donk arrives first, or whether they
both get there at the same time. The argument as to which could run faster is settle d at that time by using
the scientific method.

If these cave men had generalized the lesson and had decided to use observation to test all their
arguments, problems, ideas, and theories, the human race could have developed today's civilization
about fifty thousand years ago! They could have fought out all of the atomic wars and gone through the
uncomfortable transition periods a long time before we came on the scene to sweat it out. But instead
we find that man became too intrigued with verbal intricacies and developed the habit of using verbal
means to decide between "true" and "false."

The Greek philosopher Aristotle had one of the most brilliant minds the world has ever produced.
According to some ancient authors, he wrote 1,000 volumes that covered pra ctically every field of
learning. When Aristotle was writing on physics, he explained that a heavy object would fall faster than
a light object of the same shape and material. This verbal conclusion seemed so natural and obvious to
him! How silly to bother with testing. He just reasoned it out in a way that seemed logical. Weight makes
things fall. Therefore, the more weight, the faster the fall. Seems reasonable, doesn't it? Aristotle had
many assistants, and it would have been very easy for him to check t his by actually dropping a light
rock and a heavy rock from the top of the Parthenon. But he did not depend on the scientific method for
checking his thinking. He liked to prove things rationally, logically, intellectually. He didn't know it was
necessary to test the results of his brilliant mind by observation.

You and I lost two thousand years of progress because of this non - scientific attitude of Aristotle's age.
In the sixteenth century Galileo began to wonder about the predictability of Aristotle's th eory of falling
objects. But he didn't refute Aristotle with intellectual argument. He used the scientific method for
checking it out. He let the facts speak for themselves. Instead of "settling" the problem by words, he
dropped a heavy weight and a light weight at the same time. They both hit the ground simultaneously.
"Nature" had spoken. Sane people stopped arguing about the problem. Regardless of how illogical it
might seem to us, the facts are that the weight of an object, under standard conditions, do es not
determine the rate at which it falls.

When we test our ideas by our senses, we can go forward. We can build useful structures of reliable
knowledge. We can predict. The unscientific tendency to believe without testing is not, alas, confined
to the Ancient Greeks. "Men are apt to be much more influenced by words," said the famous scientist
Pavlov, "then by the actual facts of the surrounding reality."

Scientific Methodology

Scientific thinking may be boiled down to three steps:

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

th New Ideas .
We use our imagination, intuition, memory, etc. to suggest ways of explaining or solving a problem.

We analyze our thoughts to determine a way to test them by observation. By logic we can determine how
well our bra in child fits in with known facts. We can try to figure out intellectually how well it will work.
What will be its consequences?

After we have found a possible new solution to our problem, explored it, and figured out a way to chec k
it, we are then ready to take the third step which will make our thinking scientific. This is testing by
observation. This is where we shut up and let observable facts do the talking.

The Scientific Method in Action

Suppose you were to get into an ar gument with someone about whether a chameleon will change its
color to match its surroundings. Perhaps you have heard the tale of a chameleon that went crazy trying to
match a Scotch plaid. Now, if you would want to pursue this matter in an argumentative o r philosophical
fashion, you could just stand around whirling the words all day and night. But if you felt like getting useful
information on the matter, then it would be time to stop talking and start doing. You would bide your time
until you could round up one or more chameleons. Then you would let them demonstrate their alleged
powers of matching their background. People who have the scientific habit of letting the facts speak for
themselves have observed that a chameleon can no more pick its color than a zebra can pick its stripes.
When these people check things out, they find that a chameleon turns green when it is excited,
frightened, angered, asleep, or dead. It turns brown in response to low temperatures, hunger, and strong
sunlight. If you take a gr een chameleon and throw it into the icebox, it will take about three minutes for it
to change from green to brown.

If an argumentative person were to use his logical ability and debate the subject of how chameleons
should act, it would be hard to convince him that chameleons don't give a hoot about matching their
backgrounds. If you could persuade him to check his thoughts by observation, he would find that a
green lizard is perfectly comfortable on a brown background and a brown lizard is perfectly at hom e on a
green background. He'll even let you photograph him that way.

Anyone who tests his thoughts by using his eyes, ears, touch, smell, or taste is using the method
of science. "The scientific method," says Stuart Chase:

is concerned with how things d o happen, not how they ought to happen. Knowledge of the way things
do happen, with no ifs, ands, or buts, allows us to deal more effectively with our environment. The
method is no more an exclusive matter for professionals than it is a matter of white coa ts and
goggles. Most of us are amateur scientists today, though we are seldom aware of it. . . . The scientific

method is not primarily a matter of laboratories and atom - smashers or even

Coming Up wi
Processing Ideas Mentally.
Testing by Observation.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

meter sticks; it is a way of looking at things, a way of gathering f rom the world outside knowledge
which will stay put, and not go wandering off like the wickets in Alice's croquet game.*

* Stuart Chase, Tyranny of Words (New York: Harcourt Brace and Company, 1938), pp. 123 -
24. Reprinted by permission of Harcourt, Brace & World, Inc.

Many people have confused the scientific method with laboratories and test tubes. But a laboratory is only
a room where there are special devices for turning up facts. Charles Darwin, who is regarded as one of
the world's greatest scientists , did not use a laboratory. The world was his laboratory. He needed no
special apparatus to uncover the facts that suggested and confirmed his theory of evolution. The scientific
method is an attitude — a dogged insistence that no matter how right something sounds, we're going to
check it out by observation. Sometimes this means tests, and sometimes it only means opening our eyes
to observe facts that have been around us for years. So, if you want to boil down the method of science to
one word, it's simply te sting .

As man reaches out toward the twenty - first century, he will learn to be suspicious of all ideas that are not
formulated so that they can be tested by observation. He will realize that the history of human thought
shows that the ideas of which we ar e surest are the ones we most need to test. He will realize that his
common sense only mirrors his training and experience. What seems natural and right to him is usually
a reflection of the conditions under which he spent his first decade of life.

New ge nerations, who will live and breathe the scientific spirit, will supplant us. Prejudice, grasshopper -
like guessing, and emotional thinking will be rare. People of the future will, as suggested by John
Dewey, achieve, ". . . the habit of suspended judgment, of skepticism, of desire for evidence, of appeal
to observation rather than sentiment, discussion rather than bias, inquiry rather than conventional
idealizations." They will know when further logical manipulation is fruitless. They will know when to stop
discussing and check the facts. They will be like the proverbial "Man from Missouri" — show me. If they
want to know whether a pudding's good, they won't just read the recipe;

they know that "the proof of the pudding is in the eating." They will feel, as K arl Pearson does, that,
"There is no short cut to truth, no way to gain a knowledge of the universe except through the gateway
of scientific method."

Attitudes that Help Us Develop Reliable Knowledge

In his book How to Develop Your Thinking Ability one of the authors has described in detail how
the scientific method of thought can be used in meeting everyday life problems.*

* Kenneth S. Keyes, Jr., How to Develop Your Thinking Ability (New York: McGraw Hill Publishing

Co., 1950).

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Men, women, and chi ldren in the twenty - first - century world will probably use these or similar techniques
to make the scientific spirit a way of life, not just something they use every now and then. They will hold
ideas tentatively, not as bastions to be defended, but as tool s to be improved. They will keep their eyes
and minds open to find facts that do not support their points of view, for contrary facts may lead them to
formulations that have greater predictability.

Because of limitations in our sensory and cortical equipm ent, no one can know all about anything in this
world. All of our senses are limited in range. Dogs can hear higher - pitched sounds than we can. Our
eyes can see only a small part of the electromagnetic spectrum. Edison said, "We don't know one -
millionth of one per cent about anything." Since we can't know all there is to know about anything we
must always keep an open mind for important factors that have been left out of our thinking. Wendell
Johnson pointed out, "An attitude of this kind — 'You can't tell me anything about that' — has an effect quite
similar to that of a pus sac in the brain."

The world in which we live is constantly changing. No object in this world is without change. "The world
rolls," said Ralph Waldo Emerson, "the circumstances vary every hour." On the atomic level all we have
is motion and dynamism — perpetual split - second change. If we would act in ways that are effective and
bring us the most happiness, we must train our senses to scan the world around us constantly to detect
things that m ay have changed in a significant way. Alfred North Whitehead said, "Knowledge keeps no
better than fish."

Another thing that helps us achieve the scientific spirit is to remember that no two things in this world
are absolutely identical. Two things may be similar for our purpose, but the closer we look, the more
differences we find. We become prejudiced when we lump a group of people under a single label and
then respond to individuals as though they have the same characteristics as the label. Only open ey es
and open minds are prepared to cope with a world in which no two things are alike. The words we use
imply similarity. We must use our eyes and ears to remind us of differences that are important for our
purpose.

Men, women, and children in the twenty - f irst century will learn to think in terms of degrees. The language we
use often implies polar opposites — good or bad, true or false, beautiful or ugly, fast or slow, black or white.
But the world in which we live usually shows a large number of degrees betw een extremes.

If we are to be as relaxed and happy as possible, our thoughts must adequately reflect the reality
around us. And we can't do that by making black and white statements if the area to which we are
referring contains shades of grey.

Individua ls in the twenty - first century will learn to think in terms of probability. They will realize that
man must regard all his knowledge as more or less probable. "Absolute certainty," said C. J. Keyser,
"is a privilege of uneducated minds — and fanatics. It is, for scientific folks, an unattainable ideal." The
people of the future will think of their ideas in terms of an ascending scale of probability, ranging from,
"This seems most unlikely," through, "This may be or may not be confirmed by further observation, " to,
"This has a very high degree of probability."

When people adapt their thinking to the degree nature of our world, they will be more relaxed. They will be

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

more effective at locating and adopting, but always tentatively, the points - of - view that best represent
the world about them. "A truly scientific attitude," said Dr. Roger Williams, "is one of humility. . .

A know - it - all attitude is incompatible with the scientific method." individuals in the twenty - first century will
be acutely aware of the way their own nervous system influences their observations and reactions. We
see life through the filter of our own individual personality and mode of thinking. Even the language
structure that we absorb plays an important part in how we think and the way we o bserve things. Our
ego - needs play a big part in selecting what we notice, fail to notice, remember, or forget. "We see things
not' as they are," said the wise man, "but as we are."

Individuals in the twenty - first - century world will have a pro found feelin g of the way all people and all
things interact with their environment. People or things are not cut - and - dried entities. The way they
act varies depending on the time and place. We must notice differences. Wendell Johnson said, "To a
mouse, cheese is chees e. That is why mouse traps are effective."

Ever Lovelier Worlds

The success of the method of science in solving almost every problem put to it will give individuals in the
twenty - first century a deep confidence in its effectiveness. They will not be afraid to experiment with new
ways of feeling, thinking, and acting, for they will have observed the self - corrective aspect of science.

Science gives us the latest word, not the last word. They will know that if they try something new in
personal or soci al life, the happiness it yields can be determined after sufficient experience has
accumulated. They will adapt to changes in a relaxed way as they zigzag toward the achievement of
their values. They will know that there are better ways of doing things tha n have been used in the past,
and they will be determined to experiment until they have found them. They will know that most of the
unhappiness of human beings in the mid - twentieth century was not due to the lack of shiny new gadgets;
it was due, in part, to not using the scientific method to check out new political and social structures that
could have yielded greater happiness for them.

About a century ago Abraham Lincoln brilliantly expressed the attitudes that will most effectively help us
work toward a happier future: "The dogmas of the quiet past are inadequate to the stormy present. The
occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we
must think anew and act anew."

Future generations of mankind wi ll realize that it is only through the scientific method of thinking that
their value systems can be fully realized. They will welcome experimentation of all kinds in all phases of
life. They will have a habitual open - mindedness coupled with a rigid insist ence that all problems be
formulated in a way that permits factual checking. They will have the attitude described by Wendell
Johnson, "To a scientist a theory is something to be tested. He seeks not to defend his beliefs, but to
improve them. He is, above everything else, an expert at 'changing his mind.' "*

* Wendell Johnson, People in Quandaries (New York: Harper & Brother 1946), p. 39. '

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The paramount role that the method of science will play in helping us achieve "Life, Liberty, and the
Pursuit of H appiness" was eloquently expressed by Herman J. Müller:

Above all, the spirit of science is the spirit of progress. . . .
It can afford men ever newer horizons and higher peaks to climb, materially, mentally, and
spiritually. It can afford ever greater a nd more inspiring opportunities for cooperative as well as
individual achievement. Its pathway leads not only outwards into space and to other worlds than
ours, but also inwards into the recesses of life, of the mind, and of the heart. By its means we
will ourselves assume the role of creators of ever lovelier worlds and more sublime beings.**

** Herman J. Müller, ". . . Therefore Choose Life" (Santa Barbara, California: Center for the
Study of Democratic Institutions, 1965), p. 37.

6.Cybernated Technology

How would you like to have a guaranteed life income of $100,000 per year — with no taxes? And how
would you like to earn this income by working a three - hour day, one day per week, for a five - year period
of your life, providing you have a six - months vac ation each year? Sound fantastic? Not at all with modern
technology. This is not twenty - first - century pie - in - the - sky. It could probably be achieved in ten years in
the United States if we applied everything we now know about automation and computers to pr oduce a
cybernated society. It probably won't be done this rapidly, for it would take some modern thinking applied
in an intelligent crash program. Such a crash program was launched to develop the atomic bomb in a
little over four years.

It might otherwis e have taken thirty years. We get moving if we're threatened, but we chew the fat a
long time when it comes to constructive improvements in human affairs.

You will recall that there are three factors that will play a vital role in the evolution of our civ ilization. One
is our value system. Another factor is our method of thinking. The third is the state of our technology — the
methods and machines for producing goods and services. The technological wave of the future will
involve automated machines guided by computers.

When Queen Julianna of the Netherlands saw a demonstration of an electronic computer at an
Amsterdam exhibition, she said, "I can't understand it. I can't even understand the people who can
understand it." But the situation isn't really as bad as the queen implies. It isn't necessary to understand
how a computer works any more than it is necessary to understand how the internal combustion engine
in your car works for you to enjoy the benefits of the automotive age. The important thing is that w e
understand the effects of automation and computers. And that's what this chapter is about.

"The electronic computer," says Dr. Louis T. Rader, a vice - president of General Electric, "may have a

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

more beneficial potential for the human race than any other invention in history, Sir Leon Bagrit, who
is the head of Britain's Elliot - Automation, has said that the computer and automation will bring, "the
great est change in the whole history of mankind." Let's find out what they're talking about.

Automation sim ply means replacing human hands and feet by machines that do the same job — only
better. Computers today replace human brains with electronic equipment that manipulates figures, makes
programmed decisions, and gives instructions far more efficiently than any human. Cybernation means
the control of the entire factory by a computer that acts in place of the boss.

Development of Automation

The purpose of machines is to lighten the burden of work. Suppose there were no machines. In such a
society a person might have to work from 100 to 200 days per year just to get enough food for himself. To
produce even a shirt to cover his back could require over 100 hours of labor! Suppose you would have to
produce a shirt under primitive conditions. How many hours woul d you spend preparing soil and growing
the cotton? After the cotton bloomed you'd have to pick it, tease out the seed, and spin the fiber into
thread. Once you have enough thread, you could weave it into cloth. Then you would need to cut the cloth
into the form of a shirt and sew it together. Imagine the amount of time it would take if your only tools
were a hoe, a knife, and a needle.

The time needed to produce a shirt took a nose dive back in the eighteenth and nineteenth centuries
when much of the work became mechanized and concentrated in factories. The development of the
cotton gin, which separated the seed from the white cotton fiber, the invention of machinery that made
thread, and the design of looms that wove the thread into cloth enabled a better shirt to be
manufactured with only several hours of human labor. Today a shirt may represent only a little over one
hour of human time from seed to salesman!

In the twentieth century mass production with assembly lines and improved machinery greatly reduc ed
the cost of producing goods. Automation is based on all of the principles of mechanization and mass
production, but it goes one step further. Previously factories needed humans to operate each machine.
Automated machines operate themselves. Through "fee dback" mechanisms they observe what they are
doing. They give themselves instructions, and they check on the quality of their output. They work faster
and at speeds that would kill a human. They don't get tired and they don't forget. They never go out on
s trike or ask for pay increases. Factory design is simplified. Automatic machines don't need parking
lots, air conditioning, bright lighting, wash rooms, lunchrooms, or coffee breaks. They don't even need
buildings for many types of work.

Automatic machine s have been, or soon will be, designed to perform almost any conceivable task done by
human beings. Since we have only two hands, it is possible to design automatic machines that will far
exceed the manipulative ability of a human. In 1961 U.S. Industries announced that they had developed the
first general - purpose automation machine at a price of around $2,500. It is called the TransfeRobot. Its

swinging arm and hand is infinitely superior to any human arm or hand. It never gets tired, and the

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

electronic b rain guiding it seldom goofs off. It picks things up and puts them down with an accuracy of
two thousandths of an inch! The Westclox Corporation of LaSalle, Illinois, uses the TransfeRobot to oil
clock assemblies as they speed by on a conveyor belt. It oil s eight precision bearings in a second. At the
Underwood Corporation typewriter plant in Hartford, the robot picks up and inserts a small typewriter
component into a close - fitting nest. The hand of the TransfeRobot can be adjusted to something more
tender than a lover's caress, or it can grab things with the force of a vice. It can use mechanical fingers or
electromagnets. For oozy stuff such as chocolate creams, it uses a gentle vacuum.

John Snyder, the maker of the TransfeRobot, says:

So far we have not been able to find any material or any shape or any size it can't handle. . . . We
built an automated stamping line for Nissan Motors in Japan. It has six presses with TransfeRobot -
type machines to take the stuff out of one press and feed it to the next. O ne man watches raw
sheet metal go in and one more watches finished fenders come out. It replaces, oh, maybe 20
men altogether. But that's not all. You could extend the process right up to bolting the fender to a
car. Even considering how cheap labor is in Japan, the thing saves money.

History of Computers

Just as automated machinery replaces the tired muscles of man, computers are being developed that can
replace the bored minds of men who are engaged in the repetitive production of goods and services in
our industrial society. And just as automated machinery does a better job on repetitive tasks than the
human hand, a computer outperforms a human mind. The circuits in an electronic computer can respond
in less than a millionth of a second. This is over a thousand times faster than it takes the neurons in our
brains to respond to incoming stimuli. Robert Theobald has pointed out, ". . . in the near future we will see
that the computer can take over any structured task . . ."

Man worked toward the develo pment of a computer for a long time. The simple abacus of ancient times
was a first step. In 1671 Gottfried Leibnitz tried unsuccessfully to invent a mechanical calculating
machine. "It is unworthy of excellent men," he wrote, "to lose hours like slaves in the labor of
calculation." An Englishman named Charles Babbage worked out many of the principles of modern
mechanical calculating machines in 1834, but he was unable to produce a successful model because
the technology of his time could not turn out accur ate gears. It was not until 1944 that the first true
computer was produced by Howard Aiken, a professor at Harvard University. It is a sad reflection of our
times that this pioneering computer was used to compute weapon trajectories for the U.S. Navy.

Aik en's first computer was soon overshadowed by the famous ENIAC, developed at the University of
Pennsylvania. Though a great improvement, EN I AC had 18,000 vacuum tubes, was unreliable, and
took too much space. Computers began to trim their waistlines and s peed up their operations about 1958
when small reliable transistors and other solid - state components replaced the vacuum tubes. Computers
today can multiply a half - million ten - digit numbers in a second. Many computers can make more
calculations in an hour than an auditorium full of mathematicians could accomplish in their lifetime. In

1951 there were under 100 computers in operation in the United States. By 1965 the number had jumped

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

to 22,500 and is constantly accelerating. Some companies use up to 200 of them.

As long ago as 1959 the Sperry - Rand Corporation produced a computer that was able to handle
250,000 additions and subtractions of twelve - digit numbers per second. This enables it to make up a
monthly payroll for 15,000 employees in only fifteen ho urs. Previously, it took 450 to 900 hours to do this
job. Since only a part of the circuits of the computer are used while calculating a payroll, it can
simultaneously solve scientific problems on the side!

By 1965 computers had been used in more than 700 specific tasks. At the time you read this page this
number will have increased enormously. Major airlines use computers to give instant information on
seats available on all flights. Stock Exchanges use computers to give instant stock quotations.
Computer s are now busy setting newspaper type, pawing over our income tax returns, controlling the
flow of electricity of most power companies, helping you make long distance phone calls by ferreting out
available circuits, navigating planes and ships, and providi ng railroads with instant information on where
their freight cars are hiding out. Computers can land a plane in foggy weather without any human help.
Our space ships that orbit the earth, spy on the moon, and whiz by the planets are highly dependent on
com puters from the design board to the final inch of their spectacular flights. Much of today's business,
government, and science would be paralyzed if the computers were ever to demand a vacation.

It has been estimated that if there were no computers, the p hone company would now have to hire all
the working women in the country just to handle the flood of calls. Computers today control the
production machinery in the petrochemical, petroleum, paper, and steel industries. At Western Electric's
"Plant of Tomor row" computers handle the billing, shipping, and warehousing; they order materials, write
checks, and decide what to manufacture and how many. Time magazine has pointed out:

Computers have helped scientists to discover more than 100 new subatomic particle s, and are
busy analyzing strange radio signals from outer space. Biochemists have used the computer to
delve into the hitherto unassailable secrets of the human cell, and hospitals have begun to use it
to monitor the condition of patients. Computers now r ead electrocardiograms faster and more
accurately than a jury of physicians. The Los Angeles police department plans to use computers to
keep a collection of useful details about crimes and an electronic rogue's gallery of known
criminals. And in a growing number of schools, computers have taken jobs as instructors in
languages, history and mathematics.*

*"Technology," Time, April 2, 1965, p. 86. Courtesy TIME; Copyright Time Inc., 1965.

Although recently invented, computers are rapidly transforming our civilization. "In a Chicago radio plant,"
according to Walter Buckingham:

1000 radios a day now are assembled by two men where two hundred had been required before
automation. The duPont Company, using a computer at M.I.T., solved in thirty hours a chemi cal
problem that would have required one man, working forty hours a week for twenty years to do the
arithmetic alone.At the Institute for Advanced Study at Princeton an electronic computer works

out weather predictions in three hours that would take one ma n with an adding machine three

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

centuries.In these last two cases, the job would not have been practical or economical to
tackle without automation.*

* Walter Buckingham, Automation (New York: Harper & Row, 1963), pp.27 - 8

A bakery is being automated s o that grain delivered to the silo is not touched by human hands until the
loaves of bread are ready for delivery. One bakery run by one man could supply the needs of an entire
state. A local union with 1,300 members in 1959 had only 350 in 1963. Soon thei r plant will be
automated further, and there will be only twenty - five workers, producing twice as much as before. Union
leaders today are desperately worried about the livelihood of their members. Nevertheless, one union is
automating its headquarters and reducing the staff from sixty to only six girls. When quizzed about this
apparent contradiction, the union official explained that, "Business is business."

Cybernation

Cybernation has been described as the wedding of automated machines with computer s. When you
equip a factory with automated machinery that is controlled by a computer, you have taken the work out
of production. There is little for people to do but turn the machinery on, step aside, and let it do the work.

For example, an automated cle aning fluid plant will have machines that mix and bottle the stuff. When
cybernated, this plant will use a computer that is electrically connected to every machine, every storage
bin, and every operating mechanism in the entire plant. The computer will hav e at all times full data on
what is happening throughout the plant. It will digest this information and give instructions continuously
to keep all parts of the plant operating at maximum efficiency. It will have a better grasp of what is
happening second b y second throughout the entire factory than any boss could possibly have. It never
takes a coffee break or goes to the bathroom. The computer that controls this cybernated cleaning fluid
plant will, among other things, send out orders for chemicals, bottle s, labels, and other materials before
they are needed. It will automatically shut down the plant or speed up the production depending on the
need for the product. The computer will quickly spot any breakdown and order repairs instantly. It will
maintain a continuous inventory.

Cybernation means that automated machines do all the work with a computer as the boss. The computer
"boss" coordinates all activities in the plant so that no executives, secretaries, foremen, or other
supervisory personnel are needed . A self - repairing, cybernated factory may operate 24 hours a day, 365
days per year without a single human. If a human were present, he would probably spend his time
looking at dials and fighting boredom. The small crew that even today operates a modern c ybernated oil
refinery could do their work in dinner jackets and white gloves without soiling them!

"Ultimate automation based on atomic power," said Albert Einstein, "will make our modern industry as

primitive and outdated as the stone age man looks to u s today." It is possible to build an automobile plant

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

in which the raw materials are automatically put in one end and shiny automobiles run out another end,
untouched by human hands. Cybernated systems that use almost no human labor can be developed
to pr oduce everything we use from the food we eat to the homes we live in.

Goods and Services Without Labor

Now, what does cybernation do to the shirt that we previously discussed which might take one hundred
hours to produce without machines? If all raw materials are mined, raised, or gathered by cybernated
machinery, and if shirts are produced in a cybernated factory without human beings, just how much
labor is involved in the production of a shirt? It is conceivable that only five seconds of human time per
shirt might be enough.

Further improvements might get this below one second per shirt. How much would a shirt be worth under
these circumstances? Five cents? One cent? One - tenth of a cent? Would it be worthwhile even to worry about
charging for a shi rt if there were practically no human labor involved in its production or distribution?

Since any task done by human minds and human hands can theoretically be cybernated on a repetitive
basis, the advance of modern technology will almost eliminate the hu man labor cost of services.
Services such as dry cleaning are now being automated. In the future haircuts, manicures, beauty parlor
services, laundry, and the servicing of automobiles will be performed on a cybernated basis. The ability
of cybernated machi nes has been described by Donald N. Michael:

Cybernated systems perform with a precision and a rapidity unmatched in humans. They also
perform in ways that would be impractical or impossible for humans to duplicate. They can be
built to detect and correct errors in their own performance and to indicate to men which of their
components are producing the error. They can make judgments on the basis of instructions
programmed into them. They can remember and search their memories for appropriate data,
which ei ther has been programmed into them along with their instructions or has been acquired in
the process of manipulating new data.Thus, they can learn on the basis of past experience with
their environment. They can receive information in more codes and sensor y modes than men can.
They are beginning to perceive and to recognize.*

*Donald W. Michael, "Cybernation: The Silent Conquest" (Santa Barbara, California: Center for
the Study of Democratic Institutions, 1962), p. 6.

Humans will not even be required t o maintain the factories of the future. Cybernated factories will be
designed to operate for many decades without repair by men. Routine maintenance and repairs will
be performed by machines. Improved metals and designs of the future will make machines alm ost

impervious to wear and tear. Even today Western Electric makes complex switches that work so

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

flawlessly that a single failure in five million operations is considered below par. Some relays now in
use will perform a billion switching operations in the ir lifetime.

The Human Use of Human Beings

Dr. Norbert Wiener, the "Father of Cybernetics," wrote:

It is a degradation to a human being to chain him to an oar and use him as a source of power; but
it is almost an equal degradation to assign him pur ely repetitive tasks in a factory, which demand
less than a millionth of his brainpower.

The advent of cybernation may be regarded as an emancipation proclamation for mankind. Its thorough
application will at least enable man to have the highest conceivab le standards of living with practically no
labor. It will free him for the first time from a highly structured and outwardly imposed routine of repetitive
day - by - day activity. It will permit him to return to the Greek concept of leisure where all work was done by
slaves and men had time to cultivate their minds. In the future each of us will command a million slaves.
These will be mechanical and electrical slaves, not the degrading use of a human being to do the work
so that another may live an abundant lif e.

Computers are today in a very early stage comparable to the Model T Ford. At the present time the
largest electronic computers have only about 1/10,000 of the associative powers of human beings.

Computers today are generally programmed to operate in s pecific ways. We are only beginning to
design them to observe a large range of outside data and creatively handle this information.

Although computers are just out of their teen years, some of them are already beginning to show
a potential for originality .

"The present level of these learning machines," said Dr. Norbert Wiener :

is that they play a fair amateur game at chess but that in checkers they can show a marked
superiority to the player who he programmed them after from 10 to 20 playing   hours of w orking
and indoctrination . They thus most definitely escape from the completely effective control of the
man   who has made them. Rigid as the repertory of factors may be which they are in a position to
take into consideration, they do unquestionably -- and s o say those who have played with them --
snow originality, not merely in their tactics, which may be quite unforeseen, but even in the detailed
weighting of their strategy.

*   Norbert Wiener, "Some Moral and Technical Consequences of Automation" Science, Vol.
131, No. 3410, May 6, 1960, p. 1306 . Copyright 1960   by the American Association for the
Advancement of Science.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The micro - miniaturization of computer components may enable man to build computers in the future that
will have a thousand times more associa tive power than any human brain. Computers will be designed
that will have sensory receptors in all parts of the world which will give them immediate information on
anything significant that occurs. A master computer in the future will be able to gather, d igest, and
analyze all recorded facts and information - a fantastic task that is impossible for any human being. The
range of facts and formulas .s so extensive today that it is often impossible for a scientist to keep up with
new developments even in his sp ecialty.

Only a computer will be able to handle the integration of all knowledge and come up with decisions that will
be based on the full range of relevant data. In the future computers will not only be able to think as well as
men, they will be able to exceed man enormously in the capacity to digest facts and information. They will
analyze the data and come up with solutions to problems that will enable man to obtain what he wants on
earth. It would be impossible to achieve the value system discussed in Chapter 4 without the thorough use of
automated machinery and computers integrated into a world - wide cybernated complex.

Cybernation can transform our entire world into a Garden of Eden The goods and services that we desire
will be available without repet itive human toil. And the Tree of Knowledge will bloom for the fulfillment of
everyone. The biggest portion of the prime years of one's life will no longer be structured by the need for
a weekly pay check. With cybernation household jobs will no longer sad dle women with boring day - to - day
routines.

Men and women will for the first time in their lives be free to inquire into their own needs, to face
themselves, and to work out satisfying patterns of life based on their own feelings and thoughts. "The
liberat ion of people from tasks unworthy of human capacity," said Gerald Piel, "should free that
capacity for a host of activities now neglected in our civilization. . . ."*

* Gerald Piel, "Consumers of Abundance" (Santa Barbara, California: Center for the Study o f
Democratic Institutions, 1961), p. 9.

The rat - race will be over. Society will require relatively little from any of its members. John F. Kennedy's
famous dictum, "Ask not what your country can do for you; ask what you can do for your country," will be
r eversed. People may for the first time enjoy an abundant life made possible by the creative intelligence
of man. With a cybernated technology it will be possible for all humans to live better than if each person
were to have a million slaves at his command . Even a millionaire today has a crude, harried life compared
with the smooth, fulfilling pattern that all people may achieve in a cybernated society.

We have asked how you would like a guaranteed income of $100,000 per year. In the 1960's in the
United S tates, the average family has had income of around $6,000 per year. However, when there is
almost no human labor cost to producing cybernated goods and services, it will be possible for everyone
to have almost anything in any quantity! One hundred thousand dollars per year or $ 1,000,000 per
year — it won't matter. Of course, with practically no labor cost and limitless nuclear energy, things won't
have price tags. Prices are only a way of distributing the loot when there is not enough for everyone.

Man's f uture will be a thousand times more exciting than his past. For the first time man will be free to work
out any system of values that he desires — and to achieve these values. For the first time man will be in a

position to make a thorough application of the scientific method of thinking so that his knowledge has

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

predictability — so that he can solve his problems and not just patch them up crazy - quilt fashion. For
the first time it will be possible to have a cornucopia of goods and services that will not be o btained by
the sweat of someone's brow.

"This is a time of transition. . . ," said Adlai Stevenson, "from the ancient problem of sharing scarcity to
the modern problem of distributing abundance." Cybernated technology will for the first time permit us to
realize our human potential. We may achieve the deepest measure of life; we may enjoy the highest level
of liberty; and we may have maximum scope in our pursuit of happiness.

7.Away We Go!

In the next section we will leap into the twenty - first cent ury. In previous chapters we have found that
man escaped from the jungle a relatively short time ago. As might he expected he brought with him
many primitive habits of thinking and feeling that still plague us today. We have discussed in detail the
triple foundation on which we are making a projection of our twenty - first - century civilization. If you can
accept our value system, if you feel that the scientific method of thinking will play a dominant role in the
future, and if you understand the impact of a c ybernated technology that will produce goods and
services with practically no human labor, then we feel that you will find our projection thought provoking.

We do not believe it should necessarily take one hundred years to accomplish the technological and
sociological changes that will provide mankind with this cybernated Garden of Eden. Some of the things
we are anticipating may be well under way by the time this book is published. If the improvement of our
society were given the same priority that the de velopment of the atomic bomb was given during the last
war, it would be possible to achieve most of the features we project for the twenty - first century in time
for us to enjoy them during our lifetime. U Thant, Secretary General of the United Nations, sai d:

The truth, the central stupendous truth, about developed countries today is that they can have —
in anything but the shortest run — the kind and scale of resources they decide to have. ... It is no
longer resources that limit decisions. It is the decision that makes the resources. This is the
fundamental revolutionary change — perhaps the most revolutionary man - kind has ever known.

Books and articles describing the future usually deal with space ships and other technological marvels and
gadgets. They wisel y stay away from upsetting the reader's values or challenging the age - old patterns by
which he lives. People are not usu - ally threatened by technological change but they get emotional when
someone proposes a social change. A twenty - year - old farm boy will j oin the Air Force and fly jet planes
faster than the speed of sound. His grandparents below will hop into their 350 horsepower chrome - plated
monster and speed over the expressways. But it took over a century for a good part of the people in the
United Stat es to recognize that we should respond to human beings as individuals, instead of on a basis of
race, creed, or color. And that battle, unfortunately, is still going on.

As we leap into the future, we must make every attempt to avoid being bogged down by tradition and the

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"wisdom" of the past. It is useless to try to fight change. It is much more fruitful for human beings to control
and channel intelligently the accelerating flow of events. Over a half - century ago the United States Electric
Light Company gave its dynamic inventor Hiram Maxim a $ 20,000 annual life pension and exiled him to
England. They felt they needed to get rid of him because his brilliant mind kept inventing improvements. His
creative ability made their equipment obsolete before they h ad time to pay for it. Maxim produced some of his
greatest inventions in England. At the time that he was being knighted for his outstanding accomplishments,
the United States Electric Light Company was going out of business.

Probably the only thing we ca n know for sure about the future is that it will be very different from what we
have today. But whatever difficulty we may have in trying to understand life in times to come, it is little
compared with the trouble people in the twenty - first century will ha ve understanding the way we do things
today. In the future people will find it almost impossible to believe that human beings could have
organized themselves into nations and then could have used scientifically designed weapons to
slaughter each other. As they watch movies of the past, they will be astounded by the tobacco smoke
emanating from the nostrils and by the ostentatious clothing and dangling jewelry. They will find animal
emotions of hostility and jealousy most incredible. Individuals in the twent y - first century will not look back
with nostalgia to a world threatened by atomic oblivion, with economic and political activities vitiated by
greed and hypocrisy, and with mental disorders growing at a phenomenal rate. How crude and pathetic
we will appea r in the eyes of our descendants !

Civilization Lightens Man's Burden

One measure of the degree of civilization at any given time is the extent to which it requires individuals to
sacrifice themselves. In the past millions of men were required to sa crifice their lives during the recurrent
wars. These individuals usually sacrificed themselves willingly, for they had been conditioned this way.

An Englishman once described America as, "A place where everybody furiously works overtime
making labor - savin g machinery." To operate the economy of industrial nations today, many individuals
are required to sacrifice the prime portion of their lives in an eight - hour - per - day pattern of labor. They
are conditioned so that they do not usually consider it a sacrific e. The work week is getting shorter.
Some people in the preceding century had to work twice as many hours to make a poorer living.

Furthermore, working conditions are improving, fringe benefits increasing, time - and - a - half more common
— if not double time — vacations longer, and every now and then someone manages to convince himself
that some part of his job is interesting. Men and women are working to get money to buy things they
want, or they are working for recognition in terms of titles and achievements. But the fact remains that the
prime portion of the lives of most twentieth - century men and many women is consumed by more or less
compulsory, more or less monotonous, more or less repetitive, more or less boring tasks which are
associated with a pay check.

The mature society of the future will burden man with a minimum of obligations. Most societies of the

past and present could not operate unless its citizens were heavily committed and obligated to certain set

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

patterns. But as we shall see, the automated world of the future will for the first time free mankind from
these heavy obligations to the group. He will be able to face himself deeply and fundamentally. No
longer will his parents, his boss, and his country tell him how he should act. Our future soci ety will
require minimal work, criticism will not be considered disloyalty, and diversity in sexual and family
patterns will be possible.

In the future individuals will do most for their social group by developing themselves into dynamic, happy
human bein gs. Men and women will ask themselves: "What fills me as a human being? What things add
to my feeling of worth? What do I enjoy? What do I really need? What things make me feel intellectually
vital, emotionally warm, and physically strong? What makes me fe el ten feet tall, that life is glorious, and
that today is wonderful?"

Steps to the Future

The rate at which we progress toward the better world of the future will depend upon how rapidly we use
the scientific method to test out various solutions to our problems. In the past we have fired professors
who advocated doing things that were different from the present mores of our tribe. In the future we
must take these creative men and give them the facilities they need to test their ideas scientifically.

We must plan to increase the available power and energy in all parts of the world to enormously higher levels.
Intelligence guided by scientific methodology must be applied to the technological and sociological
reconstruction of our entire planet. A cyber nated food production system must be designed to meet the needs
of a stable world population. Areas must be set aside for industry that will be coordinated with a vast
international transportation system. A product that is cybernetically manufactured anywh ere on earth should
be cybernetically delivered to almost any building on earth in less than twenty - four hours. We must open our
eyes and minds to use to the fullest man's enormous ability to create. Knowledge is exploding. It is reported in
Schools for th e Sixties, a volume sponsored by the National Education Association that over the last 2,000
years, knowledge doubled for the first time by 1750, for the second time by 1900 — (150 years later) for the
third time by 1950 — (50 years later), and for the fourth time by 1960 — (10 years later).

The world's supply of technical knowledge is now doubling every seven years. Most of the scientists
who have ever lived are alive today. "By now," said Dr. A. C. Hall, the Defense Department's Deputy
Director of Research an d Engineering for Space, "we seldom doubt the technical feasibility of anything."

Dr. George Gallup in his book The Miracle Ahead has shown us the type of thinking that will enable
man to achieve a maximum of "Life, Liberty and the Pursuit of Happiness." Dr. Gallup asks:

Can man perform the miracle of lifting himself to a higher level of civilization?
The answer is Yes — unequivocally. Man is clearly in charge of his own evolution; he can
proceed at a pace that he himself sets.
He can solve any problem tha t comes within his purview — even the problem of war. The

great advances made in physical science can be paralleled in social science.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Man now has the procedures for dealing with the problems arising out of his social existence —
problems that the methods of physical science can not adequately explore or illuminate.

Man has scarcely begun to make use of his almost limitless brain power, either individually or
collectively. Lack of progress in dealing with the affairs of mankind can be traced to a simple
trut h: man has never made a concerted and persistent effort to solve his social and political
problems. His inventive genius has been confined almost exclusively to the production of better
tools and instruments.
The next great move forward can now be taken. A ll that is required is a firm belief in man's
great potentialities and a readiness to accept change.
Man is still young on the face of the earth; civilization is still in its infancy. Homo sapiens has
not yet realized his strength and his greatness; nor do es he see, except dimly, the heights to
which civilization can reach.*

* George Gallup, The Miracle Ahead (New York, Evanston and London: Harper & Row, 1964),
p. 203.

Mankind today is in a period of challenge and opportunity. Fascinating, unexplored terr itory lies before
us. The explorations of Columbus will seem like child's play in comparison. By joining the forces of
science and technology throughout the world in a common endeavor, we can eliminate man's inhumanity
to man. We can reconstruct the whole of the world environment to give every person on earth what he
needs to live a fulfilled, abundant life. We can build a new society with sufficient flexibility to correct its
own errors and to meet any challenge that lies ahead. In the future no individual will ever stand alone.
The unlimited horizons of the humanistic - scientific - cybernated future will be the most exciting adventure
in the history of mankind.

PART II
A Projection of Our Future

8. At Home in the Twenty - first Century

Scott and He lla have been asleep two hours. They will probably awaken in about an hour. In the previous
century it was considered normal for people to waste about one - third of their lives sleeping. One way to
attack the problem of increasing the effective life - span ha s been to make two or three hours of sleep as

effective as eight or nine hours previously was. Several genetic improvements, an increase in oxygen in

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

the sleeping chamber, plus the development of deeply relaxed personalities almost free of hostility
and t ension has proved successful.

Further genetic improvements are expected to minimize even more the amount of sleep required. The
reduction, if not elimination, of sleep is not desired for its own sake. This world of the latter part of the
twenty - first cent ury is stimulating and challenging. There is so much to do and see. The limitless
intellectual horizons, the esthetic delights, and the sensual feelings are too many and varied to be
fully savored in the average lifetime of 200 years.

Although Scott and H ella are asleep, they are surrounded by great dynamism. Everything around them is
being controlled by their home computer, known as the cybernator. This small computer is built into the
wall and they never see it although it is in use every minute of the d ay. They have gradually trained their
cybernator to meet their needs in thousands of ways. Through the cybernator Scott and Hella can
verbally command any mechanism in their apartment. The cybernator also handles their messages to the
Correlation Center.

The automated bed upon which Hella lies nude and unrestricted by clothing, sheets, or blankets,
responds in a living way to support her body. There are no pressure points, no creases. This soft
membrane gradually moves in a rhythm and pattern that over the years has proved to be most relaxing
to Hella. The rhythm that is most relaxing to Scott during sleep is slightly different and the cybernator is
also attending maximally to his needs. Since people change, the input sensors of the cybernator in the
apartm ent are constantly scanning to explore whether they would have more relaxation if the sleeping
membrane were to undulate in a different manner.

If Scott and Hella were to have a thousand servants, they would not receive the services that are
available to them through the cybernator. Not only are the undulations of the bed constantly adapted to
meet their needs, but other aspects of their sleeping chamber are being maintained by the cybernator to
give maximum restfulness and comfort. A controlled, ionized a tmosphere adds to their feeling of well -
being. The temperature, humidity, mixture of air, and background music are constantly being adjusted
to meet their individual needs at the moment. If one of Hella's feet drops three degrees below her
optimal temperat ure range, an infra - red beam immediately brings it back to the desired level.

Sleep in the twenty - first century is no longer a haven from the trials and tribulations of the day — "the balm
of tired minds". Scott and Hella have never experienced nightmares — t hese are part of the long list of
things about previous centuries that they are really unable to understand except on an abstract level. In
the past centuries, conflicts produced tension - filled lives that were temporarily relieved by alcohol and
tranquiliz ers. The repressions and injustices of the day were expressed at night as disturbing dreams
and nightmares. In Scott and Hella's world one's feelings and impulses are accepted both in thought and
action so that hours of sleep are not vitiated by the rompin g of repressed feelings. Scott and Hella rarely
dream, but when they do, their dreams usually revolve around pleasant things they plan for the next day.

Scott and Hella's lives are not governed by rigid schedules. There are practically no deadlines, and t here is no
need for them to awake at any particular time. The sensing extensions of the cybernator are able to determine
when their bodies have absorbed all the rest they needed. Gradual changes are made that will prepare them
to awaken with a full - of - ener gy feeling. The temperature of the sleeping chamber is reduced several degrees.

The lighting of the chamber is increased and background music of a type enjoyed by

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Scott and Hella in the morning will soon begin.

As Scott and Hella awaken, they have a feel ing of anticipation. A new day is here. New and interesting
thoughts with new beauties to be experienced and new sensations are to be felt! Lying together for
the first few minutes of the day, Scott and Hella chat warmly about their feelings and plans. The y
decide to talk to some friends who live 10,000 miles away. They give verbal commands to the
cybernator which makes a connection with the Correlation Center that is immediately relayed by
satellite to their friends. They are able to exchange experiences a nd thoughts via a three - dimensional
color transmission. They feel as close as if they were together in the same room.

The Cybernated Hygiene Area

With kitten - like playfulness Hella slaps Scott on the buttocks and runs toward a cylindrical chamber.
S cott catches her just as she reaches the entrance to the twenty - first - century bathroom.
Although she is forty years old, Hella looks like a young girl of eighteen. She has light brown hair with
sparkling brown eyes. Her mouth is expressive and perfectly sp aced teeth show when she laughs. Her
breasts are firm and slightly smaller than the average of previous centuries. Her hips are beautifully
formed but not wide. Her buttocks and thighs are softly rounded. Laughingly, Scott pulls her inside the
cylindrical walls of the shower. Air and water, mixed under pressure to form a soft, cleansing spray,
delightfully comb every part of their bodies at a speed and pressure that they have taught the
cybernator. No soap is used; ultrasonically activated water loosens any clinging particles. This bath not
only cleans their bodies but also furnishes the most delightful tactile sensations with sprays that tingle
and massage every part of them.

Scott is about the same height as Hella. His handsome face responds to the stimul ating shower. Like
Hella, Scott does not look his forty - five years. He begins to sing in a resonant voice. Hella, in self -
defense, harmonizes with him with a vibrant tone. Scott and Hella have almost equally strong muscles.
They move gracefully and gently in a way that suggests hidden strength. They are dried in three seconds
as they walk through the air wall that acts as a shower door. This air wall is a high - speed sheet of warm
air jetted from the top, bottom, and sides of the shower opening. While they are in the shower, the
sleeping chamber automatically cleans and sterilizes itself.

Scott and Hella then lean their heads backward to fit into a niche designed to groom their hair. In forty -
three seconds this cybernated beauty shop trims the hair and arra nges it in any mode that Scott and
Hella select. Over the years they have trained the cybernator in the patterns that they prefer for their hair.
The job of grooming is performed by an electronic complex that sets the hair by beamed positive and
negative e lectrostatic charges. A one - second, modified laser emission gives a permanent set that
remains until a different style is desired. Hella seldom uses rouge, eye shadow, eyebrow pencil, or other
artificial techniques of past centuries. The people in the new civilization are no longer physiologically and
psychologically exhausted by insoluble problems, emaciating responsibilities, atmospheric pollution, and
poor nutrition. Neither men nor women care for artificial decoration. They feel beautiful and attractive in

themselves. Their loveliness comes from inside — no outside veneer is needed.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

At this time shaving has disappeared. Hair no longer grows in areas where humans do not want it. No
mouth washes or irritating chemical agents are used that might affect the living tissues of the mouth.
Cavities are unknown, for there has been an increase in the hardness of the enamel, and foods are
designed to inhibit decay of the teeth and disease of the gums. Because of the high degree of
intestinal health, bad breath is al most unknown.

The lavatory and toilet are recessed in a corner of the bathroom area. The water turns on whenever the hands
are placed above the lavatory. In toileting, the individual sits upon a soft ring covering a soundproof bowl.
During elimination or defecation the waste matter, together with all odors, is drawn into an opening. Instead of
towels or tissues there are water sprays which automatically clean the rectal and pubic areas, and warm air
rapidly dries them. This natural function is no longer un attractive as in previous centuries.

A Medical Checkup

Scott and Hella step into a cabinet and automatically trigger a ten - second series of tests that help them
achieve the highest level of health. The mechanism records their weight so that the cybern ator can check
gain or loss. If an upward trend in weight appears over a period of time, the cybernator orders the food
production mechanism to decrease the calories without making any noticeable change in the bulk or
taste of the food. The cabinet also me asures blood pressure differentials throughout the body. It
produces an electrocardiogram and instantaneously compares it with previous electrocardiograms. The
blood in capillaries on the retina of the eye is given a spectro - analysis. The heartbeat, respir atory rate,
brain - wave activity, and many other measurements are made and instantly compared with long - term
norms for the individual. The cybernator does not over - respond to individual readings of any specific day
but, instead, analyzes them for physiolog ical trends. The Correlation Center compares them with norms
based on over two billion people.

Almost everything that happens in the human body is accompanied by electrical and chemical changes
that can be picked up and recorded by the advanced medical en gineering of the twenty - first century. The
casual ten seconds spent in this medical cabinet give Scott and Hella a daily checkup that may add
years to their lives. All colds, viruses, and infectious diseases have been eliminated for many years. Only
long - t erm deterioration of body organs is still a problem.

When necessary, conditions in their environment are altered to help them maintain optimal health.
Many of the environmental changes, such as the adjustment of calories to preserve optimal weight, are
pe rformed automatically. Every effort is being made by medical technicians to automate all conditions
involving health so that no conscious control is necessary to achieve the highest level of energy and
longevity.

Scott and Hella walk into the dressing are a and hold out their arms. Their garments release
themselves from hangers and adhere to their bodies. Their measurements are stored in the Correlation
Center. Whenever they need a garment, the cybernated machines tailor a unique one for them in the
style a nd material they select.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The clothing is extremely thin and soft, yet it has great strength and flexibility. The material lives, breathes,
and reflects — or absorbs — light and heat as needed to keep the body temperature even. Through energy
generated from l ight, the material obtains electrical potential required to operate the garment's
electromechanical responses. It has no bulging surfaces or tension - producing areas of stress. In any scuff
contact a flow of electro - migratory materials maintains the garment in constant repair.

The material can assume any color or become transparent. The clothes clean themselves and usually
do not need attention during their expected ten - year life.

Delicate shoes that flex coordinately with the movement of the musculature o f the foot are entirely free
of local pressures or undesirable friction. They breathe as the wearer walks about.

The feet are maintained at the most comfortable temperature, regardless of the weather. A membranous
material will migrate to any part of the shoe to enhance movement, comfort, durability, and wear. They
are also self - cleaning.

Snack on the Balcony

Scott and Hella often eat on the balcony that overlooks the naturally lovely wooded areas of the twenty -
first - century cities. Over 83 per cent of the land in the cities is maintained as park and recreation areas.
For the past forty - two years all the cities have had full weather control. The Correlation Center
arranges for the degree of variation from season to season that people find most pleasan t. Rain, snow,
and windstorms no longer inconvenience people in urban communities.

Scott and Hella live in a circular, multi - story apartment building that is over a mile in diameter. It
contains 300,000 living - units designed to meet human needs in every possible way. All walls, doors, and
windows are soundproof. The nearest building they can see from their balcony is about a half - mile
away. Few suburban homes of the past, even if built on forty acres of land, offered the absence of
distractions they are a ble to enjoy.

As they make themselves comfortable on the balcony, they give vocal commands to the cybernator which
produces the food they have ordered in five seconds. As a part of their training to live in the twenty - first -
century world, Scott and Hella have become familiar with 325 selections of food. These selections seem
to encompass fairly well the entire range of taste, smell, and texture combinations that most people
enjoy. It has been found that three basic food mixtures can be electronically alter ed in one second's time
to give variations in color, taste, and texture that make up any desired menu.

In an experiment several years ago some twentieth - century foods, as prepared by gourmet restaurants in
various cities of the world were offered to a gr oup of twenty - first - century people. They found the
twentieth - century food lacking in taste depth, nutritionally insufficient, and actually harmful in some ways.

Scott and Hella do not use the primitive knife, fork, and spoon of former times. Their exotic foods are picked

up by a glass - like rod that is charged electrostatically so that portions of food adhere to it. They do

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

not have to penetrate the food; they simply bring the glass rod near it. There is no dripping or dropping
of food. By varying the char ge at the tip, even liquids adhere. When they complete their meal, the
implements and dishes are lowered into the table, where they are automatically cleaned and sterilized.

The Dynamic Living Area

After breakfast Scott and Hella go to the largest ro om in their apartment. Half of this room is devoted to a
teleprojection area large enough for life - sized, three - dimensional figures. An index scanner enables
Scott and Hella to select whatever they enjoy most — concerts, plays, current events, informative
su bjects. The world's forests are no longer being chewed up to make newspapers. All past or present
news is available on the telescreen, and reusable electrostatic copies can be made if desired. The
cybernator in their apartment has already made a list of th e programs of the day. It has put a red dot
beside the type of program that Scott prefers and a yellow dot beside the type that Hella usually selects.

Scott and Hella nestle in a contour chair as they activate the three - dimensional teleprojection area. Th is
contour chair acts as a living support that produces a comfort previously unknown. If Hella raises her
arm, the chair will extend itself upon command to support the arm in any position desired. Whenever the
legs are moved, it grows to support them with balloon - like softness. It gives them a physical freedom
when sitting or reclining. The furniture of previous times tended to force people to sit in predetermined
ways. In the new world of the twenty - first century, the individual has the freedom to select.

Most of the mechanisms that free Scott and Hella from drudgery and permit them to be served as
guests in their own home operate automatically. Push buttons, dials, and levers are seldom used.
Almost every machine in the new world is voice - actuated and res ponds instantly to spoken orders.

The interior of the living room has a large, dome - shaped ceiling with soft, colorful lighting flowing without
any visible source from all portions of the wall. All of the electronic mechanisms that control the interior of
their apartment are built into the walls. There are no gadgets bulging out here and there. The eye meets
only pleasing contours of an organically designed interior. The walls of the twenty - first - century living -
units are capable of infinite variety. At tim es they appear transparent. At other times they seem opaque.
Often they reflect color or combinations of color in pleasing blends and designs. Teleprojected pictures,
sculpture, and flowers are tastefully distributed through the apartment. They automatical ly change each
day. There are no locks on any doors. In a world of abundance and sanity, they have no function. Almost
everything in the apartment is fireproof and free from deterioration and will remain so for the long life of
the building.

The entire ap artment is maintained and cleaned continually by automatic mechanisms silently operated by the
cybernator. No brooms, vacuum cleaners, or other manual paraphernalia are needed. It is almost completely
dust - free. All surfaces are gracefully contoured so tha t there are no cracks or corners to permit dust to gather.
Most surfaces have an electrostatic charge that repels dust and keeps it floating in the air to be filtered out.
Since the air pressure in the apartment is slightly higher than outside, no dust flo ws in.

All materials and mechanisms in the living area are designed to last over one hundred years. Scott and

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Hella probably cannot recall any inconvenience due to a mechanical failure. The outside walls and roof
of the apartment building are made of cer amic - like materials which require no painting or maintenance
and have a life expectancy in excess of 500 years.

The versatile living areas are the focal points of the intelligence of the world environment. They are
connected electronically with the Correl ation Center, which, in turn, is connected with practically everything
on the planet. When Scott wishes, he can contact any region in the world. He can talk with almost anyone in
the world at any time. It is possible for him to attend any conference, to ob serve almost everything going on
in the world in three - dimensional, color teleprojection without leaving his apartment.

Not only does their apartment enjoy two - way communication throughout the world, but it is also
connected to receive anything they want directly from any part of the globe. Stores and shopping centers
are regarded as inconvenient folkways of pre - twenty - first - century civilizations. When Scott and Hella want
any personal item or any apparatus, they need only order their cybernator to produce three - dimensional
models for their selection. Sometimes a basic model may have hundreds of optional attachments. This
gives them an opportunity to order a customized version that meet their needs exactly.

When they select what they want, their cybernator immediately communicates this to the Correlation
Center. In less than a second the order is registered at the nearest industrial complex. Within minutes
this item is fabricated, packaged, and sent on its way in a high - speed system of tubes twenty feet in
diameter. This high - speed package is electronically guided by the symbols representing Scott and Hella's
address. Their package travels at the rate of 250 miles per hour until it arrives at their apartment.

During the entire process not one human hand or brain has been involved in filling their order. It is
possible that the object they have ordered is unique in the entire world, for perhaps no one else
has ordered that particular combination.

There is no scarcity of anything. Scott and Hella are free to order as much as they wish, for no human
lives are consumed in meeting their needs. Whatever they want results only in a momentary blip in
the cybernated machine complex of the twenty - first century.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Living   room   of Scott and Hella's apartment   Li near - acceleration train

The group is watching a three - dimensional   This train is magnetically propelled on a cushion of
teleprojection. The panel on the right contains   air at 2,000 miles per hour. It has no engine or
facilities for shopping and rapid delivery, delicious   wheels. The electrostatically charged point reduces
instant food. sending and receiving information, etc. air resistance. Its safe cybernated operation

requires no personnel.

Floating re search vessel

Cybernated freighters

Children as young as five years participate in   These rust - free titanium vessels load and unload
interesting research projects such as this   themselves and navigate to any port without
oceanographic research ves sel's analysis of   captain, crew, or dock workers They carry enough
currents near the Bering Strait dam. Trains   atomic fuel to power the ship for fifty years.
connecting the continents travel through the upper

tube.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

A twenty - first - century car   Ion - propelled aircraft

These wheelless cars glide quietly and safely while   This pilotless aircraft picks up Scott and Hella from
people relax You state where you want to go, and   the top of their apartment and c ybernetically
they guide themselves without attention. They are

transports them to the Exuma Islands It is equipped

refueled every five years and usually operate with the comforts and conveniences of the twenty -
twenty years without repairs. first - centu ry apartments.

Power and research center

City design

The nuclear power plant that Hella visits lies 300 Each of these spaciously designed fifteen - story
feet below the central dome that contains the living complexes overlooks natur al areas of forests
computer complex. Domed laboratories branch off

and lakes that are a minimum of one - half mile wide

from the center and are conveniently by one mile long. Transportation is handled in
interconnected. underground raceways.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Industrial production

Corcen

A continuous stream of levicars is silently This six - foot sphere which serves as the
electroformed in one of the 1,000 - foot flow world correlation and knowledge bank has
lines. All objects are formed molec ularly as a

trillions of inputs from all over the globe that

whole instead of being fabricated in parts and   enable it to serve every individual and
then assembled as in the pre - cybernated   coordinate the humanized man - machine
age.   symbiosis.

From the Moon
Scott and Bella's observation dome overlooks the
laser - cut excavation in the rock which protectively

Suburban home
This home (including terrace) is electroformed in
one piece and set in place by a ca rgo levicraft.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

encloses the multi - level interior environment. In
place of exterior doors, there is a system of
translucent thermal barriers.

Although cybernetically produced, the limitless
choice of design elements and equipment make
it uniquely indivi dual.

Fulfilling Interests

Scott has strong interest in medical engineering. A writer in the twentieth century would have said that
medicine was Scott's "profession". In the new world, this terminology is not appropriate since the
primitive system o f jobs, wages, fees, and money has been outgrown. Scott finds the human body and its
myriad mechanisms particularly fascinating. He enjoys playing a part in experiments designed to yield
data that helps people attain the highest possible level of health. D octors now study health, not disease.
Instead of finding out what causes disease, they concentrate on finding out what factors produce the
highest possible level of health. The parts of the body that were subject to frequent breakdown, such as
the appendix , were eliminated many decades ago by improvements in the genes that blueprint the
human body.

Eight months ago the Correlation Center selected Scott and medical scientists from Asia, South
America, and Europe to conduct experiments and report on the desi rability of increasing the sensitivity of
the humans near to 30,000 cycles. Human hearing is limited to a range of about 20 to 20,000 cycles per
second. Some animals, such as dogs, can hear higher - pitched sounds. If Scott's committee feels that
human well - being would be increased by an addition to the auditory range, research will be conducted
toward this end. They already know which DNA manipulation are needed to produce the higher range of
hearing. Perhaps in five years a pilot study with 1,000 individua ls in different parts of the earth will be
tried. If a richer pattern of life results, perhaps 5 per cent of the infants will be so equipped. If results
continue to be favorable, this genetic improvement may be generally adopted for future babies of the
tw enty - second century. If there is any question about the feasibility of a projected improvement, or if
difficulties later arise, the flexible scientific attitude results in rapid corrections. Nothing is regarded as
final.

During his lifetime Scott knew peo ple who were born in the twentieth century. He considered them
"culture - bound." They were so bewildered by the flexibility of the new generations! They kept saying, "It
isn't right to do this. If nature had wanted things that way, she would have made them that way. You
have no respect for truth." Scot believes that the test of all things is the happiness they yield. He knows
that mental straight - jackets limit one's ability to work out patterns of life that are broadly fulfilling.

Perhaps for the first tim e in human history, people are not bound tightly by the forms of a culture. In the
past individuals who did not observe the mores of their particular culture were subjected to penalties
that varied from disapproval to death. Scott's generation encourages d iversity; they try to avoid getting
into personal or social ruts.

In the nurseries children enjoy games that help develop complete flexibility in going from one system to

another. They know that two plus two in many situations equals four. They do not wan t to be rigidly bound by
this. They want to know the hidden assumptions that lie behind this ' 'self - evident" formula. Children

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

enjoy finding ways in which two plus two is not equal to four. Much of life is not additive. If two
mouthfuls of a food are ple asant, it does not follow that four mouthfuls will give twice as much pleasure.
The pleasure may decrease even more with six mouthfuls. Twelve mouthfuls might be unpleasant. "I
remember once discovering a life situation in which two plus two equaled zero," Scott says.

The free minds of the twenty - first century challenge everything that seems self - evident. They like to try on
mentally different points of view. They search for their hidden assumptions and delight in bringing them to the
surface. They are exp erts at changing their minds. "There are many people I especially like because they do
not share my points of view," Hella says. "I enjoy talking with them when they vigorously defend a position
that contradicts mine. I know I learn more when I find people with ideas that challenge mine."

The Morning: Conference

Hella enjoys studying human relationships. She has asked the Correlation Center to indicate useful
things she can do. She has been appointed to a committee that is studying the degree to which pri vacy in
living areas adds or detracts from the human happiness potential. They are gathering data on what
proportions of the population seem to achieve maximum fulfillment in those apartments that offer privacy
versus those apartments that are shared by va rying numbers of people. There is some evidence that self -
selected groups of six people offer greater conversational variety, increased vicarious appreciations, and
significantly enriched intellectual, esthetic, and sensory experiences. Larger groups may h ave a degree
of superficiality and confusion that has drawbacks.

It is recognized that if each individual is to have a maximum of "Life, Liberty, and the Pursuit of Happiness,"
there must be opportunities from full privacy to full community participation in all activities. One should be
able to choose whatever meets his needs best at the time. All planning is determined by the varied and
changing preferences of individuals, not by what someone else thinks is "good for them."

Both Scott and Hella plan to c onfer with their respective colleagues on these scientific matters during the
latter part of the morning. At the prearranged time the telescreens come to life. Scott in his portion of the
room and Hella in hers talk with their associates throughout the wor ld. A table is in the foreground of the
screen and the people appear in the far - flung conference telescreens as though seated in a semicircle.

At one point in Scott's conference it is necessary to telecommunicate with a scientist on a space station.
Later , they need the results of an experiment on hearing conducted eighty years previously. A request
is made of the Correlation Center for this information. Within moments the data is presented upon the
screen. The Correlation Center has recorded every book, d ocument, and report that has ever been
preserved in the history of the world. This information — classified, cross referenced, summarized, and
evaluated — is available at all times. The proceedings of this conference are also recorded into the vast
memory bank s of the Correlation Center.

After their conferences Scott and Hella leave the main living area. Their chairs silently fold away and
retract into the floor. They return to the balcony and recline upon a huge circular surface which
automatically contours i tself to their bodies and orients to the most suitable position to absorb filtered
sunlight. The cybernator senses the mood of Scott and Hella and immediately provides a delightful
fragrance of flowers with a background of stimulating music. Scott and Hell a tenderly touch each other. He

kisses her shoulders and she responds. They both begin to breathe deeply as they enjoy a multi -

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

dimensional experience that culminates in an ecstatic sexual climax.

As they relax automatic units gently massage their bodies . These units do not have any extensions or
projections. They are electronic means that project gentle contractions into the musculature of the body.
All points of the body can be gently or forcefully massaged at the same time, depending upon the
training that one has given the cybernator that serves him. Scott and Hella's muscles are stimulated to
develop and maintain strength. As the massage becomes gentler, it gradually lulls them to sleep.

Although they live in a voice - actuated environment designed to meet their needs, they are
resourceful, capable individuals. They enjoy muscular activity. Since the cybernated machines protect
them from boring, repetitive drudgery, they are unburdened and hence able to enjoy exertion. They
often walk several miles in p reference to using a cybernated car.

While Scott and Hella are asleep a friend calls. There is no jangling phone to awaken them, for the
sensing devices in their environment know they are asleep and report this. The friend communicates
his message to the three - dimensional recorder, which is promptly played for Scott and Hella when they
awake.

Since it is possible to communicate quickly with any person on earth, no matter where he is, there is
no problem in returning the call. They invited him to drop by t hat evening.

Scott and Hella feel a complete freedom to explore new areas of thinking and feeling. They want their values
and interests to change so that they may experience a multi - dimensional life. As they seek newer and
deeper areas of feeling and thin king, the cybernator senses these altered patterns and responds
appropriately. Just as an English butler learned in previous centuries to pick up the moods and needs of his
employers "intuitively," so the cybernators are designed to grasp totally the sensi tivities of the people they
serve. They sense almost in advance what each person will want. They furnish whatever concert,
symphony, or other type of entertainment would best suit the need of each individual they serve. The
cybernators never determine what humans should have or want. They always seek to provide what will best
meet the needs of individuals from clues given by the pattern of past choices.

Although Scott and Hella are aware of the functions of the cybernator, they interact with it in a
highly impersonal way. In the hidden mechanism in the walls, there are built - in, duplicate parts that
automatically bypass any defective units in an instant without interruption of service.

The living patterns Scott and Hella prefer can be instantly transferred to any other living unit they visit.
Their cybernator is connected to the Correlation Center so that any living unit throughout the world can
immediately request instructions on the various patterns an individual prefers. Thus everyone in the
twenty - first century feels at home wherever he is — in a space ship, an apartment in the Himalayas, or
a living unit at the bottom of the sea. As Scott once expressed it, "The world is my home."

A Visit to Sumatra

During the afternoon Scott mentions a place in Sumat ra he had once visited. On voice command, there

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

emanates from the walls a teleprojection of a scene from Sumatra. As these images change, Scott
and Hella experience the smell of the forest, the green leaves of the jungle, and the animal life. These
perfec ted teleprojection images can not be distinguished from the real objects.

The living area is at once transformed. Hanging vines and the lush tropical vegetation of the jungles of
Sumatra appear in life - sized, three - dimensional color. Birds fly through the ir living area, and animals
walk by, apparently within reach of Scott and Hella. They appear quite solid, and one can hear the
flapping of bird's wings and the soft padding of an animal's paws. The sea life and beaches appear in full
reality. With gentle b reezes caressing their faces, Scott and Hella feel immersed in the breaking waves,
and colorful tropical fish that surround them and occasionally seem to touch them. If there is anything
they wish to see again or want enlarged, they have only to command th e cybernator. They watch
underwater plants shimmer past them and see reflections of sunbeams coming down through the water
with iridescent shadows.

The newscast during the late afternoon briefly discusses signals received from outside the solar
system. A particularly strong transmission is currently being monitored from a star some twenty - six
light - years away, near the center of our galaxy. Apparently, intelligent beings are beaming strong
signals toward earth. The linguistic system has not been cracked, b ut the computers are working on it.
How soon will they contact other beings in the universe?

Sharing With Friends

Toward evening the cybernator alerts Scott that their friends will be there soon. Sonji and Jahn arrive in a
pilotless levitator. It is prop elled by highly energized ion particles that are emitted from the underside of
the craft in a constant stream. This enables it to go up or down or be propelled in any direction desired.
The levitator is not a flying machine. It does not depend upon air cur rents or any noisy unreliable devices
such as propellers, wings, or ailerons. As it gently alights on the balcony, the guests appear to walk
through its side, for there are no doors, cracks, or visible openings. Through verbal command the
molecular bond of a portion of this outer skin yields to permit them to leave. The cybernator greets the
guests and automatically guides them to the area where they are received by Scott and Hella. They
make themselves comfortable on the responsive furniture.

These guests are not attracted to Scott and Hella for inconsequential chatter or the social consumption
of alcohol. Jahn is engrossed in reconstructing biological organisms that roamed the earth in the distant
eons of the past. Sonji is part of a team devising electro nic means to propel rats, flies, and other
undesired forms of life from a five - mile belt surrounding all of the cities of the globe. They excitedly
exchange ideas pro, con, back, and forth.

Creative Recreation

There are many games with physical or inte llectual challenge from which to choose. This evening Scott
suggests they play a game of Intellectronics. The three - dimensional, teleprojection mechanism is turned
on, and they eagerly don headsets with sensitive electronic pickups. The teleprojection area comes

alive with a visual representation of the innermost feelings of each individual, somewhat similar to the

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

oscilloscope projection of vocal sounds. The screen is filled with a three - dimensional, infinitely varied
spectrum of color. By interacting wit h each other, they make sprays of color that extend and dance in space
before them. The forms blend with one another and merge as totally different and exciting patterns.

"What a novel thought! Who projected that? How surprising that this projection is so similar to mine." The
game explores the innermost feelings of each participant. These electronic translations of the operation
of the human mind are very meaningful to Scott, Hella, and their friends. If someone from previous
centuries were to see them, t hey would appear abstract and meaningless. But to people who have had
years of experience, this new imagery represents a sophisticated form of communication. Somewhat as
an electroencephalogram operator in the twentieth century interpreted two - dimensional wavy lines, the
participants of the new imagery are sharing a form of communication, involving the integration of motion
and color interwoven in a symphonic sensorium.

Home Movies

After a pleasant evening with their friends, which has lasted until arou nd four in the morning, Scott and
Hella retire to their sleeping chamber. Suddenly, Scott remembers some three - dimensional color
recordings he and Hella made in their sleeping chamber on a recent visit to the moon. Since the moon
has only one - sixth of the gravitational pull of the earth, they weighed only about 20 pounds. With the
full muscle strength designed for earth's gravitation, they were able to interact sexually with each other
in ways that would be impossible on earth.

Upon command the cybernator projected these movies on the screen of their sleeping chamber while
Scott and Hella enjoy again their previous delights. As the movie draws to a close, the cybernator uses
its repertoire to enhance the sexuality of Scott and Hella. The whole spectrum of t heir sensations is
keyed to this undisturbed act of love. The music keeps pace with their physiological activities and
sensations. Temperatures are automatically maintained to meet their needs. All of their innermost
feelings are accentuated and co - ordinat ed toward the gripping climax.

As they drift away into a restful sleep, the cybernator with its thousands of inputs throughout their entire
apartment, maintains a constant surveillance over the well - being of Scott and Hella. They are the
pioneers in a ne w age of social and individual symbiosis. It is an age in which a purposeful existence
and a fulfilling life is shared equally by all. In six hours they will go to one of the fascinating underwater
apartments built on a colorful Exuma reef. They sleep deep ly to meet the opportunities of an exciting
tomorrow.

9. A Multi - Dimensional Life

For some time Scott and Hella have been planning to visit an underwater resort in the Exuma Islands in
the Bahamas. The cybernator automatically notifies the Correlation C enter of their plans. Scott and Hella
have no frenzy of last - minute packing to get ready for the trip. They simply leave with nothing in their

hands. The entire world is their home, and they have no need to take anything with them. Food and
drink will be a vailable in the aircraft. Travellers in previous times were heavily burdened by baggage, but

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

anything Scott and Hella need will be available wherever they go. Their important papers, photographs
and mementos are fed into the Correlation Center. They can b e instantly retrieved any time or any
place in the world. Soon retrieval on the moon will be possible.

On Hella's command the cybernator calls for a 1,000 mile - per - hour ion - propelled craft. Within minutes the
pilotless craft stops on the landing area on t op of their apartment building. They enter and by vocal
command give coded directions for the apartments in the Exumas. As the craft races at supersonic
speed over the highest clouds, Scott and Hella relax in contour chairs and watch the unfolding panorama
of the cloud formations.

"Clouds are like hypotheses," muses Scott. "They're always changing."

"I find change exciting," Hella reflects. "I wouldn't want to live in a static society, where things
are regarded as absolute and final."

"Well, I was thinki ng of the way men confused their notions of the world with reality," says Scott. "We
know today that no theories are true or false — they are only more or less useful. They have more or
less predictability."

"Didn't Einstein recognize this in his Theory of Relativity?" asks Hella.

"Exactly," says Scott. "Although it was fully accepted by scientists, he never said it was 'true.' He
simply suggested that we use it if it has greater predictability than anything else. We'll throw it out if we
can devise a theor y that explains more facts and has greater predictability."

"We can only use our creative imagination to think up ideas and hypotheses," adds Hella, "and then we
must quietly measure and experiment to see which verbal garment best clothes the world around us.
It's a never - ending process."

As they lie on a responsive lounge discussing this aspect of scientific methodology, they are brought
back to the here - and - now by the ten - minute landing signal. Now they begin to watch the water
below. The coast of Flori da with its silver lining of beaches recedes. The vibrant colors of the
Bahama reefs appear, and, almost too soon, they arrive at their Exuma resort.

The blue - green panorama is interrupted as their craft lands on the top of the Exuma City in the Sea.
This building is a spectacular engineering achievement. A large ring, or circular dam, rises from the
bottom of the sea, which is fifty feet deep at that point. The structure projects 100 feet above the
surface. The top of the circular city automatically slide s open in dry weather to uncover cybernetically
maintained recreation areas and tropical gardens with dining facilities offering a variety of delicacies
from the Exuma Sound.

Scott and Hella select a room that is twenty - five feet below the surface. Large windows look out on the
colorful underwater reef. When they enter their room, they instruct the cybernator for that unit to pick up
the living patterns they have developed over the years with other cybernators in every place they have
ever lived. Their pre ference for humidity, heat, light, music, food, and teleprojection program material

are instantly available in their new home.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

No Price Tags

Nothing in the twenty - first - century world of Scott and Hella has a price tag. Prices were a distribution
mecha nism that was inevitable in the scarcity cultures of previous centuries. The cybernated production
and distribution complex of the twenty - first century is capable of producing many times the flow of
goods and services that people of the world require. The automated production capacity is so great that
if everyone on the earth were suddenly to order a portable teleprojection set, such an unlikely demand
could easily be met with only a short delay.

In certain areas, however, there is a small "cost" to be pai d, although neither Scott nor Hella thinks of it
in these antiquated twentieth - century terms. They know that this underwater complex with 4,000
apartments requires a continuous staff of three people to operate it. Since there is not a single paid
employee in the entire twenty - first - century world, they know in advance that they may be expected to
contribute an hour of their time for each month they stay. They look forward to contributing this service,
for it furnishes them with new experiences. All jobs invo lving drudgery have long since been cybernated
so they know they will not be asked to scrub floors or perform boring menial tasks. They will probably
stand by to help in any way they are needed. Whatever they may be required to do, they know it will
probab ly be interesting, if not challenging.

Soon after arriving, they attend a one - hour teleprojection that gives information on the underwater
complex. It shows some of the more popular types of activities; it outlines dangers and suggests certain
precautions ; it tells where and how to use underwater breathing apparatus and where to pick up their
sub - mobile. It locates the various underwater parks that are within a three - hour range of their submobile
and shows how to use a special computer to communicate with the intelligent, trained dolphins and other
animals in the sea. There are demonstrations of underwater photography and the use of ultrasonically
propelled water skis.

The teleprojection describes the magnetic field set up in the water on the north side of the building. Fish
line up and swim toward the positive and negative poles of this electrical field. Pulses of high voltage herd
them in groups toward a large funnel that sucks them into the cybernated processing plant. Aquatic
plants are also grown in un derwater fields, and the tops are harvested automatically, leaving the roots
and lower third of the plant to grow a new crop without replanting. In various places throughout the world,
local traditions often supplement the 325 varieties of food regarded as standard.

When the teleprojection is over, Scott and Hella pick up their handbook and board the underwater
sightseeing craft that takes them on a ninety - six - mile tour of this colorful reef area. They frequently
leave the submobile and use their membrane masks to explore underwater caves and grottos.

The Human Use of Time

That evening Scott and Hella join several men and women who are discussing some of the problems of

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

the previous century. No introduction is ever needed in the new world. Everyone fee ls outgoing and
friendly toward his fellow man. The need for introduction in previous centuries often served as a
status shield that maintained distance between people.

Myra, a petite blonde, is standing with her back to a large submarine window. She is t he center of
attention as she discusses the concern of their ancestors over the problem of what people would do
with their lives when they didn't have to work. With vivacious movements she describes the dour
predictions of the "emptiness of too much leisur e." In a civilization of scarcity, it was customary for
people to expect a life of unremitting toil and to develop "wisdom" based on this reality.

"If all the year were playing holidays, to sport would be as tedious as to work," Scott says with a
smile, q uoting from Shakespeare.

Anna, who is drying her hair with an air jet, remarks, "Historian Thomas Carlyle warned that 'a life of
ease is not good for any man, nor for any god.' The folklore of the past was full of such admonitions as,
'Idle hands are the Devil's tools and idle minds, his workshop.' Our ancestors professed to have faith in
humanity, yet they didn't trust people to direct their own lives."

"How incredible," says Daryl, "that humans could be so conditioned that they would feel guilty if they
were not engaged in repetitive toil." He ambles over to the window to join Myra. "Why should people ever
feel guilty about anything?"

"Somewhere around the mid - twentieth century," says Hella, "I recall that the Center for the Study of
Democratic Institut ions was studying the problem of what people would do with their spare time when
they were no longer enslaved by the need to work for a weekly pay check. They invited Daniel Nugent,
who lived on a hilltop nearby, to one of their weekly conferences. Nugent had owned a large department
store in St. Louis, and he sold it out in 1916 when he was only twenty - seven. He retired in Santa Barbara
and spent his days reading, studying, thinking, enjoying the loveliness around him, and using his money
to help people. O ne by one the staff members in the conference room discussed the problems of what to
do with leisure time in a world without work. 'What will happen when men's and women's lives are not
structured for them? Can they make their own decisions? Can they use t heir own resources to build a
worthwhile life?' Nugent sat there listening for a long while before he strongly protested, 'Gentlemen, I
myself have not been gainfully employed for some 45 years — and I assure you there are not enough
hours in the day.' "

"N ugent was a smart man," observes one of the older men in the group. "He put his finger on our real
problem. Our lives are just not long enough in spite of the reduced time now needed for sleeping. It is
impossible for any individual to experience even one - thousandth of the world that we have today. And
all of our horizons are constantly expanding so that as civilization goes on, it seems that the individual
can experience less and less of it."

"I agree," Hella responds. "Thomas Edison said, 'The stomach is the only part of a man which can be
fully satisfied. The yearning of man's brain for new knowledge and experience . . . can never be
completely met.' Perhaps if we could live 10,000,000 years we might find life boring. But Nugent was
right — that certainly is not our problem today!"

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Everyone laughs at this last remark. Amazing how people can get worked up over problems that
don't even exist!

No Burdensome Possessions

After three weeks Scott and Hella realize they cannot leave soon. So many beauties, uni que feelings,
thoughts. Perhaps six months, perhaps a year would be enough. How could one decide in advance?
They notify Central Correlation that they plan to remain here indefinitely. All conference calls and
other communications are to continue to come t o the Exumas, for they have cancelled their plans to
return. They ask the Correlation Center to make their apartment available to other people. This is no
problem, for Scott and Hella left no personal possessions there. In fact, they have few "personal"
po ssessions. Whatever they want to use is available in any environment on earth.

The entire concept of personal possessions belongs to the old scarcity societies. It isn't that Scott and
Hella are forbidden to have them. They don't want them. They have no n eed for them. All of the things
that people of previous societies used and which are still functional in the twenty - first century are
structured into the environment. Suppose someone were to tell Scott, "Here is a pen. It belongs to you.
You must take care of it and not let anyone take it away from you when you're not looking." Scott
would give him a what's - going - on - here reaction.

Besides, he has relatively little need to make marks on pieces of paper, for he can talk into the
cybernator, and his words wil l be automatically recorded or printed. The finger - sized computer
embedded in Scott's brain has sensory inputs that permit drawing by means of thought. If he wants to
keep a copy of such a drawing, he instructs the cybernator to make a copy or to store the image he has
created with his thought patterns.

Anything Scott and Hella want can be rapidly produced to their personal specifications and usually
delivered in several hours, no matter where they are — on the earth, below the earth, or in the satellites
ab ove the earth. They would regard it as an imposition if they had to regard certain things as their own —
to keep track of them, to take them where they go so that they would have them available when needed,
to make sure that they are properly serviced and i n good working order. What a crude bother! In contrast,
Scott and Hella have everything they need anywhere on earth. They are never concerned with taking
care of any physical objects, for maintenance is cybernated. "The old concept of ownership sounds utte rly
barbaric," Scott once observed. "It's burdensome and boring."

Artistic Expression Is a Part of Living

Scott and Hella find themselves deeply moved by the color of the reefs and waters, the savage brutality of the
more aggressive fish, and the grace ful motion of the marine plants and animals. While Hella is visiting the
observation deck high above the Exuma Sound, she has a desire to express her feelings in a three -
dimensional painting. She tells the cybernator of her wish to paint and walks over to a three - by four - foot

panel. She picks up a lightweight instrument about three times the size of a pen. Through controlling the

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

adjustment on this instrument, she is able to produce any color, or mixture of color, desired. Just as a
sliding trombone can p roduce graduations of pitch, so her electronic brush can produce a thousand
different hues and tints. Fine lines are drawn by holding it close to the screen. Broad lines are made by
pulling it back. The pen can paint a flat, two - dimensional picture, or it can build up the material into any
three - dimensional pattern desired. If Hella is dissatisfied with her work and wishes to start over, she has
only to indicate so, and the cybernator will electronically erase it. When Hella is through with her painting,
sh e instructs the cybernator to record it. If she especially likes it, she will order the cybernator to transmit
it to the Correlation Center.

Scott has a particular talent in sculpture, and he is inspired by the living forms surrounding him in the
Bahamian waters. By using an electroformer, he is able to produce sculpture that in previous centuries
might have involved days of hacking away at wood or stone. When he is satisfied with one of his
productions, he orders the cybernator to send it to the Correlati on Center. The physical structure of the
sculpture is not moved, but through electronic scanning its contours and colors are recorded and
transmitted. The Correlation Center schedules the exhibition of paintings and sculptures. Through
three - dimensional te leprojection Scott's sculpture will probably appear for ten - minute intervals in
several apartments, walkway areas, and research laboratories during the next week. The degree to
which it will appear again in other areas of the world and whether it will ever be shown at a Cultural
Center depends on the amount of attention it receives as recorded automatically by attention scanners.

If Scott or Hella were curious regarding the fate of their creations, they could ask their cybernator to
request that informatio n from the Correlation Center. They do not, however, produce these creations for
the ego satisfaction of exhibiting them to others. They make them for their own pleasure. They create
them because they have an inside need to express themselves. They produce them for the satisfaction
of developing their artistic talents to a higher level. Whether anyone else in the world likes or dislikes
their art is of little concern. Their main reason for transmitting their better products to the Correlation
Center is to s hare with others something they feel would add slightly to the lives of fellow humans.

The Achievement of Liberty

That evening Scott and Hella join a group attracted by the panorama seen through a transparent wall fifty
feet under water. They are imme rsed in a living symphony of fish and plant life. As they soak up the
details of this brilliantly lit section of the reef, they have deeper insights into their cultural heritage. They
watch the wanderings of a small shrimp as it scans its environment for f ood. Suddenly a snapper darts
past, opens its jaws — and whack! The shrimp is no more. One's attention is arrested by the graceful co -
ordination of the eight arms of a small squid. Suddenly a jack comes along and grabs it in the middle. The
arms flail helple ssly around the mouth of the jack. Then the jack is attacked by a barracuda, and the
squid is immediately dropped as the jack flees for its life. The barracuda reaches down and grabs the
now - injured squid with its sharp teeth. In three shakes it is devoure d. Scott and Hella are impressed by
the ferocity of life in the marine jungle — the cruel workings of the survival of the fittest, the inevitable
conflict that is brought on by scarcity.

"Blessed are the meek," Scott quotes. "But the meek may not survive in the jungle. If animals or people

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

have to fight each other to get what they need, they become brutal. They have to be callous and
heartless — it would tear them apart if they empathized with the pain of others."

"How indebted we are to our ancestors for w orking through those primitive stages so we can at last
live as human beings," remarks Hella as she watches a playful sergeant major darting around a
lavender - tinted lettuce coral. "They had the illusion of freedom — we have real freedom."

"Only recently ha ve we been really free of the age - old ruts and routines," Scott continues. "Free from
economic struggle, from aggressiveness in a million forms, from constant ego attack, and from always
being told what to do. Even when our ancestors had enough food in the ir stomachs and had a roof over
their heads, there was still a scarcity of love, affection, and emotional security to meet their ego needs."

"Yes," adds Hella, "and previous societies had intricate ways of giving status to people that enabled
them to one - up the other fellow — to try to get a feeling of worth by showing that they were better in
some ways than other fellow humans."

"I suppose most of the problem revolved around scarcity," says Scott. "People must feel secure to
give deeply to others."

"They tried to get security by passing laws," Hella smiles. "I understand that in previous centuries
thousands of laws were passed each year telling people what they could and could not do."

"It's been years since taboos or laws were forced by society on the in dividual," Scott says. "Previous
cultures used to label various things as right or wrong, good or bad, moral or immoral, lawful or
unlawful. These things sometimes changed from one state to another, from one country to another, and
certainly from one cultu re to another."

"We shouldn't be too proud," admonishes Hella. "It was only two decades ago that we were able to
dispense with the last law, the last lawyer, and the last courtroom. Only in our age could we be sure
that human beings could be fully trusted if they are reared in ways that avoid hostile conditioning.
Happy, fulfilled people never commit crimes!"

"I'm not sure that it's all a matter of trusting people," counters Scott. "I'm not sure I could be trusted not
to harm myself or someone else if I w ere put into one of the automobiles of the last century. We've used
technology to avoid hurting ourselves or others. Try to imagine, Hella. They had no automatic controls.
They sped along those narrow highways. The death rate was horrible, the injuries eve n worse. In the
United States auto accidents killed more people each year than their wars! This slaughter was so
unnecessary. It's been decades since one of our surface transportation units injured anyone."

"The availability of the medium - range aircraft t hat we used to come here was shelved for four years until
proximity control devices were perfected," says Hella. "This safety system reduces the probability of a
crash to less than one chance in six trillion miles. The danger of a crash is more remote than being hit by
lightning."

"Yes, I remember reading about the probabilities of a crash on the nameplate as we entered the craft,"

answers Scott. "There's no 'Big Brother' making decisions for us. We're given the facts and probabilities,

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

and we make our ow n choices."

"Watching those fish out there," says Hella, "makes me realize how far man has come. We can truly
be ourselves — think what we want, feel what we want, experience what we want — without hurting
other people."

Trip to an Underwater Park

The next morning Scott and Hella take one of the submobiles and navigate to an underwater park about
twenty miles away. On the way they see the forms of many wrecked ships, now deeply encrusted with
coral. They play tag with a dolphin for a while. In their large bu bble enclosure in the forward part of the
sub - mobile, they have full visibility. Built - in televised binoculars with microviewers enables them to
examine marine life in detail. They call the Correlation Center via relay satellite and request a summary
of th e scientific work now being done in oceanography. A briefing keyed to their intermediate level of
understanding is given to them as they near the underwater park.

In the park they find other submobiles. Scott and Hella having their underwater breathing me mbrane on,
slip their feet into self - propelled fins, adjust their voice communicators, and exit through the air lock. For
hours they explore the marine gardens and make three dimensional teleprojections with their laser
cameras. They stay together so that they can help each other in case of emergency. Trained porpoises
are there to assist if needed.

On the way back from the park, Scott and Hella direct their submobile to navigate automatically. He
helps her remove her fins and breathing membrane. Caressing her ear with his lips, he peels her
underwater suit from her body. With a knowing smile she turns and sees that he has already removed his
gear. A word to the cybernator brings forth sensuous music with strong repetitive rhythms. She shares
his mounting e xcitement.

Competing with Oneself

Scott and Hella still feel exuberantly energetic even after the underwater trip. They decide to play a game that
was adapted from ping - pong of the previous century. The net, the table, the ball, and the paddles are almo st
unchanged. Their adversary, however, is very different, for Scott and Hella play on the same side of the table
as partners against a mechanical paddle directed by a computer. This computer has sensing devices which
enable it to judge the direction and s peed of every ball returned over the net. Although the computer is able to
return every ball with 100 per cent accuracy, it does not do so. The Correlation Center has a record of every
time Scott and Hella have played this game as a team, and it has establ ished a norm for them. At this time the
norm for the preceding year indicates that Scott and Hella returned 85.967 per cent of the ping - pong balls that
were directed to them with an average speed of 7.72, as measured on a 10 point scale. The computer plays a
game against Scott and Hella that represents a skill exactly equal to the average of all the games that they
have played during the preceding year. If Scott would want to play alone, a different set of records maintained
by the Correlation Center would enable the computer to put up a game against him that would be exactly
equal to his average performance.

Scott and Hella are thus able to play as a team — against themselves as a team. If they are in good shape

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

today, they will win. If they are not, they w ill lose. Either way they win, for no matter how the game
comes out, they feel good. They have a lot of fun laughing and trying to figure out how to get around the
computer.

They enjoy competing against themselves. They would find it repulsive to compete against each other.
Such a battle would prove nothing. It could only be damaging in some slight way. If they compete
against their past performance, they can tell if they are improving.

During the evening Scott reclines in the massaging contour chair in h is underwater apartment. The "bay
window" is illuminated so that occasionally he looks out to see if anything is happening on the reef. As
he lies relaxed in his chair, he watches a screen that is angled above him where the paragraphs of a
book flash by. S cott's usual reading pace is 22,000 words per minute, but he has slowed down to 7,000
words because he enjoys the languorous intermixing of the abstract thoughts of the book with the
colorful underwater world beyond his window. Suddenly, he has an interest ing idea: could a range
emitter be designed that would repel sharks, barracuda, moray eels, and other marine animals that could
endanger swimming? He wonders if this could be built into a lightweight belt for underwater use. He
immediately calls Central Co rrelation and gives his thoughts in detail. Central Correlation then sends this
information to men and women who are interested in this area. They will probably have a teleprojection
conference sometime in the next week or two to discuss it.

The Disarmame nt Anniversary

That evening there is a world - wide ceremony scheduled by the Correlation Center. This marks the
eighty - second anniversary of the date when the last instrument of death was destroyed. Previous
cultures developed a long progression of tools designed to kill fellow human beings. It started with the
cave man and his club. It ended with an ultimate weapon that could wipe out all life in an instant.

Scott at one time visited a museum and was appalled that human science and ingenuity could have
b een applied in such self - destructive ways. He was amazed that humans could have been that hostile
toward each other. But he realized that he should not judge other people and other civilizations, for they
had problems of which he was only dimly aware. He k new that had he lived in previous times, he
probably would have played a part in piloting an airplane to drop a bomb or in rushing up a hill with a gun
in his hand to kill the defenders at the top.

No one today wants instruments for killing. In the areas where wildlife exists, man finds no need to kill
animals. He protects himself by using computers that communicate with animals in ways that control
their behavior.

How remarkable human beings are, after all, Scott thinks. People in the past could live in a threatening world
subject to being killed at any minute at the whim of a dictator in a foreign country. And yet they still managed
to make a life of it and come through it to develop the present civilization. Scott wonders whether his nerves
could have w ithstood this type of pressure. Would he, too, have developed the neurotic personality, the deep
insecurities, hostile aggressiveness, hollowness of ego, and the scramble for a feeling of worth that
characterized his ancestors? He is sure he would have in previous times. Fortunately, these are only words

to him now. It is even difficult for him to be sure that he is using them in

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

a way that represents the feelings of people who used the same words in previous centuries.

Our Only Enemy

That evening Scot t and Hella find a group in front of the large submarine window at the thirty - foot level.
They have reason to ponder the long road ahead of them. The Correlation Center recently released their
figures showing the degree to which humans are currently develo ping their intellectual potentials. It
pointed out that during the previous century people in the more advanced civilizations used from 2 to 5
per cent of their mental capacity.. Recent measures showed that the people of Scott and Hella's world
are using 1 8 per cent of their intellectual, artistic, and sensory capacity. No one knows at this time
whether a higher percentage would result in more or less happiness. Further research is needed.

One of the older men in the group remarks that it is comforting to know that all things in their civilization
are related to the needs and feelings of individual men and women. The method of science is used to
measure the reactions of people. It is never used to force individuals to conform to any given,
predetermined goa ls. Every program of improvement is carefully tested before it is adopted. Even after
adoption it is still on probation forever . For nothing would be permitted to remain in succeeding centuries
that would not contribute maximally to the happiness of the in dividuals who will be alive then. Man is the
measure of all things, and the scientific method is the measurer.

"At last," comments Hella, "we have a civilization where the entire range of human needs can be met.
For the first time in man's long history we can have complete diversity. It's remarkable what happens
when you let people be themselves and do what they want."

"We certainly are fortunate," says Scott, "that we can live in so many dimensions. Our ancestors
felt proud if they were experts in one or two things. My great - grandfather was a nuclear physicist
who developed mathematical games as a hobby. He was considered quite brilliant because of his
achievements in these two areas. The average person today enjoys operating in over 100 different
areas."

"So many new fields are opening up. There is just not enough time."

"Time is our only real enemy," replies Scott with a frown. "Perhaps we'll lick it some day."

10. Designing the New Generation

After seven months in the Exumas, Scott receives a me ssage from the Correlation Center that there is
an opportunity at a medical laboratory in Calcutta, India. This laboratory specializes in designing and
training the new generation — probably the most important function of the new society. Hella shares

Scott' s excitement at this chance to participate.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The query from the Correlation Center — affectionately called Corcen — is completely optional. Corcen
never tells people they have to do anything. It simply presents information on opportunities that are
available o r situations that need attention. Each individual makes his own decision regarding what he
wants to do. One might draw a rough analogy with an invitation to join an athletic team of the previous
century. An invitation to be on the football team was regarde d as an opportunity. The coaches didn't
force players to join the team.

"In ancient Greece the Athenians were fond of saying that although other states might know how to
make better products, only Athens knew how to make human beings," Hella says seriousl y. "All any
social system really makes, well or ill, is human beings. It will stand or fall on this."

Hella prefers to remain in the Exumas longer, and she decides not to accompany Scott to India. By three
dimensional color teleprojection, they can still "be together" as often and as long as they want. Since
there is plenty of time, Scott asks his cybernator to arrange for a thirty - foot sailboat for cruising to Miami.
He suggests that several companions would be desirable. Within two days Scott, another ma n, and two
women leave the Exuma Islands in the sailboat. This boat has been designed to be non - cybernated.
Scott and his companions have the novel feeling of being in an environment in which the routine flow of
activities is not automatically structured. They find it quaint to open cans to get food, to navigate with a
chart and compass, to fish with a hook and line, and even to pump the old - fashioned heads in the boat.
A few days of this rather primitive living are delightful. It reminds Scott of what some people said of New
York in the last century — "It's a nice place to visit, but I wouldn't want to live there," These experiences
give them a broader understanding of how the lives of their ancestors were consumed so largely by the
mechanics of living that t hey often had little time for intellectual, aesthetic, or sensual development.

"I suppose if I spent most of my waking life coping with these mechanics of living," Scott confides to
one of the women, "I'd probably be too busy for much else."

The only par t of this sailboat that is different from its counterparts of a century ago is an automatic
communicator that has been built into the forepeak of the boat. Scott and his companions are only dimly
aware of its presence. It sends out a radio signal every ten seconds. This is picked up by an orbiting
satellite and relayed to Corcen. No human keeps a record of their location — only Corcen. If the signal
from the boat were ever to stop, an immediate attempt would be made to contact Scott through a built - in
alarm. If this were to fail, some craft flying over the area with vertical capacity would be alerted by
Corcen to give immediate assistance to the sailboat. All of this could be automatically programmed by
Corcen. In a simple rescue situation, the only humans th at would know about it would be those aboard
the rescuing craft and those being rescued.

Lazily pushed by the prevailing southeast breezes, Scott's sail - boat makes its way over the White Bank
south of Nassau. As they arrive at the Tongue of the Ocean wher e the depth goes from about 15 feet to
over 5,000 feet within a short distance, Scott thinks of requesting Corcen to furnish him with information
on the research that has been conducted there. Then he remembers that there is no teleprojection
screen aboard his small craft. In a way he is glad. It is nice to rely only on his own senses and his own
experiences, to see the deep blue water, to observe keenly the panorama of shifting clouds against the
pale blue sky, to see without words, to feel in silence. The y anchor several days north of Andros Island to
absorb this more fully. Swimming, fishing, nude sun bathing — their days have a different fullness. They

have no contact with the outside world, and there are few other boats or humans to be seen.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

After a few days they haul the anchor and head west across the Great Bahama Bank. This large
underwater desert is seldom more than ten feet deep. The water is crystal clear. Although there are
few fish, the surprise and delight of watching the countless starfish add additional threads to their rich
tapestry of experience. Soon they pass the jagged rocks of Gun Key and head west across the Gulf
Stream. Their southeast breeze holds firm, and ten hours later, tanned and exhilarated, they arrive in
Miami.

On his way to t he South Florida terminal, Scott notices someone - waving for help in a park near the
road. He instructs the car to pull over to the side. He notifies Corcen of his location and that he is going
to the rescue. The person waving for assistance takes him to a man whose leg has been crushed by a
large fallen branch. They are unable to budge it. Scott runs back to his car and tells Corcen. Corcen
immediately gives this emergency information to several people in the vicinity. Within minutes six
people lift the br anch and release the injured man. They carefully carry him to a car which speeds him
to the nearest cybernated hospital.

This instant helpfulness is an important ingredient in the new society. In former times people often felt, it's
someone else's job, I don't even know him, he might sue me, why get involved.'' Such reactions may
have been appropriate in competitive, legalistic, money - motivated societies. In the twenty - first century
people welcome the opportunity to assist others. Is there a more human way to spend time? Everyone is
more secure when he feels that everyone else in the world genuinely welcomes the opportunity to be of
assistance. Normally, people need so little help in this cybernated world of abundance that this open -
hearted feeling towards others never results in one's being overburdened. This generous willingness to
pitch in and help extends beyond simple emergency situations. Each person identifies with the whole of
society. If someone notices that some equipment needs repairs, he does wha t he can to fix it or reports it
to Corcen. People treat all objects with the care and consideration that individuals previously gave only
their own possessions. These individuals who have "everything" are able to give generously of
themselves. Only in thi s century have all men and women so fully identified themselves with everyone
and everything in the world.

The Great Circle Express

The simplest way to get to India is to board one of the around - the - world express crafts that has been
continuously circ ling the globe without landing for many decades. They travel at a steady speed of 5000
miles per hour. When this craft is approximately one thousand miles away, Scott takes off in a shuttle
craft that accelerates to 5,000 miles per hour. When the nuclear - p owered, circumnavigating craft is above
South Florida, Scott's airship locks onto the larger craft just long enough for Scott and other passengers
to get aboard. Departing passengers enter the shuttle craft, which then disengages and returns to the
South F lorida terminal a few minutes later.

The flight to India takes a little over two hours. From his vantage point high in the sky, Scott enjoys the
planned geometry of the world below — the vast waterways that have eliminated forever the tragedy of floods,
the cybernated farm belts with their thin gleaming tracks, the dynamic cities that are focal points of a

technology harnessed to serve all of mankind. As Scott watches the cities of India, he is impressed by

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

how often the circular plan has been used. He sees a multi - story apartment ring about a mile in
diameter under construction. Cybernated building machinery is fabricating 5,000 apartments a day with
a construction staff of only thirty - five people.

The cities of the previous century have been leveled excep t for several that have been kept for
anthropologists and historians. These museum cities are protected by a large, transparent, geodesic
dome and are air conditioned. Similar protection is given selected ruins of previous cultures.

As Scott nears Calcutt a, the shuttle craft ahead streaks upward for its rendezvous. It locks onto the
larger space vehicle over Calcutta where a brief exchange of passengers takes place. Scott boards the
smaller craft and within minutes alights at the Calcutta airport. There ar e no porters, for passengers have
no baggage. There are no customs agents since international divisions have been meaningless for many
decades. Scott confers with a local cybernator about apartment availabilities while he waits for his
cybernated auto.

In Calcutta, Scott chooses an apartment with nine other men and women companions. He could have a
private apartment but he is in the mood for group living. He gives instructions to the cybernator in the
apartment to pick up his system of preferences from Cor cen. Thus, within the limits of the preferences
of his companions in the apartment, Scott will continue to feel perfectly at home.

Circular Cities

Many of the colorful cities in the twenty - first century are laid out in the circular pattern Scott observ ed
from the air. The central hub of the city has a nuclear generator that produces all of the power needed
to operate the millions of invisible electronic servants that silently free the people to live fulfilling,
creative lives. The central core of each c ity also contains a master computer that cybernetically watches
over the city as a whole. It is connected to every room in the entire city and also Corcen. This master
cybernator, operating as the city hall of former times, works automatically and normally has no humans
in attendance.

The research laboratories are located in the first ring of buildings that encircle the power and computer
core. Hospital facilities adjoin the medical research area. These modern hospitals give medical care or
nursing care to a population of 1,000,000 people with a staff of only 10, who contribute their services
from time to time because of their interest in this work. There is, of course, much less illness in the new
world than in previous centuries, and there are practically no accidents. Disasters and accidents were
almost eliminated by an attitude toward engineering that minimized economy and maximized safety. All
diagnostic techniques, laboratories, surgery, behavioral assistance, and nursing procedures are
cybernated. The small staff performs no routine duties in the cybernated hospital. They are only there to
help in the rare event of a problem.

The second ring from the core contains multi - story apartments. They are over a quarter - mile from the
research ring. Recreationa l facilities and circular parks surround the apartments on both sides of the ring.

When Scott goes from his apartment to any part of the city, he asks the cybernator to summon an auto.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

As Scott approaches the vehicle, the door automatically opens and the seat swings out. Scott verbally
gives his destination and reclines on the contour chair. He is then free to read, to think, or simply to relax.
Within minutes the auto chauffeurs him to wherever he wishes to go in the city. All vehicles have
proximity mec hanisms for the prevention of what were formerly called "accidents" but are now
considered technical negligence in planning the transportation system.

These autos are available throughout the entire city for the use of everyone. When Scott gets out at the
research laboratory, the auto is directed by the city's cybernator to the next point at which it will
probably be needed.

Scott always enjoys the warm feelings of teamwork and cooperation that are experienced by people
working together on common problems . There is an esprit de corps — a feeling of man against the
unknown; a feeling of contributing significantly to the present and future happiness of all mankind. People
in the twenty - first century are eager to accept opportunities for participation and resea rch. They are
never paid for this activity as had been common in previous centuries. How could they be paid? They
already have every material resource of the twenty - first - century civilization available for their use. They
are not even "paid" by prestige or status.

Almost everyone at one time or another plays a part on various research teams. If someone doesn't,
it really doesn't matter. The only reward lies not on the outside, but on the inside. It comes from the
pleasure that one gets from exercising his mind, from growth and improvement, from the pleasures of
understanding, and, from the contented feeling of saying, "Well, we certainly solved that one."

The Genetics Laboratory

The laboratory to which Scott is assigned specializes in the manipulation o f the DNA and RNA
structures of human genes. The people of the twenty - first century have worked out techniques for
varying the structure of the human body. By using a computer to change various sets among the five
billion specifications carried by DNA and RNA molecules, almost any change may be made in a human
body. Their major concern at this point lies not, for example, in how to equip a human being with two
hearts instead of the usual one, but in whether such an arrangement will add to human happiness.

"All changes made in the structure and function of human beings are first thoroughly tested in research
labs," Scott is informed. "Then experimental and control groups are set up to get valid comparisons. No
improvements are considered desirable in their o wn right. No guessing is permitted. It has been found
that something that can seem like a great idea might turn out in practice to be nothing of the sort. All
ideas for the genetic improvement of human beings are thoroughly tried out, usually over a period of
decades, before they are generally adopted for programming into the new generation. The door is
always left open. 'Blueprints' for genes are always stored in case future generations evaluate differently
and wish to eliminate any changes made."

Scott i s quickly brought up to date on research in progress. Trial runs involving 500 people are now being
made with brain structures containing twenty billion neurons — double the usual number. Other projects in

progress are designing eyes that can shift from regu lar vision to telescopic and microscopic vision and

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

altering the liver to change the composition of the blood in a way that seems to add 36 per cent to
the human life span.

They are experimenting with an improved hormone balance for women that eliminates the monthly
cycle of moodiness — menstruation was eliminated previously by designing a uterus with a stable lining.
Men have also benefited from the improved techniques of genetic manipulation. A greater climax
frequency now enables them to perform at the high level usually desired by twenty - first century women.

Scott knows that in previous times there were five races of mankind. Since individuality and diversity are
prized in the twenty - first century, these genetics laboratories have produced eight more r aces. Corcen
is seeking data to determine whether additional races should be designed to add even more variety to
the lives of future men and women.

Suppose a part of the body should wear out or get injured. How could we get a duplicate organ? Each
cell i n the body contains a blueprint for growing a replacement part. Research is in progress to use a cell
from the body of an injured person to grow an identical part in - vitro that a cybernated surgical mechanism
could install.

One of the most exciting new de velopments is a built - in receptor that makes it possible to connect
one's brain directly with Corcen or any other input source. If invited, you can tune into another person's
brain and share his thoughts and feelings without the distorting effects of word s. When this is perfected,
any sensations can be experienced through direct neuronal input.

Other researchers are developing a lifetime implanted communication unit that would permit two -
way thought messages. By thought, one could request from Corcen a b it of information, and it would
be available immediately. Such thought communication with others would, when perfected, offer an
electronic realization of what used to be called "mental telepathy."

Breakthroughs are being made in controlling the factors t hat permit cells to age. Aging is considered a
disease by these men and women. They are confident that when it is fully understood, it can be
eliminated. A "youth serum" that includes thyroxine and a mixture of hormones has doubled the years
of vitality an d has added an average of 89 per cent to the life span in a test on laboratory animals.

"Humility when facing the unknown is our dominant theme," one of the older men says to Scott. "We are
producing things that by the standards of previous centuries woul d have been regarded as fantastic
miracles. Yet, no matter how successfully our experiment turns out, we always leave the door open for
improving the results. We never believe we have the best way. We always have the feeling, 'It seems to
be working well n ow, but it hasn't stood the test of centuries or millenia. Let's go slowly and not close
any doors behind us.' "

Brain Boosters

John F. Kennedy said in the past century, "The human mind is our fundamental resource. . . ." Scott
knows that the greatest a chievement of these genetic laboratories during the past half - century was the

implantation of a finger - sized organic computer in the growing embryonic brain. Everyone in the new

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

society that is under fifty years old has this new development. Since Scott i s only 45, he has the benefit
of this breakthrough in designing human beings. By manipulation of the DNA and RNA molecules, a
small auxiliary brain was developed that is nurtured in - vitro outside of the human body.

When the cortical cells of this suppleme ntary brain complete their proliferation, they are electronically
connected with Corcen. These brains are then imprinted with the basic attitudes and skills needed for
orientation in the twenty - first century. Scott watches as the cybernated facilities prog ram the small but
potent brain boosters. To the three R's of previous times — reading, 'riting, and 'rithmetic — an
additional seven R's, as outlined by Dr. William A. McCall in the twentieth century, are included:

RESEARCH
The application of the scientific m ethod as a way of life that enables man to test ideas to determine
their reliability.

REASONING
The desire and ability to manipulate ideas in a creative and logical way. Adjusting constructively to
new situations and making effective choices.

RELATIONSHI PS
Attitudes and skills that enable a person to interact and communicate with others in ways that
bring maximum mutual satisfactions.

REPORTING
The use of all senses in ways that produce the richest and most accurate input to the brain and output
to other s.

RECREATION
The attitudes and skills which permit the use of one's time to achieve a multi - dimensional life.

REVITALIZATION
Diet, health, and safety skills that add years to life, and life to years.

RESPONSIBILITY
The feeling of playing an important p art on the human team in the game of life. The ability to find
satisfaction in assisting and participating — but always within the limits one can give without resentment.

As suggested by McCall, each of these R's is two - phased — an attitude phase and a ski ll phase. It is
not enough that the young be provided with the skills of reasoning. It is equally important that they find
pleasure in reasoning. It is not enough that the young know how to read. They need to enjoy reading.

Scott often uses his supplement al brain as a simple computer.

He can multiply, divide, add. or subtract any six digit number in a period of ten seconds. A complete

vocabulary and understanding of the grammatical structure of the universal language is also imprinted.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

In addition to bei ng provided with an array of the basic tools and skills needed for orientation, this
supplementary brain is also imprinted with information equivalent to a Ph.D. level in twelve different
areas of learning. These areas are selected at random by Corcen in s uch a way that few individuals have
the same pattern of intellectual development. Corcen also selects one area of learning and imprints this
supplementary brain with every bit of information in this area that has been accumulated in the extensive
memory ba nks.

For instance, if a supplementary brain is chosen to receive "complete" information in the field of
anthropology, it is imprinted with a word - by - word reproduction of every worthwhile article ever published
in that field that has been recorded in the m emory banks of Corcen. It is imprinted with every book,
every recorded lecture by eminent people in the field of anthropology, extensive simulated field
experience, plus a briefing of all work now in progress. This is an internal treasure of knowledge that the
individual can never live long enough to exhaust completely. But it will always be there in his brain,
available for use to the extent that the individual can use it.

After these supplementary brains are matured and fully imprinted with this enormou s assortment of
attitudes and skills and their subordinate informations, they are attached to a growing embryo at a time
of rapid proliferation of the ectoderm. When the ectoderm begins this stage, the supplementary brain is
rapidly absorbed and integrated into the human nervous system. Since this implantation cannot be
performed satisfactorily in an embryo inside the body of a woman, babies are grown from DNA
engineered germ plasm in the cybernated "uterine" containers.

The sperm and egg cell used by the human race in the long evolutionary past are no longer needed.
Reproductive cells are produced in the laboratory that are designed to develop into vastly improved
versions of Homo sapiens. These cells are engineered by Corcen and can be programmed to devel op
into male or female embryos. At the age of approximately nine months, the developed infant is
removed to continue its growth in the cybernated nurseries.

A woman of the twenty - first century does not want an infant to emerge from her vagina any more tha n
a man in previous times would have desired a baby to grow in his body. Just as no man or woman in
the twentieth century would knowingly have brought into the world an imbecile baby, it would be
equally abhorrent for any twenty - first - century man or woman to bring into the world a baby that is not
equipped with this supplementary brain. Such a person, even though possessed with an I.Q. equal to
Einstein's, would feel like a moron relative to his companions.

Scott is aware that the implantation of this brai n booster does not automatically produce an infant who
can solve problems in calculus. The resource is there — available but untapped — just as the capacity of
young Mozart existed at birth even though his infant fingers had never touched the keys of a piano. Only
maturation can provide the experience and motivation that enables these young infants of the twenty - first
century to make use of their great heritage.

The Child Is His Best Teacher

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

No attempt is made to teach these children anything. There are no s chools or teachers. Their teacher is
the multi - dimensional environment that is designed to interest, stimulate, and challenge. The basic
information they need has been implanted in their supplementary brains. It has been found that any
attempt to teach the m only retards the learning process. Experiments have shown that the best way is
to let these children explore their environment. If you want a child to learn to work a device, you put it
near him. He does the rest. His natural curiosity leads him to obser ve the operation of the teleprojection
screen, and he begins to request Corcen to furnish him with programs. These cover the entire range of
knowledge and entertainment. However, obscene material used on TV and movies in the previous
century, showing bruta lity, murder, and sadism, are not available in the nursery.

When a child observes things that correlate with information programmed into his supplementary brain, a
flash of insight comes. He is literally on fire intellectually. His thoughts race into the exciting new areas of
thinking and feeling that he is discovering inside himself. He learns that the spirit of creative inquiry is
one of the most delightful things that he can experience. A great feeling of dignity and worth is achieved
as the child explo res his own inner resources and integrates them into his expanding world of people and
things!

Children are not informed about the areas in which their brains have been pre - programmed. They
discover these for themselves. The greatest thrill comes when th ey discover the one area in which they
have total information. No other human knows the pre - programming of their supplementary brains.
These patterns have been set up by Corcen to add spice and adventure to life. "Scientific research has
established that t he curiosity of a human child is many times the amount needed for his intellectual
development if environmental conditions are stimulating and there are no teachers to interfere," Scott's
associate tells him. "Everyone who associates with growing children is instructed to avoid telling them
what they should or shouldn't do. Back in the twentieth century, education was sometimes considered a
process of helping a child fit into society. Now we know that fitting into society may be taken for granted,
for we ha ve found that children raised without hostility and scarcity develop social skills that enable them
to achieve the finest possible relations with other people.

"Those who associate with children think only of understanding the feelings and interests of th e child.
They ask the children questions and practically never give them answers. The children have to find
their own answers — perhaps from the limitless facilities of Corcen. This makes life more exciting and
never blighting.

They develop a feeling of int ellectual adventure. The child develops with personal authenticity."

The Creative Adventure of Educational Research

The men and women who enjoy the challenge of improving the next generation have developed thousands of
new ways to meet the needs of inf ants and children. Nothing is taken for granted. Little is copied from the
past. The people who are working in this area of the new civilization do not feel they have any final answers.
They know that they are getting results. They are confident that their methods are superior to any ways of

rearing children that have ever been used before in the history of the world. They

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

know that by observing carefully and thinking creatively and by continually measuring the results, they
will find more effective ways o f doing things. Whatever "errors" they are now making will eventually be
corrected.

Through sensitive, scientific research an effective environment for each age level has been evolved.
Constant research is in progress to find out just what is happening an d how it can be improved. It has
been found that an environment that gives optimal enjoyment and development at six months retards
at one year. The surroundings that are best for a one year old will hold back a two year old, and so
forth. Great care is tak en to provide an environment that is scaled to meet the needs of each individual
age level.

"The nurseries are designed so that the child never needs correction, for it can do nothing undesirable
in this environment," Scott is told. "In the twentieth cent ury a toddler of two years old could hardly do
anything right. Every time it turned around it had to be admonished, 'No! Don't go out in the street, you'll
be killed. Don't reach up to the top of the dresser because you might upset Mommy's bottle of perfum e.
Don't pull the tail of the dog, or he might bite you,' and so forth. Such constant bombardment of a young
child makes him a lifelong slave to external patterns."

The Cybernated Nurseries

Scott sees that the nurseries of young children in the twenty - first century are scaled down in size so that
children have no feeling of being small and inferior. All natural functions, such as eating, eliminating,
playing, sleeping, and so forth, can be done in any way that the child chooses in the cybernated nursery .
Living areas are engineered in such a way that children can not hurt each other prior to the time that they
develop their feeling of empathy for all living things. These babies grow up in an atmosphere free from
hostility, criticism, deprivation, scarcit y, and jealousy. They are thus able to develop positive feelings of
co - operation and comradeship for all other human beings that were impossible for individuals who lived
in previous centuries.

Food is eaten when desired. There is no pattern of breakfast, lunch, and dinner, such as was common
in previous centuries. This three - times - a - day eating habit was probably designed for the convenience of
cooks more than the needs of individuals. Scientific research has shown that the human body operates
best when it snacks on nutritious foods at frequent intervals. The eating of three large meals results in
biochemical reactions that are not consistent with the highest level of health.

Scott knows that in previous centuries mealtime was often a struggle between moth er and child. "Just
taste it — you may like it. Don't hold your fork that way — it's not polite. You haven't finished your plate.
You've dropped food all over your shirt." It was often a nuisance for a mother to feed a young child in
the past, and she sometime s became impatient doing it. Even an infant senses feelings of impatience
and hostility, and thus the seeds of insecurity and fear were planted in his personality.

Up until the twenty - first century most of the ways of handling children were based on the needs of
parents and adults. For example, when men and women experimented to find a better way to feed a

twenty - month - old child, they found that the child enjoyed putting bite - sized nuggets in its mouth and

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

sucking food from the nipple - like spouts. The ch ildren at this age level also enjoyed pressing a pad
which would release small wafers with an accompanying musical tone. Feeding systems were set up
that enabled the children to eat whenever they wished. The children usually were noisily exuberant, but
the re were no adults to be annoyed. And there was no mess to be cleaned up by weary, harried
mothers — the cybernated cleaning mechanisms were on the job. Eating was always fun!

In the past bathing young children was sometimes a nuisance and irritation to both mother and child.
Men and women of the twenty - first century asked themselves, "How do you set up a bathing situation so
that young children are automatically attracted to it?" They didn't want adults to have to brow - beat the
youngsters to tell them it was time to get their bath. They wanted the bathing situation to fit in with the
needs and interests of the child as felt by the child. They wanted the child to clean himself and get a bath
simply because he wanted to. But how do you make an eighteen - month - ol d child want to take a bath?
They found that they had to make bathing pleasant. After many experiments they discovered that a six -
inch pool of warm swirling water with random shower sprays that give a nice feeling on the skin is most
effective.

Scott lau ghs as he watches the children enjoying the cybernated bath. A screen in the bottom of the
pool automatically comes up if a child's head goes under water. When the child gets tired of playing in
the water, he can either dry naturally in the warm air or lie down on a rocking towel couch that rolls him
over and over. Sometimes children lie in these rocking towel couches just because they enjoy them —
whether they need drying or not.

Toilet training is also simplified to make it pleasant for the child and free of menial activity for adults. A
young toddler can urinate and defecate at any time or place in his specially designed environment.
The cybernators watching over the children immediately sense wetness and an automatic, roving,
cleaning mechanism cleans up the floor and child. Since no fuss or guilt arises over toilet training, the
children learn to use the toilet mechanisms at an earlier age than in the past.

"An amazing discovery has been made in these cybernated nurseries," Scott's associate tells him
wi th great enthusiasm. "The inferiority complex, which psychologists and psychiatrists had regarded
as a basic part of human personality, does not develop! We don't destroy their feeling of worth during
their defenseless childhood. This may be the first era in human history that has produced confident,
secure humans with no impediments to achieving the greatest joy of living."

Learning By Self - Directed Living

Scott observes the series of environments that enable the infants and children to develop to the fullest in
every way. It has been found that a graded series of twelve environments is needed to develop the
newborn to the age of five. After the two - year level is reached, the child decides for himself when to go
to the next environment. It is not consid ered "bright" for a child to push himself to an advanced
environment as long as he is comfortable and interested in the current environment.

The advanced environments for the older children have equipment and facilities that would have been

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

unavailable e ven at university levels in the previous century. Teaching machines have been designed to
attract and hold the interest of the children. Three - dimensional teleprojections of every kind are available
through Corcen at any time of night or day. All activity is self - motivated. There are no classes, no
teachers, and no tests. The educational researchers are constantly amazed at the intelligent self - direction
of these young children. They learn more rapidly when left alone in their specially designed environment s
than any previous children who were put in large boxes called schoolrooms, complete with Miss Brooks
to spoon feed information and then force them to regurgitate it at examination time.

These children are never subjected to criticism, for it has been fo und that criticism represses and
reduces their potential. They are surrounded by constructive examples in place of criticism. Their egos
do not need the amount of praise that was so effective in teaching in the past. Each is free to meet life on
his own te rms and to learn to express his emerging uniqueness. Perhaps no previous society could let
children develop so fully as individuals and at the same time provide them with a cultural heritage of such
enormous richness.

There are few adults in the cybernate d environments of the children. The adults who are there have
chosen to spend time with children for one reason only — they enjoy it. They never act as
disciplinarians since the cybernated environments are so designed that no child can hurt himself or
others . A relaxed companionship of a quality that never existed before between parents and children
develops between these adults and the children.

The Greatest Research Program

"Previous centuries were eras of scarcity," Scott's associate reasons, "and this scarcity was not only in
material goods. Few children in the past felt enough love, warmth, security, feeling of worth, and
freedom to develop in their own way. They were stifled by criticism, comparison, and censure. Only in
the twenty - first century has t he creative intelligence of man solved these problems. At last, little children
appear to have their needs met. But each decade shows that further improvement is possible.

"One of the most continuous needs of a child is that of a feeling of security, of h uman closeness, and of
rapport with a friendly world." Scott watches a group of young infants in their cybernated cribs as his
companion leads him through the nursery. "The most intensive research program in human history was
launched to give effective sol utions to the enormous problems in designing cybernated environments for
young children that were superior in all respects to the traditional family and home. How can a soothing
cybernated voice establish rapport with an infant? How can a three - dimensiona l, teletactile arm that is
felt by an infant in his crib be activated to give even more security and feeling of constancy than a
mother's arm of the previous century? How can cybernated mechanisms be designed to give children
more warmth and more of everyt hing they need than even a superior mother could give in previous
times? How can machines form the link between words and things so that language habits are created?
What types of situations do these twenty - first - century infants and children need to develo p a tolerance for
frustration — to develop patience and calmness when things do not go as expected? To what extent can
the older children be relied on to act as models for younger ones? To what extent are adult models
needed in the environment of infants and children at various ages? What is the best way to give a child
experience with the adult environment so that he can acquire an independence and feel at home in the

world? Bit by bit, research yields answers to these and countless other problems.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"No twen tieth - century answers to these questions are applicable in our world. Overall conditions have
changed too much to use the old 'wisdom.' For the first time in the history of man, creative, scientific
intelligence is applied to the problems of giving childre n the maximum of everything they need to develop
satisfying, purposeful lives. It took decades to arrive at the preliminary patterns of the cybernated
nursery. But perhaps even greater change awaits us in the future, for the nurturing of the young is the
f oundation of every civilization."

An Age of Individuality

On the wall in the conference room, a large portrait appears. Below the frame Scott reads the words
of the scientist that founded this laboratory in 2014:

Our society is patterned for individual s. All social structures and physical arrangements are
designed to meet the needs of individuals and accommodate almost any diversity. We do not
feel that children should do anything other than what they select themselves. "Life, Liberty, and
the Pursuit o f Happiness" applies equally to children.

The tour of the cybernated nurseries is almost over. Scott is impressed by the changes that have
occurred in the nurseries since he was a child. "Learning is a lifetime process that starts at the time the
supplem entary brain is implanted in the growing nervous system of the embryo," his co - worker points
out. "Education is only stopped by death. There is no graduation or diploma that artificially chops up the
learning process.

"The only thing comparable to graduat ion usually occurs when a child is about five years old. When
the child's interaction with Corcen shows that he can safely be permitted to leave the nursery area, he
is welcomed as a full member of society. He is then entitled to his own apartment. He begi ns to make
his own choices of what he wants to do and where he wants to live."

"Youngsters are amazing," agrees Scott. "There are eight - year - old girls that travel to the moon and
live there several years. I knew a seven - year - old boy who was invited to jo in the crew of a space ship."

"Children, however," Scott's associate continues, "are not motivated to develop into adult roles at any
particular age. When it happens, it happens. No one is watching them. No one measures them. No one
compares them. No one is worried if they lag. No one pushes them to "get ahead." Each individual
feels completely free of all pressures to do anything." He flashes a knowing smile, "And, you see, this
makes them want to do everything!"

11.A Visit to Corcen

While Scott is in India, Hella remains at the underwater apartment in the Exumas. There is so much to
explore, both inside her brain and outside. Her supplementary brain has been programmed by Corcen

with a Ph.D. level of information on oceanography and marine science. Her life has been so busy in
other areas that she has never used this information except in a peripheral way. She is swept up in the

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

fascinating correlation between the facts and theories that were quietly stored in her brain and the
marine world around her. She asks Corcen to send her data to bring her up to date. By using her own
inner resources and through discussions with others who have backgrounds in depth in this area, Hella
spends the better part of a year in one of the keenest of human pleasures — the i ntellectual experience of
integrating the world outside the brain with the information and knowledge inside. By color teleprojection,
Scott and Hella mutually share their experiences and feelings — often hourly when something exciting is
happening.

It has b een many decades since Hella has visited Corcen and the North American Cybernated
Industrial Complex. When she was five years old, she visited these centers that play a primary role in
providing a good life. She knows that returning now would give her a he ightened perception and a depth
of meaning that was not available to her as a young child. For a number of years, she has been thinking
how worthwhile it would be to visit Corcen, but other activities have always clamored louder for her
attention. Now a gr oup of men and women who have been enjoying the city in the sea is headed in this
direction, and Hella decides to go with them.

One of the nicest things about living in the twenty - first century is the enormous range of choices. It is
far greater than any other civilization was able to offer its citizens. Although Hella and her friends are in
a relatively isolated area, they have the choice of a sailboat such as Scott used or an automatically
powered seacraft. They could call for a variety of aircraft, dep ending upon their needs and how far they
want to go. They could board a submarine freighter that services island communities, or they could use
the GEM (Ground Effect Machine).

Since they want to spend a day roaming through the islands of the Bahamas, the y choose the GEM. It
can travel above a more or less flat surface at speeds up to 200 miles - per - hour. This machine skims at a
height of about four feet above any surface. Whether water or land, a paved road or a rough field — it
doesn't matter. It is support ed in the air by three circular jets of air directed downward toward the
ground. With relatively little energy this "ground effect" is able to lift a heavy craft in the air just far
enough for the air to escape around the edges of the three ring vortices. As long ago as 1950, the British
developed a GEM that skimmed the English Channel between Britain and France.

For a day Hella and her friends use the GEM to cruise around the Bahama Islands. The clear water
and colorful coral banks are still engaging. The y skim by Eleuthera, Abaco, Nassau, An - dros, the Berry
Islands, and, finally, Bimini at sunset. Then off they go across the Gulf Stream to Miami.

Hella and her friends leave the GEM at the South Florida terminal the next morning and board the linear -
accel eration train that will take them to Corcen in the Rocky Mountain area of the United States. Within
the gleaming metal walls of these enormous trains, attractive living areas permit a continuation of the
living patterns of one's home. This train travels in a large tube with a partial vacuum. It has no engine and
no wheels. It is electrodynamically supported above a V - shaped rail that electromagnetically propels
each car of the train. The negative charge on the probe projecting from the front repels moisture and dust
particles in the tube ahead. This diminishes resistance and allows the train to develop a 2,000 mile - per -
hour speed. Yet, even when accelerating or stopping, it feels as steady as a concrete building.

As Hella's train speeds through Florida, it passes through a cybernated farm over 200 miles long and 50

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

miles wide. Tracks 100 feet wide run the entire length of the farm. Large cybernated mechanisms slowly
travel up and down these tracks to prepare the land for planting, to place seeds, fertilize, and water them.
On a return trip several days later, these plants will be watered and cultivated, if needed. At the right time
the vegetables will be picked, quick - frozen, and packaged by the enormous farming machines. Weather
control eliminates all losse s from freezing, drought, or floods. The cybernated Florida farm complex
supplying food for one - fourth of a continent does not need a single human in attendance. Corcen co -
ordinates the actual operation through a local cybernator programmed for scientific farming. The one -
hour journey passes rapidly as Hella and her friends enjoy a wide range of cybernated entertainment.

The World Correlation Center

Corcen is housed 2,000 feet below the top of a large mountain to give it protection from any meteorite
th at might survive the fall into the earth's atmosphere. Many thousands of years ago a large meteorite
plowed into Arizona and left a crater 3,870 feet wide by 560 feet deep. Radar stations throughout the
globe constantly scan space for large meteors. On the rare occasion when a dangerous meteor is
detected, missiles are sent out to pulverize it while it is still thousands of miles from earth.

Hella, standing at the entrance to the mountain, surveys the countryside below. She thinks briefly
of today's missil e technology and is glad it is used to protect mankind from remote dangers instead
of threatening and killing.

A combination of high - speed elevators and escalator - type sidewalks convey Hella and her friends to the
underground Corcen complex. Hella enters a large room where a six - foot sphere is electrodynamically
suspended ten feet above the floor. Hella looks at this sphere with a feeling of awe and appreciation.

This is Corcen — the master computer that correlates the interactions of all people and all
aut omated machines throughout the entire world.

In the time it takes her to draw one breath, this remarkable servant of man has probably made ten
billion decisions based on the scanning of trillions of bits of information. If everyone on earth were
superbly organized into a tremendous bureaucratic complex, it would be impossible to do in a year what
this computer can perform in a second. Corcen does a zillion times more for each individual than any
government of the past could possibly have done.

A teleproje ction of a human guide now speaks to the visitors to Corcen. "This computer that we call
'Corcen' is our servant, not our master although it is a servant whose abilities far exceed ours. Its only
purpose is to free us of routine problems and permit us to l ive in our own way. It responds quickly to
criticisms and suggestions from all individuals, checking them out and seeing what can be done about
them. No elected politician of previous times responded as consistently and effectively to the needs of
his vote rs. Corcen never tells us how we should run our lives. It simply specifies that if we want certain
results, we should go about getting them in certain ways."

"If anyone doubts who is in supreme command in this man - machine complex, let him consider this: the

master power switch that could inactivate Corcen is on the wall over there. We would also have to shut

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

down the emergency duplicate of Corcen that is maintained in Europe. If these switches were thrown
without planning, it would result in utter chaos. With careful planning it would be possible to inactivate
Corcen and fragment the world once again. We could chop up the world into as many pieces as we
wanted and operate each one independently. Confusion and a return to the primitive society of our
ances tors would be the unhappy result. If we asked Corcen to plan its own elimination for us, it would
probably be done in a way that would minimize the disadvantages. But it would be like killing what
makes us truly human, truly free, truly happy."

"How compl etely we trust ourselves and each other," thinks Hella, looking at the master switch
that activates Corcen. "No one will ever touch it, but it's nice to know it's there."

Ultimate Predictability

The teleprojected figure walks to a large table. The group follows him. A loudspeaker above the table begins,
"The fundamental principle upon which Corcen operates is that decisions with a high degree of predictability
can be made when adequate facts are available. We would like to give you a demonstration of this . Before
you is a table twenty - four feet in diameter. Above the table you will see a small container that has fifty steel
balls that are exactly twelve millimeters in diameter. These balls will now be mixed.

The transparent container holding the fifty bal ls turns upside down so that all balls jostled around to
a new position.

"You will notice that there are electronic sensors in twelve positions surrounding these balls," the
loudspeaker continues. "These sensors in a millionth of a second have already det ermined the
location of each of these balls. This data will now be fed into Corcen (here Hella looks up at the six -
foot sphere, only fifty feet away, and less than a second later Corcen will predict the eventual landing
place of each of these balls when dr opped onto the table three feet below."

The group looks at the table and notices that there are a number of white dots that have appeared on the
dark surface. The speaker continues to describe what everyone has now guessed. "When these balls are
dropped, they will tumble against each other; they will hit the table; they will bounce. Some of them will
hit other balls while rolling, but within a few seconds all of these balls will stop rolling. They will come to
rest exactly on the fifty white dots. Let us s ee if Corcen has accurately predicted their behavior."

The transparent container releases its flood of fifty balls. There is a series of metallic clanks as these fifty
steel spheres bounce around in apparently random fashion. But within twelve seconds all but one come
to rest. One seemingly erratic ball has bounced against the edge of the table. It hits a stopped ball that
rolls to cover a white dot and, in so doing, deflects its own movement until, at last, the only dot remaining
is covered. Hella takes a deep breath. Fantastic predictability!

The speaker continues. "If we provided our best mathematician with pencil and paper, it would
have taken him over ten years to make the computations with the same degree of accuracy that
Corcen produced in less than a second!

"This is the guiding principle of our Correlation Center: although we know it is impossible to predict the

behavior of single atoms, the prediction of the average behavior of an aggregate of atoms — which we

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

regard as objects in the real world — i s predictable within stated limits of reliability if we have an
adequate sampling of facts. Note that we do not have to know all of the facts — this is impossible. An
adequate sampling of relevant facts does the job for us."

The speaker above the table stop s. The teleprojected guide again takes over. "Several centuries ago the
affairs of mankind were far simpler." A large screen lights up. It shows a map of the world with population
figures superimposed on each country. "Up until the eighteenth century most European nations had less
than 25 million people. Great Britain never exceeded ten million people. The interaction of government
with economic and social affairs was relatively simple. Most intelligent citizens who wished to be informed
of the issues could have made fairly useful predictions. If predictions were inaccurate, the stakes were
not high, and things tended to move slowly. They could have been corrected by the succeeding
generation without too much harm to mankind.

"The situation changed radicall y in the twentieth century. Prior to that time a war might have killed a half -
million people. The first major war of the twentieth century killed ten million people. The second major
war killed five times as many. Had a third major war taken place, it is l ikely that billions of people would
have been killed, to say nothing of the devastated cities and industrial plants. An ulcer in the stomach of
a dictator could have played a part in a hasty emotional reaction that could have caused this catastrophe.
Capri cious, ineffective government by individuals could no longer have been tolerated. During most of the
twentieth century, a mixture of democratic and totalitarian governments controlled the lives and destinies
of over 100 petty, touchy, nationalistic units. No one felt secure."

Hella closes her eyes momentarily. She is glad she didn't live in such troublesome times.

"About the middle of the twentieth century, the electronic computer was born," the teleprojected guide
continues. The large screen continually changes to illustrate the thought of the guide. "At first it was a simple
instrument. Like a phonograph record, it could respond only in ways that were programmed into it.

The human brain of the twentieth century had approximately ten billion neurons. Eac h of the larger
neurons in a human brain had an average of over ten thousand connections. This gave a human brain a
potential network of connections that was greater than the total number of material particles in the
universe. Many felt that computers coul d never function as well as the human brain. But by 1985, when
computers had been built with more association capacity than a brain, it was found that they, too, could
perform in ways that Homo sapiens had previously thought were his exclusive prerogative. Computers
exceeded man in most realms of judgment, decision - making capacity, imagination, insight, creativity,
and wisdom. Their performance was not clouded by ego needs, emotional conditioning, or moodiness.
Their accumulated experiences and abilities w ere not cancelled by death. They were, in a sense,
immortal. It was recognized that their decisions were far more dependable than those of any human
being or group of human beings. For example, it has been over 108 years since a human defeated a
computer i n a game of chess."

Hella can scarcely imagine a time when men were more intelligent than computers. In the last half
century, whenever the judgment of a computer was different from that of a human, it was invariably
found that the computer had the greate r degree of predictability. The only way to throw Corcen off is to
deny it the relevant facts that it needs. Even then it has a sensitive feel for the need to delay predictions

until more facts are available.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

The cybernated guide now returns to the circul ar table. "Even if Corcen were not enormously superior to
the thinking ability of a group of experts, the mere fact that it can perform in one second what takes
humans a lifetime gives it an incredible effectiveness. Corcen operates in thin slivers of time called
nanoseconds. A nanosecond is to a second as a second is to thirty years. In most human affairs today
we need fast, accurate decisions. If a decision is delayed, the conditions may have changed so that even
an adequate decision is of little use. In the demonstration you have just seen with the fifty balls, even if a
mathematician could have predicted their eventual rolling places in ten years, by the time he could have
worked out his predictions, the position of the balls would have shifted minutely due to earth tremors or
other factors. Just as human legs have largely been outmoded for transportation, so human minds have
largely been outmoded for making decisions that have high degrees of complexity.

How Corcen Assumes Governmental Functions

"Let 's review the historical conditions that resulted in Corcen's governing the world," the teleprojected
figure disappears and a telescreen begins. "The universities of the twentieth century turned out scientists
who were noted for their narrow specialization . Enormous progress was made in the development of
each science, but society in many ways failed to benefit, for these specialists were unable to see the
problems of society as a whole, Often their terminology was so specialized that they were unable to
co mmunicate with scientists in other fields. It was like a group of splendid towers rising high in the air, but
no one could get from one tower to the other.

"Physicists failed to understand social problems. Social scientists were limited in their ability t o envision the
consequences of cybernation. Economists repeated outdated shibboleths such as "work," "wealth,"
"demand," "production," etc. They somehow felt that the purpose of life was the consumption of material
goods and that everything must meet the t est of the marketplace. Everyone was stuck in his own rut.

"Synthesis, coordination, integration, some way to see the forest instead of the individual trees — these
were needed. The pieces were there, but the jigsaw puzzle had to be put together. A new emph asis
arose in scientific training. Educators began to stress that a large part of the value of a scientist lay in
his ability to apply his knowledge broadly — to see society as a whole and not solely through his own
particular set of binoculars. It was recog nized that only a multi - valued, scientific orientation would enable
men to participate constructively in the reconstruction of human affairs. The multi - scientist was the new
product of the universities.

"During the latter part of the twentieth century, so cial and economic matters became so complex that
politicians in all countries began to rely more and more upon multi - scientists and their computers. The
people of the world gradually began to view their politicians as incompetent. For, after all, as the
Te chnocrats pointed out in the last century, there's no democratic way or communistic way to design an
aircraft reactor, a sewer system, or a medical laboratory. There's only an efficient way and a less
efficient way, a way that works well and a way that doe sn't work well, a way that is reliable and a way
that gives constant trouble.

"As the cybernated factories of the leading industrial countries of the world began, around 1980, to pour out

a volume of goods large enough to swing from an economy of scarcity to an economy of abundance,

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

the values of the people changed. They realized that it was not necessary to compete any longer to live a
good life. The age - old habit of the jungle, where you take from another to get for yourself, was no longer
useful. Fight ing actually ruined one's possibilities of acquiring a comfortable abundance. Co - operation,
not conflict, was the answer."

Hella is engaged by the kaleidoscope of rapidly changing scenes on the three - dimensional projector.

"Multi - scientists played a larg er and larger role in making the decisions of government. They gradually
began to replace the old - time politicians, who came to power either through votes or strong - arm
methods. In the United States in 2003 over 93 per cent of the senators and representati ves in Congress
had post - graduate degrees! No one without advanced multi - scientific training had a chance to be elected
to the office of either President or Vice - President or to be appointed to a cabinet position. Similar reliance
on multi - scientifically t rained people occurred in Russia, China, India, and throughout all the other less
populous countries of the world. The people found that the man - machine complex of a multi - scientist and
his associated computers could make decisions that resulted in a bette r life.

"As the functions of government were gradually performed more and more by people with multi -
scientific training, international co - operation became a way of life. It was found that global weather
control could not be accomplished without internati onal cooperation. The problem of providing all
nations with an adequate flow of metals, oils, and other resources could best be engineered on an
international basis, rather than a national one. It was found that the best way to give the people on this
eart h the highest standard of living was to plan a world - wide system of production and distribution. The
European Economic Committee formed in 1957 was a first step in this direction. Gradually the artificial
national boundaries were bypassed so continuously that they became meaningless lines on the maps of
history. No one ever abolished the nation of Germany or Mexico. But everyone began to realize that this
way of thinking and classifying was only of historical interest and added nothing to meeting the commo n
problems of billions of men and women.

There is no specific time at which we became one world. The scientists in charge hesitated to pinpoint
or commemorate the functional passing of nationalistic classifications because they were afraid that
certain of the older inhabitants of the earth would be disturbed. Since everything was going so well, they
minimized the drum beating and concentrated on the global redesign of the planet to bring a more
fruitful life for all.

"About the middle of the twenty - first century, it became evident that the man - machine complex was
functioning so well that very few multi - scientists were now needed to perform governmental functions.
The master computer that you see before you was found to be capable of making decisions with almost
100 per cent predictability. It even learned to search for additional facts when these were needed. In
seconds it could scan the enormous memory banks that you see beyond the sphere so that every bit of
information ever collected by man or machines could be sifted for its relevancy in making a decision
about any problem. Time after time after time, whenever the computer disagreed with the panel of
government scientists, it was found that the computer was invariably correct. No scientist can base his
decision on even a millionth of the relevant data required for predictability in some areas. No human
mind can deal with complex multiple correlations involving billions of bits of information. Soon people

acquired such a trust and acceptance of this maste r computer that they just decided to let it do the work.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"Some of the older people expressed grave concern about turning over the operation of our civilization to
Corcen. They felt that this machine might turn on us and destroy us. Those who had the great est
experience with the man - machine complex felt confident that Corcen would remain the powerful servant
of man. Corcen has no ego or hostile feelings. Experience showed its fantastic ability to serve man in
every capacity. We thus went forward in our atte mpts to perfect our man - machine symbiosis." Hella
thinks of the words of Arthur C. Clarke in the last century:

The popular idea, fostered by comic strips and the cheaper forms of science fiction, that intelligent
machines must be malevolent entities host ile to man, is so absurd that it is hardly worth wasting
energy to refute it. I am almost tempted to argue that only unintelligent machines can be
malevolent; anyone who has tried to start a balky outboard will probably agree. Those who picture
machines as active enemies are merely projecting their own aggressive instincts, inherited from
the jungle, into a world where such things do not exist. The higher the intelligence, the greater the
degree of co - operativeness. If there is ever a war between men and ma chines, it is easy to guess
who will start it.*

* 'Arthur C. Clarke, Profiles of the Future (New York: Harper & Row, 1964), pp. 226 - 7.

The telescreen now shows interior diagrams of Corcen. "The master computer that you see before you
contains one thousa nd billion more neurons than any brain. It operates on a multi - channel basis that is
trillions of times faster than any human brain. Since about the only limitation of this computer was the
factual input, we equipped it with trillions of sensors located th roughout the entire globe. Almost every
room in all buildings throughout the earth is connected through their associated cybernators to Corcen.
Every mechanism of every factory, every meteorological measuring station, every traffic controller, and
the comm unications of every individual, to name only a few are either directly or indirectly connected to
Corcen. As all of you know from your intimate interaction with Corcen, it gives you a power and ability
to be yourselves that your ancestors never had, regard less of their wealth.

"Corcen was never formally constituted as the government of the world. It just evolved. Scientists who
were making political decisions gradually needed to spend less and less time at their work. Their staffs
dwindled. The ego needs o f the past that made a political bureaucracy grow in accordance with
Parkinson's Law were no longer present. These multi - scientists were no longer motivated by prestige or
power. They were too fulfilled in their own personal lives to be concerned with thei r ego image in the
eyes of other people. Since they lived in a world of abundance, there was no monetary incentive to hold
on to their governmental positions. Although it was not planned that way, the government scientists
began taking longer and longer va cations and leaving Corcen unattended for greater periods of time. No
matter where these scientists were on earth, Corcen was in immediate touch with them and did not
hesitate to call them if they were needed for any reason."

Hella knows that many years a go Corcen began to call on men of ability, regardless of whether they
were elected or wore the mantle of political power. In emergencies or disasters Corcen would
quickly scan its memory banks and immediately gather as many people as were needed based upon
their qualifications and their proximity to the problem area. People responded readily to Corcen's

appeals. "After all," she thinks, "we're all on the same team."

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"We find today that the world has no need for politicians or governmental scientists," the telescreen
continues. "Corcen impartially calls upon any or all of the people to assist it when, as, and if their services
are needed. In a sense everyone is a part of the government of human affairs. It is considered a
privilege. Most people enjoy working with Corcen in the assignments they are offered. We thus have
arrived at the very interesting state where no individual or group is engaged in governing the world. But
each individual in the world during his lifetime will, from time to time, plays a very real part in co - operating
with Corcen on activities that in previous centuries would have been labeled 'political' or 'governmental.'

"To a person living in the United States during the last century, it would have seemed inconceivable that
the world could be so changed that it would have no use for politicians, legislatures, and the enormous
apparatus of bureaucratic government. In the past governments had extremely important functions to
perform. Through their armies, navies, and air forces, they attempte d to protect their citizens against
aggression from other countries. They also acted as a sort of referee between citizens to keep them
from hurting each other. The United States government had a Department of Labor assigned to look
after the interests of workers and a Department of Commerce to help businessmen increase their annual
volume. They had a Department of Agriculture to assist farmers. They had a Department of State which
played a part in maintaining relationships with other countries."

Hella kno ws that almost all of the activities performed by governments of the past are no longer needed
today. She shudders at the ways in which societies of the past chose their leaders — violent methods of
dictators, hereditary happenstance of kings, voting based on emotional appeal. "What chaos," she
thinks, "if we were to select men for their teleprojection manner instead of their technical training.
Besides, no humans could possibly handle the tremendous load of correlation — only a computer can
keep up with the w ork."

"One of the problems of the twentieth century democracies was to keep political power in the hands of
the people," the tele - screen shows the piled - up corpses of Dachau. Gasps of horror come from the
stunned spectators. "Disastrous things occurred wh en dictators such as a Hitler got control of a nation.
Modern weapons became so powerful that individuals were almost helpless in overthrowing the
government once a dictator was thoroughly entrenched. After 1960, if people lost the power to elect their
rep resentatives, they were unable to get it back. In those days of scarcity, in which all personalities were
deeply twisted by hostility and insecurity, it was wise for people to protect themselves by holding tightly to
their democratic processes.

"Although we are nominally a democracy today, and the people theoretically have the right to elect
political representatives, we find that in practice there is nothing for politicians to do. I suppose this is
probably our greatest security against our world's ever a gain being subjected to the whim of dictators or
tyrants. After all, a politician has power only because people think he has power. If everyone in Germany
had decided to ignore Hitler, he could have ranted and raved, having no more effect on affairs than a
monkey in the Berlin zoo. If anyone were to try to exercise any type of political control in our sane
civilization, he would simply be laughed at. We have about as much need for a politician as we have for
a dinosaur."

Hella knows why people would laugh and ridicule anyone who might want political office. The people of the
twenty - first century have developed a close, personal relationship with Corcen. "Every individual," thinks

Hella, "interacts with Corcen many times each day. Politicians would separate the people from

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Corcen. In previous societies only a few people could communicate and interact with the king,
dictator, president, or prime minister. Today everybody has the feeling that if their thoughts have
merit, they will be acted on."

Hella has liv ed with Corcen's rapid responses. She knows that Corcen always gives feedback to
suggestions, even if only by giving reasons why they seem impractical at the time. Often Corcen
responds immediately by appointing the individual to work with a group to study the problem further.

The telescreen shows the Acropolis and then a close - up of the Parthenon. "This personal relationship of
every citizen with government is similar to the original Greek conception of democracy," it continues. "In
ancient Athens every c itizen had an opportunity to vote on every issue and to get up before his fellow
citizens and speak his mind. This proved impractical as nations grew larger. In the United States the
only part that most citizens played in government during the mid - twentiet h century was to push down a
few levers in a voting booth. The average voter had no feeling of personal participation in government
Because we can talk to Corcen, and Corcen responds to us, each citizen feels that he, personally,
participates in the runnin g of the world. Our cybernated government gives us intense feelings of dignity,
worth, and security."

The tour is over. Hella is deeply moved by her visit to Corcen. She is proud of this creation of man —
proud to be a part of humankind that has solved the problem of how to live an abundant life without
invading the "living room" of other people. Slavery and the wage system of the past are no longer
necessary to get human beings to spend their lives in toil. Hella wonders if further developments beyond
the m an - machine complex are possible.

12.The Cultural Center

On the evening before her trip to the industrial complex, Hella visits a nearby Cultural Center. Each city
in the new age has its own Cultural Center that reflects the moods, interests, and feelin gs of the people
of that city. Cultural diversity is neither encouraged nor discouraged. To a certain extent it just happens.
Perhaps because of the divergent cultures of previous centuries, each city in the world of the twenty - first
century seems to have its own flavor.

In the twentieth century escapist entertainment such as sadistic movies, the boob tube, bars and night
clubs were a part of a pattern of the joyless pursuit of pleasure. In contrast, the Cultural Centers in the
new society offer companions hip and engaging and challenging displays that make them popular.

Cultural Centers are somewhat different from previous exhibition and art centers; they are open twenty -
four hours a day and many of their displays are constantly changing. Because of the la rge creative
output of most men and women in the new world, and because of the ease of recording this output, it is
possible to program automatically thousands of displays which are sometimes changed as often as once
every hour.

There is no panel of art c ritics to judge which paintings and sculptures appear and which do not.

Whenever someone is satisfied with one of his artistic creations, he sends it to Corcen, and it is
scheduled to appear in various places. In selected areas a recorder measures the reac tions of the

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

viewers. If a work of art receives only a quick glance, the recorder notes this. Art that receives the most
attention is automatically scheduled to appear throughout larger and larger areas of the world. The
several hundred thousand works of art that receive the greatest attention each year throughout the world
are chosen for the continuously changing exhibitions in the Cultural Centers. In this way everyone in the
new world expresses his feelings about the world around him. These feelings are shared by others
through automatic mechanisms that do not involve biased art critics, picture hangers, or dust - catching
museums with the same pictures staring at people for decade after decade. Cybernated mechanisms
are also used for indexing, classifying , and distributing the articles, scientific papers, plays, books,
poems, music, and other creations of the people of the new society.

The Cultural Center is dynamic. One can go many days in succession and find enough change to remain
interested. Someone r emarked that you can seldom see the same thing twice. The reply was given that
you can seldom see the same thing once. If one particularly enjoys a display, he can record a number
and have it reproduced in his apartment any time that he wishes.

The settin gs of the various displays are engineered to be exciting. Many interior partitions and platforms
are constantly moving. The entire Cultural Center pulses with an infinite variety of colors and sounds
that emanate from the living geometry of the functional interior.

The more permanent exhibits with technical and scientific displays give comprehensive presentations
of the submicroscopic, microscopic, and macroscopic structures of the natural world. Some of the
exhibits are solid; others are teleprojections t hat only appear to occupy three - dimensional space. One
can often walk through walls that look solid. Some of the "imagineered" forms represent aspects of
Einstein's space - time formulations. Most are dynamic and continue to change as one watches them.

Art and science, complementing each other, are interwoven in a demonstration of the genius of man.

As Hella and the other visitors to the Cultural Center relax upon the comfortable conveyor systems,
they are able to see the splendor of fantastic worlds unfold ing in this sensorium. Mathematics is the
most precise means of correlating symbols with the non - verbal physical world, and many of the
mathematical displays are particularly interesting to her. If there is anything Hella wants to know, her
inquiries are r eadily answered by built - in automatic communication devices.

The music of the twenty - first century is enormously expanded in complexity as compared to the simple
orchestral effects of the past. A large proportion of the people enjoy creating music. They p roduce
symbols that are fed into electronic music synthesizers. Within seconds one hears his composition as
though played by a large orchestra. By adjusting the deviation of the notes, the style of genius
musicians such at Heifetz can be duplicated on work s composed many years after his death! These
machines can electrically reproduce the sound of a human voice, a single instrument, an orchestra of
1000 musicians, or any sound or noise from any source. No musical instruments or musicians are
needed although some enjoy using these quaint instruments. These music synthesizers were pioneered
by RCA in the mid - twentieth century.

The cybernated musical engineering of the new world produces infinite variations in the pitch, timbre,
growth, duration, and decay of the tone, intensity, portamento, or, sliding trombone effect, and

vibrato and tremolo. This multi - dimensional music is 1,000 times more flexible and varied than the

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

orchestrations of the past. The music of Bach, Beethoven, and Brahms was limited in compar ison.

Labor Day

One of the dynamic displays reminds Hella that it is Labor Day, the twenty - seventh anniversary of the
abolition of the last paid work performed on the planet. With the termination of the last job, money
became obsolete. A huge telescr een shows bonfires of paper currency that were ignited throughout
the world, symbolizing man's final emancipation from the slavery of wages. Dollars, pounds, rubles,
pesos, francs, yen — through immolation they served mankind for the last time.

Two hundred fifty billion dollars in paper money was burned in a ceremony at the Lincoln Memorial in
Washington. The speaker on this rededication of Labor Day pointed out that this amount of money in
the mid - twentieth century would have commanded fifty years of work f rom a million men and women! In
the free world of the twenty - first century, people can no longer be bought — either by the head, as in
slave times, or by the hour.

Now that people are no longer burdened by work, they find labor interesting! For it is not th e type of
activity that makes something "work" or "play", it is the motivation of the person. The same task may be
either burdensome or fun, depending on the interest of the individual. And most of the time people in
the twenty - first century are glad to fi nd ways in which they can supplement the cybernated machines.
Although the machines can handle almost all the work of the world, there is still a minimal need for the
watchful eyes of the human masters they serve — a little supervising here, lending a hand there, and
occasionally offering suggestions to Corcen.

Workshops and Labs

As people were freed of the daily grind, they learned to use their time for creative and challenging
activities. The arts, sciences, and crafts became a vital part of the dail y lives of men and women. The
largest portion of the Cultural Center contains enormous workshops and labs that are used around
the clock.

How would you like to experiment with a hundred - piece orchestral effect? Music synthesizers are on the
tenth level. W ould you like to test your reading speed and comprehension ? The computers are on the
first level. Would you like to weave a tapestry? The hand - looms are on the fourth level. Would you like to
build a table? Metal workshops, eleventh floor; synthetic mate rials workshop, twelfth floor; woodworking,
thirteenth floor. Would you like to build a boat? The boatbuilding workshop adjoins the lake. Do you enjoy
electrical engineering? Do you want to invent a new gadget? Have you thought of a new game?
Materials, ma chines, and space are there for your use.

Often, people spend more time in assisting others than in working on their own projects. Each person is

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

interested in what others around him are doing, and he identifies with the activities of his neighbors.
Ther e is a blending of individual and group effort. A new dimension of selfless human interaction
takes place in these workshops. This has probably been made possible by the elimination of the
inferiority complex and the resultant calming of the human ego.

T he Museum Section

Humans get so used to their surroundings that museums showing folkways of the past are always
interesting. The Cultural Center has an excellent set of exhibits dating from the time man split off from
his primate ancestors. The twentieth - century exhibit is particularly complete. Although near in time, it is
distant in spirit. The display on money is a curiosity. "How peculiar," thinks Hella, "that you needed
these small metal discs and printed paper to acquire food, clothing, shelter, or a nything else!"

Hella feels that the gleaming automobiles look somewhat contemporary. But the illusion is destroyed by
the description that explains that they were built to last only several years and seldom went over a few
months without repair even when new. And they needed fuel after about 200 miles! Such incompetent
engineering can hardly be understood by people who feel that even one repair in twenty - five years is
excessive. The description of the exhibit states, "This approach to transportation is a p roduct of a society
of scarcity that treated cars as status symbols. They deliberately withheld efficiency; they actually
planned obsolescence! The millions of people killed and maimed by such vehicles is even more
barbarous than the Mayan ritual sacrifice s of virgins!"

The implements of the previous century appear odd to Hella. The stoves, refrigerators, washers, and
dryers — what a cumbersome way to do things. She smiles at the high heels, thin stockings, and girdles.
Such an incredible array of devices an d nostrums people used to have! Medicines, toothbrushes,
toothpaste, cosmetics, soap, brooms, vacuum cleaners, light bulbs, typewriters, dictation machines, books,
magazines and newspapers, plus thousands of other paraphernalia. There was hardly anything p roduced
for consumers in the twentieth century that is still useful in the twenty - first century!

Although Hella came to the museum early in the evening, she finds that by three o'clock in the morning
she has covered only a small fraction of the displays. She dozes as she relaxes in a living contour
chair, listening privately to music she has selected that is focused toward her ears. The cybernated
sensing mechanisms insulate her from outside sensations that would disturb her sleep. She wakes the
next morni ng with a feeling of expectation.

13.The Cybernated Industrial Complex

With a group of companions — everyone in the twenty - first century world is considered a friend, and those
near you are companions — Hella takes an aircraft to the nearby industrial c omplex. It has been found that six

industrial complexes are adequate to serve the needs of all of the inhabitants of the globe. In previous times
isolated factories were scattered all over the world. This made sense only in a primitive economy

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

where each city had to have its share of jobs to survive. In the past when a car was assembled, it was
necessary to correlate the flow of parts and materials from hundreds of different factories spread over
areas as far as a thousand miles away. Now everything is eff iciently co - ordinated in a large,
continental industrial complex.

The six industrial complexes in the world are connected by high speed tubes twenty feet in diameter. This
permits the propulsion of automated carriers at speeds up to 250 miles - per - hour. If the industrial complex in
Southeast Asia was running low on manganese, and there was a surplus of this material in an ocean
processing plant in Africa, Corcen could direct a hundred - thousand - ton shipment of manganese to the
Southeast Asia complex. This wo uld be performed automatically, and probably no human being would know
of this enormous shipment. Only in the remote event of some problem would humans be notified.

There are no stores or salesmen in the new world. All goods are ordered through Corcen by the people
who use them. The network of high - speed tubes carries any items from the industrial complex directly to
the living areas or labs within minutes or hours after its manufacture. Islands are supplied by highspeed
submarine cargo vessels that load, navigate to any port, dock, unload, and return without a captain,
crew, or dock workers.

Finished products are seldom put in a warehouse because the demand for goods is continuous, and the
machines work fast or slow, as directed by Corcen, to meet the exa ct amount of demand. Thus, an
instrument ordered by Hella might be made up largely of atoms that twenty - four hours earlier were in the
salty water of the Pacific Ocean. The energy used to produce and deliver this instrument to Hella might
have been a part of the atomic structure of the water gently coursing along the bottom of the Caribbean
Sea only a day earlier. This is the dynamic pace that is possible in the twenty - first century when all
routine matters are cybernated by the intelligence of Corcen.

The North American Cybernated Industrial Complex consists of an underground factory approximately
ten miles in diameter. This entire complex is operated by a computer, with its associated memory banks
and inputs. Recorded directions for the production of ever ything used by the inhabitants of the twenty -
first - century world are instantly available. If Corcen changes the specifications for a product, it modifies a
few million bits of information on one of the millions of input sources.

The drilling, cutting, and stamping of metals, as performed in the factories of the twentieth century, is
obsolete. Many of the objects are formed by electromigration. Metallic or plastic particles are made to flow
in electrodynamic forms and assume a final position in the shape th at is desired.

The most remarkable thing about this industrial complex is that at the time Hella arrives, there are no
human beings within the entire seventy - eight square mile production area. All machines have been
engineered to last many decades without repair although they will probably be replaced by improvements
in a far shorter time. In the rare event of a breakdown, duplicate mechanisms are automatically
positioned, and the faulty ones are either repaired or cybernetically destroyed. Many of the mac hines are
multi - purpose and can modify their own structure and function as required by the job to be done.

The computer that controls this industrial complex is almost equal to Corcen in its inherent capacity. It has
developed an incredible intelligence a nd imagination in controlling the input and output of the factory. Its

millions of sensory inputs are located in every area. It has an uncanny ability far beyond that of any

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

human being to anticipate and correct trouble.

Hella recalls that it has been fo ur years since the computer controlling the industrial complex called for
human assistance. At that time it took the scientific team selected by Corcen a period of three hours to
discover the exact nature of the malfunction that the computer had not been a ble to repair. It took about
a half - day to make the repairs, and the intelligence of the computer gave itself full instructions on how to
avoid this problem in the future.

Energy Resources

Perhaps one of the most sensitive measures of the level of a civilization is the amount of energy it uses.
As scientific methods of thinking were evolved, the energy at man's disposal increased at a geometric
rate. The great quantum leap occurred with the harnessing of fusion power. The development of
controlled fu sion of atomic particles led to a steady production of enormous amounts of usable energy
with no radioactive by - products. Although there were many ways to accomplish this, most of the power
in the twenty - first century was based on the use of deuterium and tritium, heavy isotopes of hydrogen
that are abundant in sea water. There is enough nuclear energy in the oceans to provide power for
millions of years.

As Hella goes through the atomic energy center, she marvels at the quietness and freedom from
vibratio n. Here are billions of amperes being created within a few feet of her without the slightest audible
sound. She is surprised by the compactness. She somehow expected to see an enormous building
housing the energy reactors. Deuterium and tritium which have been extracted from sea water are fed
into the energy converter in a small pipe. The entire energy conversion mechanism, with a multi - million
kilovolt power output is about the size of a hangar for a large airliner. No people are on duty — only
Corcen and it s associated computer.

The Research Center

Hella's next stop is at the research center adjoining the industrial complex. For the first time since arriving
at the industrial area Hella finds human activity. In place of the teleprojectors that conduct ed them
through Corcen and the industrial and power areas, there is a ten - year - old boy who enjoys giving
conducted tours through the research area. Teleprojected guides are available for these tours, but they
have been switched off because of the interest of this youngster in performing this service for his own
enjoyment and the benefit of the visitors.

"One of our biggest problems," the young guide points out, "is to get our researchers to take sufficient

rest. They get engrossed in a problem and sometime s continue for forty - eight hours without a break.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Corcen reminds them to rest, but they make their own decisions."

Upon arrival at the first lab, the guide informs the group, "One of the most interesting things we're now
working on is the electronic educ ator. Our understanding of the human brain has now reached the point
where we know, in theory, various ways to place knowledge directly into the living brain of a human
being by electronic means. When this is perfected, it will enable us to acquire instant aneously a skill that
otherwise might take years of learning and practice. Our areas of extensive knowledge will no longer be
limited to the information that is programmed into our supplementary brains in the embryonic stage.

"In the next lab they are doi ng research on language and thought. How can our speaking and thinking
be more rapid and have greater correlation with the world around us? The experience of programming
computers has made us aware of how careless our everyday speech really is. We mix up f acts,
descriptions, guesses, judgments, and hypotheses. They are experimenting with improved korzybskian
language techniques that can give our thoughts added predictability."

As they continue their journey along the moving walkways of the research center, the young guide
enthusiastically related, "The scientists in this area are just completing the engineering specifications
for the replicator. The replicator is an enormous machine complex that creates both its own raw
materials and energy from sea water a nd then manufactures everything in one cybernated unit. Its x -
ray and spectrodynamic inputs can scan any inorganic object and duplicate it.

"This replicator would pump huge volumes of sea water from the Atlantic Ocean. The fusion materials
would be separa ted to supply water for the replicator. The hydrogen, oxygen, and other atoms in the sea
water would then be processed through the use of enormous amounts of energy to make whatever
chemicals are needed for industrial production by the replicator. This wou ld bypass the more complicated
system we are now using, whereby steel is mined at one point, manganese is mined at a point a
thousand miles away, copper is mined elsewhere, and so forth. "And we'd never need to make another
replicator, for one of the first jobs given to the replicator would be to duplicate itself. One could be shipped
to the moon to make it a self - sustaining colony. Of course, we couldn't use water as an input resource on
the moon. It would have to be altered so that its energy and atoms fo r raw material would come from the
moon's crust. An additional replicator might be scheduled for Mars.

"A group of men working on the replicator is planning to perfect an organic replicator that would
reproduce plants or animals. Perhaps it would even be able to reproduce a human. Teleportation might
evolve from this machine. By transmitting the electrical impulses of the scanner, we might be able to send
almost instantly the patterns of a human to a replicator on the moon that would reproduce the person."

Homo Mechanus — The New Species

"In this next lab," our guide continues, "researchers are using a computer to create a model of a
machine society in which there are no humans. Machines can reproduce themselves and can do almost
anything humans can.

"T his is all so new. We need to find answers to many questions. This lab has a big argument going. Is

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

man becoming obsolete? Some of the men here believe that man might be the only animal to design
his replacement!

"Only a few centuries ago we began to sup plement the human eye with glasses. Then we devised contact
lenses. Meanwhile, we made false teeth and hearing aids. Along came mechanical hearts, kidneys, lungs.
Computers were developed that evolved into brains that outperformed the human cortex. Then ca me artificial
eyes that could see better than human eyes. Current mechanical models of the stomach, intestines, liver and
glands all work better than the flesh counterparts. Now we're about to build the first of a new species — Homo
mechanus. Soon we will ha ve a mechanical man that can outperform us in every way. Homo mechanus will
be able to think better, move quicker and more effectively and live forever, too! Can we redesign human flesh
through DNA manipulation to keep up with the performance of this new s pecies? We had better work fast, or
we might be like a bunch of sheep being tended by superior beings. We could become as extinct as the
brontosaurus. Is Homo mechanus our final evolution?"

A Modern Paul Revere

The guide moves on to an adjoining labora tory. "One of the men in this lab is pretty far out. He has been
nicknamed 'Paul Revere.' He's concerned about the ultimate stability of Corcen. He says, 'Sure, Corcen
is working hard for us. We've got it made now. It operates in a selfless, mechanical way to give us a good
life. But suppose some day Corcen gets tired of a man - centered orientation? Could Corcen decide that
man is a threat and a nuisance? Suppose it should surreptitiously design and build robots to give it
dictatorial power? Corcen can desig n and make a million robots without our knowing it. Can man always
turn off the switch if he wants to?"

Hella remembers that Corcen programmed their supplemental brains. It designed their genes. She gives
her imagination full scope. If survival of the fit test applies in the future, will man or the machine survive?
Or would co - existence be the answer? "So now you know what's going on in this lab. I suppose no
matter how nice things are, some people will find something to worry about," the guide says reassur ingly.

Hella is impressed by these expeditions into the unknown by the man - machine team. Adventure, exploration,
challenge, and even danger — could life in previous centuries have been this exciting? While her thoughts are
penetrating these new vistas, she receives a message from Scott. He is still in India but is leaving for a
space station orbiting the earth. He wonders if Hella would like to meet him on the moon.

14.The Limitless Frontiers of Space

While Scott is still in India, he receives a message from Corcen that an important meeting of space
scientists is being called by the Director of Space Research at satellite headquarters. Scott is invited to
participate as part of the medical engineering team. The message from Corcen contains a hint that an
important announcement is to be made. This appeals to Scott, and he instructs the nearest cybernator

to make immediate plans for him to travel to the space station.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

A craft designed to land on the satellite city is available only in certain spaceports. Th e nearest one is
1,300 miles away, a forty - five minute trip on the linear - acceleration train. As Scott's train approaches the
spaceport, it decelerates to 250 miles per hour. His compartment disengages from the train and
converges on the base of the launch ing site. A hydraulic lift raises the compartment and inserts it in the
poised spacecraft. The entrance is sealed. The negative - G accelerators are turned on. The craft
appears to fall away from the earth. Scott notices that the takeoff is comfortable — quit e an improvement
over the noisy blast - off of the previous times.

As Scott begins talking with his fellow passengers, he realizes that they, too, feel something big is coming
up. But no one has any information about it. Is there trouble on the expedition s etting up a station on
Saturn? Are they still kicking around that proposal to oxygenate the moon's atmosphere? Are any major
asteroids headed for earth on an orbit that would create a collision emergency? Is some new step in
space exploration being planned ? Not even a hint is available.

The craft is now in orbit, and the space station, although a thousand miles away, can easily be seen with
the eye. Scott watches with interest as the spherical city grows larger and larger on their teleprojection
screen. Th is island in space is 800 feet in diameter and has a rotating staff of about 100 technicians.
Almost all of the voyages back and forth to the planets begin and end at this floating spaceport. There
are ample storage areas containing supplies of all the fue ls used in space. It has a fusion power plant of
the size that is used on earth to supply a million inhabitants. It contains the most advanced receiving and
recording equipment, which for many decades has been scanning the sky for signals from intelligence in
outer space. It is a master weather station, a center for space medicine, and a relay station for
telecommunication signals. In earlier times it was used for astronomical research, but the thrust of
spacecraft coming and going made it more desirable to create another specialized city in the sky for this
purpose.

Scott's ship couples to the orbiting spaceport, and he finds himself conveyed through a tube that
connects the craft to the pressurized compartments of the satellite city. People are weightless in space,
but this satellite city has an artificial "G" field that gives a gravity effect similar to that on earth.

Since neither Scott nor his companions carry baggage, there is no need for them to "get settled" in their
compartments. The meeting is sch eduled to begin within fifteen minutes after arrival. As Scott enters a
circular auditorium, he realizes that his group must have been among the last to get there. The Director
of Space Research walks to the center and opens the meeting.

"The occasion tod ay reminds me of a story about a craft from outer space that landed on earth," the
Director begins in a toast - master style obviously inherited from previous centuries. "The door to the
unusual craft opened and two strange creatures crawled out. After sever al weeks the earth scientists
learned to communicate with them. Various tests showed that they had great intelligence — with an I.Q.
of over 500. One of the earth scientists finally asked the strange creatures, 'How did you manage to
develop such great intel ligence?'

" We're not so very intelligent ," one of the creatures replied. " We're just their monkeys . "

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

After the laughter dies down, a very serious and thoughtful expression comes over the Director's
face. Scott shifts restlessly — "Here it comes."

"As y ou know, for many decades we've been filtering signals from the galactic noise of interstellar
space. For years antennas have been directed toward the areas that give the strongest signals. We
have recorded millions of hours of signals that we felt must ha ve come from other intelligent beings. Our
greatest attention has been given to an unusually strong signal source that emanates from a point near
Lyra."

A star map appears on a large telescreen, and the voice controlled electronic pointer touches
the cons tellation of Lyra.

"During the last ten years the signals from this area have increased enormously in clarity so that we
suspect that these "people" must have picked up our radio transmissions and are making a special
effort to break through to us. As you know, our computers have been attempting to decipher these
transmissions, but it has been fruitless because they are using a language that is alien to ours. They are
also transmitting signals with a scanning system that is structurally different from ours . Until last week
these blockages have kept us from interpreting their signals.

"A week ago this changed. The computers we developed five years ago were instructed to start
systematically a random checkout of every conceivable system that could be used fo r the transmission
of two or three dimensional images. The breakthrough occurred last Wednesday when our computers
were able to decipher both the audio and video parts of the transmission.

The mathematical portions of the language were the first to be int erpreted. With the help of the three -
dimensional video as a 'Rosetta Stone,' only three hours later the computer was able to produce a
comprehensive dictionary that was adequate for the interpretation of signals that had been recorded
from this source."

T he audience listens intently. Scott thinks of a parallel time in history when Columbus made his
appearance at the Court of Ferdinand and Isabella to report his discoveries in the new world. The
Spanish courtiers must have had feelings at that time of how g reat their civilization was to have
made such enormous progress in rolling back the frontiers of the unknown.

"Practically no one on our staff has slept for the past seven days," says the Director. "Although we have
deciphered only a very small amount of the recorded material, we have scanned enough of it to have a
sketchy picture at this time of what's going on out there, or perhaps I should say what went on twenty -
six years ago. These signals we are now receiving took twenty - six years to reach us. We hav e stepped
up our communication program and have beamed several of our transmitting antennas toward this point
source, but it will take them many years to receive the information that we are now sending out.

"It appears that this planet that is signaling t o us evolved a form of organic life millions of years ago."
Here the Director points to a large image that has appeared on the telescreen. It is just as Scott
expected. The intelligent life on this distant planet has little in common with the human form th at
evolved on earth.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Cybernated Organisms

The Director continues, "These people, and because they're intelligent beings we can call them
people, gradually replaced the various components of their bodies with mechanisms that added
enormously to their func tional capacity. Instead of just using legs, they developed emission systems
that permitted them to go up or down or to travel at speeds up to 200 kilometers per hour.

Instead of going through the relatively time - consuming processes of eating, digesting, assimilating, and
eliminating, they worked out a closed - cycle system that permitted them to operate from radiant cosmic
energy. Their desire to extend their life - spans to thousands of years led them to replace the fragile parts
of their bodies with mechani cal parts. In the event of a rare malfunction, the mechanism repairs itself in
microseconds by electroforming a duplicate part, just as a human body repairs a wound by growing new
cells. With their bodies replaced by mechanical structures, these beings bec ame almost ageless and
indestructible. They could communicate thousands of times faster than previously. They have multiple
extensors that are tireless and can manipulate objects far more effectively than their original arms.

"I am sure some of you are wo ndering whether these cybernated organisms — let's just call them cyborgs —
live a pleasureless and joyless existense. This does not appear to be the case. These cyborgs can have any
feelings or experiences they desire simply by sending electronic signals int o their brains."

Scott knows that the mental experience coming from electrical inputs cannot be distinguished from
signals that are sent to our brains by our own senses. Scott's associates had already produced a
recording that was transmitted directly to the brain. The result was a complete sensation of seeing
beautiful sunsets, of having a sexual climax, and of savoring the most exotic foods.

"The cyborgs have produced recorded input stimuli to give any desired sensation. They have
indicated that their m echanical experiences are far more intense than they used to be," the Director
says. "They can turn up the power of the inputs that they find particularly pleasurable. Here are some
of the three - dimensional teleprojections we have picked up."

Scott looks at the large screen. He sees cyborgs moving at high speeds through the air. They dive into
the water and travel rapidly a few feet above the bottom of a distant planetary sea. The teleprojection
now shows a progression of different types of cyborgs. Some h ave solid state or fluid state thinking
mechanisms. As this far - off civilization acquired more and more experience along this line, they created
mechanical bodies and brains with greater flexibility. Scott is reminded of the annual model change that
car ma nufacturers were so fond of during the previous century. A brain might be "born again" with an up -
to - the - minute design as often as it desired. What fantastic new dimensions this could offer to existence!

Expedition to Outer Space

"This initial contac t with intelligent beings in outer space," continues the Director, "has made us revise our
schedules for space exploration. We want to establish personal contact as soon as possible with this distant
civilization. Even if we had a space ship that could tra vel at the speed of light, it would still take twenty - six

years to get there. As you know, the fastest space ship we now have available was designed

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

to operate at a speed of 67,000,000 miles per hour, which is only one - tenth the speed of light. We've
got a long way to go. I want plans drawn up within the next thirty days for gaseous nuclear reactor craft
that can come within 90 per cent of the speed of light. We can use some of the spare capacity of
Corcen in working this out.

"Einstein's theory of relat ivity indicates that when a spaceship travels around 90 per cent of the speed
of light, time passes only about half as fast as it does on earth. Thus, our personnel will age only about
fourteen and one - half years on a twenty - nine year journey at this spee d. Everything aboard will seem
normal, and this slowing of the clock will be noticed only after they return to earth. When we get our
spaceships to travel within one - half of 1 percent of the speed of light, a year in space will produce the
aging of about a month on earth. When our crew returns after a long voyage in space, any member will
be considerably younger than, for example, an identical twin who remains on earth! We'll probably have
little trouble getting volunteers," the Director says with a wry smi le.

"We must make decisions soon regarding the life support systems. To be on the safe side, we should
carry sufficient food and energy to last for a century. We must give thought to the type of personnel that
will be best adapted for this trip. Should we attempt to arrest electronically most of the personnel
aboard so that their bodies will not be subject to wear or deterioration during the time it will take them to
get to this planet? To what extent should their human organs be replaced by the improved m echanical
substitutes we now have available? Some of you may know that my heart and kidneys wore out about
twenty years ago, and for the last two decades I've been living with a mechanical heart and kidney
setup." At this point he taps his chest several ti mes.

"I've never felt better, and they function perfectly. I believe if I were going on this voyage (at this point
he looks a bit wistful), I would be better equipped because of my mechanical heart and kidneys. All
medical teams here (Scott listens very c arefully at this point) should be prepared within several months
to give me their recommendations regarding the specifications for personnel to make this extended trip
through space."

The Long - Range Program

The Director, who obviously has been under co nsiderable excitement for several days, takes time to gulp
down a container of protein drink spiked with a high concentration of water - soluble vitamins. After a few
seconds he continues, "We should not let our space program be dominated by this single even t. This is only
the beginning, and we should think in long - range, overall terms. Let me review where we are today."

"As you all know," the Director says, "we first reached the moon around 1969, and within a decade
several permanent stations were establish ed there. The first permanent station was established on
Mars in 1987. There are now over 10,000 people there. Venus took longer because of the 800 degree
Fahrenheit surface temperature. We were able to utilize an enormous mountain that offered more
comfor table temperatures. We have had an underground station on Venus since 2018. We will soon
begin to cool the planet and oxygenate the atmosphere.

"Mercury presented us with interesting problems. It's nearest the sun, and it is approximately 3,200 miles

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

in diameter. We have a choice of a surface temperature of about 800 degrees on the part facing the sun
or 400 degrees below zero on the part away from the sun. We've had an underground station there
since 2026.

"It took us about a quarter - century after Mercu ry to work out the problems of Jupiter. We first landed on
the largest moon, Ganymede. Temperature and radiation on the surface of Jupiter have not been as
much of a problem as we expected, thanks to improvements in force - field technology. Jupiter has
elev en times the diameter of earth and over a hundred times its area. The atmosphere is largely
hydrogen and helium, and it is by far the stormiest of all the planets. Pressure was our biggest problem
for no conventional space ship could withstand its crushing pressure that is approximated on our earth
only at the bottom of our deepest oceans. Although this was one of the most hostile planets, we've had
a colony of hardy scientists holed up on the South Pole of Jupiter for several decades, making valuable
studi es that have helped us in exploring the interior of the earth.

"Within ten days we expect to land on Titan, one of the moons of Saturn. Two years ago a manned
space ship surveyed Uranus and its five moons. Our unmanned probes over the past century have
gi ven us vital information on both Neptune and Pluto. So much for the planets.

A Self - Sustaining Explorer

"We must no longer think in terms of our solar system. We have a universe to explore. We should
begin work on an inter - galactic spacecraft engineere d to leave this earth and never return!"

At this point there are muffled gasps throughout the room as the immensity of the conception
breaks upon the audience. The room becomes quiet again. The Director continues.

"This spacecraft will be a sphere about a half - mile in diameter. It will carry 1,000,000 years' supply of
nuclear energy, which will be replenished by absorbing radiant energy in space. The astronauts may
get raw materials by "mining" space for asteroids and comets. The replicator aboard will en able them to
convert energy to matter and also to convert matter to energy, whichever is needed.

"The spacecraft will probably have about 1,500 people aboard when it leaves us. Perhaps they will
replicate people when more are needed. They will have craft for exploring and landing on unknown
planets in the great reaches of space. What sort of personnel are best equipped to man this expedition
toward infinity? Should we send humans? Perhaps we should redesign humans for survival in outer
space*. Are humans h ardy enough for the rigors of space? Should we send cyborgs — mechanical bodies
with human brains? As you know, we have been successful in mechanically duplicating and improving
every part of the human body, including the brain. Should we send mechanical men who have no fragile
human parts? They would not be affected by radiation, below zero temperature, or lack of oxygen. They
could accomplish hazardous jobs in space that would mean certain death to a human. They would have
no food or elimination requirement s. Energy for a century could be built in. These mechanisms would
survive stress that would kill everyone else. They would be immortal; any part that might wear out could
easily be replaced. Although mechanical men with these specifications are not availab le today, we

expect to have them soon. Perhaps we should plan to use all three types on this expedition.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"This vanguard of our civilization will probably receive our signals for forty years. Because of the time lag
we will probably hear from them for for ty years after our signals have become too dim for them to pick
up. Then these explorers will really be on their own — never again to communicate with us in any way.
They may choose to branch out over the planets of the entire universe so that billions of ye ars from now
these children of earth will approach the outside of the universe — if it has an outside. There are probably
over ten billion planets suitable for the birth and development of life as we know it. No matter what they
do, people on earth will prob ably never know about it. Even if communication were possible, it would
hardly be hot news by the time we received it." There are several chuckles throughout the room.

"Although we will never know where they are or what they are doing, we can be sure that they and their
offspring colonies will be very busy. The diameter of the galaxy of flaming suns in which our earth is
located is 100,000 light years across. As you know, light traveling through space at the rate of 186,300
miles per second will travel abo ut six trillion miles in a year. Alpha Centauri, the nearest star beyond our
sun, is approximately 25 trillion miles away. It takes light about four and a quarter years to reach us from
this star. Our own galaxy contains one hundred billion stars with, we presume, countless planets on
which life exists. And our galaxy is only one out of tens of billions of similar galaxies scattered throughout
the expanding universe. It would be simpler to study every grain of sand on every beach in the world than
to explor e the universe.

"The uncharted seas of space are almost without limit. If we make an analogy with the explorations of
Columbus, it would seem by comparison that this wily old explorer did little more than stick his big toe out
the back door. The decisions that we make in the next few years will deeply affect the destiny of the
human race and, who knows, perhaps the universe. Man has a way of cutting an ever - widening trail
wherever he goes."

At this point the Director sits down, obviously filled with a dee p sense of the interaction of present and
future. The scientists gradually leave the room. There is no conversation. Everyone is engaged in his own
thoughts. Scott wonders whether he can still meet Hella on the moon as they have planned.

15.The New Perso nality

Hella has tentative plans to meet Scott at the main celestial mechanics observatory on the moon. Scott,
however, has become absorbed in space research that will play a part in the first face - to - face contact
with extra - terrestrial beings. In the m eantime, an opportunity has come to Hella that is too interesting to
turn down. Corcen has checked with her regarding her interest in observing a group of people from the
twentieth century that have been thawed out.

In the latter part of the twentieth cen tury, to avoid the finality of death many people had themselves
quick - frozen immediately before or after death. They hoped that by having their bodies preserved they
could be thawed out at a later date with minimal damage so the medical skill of a future c ivilization could
bring them back to life. One of the more dubious legacies of the past was about twenty - two thousand of

these frozen people.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

No one knows exactly what to do with these corpses. Should an attempt be made to resurrect them?
Should they sim ply be disposed of? Since the population of the world is maintained at a constant level,
most people feel that it is preferable to create a new life that is genetically and psychologically
prepared for participation in the twenty - first century. Resurrectio n of one of these bodies with an
uncertain adjustment in the twenty - first century might be a sticky business.

When this problem was referred to Corcen, a firm conclusion was returned in seconds: make no attempt at
resurrection. The individuals of the twen ty - first century deeply accept Corcen. They have found it reliable in
99.97 per cent of its predictions during the past eighteen years (it had inadequate data on the

0.03 per cent it missed). Yet, many individuals feel they can not ignore the human hopes that lay frozen
in these modern catacombs.

Corcen does not dictate how things should be run in the tweny - first century, it only advises. As it
perceives the thoughts of the people, it operates in a manner that fulfills their needs. It usually has better
i nsight into what brings people happiness than any individual person. This has been proved time and
time again by its successful predictions.

Nevertheless, people are free to do as they wish. Finally, a group decided they would attempt the
revival of 100 o f the bodies. They picked fifty males and fifty females whose records seemed to be
especially promising and thawed them out. They have been successful in bringing 93 per cent of them
back to life, and replacing the defective organs that were responsible fo r death with synthetic organs.

The real problem arose when they found that these individuals are completely out of touch with patterns
of life in the twenty - first century. You could no more leave them on their own than you could turn a
baboon loose in th e middle of a research center. • They seem so full of hostilities and have ego
motivations that are so alien to the twenty - first century that people have finally given up the task of trying
to train them to fit into the new world. These "thawees" are so di sruptive of the routines of life in the
twenty - first century that the group that has brought them to life realizes they are saddled with a custodial
problem. They are beginning to understand the types of pressures and twenty - four - hours - a - day
watchfulness t hat burdened mothers in previous centuries.

Their reverence for human life does not permit them to refreeze these "unsane" individuals. They finally
decide to set up a twentieth - century behavioral research laboratory on an isolated island and turn these
p eople loose there. They provide the ninety - three men and women with every material resource
requested and build a laboratory for psychologists and anthropologists to observe them. The thawees
are free to set up their own social structure.

Hella flies down to the isolated Pacific island. The staff is most delighted to see her. Although they are
equipped with all of the twenty - first - century aids to living, including three - dimensional color
telecommunication with all parts of the world, they feel cooped up. V arying one's environment is a part
of twenty - first - century living.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Their Pathetic Heritage

By means of monitoring pickups, the custodians are able to make a recording of most of the behavior of
the twentieth - century thawees. One evening as Hella is watching them on the teleprojection screen,
two men begin to quarrel. One man suspects that another man has attempted to obtain a sexual
relationship with a woman he feels belongs to him. Although the woman protests that his suspicions are
not correct, he slaps her in the face and hits her in the ribs so hard that it sends her sprawling across
the room. The man with whom she has been accused of intimacy stands up and rushes toward the
attacking man. A fight begins that lasts several minutes.

Neither Hella nor anyone in the group has ever seen anyone strike another person in anger. They watch,
spellbound, as the fight continues. They have read that twentieth - century television showed fights and
murders. They know little children in that society sometimes spe nt from four to eight hours a day
watching such vicious programs and learning these folkways. Hella, however, has never seen any of
these films. She knows they are available upon request from Corcen. She has just never been curious
about such obscenity.

T he man who started the fight seems to be losing. Blood is streaming from his nose. Suddenly, the
jealous man picks up a metal bar and brings it down with a crunching impact on the head of the man
who came to the woman's rescue. His legs crumple, and he slu mps to the floor. He is dead in minutes.
The custodians watch incredulously.

The murderer is locked in a room by two other thawees. The next day a court is set up with a lawyer who
thinks he should go free and a lawyer who asks for his death. A judge is a ppointed, and a jury is selected.
Although the custodians have read of these tribal customs, they have never had an opportunity to experience
them emotionally. It seems almost impossible that human beings could behave in this manner.

After several hours o f verbal courtroom ritual, the jury labels the man "guilty," and the judge informs him
that the group will take his life. They tie the man's hands behind his back and put a rope around his
neck. They pull him several feet off the ground and watch self - righ teously while he chokes to death.

Most of the custodians who observe this ritual become physically sick and vomit. They keep the
recorders working, but they turn off the screen and walk outside to take deep breaths of fresh air. As they
look over the vast Pacific Ocean, they manage to overcome their feelings of nausea at this strange
spectacle of man's inhumanity to man.

Acceptance of Death

This strong reaction has not been caused by a fear of death. The people in the twenty - first century regard
death as a natural phenomenon and accept it when it comes. They put their energy into living fully while they

are alive. Every resource of medical science is used to keep bodies functioning, but each individual calls a
halt when he feels that physical deteriora tion has gone too far. When the torch of life has burned

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

brightly, they do not hesitate to pass it on to another. Each individual realizes that upon his death a
new baby will be permitted to enter into the world. They don't fight this natural progression beyond a
certain point. In the future immortality may be possible. But until then — no problem.

While they are breathing the fresh ocean air, Hella asks where the other frozen bodies are kept. She is
informed they are in the Antarctic vault near the frozen animal specimens. Hella is sure that they will
remain there for some time. Perhaps thousands of years in the future when aggressive behavior is only
a vague, theoretical concept, an intrepid group might wish to thaw additional specimens to observe this
phe nomenon. It seems unlikely that these frozen bodies could ever be functioning citizens in a
contemporary society. Each year the antiquated associations locked in their frozen brains become more
and more inappropriate to the rapidly changing world.

Hella w ants to share these vivid experiences with Scott as soon as she can. Although she enjoys the
intimate company of many men, for years her closest feelings have been toward Scott because of
the parallel depth of intellect and feeling they share. Soon after s he has recovered from the shock of
witnessing the dual taking of life, Hella contacts Scott on the space research satellite.

"This place is busier than a frying molecule," Scott tells her. "We've been asked to find other quarters
for our research. Since m uch of my work requires a cold minimum gravity area almost free of
atmosphere, I'm moving to the moon. Labs are being installed right now. Come on up and join me."

"It sounds wonderful," she says. "I guess my feelings are a little too tender to continue w ith these
twentieth - century animals at first hand. I'd much rather read about them. If you could have seen their
faces, Scott — the deep insecurity, the hatred, the fear in their eyes. I've got to talk to you and be close
to you."

Hella immediately informs the custodians of her plans. She is completely open and does not attempt to
deceive them by saying that she has to go to the moon to help Scott set up a research station. Although
this is true, it would be impossible for her to deal with a fellow human on any basis other than the full
truth of her feelings. She describes her feelings and her apparent limited tolerance at this time for further
observation of these relics from the twentieth century. Everyone understands what she is talking about.
Were it not for their self - imposed responsibility, they would go with her.

To the Moon

Hella explains to Corcen her emotional need to get to the moon rapidly to be with Scott. Corcen always
recognizes the feelings of humans and organizes the resources of the new w orld to meet their needs.
A craft is diverted to pick her up within minutes. She arrives at a South American spaceport within forty
minutes of her talk with Scott. Within six hours she is on the moon.

Although most of the structures on the moon have been built underground to simplify life - support systems
and give protection from meteorites, there are several observation rooms above the surface. These

rooms are formed by six - inch - thick, transparent metal domes.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

When he first sees Hella, Scott can tell tha t she has been through an unusual emotional experience, and
he understands her need to talk. He obtains an observation room that is not going to be used during the
evening. How good it feels to be together again! Although they have not missed each other — fo r their
lives have been busy with fulfilling activities which they shared by teleprojection — they both feel an
unusually keen delight in their reunion.

They snuggle into the same living contour chair. The sides of their bodies touch warmly, unhampered
by c lothing. As they look through the glass of the observatory into the night beyond, they can see the
bright ball of the earth a quarter - million miles away. Europe, Africa, and part of Asia are visible.

They feel toward earth as they suspect people in earlie r times may have felt toward their mothers. Here
is the organism that had brought them into being through eons of evolutionary time.

Here is the organism that nurtured them and made them what they are. Although they can not see the
sun, they compare their feelings about it to those that children in earlier times may have had about a
father. The energy that moves everything in their lives may have come from the sun. Even the atoms that
formed the earth some four billion years ago may have been an offshoot o f the sun — something like the
spermatozoa that fathers of previous times contributed to the absorbing sexual potentials of the mothers.

"I think I've learned a lot about myself and our society in the last few weeks," Hella confesses. "I had
taken everythin g for granted. A person with normal vision never appreciates what his eyes mean to
him. It's only when you come face to face with blindness that you understand the part that your eyes
play in your life." Hella smiles a slight, tender smile."It must have be en disturbing to see the folkways of
the twentieth century," Scott says, trying to empathize with her.

"Oh, it was," answers Hella, appreciative that Scott is working toward her in his feelings. She knows
she can always count on him. "I learned a lot, but I would never go through it again."

"I heard two people were senselessly killed, one by an individual and one by the group," says Scott.
"Did you actually see it?"

"Yes."

"It's hard to believe such things could happen — and at the same time that I was bu sy on the satellite
working to contact intelligent beings in outer space. Just think, the same world, the same time," Scott is
beginning to feel deeply about the deaths.

Hella does not want to get into a spiral of feelings about the double murders. She fe els a need to steer
the conversation toward a deeper appreciation of what they have — to understand the present in the light
of the past.

"When I was on the island with the thawees," Hella says, "several of them kept insisting on seeing a lawyer.
They didn' t believe me when I told them we have no use for law or lawyers. They wanted to know what we do
with criminals. I explained that we have no criminals — that people in our society of abundance don't act

aggressively toward others. You have to be insecure and afraid in order to harm others. They

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

told me it wouldn't work — that I didn't know anything about human nature.

"I tried to explain that our supplemental brains are imprinted to make us want to seek assistance if we
feel uncomfortable or hostile. Apparentl y, in their society they had to capture hostile people like wild
animals. And just listen to this, Scott. They caged them in jails! People would voluntarily get medical help
if they had a physical ailment, but sometimes they wouldn't get psychiatric help b efore they had done
things that hurt someone."

"I suppose the thing that impressed me most deeply about them," Hella continues, "was the way they
were driven so fiercely by their ego needs. I guess the scarcity conditions that set man against man
accentua ted the king - size egos we developed in our long evolution from the jungle. In trying to meet
their ego needs and develop a feeling of individual worth, they got too concerned with their status in the
eyes of others. They tried to nourish their starved egos with silly things like mink coats and diamond cuff
links. They seemed to care less about being successful in their own terms; they were far more
concerned with the appearance of success in the eyes of other people.

"It seems to me that one of our greates t differences lies in how we view ourselves," comments Scott,
reflecting on the problem. "Our ancestors, at least in the twentieth century areas where these people
came from, didn't have strong inner standards that expressed their own individuality. They w ere far
more concerned with their reputations than their characters. Those poor people were like rudderless
ships blown by winds of fashion and storms of capricious opinion."

"They just couldn't live by their own internal standards." Hella feels compassio n for these people and the
tragedy of their lost happiness. "I think this probably began with their early conditioning. Right from the
word 'go' they were dominated by their parents. They had to do what their parents told them, or they'd be
punished or mad e to feel bad. During their helpless, impressionable childhoods, they developed the
habit of not judging and feeling things for themselves. "Moma knows best. Daddy won't like this.' The first
five years were crucial. As they grew up, they were never free o f these personality patterns."

Hella sits up quickly. "That explains why they never came into their own! Now I can see why their
feelings always remained sharply tuned to picking up the first signs of any possible rejection that would
indicate what to thi nk and how to act."

The Supreme Ethical Standard

"Of course, our present way of life is not without roots in the past," Scott says. "In ancient Greece,
Socrates advocated our supreme ethical standard: 'Gnothi seauton,' know thyself." Scott pauses long
en ough to sit up. "And Shakespeare said, 'This above all, to thine own self be true, and it must follow,
as the night the day, thou canst not then be false to any man.' "

"In spite of the teachings of many of the great thinkers, most of our ancestors really didn't understand
what it means to know yourself or be true to yourself," says Hella. "These were hollow words, not a way
of life. They were certainly not ethical guides by which people could run their lives."

"When you evolve your own standards of growt h, you can feel greater worth and dignity every day," Scott

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

continues intently. "Sometimes simply listening to a moving piece of music will enlarge your esthetic
experience and make you feel you've grown. Reading will add to your store of knowledge to giv e this
feeling of increased being. Simply sensing your own feelings and developing a deeper insight into
the powers of your brain can add to the feeling of worth. When you make personal growth a way of
life, a feeling of individual fulfillment comes automa tically."

"Since our feeling of worth is within our own control," says Hella, "we have a security our ancestors
lacked. We can give to other people in ways that they could seldom give. Our ancestors could usually
be generous toward their immediate familie s.

But they didn't have the resources to be generous toward a larger group. They had to compete too
strongly with other people. Individuals in a larger group would hurt them and would take advantage of
them. They had to wrestle money from them, they had t o fight them for position, power, and prestige."

"You're limited in adding to the happiness of others," Scott concludes, "unless your own life is fulfilling."

Love Without Jealousy

"In previous times there was never enough of anything — money, security , or love," Hella says. "People
developed feelings of possessiveness. The murder I recently saw revolved around the desire of a man
to possess a woman. He seemed to feel he owned her — that he could tell her how to live her life."

"How barbarous," says Scot t. "I can't imagine anyone trying to hold love by force or threats. You hold
love with an open palm, not a closed fist."

"Yes, but they couldn't feel that way," Hella replies. "Their jealousies were brought on by feelings of
inferiority and insecurity. A man was afraid that if the woman he loved was with another man, she
would find this other man more attractive and not come back to him."

"When you're with someone else, I'm glad." Scott's tone is warm. "I know you've found a relationship that
adds to your life. When you're with me, I have the satisfying feeling that we're together simply because
we want to be with each other. In the past if a man and woman loved each other and wanted an intimate
type of companionship, society expected them to bind themselv es with a legal arrangement called
marriage. Of course, this was done to provide for children during their growth years. But can you imagine
fettering love and companionship with legal rights and obligations?"

"Sounds awful. If you enjoy being with me, it 's wonderful." Hella's hand touches Scott gently. "If our
paths grow apart, we've found more satisfying relationships elsewhere. Either way, we're ahead."

"Our open ways of feeling about each other and our ethical standard of being true to ourselves are
p erhaps the greatest social inventions of mankind," Scott philosophizes. "They could be realized only to
a limited extent in previous societies. Only today's cybernated world can permit their full flowering.
Warped children grow into warped adults. People w ho labor under an inferiority complex can't fully enter

into this new way of feeling and acting."

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

"In the past," says Hella, "children spent their first five years of life under conditions that gave them
a permanent inferiority complex. No matter how wor thy they later became, no matter how learned,
no matter how much power or skill they acquired, they always felt inferior to some extent."

"Those who struggled hardest for power, such as the Napoleons or Hitlers, were usually short men who
had been heavily structured by the authority of their parents in their early years," adds Scott. "In an
attempt to fight off their inferiority complex, they developed what outwardly looked like a superiority
complex. But inside there always remained a scared little boy, i nsecure, trembling, and afraid someone
would find out what he really felt. As long as people had an inferiority complex, it was impossible for
them to get a fully secure feeling of worth based on their own inner development."

The Obscene Past

"The only thing that made me laugh while I was observing the resurrected twentieth - century people was
their warped standards of obscenity," says Hella with a remembering smile. "One of the men had a
drawing of a man and woman engaged in intercourse. Every woman th at saw it acted shocked, and this
seemed to give the man a perverse delight. I understand back in Victorian times a nude figure of a
woman was considered obscene. Later, mores in Western society were revised so that only
representations of the act of love were classified as lewd."

"Idiotic," Scott explodes. "How could a picture of one of the most beautiful experiences in life ever
be considered obscene! A drawing might be crude, yes. It might be untalented . . ."

Hella interrupts. "We have a different way of applying the label 'obscene.' I have just witnessed the
most obscene thing — a man hitting a woman in the face, a man turning on another person to kill him, a
social group choking him to death with a rope." She shudders.

"Anything that degrades, debase s, or dehumanizes a human being is considered obscene today,"
generalizes Scott. "Our ancestors in the twentieth century had a tremendous amount of obscenity.
They plastered it all over their magazines, television screens, newspapers, and books. Murders, r ace
prejudices, wars, etc."

"Buchenwald, Auschwitz, Dachau — ovens that devoured live, screaming human beings. Grotesque piles
of human corpses — these are obscene things that were shown to men, women, and children in
'civilized' countries in the latter part of the twentieth century."

"Perhaps one of the most obscene things of all was a man in an electric chair twitching and writhing as
the shock of electricity burned through his body," Scott grimaces. "I think the most obscene word used in
twentieth - century America was the word 'nigger.' But few people seemed to realize it. They felt that their
most obscene words were four - letter symbols for sexual and eliminatory acts. They wallowed in the
worst sort of corroding filth without knowing it. They made attempts to cleanse themselves of four - letter
words that had little to do with the human spirit."

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Separate Worlds of Men and Women

"Did the women really decorate themselves the way they appear in the old films?" Scott asks, as
he comically pushes his hair to o ne side.

"You wouldn't believe how many hours they spent putting their hair in weird shapes. They painted their
fingernails red. They painted their eyelids purple. They used chemicals to make their cheeks a light red
and their lips a darker red. What's mo re, they seemed to feel better when their heels were three inches
off the ground and their toes sharply pointed in a way that bore no resemblance to the shape of their feet.
Both the men and women seemed obsessed with youth. They apparently felt they had b een going
downhill since the age of twenty. They did everything they could to put up a hopeless fight against aging."

"I'd hate to live with such sham, such artificiality," says Scott. "Men and women seemed to build
separate worlds for themselves. I belie ve they even used separate bathrooms."

"They did," Hella agrees. "Little boys and little girls were trained in ways that were very different. A little
girl was encouraged to be a 'young lady.' Her toys were often dolls and doll houses, furniture, and
cook ing implements. A boy was considered a sissy if he showed much interest in these things. He was
given guns and cowboy outfits. A little girl was considered a tomboy if she ran too fast or yelled too loud.
In a thousand subtle and not so subtle ways, a woma n was molded into patterns known as 'feminine,' and
a young boy was encouraged to be what they called 'masculine.' Since young boys and girls are neither
masculine nor feminine, but are just human, this created stress on many individuals. Their cultural tr aining
kept men and women from sharing the deeper worlds of feeling.

"Their sexual do's and don'ts were incredibly complex. Scott, they had rules about everything. Often, no
variety was culturally permitted; you had your choice of one if you were married or none if you weren't.
Some cultures even had laws governing the sexual positions people could use. Many societies frowned
on women who expressed their sexual desires; it wasn't 'ladylike.' And intimate relationships with those
of the same sex were often taboo."

"People in the twentieth - century Western culture had deeply inculcated guilt feelings which kept them
from achieving an intense and ecstatic perfection in sexual pleasures," Scott points out. "Often a
sexual climax was largely a shallow physical e xperience."

"In a way, we care for sex both more and less than the thawees I observed." replies Hella. "It is a more
profound experience for us. And yet if we do not have it, we are so engrossed in other dimensions of
life that we don't miss it. It is, pa radoxically, more keenly enjoyed and less keenly missed. I find that my
sexual feelings usually become more satisfying as I get to know a person better. And yet I enjoy the
variety of occasionally being with other men,"

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Communication of Feelings

"One of the great differences between our way of life and theirs," Hella continues, "seems to He in the
degree to which we communicate our feelings. We talk about everything. The thawees seemed
ashamed of their feelings. They often repressed them and weren't even able to face their own feelings,
much less the feelings of other people. They hid behind polite masks."

"Didn't Mark Twain say, 'Only the truth is good manners'?" interjects Scott.

"Even husbands and wives would go through their lives miles apart in the ir inner feelings," says Hella.
"Since they were ashamed of so many of their feelings, they felt it would hurt their image to let someone
else know how petty their feelings were. And yet the other person was tortured by motives that were
equally petty. Thi s stupid mutual shame seemed to keep them from talking to each other and reaching
out to touch each other."

"I can't understand how this could have happened," says Scott. "I don't believe I've ever had a feeling
that I was ashamed of. I've had feelings th at I didn't consider desirable, but they went away as soon as I
expressed them to someone. Because other people have always empathetically received all of the
feelings I've ever expressed and were not threatened by them I don't believe I've ever accumulate d any
mental baggage. I live fully here and now. The dead past and the unborn future don't control me."

"I remember reading about a twentieth - century man so angry at his wife that for eighteen years he
never spoke to her," Hella says. "They lived together and ate at the same table, but he never talked to
her. Finally, they went to a psychiatrist, who urged the man to communicate. The first thing the husband
said was, 'I don't want to talk about it'"

"This was extreme," Scott replies. "Few people, however, were able to express their feelings fully to any
other human being. Sometimes a few managed to do this with counselors. But rarely were they able to
do this with those that were nearest and dearest to them and with whom they most needed to
communicate the ir feelings. Instead, they wore masks and assumed personalities they didn't have. They
used words to hide their real selves, both from themselves and others."

"In the old competitive world," Hella points out, "it was too risky to expose one's inner though ts. They
were afraid that other people would judge them, would be overly helpful, would give them advice that was
not wanted, would start diagnosing them and tearing them apart and telling them what to do, or would
save up this information and use it again st them later. It was rare to find anyone who could listen with his
heart."

"Think of all the unhappiness that could have been prevented if they had realized that feelings can be
managed just as automobiles and space ships can be controlled," says Scott. "They didn't realize that
unwanted feelings are sent on their way when you talk about them. Isn't it marvelous how unpleasant
feelings are eliminated when you fully express them, and pleasant feelings are increased when
they're expressed!"

"Look," exclaim s Hella, "we can just begin to see the Americas!"

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

As Scott looks toward the bright earth suspended above their horizon, he is aware of a gentle reflected light
that outlines their figures. The broad Atlantic Ocean is stippled by light patches, these must be large areas
covered by clouds. Could that tiny white dot above the earth be the space research satellite? It's hard to tell.
But the backlighting on Hella's breast that stops just above the nipple is beautiful.

The New Character

"I believe I've dev eloped a much deeper appreciation of our culture," says Hella. "Our satisfaction and
happiness lie within our own control. We may never approach our ideals of self - knowledge and self -
development, but we can make continual and satisfying, day - by - day, minute - by - minute progress. This
is what we need to have a meaningful life. We live broad, wide lives with an enormous range of
interests. Our world is so large."

"We're closer, both to ourselves and to others," says Scott, "Somehow without giving up our own
ind ividuality, we seem to develop at the same time a deeper and more profound relationship with others.
The more we find ourselves, the more we transcend the boundaries of our own egos. We give more of
ourselves in our emotional relationships with other peopl e, and, yet, we also retain a deeper ability to
live by our own standards and to remain the masters of ourselves."

"In previous centuries togetherness meant a giving up of individuality rather than a strengthening of it."

"Yes, I know what you mean, Hell a. We enhance our togetherness and reinforce our individuality at
the same time. It sounds contradictory, but it isn't."

"I think it's our ability to communicate with each other that enables us to be intellectually and emotionally
naked — to have no pretens es," Hella reflects."I guess that's one reason we enjoy being physically
naked, too. We feel completely loved and completely secure. We have no need to hide, either from
ourselves or others."

Hella pauses and drops her head back to rest on Scott's arm.

" And our love is not motivated by need. We do not love just to make up for a deficiency in
ourselves. When we offer love, it is as a gift — a kind of spontaneous reaching out."

Scott feels that Hella's mood is changing. There are longer pauses. She is watchi ng the earth, the
satellites, and the stars. She has obviously shared with him the vibrant thoughts that have filled her as
a result of her experiences in the past weeks.

He feels her hand on his chest. He turns his head toward her. She is looking straigh t into his eyes. He
has accepting feelings of love. The universe is cold and objective, but the bits of space and time that
contain human beings are filled with warmth, security, and affection.

"So there's life in other parts of the universe. Well, good!" says Scott. "How could it be better than life
right here!"

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

PART III. Looking Forward

16. Education for Change

We don't view our projection of the twenty - first century as a final blueprint, and you shouldn't either. It will
serve its purpose if it ge ts intelligent people thinking about these problems. We hope you can improve
our projection of future goals and the ways by which they may be achieved.

"We are now at the point," said anthropologist Margaret Mead, "where we must educate people in what
nob ody knew yesterday and prepare in our schools for what no one knows yet, but what some people
must know tomorrow." Perhaps never in the history of mankind has it been so important that we know
where we're going and how to get there. Humanity is no longer r unning - a two - bit show. There are over
3,000,000,000 people in the world today. We will soon be able to start a nuclear war that could wipe out
all human life. Even ignoring the nuclear threat, it will take global organization of a high order to provide
a good life for all humans. Freedom from war and want is at last within our grasp. But it won't happen
automatically. We must use our heads and our hearts.

Scientific, political, industrial, economic, and sociological changes are occurring at a pace more ra pid
today than ever before in history. Some people have wished that things would slow down so we could
have more time to adjust to change. This, of course, won't happen. Many are opposing changes simply
because they are changes. They are nostalgically and frantically holding on to the "wisdom" of the
past. But in times of rapid change, the "wisdom" of the past is usually of little help in meeting the
problems of the present.

W. H. Ferry of the Center for the Study of Democratic Institutions has advised us that we should hardly
be surprised by the changes that lie ahead:

Aristotle foresaw a takeover by machines 2000 years ago. The possibility of a workless or nearly
workless society emerging from technology is part of our literature. H. G. Wells told his re aders about it
50 years ago. Forty years ago, C. H. Douglas wrote: 'We can produce at this moment goods and services
at a rate very considerably greater than the possible rate of consumption, and this production and
delivery of goods can, under favorable c ircumstances, be achieved by the employment of not more than
25 per cent of the available labor working, let us say, seven hours a day.' Olaf Stapledon and Stuart
Chase, in very different ways, told us the same story 30 years ago. Jacques Ellul in The Tech nological
Society, just published, says, 'By the end of the 19th Century people saw in their grasp the moment in
which everything would be at the disposal of everyone, in which man, replaced by the machines would
have only pleasures and play.' In a neglect ed report of December 1963, the Research Institute of
America anticipated the Committee when it remarked:

'The moment of truth on automation is coming — a lot sooner than most people realize. .The
shattering fact is that the U.S. is still almost totally un prepared for the approaching crisis.'*

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

* W. H. Ferry, "Further Reflections on the Triple Revolution," Fellowship, January, 1965.

It seems incredible that any intelligent man can view with complacency the slowness with which we are
changing to meet the ch allenge of the world that lies ahead of us. Dandridge M. Cole has pointed out that,

"It has already been noted that technical knowledge is doubling every seven years (the doubling time
is decreasing), and that ninety percent of all the scientists who ever lived are alive right now. Without
assuming any reduction in doubling time it can be estimated that our total of technical

knowledge in fifty years will exceed the present level by a factor of 2
7
or 256."*

*Dandridge M. Cole, Beyond Tomorrow (Amherst, W isconsin: Amherst Press, 1965), pp. 87 - 90.

"In the past most individuals were able to go through life with the set of attitudes and beliefs appropriate
to the age in which they were brought up," wrote Robert Theobald:

The rate of change in science, in t echnology, in the beliefs and ideals of man was sufficiently slow to
ensure that they remained relatively appropriate. Even then the older generation expressed its
dissatisfaction in the phrase: 'I don't know what the world is coming to.' Nowadays it is re cognized
that the attitudes appropriate to the beginning of the twenty - first century will be totally different from
those now accepted, but little attempt is made to look ahead. Indeed, much education is based on
the ideas of past scholars; as a result the ories are taught to generations of students long after they
have been recognized by the leaders in the field of study to be incorrect.**

**Robert Theobald, The Rich and the Poor (New York: Clarkson N. Potter, Inc., 1960), pp. 139 - 140.

Every kindergarten, elementary school, high school, and college in the nation should help students
anticipate the changes that lie in their future. It should challenge them to seek new ways of thinking and
feeling — of reorganizing their society to make the most of man's poten tial for happiness in the new age.
Instead, most of our public and private schools prepare the students to live with the values and folkways
of our ancestors.

Ready or Not

Ready or not, we are rapidly launching into a period of tremendous change. This is obvious on a
technological level with satellites orbiting the earth, color television in our homes, and the government
computers checking up on our income tax. But we are just now beginning an era in which social change
must keep pace with technologica l change. The social patterns which we have inherited from ancient
Mesopotamia will not give us happiness in the world of the future. The turmoil, insecurity, unhappiness, and
conflict that are experienced today will increase unbearably if we are slow in i nventing new ways of living,

thinking, and feeling. Humanity is now entering into its adolescent phase. If we're going to come through our
teen years without too many scars, the human race had better learn how to mature.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

Perhaps the greatest threat that faces us at this moment is the fragmentation of humanity into over 100
egocentric national boundary lines. These paranoid nationalities claim the sovereign right to use
weapons that can kill millions of people in other countries. If we continue improving o ur atomic weapons
for another twenty years, it is possible that a flare - up of a dictator's temper could bring on a chain of
events that would wipe out every human being.

No one can predict the future with certainty. One thing, however, seems highly probab le. Things are
moving so fast that in a hundred years our society will bear little resemblance to the economic, social,
and political patterns of today. We suggest that whatever the future brings, it will represent a pattern spun
out by the "Life, Liberty, and the Pursuit of Happiness" value structure, the scientific method as a thinking
technique, and the cornucopia flowing from automated and computerized tools.

The future holds great stress and threat to individuals who do not have flexible nervous syste ms. It also
offers a limitless challenge to those who can use their intelligence for its primary evolutionary function:
to adapt to changing conditions. Greater wisdom, fantastic accomplishments, and enormously increased
happiness may be ours in the humani stic, scientific, cybernated world of tomorrow.

Your Participation Is Needed

"In world leaders and individual citizens alike," advises Dr. Robert M. Hutchins,

"old habits and customs stand in the way of adaptation to a new world. We are only beginni ng to study
these habits and customs, to seek new ways of using our intelligence in order to preserve the species.
In this effort the best thinking of every man and woman is needed."*

*Change, (Santa Barbara, California: Center for the Study of Democrati c Institutions,
February, 1965), Vol. 1, No. 1, p. 1.

Dr. George Gallup in The Miracle Ahead points out that we can not rely on our economic and
political leaders to help us respond dynamically to the challenge of the future. Dr. Gallup suggests:

. . . ch ange can not be brought about easily by its leaders, except in those situations in which the
changes advocated do not disturb present relationships. In fact, it is the leaders who typically
become the most bitter and the most effective foes of change. The public, therefore, must take the
initiative and assume responsibility for progress in the affairs of man. The public must force change
upon its leaders.**

** George Gallup, The Miracle Ahead (New York, Evanston, and London: Harper & Row, 1964),

p. 201.

This document is produced by free version of Print2Flash. Visit <a target='_blank' href='http://www.print2flash.com'>www.print2flash.com</a> for more information

I n the history of man, no generation has been educated to expect social change and creatively adapt to
it. In a very real sense we back into the future hoping we don't get our behinds chewed off. We eagerly
seek new medicines for our physical ailments even before these have been thoroughly tested. But when
it comes to political, social, and economic changes upon which so much of our happiness depends, our
guiding philosophy seems to be, "Don't rock the boat." Well, the boat is rocking, and it's going to rema in
rocking for a long time. The only way to stop the boat from rocking is to use the scientific method of
thinking to guide us to social inventions that really work.

No one today has all the answers — or even the questions. But by means of careful experimen tation
and measurement of results, we can eventually determine what political, economic, and social changes
will give humanity freedom from war and want and will enable all people to live a more satisfying life.

For the first time in the history of man we can redesign both ourselves and our entire environment! By
manipulating our genes, we will be able to change the structure and function of our bodily organs in
almost any way that we desire. With a cybernated technology based on nuclear power, we can rede sign
our living areas, our cities, and our planet. And even the sky is not the limit. Eventually, the mind of a
man might profoundly change the planets of our solar system. Our galaxy and possibly the nebulae
beyond may feel our touch. Our only limitations are our intelligence and our creative imagination. Man
may now control his destiny!

Every intelligent citizen on this globe should be pondering these uncharted seas on which the ship of
humanity is now plunging ahead at full speed. Like Columbus, who set out on a daring voyage about a
half - millennium ago, we have only a few scraps of information plus our scientific and humanistic
intelligence to guide us. We must use these to the best of our ability to avoid the hell of atomic war. We
must somehow land ou rselves on a new shore where men and women may find themselves, where
blighted personality development will become the exception rather than the norm, where man's
inhumanity to man will be unknown, and where wars and want will be but a distant memory. Only then
will the spirit of man soar to its full, wonderful potential.

ActionScript [AS3]

Section 1
//BaseScrollPane (fl.containers.BaseScrollPane)
package fl.containers {
	import fl.controls.*;
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import flash.geom.*;
	import fl.events.*;

	public class BaseScrollPane extends UIComponent {

		protected var defaultLineScrollSize:Number;// = 4
		protected var _maxHorizontalScrollPosition:Number;// = 0
		protected var vScrollBar:Boolean;
		protected var disabledOverlay:Shape;
		protected var hScrollBar:Boolean;
		protected var availableWidth:Number;
		protected var _verticalPageScrollSize:Number;// = 0
		protected var vOffset:Number;// = 0
		protected var _verticalScrollBar:ScrollBar;
		protected var useFixedHorizontalScrolling:Boolean;// = false
		protected var contentWidth:Number;// = 0
		protected var contentHeight:Number;// = 0
		protected var _horizontalPageScrollSize:Number;// = 0
		protected var background:DisplayObject;
		protected var _useBitmpScrolling:Boolean;// = false
		protected var contentPadding:Number;// = 0
		protected var availableHeight:Number;
		protected var _horizontalScrollBar:ScrollBar;
		protected var contentScrollRect:Rectangle;
		protected var _horizontalScrollPolicy:String;
		protected var _verticalScrollPolicy:String;

		protected static const SCROLL_BAR_STYLES:Object = {upArrowDisabledSkin:"upArrowDisabledSkin", upArrowDownSkin:"upArrowDownSkin", upArrowOverSkin:"upArrowOverSkin", upArrowUpSkin:"upArrowUpSkin", downArrowDisabledSkin:"downArrowDisabledSkin", downArrowDownSkin:"downArrowDownSkin", downArrowOverSkin:"downArrowOverSkin", downArrowUpSkin:"downArrowUpSkin", thumbDisabledSkin:"thumbDisabledSkin", thumbDownSkin:"thumbDownSkin", thumbOverSkin:"thumbOverSkin", thumbUpSkin:"thumbUpSkin", thumbIcon:"thumbIcon", trackDisabledSkin:"trackDisabledSkin", trackDownSkin:"trackDownSkin", trackOverSkin:"trackOverSkin", trackUpSkin:"trackUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};

		private static var defaultStyles:Object = {repeatDelay:500, repeatInterval:35, skin:"ScrollPane_upSkin", contentPadding:0, disabledAlpha:0.5};

		public function BaseScrollPane(){
			contentWidth = 0;
			contentHeight = 0;
			contentPadding = 0;
			vOffset = 0;
			_maxHorizontalScrollPosition = 0;
			_horizontalPageScrollSize = 0;
			_verticalPageScrollSize = 0;
			defaultLineScrollSize = 4;
			useFixedHorizontalScrolling = false;
			_useBitmpScrolling = false;
			super();
		}
		protected function handleWheel(_arg1:MouseEvent):void{
			if (((((!(enabled)) || (!(_verticalScrollBar.visible)))) || ((contentHeight <= availableHeight)))){
				return;
			};
			_verticalScrollBar.scrollPosition = (_verticalScrollBar.scrollPosition - (_arg1.delta * verticalLineScrollSize));
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition);
			dispatchEvent(new ScrollEvent(ScrollBarDirection.VERTICAL, _arg1.delta, horizontalScrollPosition));
		}
		public function get verticalScrollPosition():Number{
			return (_verticalScrollBar.scrollPosition);
		}
		protected function drawDisabledOverlay():void{
			if (enabled){
				if (contains(disabledOverlay)){
					removeChild(disabledOverlay);
				};
			} else {
				disabledOverlay.x = (disabledOverlay.y = contentPadding);
				disabledOverlay.width = availableWidth;
				disabledOverlay.height = availableHeight;
				disabledOverlay.alpha = (getStyleValue("disabledAlpha") as Number);
				addChild(disabledOverlay);
			};
		}
		public function set verticalScrollPosition(_arg1:Number):void{
			drawNow();
			_verticalScrollBar.scrollPosition = _arg1;
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition, false);
		}
		protected function setContentSize(_arg1:Number, _arg2:Number):void{
			if ((((((contentWidth == _arg1)) || (useFixedHorizontalScrolling))) && ((contentHeight == _arg2)))){
				return;
			};
			contentWidth = _arg1;
			contentHeight = _arg2;
			invalidate(InvalidationType.SIZE);
		}
		public function get horizontalScrollPosition():Number{
			return (_horizontalScrollBar.scrollPosition);
		}
		public function get horizontalScrollBar():ScrollBar{
			return (_horizontalScrollBar);
		}
		override public function set enabled(_arg1:Boolean):void{
			if (enabled == _arg1){
				return;
			};
			_verticalScrollBar.enabled = _arg1;
			_horizontalScrollBar.enabled = _arg1;
			super.enabled = _arg1;
		}
		public function get verticalLineScrollSize():Number{
			return (_verticalScrollBar.lineScrollSize);
		}
		public function get horizontalScrollPolicy():String{
			return (_horizontalScrollPolicy);
		}
		protected function calculateAvailableSize():void{
			var _local1:Number;
			var _local2:Number;
			var _local3:Number;
			var _local4:Number;
			var _local5:Number;
			_local1 = ScrollBar.WIDTH;
			_local2 = (contentPadding = Number(getStyleValue("contentPadding")));
			_local3 = ((height - (2 * _local2)) - vOffset);
			vScrollBar = (((_verticalScrollPolicy == ScrollPolicy.ON)) || ((((_verticalScrollPolicy == ScrollPolicy.AUTO)) && ((contentHeight > _local3)))));
			_local4 = ((width - (vScrollBar) ? _local1 : 0) - (2 * _local2));
			_local5 = (useFixedHorizontalScrolling) ? _maxHorizontalScrollPosition : (contentWidth - _local4);
			hScrollBar = (((_horizontalScrollPolicy == ScrollPolicy.ON)) || ((((_horizontalScrollPolicy == ScrollPolicy.AUTO)) && ((_local5 > 0)))));
			if (hScrollBar){
				_local3 = (_local3 - _local1);
			};
			if (((((((hScrollBar) && (!(vScrollBar)))) && ((_verticalScrollPolicy == ScrollPolicy.AUTO)))) && ((contentHeight > _local3)))){
				vScrollBar = true;
				_local4 = (_local4 - _local1);
			};
			availableHeight = (_local3 + vOffset);
			availableWidth = _local4;
		}
		public function get maxVerticalScrollPosition():Number{
			drawNow();
			return (Math.max(0, (contentHeight - availableHeight)));
		}
		public function set horizontalScrollPosition(_arg1:Number):void{
			drawNow();
			_horizontalScrollBar.scrollPosition = _arg1;
			setHorizontalScrollPosition(_horizontalScrollBar.scrollPosition, false);
		}
		public function get horizontalLineScrollSize():Number{
			return (_horizontalScrollBar.lineScrollSize);
		}
		public function set verticalPageScrollSize(_arg1:Number):void{
			_verticalPageScrollSize = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function get verticalScrollPolicy():String{
			return (_verticalScrollPolicy);
		}
		protected function setHorizontalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
		}
		public function get useBitmapScrolling():Boolean{
			return (_useBitmpScrolling);
		}
		protected function handleScroll(_arg1:ScrollEvent):void{
			if (_arg1.target == _verticalScrollBar){
				setVerticalScrollPosition(_arg1.position);
			} else {
				setHorizontalScrollPosition(_arg1.position);
			};
		}
		public function set verticalLineScrollSize(_arg1:Number):void{
			_verticalScrollBar.lineScrollSize = _arg1;
		}
		public function get verticalScrollBar():ScrollBar{
			return (_verticalScrollBar);
		}
		protected function setVerticalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
		}
		public function set horizontalPageScrollSize(_arg1:Number):void{
			_horizontalPageScrollSize = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		override protected function draw():void{
			if (isInvalid(InvalidationType.STYLES)){
				setStyles();
				drawBackground();
				if (contentPadding != getStyleValue("contentPadding")){
					invalidate(InvalidationType.SIZE, false);
				};
			};
			if (isInvalid(InvalidationType.SIZE, InvalidationType.STATE)){
				drawLayout();
			};
			updateChildren();
			super.draw();
		}
		public function set horizontalScrollPolicy(_arg1:String):void{
			_horizontalScrollPolicy = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		override protected function configUI():void{
			var _local1:Graphics;
			super.configUI();
			contentScrollRect = new Rectangle(0, 0, 85, 85);
			_verticalScrollBar = new ScrollBar();
			_verticalScrollBar.addEventListener(ScrollEvent.SCROLL, handleScroll, false, 0, true);
			_verticalScrollBar.visible = false;
			_verticalScrollBar.lineScrollSize = defaultLineScrollSize;
			addChild(_verticalScrollBar);
			copyStylesToChild(_verticalScrollBar, SCROLL_BAR_STYLES);
			_horizontalScrollBar = new ScrollBar();
			_horizontalScrollBar.direction = ScrollBarDirection.HORIZONTAL;
			_horizontalScrollBar.addEventListener(ScrollEvent.SCROLL, handleScroll, false, 0, true);
			_horizontalScrollBar.visible = false;
			_horizontalScrollBar.lineScrollSize = defaultLineScrollSize;
			addChild(_horizontalScrollBar);
			copyStylesToChild(_horizontalScrollBar, SCROLL_BAR_STYLES);
			disabledOverlay = new Shape();
			_local1 = disabledOverlay.graphics;
			_local1.beginFill(0xFFFFFF);
			_local1.drawRect(0, 0, width, height);
			_local1.endFill();
			addEventListener(MouseEvent.MOUSE_WHEEL, handleWheel, false, 0, true);
		}
		protected function calculateContentWidth():void{
		}
		public function get verticalPageScrollSize():Number{
			if (isNaN(availableHeight)){
				drawNow();
			};
			return (((((_verticalPageScrollSize == 0)) && (!(isNaN(availableHeight))))) ? availableHeight : _verticalPageScrollSize);
		}
		protected function drawLayout():void{
			calculateAvailableSize();
			calculateContentWidth();
			background.width = width;
			background.height = height;
			if (vScrollBar){
				_verticalScrollBar.visible = true;
				_verticalScrollBar.x = ((width - ScrollBar.WIDTH) - contentPadding);
				_verticalScrollBar.y = contentPadding;
				_verticalScrollBar.height = availableHeight;
			} else {
				_verticalScrollBar.visible = false;
			};
			_verticalScrollBar.setScrollProperties(availableHeight, 0, (contentHeight - availableHeight), verticalPageScrollSize);
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition, false);
			if (hScrollBar){
				_horizontalScrollBar.visible = true;
				_horizontalScrollBar.x = contentPadding;
				_horizontalScrollBar.y = ((height - ScrollBar.WIDTH) - contentPadding);
				_horizontalScrollBar.width = availableWidth;
			} else {
				_horizontalScrollBar.visible = false;
			};
			_horizontalScrollBar.setScrollProperties(availableWidth, 0, (useFixedHorizontalScrolling) ? _maxHorizontalScrollPosition : (contentWidth - availableWidth), horizontalPageScrollSize);
			setHorizontalScrollPosition(_horizontalScrollBar.scrollPosition, false);
			drawDisabledOverlay();
		}
		protected function drawBackground():void{
			var _local1:DisplayObject;
			_local1 = background;
			background = getDisplayObjectInstance(getStyleValue("skin"));
			background.width = width;
			background.height = height;
			addChildAt(background, 0);
			if (((!((_local1 == null))) && (!((_local1 == background))))){
				removeChild(_local1);
			};
		}
		public function set horizontalLineScrollSize(_arg1:Number):void{
			_horizontalScrollBar.lineScrollSize = _arg1;
		}
		public function get horizontalPageScrollSize():Number{
			if (isNaN(availableWidth)){
				drawNow();
			};
			return (((((_horizontalPageScrollSize == 0)) && (!(isNaN(availableWidth))))) ? availableWidth : _horizontalPageScrollSize);
		}
		public function get maxHorizontalScrollPosition():Number{
			drawNow();
			return (Math.max(0, (contentWidth - availableWidth)));
		}
		protected function setStyles():void{
			copyStylesToChild(_verticalScrollBar, SCROLL_BAR_STYLES);
			copyStylesToChild(_horizontalScrollBar, SCROLL_BAR_STYLES);
		}
		protected function updateChildren():void{
			_verticalScrollBar.enabled = (_horizontalScrollBar.enabled = enabled);
			_verticalScrollBar.drawNow();
			_horizontalScrollBar.drawNow();
		}
		public function set verticalScrollPolicy(_arg1:String):void{
			_verticalScrollPolicy = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function set useBitmapScrolling(_arg1:Boolean):void{
			_useBitmpScrolling = _arg1;
			invalidate(InvalidationType.STATE);
		}

		public static function getStyleDefinition():Object{
			return (mergeStyles(defaultStyles, ScrollBar.getStyleDefinition()));
		}

	}
}//package fl.containers 
Section 2
//ScrollPane (fl.containers.ScrollPane)
package fl.containers {
	import fl.controls.*;
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import fl.managers.*;
	import fl.events.*;
	import flash.net.*;
	import flash.system.*;
	import flash.ui.*;

	public class ScrollPane extends BaseScrollPane implements IFocusManagerComponent {

		protected var scrollDragHPos:Number;
		protected var loader:Loader;
		protected var yOffset:Number;
		protected var currentContent:Object;
		protected var xOffset:Number;
		protected var _source:Object;// = ""
		protected var scrollDragVPos:Number;
		protected var _scrollDrag:Boolean;// = false
		protected var contentClip:Sprite;

		private static var defaultStyles:Object = {upSkin:"ScrollPane_upSkin", disabledSkin:"ScrollPane_disabledSkin", focusRectSkin:null, focusRectPadding:null, contentPadding:0};

		public function ScrollPane(){
			_source = "";
			_scrollDrag = false;
			super();
		}
		public function get source():Object{
			return (_source);
		}
		public function set source(_arg1:Object):void{
			var _local2:*;
			clearContent();
			if (isLivePreview){
				return;
			};
			_source = _arg1;
			if ((((_source == "")) || ((_source == null)))){
				return;
			};
			currentContent = getDisplayObjectInstance(_arg1);
			if (currentContent != null){
				_local2 = contentClip.addChild((currentContent as DisplayObject));
				dispatchEvent(new Event(Event.INIT));
				update();
			} else {
				load(new URLRequest(_source.toString()));
			};
		}
		public function get bytesLoaded():Number{
			return (((((loader == null)) || ((loader.contentLoaderInfo == null)))) ? 0 : loader.contentLoaderInfo.bytesLoaded);
		}
		protected function doDrag(_arg1:MouseEvent):void{
			var _local2:*;
			var _local3:*;
			_local2 = (scrollDragVPos - (mouseY - yOffset));
			_verticalScrollBar.setScrollPosition(_local2);
			setVerticalScrollPosition(_verticalScrollBar.scrollPosition, true);
			_local3 = (scrollDragHPos - (mouseX - xOffset));
			_horizontalScrollBar.setScrollPosition(_local3);
			setHorizontalScrollPosition(_horizontalScrollBar.scrollPosition, true);
		}
		override protected function keyDownHandler(_arg1:KeyboardEvent):void{
			var _local2:int;
			_local2 = calculateAvailableHeight();
			switch (_arg1.keyCode){
				case Keyboard.DOWN:
					verticalScrollPosition++;
					break;
				case Keyboard.UP:
					verticalScrollPosition--;
					break;
				case Keyboard.RIGHT:
					horizontalScrollPosition++;
					break;
				case Keyboard.LEFT:
					horizontalScrollPosition--;
					break;
				case Keyboard.END:
					verticalScrollPosition = maxVerticalScrollPosition;
					break;
				case Keyboard.HOME:
					verticalScrollPosition = 0;
					break;
				case Keyboard.PAGE_UP:
					verticalScrollPosition = (verticalScrollPosition - _local2);
					break;
				case Keyboard.PAGE_DOWN:
					verticalScrollPosition = (verticalScrollPosition + _local2);
					break;
			};
		}
		protected function doStartDrag(_arg1:MouseEvent):void{
			if (!enabled){
				return;
			};
			xOffset = mouseX;
			yOffset = mouseY;
			scrollDragHPos = horizontalScrollPosition;
			scrollDragVPos = verticalScrollPosition;
			stage.addEventListener(MouseEvent.MOUSE_MOVE, doDrag, false, 0, true);
		}
		public function get content():DisplayObject{
			var _local1:Object;
			_local1 = currentContent;
			if ((_local1 is URLRequest)){
				_local1 = loader.content;
			};
			return ((_local1 as DisplayObject));
		}
		public function get percentLoaded():Number{
			if (loader != null){
				return (Math.round(((bytesLoaded / bytesTotal) * 100)));
			};
			return (0);
		}
		protected function endDrag(_arg1:MouseEvent):void{
			stage.removeEventListener(MouseEvent.MOUSE_MOVE, doDrag);
		}
		public function update():void{
			var _local1:DisplayObject;
			_local1 = contentClip.getChildAt(0);
			setContentSize(_local1.width, _local1.height);
		}
		override protected function setHorizontalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
			var _local3:*;
			_local3 = contentClip.scrollRect;
			_local3.x = _arg1;
			contentClip.scrollRect = _local3;
		}
		public function refreshPane():void{
			if ((_source is URLRequest)){
				_source = _source.url;
			};
			source = _source;
		}
		protected function passEvent(_arg1:Event):void{
			dispatchEvent(_arg1);
		}
		protected function calculateAvailableHeight():Number{
			var _local1:Number;
			_local1 = Number(getStyleValue("contentPadding"));
			return (((height - (_local1 * 2)) - ((((_horizontalScrollPolicy == ScrollPolicy.ON)) || ((((_horizontalScrollPolicy == ScrollPolicy.AUTO)) && ((_maxHorizontalScrollPosition > 0)))))) ? 15 : 0));
		}
		public function load(_arg1:URLRequest, _arg2:LoaderContext=null):void{
			if (_arg2 == null){
				_arg2 = new LoaderContext(false, ApplicationDomain.currentDomain);
			};
			clearContent();
			initLoader();
			currentContent = (_source = _arg1);
			loader.load(_arg1, _arg2);
		}
		override protected function handleScroll(_arg1:ScrollEvent):void{
			passEvent(_arg1);
			super.handleScroll(_arg1);
		}
		override protected function setVerticalScrollPosition(_arg1:Number, _arg2:Boolean=false):void{
			var _local3:*;
			_local3 = contentClip.scrollRect;
			_local3.y = _arg1;
			contentClip.scrollRect = _local3;
		}
		protected function initLoader():void{
			loader = new Loader();
			loader.contentLoaderInfo.addEventListener(ProgressEvent.PROGRESS, passEvent, false, 0, true);
			loader.contentLoaderInfo.addEventListener(Event.COMPLETE, onContentLoad, false, 0, true);
			loader.contentLoaderInfo.addEventListener(Event.INIT, passEvent, false, 0, true);
			contentClip.addChild(loader);
		}
		override protected function draw():void{
			if (isInvalid(InvalidationType.STYLES)){
				drawBackground();
			};
			if (isInvalid(InvalidationType.STATE)){
				setScrollDrag();
			};
			super.draw();
		}
		override protected function configUI():void{
			super.configUI();
			contentClip = new Sprite();
			addChild(contentClip);
			contentClip.scrollRect = contentScrollRect;
			_horizontalScrollPolicy = ScrollPolicy.AUTO;
			_verticalScrollPolicy = ScrollPolicy.AUTO;
		}
		public function set scrollDrag(_arg1:Boolean):void{
			_scrollDrag = _arg1;
			invalidate(InvalidationType.STATE);
		}
		protected function clearContent():void{
			if (contentClip.numChildren == 0){
				return;
			};
			contentClip.removeChildAt(0);
			currentContent = null;
			if (loader != null){
				try {
					loader.close();
				} catch(e) {
				};
				try {
					loader.unload();
				} catch(e) {
				};
				loader = null;
			};
		}
		override protected function drawLayout():void{
			super.drawLayout();
			contentScrollRect = contentClip.scrollRect;
			contentScrollRect.width = availableWidth;
			contentScrollRect.height = availableHeight;
			contentClip.cacheAsBitmap = useBitmapScrolling;
			contentClip.scrollRect = contentScrollRect;
			contentClip.x = (contentClip.y = contentPadding);
		}
		override protected function drawBackground():void{
			var _local1:DisplayObject;
			_local1 = background;
			background = getDisplayObjectInstance(getStyleValue((enabled) ? "upSkin" : "disabledSkin"));
			background.width = width;
			background.height = height;
			addChildAt(background, 0);
			if (((!((_local1 == null))) && (!((_local1 == background))))){
				removeChild(_local1);
			};
		}
		public function get bytesTotal():Number{
			return (((((loader == null)) || ((loader.contentLoaderInfo == null)))) ? 0 : loader.contentLoaderInfo.bytesTotal);
		}
		protected function onContentLoad(_arg1:Event):void{
			var _local2:*;
			update();
			_local2 = calculateAvailableHeight();
			calculateAvailableSize();
			horizontalScrollBar.setScrollProperties(availableWidth, 0, (useFixedHorizontalScrolling) ? _maxHorizontalScrollPosition : (contentWidth - availableWidth), availableWidth);
			verticalScrollBar.setScrollProperties(_local2, 0, (contentHeight - _local2), _local2);
			passEvent(_arg1);
		}
		public function get scrollDrag():Boolean{
			return (_scrollDrag);
		}
		protected function setScrollDrag():void{
			if (_scrollDrag){
				contentClip.addEventListener(MouseEvent.MOUSE_DOWN, doStartDrag, false, 0, true);
				stage.addEventListener(MouseEvent.MOUSE_UP, endDrag, false, 0, true);
			} else {
				contentClip.removeEventListener(MouseEvent.MOUSE_DOWN, doStartDrag);
				stage.removeEventListener(MouseEvent.MOUSE_UP, endDrag);
				removeEventListener(MouseEvent.MOUSE_MOVE, doDrag);
			};
			contentClip.buttonMode = _scrollDrag;
		}

		public static function getStyleDefinition():Object{
			return (mergeStyles(defaultStyles, BaseScrollPane.getStyleDefinition()));
		}

	}
}//package fl.containers 
Section 3
//BaseButton (fl.controls.BaseButton)
package fl.controls {
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import flash.utils.*;
	import fl.events.*;

	public class BaseButton extends UIComponent {

		protected var _selected:Boolean;// = false
		private var unlockedMouseState:String;
		protected var pressTimer:Timer;
		protected var mouseState:String;
		protected var background:DisplayObject;
		private var _mouseStateLocked:Boolean;// = false
		protected var _autoRepeat:Boolean;// = false

		private static var defaultStyles:Object = {upSkin:"Button_upSkin", downSkin:"Button_downSkin", overSkin:"Button_overSkin", disabledSkin:"Button_disabledSkin", selectedDisabledSkin:"Button_selectedDisabledSkin", selectedUpSkin:"Button_selectedUpSkin", selectedDownSkin:"Button_selectedDownSkin", selectedOverSkin:"Button_selectedOverSkin", focusRectSkin:null, focusRectPadding:null, repeatDelay:500, repeatInterval:35};

		public function BaseButton(){
			_selected = false;
			_autoRepeat = false;
			_mouseStateLocked = false;
			super();
			buttonMode = true;
			mouseChildren = false;
			useHandCursor = false;
			setupMouseEvents();
			setMouseState("up");
			pressTimer = new Timer(1, 0);
			pressTimer.addEventListener(TimerEvent.TIMER, buttonDown, false, 0, true);
		}
		protected function endPress():void{
			pressTimer.reset();
		}
		public function set mouseStateLocked(_arg1:Boolean):void{
			_mouseStateLocked = _arg1;
			if (_arg1 == false){
				setMouseState(unlockedMouseState);
			} else {
				unlockedMouseState = mouseState;
			};
		}
		public function get autoRepeat():Boolean{
			return (_autoRepeat);
		}
		public function set autoRepeat(_arg1:Boolean):void{
			_autoRepeat = _arg1;
		}
		override public function set enabled(_arg1:Boolean):void{
			super.enabled = _arg1;
			mouseEnabled = _arg1;
		}
		public function get selected():Boolean{
			return (_selected);
		}
		protected function mouseEventHandler(_arg1:MouseEvent):void{
			if (_arg1.type == MouseEvent.MOUSE_DOWN){
				setMouseState("down");
				startPress();
			} else {
				if ((((_arg1.type == MouseEvent.ROLL_OVER)) || ((_arg1.type == MouseEvent.MOUSE_UP)))){
					setMouseState("over");
					endPress();
				} else {
					if (_arg1.type == MouseEvent.ROLL_OUT){
						setMouseState("up");
						endPress();
					};
				};
			};
		}
		public function setMouseState(_arg1:String):void{
			if (_mouseStateLocked){
				unlockedMouseState = _arg1;
				return;
			};
			if (mouseState == _arg1){
				return;
			};
			mouseState = _arg1;
			invalidate(InvalidationType.STATE);
		}
		protected function startPress():void{
			if (_autoRepeat){
				pressTimer.delay = Number(getStyleValue("repeatDelay"));
				pressTimer.start();
			};
			dispatchEvent(new ComponentEvent(ComponentEvent.BUTTON_DOWN, true));
		}
		protected function buttonDown(_arg1:TimerEvent):void{
			if (!_autoRepeat){
				endPress();
				return;
			};
			if (pressTimer.currentCount == 1){
				pressTimer.delay = Number(getStyleValue("repeatInterval"));
			};
			dispatchEvent(new ComponentEvent(ComponentEvent.BUTTON_DOWN, true));
		}
		public function set selected(_arg1:Boolean):void{
			if (_selected == _arg1){
				return;
			};
			_selected = _arg1;
			invalidate(InvalidationType.STATE);
		}
		override public function get enabled():Boolean{
			return (super.enabled);
		}
		override protected function draw():void{
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				drawBackground();
				invalidate(InvalidationType.SIZE, false);
			};
			if (isInvalid(InvalidationType.SIZE)){
				drawLayout();
			};
			super.draw();
		}
		protected function setupMouseEvents():void{
			addEventListener(MouseEvent.ROLL_OVER, mouseEventHandler, false, 0, true);
			addEventListener(MouseEvent.MOUSE_DOWN, mouseEventHandler, false, 0, true);
			addEventListener(MouseEvent.MOUSE_UP, mouseEventHandler, false, 0, true);
			addEventListener(MouseEvent.ROLL_OUT, mouseEventHandler, false, 0, true);
		}
		protected function drawLayout():void{
			background.width = width;
			background.height = height;
		}
		protected function drawBackground():void{
			var _local1:String;
			var _local2:DisplayObject;
			_local1 = (enabled) ? mouseState : "disabled";
			if (selected){
				_local1 = (("selected" + _local1.substr(0, 1).toUpperCase()) + _local1.substr(1));
			};
			_local1 = (_local1 + "Skin");
			_local2 = background;
			background = getDisplayObjectInstance(getStyleValue(_local1));
			addChildAt(background, 0);
			if (((!((_local2 == null))) && (!((_local2 == background))))){
				removeChild(_local2);
			};
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 4
//Button (fl.controls.Button)
package fl.controls {
	import flash.display.*;
	import fl.core.*;
	import fl.managers.*;

	public class Button extends LabelButton implements IFocusManagerComponent {

		protected var emphasizedBorder:DisplayObject;
		protected var _emphasized:Boolean;// = false

		private static var defaultStyles:Object = {emphasizedSkin:"Button_emphasizedSkin", emphasizedPadding:2};
		public static var createAccessibilityImplementation:Function;

		public function Button(){
			_emphasized = false;
			super();
		}
		override public function drawFocus(_arg1:Boolean):void{
			var _local2:Number;
			var _local3:*;
			super.drawFocus(_arg1);
			if (_arg1){
				_local2 = Number(getStyleValue("emphasizedPadding"));
				if ((((_local2 < 0)) || (!(_emphasized)))){
					_local2 = 0;
				};
				_local3 = getStyleValue("focusRectPadding");
				_local3 = ((_local3)==null) ? 2 : _local3;
				_local3 = (_local3 + _local2);
				uiFocusRect.x = -(_local3);
				uiFocusRect.y = -(_local3);
				uiFocusRect.width = (width + (_local3 * 2));
				uiFocusRect.height = (height + (_local3 * 2));
			};
		}
		public function set emphasized(_arg1:Boolean):void{
			_emphasized = _arg1;
			invalidate(InvalidationType.STYLES);
		}
		override protected function draw():void{
			if (((isInvalid(InvalidationType.STYLES)) || (isInvalid(InvalidationType.SIZE)))){
				drawEmphasized();
			};
			super.draw();
			if (emphasizedBorder != null){
				setChildIndex(emphasizedBorder, (numChildren - 1));
			};
		}
		public function get emphasized():Boolean{
			return (_emphasized);
		}
		override protected function initializeAccessibility():void{
			if (Button.createAccessibilityImplementation != null){
				Button.createAccessibilityImplementation(this);
			};
		}
		protected function drawEmphasized():void{
			var _local1:Object;
			var _local2:Number;
			if (emphasizedBorder != null){
				removeChild(emphasizedBorder);
			};
			emphasizedBorder = null;
			if (!_emphasized){
				return;
			};
			_local1 = getStyleValue("emphasizedSkin");
			if (_local1 != null){
				emphasizedBorder = getDisplayObjectInstance(_local1);
			};
			if (emphasizedBorder != null){
				addChildAt(emphasizedBorder, 0);
				_local2 = Number(getStyleValue("emphasizedPadding"));
				emphasizedBorder.x = (emphasizedBorder.y = -(_local2));
				emphasizedBorder.width = (width + (_local2 * 2));
				emphasizedBorder.height = (height + (_local2 * 2));
			};
		}

		public static function getStyleDefinition():Object{
			return (UIComponent.mergeStyles(LabelButton.getStyleDefinition(), defaultStyles));
		}

	}
}//package fl.controls 
Section 5
//ButtonLabelPlacement (fl.controls.ButtonLabelPlacement)
package fl.controls {

	public class ButtonLabelPlacement {

		public static const TOP:String = "top";
		public static const LEFT:String = "left";
		public static const BOTTOM:String = "bottom";
		public static const RIGHT:String = "right";

	}
}//package fl.controls 
Section 6
//Label (fl.controls.Label)
package fl.controls {
	import fl.core.*;
	import flash.text.*;
	import fl.events.*;

	public class Label extends UIComponent {

		protected var actualHeight:Number;
		protected var _html:Boolean;// = false
		protected var actualWidth:Number;
		protected var defaultLabel:String;// = "Label"
		protected var _savedHTML:String;
		public var textField:TextField;

		private static var defaultStyles:Object = {textFormat:null, embedFonts:false};

		public function Label(){
			defaultLabel = "Label";
			_html = false;
			super();
			text = defaultLabel;
			actualWidth = _width;
			actualHeight = _height;
		}
		public function get autoSize():String{
			return (textField.autoSize);
		}
		public function get selectable():Boolean{
			return (textField.selectable);
		}
		public function set text(_arg1:String):void{
			if (_arg1 == text){
				return;
			};
			if (((componentInspectorSetting) && ((_arg1 == defaultLabel)))){
				return;
			};
			_html = false;
			textField.text = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		public function get wordWrap():Boolean{
			return (textField.wordWrap);
		}
		public function set condenseWhite(_arg1:Boolean):void{
			textField.condenseWhite = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		public function set selectable(_arg1:Boolean):void{
			textField.selectable = _arg1;
		}
		public function set autoSize(_arg1:String):void{
			textField.autoSize = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function set wordWrap(_arg1:Boolean):void{
			textField.wordWrap = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		override public function get height():Number{
			if (((!((textField.autoSize == TextFieldAutoSize.NONE))) && (wordWrap))){
				return (_height);
			};
			return (actualHeight);
		}
		public function set htmlText(_arg1:String):void{
			if (_arg1 == htmlText){
				return;
			};
			if (((componentInspectorSetting) && ((_arg1 == "")))){
				return;
			};
			_html = true;
			_savedHTML = _arg1;
			textField.htmlText = _arg1;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				invalidate(InvalidationType.SIZE);
			};
		}
		public function get text():String{
			return (textField.text);
		}
		public function get condenseWhite():Boolean{
			return (textField.condenseWhite);
		}
		override protected function draw():void{
			var _local1:Object;
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				drawTextFormat();
				_local1 = getStyleValue("embedFonts");
				if (_local1 != null){
					textField.embedFonts = _local1;
				};
				if (textField.autoSize != TextFieldAutoSize.NONE){
					invalidate(InvalidationType.SIZE, false);
				};
			};
			if (isInvalid(InvalidationType.SIZE)){
				drawLayout();
			};
			super.draw();
		}
		override protected function configUI():void{
			super.configUI();
			textField = new TextField();
			addChild(textField);
			textField.type = TextFieldType.DYNAMIC;
			textField.selectable = false;
			textField.wordWrap = false;
		}
		public function get htmlText():String{
			return (textField.htmlText);
		}
		override public function setSize(_arg1:Number, _arg2:Number):void{
			actualWidth = _arg1;
			actualHeight = _arg2;
			super.setSize(_arg1, _arg2);
		}
		override public function set width(_arg1:Number):void{
			actualWidth = _arg1;
			super.width = _arg1;
		}
		protected function drawLayout():void{
			var _local1:Boolean;
			var _local2:Number;
			var _local3:Number;
			_local1 = false;
			textField.width = width;
			textField.height = height;
			if (textField.autoSize != TextFieldAutoSize.NONE){
				_local2 = textField.width;
				_local3 = textField.height;
				_local1 = ((!((_width == _local2))) || (!((_height == _local3))));
				_width = _local2;
				_height = _local3;
				switch (textField.autoSize){
					case TextFieldAutoSize.CENTER:
						textField.x = ((actualWidth / 2) - (textField.width / 2));
						break;
					case TextFieldAutoSize.LEFT:
						textField.x = 0;
						break;
					case TextFieldAutoSize.RIGHT:
						textField.x = -((textField.width - actualWidth));
						break;
				};
			} else {
				textField.width = actualWidth;
				textField.height = actualHeight;
				textField.x = 0;
			};
			if (_local1){
				dispatchEvent(new ComponentEvent(ComponentEvent.RESIZE, true));
			};
		}
		override public function get width():Number{
			if (((!((textField.autoSize == TextFieldAutoSize.NONE))) && (!(wordWrap)))){
				return (_width);
			};
			return (actualWidth);
		}
		protected function drawTextFormat():void{
			var _local1:TextFormat;
			var _local2:Object;
			_local1 = (getStyleValue("textFormat") as TextFormat);
			if (_local1 == null){
				_local2 = UIComponent.getStyleDefinition();
				_local1 = (enabled) ? (_local2.defaultTextFormat as TextFormat) : (_local2.defaultDisabledTextFormat as TextFormat);
			};
			textField.defaultTextFormat = _local1;
			textField.setTextFormat(_local1);
			if (((_html) && (!((_savedHTML == null))))){
				htmlText = _savedHTML;
			};
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 7
//LabelButton (fl.controls.LabelButton)
package fl.controls {
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.text.*;
	import fl.events.*;
	import flash.ui.*;

	public class LabelButton extends BaseButton implements IFocusManagerComponent {

		protected var _labelPlacement:String;// = "right"
		protected var _toggle:Boolean;// = false
		protected var icon:DisplayObject;
		protected var oldMouseState:String;
		protected var mode:String;// = "center"
		public var textField:TextField;
		protected var _label:String;// = "Label"

		private static var defaultStyles:Object = {icon:null, upIcon:null, downIcon:null, overIcon:null, disabledIcon:null, selectedDisabledIcon:null, selectedUpIcon:null, selectedDownIcon:null, selectedOverIcon:null, textFormat:null, disabledTextFormat:null, textPadding:5, embedFonts:false};
		public static var createAccessibilityImplementation:Function;

		public function LabelButton(){
			_labelPlacement = ButtonLabelPlacement.RIGHT;
			_toggle = false;
			_label = "Label";
			mode = "center";
			super();
		}
		protected function toggleSelected(_arg1:MouseEvent):void{
			selected = !(selected);
			dispatchEvent(new Event(Event.CHANGE, true));
		}
		public function get labelPlacement():String{
			return (_labelPlacement);
		}
		override protected function keyDownHandler(_arg1:KeyboardEvent):void{
			if (!enabled){
				return;
			};
			if (_arg1.keyCode == Keyboard.SPACE){
				if (oldMouseState == null){
					oldMouseState = mouseState;
				};
				setMouseState("down");
				startPress();
			};
		}
		protected function setEmbedFont(){
			var _local1:Object;
			_local1 = getStyleValue("embedFonts");
			if (_local1 != null){
				textField.embedFonts = _local1;
			};
		}
		override protected function keyUpHandler(_arg1:KeyboardEvent):void{
			if (!enabled){
				return;
			};
			if (_arg1.keyCode == Keyboard.SPACE){
				setMouseState(oldMouseState);
				oldMouseState = null;
				endPress();
				dispatchEvent(new MouseEvent(MouseEvent.CLICK));
			};
		}
		override public function get selected():Boolean{
			return ((_toggle) ? _selected : false);
		}
		public function set labelPlacement(_arg1:String):void{
			_labelPlacement = _arg1;
			invalidate(InvalidationType.SIZE);
		}
		public function set toggle(_arg1:Boolean):void{
			if (((!(_arg1)) && (super.selected))){
				selected = false;
			};
			_toggle = _arg1;
			if (_toggle){
				addEventListener(MouseEvent.CLICK, toggleSelected, false, 0, true);
			} else {
				removeEventListener(MouseEvent.CLICK, toggleSelected);
			};
			invalidate(InvalidationType.STATE);
		}
		public function get label():String{
			return (_label);
		}
		override public function set selected(_arg1:Boolean):void{
			_selected = _arg1;
			if (_toggle){
				invalidate(InvalidationType.STATE);
			};
		}
		override protected function draw():void{
			if (textField.text != _label){
				label = _label;
			};
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				drawBackground();
				drawIcon();
				drawTextFormat();
				invalidate(InvalidationType.SIZE, false);
			};
			if (isInvalid(InvalidationType.SIZE)){
				drawLayout();
			};
			if (isInvalid(InvalidationType.SIZE, InvalidationType.STYLES)){
				if (((isFocused) && (focusManager.showFocusIndicator))){
					drawFocus(true);
				};
			};
			validate();
		}
		public function get toggle():Boolean{
			return (_toggle);
		}
		override protected function configUI():void{
			super.configUI();
			textField = new TextField();
			textField.type = TextFieldType.DYNAMIC;
			textField.selectable = false;
			addChild(textField);
		}
		override protected function drawLayout():void{
			var _local1:Number;
			var _local2:String;
			var _local3:Number;
			var _local4:Number;
			var _local5:Number;
			var _local6:Number;
			var _local7:Number;
			var _local8:Number;
			_local1 = Number(getStyleValue("textPadding"));
			_local2 = ((((icon == null)) && ((mode == "center")))) ? ButtonLabelPlacement.TOP : _labelPlacement;
			textField.height = (textField.textHeight + 4);
			_local3 = (textField.textWidth + 4);
			_local4 = (textField.textHeight + 4);
			_local5 = ((icon)==null) ? 0 : (icon.width + _local1);
			_local6 = ((icon)==null) ? 0 : (icon.height + _local1);
			textField.visible = (label.length > 0);
			if (icon != null){
				icon.x = Math.round(((width - icon.width) / 2));
				icon.y = Math.round(((height - icon.height) / 2));
			};
			if (textField.visible == false){
				textField.width = 0;
				textField.height = 0;
			} else {
				if ((((_local2 == ButtonLabelPlacement.BOTTOM)) || ((_local2 == ButtonLabelPlacement.TOP)))){
					_local7 = Math.max(0, Math.min(_local3, (width - (2 * _local1))));
					if ((height - 2) > _local4){
						_local8 = _local4;
					} else {
						_local8 = (height - 2);
					};
					_local3 = _local7;
					textField.width = _local3;
					_local4 = _local8;
					textField.height = _local4;
					textField.x = Math.round(((width - _local3) / 2));
					textField.y = Math.round(((((height - textField.height) - _local6) / 2) + ((_local2)==ButtonLabelPlacement.BOTTOM) ? _local6 : 0));
					if (icon != null){
						icon.y = Math.round(((_local2)==ButtonLabelPlacement.BOTTOM) ? (textField.y - _local6) : ((textField.y + textField.height) + _local1));
					};
				} else {
					_local7 = Math.max(0, Math.min(_local3, ((width - _local5) - (2 * _local1))));
					_local3 = _local7;
					textField.width = _local3;
					textField.x = Math.round(((((width - _local3) - _local5) / 2) + ((_local2)!=ButtonLabelPlacement.LEFT) ? _local5 : 0));
					textField.y = Math.round(((height - textField.height) / 2));
					if (icon != null){
						icon.x = Math.round(((_local2)!=ButtonLabelPlacement.LEFT) ? (textField.x - _local5) : ((textField.x + _local3) + _local1));
					};
				};
			};
			super.drawLayout();
		}
		override protected function initializeAccessibility():void{
			if (LabelButton.createAccessibilityImplementation != null){
				LabelButton.createAccessibilityImplementation(this);
			};
		}
		protected function drawIcon():void{
			var _local1:DisplayObject;
			var _local2:String;
			var _local3:Object;
			_local1 = icon;
			_local2 = (enabled) ? mouseState : "disabled";
			if (selected){
				_local2 = (("selected" + _local2.substr(0, 1).toUpperCase()) + _local2.substr(1));
			};
			_local2 = (_local2 + "Icon");
			_local3 = getStyleValue(_local2);
			if (_local3 == null){
				_local3 = getStyleValue("icon");
			};
			if (_local3 != null){
				icon = getDisplayObjectInstance(_local3);
			};
			if (icon != null){
				addChildAt(icon, 1);
			};
			if (((!((_local1 == null))) && (!((_local1 == icon))))){
				removeChild(_local1);
			};
		}
		public function set label(_arg1:String):void{
			_label = _arg1;
			if (textField.text != _label){
				textField.text = _label;
				dispatchEvent(new ComponentEvent(ComponentEvent.LABEL_CHANGE));
			};
			invalidate(InvalidationType.SIZE);
			invalidate(InvalidationType.STYLES);
		}
		protected function drawTextFormat():void{
			var _local1:Object;
			var _local2:TextFormat;
			var _local3:TextFormat;
			_local1 = UIComponent.getStyleDefinition();
			_local2 = (enabled) ? (_local1.defaultTextFormat as TextFormat) : (_local1.defaultDisabledTextFormat as TextFormat);
			textField.setTextFormat(_local2);
			_local3 = (getStyleValue((enabled) ? "textFormat" : "disabledTextFormat") as TextFormat);
			if (_local3 != null){
				textField.setTextFormat(_local3);
			} else {
				_local3 = _local2;
			};
			textField.defaultTextFormat = _local3;
			setEmbedFont();
		}

		public static function getStyleDefinition():Object{
			return (mergeStyles(defaultStyles, BaseButton.getStyleDefinition()));
		}

	}
}//package fl.controls 
Section 8
//RadioButton (fl.controls.RadioButton)
package fl.controls {
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.ui.*;

	public class RadioButton extends LabelButton implements IFocusManagerGroup {

		protected var _value:Object;
		protected var defaultGroupName:String;// = "RadioButtonGroup"
		protected var _group:RadioButtonGroup;

		private static var defaultStyles:Object = {icon:null, upIcon:"RadioButton_upIcon", downIcon:"RadioButton_downIcon", overIcon:"RadioButton_overIcon", disabledIcon:"RadioButton_disabledIcon", selectedDisabledIcon:"RadioButton_selectedDisabledIcon", selectedUpIcon:"RadioButton_selectedUpIcon", selectedDownIcon:"RadioButton_selectedDownIcon", selectedOverIcon:"RadioButton_selectedOverIcon", focusRectSkin:null, focusRectPadding:null, textFormat:null, disabledTextFormat:null, embedFonts:null, textPadding:5};
		public static var createAccessibilityImplementation:Function;

		public function RadioButton(){
			defaultGroupName = "RadioButtonGroup";
			super();
			mode = "border";
			groupName = defaultGroupName;
		}
		override public function drawFocus(_arg1:Boolean):void{
			var _local2:Number;
			super.drawFocus(_arg1);
			if (_arg1){
				_local2 = Number(getStyleValue("focusRectPadding"));
				uiFocusRect.x = (background.x - _local2);
				uiFocusRect.y = (background.y - _local2);
				uiFocusRect.width = (background.width + (_local2 * 2));
				uiFocusRect.height = (background.height + (_local2 * 2));
			};
		}
		private function setThis():void{
			var _local1:RadioButtonGroup;
			_local1 = _group;
			if (_local1 != null){
				if (_local1.selection != this){
					_local1.selection = this;
				};
			} else {
				super.selected = true;
			};
		}
		override public function get autoRepeat():Boolean{
			return (false);
		}
		override public function set autoRepeat(_arg1:Boolean):void{
		}
		protected function handleClick(_arg1:MouseEvent):void{
			if (_group == null){
				return;
			};
			_group.dispatchEvent(new MouseEvent(MouseEvent.CLICK, true));
		}
		override protected function keyDownHandler(_arg1:KeyboardEvent):void{
			switch (_arg1.keyCode){
				case Keyboard.DOWN:
					setNext(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.UP:
					setPrev(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.LEFT:
					setPrev(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.RIGHT:
					setNext(!(_arg1.ctrlKey));
					_arg1.stopPropagation();
					break;
				case Keyboard.SPACE:
					setThis();
					_toggle = false;
				default:
					super.keyDownHandler(_arg1);
					break;
			};
		}
		private function setNext(_arg1:Boolean=true):void{
			var _local2:RadioButtonGroup;
			var _local3:IFocusManager;
			var _local4:int;
			var _local5:Number;
			var _local6:int;
			var _local7:*;
			_local2 = _group;
			if (_local2 == null){
				return;
			};
			_local3 = focusManager;
			if (_local3){
				_local3.showFocusIndicator = true;
			};
			_local4 = _local2.getRadioButtonIndex(this);
			_local5 = _local2.numRadioButtons;
			_local6 = _local4;
			if (_local4 != -1){
				do  {
					_local6++;
					_local6 = ((_local6)>(_local2.numRadioButtons - 1)) ? 0 : _local6;
					_local7 = _local2.getRadioButtonAt(_local6);
					if (((_local7) && (_local7.enabled))){
						if (_arg1){
							_local2.selection = _local7;
						};
						_local7.setFocus();
						return;
					};
					if (((_arg1) && (!((_local2.getRadioButtonAt(_local6) == _local2.selection))))){
						_local2.selection = this;
					};
					this.drawFocus(true);
				} while (_local6 != _local4);
			};
		}
		public function get group():RadioButtonGroup{
			return (_group);
		}
		override protected function keyUpHandler(_arg1:KeyboardEvent):void{
			super.keyUpHandler(_arg1);
			if ((((_arg1.keyCode == Keyboard.SPACE)) && (!(_toggle)))){
				_toggle = true;
			};
		}
		override public function get selected():Boolean{
			return (super.selected);
		}
		override public function set toggle(_arg1:Boolean):void{
			throw (new Error("Warning: You cannot change a RadioButtons toggle."));
		}
		public function set value(_arg1:Object):void{
			_value = _arg1;
		}
		public function set group(_arg1:RadioButtonGroup):void{
			groupName = _arg1.name;
		}
		override public function set selected(_arg1:Boolean):void{
			if ((((_arg1 == false)) || (selected))){
				return;
			};
			if (_group != null){
				_group.selection = this;
			} else {
				super.selected = _arg1;
			};
		}
		override protected function draw():void{
			super.draw();
		}
		override public function get toggle():Boolean{
			return (true);
		}
		override protected function configUI():void{
			var _local1:Shape;
			var _local2:Graphics;
			super.configUI();
			super.toggle = true;
			_local1 = new Shape();
			_local2 = _local1.graphics;
			_local2.beginFill(0, 0);
			_local2.drawRect(0, 0, 100, 100);
			_local2.endFill();
			background = (_local1 as DisplayObject);
			addChildAt(background, 0);
			addEventListener(MouseEvent.CLICK, handleClick, false, 0, true);
		}
		public function set groupName(_arg1:String):void{
			if (_group != null){
				_group.removeRadioButton(this);
				_group.removeEventListener(Event.CHANGE, handleChange);
			};
			_group = ((_arg1)==null) ? null : RadioButtonGroup.getGroup(_arg1);
			if (_group != null){
				_group.addRadioButton(this);
				_group.addEventListener(Event.CHANGE, handleChange, false, 0, true);
			};
		}
		public function get value():Object{
			return (_value);
		}
		override protected function drawLayout():void{
			var _local1:Number;
			super.drawLayout();
			_local1 = Number(getStyleValue("textPadding"));
			switch (_labelPlacement){
				case ButtonLabelPlacement.RIGHT:
					icon.x = _local1;
					textField.x = (icon.x + (icon.width + _local1));
					background.width = ((textField.x + textField.width) + _local1);
					background.height = (Math.max(textField.height, icon.height) + (_local1 * 2));
					break;
				case ButtonLabelPlacement.LEFT:
					icon.x = ((width - icon.width) - _local1);
					textField.x = (((width - icon.width) - (_local1 * 2)) - textField.width);
					background.width = ((textField.width + icon.width) + (_local1 * 3));
					background.height = (Math.max(textField.height, icon.height) + (_local1 * 2));
					break;
				case ButtonLabelPlacement.TOP:
				case ButtonLabelPlacement.BOTTOM:
					background.width = (Math.max(textField.width, icon.width) + (_local1 * 2));
					background.height = ((textField.height + icon.height) + (_local1 * 3));
					break;
			};
			background.x = Math.min((icon.x - _local1), (textField.x - _local1));
			background.y = Math.min((icon.y - _local1), (textField.y - _local1));
		}
		override protected function drawBackground():void{
		}
		override protected function initializeAccessibility():void{
			if (RadioButton.createAccessibilityImplementation != null){
				RadioButton.createAccessibilityImplementation(this);
			};
		}
		public function get groupName():String{
			return (((_group)==null) ? null : _group.name);
		}
		private function setPrev(_arg1:Boolean=true):void{
			var _local2:RadioButtonGroup;
			var _local3:IFocusManager;
			var _local4:int;
			var _local5:int;
			var _local6:*;
			_local2 = _group;
			if (_local2 == null){
				return;
			};
			_local3 = focusManager;
			if (_local3){
				_local3.showFocusIndicator = true;
			};
			_local4 = _local2.getRadioButtonIndex(this);
			_local5 = _local4;
			if (_local4 != -1){
				do  {
					--_local5;
					_local5 = ((_local5)==-1) ? (_local2.numRadioButtons - 1) : _local5;
					_local6 = _local2.getRadioButtonAt(_local5);
					if (((_local6) && (_local6.enabled))){
						if (_arg1){
							_local2.selection = _local6;
						};
						_local6.setFocus();
						return;
					};
					if (((_arg1) && (!((_local2.getRadioButtonAt(_local5) == _local2.selection))))){
						_local2.selection = this;
					};
					this.drawFocus(true);
				} while (_local5 != _local4);
			};
		}
		protected function handleChange(_arg1:Event):void{
			super.selected = (_group.selection == this);
			dispatchEvent(new Event(Event.CHANGE, true));
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 9
//RadioButtonGroup (fl.controls.RadioButtonGroup)
package fl.controls {
	import flash.events.*;

	public class RadioButtonGroup extends EventDispatcher {

		protected var _selection:RadioButton;
		protected var radioButtons:Array;
		protected var _name:String;

		private static var groups:Object;
		private static var groupCount:uint = 0;

		public function RadioButtonGroup(_arg1:String){
			_name = _arg1;
			radioButtons = [];
			registerGroup(this);
		}
		public function getRadioButtonIndex(_arg1:RadioButton):int{
			var _local2:int;
			var _local3:RadioButton;
			_local2 = 0;
			while (_local2 < radioButtons.length) {
				_local3 = (radioButtons[_local2] as RadioButton);
				if (_local3 == _arg1){
					return (_local2);
				};
				_local2++;
			};
			return (-1);
		}
		public function get numRadioButtons():int{
			return (radioButtons.length);
		}
		public function get name():String{
			return (_name);
		}
		public function get selection():RadioButton{
			return (_selection);
		}
		public function set selection(_arg1:RadioButton):void{
			if ((((((_selection == _arg1)) || ((_arg1 == null)))) || ((getRadioButtonIndex(_arg1) == -1)))){
				return;
			};
			_selection = _arg1;
			dispatchEvent(new Event(Event.CHANGE, true));
		}
		public function set selectedData(_arg1:Object):void{
			var _local2:int;
			var _local3:RadioButton;
			_local2 = 0;
			while (_local2 < radioButtons.length) {
				_local3 = (radioButtons[_local2] as RadioButton);
				if (_local3.value == _arg1){
					selection = _local3;
					return;
				};
				_local2++;
			};
		}
		public function removeRadioButton(_arg1:RadioButton):void{
			var _local2:int;
			_local2 = getRadioButtonIndex(_arg1);
			if (_local2 != -1){
				radioButtons.splice(_local2, 1);
			};
			if (_selection == _arg1){
				_selection = null;
			};
		}
		public function addRadioButton(_arg1:RadioButton):void{
			if (_arg1.groupName != name){
				_arg1.groupName = name;
				return;
			};
			radioButtons.push(_arg1);
			if (_arg1.selected){
				selection = _arg1;
			};
		}
		public function getRadioButtonAt(_arg1:int):RadioButton{
			return (RadioButton(radioButtons[_arg1]));
		}
		public function get selectedData():Object{
			var _local1:RadioButton;
			_local1 = _selection;
			return (((_local1)==null) ? null : _local1.value);
		}

		public static function getGroup(_arg1:String):RadioButtonGroup{
			var _local2:RadioButtonGroup;
			if (groups == null){
				groups = {};
			};
			_local2 = (groups[_arg1] as RadioButtonGroup);
			if (_local2 == null){
				_local2 = new RadioButtonGroup(_arg1);
				if ((++groupCount % 20) == 0){
					cleanUpGroups();
				};
			};
			return (_local2);
		}
		private static function registerGroup(_arg1:RadioButtonGroup):void{
			if (groups == null){
				groups = {};
			};
			groups[_arg1.name] = _arg1;
		}
		private static function cleanUpGroups():void{
			var _local1:String;
			var _local2:RadioButtonGroup;
			for (_local1 in groups) {
				_local2 = (groups[_local1] as RadioButtonGroup);
				if (_local2.radioButtons.length == 0){
					delete groups[_local1];
				};
			};
		}

	}
}//package fl.controls 
Section 10
//ScrollBar (fl.controls.ScrollBar)
package fl.controls {
	import fl.core.*;
	import flash.events.*;
	import fl.events.*;

	public class ScrollBar extends UIComponent {

		private var _direction:String;// = "vertical"
		protected var inDrag:Boolean;// = false
		protected var upArrow:BaseButton;
		private var _pageScrollSize:Number;// = 0
		protected var downArrow:BaseButton;
		private var _pageSize:Number;// = 10
		private var thumbScrollOffset:Number;
		private var _maxScrollPosition:Number;// = 0
		private var _scrollPosition:Number;// = 0
		protected var track:BaseButton;
		private var _minScrollPosition:Number;// = 0
		private var _lineScrollSize:Number;// = 1
		protected var thumb:LabelButton;

		protected static const THUMB_STYLES:Object = {disabledSkin:"thumbDisabledSkin", downSkin:"thumbDownSkin", overSkin:"thumbOverSkin", upSkin:"thumbUpSkin", icon:"thumbIcon", textPadding:0};
		public static const WIDTH:Number = 15;
		protected static const DOWN_ARROW_STYLES:Object = {disabledSkin:"downArrowDisabledSkin", downSkin:"downArrowDownSkin", overSkin:"downArrowOverSkin", upSkin:"downArrowUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};
		protected static const UP_ARROW_STYLES:Object = {disabledSkin:"upArrowDisabledSkin", downSkin:"upArrowDownSkin", overSkin:"upArrowOverSkin", upSkin:"upArrowUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};
		protected static const TRACK_STYLES:Object = {disabledSkin:"trackDisabledSkin", downSkin:"trackDownSkin", overSkin:"trackOverSkin", upSkin:"trackUpSkin", repeatDelay:"repeatDelay", repeatInterval:"repeatInterval"};

		private static var defaultStyles:Object = {downArrowDisabledSkin:"ScrollArrowDown_disabledSkin", downArrowDownSkin:"ScrollArrowDown_downSkin", downArrowOverSkin:"ScrollArrowDown_overSkin", downArrowUpSkin:"ScrollArrowDown_upSkin", thumbDisabledSkin:"ScrollThumb_upSkin", thumbDownSkin:"ScrollThumb_downSkin", thumbOverSkin:"ScrollThumb_overSkin", thumbUpSkin:"ScrollThumb_upSkin", trackDisabledSkin:"ScrollTrack_skin", trackDownSkin:"ScrollTrack_skin", trackOverSkin:"ScrollTrack_skin", trackUpSkin:"ScrollTrack_skin", upArrowDisabledSkin:"ScrollArrowUp_disabledSkin", upArrowDownSkin:"ScrollArrowUp_downSkin", upArrowOverSkin:"ScrollArrowUp_overSkin", upArrowUpSkin:"ScrollArrowUp_upSkin", thumbIcon:"ScrollBar_thumbIcon", repeatDelay:500, repeatInterval:35};

		public function ScrollBar(){
			_pageSize = 10;
			_pageScrollSize = 0;
			_lineScrollSize = 1;
			_minScrollPosition = 0;
			_maxScrollPosition = 0;
			_scrollPosition = 0;
			_direction = ScrollBarDirection.VERTICAL;
			inDrag = false;
			super();
			setStyles();
			focusEnabled = false;
		}
		public function get minScrollPosition():Number{
			return (_minScrollPosition);
		}
		public function set minScrollPosition(_arg1:Number):void{
			setScrollProperties(_pageSize, _arg1, _maxScrollPosition);
		}
		public function setScrollPosition(_arg1:Number, _arg2:Boolean=true):void{
			var _local3:Number;
			_local3 = scrollPosition;
			_scrollPosition = Math.max(_minScrollPosition, Math.min(_maxScrollPosition, _arg1));
			if (_local3 == _scrollPosition){
				return;
			};
			if (_arg2){
				dispatchEvent(new ScrollEvent(_direction, (scrollPosition - _local3), scrollPosition));
			};
			updateThumb();
		}
		public function set scrollPosition(_arg1:Number):void{
			setScrollPosition(_arg1, true);
		}
		public function get pageScrollSize():Number{
			return (((_pageScrollSize)==0) ? _pageSize : _pageScrollSize);
		}
		public function set pageSize(_arg1:Number):void{
			if (_arg1 > 0){
				_pageSize = _arg1;
			};
		}
		public function setScrollProperties(_arg1:Number, _arg2:Number, _arg3:Number, _arg4:Number=0):void{
			this.pageSize = _arg1;
			_minScrollPosition = _arg2;
			_maxScrollPosition = _arg3;
			if (_arg4 >= 0){
				_pageScrollSize = _arg4;
			};
			enabled = (_maxScrollPosition > _minScrollPosition);
			setScrollPosition(_scrollPosition, false);
			updateThumb();
		}
		override public function set enabled(_arg1:Boolean):void{
			super.enabled = _arg1;
			downArrow.enabled = (track.enabled = (thumb.enabled = (upArrow.enabled = ((enabled) && ((_maxScrollPosition > _minScrollPosition))))));
			updateThumb();
		}
		protected function updateThumb():void{
			var _local1:Number;
			_local1 = ((_maxScrollPosition - _minScrollPosition) + _pageSize);
			if ((((((track.height <= 12)) || ((_maxScrollPosition <= _minScrollPosition)))) || ((((_local1 == 0)) || (isNaN(_local1)))))){
				thumb.height = 12;
				thumb.visible = false;
			} else {
				thumb.height = Math.max(13, ((_pageSize / _local1) * track.height));
				thumb.y = (track.y + ((track.height - thumb.height) * ((_scrollPosition - _minScrollPosition) / (_maxScrollPosition - _minScrollPosition))));
				thumb.visible = enabled;
			};
		}
		protected function thumbPressHandler(_arg1:MouseEvent):void{
			inDrag = true;
			thumbScrollOffset = (mouseY - thumb.y);
			thumb.mouseStateLocked = true;
			mouseChildren = false;
			stage.addEventListener(MouseEvent.MOUSE_MOVE, handleThumbDrag, false, 0, true);
			stage.addEventListener(MouseEvent.MOUSE_UP, thumbReleaseHandler, false, 0, true);
		}
		protected function thumbReleaseHandler(_arg1:MouseEvent):void{
			inDrag = false;
			mouseChildren = true;
			thumb.mouseStateLocked = false;
			stage.removeEventListener(MouseEvent.MOUSE_MOVE, handleThumbDrag);
			stage.removeEventListener(MouseEvent.MOUSE_UP, thumbReleaseHandler);
		}
		public function set pageScrollSize(_arg1:Number):void{
			if (_arg1 >= 0){
				_pageScrollSize = _arg1;
			};
		}
		protected function handleThumbDrag(_arg1:MouseEvent):void{
			var _local2:Number;
			_local2 = Math.max(0, Math.min((track.height - thumb.height), ((mouseY - track.y) - thumbScrollOffset)));
			setScrollPosition((((_local2 / (track.height - thumb.height)) * (_maxScrollPosition - _minScrollPosition)) + _minScrollPosition));
		}
		public function set direction(_arg1:String):void{
			var _local2:Boolean;
			if (_direction == _arg1){
				return;
			};
			_direction = _arg1;
			if (isLivePreview){
				return;
			};
			setScaleY(1);
			_local2 = (_direction == ScrollBarDirection.HORIZONTAL);
			if (((_local2) && (componentInspectorSetting))){
				if (rotation == 90){
					return;
				};
				setScaleX(-1);
				rotation = -90;
			};
			if (!componentInspectorSetting){
				if (((_local2) && ((rotation == 0)))){
					rotation = -90;
					setScaleX(-1);
				} else {
					if (((!(_local2)) && ((rotation == -90)))){
						rotation = 0;
						setScaleX(1);
					};
				};
			};
			invalidate(InvalidationType.SIZE);
		}
		public function set lineScrollSize(_arg1:Number):void{
			if (_arg1 > 0){
				_lineScrollSize = _arg1;
			};
		}
		override public function get height():Number{
			return (((_direction)==ScrollBarDirection.HORIZONTAL) ? super.width : super.height);
		}
		protected function scrollPressHandler(_arg1:ComponentEvent):void{
			var _local2:Number;
			var _local3:Number;
			_arg1.stopImmediatePropagation();
			if (_arg1.currentTarget == upArrow){
				setScrollPosition((_scrollPosition - _lineScrollSize));
			} else {
				if (_arg1.currentTarget == downArrow){
					setScrollPosition((_scrollPosition + _lineScrollSize));
				} else {
					_local2 = (((track.mouseY / track.height) * (_maxScrollPosition - _minScrollPosition)) + _minScrollPosition);
					_local3 = ((pageScrollSize)==0) ? pageSize : pageScrollSize;
					if (_scrollPosition < _local2){
						setScrollPosition(Math.min(_local2, (_scrollPosition + _local3)));
					} else {
						if (_scrollPosition > _local2){
							setScrollPosition(Math.max(_local2, (_scrollPosition - _local3)));
						};
					};
				};
			};
		}
		public function get pageSize():Number{
			return (_pageSize);
		}
		public function set maxScrollPosition(_arg1:Number):void{
			setScrollProperties(_pageSize, _minScrollPosition, _arg1);
		}
		public function get scrollPosition():Number{
			return (_scrollPosition);
		}
		override public function get enabled():Boolean{
			return (super.enabled);
		}
		override protected function draw():void{
			var _local1:Number;
			if (isInvalid(InvalidationType.SIZE)){
				_local1 = super.height;
				downArrow.move(0, Math.max(upArrow.height, (_local1 - downArrow.height)));
				track.setSize(WIDTH, Math.max(0, (_local1 - (downArrow.height + upArrow.height))));
				updateThumb();
			};
			if (isInvalid(InvalidationType.STYLES, InvalidationType.STATE)){
				setStyles();
			};
			downArrow.drawNow();
			upArrow.drawNow();
			track.drawNow();
			thumb.drawNow();
			validate();
		}
		override protected function configUI():void{
			super.configUI();
			track = new BaseButton();
			track.move(0, 14);
			track.useHandCursor = false;
			track.autoRepeat = true;
			track.focusEnabled = false;
			addChild(track);
			thumb = new LabelButton();
			thumb.label = "";
			thumb.setSize(WIDTH, 15);
			thumb.move(0, 15);
			thumb.focusEnabled = false;
			addChild(thumb);
			downArrow = new BaseButton();
			downArrow.setSize(WIDTH, 14);
			downArrow.autoRepeat = true;
			downArrow.focusEnabled = false;
			addChild(downArrow);
			upArrow = new BaseButton();
			upArrow.setSize(WIDTH, 14);
			upArrow.move(0, 0);
			upArrow.autoRepeat = true;
			upArrow.focusEnabled = false;
			addChild(upArrow);
			upArrow.addEventListener(ComponentEvent.BUTTON_DOWN, scrollPressHandler, false, 0, true);
			downArrow.addEventListener(ComponentEvent.BUTTON_DOWN, scrollPressHandler, false, 0, true);
			track.addEventListener(ComponentEvent.BUTTON_DOWN, scrollPressHandler, false, 0, true);
			thumb.addEventListener(MouseEvent.MOUSE_DOWN, thumbPressHandler, false, 0, true);
			enabled = false;
		}
		public function get direction():String{
			return (_direction);
		}
		public function get lineScrollSize():Number{
			return (_lineScrollSize);
		}
		override public function setSize(_arg1:Number, _arg2:Number):void{
			if (_direction == ScrollBarDirection.HORIZONTAL){
				super.setSize(_arg2, _arg1);
			} else {
				super.setSize(_arg1, _arg2);
			};
		}
		public function get maxScrollPosition():Number{
			return (_maxScrollPosition);
		}
		override public function get width():Number{
			return (((_direction)==ScrollBarDirection.HORIZONTAL) ? super.height : super.width);
		}
		protected function setStyles():void{
			copyStylesToChild(downArrow, DOWN_ARROW_STYLES);
			copyStylesToChild(thumb, THUMB_STYLES);
			copyStylesToChild(track, TRACK_STYLES);
			copyStylesToChild(upArrow, UP_ARROW_STYLES);
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}

	}
}//package fl.controls 
Section 11
//ScrollBarDirection (fl.controls.ScrollBarDirection)
package fl.controls {

	public class ScrollBarDirection {

		public static const HORIZONTAL:String = "horizontal";
		public static const VERTICAL:String = "vertical";

	}
}//package fl.controls 
Section 12
//ScrollPolicy (fl.controls.ScrollPolicy)
package fl.controls {

	public class ScrollPolicy {

		public static const OFF:String = "off";
		public static const ON:String = "on";
		public static const AUTO:String = "auto";

	}
}//package fl.controls 
Section 13
//ComponentShim (fl.core.ComponentShim)
package fl.core {
	import flash.display.*;

	public dynamic class ComponentShim extends MovieClip {

	}
}//package fl.core 
Section 14
//InvalidationType (fl.core.InvalidationType)
package fl.core {

	public class InvalidationType {

		public static const SIZE:String = "size";
		public static const ALL:String = "all";
		public static const DATA:String = "data";
		public static const SCROLL:String = "scroll";
		public static const STATE:String = "state";
		public static const STYLES:String = "styles";
		public static const SELECTED:String = "selected";
		public static const RENDERER_STYLES:String = "rendererStyles";

	}
}//package fl.core 
Section 15
//UIComponent (fl.core.UIComponent)
package fl.core {
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.utils.*;
	import flash.text.*;
	import fl.events.*;
	import flash.system.*;

	public class UIComponent extends Sprite {

		protected var _enabled:Boolean;// = true
		private var _mouseFocusEnabled:Boolean;// = true
		protected var startHeight:Number;
		protected var _height:Number;
		protected var _oldIMEMode:String;// = null
		protected var startWidth:Number;
		public var focusTarget:IFocusManagerComponent;
		protected var errorCaught:Boolean;// = false
		protected var uiFocusRect:DisplayObject;
		protected var _width:Number;
		public var version:String;// = "3.0.0.15"
		protected var isFocused:Boolean;// = false
		protected var callLaterMethods:Dictionary;
		private var _focusEnabled:Boolean;// = true
		private var tempText:TextField;
		protected var invalidateFlag:Boolean;// = false
		protected var _inspector:Boolean;// = false
		protected var sharedStyles:Object;
		protected var invalidHash:Object;
		protected var isLivePreview:Boolean;// = false
		protected var _imeMode:String;// = null
		protected var instanceStyles:Object;
		protected var _x:Number;
		protected var _y:Number;

		public static var inCallLaterPhase:Boolean = false;
		private static var defaultStyles:Object = {focusRectSkin:"focusRectSkin", focusRectPadding:2, textFormat:new TextFormat("_sans", 11, 0, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0), disabledTextFormat:new TextFormat("_sans", 11, 0x999999, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0), defaultTextFormat:new TextFormat("_sans", 11, 0, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0), defaultDisabledTextFormat:new TextFormat("_sans", 11, 0x999999, false, false, false, "", "", TextFormatAlign.LEFT, 0, 0, 0, 0)};
		public static var createAccessibilityImplementation:Function;
		private static var focusManagers:Dictionary = new Dictionary(false);

		public function UIComponent(){
			version = "3.0.0.15";
			isLivePreview = false;
			invalidateFlag = false;
			_enabled = true;
			isFocused = false;
			_focusEnabled = true;
			_mouseFocusEnabled = true;
			_imeMode = null;
			_oldIMEMode = null;
			errorCaught = false;
			_inspector = false;
			super();
			instanceStyles = {};
			sharedStyles = {};
			invalidHash = {};
			callLaterMethods = new Dictionary();
			StyleManager.registerInstance(this);
			configUI();
			invalidate(InvalidationType.ALL);
			tabEnabled = (this is IFocusManagerComponent);
			focusRect = false;
			if (tabEnabled){
				addEventListener(FocusEvent.FOCUS_IN, focusInHandler);
				addEventListener(FocusEvent.FOCUS_OUT, focusOutHandler);
				addEventListener(KeyboardEvent.KEY_DOWN, keyDownHandler);
				addEventListener(KeyboardEvent.KEY_UP, keyUpHandler);
			};
			initializeFocusManager();
			addEventListener(Event.ENTER_FRAME, hookAccessibility, false, 0, true);
		}
		public function drawFocus(_arg1:Boolean):void{
			var _local2:Number;
			isFocused = _arg1;
			if (((!((uiFocusRect == null))) && (contains(uiFocusRect)))){
				removeChild(uiFocusRect);
				uiFocusRect = null;
			};
			if (_arg1){
				uiFocusRect = (getDisplayObjectInstance(getStyleValue("focusRectSkin")) as Sprite);
				if (uiFocusRect == null){
					return;
				};
				_local2 = Number(getStyleValue("focusRectPadding"));
				uiFocusRect.x = -(_local2);
				uiFocusRect.y = -(_local2);
				uiFocusRect.width = (width + (_local2 * 2));
				uiFocusRect.height = (height + (_local2 * 2));
				addChildAt(uiFocusRect, 0);
			};
		}
		private function callLaterDispatcher(_arg1:Event):void{
			var _local2:Dictionary;
			var _local3:Object;
			if (_arg1.type == Event.ADDED_TO_STAGE){
				removeEventListener(Event.ADDED_TO_STAGE, callLaterDispatcher);
				stage.addEventListener(Event.RENDER, callLaterDispatcher, false, 0, true);
				stage.invalidate();
				return;
			};
			_arg1.target.removeEventListener(Event.RENDER, callLaterDispatcher);
			if (stage == null){
				addEventListener(Event.ADDED_TO_STAGE, callLaterDispatcher, false, 0, true);
				return;
			};
			inCallLaterPhase = true;
			_local2 = callLaterMethods;
			for (_local3 in _local2) {
				_local3();
				delete _local2[_local3];
			};
			inCallLaterPhase = false;
		}
		private function addedHandler(_arg1:Event):void{
			removeEventListener("addedToStage", addedHandler);
			initializeFocusManager();
		}
		protected function getStyleValue(_arg1:String):Object{
			return (((instanceStyles[_arg1])==null) ? sharedStyles[_arg1] : instanceStyles[_arg1]);
		}
		protected function isOurFocus(_arg1:DisplayObject):Boolean{
			return ((_arg1 == this));
		}
		override public function get scaleX():Number{
			return ((width / startWidth));
		}
		override public function get scaleY():Number{
			return ((height / startHeight));
		}
		override public function set height(_arg1:Number):void{
			if (_height == _arg1){
				return;
			};
			setSize(width, _arg1);
		}
		protected function keyDownHandler(_arg1:KeyboardEvent):void{
		}
		protected function focusInHandler(_arg1:FocusEvent):void{
			var _local2:IFocusManager;
			if (isOurFocus((_arg1.target as DisplayObject))){
				_local2 = focusManager;
				if (((_local2) && (_local2.showFocusIndicator))){
					drawFocus(true);
					isFocused = true;
				};
			};
		}
		public function setStyle(_arg1:String, _arg2:Object):void{
			if ((((instanceStyles[_arg1] === _arg2)) && (!((_arg2 is TextFormat))))){
				return;
			};
			instanceStyles[_arg1] = _arg2;
			invalidate(InvalidationType.STYLES);
		}
		override public function get visible():Boolean{
			return (super.visible);
		}
		public function get componentInspectorSetting():Boolean{
			return (_inspector);
		}
		override public function get x():Number{
			return ((isNaN(_x)) ? super.x : _x);
		}
		override public function get y():Number{
			return ((isNaN(_y)) ? super.y : _y);
		}
		protected function setIMEMode(_arg1:Boolean){
			var enabled = _arg1;
			if (_imeMode != null){
				if (enabled){
					IME.enabled = true;
					_oldIMEMode = IME.conversionMode;
					try {
						if (((!(errorCaught)) && (!((IME.conversionMode == IMEConversionMode.UNKNOWN))))){
							IME.conversionMode = _imeMode;
						};
						errorCaught = false;
					} catch(e:Error) {
						errorCaught = true;
						throw (new Error(("IME mode not supported: " + _imeMode)));
					};
				} else {
					if (((!((IME.conversionMode == IMEConversionMode.UNKNOWN))) && (!((_oldIMEMode == IMEConversionMode.UNKNOWN))))){
						IME.conversionMode = _oldIMEMode;
					};
					IME.enabled = false;
				};
			};
		}
		public function set enabled(_arg1:Boolean):void{
			if (_arg1 == _enabled){
				return;
			};
			_enabled = _arg1;
			invalidate(InvalidationType.STATE);
		}
		public function setSharedStyle(_arg1:String, _arg2:Object):void{
			if ((((sharedStyles[_arg1] === _arg2)) && (!((_arg2 is TextFormat))))){
				return;
			};
			sharedStyles[_arg1] = _arg2;
			if (instanceStyles[_arg1] == null){
				invalidate(InvalidationType.STYLES);
			};
		}
		protected function keyUpHandler(_arg1:KeyboardEvent):void{
		}
		public function set focusEnabled(_arg1:Boolean):void{
			_focusEnabled = _arg1;
		}
		override public function set scaleX(_arg1:Number):void{
			setSize((startWidth * _arg1), height);
		}
		public function get mouseFocusEnabled():Boolean{
			return (_mouseFocusEnabled);
		}
		override public function set scaleY(_arg1:Number):void{
			setSize(width, (startHeight * _arg1));
		}
		protected function getDisplayObjectInstance(_arg1:Object):DisplayObject{
			var classDef:Object;
			var skin = _arg1;
			classDef = null;
			if ((skin is Class)){
				return ((new (skin) as DisplayObject));
			};
			if ((skin is DisplayObject)){
				(skin as DisplayObject).x = 0;
				(skin as DisplayObject).y = 0;
				return ((skin as DisplayObject));
			};
			try {
				classDef = getDefinitionByName(skin.toString());
			} catch(e:Error) {
				try {
					classDef = (loaderInfo.applicationDomain.getDefinition(skin.toString()) as Object);
				} catch(e:Error) {
				};
			};
			if (classDef == null){
				return (null);
			};
			return ((new (classDef) as DisplayObject));
		}
		protected function copyStylesToChild(_arg1:UIComponent, _arg2:Object):void{
			var _local3:String;
			for (_local3 in _arg2) {
				_arg1.setStyle(_local3, getStyleValue(_arg2[_local3]));
			};
		}
		protected function beforeComponentParameters():void{
		}
		protected function callLater(_arg1:Function):void{
			if (inCallLaterPhase){
				return;
			};
			callLaterMethods[_arg1] = true;
			if (stage != null){
				stage.addEventListener(Event.RENDER, callLaterDispatcher, false, 0, true);
				stage.invalidate();
			} else {
				addEventListener(Event.ADDED_TO_STAGE, callLaterDispatcher, false, 0, true);
			};
		}
		protected function createFocusManager():void{
			if (focusManagers[stage] == null){
				focusManagers[stage] = new FocusManager(stage);
			};
		}
		override public function set visible(_arg1:Boolean):void{
			var _local2:String;
			if (super.visible == _arg1){
				return;
			};
			super.visible = _arg1;
			_local2 = (_arg1) ? ComponentEvent.SHOW : ComponentEvent.HIDE;
			dispatchEvent(new ComponentEvent(_local2, true));
		}
		protected function hookAccessibility(_arg1:Event):void{
			removeEventListener(Event.ENTER_FRAME, hookAccessibility);
			initializeAccessibility();
		}
		public function set componentInspectorSetting(_arg1:Boolean):void{
			_inspector = _arg1;
			if (_inspector){
				beforeComponentParameters();
			} else {
				afterComponentParameters();
			};
		}
		override public function set x(_arg1:Number):void{
			move(_arg1, _y);
		}
		public function drawNow():void{
			draw();
		}
		override public function set y(_arg1:Number):void{
			move(_x, _arg1);
		}
		protected function checkLivePreview():Boolean{
			var className:String;
			if (parent == null){
				return (false);
			};
			try {
				className = getQualifiedClassName(parent);
			} catch(e:Error) {
			};
			return ((className == "fl.livepreview::LivePreviewParent"));
		}
		protected function focusOutHandler(_arg1:FocusEvent):void{
			if (isOurFocus((_arg1.target as DisplayObject))){
				drawFocus(false);
				isFocused = false;
			};
		}
		public function set mouseFocusEnabled(_arg1:Boolean):void{
			_mouseFocusEnabled = _arg1;
		}
		public function getFocus():InteractiveObject{
			if (stage){
				return (stage.focus);
			};
			return (null);
		}
		protected function validate():void{
			invalidHash = {};
		}
		override public function get height():Number{
			return (_height);
		}
		public function invalidate(_arg1:String="all", _arg2:Boolean=true):void{
			invalidHash[_arg1] = true;
			if (_arg2){
				this.callLater(draw);
			};
		}
		public function get enabled():Boolean{
			return (_enabled);
		}
		protected function getScaleX():Number{
			return (super.scaleX);
		}
		protected function getScaleY():Number{
			return (super.scaleY);
		}
		public function get focusEnabled():Boolean{
			return (_focusEnabled);
		}
		protected function afterComponentParameters():void{
		}
		protected function draw():void{
			if (isInvalid(InvalidationType.SIZE, InvalidationType.STYLES)){
				if (((isFocused) && (focusManager.showFocusIndicator))){
					drawFocus(true);
				};
			};
			validate();
		}
		protected function configUI():void{
			var _local1:Number;
			var _local2:Number;
			var _local3:Number;
			isLivePreview = checkLivePreview();
			_local1 = rotation;
			rotation = 0;
			_local2 = super.width;
			_local3 = super.height;
			var _local4 = 1;
			super.scaleY = _local4;
			super.scaleX = _local4;
			setSize(_local2, _local3);
			move(super.x, super.y);
			rotation = _local1;
			startWidth = _local2;
			startHeight = _local3;
			if (numChildren > 0){
				removeChildAt(0);
			};
		}
		protected function setScaleX(_arg1:Number):void{
			super.scaleX = _arg1;
		}
		protected function setScaleY(_arg1:Number):void{
			super.scaleY = _arg1;
		}
		private function initializeFocusManager():void{
			if (stage == null){
				addEventListener(Event.ADDED_TO_STAGE, addedHandler, false, 0, true);
			} else {
				createFocusManager();
			};
		}
		public function set focusManager(_arg1:IFocusManager):void{
			UIComponent.focusManagers[this] = _arg1;
		}
		public function clearStyle(_arg1:String):void{
			setStyle(_arg1, null);
		}
		protected function isInvalid(_arg1:String, ... _args):Boolean{
			if (((invalidHash[_arg1]) || (invalidHash[InvalidationType.ALL]))){
				return (true);
			};
			while (_args.length > 0) {
				if (invalidHash[_args.pop()]){
					return (true);
				};
			};
			return (false);
		}
		public function setSize(_arg1:Number, _arg2:Number):void{
			_width = _arg1;
			_height = _arg2;
			invalidate(InvalidationType.SIZE);
			dispatchEvent(new ComponentEvent(ComponentEvent.RESIZE, false));
		}
		override public function set width(_arg1:Number):void{
			if (_width == _arg1){
				return;
			};
			setSize(_arg1, height);
		}
		public function setFocus():void{
			if (stage){
				stage.focus = this;
			};
		}
		protected function initializeAccessibility():void{
			if (UIComponent.createAccessibilityImplementation != null){
				UIComponent.createAccessibilityImplementation(this);
			};
		}
		public function get focusManager():IFocusManager{
			var _local1:DisplayObject;
			_local1 = this;
			while (_local1) {
				if (UIComponent.focusManagers[_local1] != null){
					return (IFocusManager(UIComponent.focusManagers[_local1]));
				};
				_local1 = _local1.parent;
			};
			return (null);
		}
		override public function get width():Number{
			return (_width);
		}
		public function move(_arg1:Number, _arg2:Number):void{
			_x = _arg1;
			_y = _arg2;
			super.x = Math.round(_arg1);
			super.y = Math.round(_arg2);
			dispatchEvent(new ComponentEvent(ComponentEvent.MOVE));
		}
		public function validateNow():void{
			invalidate(InvalidationType.ALL, false);
			draw();
		}
		public function getStyle(_arg1:String):Object{
			return (instanceStyles[_arg1]);
		}

		public static function getStyleDefinition():Object{
			return (defaultStyles);
		}
		public static function mergeStyles(... _args):Object{
			var _local2:Object;
			var _local3:uint;
			var _local4:uint;
			var _local5:Object;
			var _local6:String;
			_local2 = {};
			_local3 = _args.length;
			_local4 = 0;
			while (_local4 < _local3) {
				_local5 = _args[_local4];
				for (_local6 in _local5) {
					if (_local2[_local6] != null){
					} else {
						_local2[_local6] = _args[_local4][_local6];
					};
				};
				_local4++;
			};
			return (_local2);
		}

	}
}//package fl.core 
Section 16
//ComponentEvent (fl.events.ComponentEvent)
package fl.events {
	import flash.events.*;

	public class ComponentEvent extends Event {

		public static const HIDE:String = "hide";
		public static const BUTTON_DOWN:String = "buttonDown";
		public static const MOVE:String = "move";
		public static const RESIZE:String = "resize";
		public static const ENTER:String = "enter";
		public static const LABEL_CHANGE:String = "labelChange";
		public static const SHOW:String = "show";

		public function ComponentEvent(_arg1:String, _arg2:Boolean=false, _arg3:Boolean=false){
			super(_arg1, _arg2, _arg3);
		}
		override public function toString():String{
			return (formatToString("ComponentEvent", "type", "bubbles", "cancelable"));
		}
		override public function clone():Event{
			return (new ComponentEvent(type, bubbles, cancelable));
		}

	}
}//package fl.events 
Section 17
//ScrollEvent (fl.events.ScrollEvent)
package fl.events {
	import flash.events.*;

	public class ScrollEvent extends Event {

		private var _position:Number;
		private var _direction:String;
		private var _delta:Number;

		public static const SCROLL:String = "scroll";

		public function ScrollEvent(_arg1:String, _arg2:Number, _arg3:Number){
			super(ScrollEvent.SCROLL, false, false);
			_direction = _arg1;
			_delta = _arg2;
			_position = _arg3;
		}
		override public function clone():Event{
			return (new ScrollEvent(_direction, _delta, _position));
		}
		public function get position():Number{
			return (_position);
		}
		override public function toString():String{
			return (formatToString("ScrollEvent", "type", "bubbles", "cancelable", "direction", "delta", "position"));
		}
		public function get delta():Number{
			return (_delta);
		}
		public function get direction():String{
			return (_direction);
		}

	}
}//package fl.events 
Section 18
//FocusManager (fl.managers.FocusManager)
package fl.managers {
	import fl.controls.*;
	import flash.display.*;
	import fl.core.*;
	import flash.events.*;
	import flash.utils.*;
	import flash.text.*;
	import flash.ui.*;

	public class FocusManager implements IFocusManager {

		private var focusableObjects:Dictionary;
		private var _showFocusIndicator:Boolean;// = true
		private var defButton:Button;
		private var focusableCandidates:Array;
		private var _form:DisplayObjectContainer;
		private var _defaultButtonEnabled:Boolean;// = true
		private var activated:Boolean;// = false
		private var _defaultButton:Button;
		private var calculateCandidates:Boolean;// = true
		private var lastFocus:InteractiveObject;
		private var lastAction:String;

		public function FocusManager(_arg1:DisplayObjectContainer){
			activated = false;
			calculateCandidates = true;
			_showFocusIndicator = true;
			_defaultButtonEnabled = true;
			super();
			focusableObjects = new Dictionary(true);
			if (_arg1 != null){
				_form = _arg1;
				addFocusables(DisplayObject(_arg1));
				_arg1.addEventListener(Event.ADDED, addedHandler);
				_arg1.addEventListener(Event.REMOVED, removedHandler);
				activate();
			};
		}
		public function get showFocusIndicator():Boolean{
			return (_showFocusIndicator);
		}
		private function getIndexOfNextObject(_arg1:int, _arg2:Boolean, _arg3:Boolean, _arg4:String):int{
			var _local5:int;
			var _local6:int;
			var _local7:DisplayObject;
			var _local8:IFocusManagerGroup;
			var _local9:int;
			var _local10:DisplayObject;
			var _local11:IFocusManagerGroup;
			_local5 = focusableCandidates.length;
			_local6 = _arg1;
			while (true) {
				if (_arg2){
					_arg1--;
				} else {
					_arg1++;
				};
				if (_arg3){
					if (((_arg2) && ((_arg1 < 0)))){
						break;
					};
					if (((!(_arg2)) && ((_arg1 == _local5)))){
						break;
					};
				} else {
					_arg1 = ((_arg1 + _local5) % _local5);
					if (_local6 == _arg1){
						break;
					};
				};
				if (isValidFocusCandidate(focusableCandidates[_arg1], _arg4)){
					_local7 = DisplayObject(findFocusManagerComponent(focusableCandidates[_arg1]));
					if ((_local7 is IFocusManagerGroup)){
						_local8 = IFocusManagerGroup(_local7);
						_local9 = 0;
						while (_local9 < focusableCandidates.length) {
							_local10 = focusableCandidates[_local9];
							if ((_local10 is IFocusManagerGroup)){
								_local11 = IFocusManagerGroup(_local10);
								if ((((_local11.groupName == _local8.groupName)) && (_local11.selected))){
									_arg1 = _local9;
									break;
								};
							};
							_local9++;
						};
					};
					return (_arg1);
				};
			};
			return (_arg1);
		}
		public function set form(_arg1:DisplayObjectContainer):void{
			_form = _arg1;
		}
		private function addFocusables(_arg1:DisplayObject, _arg2:Boolean=false):void{
			var focusable:IFocusManagerComponent;
			var io:InteractiveObject;
			var doc:DisplayObjectContainer;
			var i:int;
			var child:DisplayObject;
			var o = _arg1;
			var skipTopLevel = _arg2;
			if (!skipTopLevel){
				if ((o is IFocusManagerComponent)){
					focusable = IFocusManagerComponent(o);
					if (focusable.focusEnabled){
						if (((focusable.tabEnabled) && (isTabVisible(o)))){
							focusableObjects[o] = true;
							calculateCandidates = true;
						};
						o.addEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
						o.addEventListener(Event.TAB_INDEX_CHANGE, tabIndexChangeHandler);
					};
				} else {
					if ((o is InteractiveObject)){
						io = (o as InteractiveObject);
						if (((((io) && (io.tabEnabled))) && ((findFocusManagerComponent(io) == io)))){
							focusableObjects[io] = true;
							calculateCandidates = true;
						};
						io.addEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
						io.addEventListener(Event.TAB_INDEX_CHANGE, tabIndexChangeHandler);
					};
				};
			};
			if ((o is DisplayObjectContainer)){
				doc = DisplayObjectContainer(o);
				o.addEventListener(Event.TAB_CHILDREN_CHANGE, tabChildrenChangeHandler);
				if ((((((doc is Stage)) || ((doc.parent is Stage)))) || (doc.tabChildren))){
					i = 0;
					while (i < doc.numChildren) {
						try {
							child = doc.getChildAt(i);
							if (child != null){
								addFocusables(doc.getChildAt(i));
							};
						} catch(error:SecurityError) {
						};
						i = (i + 1);
					};
				};
			};
		}
		private function getChildIndex(_arg1:DisplayObjectContainer, _arg2:DisplayObject):int{
			return (_arg1.getChildIndex(_arg2));
		}
		private function mouseFocusChangeHandler(_arg1:FocusEvent):void{
			if ((_arg1.relatedObject is TextField)){
				return;
			};
			_arg1.preventDefault();
		}
		private function focusOutHandler(_arg1:FocusEvent):void{
			var _local2:InteractiveObject;
			_local2 = (_arg1.target as InteractiveObject);
		}
		private function isValidFocusCandidate(_arg1:DisplayObject, _arg2:String):Boolean{
			var _local3:IFocusManagerGroup;
			if (!isEnabledAndVisible(_arg1)){
				return (false);
			};
			if ((_arg1 is IFocusManagerGroup)){
				_local3 = IFocusManagerGroup(_arg1);
				if (_arg2 == _local3.groupName){
					return (false);
				};
			};
			return (true);
		}
		public function findFocusManagerComponent(_arg1:InteractiveObject):InteractiveObject{
			var _local2:InteractiveObject;
			_local2 = _arg1;
			while (_arg1) {
				if ((((_arg1 is IFocusManagerComponent)) && (IFocusManagerComponent(_arg1).focusEnabled))){
					return (_arg1);
				};
				_arg1 = _arg1.parent;
			};
			return (_local2);
		}
		private function sortFocusableObjectsTabIndex():void{
			var _local1:Object;
			var _local2:InteractiveObject;
			focusableCandidates = [];
			for (_local1 in focusableObjects) {
				_local2 = InteractiveObject(_local1);
				if (((_local2.tabIndex) && (!(isNaN(Number(_local2.tabIndex)))))){
					focusableCandidates.push(_local2);
				};
			};
			focusableCandidates.sort(sortByTabIndex);
		}
		private function removeFocusables(_arg1:DisplayObject):void{
			var _local2:Object;
			var _local3:DisplayObject;
			if ((_arg1 is DisplayObjectContainer)){
				_arg1.removeEventListener(Event.TAB_CHILDREN_CHANGE, tabChildrenChangeHandler);
				_arg1.removeEventListener(Event.TAB_INDEX_CHANGE, tabIndexChangeHandler);
				for (_local2 in focusableObjects) {
					_local3 = DisplayObject(_local2);
					if (DisplayObjectContainer(_arg1).contains(_local3)){
						if (_local3 == lastFocus){
							lastFocus = null;
						};
						_local3.removeEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
						delete focusableObjects[_local2];
						calculateCandidates = true;
					};
				};
			};
		}
		private function addedHandler(_arg1:Event):void{
			var _local2:DisplayObject;
			_local2 = DisplayObject(_arg1.target);
			if (_local2.stage){
				addFocusables(DisplayObject(_arg1.target));
			};
		}
		private function getTopLevelFocusTarget(_arg1:InteractiveObject):InteractiveObject{
			while (_arg1 != InteractiveObject(form)) {
				if ((((((((_arg1 is IFocusManagerComponent)) && (IFocusManagerComponent(_arg1).focusEnabled))) && (IFocusManagerComponent(_arg1).mouseFocusEnabled))) && (UIComponent(_arg1).enabled))){
					return (_arg1);
				};
				_arg1 = _arg1.parent;
				if (_arg1 == null){
					break;
				};
			};
			return (null);
		}
		private function tabChildrenChangeHandler(_arg1:Event):void{
			var _local2:DisplayObjectContainer;
			if (_arg1.target != _arg1.currentTarget){
				return;
			};
			calculateCandidates = true;
			_local2 = DisplayObjectContainer(_arg1.target);
			if (_local2.tabChildren){
				addFocusables(_local2, true);
			} else {
				removeFocusables(_local2);
			};
		}
		public function sendDefaultButtonEvent():void{
			defButton.dispatchEvent(new MouseEvent(MouseEvent.CLICK));
		}
		public function getFocus():InteractiveObject{
			var _local1:InteractiveObject;
			_local1 = form.stage.focus;
			return (findFocusManagerComponent(_local1));
		}
		private function isEnabledAndVisible(_arg1:DisplayObject):Boolean{
			var _local2:DisplayObjectContainer;
			var _local3:TextField;
			var _local4:SimpleButton;
			_local2 = DisplayObject(form).parent;
			while (_arg1 != _local2) {
				if ((_arg1 is UIComponent)){
					if (!UIComponent(_arg1).enabled){
						return (false);
					};
				} else {
					if ((_arg1 is TextField)){
						_local3 = TextField(_arg1);
						if ((((_local3.type == TextFieldType.DYNAMIC)) || (!(_local3.selectable)))){
							return (false);
						};
					} else {
						if ((_arg1 is SimpleButton)){
							_local4 = SimpleButton(_arg1);
							if (!_local4.enabled){
								return (false);
							};
						};
					};
				};
				if (!_arg1.visible){
					return (false);
				};
				_arg1 = _arg1.parent;
			};
			return (true);
		}
		public function set defaultButton(_arg1:Button):void{
			var _local2:Button;
			_local2 = (_arg1) ? Button(_arg1) : null;
			if (_local2 != _defaultButton){
				if (_defaultButton){
					_defaultButton.emphasized = false;
				};
				if (defButton){
					defButton.emphasized = false;
				};
				_defaultButton = _local2;
				defButton = _local2;
				if (_local2){
					_local2.emphasized = true;
				};
			};
		}
		private function deactivateHandler(_arg1:Event):void{
			var _local2:InteractiveObject;
			_local2 = InteractiveObject(_arg1.target);
		}
		public function setFocus(_arg1:InteractiveObject):void{
			if ((_arg1 is IFocusManagerComponent)){
				IFocusManagerComponent(_arg1).setFocus();
			} else {
				form.stage.focus = _arg1;
			};
		}
		private function setFocusToNextObject(_arg1:FocusEvent):void{
			var _local2:InteractiveObject;
			if (!hasFocusableObjects()){
				return;
			};
			_local2 = getNextFocusManagerComponent(_arg1.shiftKey);
			if (_local2){
				setFocus(_local2);
			};
		}
		private function hasFocusableObjects():Boolean{
			var _local1:Object;
			for (_local1 in focusableObjects) {
				return (true);
			};
			return (false);
		}
		private function tabIndexChangeHandler(_arg1:Event):void{
			calculateCandidates = true;
		}
		private function sortFocusableObjects():void{
			var _local1:Object;
			var _local2:InteractiveObject;
			focusableCandidates = [];
			for (_local1 in focusableObjects) {
				_local2 = InteractiveObject(_local1);
				if (((((_local2.tabIndex) && (!(isNaN(Number(_local2.tabIndex)))))) && ((_local2.tabIndex > 0)))){
					sortFocusableObjectsTabIndex();
					return;
				};
				focusableCandidates.push(_local2);
			};
			focusableCandidates.sort(sortByDepth);
		}
		private function keyFocusChangeHandler(_arg1:FocusEvent):void{
			showFocusIndicator = true;
			if ((((((_arg1.keyCode == Keyboard.TAB)) || ((_arg1.keyCode == 0)))) && (!(_arg1.isDefaultPrevented())))){
				setFocusToNextObject(_arg1);
				_arg1.preventDefault();
			};
		}
		private function getIndexOfFocusedObject(_arg1:DisplayObject):int{
			var _local2:int;
			var _local3:int;
			_local2 = focusableCandidates.length;
			_local3 = 0;
			_local3 = 0;
			while (_local3 < _local2) {
				if (focusableCandidates[_local3] == _arg1){
					return (_local3);
				};
				_local3++;
			};
			return (-1);
		}
		public function hideFocus():void{
		}
		private function removedHandler(_arg1:Event):void{
			var _local2:int;
			var _local3:DisplayObject;
			var _local4:InteractiveObject;
			_local3 = DisplayObject(_arg1.target);
			if ((((_local3 is IFocusManagerComponent)) && ((focusableObjects[_local3] == true)))){
				if (_local3 == lastFocus){
					IFocusManagerComponent(lastFocus).drawFocus(false);
					lastFocus = null;
				};
				_local3.removeEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
				delete focusableObjects[_local3];
				calculateCandidates = true;
			} else {
				if ((((_local3 is InteractiveObject)) && ((focusableObjects[_local3] == true)))){
					_local4 = (_local3 as InteractiveObject);
					if (_local4){
						if (_local4 == lastFocus){
							lastFocus = null;
						};
						delete focusableObjects[_local4];
						calculateCandidates = true;
					};
					_local3.addEventListener(Event.TAB_ENABLED_CHANGE, tabEnabledChangeHandler);
				};
			};
			removeFocusables(_local3);
		}
		private function sortByDepth(_arg1:InteractiveObject, _arg2:InteractiveObject):Number{
			var _local3:String;
			var _local4:String;
			var _local5:int;
			var _local6:String;
			var _local7:String;
			var _local8:String;
			var _local9:DisplayObject;
			var _local10:DisplayObject;
			_local3 = "";
			_local4 = "";
			_local8 = "0000";
			_local9 = DisplayObject(_arg1);
			_local10 = DisplayObject(_arg2);
			while (((!((_local9 == DisplayObject(form)))) && (_local9.parent))) {
				_local5 = getChildIndex(_local9.parent, _local9);
				_local6 = _local5.toString(16);
				if (_local6.length < 4){
					_local7 = (_local8.substring(0, (4 - _local6.length)) + _local6);
				};
				_local3 = (_local7 + _local3);
				_local9 = _local9.parent;
			};
			while (((!((_local10 == DisplayObject(form)))) && (_local10.parent))) {
				_local5 = getChildIndex(_local10.parent, _local10);
				_local6 = _local5.toString(16);
				if (_local6.length < 4){
					_local7 = (_local8.substring(0, (4 - _local6.length)) + _local6);
				};
				_local4 = (_local7 + _local4);
				_local10 = _local10.parent;
			};
			return (((_local3 > _local4)) ? 1 : ((_local3 < _local4)) ? -1 : 0);
		}
		public function get defaultButton():Button{
			return (_defaultButton);
		}
		private function activateHandler(_arg1:Event):void{
			var _local2:InteractiveObject;
			_local2 = InteractiveObject(_arg1.target);
			if (lastFocus){
				if ((lastFocus is IFocusManagerComponent)){
					IFocusManagerComponent(lastFocus).setFocus();
				} else {
					form.stage.focus = lastFocus;
				};
			};
			lastAction = "ACTIVATE";
		}
		public function showFocus():void{
		}
		public function set defaultButtonEnabled(_arg1:Boolean):void{
			_defaultButtonEnabled = _arg1;
		}
		public function getNextFocusManagerComponent(_arg1:Boolean=false):InteractiveObject{
			var _local2:DisplayObject;
			var _local3:String;
			var _local4:int;
			var _local5:Boolean;
			var _local6:int;
			var _local7:int;
			var _local8:IFocusManagerGroup;
			if (!hasFocusableObjects()){
				return (null);
			};
			if (calculateCandidates){
				sortFocusableObjects();
				calculateCandidates = false;
			};
			_local2 = form.stage.focus;
			_local2 = DisplayObject(findFocusManagerComponent(InteractiveObject(_local2)));
			_local3 = "";
			if ((_local2 is IFocusManagerGroup)){
				_local8 = IFocusManagerGroup(_local2);
				_local3 = _local8.groupName;
			};
			_local4 = getIndexOfFocusedObject(_local2);
			_local5 = false;
			_local6 = _local4;
			if (_local4 == -1){
				if (_arg1){
					_local4 = focusableCandidates.length;
				};
				_local5 = true;
			};
			_local7 = getIndexOfNextObject(_local4, _arg1, _local5, _local3);
			return (findFocusManagerComponent(focusableCandidates[_local7]));
		}
		private function mouseDownHandler(_arg1:MouseEvent):void{
			var _local2:InteractiveObject;
			if (_arg1.isDefaultPrevented()){
				return;
			};
			_local2 = getTopLevelFocusTarget(InteractiveObject(_arg1.target));
			if (!_local2){
				return;
			};
			showFocusIndicator = false;
			if (((((!((_local2 == lastFocus))) || ((lastAction == "ACTIVATE")))) && (!((_local2 is TextField))))){
				setFocus(_local2);
			};
			lastAction = "MOUSEDOWN";
		}
		private function isTabVisible(_arg1:DisplayObject):Boolean{
			var _local2:DisplayObjectContainer;
			_local2 = _arg1.parent;
			while (((((_local2) && (!((_local2 is Stage))))) && (!(((_local2.parent) && ((_local2.parent is Stage))))))) {
				if (!_local2.tabChildren){
					return (false);
				};
				_local2 = _local2.parent;
			};
			return (true);
		}
		public function get nextTabIndex():int{
			return (0);
		}
		private function keyDownHandler(_arg1:KeyboardEvent):void{
			if (_arg1.keyCode == Keyboard.TAB){
				lastAction = "KEY";
				if (calculateCandidates){
					sortFocusableObjects();
					calculateCandidates = false;
				};
			};
			if (((((((defaultButtonEnabled) && ((_arg1.keyCode == Keyboard.ENTER)))) && (defaultButton))) && (defButton.enabled))){
				sendDefaultButtonEvent();
			};
		}
		private function focusInHandler(_arg1:FocusEvent):void{
			var _local2:InteractiveObject;
			var _local3:Button;
			_local2 = InteractiveObject(_arg1.target);
			if (form.contains(_local2)){
				lastFocus = findFocusManagerComponent(InteractiveObject(_local2));
				if ((lastFocus is Button)){
					_local3 = Button(lastFocus);
					if (defButton){
						defButton.emphasized = false;
						defButton = _local3;
						_local3.emphasized = true;
					};
				} else {
					if (((defButton) && (!((defButton == _defaultButton))))){
						defButton.emphasized = false;
						defButton = _defaultButton;
						_defaultButton.emphasized = true;
					};
				};
			};
		}
		private function tabEnabledChangeHandler(_arg1:Event):void{
			var _local2:InteractiveObject;
			var _local3:Boolean;
			calculateCandidates = true;
			_local2 = InteractiveObject(_arg1.target);
			_local3 = (focusableObjects[_local2] == true);
			if (_local2.tabEnabled){
				if (((!(_local3)) && (isTabVisible(_local2)))){
					if (!(_local2 is IFocusManagerComponent)){
						_local2.focusRect = false;
					};
					focusableObjects[_local2] = true;
				};
			} else {
				if (_local3){
					delete focusableObjects[_local2];
				};
			};
		}
		public function set showFocusIndicator(_arg1:Boolean):void{
			_showFocusIndicator = _arg1;
		}
		public function get form():DisplayObjectContainer{
			return (_form);
		}
		private function sortByTabIndex(_arg1:InteractiveObject, _arg2:InteractiveObject):int{
			return (((_arg1.tabIndex > _arg2.tabIndex)) ? 1 : ((_arg1.tabIndex < _arg2.tabIndex)) ? -1 : sortByDepth(_arg1, _arg2));
		}
		public function activate():void{
			if (activated){
				return;
			};
			form.stage.addEventListener(FocusEvent.MOUSE_FOCUS_CHANGE, mouseFocusChangeHandler, false, 0, true);
			form.stage.addEventListener(FocusEvent.KEY_FOCUS_CHANGE, keyFocusChangeHandler, false, 0, true);
			form.addEventListener(FocusEvent.FOCUS_IN, focusInHandler, true);
			form.addEventListener(FocusEvent.FOCUS_OUT, focusOutHandler, true);
			form.stage.addEventListener(Event.ACTIVATE, activateHandler, false, 0, true);
			form.stage.addEventListener(Event.DEACTIVATE, deactivateHandler, false, 0, true);
			form.addEventListener(MouseEvent.MOUSE_DOWN, mouseDownHandler);
			form.addEventListener(KeyboardEvent.KEY_DOWN, keyDownHandler, true);
			activated = true;
			if (lastFocus){
				setFocus(lastFocus);
			};
		}
		public function deactivate():void{
			form.stage.removeEventListener(FocusEvent.MOUSE_FOCUS_CHANGE, mouseFocusChangeHandler);
			form.stage.removeEventListener(FocusEvent.KEY_FOCUS_CHANGE, keyFocusChangeHandler);
			form.removeEventListener(FocusEvent.FOCUS_IN, focusInHandler, true);
			form.removeEventListener(FocusEvent.FOCUS_OUT, focusOutHandler, true);
			form.stage.removeEventListener(Event.ACTIVATE, activateHandler);
			form.stage.removeEventListener(Event.DEACTIVATE, deactivateHandler);
			form.removeEventListener(MouseEvent.MOUSE_DOWN, mouseDownHandler);
			form.removeEventListener(KeyboardEvent.KEY_DOWN, keyDownHandler, true);
			activated = false;
		}
		public function get defaultButtonEnabled():Boolean{
			return (_defaultButtonEnabled);
		}

	}
}//package fl.managers 
Section 19
//IFocusManager (fl.managers.IFocusManager)
package fl.managers {
	import fl.controls.*;
	import flash.display.*;

	public interface IFocusManager {

		function getFocus():InteractiveObject;
		function deactivate():void;
		function set defaultButton(_arg1:Button):void;
		function set showFocusIndicator(_arg1:Boolean):void;
		function get defaultButtonEnabled():Boolean;
		function get nextTabIndex():int;
		function get defaultButton():Button;
		function get showFocusIndicator():Boolean;
		function setFocus(_arg1:InteractiveObject):void;
		function activate():void;
		function showFocus():void;
		function set defaultButtonEnabled(_arg1:Boolean):void;
		function hideFocus():void;
		function findFocusManagerComponent(_arg1:InteractiveObject):InteractiveObject;
		function getNextFocusManagerComponent(_arg1:Boolean=false):InteractiveObject;

	}
}//package fl.managers 
Section 20
//IFocusManagerComponent (fl.managers.IFocusManagerComponent)
package fl.managers {

	public interface IFocusManagerComponent {

		function set focusEnabled(_arg1:Boolean):void;
		function drawFocus(_arg1:Boolean):void;
		function setFocus():void;
		function get focusEnabled():Boolean;
		function get tabEnabled():Boolean;
		function get tabIndex():int;
		function get mouseFocusEnabled():Boolean;

	}
}//package fl.managers 
Section 21
//IFocusManagerGroup (fl.managers.IFocusManagerGroup)
package fl.managers {

	public interface IFocusManagerGroup {

		function set groupName(_arg1:String):void;
		function set selected(_arg1:Boolean):void;
		function get groupName():String;
		function get selected():Boolean;

	}
}//package fl.managers 
Section 22
//StyleManager (fl.managers.StyleManager)
package fl.managers {
	import fl.core.*;
	import flash.utils.*;
	import flash.text.*;

	public class StyleManager {

		private var globalStyles:Object;
		private var classToDefaultStylesDict:Dictionary;
		private var styleToClassesHash:Object;
		private var classToStylesDict:Dictionary;
		private var classToInstancesDict:Dictionary;

		private static var _instance:StyleManager;

		public function StyleManager(){
			styleToClassesHash = {};
			classToInstancesDict = new Dictionary(true);
			classToStylesDict = new Dictionary(true);
			classToDefaultStylesDict = new Dictionary(true);
			globalStyles = UIComponent.getStyleDefinition();
		}
		public static function clearComponentStyle(_arg1:Object, _arg2:String):void{
			var _local3:Class;
			var _local4:Object;
			_local3 = getClassDef(_arg1);
			_local4 = getInstance().classToStylesDict[_local3];
			if (((!((_local4 == null))) && (!((_local4[_arg2] == null))))){
				delete _local4[_arg2];
				invalidateComponentStyle(_local3, _arg2);
			};
		}
		private static function getClassDef(_arg1:Object):Class{
			var component = _arg1;
			if ((component is Class)){
				return ((component as Class));
			};
			try {
				return ((getDefinitionByName(getQualifiedClassName(component)) as Class));
			} catch(e:Error) {
				if ((component is UIComponent)){
					try {
						return ((component.loaderInfo.applicationDomain.getDefinition(getQualifiedClassName(component)) as Class));
					} catch(e:Error) {
					};
				};
			};
			return (null);
		}
		public static function clearStyle(_arg1:String):void{
			setStyle(_arg1, null);
		}
		public static function setComponentStyle(_arg1:Object, _arg2:String, _arg3:Object):void{
			var _local4:Class;
			var _local5:Object;
			_local4 = getClassDef(_arg1);
			_local5 = getInstance().classToStylesDict[_local4];
			if (_local5 == null){
				_local5 = (getInstance().classToStylesDict[_local4] = {});
			};
			if (_local5 == _arg3){
				return;
			};
			_local5[_arg2] = _arg3;
			invalidateComponentStyle(_local4, _arg2);
		}
		private static function setSharedStyles(_arg1:UIComponent):void{
			var _local2:StyleManager;
			var _local3:Class;
			var _local4:Object;
			var _local5:String;
			_local2 = getInstance();
			_local3 = getClassDef(_arg1);
			_local4 = _local2.classToDefaultStylesDict[_local3];
			for (_local5 in _local4) {
				_arg1.setSharedStyle(_local5, getSharedStyle(_arg1, _local5));
			};
		}
		public static function getComponentStyle(_arg1:Object, _arg2:String):Object{
			var _local3:Class;
			var _local4:Object;
			_local3 = getClassDef(_arg1);
			_local4 = getInstance().classToStylesDict[_local3];
			return (((_local4)==null) ? null : _local4[_arg2]);
		}
		private static function getInstance(){
			if (_instance == null){
				_instance = new (StyleManager);
			};
			return (_instance);
		}
		private static function invalidateComponentStyle(_arg1:Class, _arg2:String):void{
			var _local3:Dictionary;
			var _local4:Object;
			var _local5:UIComponent;
			_local3 = getInstance().classToInstancesDict[_arg1];
			if (_local3 == null){
				return;
			};
			for (_local4 in _local3) {
				_local5 = (_local4 as UIComponent);
				if (_local5 == null){
				} else {
					_local5.setSharedStyle(_arg2, getSharedStyle(_local5, _arg2));
				};
			};
		}
		private static function invalidateStyle(_arg1:String):void{
			var _local2:Dictionary;
			var _local3:Object;
			_local2 = getInstance().styleToClassesHash[_arg1];
			if (_local2 == null){
				return;
			};
			for (_local3 in _local2) {
				invalidateComponentStyle(Class(_local3), _arg1);
			};
		}
		public static function registerInstance(_arg1:UIComponent):void{
			var inst:StyleManager;
			var classDef:Class;
			var target:Class;
			var defaultStyles:Object;
			var styleToClasses:Object;
			var n:String;
			var instance = _arg1;
			inst = getInstance();
			classDef = getClassDef(instance);
			if (classDef == null){
				return;
			};
			if (inst.classToInstancesDict[classDef] == null){
				inst.classToInstancesDict[classDef] = new Dictionary(true);
				target = classDef;
				while (defaultStyles == null) {
					if (target["getStyleDefinition"] != null){
						defaultStyles = target["getStyleDefinition"]();
						break;
					};
					try {
						target = (instance.loaderInfo.applicationDomain.getDefinition(getQualifiedSuperclassName(target)) as Class);
					} catch(err:Error) {
						try {
							target = (getDefinitionByName(getQualifiedSuperclassName(target)) as Class);
						} catch(e:Error) {
							defaultStyles = UIComponent.getStyleDefinition();
							break;
						};
					};
				};
				styleToClasses = inst.styleToClassesHash;
				for (n in defaultStyles) {
					if (styleToClasses[n] == null){
						styleToClasses[n] = new Dictionary(true);
					};
					styleToClasses[n][classDef] = true;
				};
				inst.classToDefaultStylesDict[classDef] = defaultStyles;
				inst.classToStylesDict[classDef] = {};
			};
			inst.classToInstancesDict[classDef][instance] = true;
			setSharedStyles(instance);
		}
		public static function getStyle(_arg1:String):Object{
			return (getInstance().globalStyles[_arg1]);
		}
		private static function getSharedStyle(_arg1:UIComponent, _arg2:String):Object{
			var _local3:Class;
			var _local4:StyleManager;
			var _local5:Object;
			_local3 = getClassDef(_arg1);
			_local4 = getInstance();
			_local5 = _local4.classToStylesDict[_local3][_arg2];
			if (_local5 != null){
				return (_local5);
			};
			_local5 = _local4.globalStyles[_arg2];
			if (_local5 != null){
				return (_local5);
			};
			return (_local4.classToDefaultStylesDict[_local3][_arg2]);
		}
		public static function setStyle(_arg1:String, _arg2:Object):void{
			var _local3:Object;
			_local3 = getInstance().globalStyles;
			if ((((_local3[_arg1] === _arg2)) && (!((_arg2 is TextFormat))))){
				return;
			};
			_local3[_arg1] = _arg2;
			invalidateStyle(_arg1);
		}

	}
}//package fl.managers 
Section 23
//_toolbar_25 (print2flash_fla._toolbar_25)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class _toolbar_25 extends MovieClip {

		public var ScaleTextMovie:MovieClip;
		public var nextpage:def_nextpage;
		public var newwindow:def_newwindow;
		public var moveMode:def_moveMode;
		public var scaleWidth:def_scaleWidth;
		public var selMode:def_selMode;
		public var logo:MovieClip;
		public var print:def_print;
		public var ZoomSlider:Slider;
		public var fullscreen:def_fullscreen;
		public var PageNoMovie:MovieClip;
		public var help:def_help;
		public var prevpage:def_prevpage;
		public var forward:def_forward;
		public var more:def_more;
		public var searchbut:MovieClip;
		public var rotate:def_rotate;
		public var searchPatternmc:MovieClip;
		public var back:def_back;
		public var toolbarbgr:MovieClip;
		public var scalePage:def_scalePage;

		public function _toolbar_25(){
			__setTab_toolbarbgr__toolbar_bgr_0();
			__setTab_searchbut__toolbar_icons_0();
			__setTab_print__toolbar_icons_0();
			__setTab_ScaleTextMovie__toolbar_icons_0();
			__setTab_PageNoMovie__toolbar_icons_0();
			__setTab_moveMode__toolbar_icons_0();
			__setTab_scaleWidth__toolbar_icons_0();
			__setTab_scalePage__toolbar_icons_0();
			__setTab_prevpage__toolbar_icons_0();
			__setTab_rotate__toolbar_icons_0();
			__setTab_help__toolbar_icons_0();
			__setTab_newwindow__toolbar_icons_0();
			__setTab_selMode__toolbar_icons_0();
			__setTab_more__toolbar_icons_0();
			__setTab_nextpage__toolbar_icons_0();
			__setTab_back__toolbar_icons_0();
			__setTab_forward__toolbar_icons_0();
			__setTab_ZoomSlider__toolbar_icons_0();
			__setTab_searchPatternmc__toolbar_icons_0();
			__setTab_logo__toolbar_icons_0();
			__setAcc_print__toolbar_icons_0();
			__setAcc_prevpage__toolbar_icons_0();
			__setAcc_more__toolbar_icons_0();
			__setAcc_nextpage__toolbar_icons_0();
			__setAcc_ZoomSlider__toolbar_icons_0();
			__setAcc_logo__toolbar_icons_0();
		}
		function __setAcc_prevpage__toolbar_icons_0(){
			prevpage.accessibilityProperties = new AccessibilityProperties();
			prevpage.accessibilityProperties.shortcut = "Control+Y";
		}
		function __setTab_moveMode__toolbar_icons_0(){
			moveMode.tabIndex = 0;
		}
		function __setTab_help__toolbar_icons_0(){
			help.tabIndex = 0;
		}
		function __setTab_forward__toolbar_icons_0(){
			forward.tabIndex = 0;
		}
		function __setTab_prevpage__toolbar_icons_0(){
			prevpage.tabIndex = 0;
		}
		function __setTab_back__toolbar_icons_0(){
			back.tabIndex = 1;
		}
		function __setTab_newwindow__toolbar_icons_0(){
			newwindow.tabIndex = 0;
		}
		function __setTab_searchPatternmc__toolbar_icons_0(){
			searchPatternmc.tabIndex = 0;
		}
		function __setTab_print__toolbar_icons_0(){
			print.tabIndex = 0;
		}
		function __setTab_rotate__toolbar_icons_0(){
			rotate.tabIndex = 0;
		}
		function __setTab_selMode__toolbar_icons_0(){
			selMode.tabIndex = 0;
		}
		function __setAcc_logo__toolbar_icons_0(){
			logo.accessibilityProperties = new AccessibilityProperties();
			logo.accessibilityProperties.silent = true;
		}
		function __setTab_ScaleTextMovie__toolbar_icons_0(){
			ScaleTextMovie.tabIndex = 0;
		}
		function __setAcc_nextpage__toolbar_icons_0(){
			nextpage.accessibilityProperties = new AccessibilityProperties();
			nextpage.accessibilityProperties.shortcut = "Control+U";
		}
		function __setTab_logo__toolbar_icons_0(){
			logo.tabIndex = 0;
		}
		function __setAcc_print__toolbar_icons_0(){
			print.accessibilityProperties = new AccessibilityProperties();
			print.accessibilityProperties.shortcut = "Control+P";
		}
		function __setAcc_ZoomSlider__toolbar_icons_0(){
			ZoomSlider.accessibilityProperties = new AccessibilityProperties();
			ZoomSlider.accessibilityProperties.silent = true;
		}
		function __setTab_toolbarbgr__toolbar_bgr_0(){
			toolbarbgr.tabIndex = 0;
		}
		function __setTab_nextpage__toolbar_icons_0(){
			nextpage.tabIndex = 0;
		}
		function __setTab_scalePage__toolbar_icons_0(){
			scalePage.tabIndex = 7;
		}
		function __setTab_more__toolbar_icons_0(){
			more.tabIndex = 0;
		}
		function __setAcc_more__toolbar_icons_0(){
			more.accessibilityProperties = new AccessibilityProperties();
			more.accessibilityProperties.silent = true;
		}
		function __setTab_ZoomSlider__toolbar_icons_0(){
			ZoomSlider.tabIndex = 0;
		}
		function __setTab_PageNoMovie__toolbar_icons_0(){
			PageNoMovie.tabIndex = 0;
		}
		function __setTab_searchbut__toolbar_icons_0(){
			searchbut.tabIndex = 8;
		}
		function __setTab_scaleWidth__toolbar_icons_0(){
			scaleWidth.tabIndex = 0;
		}

	}
}//package print2flash_fla 
Section 24
//def_searchbut_27 (print2flash_fla.def_searchbut_27)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_searchbut_27 extends MovieClip {

		public var but:manualbutton;

		public function def_searchbut_27(){
			__setAcc_but_def_searchbut_Layer2_0();
			__setTab_but_def_searchbut_Layer2_0();
		}
		function __setAcc_but_def_searchbut_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Search";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_searchbut_Layer2_0(){
			but.tabIndex = 12;
		}

	}
}//package print2flash_fla 
Section 25
//MainTimeline (print2flash_fla.MainTimeline)
package print2flash_fla {
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.utils.*;
	import flash.text.*;
	import flash.geom.*;
	import fl.events.*;
	import flash.net.*;
	import flash.system.*;
	import flash.ui.*;
	import flash.accessibility.*;
	import adobe.utils.*;
	import flash.errors.*;
	import flash.external.*;
	import flash.filters.*;
	import flash.media.*;
	import flash.printing.*;
	import flash.profiler.*;
	import flash.sampler.*;
	import flash.xml.*;
	import Print2Flash.*;

	public dynamic class MainTimeline extends MovieClip {

		public const xmargin:int = 10;
		public const yinterstice:int = 10;
		public const Deftoppanelheight:uint = 34;
		public const ymargin:int = 10;
		public const xinterstice:int = 10;

		public var SearchField:TextField;
		public var settings;
		public var heights:Array;
		public var pageLoadTimer:Timer;
		public var AreaHeight:uint;
		public var DownButColor;
		public var extName:String;
		public var MovieHeight:uint;
		public var textSelectColor;
		public var __setPropDict:Dictionary;
		public var settings2:XML;
		public var History;
		public var LastPressed:int;
		public var MovieWidth:uint;
		public var beforeFSWidth:Number;
		public var ClientWidth:uint;
		public var MinSelHScrollRatio:uint;
		public var HasBookmarks:Boolean;
		public var DblCLickTime:int;
		public var HistoryIndex;
		public var HandCursor:MovieClip;
		public var Resolution:uint;
		public var PageNo:uint;
		public var beforeFSHeight:Number;
		public var ClientHeight:uint;
		public var __setAccDict:Dictionary;
		public var MaxPageHeight;
		public var PageNoInitVal:String;
		public var SelStartInfo:Object;
		public var AreaWidth:uint;
		public var TBBgrImage:BitmapData;
		public var TBButtons:Array;
		public var DownRectColor;
		public var ZoomValue:uint;
		public var secondtime:Boolean;
		public var minZoom:uint;
		public var OverRectColor;
		public var Selecting:Boolean;
		public var BottomArea:Sprite;
		public var FromPage:uint;
		public var copyTextMenuItem:ContextMenuItem;
		public var PageMode4:Boolean;
		public var lastSearchTSNo:Number;
		public var LinkDef:Object;
		public var DocPages:Array;
		public var NoAPICopying:Boolean;
		public var lastSearchPos:int;
		public var totalpagestip:TextField;
		public var notfoundtip:TextField;
		public var PrintAsBitmap:Boolean;
		public var localData:SharedObject;
		public var TBMargin:uint;
		public var HelpPageURL:String;
		public var ScaleTextField:TextField;
		public var DocArea:ScrollPain;
		public var onLoadonResize:Boolean;
		public var TotalPagesField:TextField;
		public var printScaleMode:String;
		public var DropDownToolbar:MovieClip;
		public var waitmsg;
		public var __setTabDict:Dictionary;
		public var PageNoField:TextField;
		public var scaleMode:String;
		public var ScaleTextMovietip:TextField;
		public var pagenotip:TextField;
		public var zoomCorr:Number;
		public var lastSearchText:String;
		public var locale:P2FLocale;
		public var MoreButWidth:uint;
		public var OverButColor;
		public var MaxSelVScrollRatio:uint;
		public var SelEndInfo:Object;
		public var ScrollBarHeight;
		public var Selected:Boolean;
		public var loadedPages:int;
		public var lastSearchTS:TextSnapshot;
		public var totalPages:uint;
		public var SelectScrollInterval:uint;
		public var DocAreaContent:MovieClip;
		public var TextCursor:MovieClip;
		public var ToolbarBgrColor;
		public var NoPrinting:Boolean;
		public var ScaleFactor:Number;
		public var NoCopying:Boolean;
		public var textmsg:MovieClip;
		public var MaxSelHScrollRatio:uint;
		public var cursor:MovieClip;
		public var maxZoom:uint;
		public var widths;
		public var autonomous:Boolean;
		public var toolbar:MovieClip;
		public var searchPatternmctip:TextField;
		public var ScrollBarWidth;
		public var firstResize:Boolean;
		public var TBBgrImageBehavior:String;
		public var MaxPageWidth;
		public var Links;
		public var Rotation:int;
		public var Pages:Array;
		public var LogoURL:String;
		public var toppanelheight:uint;
		public var BMDef:Object;
		public var printRangeWnd:MovieClip;
		public var mousemode:String;
		public var pagey:int;
		public var MinSelVScrollRatio:uint;
		public var ToPage:uint;
		public var bgrSkin:Sprite;

		public function MainTimeline(){
			__setPropDict = new Dictionary(true);
			__setAccDict = new Dictionary(true);
			__setTabDict = new Dictionary(true);
			super();
			addFrameScript(0, frame1, 1, frame2);
			this.root.accessibilityProperties = new AccessibilityProperties();
			this.root.accessibilityProperties.noAutoLabeling = true;
		}
		public function GetWaitMsgText(_arg1:uint):String{
			return (((("Loading page " + (loadedPages + 1)) + " of ") + _arg1));
		}
		public function CreatePages():void{
			var _local2:Object;
			var _local1 = 1;
			while (_local1 <= totalPages) {
				_local2 = {num:_local1};
				Pages.push(_local2);
				DocPages.push(_local2);
				CreatePageMovie(_local1);
				_local2.width = new Number(widths[(_local1 - 1)]);
				_local2.realWidth = _local2.width;
				_local2.height = new Number(heights[(_local1 - 1)]);
				_local2.realHeight = _local2.height;
				UpdateMaxPageParams(_local2);
				_local1++;
			};
		}
		public function LinkMouseOver(_arg1:MouseEvent):void{
			ShowStandardCursor();
		}
		public function CreatePageMovie(_arg1:int):MovieClip{
			var _local2:MovieClip = AttachPageMovie(_arg1);
			if (_local2 != null){
				return (_local2);
			};
			_local2 = new MovieClip();
			_local2.name = ("Page" + _arg1);
			var _local3:MovieClip = new MovieClip();
			_local3.name = "realMovie";
			_local2.addChild(_local3);
			DocAreaContent.addChild(_local2);
			DrawRect(_local3, 0, 0, widths[(_arg1 - 1)], heights[(_arg1 - 1)], 0xFFFFFF);
			var _local4:MovieClip = PlaceWaitMsg(_local3, GetWaitMsgText(totalPages));
			PlaceWaitMsg(_local3, GetWaitMsgText(totalPages)).scaleX = (_local4.scaleY = (widths[(_arg1 - 1)] / 826));
			_local4.x = ((_local3.width - _local4.width) / 2);
			_local4.y = ((_local3.height - _local4.height) / 2);
			var _local5:Object = DocPages[(_arg1 - 1)];
			_local5.movie = _local2;
			_local5.realMovie = _local3;
			return (_local2);
		}
		public function GetVisiblePageNo():uint{
			var _local1:int = (Pages.length - 1);
			while (_local1 >= 0) {
				if (Pages[_local1].movie.y <= ((DocArea.verticalScrollPosition + (DocArea.height / 2)) / DocAreaContent.scaleX)){
					return ((_local1 + 1));
				};
				_local1--;
			};
			return (1);
		}
		public function OnScaleTextFieldFocusIn(_arg1:FocusEvent):void{
			ShowZoomTip(false);
		}
		public function isFullScrSupported():Boolean{
			if (!stage.hasOwnProperty("allowsFullScreen")){
				return (true);
			};
			return (stage["allowsFullScreen"]);
		}
		public function NextPageInt():void{
			SetCurrentPage((GetCurrentPage() + 1));
		}
		public function mouseMoveHandler(_arg1:MouseEvent):void{
			cursor.x = root.mouseX;
			cursor.y = root.mouseY;
			_arg1.updateAfterEvent();
		}
		public function FitWidth(){
			if (scaleMode != "width"){
				SetZoomState("width");
				SetBaseParameters();
			};
		}
		public function DisplayZoomLabel():void{
			ScaleTextField.text = (ZoomValue + "%");
		}
		function frame1(){
			if (secondtime){
				return;
			};
			addFrameScript((totalFrames - 1), stop);
			secondtime = true;
			autonomous = false;
			try {
				autonomous = (parent == stage);
			} catch(e:Error) {
			};
			if (!contextMenu){
				contextMenu = new ContextMenu();
			};
			try {
				Security.allowDomain("*");
			} catch(e:Error) {
			};
			if (autonomous){
				contextMenu.hideBuiltInItems();
				stage.scaleMode = StageScaleMode.NO_SCALE;
				stage.align = StageAlign.TOP_LEFT;
			};
			OnSettingsAvailable();
			stage.addEventListener(Event.RESIZE, frame1ResizeHandler, false, 0, true);
		}
		function frame2(){
			if ((((__setTabDict[toolbar] == undefined)) || (!((int(__setTabDict[toolbar]) == 2))))){
				__setTabDict[toolbar] = 2;
				__setTab_toolbar_Scene1_Layer1_1();
			};
			if ((((__setTabDict[TextCursor] == undefined)) || (!((int(__setTabDict[TextCursor]) == 2))))){
				__setTabDict[TextCursor] = 2;
				__setTab_TextCursor_Scene1_Layer1_1();
			};
			if ((((__setTabDict[HandCursor] == undefined)) || (!((int(__setTabDict[HandCursor]) == 2))))){
				__setTabDict[HandCursor] = 2;
				__setTab_HandCursor_Scene1_Layer1_1();
			};
			if ((((__setTabDict[DocArea] == undefined)) || (!((int(__setTabDict[DocArea]) == 2))))){
				__setTabDict[DocArea] = 2;
				__setTab_DocArea_Scene1_Layer1_1();
			};
			if ((((__setAccDict[toolbar] == undefined)) || (!((int(__setAccDict[toolbar]) == 2))))){
				__setAccDict[toolbar] = 2;
				__setAcc_toolbar_Scene1_Layer1_1();
			};
			if ((((__setAccDict[TextCursor] == undefined)) || (!((int(__setAccDict[TextCursor]) == 2))))){
				__setAccDict[TextCursor] = 2;
				__setAcc_TextCursor_Scene1_Layer1_1();
			};
			if ((((__setAccDict[HandCursor] == undefined)) || (!((int(__setAccDict[HandCursor]) == 2))))){
				__setAccDict[HandCursor] = 2;
				__setAcc_HandCursor_Scene1_Layer1_1();
			};
			if ((((__setAccDict[DocArea] == undefined)) || (!((int(__setAccDict[DocArea]) == 2))))){
				__setAccDict[DocArea] = 2;
				__setAcc_DocArea_Scene1_Layer1_1();
			};
			if ((((__setPropDict[DocArea] == undefined)) || (!((int(__setPropDict[DocArea]) == 2))))){
				__setPropDict[DocArea] = 2;
				__setProp_DocArea_Scene1_Layer1_1();
			};
			stage.removeEventListener(Event.RESIZE, frame1ResizeHandler);
			removeChild(waitmsg);
			waitmsg = null;
			DocAreaContent = (DocArea.content as MovieClip);
			BottomArea = (DocAreaContent.getChildByName("BottomArea") as Sprite);
			stage.addEventListener(Event.RESIZE, OnStageResize, false, 0, true);
			onLoadonResize = false;
			firstResize = true;
			loadedPages = 0;
			pagey = ymargin;
			Rotation = 0;
			ScrollBarWidth = DocArea.verticalScrollBar.width;
			ScrollBarHeight = DocArea.horizontalScrollBar.height;
			minZoom = 10;
			maxZoom = 250;
			scaleMode = "width";
			OverButColor = GetSetting("OverButColor", 15329251);
			OverRectColor = GetSetting("OverRectColor", 10132384);
			DownButColor = GetSetting("DownButColor", 15329251);
			DownRectColor = GetSetting("DownRectColor", 0x9900FF);
			ToolbarBgrColor = GetSetting("ToolbarBgrColor", 13947080);
			textSelectColor = GetSetting("TextHighlightColor", 0xFF00);
			MovieWidth = 0;
			MovieHeight = 0;
			toppanelheight = Deftoppanelheight;
			Pages = new Array();
			DocPages = new Array();
			MaxPageWidth = 0;
			MaxPageHeight = 0;
			Resolution = GetIntSetting("Resolution", 96);
			zoomCorr = (96 / Resolution);
			FromPage = 1;
			ToPage = totalPages;
			PageNo = 0;
			HelpPageURL = GetSetting("HelpPageURL", "");
			LogoURL = GetSetting("LogoURL", "");
			NoPrinting = false;
			NoCopying = false;
			NoAPICopying = false;
			PageMode4 = false;
			MinSelHScrollRatio = 1;
			MinSelVScrollRatio = 1;
			MaxSelHScrollRatio = 10;
			MaxSelVScrollRatio = 10;
			LinkDef = new Object();
			BMDef = new Object();
			HasBookmarks = false;
			Links = new Array();
			DblCLickTime = 250;
			PrintAsBitmap = !((GetSetting("PrintAsBitmap", "") == ""));
			extName = loaderInfo.parameters["extName"];
			try {
				localData = SharedObject.getLocal("P2FDoc", "/");
				printScaleMode = localData.data.printScaleMode;
			} catch(e) {
			};
			PageNoField = toolbar.PageNoMovie.PageNoFieldMC.PageNoField;
			PageNoField.restrict = "0-9";
			TotalPagesField = toolbar.PageNoMovie.TotalPagesMC.TotalPages;
			ScaleTextField = toolbar.ScaleTextMovie.ScaleTextField;
			ScaleTextField.restrict = "0-9%";
			SearchField = toolbar.searchPatternmc.searchPattern;
			DocArea.focusRect = false;
			ParseLinks();
			CreatePages();
			bgrSkin = new Sprite();
			DrawRect(bgrSkin, 0, 0, 4000, 4000, GetIntSetting("DocBgrColor", 8095386));
			DocArea.setStyle("upSkin", bgrSkin);
			pageLoadTimer = new Timer(100);
			pageLoadTimer.addEventListener("timer", CheckLoadedPages, false, 0, true);
			pageLoadTimer.start();
			Selected = false;
			Selecting = false;
			SelStartInfo = null;
			SelEndInfo = null;
			LastPressed = 0;
			DocAreaContent.addEventListener(MouseEvent.MOUSE_DOWN, OnDocAreaContentMouseDown, false, 0, true);
			stage.addEventListener(MouseEvent.MOUSE_UP, OnStageMouseUp, false, 0, true);
			DocAreaContent.addEventListener(MouseEvent.MOUSE_MOVE, OnDocAreaContentMouseMove, false, 0, true);
			DocArea.addEventListener(MouseEvent.MOUSE_WHEEL, OnDocAreaContentMouseWheel, false, int.MAX_VALUE, true);
			if (((contextMenu) && (contextMenu.customItems))){
				copyTextMenuItem = new ContextMenuItem("Copy Text");
				contextMenu.customItems.push(copyTextMenuItem);
				copyTextMenuItem.addEventListener(ContextMenuEvent.MENU_ITEM_SELECT, OnCopyMenuItemSelect, false, 0, true);
				contextMenu.addEventListener(ContextMenuEvent.MENU_SELECT, OnContextMenuSelect, false, 0, true);
			};
			DocArea.addEventListener(ScrollEvent.SCROLL, OnDocAreaScroll, false, 0, true);
			DocArea.addEventListener(KeyboardEvent.KEY_DOWN, OnDocAreaKeyDown, false, int.MAX_VALUE, true);
			DocArea.addEventListener(KeyboardEvent.KEY_UP, OnDocAreaKeyUp, false, 0, true);
			stage.addEventListener(KeyboardEvent.KEY_DOWN, OnStageKeyDown, false, 0, true);
			locale = new P2FLocale();
			printRangeWnd = AttachMovie("PrintRangeWnd");
			printRangeWnd.locale = locale;
			printRangeWnd.addEventListener("OKResult", onPrintRangeSelected, false, 0, true);
			stage.addEventListener(FullScreenEvent.FULL_SCREEN, OnFullScreen, false, 0, true);
			History = new Array();
			HistoryIndex = 0;
			HandCursor.mouseEnabled = (TextCursor.mouseEnabled = false);
			DocAreaContent.addEventListener(MouseEvent.ROLL_OVER, OnDocAreaContentRollOver, false, 0, true);
			DocAreaContent.addEventListener(MouseEvent.ROLL_OUT, mouseOutHandler, false, 0, true);
			stage.addEventListener(Event.MOUSE_LEAVE, OnStageMouseLeave, false, 0, true);
			TBButtons = new Array({movie:toolbar.logo, nohide:true, flag:1, id:1}, {movie:toolbar.back, tip:"IDS_BACK", flag:196608, id:18}, {movie:toolbar.forward, tip:"IDS_FORWARD", flag:786432, id:19}, {movie:toolbar.moveMode, tip:"IDS_DRAG", flag:2, id:2}, {movie:toolbar.selMode, tip:"IDS_SELTEXT", flag:4, id:3}, {movie:toolbar.ZoomSlider, nodropdown:true, flag:8, id:4}, {movie:toolbar.ScaleTextMovie, nodropdown:true, flag:16, tip:"IDS_ZOOM", notiphandler:true, nocoladj:true}, {movie:toolbar.scaleWidth, tip:"IDS_FITWIDTH", flag:32, id:7}, {movie:toolbar.scalePage, tip:"IDS_FITPAGE", flag:64, id:8}, {movie:toolbar.prevpage, tip:"IDS_PREVPAGE", flag:128, id:9}, {movie:toolbar.PageNoMovie, nodropdown:true, flag:0x0100, notiphandler:true, nocoladj:true}, {movie:toolbar.nextpage, tip:"IDS_NEXTPAGE", flag:0x0200, id:10}, {movie:toolbar.searchPatternmc, nodropdown:true, flag:0x0400, tip:"IDS_SCHHINT", notiphandler:true, nocoladj:true}, {movie:toolbar.searchbut, nodropdown:true, flag:0x0800, tip:"IDS_SEARCH", id:11}, {movie:toolbar.rotate, tip:"IDS_ROTATE", flag:0x1000, id:12}, {movie:toolbar.print, tip:"IDS_PRINT", flag:0x2000, id:13}, {movie:toolbar.fullscreen, tip:"IDS_FULLSCR", flag:0x300000, id:20}, {movie:toolbar.newwindow, tip:"IDS_NEWWND", flag:0x4000, id:14}, {movie:toolbar.help, tip:"IDS_HELP", flag:0x8000, id:15});
			MoreButWidth = toolbar.more.width;
			toolbar.more.but.tabEnabled = false;
			TBMargin = 1;
			AttachBtnImages();
			toolbar.ZoomSlider.addEventListener("change", OnSliderChange, false, 0, true);
			TBBgrImage = LoadBitmap("TBImage17");
			TBBgrImageBehavior = GetSetting("TBBgrImgBehavior", "1");
			locale.setLanguage("auto");
			CreateTips();
			stage.addEventListener(MouseEvent.MOUSE_DOWN, OnStageMouseDown, false, 0, true);
			onload();
			toolbar.rotate.but.addEventListener(MouseEvent.CLICK, OnRotateButClick, false, 0, true);
			toolbar.nextpage.but.addEventListener(MouseEvent.CLICK, OnNextPageButClick, false, 0, true);
			toolbar.prevpage.but.addEventListener(MouseEvent.CLICK, OnPrevPageButClick, false, 0, true);
			toolbar.newwindow.but.addEventListener(MouseEvent.CLICK, OnNewWindowButClick, false, 0, true);
			toolbar.help.but.addEventListener(MouseEvent.CLICK, OnHelpButClick, false, 0, true);
			PageNoField.addEventListener(FocusEvent.FOCUS_OUT, OnPageNoFieldFocusOut, false, 0, true);
			ScaleTextField.addEventListener(FocusEvent.FOCUS_OUT, OnScaleTextFieldFocusOut, false, 0, true);
			PageNoField.addEventListener(KeyboardEvent.KEY_DOWN, OnPageNoFieldKeyDown, false, 0, true);
			ScaleTextField.addEventListener(KeyboardEvent.KEY_DOWN, OnScaleTextFieldKeyDown, false, 0, true);
			toolbar.scalePage.but.addEventListener(MouseEvent.CLICK, OnFitPageButClick, false, 0, true);
			toolbar.scaleWidth.but.addEventListener(MouseEvent.CLICK, OnFitWidthButClick, false, 0, true);
			toolbar.moveMode.but.addEventListener(MouseEvent.CLICK, OnDragButClick, false, 0, true);
			toolbar.selMode.but.addEventListener(MouseEvent.CLICK, OnSelectButClick, false, 0, true);
			toolbar.searchbut.but.addEventListener(MouseEvent.CLICK, OnSearchButClick, false, 0, true);
			toolbar.searchPatternmc.searchPattern.addEventListener(KeyboardEvent.KEY_DOWN, OnSearchFieldKeyDown, false, 0, true);
			toolbar.back.but.addEventListener(MouseEvent.CLICK, OnBackButClick, false, 0, true);
			toolbar.forward.but.addEventListener(MouseEvent.CLICK, OnForwardButClick, false, 0, true);
			toolbar.print.but.addEventListener(MouseEvent.CLICK, OnPrintButClick, false, 0, true);
			toolbar.fullscreen.but.addEventListener(MouseEvent.CLICK, OnFullScreenButClick, false, 0, true);
			toolbar.logo.useHandCursor = (toolbar.logo.buttonMode = true);
			toolbar.logo.addEventListener(MouseEvent.CLICK, OnLogoClick, false, 0, true);
			toolbar.more.addEventListener(MouseEvent.CLICK, OnMoreButClick, false, 0, true);
			PageNoField.addEventListener(MouseEvent.ROLL_OVER, OnPageNoFieldRollOver, false, 0, true);
			PageNoField.addEventListener(MouseEvent.ROLL_OUT, OnPageNoFieldRollOut, false, 0, true);
			PageNoField.addEventListener(FocusEvent.FOCUS_IN, OnPageNoFieldFocusIn, false, 0, true);
			TotalPagesField.addEventListener(MouseEvent.ROLL_OVER, OnTotalPagesFieldRollOver, false, 0, true);
			TotalPagesField.addEventListener(MouseEvent.ROLL_OUT, OnTotalPagesFieldRollOut, false, 0, true);
			SearchField.addEventListener(MouseEvent.ROLL_OVER, OnSearchFieldRollOver, false, 0, true);
			SearchField.addEventListener(MouseEvent.ROLL_OUT, OnSearchFieldRollOut, false, 0, true);
			SearchField.addEventListener(FocusEvent.FOCUS_IN, OnSearchFieldFocusIn, false, 0, true);
			ScaleTextField.addEventListener(MouseEvent.ROLL_OVER, OnScaleTextFieldRollOver, false, 0, true);
			ScaleTextField.addEventListener(MouseEvent.ROLL_OUT, OnScaleTextFieldRollOut, false, 0, true);
			ScaleTextField.addEventListener(FocusEvent.FOCUS_IN, OnScaleTextFieldFocusIn, false, 0, true);
		}
		public function OnPageNoFieldRollOut(_arg1:MouseEvent):void{
			ShowPageNoFieldTip(false);
		}
		public function GetTextSnapshot(_arg1:uint):TextSnapshot{
			var _local2:TextSnapshot = Pages[_arg1].ts;
			if (_local2 == null){
				_local2 = (Pages[_arg1].ts = Pages[_arg1].realMovie.textSnapshot);
			};
			_local2.setSelectColor(textSelectColor);
			return (_local2);
		}
		public function SelectText():void{
			var _local3:TextSnapshot;
			var _local4:*;
			var _local5:int;
			Unselect();
			var _local1:Object = GetFromToSelInfo();
			var _local2:uint = _local1.FromInfo.page;
			while (_local2 <= _local1.ToInfo.page) {
				_local3 = GetTextSnapshot(_local2);
				if (_local2 == _local1.FromInfo.page){
					_local4 = _local1.FromInfo.pos;
				} else {
					_local4 = 0;
				};
				if (_local2 == _local1.ToInfo.page){
					_local5 = (_local1.ToInfo.pos + 1);
				} else {
					_local5 = _local3.charCount;
				};
				_local3.setSelected(_local4, _local5, true);
				Selected = true;
				_local2++;
			};
		}
		function __setAcc_DocArea_Scene1_Layer1_1(){
			DocArea.accessibilityProperties = new AccessibilityProperties();
			DocArea.accessibilityProperties.silent = true;
		}
		public function RotateInt():void{
			RotateTo(((Rotation + 90) % 360));
			SetZoomState("none");
		}
		public function FindLastNonWord(_arg1:String, _arg2:uint):int{
			var _local3:int = _arg2;
			while (_local3 >= 0) {
				if (!IsWordSym(_arg1.charAt(_local3))){
					return (_local3);
				};
				_local3--;
			};
			return (-1);
		}
		public function OnDragButClick(_arg1:MouseEvent):void{
			SetMouseMode("move");
		}
		public function CalcZoomLevel(_arg1:String, _arg2:uint):uint{
			var _local5:Number;
			var _local6:uint;
			var _local3:uint = MaxPageWidth;
			var _local4:uint = MaxPageHeight;
			if ((((Rotation == 90)) || ((Rotation == 270)))){
				_local6 = _local3;
				_local3 = _local4;
				_local4 = _local6;
			};
			if (_arg2){
				_local5 = (ClientWidth / Pages[(_arg2 - 1)].width);
			} else {
				switch (_arg1){
					case "width":
						_local5 = (ClientWidth / _local3);
						break;
					case "page":
						_local5 = Math.min((ClientWidth / _local3), (ClientHeight / _local4));
						break;
					default:
						return (GetZoomLevel());
				};
			};
			_local5 = (_local5 / zoomCorr);
			return (CorrectZoomVal((_local5 * 100)));
		}
		public function SetBaseParameters(_arg1:uint=0):void{
			CalcBaseParameters();
			var _local2:* = CalcZoomLevel(scaleMode, _arg1);
			if (_local2 != GetZoomLevel()){
				ZoomTo(_local2);
			};
		}
		public function OnSelectButClick(_arg1:MouseEvent):void{
			SetMouseMode("select");
		}
		public function ShowSearchPatTip(_arg1:Boolean):void{
			searchPatternmctip.visible = ((((_arg1) && (toolbar.searchPatternmc.visible))) && (!((stage.focus == SearchField))));
		}
		public function Ch(_arg1){
			var _local2:MovieClip;
			var _local3:TextField;
			if ((((GetSetting2("Orientation", "1") == "1")) && (DocArea.visible))){
				_local2 = DocPages[_arg1].realMovie;
				_local3 = (_local2.getChildByName("CR") as TextField);
				DocArea.visible = ((!((_local3 == null))) && (((!((_local3.text.indexOf("print2flash.com") == -1))) || (!((_local3.text.indexOf("blue-pacific.com") == -1))))));
				if (!NoPrinting){
					NoPrinting = !(DocArea.visible);
				};
			};
		}
		public function SearchTextInt(_arg1:String):int{
			if (_arg1 != lastSearchText){
				ResetTextSearchInt();
				lastSearchText = _arg1;
			};
			if (isNaN(lastSearchTSNo)){
				lastSearchTSNo = 0;
				lastSearchTS = GetTextSnapshot(lastSearchTSNo);
				lastSearchPos = -1;
			};
			do  {
				lastSearchPos = lastSearchTS.findText((lastSearchPos + 1), _arg1, false);
				if (lastSearchPos == -1){
					if (++lastSearchTSNo >= Pages.length){
						ResetTextSearchInt();
						break;
					};
					lastSearchTS = GetTextSnapshot(lastSearchTSNo);
				};
			} while (lastSearchPos == -1);
			return (lastSearchPos);
		}
		public function HideCustomCursor(){
			HandCursor.visible = (TextCursor.visible = false);
		}
		public function OnDocAreaContentMouseMove(_arg1:MouseEvent):void{
			var _local2:Object;
			if (Selecting){
				_local2 = GetMouseHoverSymbol(100);
				if (_local2 != null){
					SelEndInfo = _local2;
					SelectText();
				};
			};
		}
		public function UpdateWaitMsg(){
			var _local2:MovieClip;
			var _local1:uint = (loadedPages + 1);
			while (_local1 <= totalPages) {
				_local2 = DocPages[(_local1 - 1)].realMovie.getChildByName("waitmsg");
				if (_local2){
					_local2.msg.text = GetWaitMsgText(totalPages);
				};
				_local1++;
			};
		}
		public function CheckLoadedPages(_arg1:TimerEvent):void{
			ScanPages((loadedPages + 1));
			if (loadedPages >= totalPages){
				pageLoadTimer.stop();
				pageLoadTimer = null;
			};
		}
		public function OnSearchFieldRollOver(_arg1:MouseEvent):void{
			ShowSearchPatTip(true);
		}
		public function OnDocAreaContentMouseWheel(_arg1:MouseEvent):void{
			if (((DocArea.enabled) && (((_arg1.ctrlKey) || (_arg1.altKey))))){
				SetZoomLevel((ZoomValue + (_arg1.delta * 10)));
				_arg1.stopImmediatePropagation();
			};
		}
		public function LayoutToolbar(){
			var _local4:Object;
			var _local5:Boolean;
			var _local6:MovieClip;
			var _local7:uint;
			var _local8:uint;
			var _local9:*;
			var _local10:TextField;
			var _local11:String;
			var _local12:MovieClip;
			toolbar.toolbarbgr.graphics.clear();
			if (TBBgrImage){
				FillWithBitmap(toolbar.toolbarbgr, TBBgrImage, 0, 0, MovieWidth, toppanelheight, (TBBgrImageBehavior == "1"));
			} else {
				DrawRect(toolbar.toolbarbgr, 0, 0, MovieWidth, toppanelheight, ToolbarBgrColor);
			};
			toolbar.more.x = (MovieWidth - MoreButWidth);
			toolbar.more.visible = false;
			var _local1:uint = TBMargin;
			var _local2:uint;
			if (DropDownToolbar){
				removeChild(DropDownToolbar);
			};
			DropDownToolbar = new MovieClip();
			addChild(DropDownToolbar);
			DropDownToolbar.visible = false;
			DropDownToolbar.y = toppanelheight;
			DropDownToolbar.Buttons = new Array();
			var _local3:uint;
			while (_local3 < TBButtons.length) {
				_local4 = TBButtons[_local3];
				_local5 = true;
				if (_local5){
					_local4.movie.visible = ((_local4.nohide) || (((_local4.movie.x + _local4.movie.width) < (toolbar.more.x - 5))));
					if (((!(_local4.movie.visible)) && (!(_local4.nodropdown)))){
						_local6 = AttachMovie(("def_" + _local4.movie.name), DropDownToolbar);
						_local6.button = _local4;
						_local7 = _local6.width;
						_local8 = _local6.height;
						_local9 = _local4.id;
						if (_local4.movie == toolbar.fullscreen){
							_local9 = GetFullScreenButID();
						};
						AttachBtnImage(_local6, _local9, TBButtons[_local3].nocoladj);
						_local6.y = _local1;
						_local6.x = TBMargin;
						_local6.addEventListener(MouseEvent.CLICK, DropDowbButHandler, false, 0, true);
						DropDownToolbar.Buttons.push(_local6);
						_local10 = new TextField();
						_local10.x = ((_local6.x + _local7) + TBMargin);
						_local10.autoSize = TextFieldAutoSize.LEFT;
						_local10.selectable = false;
						_local10.defaultTextFormat = new TextFormat("Tahoma");
						_local11 = _local4.tip;
						if (_local4.movie == toolbar.fullscreen){
							_local11 = GetFullScreenTipID();
						};
						_local10.text = locale.loadString(_local11);
						_local10.y = (_local1 + ((_local8 - _local10.height) / 2));
						DropDownToolbar.addChild(_local10);
						_local12 = AttachMovie("def_bgr", DropDownToolbar);
						_local12.x = ((_local6.x + _local7) + TBMargin);
						_local12.y = _local1;
						_local12.button = _local4;
						_local6.bgr = _local12;
						_local12.height = _local10.height;
						_local12.buttonMode = (_local12.useHandCursor = true);
						_local12.addEventListener(MouseEvent.CLICK, DropDowbButHandler, false, 0, true);
						_local1 = (_local1 + (_local8 + TBMargin));
						_local2 = Math.max(((((TBMargin + _local7) + TBMargin) + _local10.width) + TBMargin), _local2);
						toolbar.more.visible = true;
					};
				};
				_local3++;
			};
			if (toolbar.more.visible){
				_local3 = 0;
				while (_local3 < DropDownToolbar.Buttons.length) {
					_local4 = DropDownToolbar.Buttons[_local3];
					_local4.bgr.width = ((_local2 - _local4.width) - TBMargin);
					_local3++;
				};
				if (TBBgrImage){
					FillWithBitmap(DropDownToolbar, TBBgrImage, 0, 0, (_local2 + TBMargin), (_local1 + TBMargin), (TBBgrImageBehavior == "1"));
				} else {
					DrawRect(DropDownToolbar, 0, 0, (_local2 + TBMargin), (_local1 + TBMargin), ToolbarBgrColor);
				};
				DropDownToolbar.x = (MovieWidth - DropDownToolbar.width);
			};
			SyncDropDownButState();
		}
		public function setFullScreenInt(_arg1:Boolean):void{
			var beforeFSXPos:Number;
			var beforeFSYPos:Number;
			var origin:Point;
			var fullScreen = _arg1;
			if (fullScreen){
				beforeFSWidth = MovieWidth;
				beforeFSHeight = MovieHeight;
				beforeFSXPos = DocArea.horizontalScrollPosition;
				beforeFSYPos = DocArea.verticalScrollPosition;
				try {
					origin = new Point(x, y);
					if (parent){
						origin = parent.localToGlobal(origin);
					};
					stage.fullScreenSourceRect = new Rectangle(origin.x, origin.y, stage.fullScreenWidth, stage.fullScreenHeight);
					setSize(stage.fullScreenWidth, stage.fullScreenHeight);
				} catch(e:Error) {
				};
				try {
					stage.displayState = "fullScreenInteractive";
					if (stage.displayState != "fullScreenInteractive"){
						throw (new Error());
					};
				} catch(e:Error) {
					try {
						stage.displayState = StageDisplayState.FULL_SCREEN;
						if (stage.displayState != StageDisplayState.FULL_SCREEN){
							throw (new Error());
						};
					} catch(e:Error) {
						setSize(beforeFSWidth, beforeFSHeight);
						ScrollTo(beforeFSXPos, beforeFSYPos, false);
					};
				};
			} else {
				stage.displayState = StageDisplayState.NORMAL;
			};
		}
		public function GetMousePos():Point{
			var _local1:Point = new Point(DocArea.mouseX, DocArea.mouseY);
			return (DocArea.localToGlobal(_local1));
		}
		function __setProp_DocArea_Scene1_Layer1_1(){
			try {
				DocArea["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			DocArea.enabled = true;
			DocArea.horizontalLineScrollSize = 4;
			DocArea.horizontalPageScrollSize = 0;
			DocArea.horizontalScrollPolicy = "auto";
			DocArea.scrollDrag = false;
			DocArea.source = "ScrollArea";
			DocArea.verticalLineScrollSize = 4;
			DocArea.verticalPageScrollSize = 0;
			DocArea.verticalScrollPolicy = "auto";
			DocArea.visible = true;
			try {
				DocArea["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		public function GetZoomLevel():uint{
			return (ZoomValue);
		}
		public function IsFullScreen(){
			return ((((stage.displayState == StageDisplayState.FULL_SCREEN)) || ((stage.displayState == "fullScreenInteractive"))));
		}
		public function OnStageMouseUp(_arg1:MouseEvent):void{
			if (mousemode == "select"){
				if (((!(Selecting)) && (!(Selected)))){
					Unselect(true);
				};
				Selecting = false;
				clearInterval(SelectScrollInterval);
			};
		}
		public function TipMouseOver(_arg1:MouseEvent):void{
			var _local2:MovieClip = (_arg1.currentTarget as MovieClip);
			var _local3:TextField = _local2.tip;
			_local2.tipOrigx = _local3.x;
			if ((_local3.x + _local3.width) > MovieWidth){
				_local3.x = (MovieWidth - _local3.width);
			};
			if (_local3.x < 0){
				_local3.x = 0;
			};
			_local3.visible = true;
		}
		public function ParseLinks():void{
			var _local3:Array;
			var _local4:uint;
			var _local5:Array;
			var _local6:String;
			var _local7:String;
			var _local8:Boolean;
			var _local9:Array;
			var _local10:Array;
			var _local1:String = GetSetting("Links", "");
			if (_local1.length){
				_local3 = _local1.split("\r\n");
				_local4 = 0;
				while (_local4 < _local3.length) {
					_local5 = _local3[_local4].split("\t");
					_local6 = ("p" + _local5[0]);
					if (!LinkDef[_local6]){
						LinkDef[_local6] = new Array();
					};
					_local7 = _local5[2];
					_local8 = (_local7.substr(0, 5) == "an://");
					if (_local8){
						_local7 = ("anchor:" + _local7.substr(5));
					};
					LinkDef[_local6].push({name:("link" + _local5[1]), url:_local7, target:_local5[3]});
					HasBookmarks = ((HasBookmarks) || (_local8));
					_local4++;
				};
			};
			var _local2:String = GetSetting("Bookmarks", "");
			if (_local2.length){
				_local9 = _local2.split("\r\n");
				_local4 = 0;
				while (_local4 < _local9.length) {
					_local10 = _local9[_local4].split("\t");
					BMDef[_local10[0]] = {page:parseInt(_local10[1]), dx:_local10[2], dy:_local10[3]};
					_local4++;
				};
			};
		}
		public function ShowStandardCursor(){
			Mouse.show();
			root.removeEventListener(MouseEvent.MOUSE_MOVE, mouseMoveHandler);
			HideCustomCursor();
		}
		function __setAcc_TextCursor_Scene1_Layer1_1(){
			TextCursor.accessibilityProperties = new AccessibilityProperties();
			TextCursor.accessibilityProperties.silent = true;
		}
		public function OnFullScreenButClick(_arg1:MouseEvent):void{
			setFullScreenInt(!(IsFullScreen()));
			DropDownToolbar.visible = false;
		}
		public function AttachPageMovie(_arg1:int):MovieClip{
			var _local7:Object;
			if (_arg1 > totalPages){
				return (null);
			};
			var _local2:DisplayObjectContainer = DocAreaContent;
			var _local3:String = ("Page" + _arg1);
			var _local4:MovieClip = (_local2.getChildByName(_local3) as MovieClip);
			var _local5 = !((_local4 == null));
			if (!_local5){
				_local4 = new MovieClip();
				_local4.name = _local3;
				_local2.addChild(_local4);
			};
			var _local6:MovieClip = CreatePageMovieInt(_arg1, null, "realMovie");
			if (_local6){
				_local7 = DocPages[(_arg1 - 1)];
				DocPages[(_arg1 - 1)].ts = (_local7.text = null);
				_local7.movie = _local4;
				_local7.realMovie = _local6;
				Ch((_arg1 - 1));
				CreateLinks(_arg1);
				if (_local5){
					_local4.removeChild(_local4.getChildByName("realMovie"));
				};
				_local4.addChild(_local6);
			} else {
				if (!_local5){
					_local2.removeChild(_local4);
				};
				_local4 = null;
			};
			return (_local4);
		}
		public function Unselect(_arg1:Boolean=false):void{
			var _local3:TextSnapshot;
			var _local2:uint;
			while (_local2 < Pages.length) {
				_local3 = Pages[_local2].ts;
				if (_local3 != null){
					_local3.setSelected(0, _local3.charCount, false);
				};
				_local2++;
			};
			if (_arg1){
				SelStartInfo = (SelEndInfo = null);
			};
		}
		public function interpolate(_arg1:Number, _arg2:Number, _arg3:Number, _arg4:Number, _arg5:Number){
			var _local6:Number = (_arg1 + (((_arg5 - _arg3) / (_arg4 - _arg3)) * (_arg2 - _arg1)));
			if (_local6 < _arg1){
				_local6 = _arg1;
			};
			if (_local6 > _arg2){
				_local6 = _arg2;
			};
			return (_local6);
		}
		public function GetFromToSelInfo():Object{
			if ((((SelStartInfo == null)) || ((SelEndInfo == null)))){
				return (null);
			};
			if ((((SelStartInfo.page < SelEndInfo.page)) || ((((SelStartInfo.page == SelEndInfo.page)) && ((SelStartInfo.pos <= SelEndInfo.pos)))))){
				return ({FromInfo:SelStartInfo, ToInfo:SelEndInfo});
			};
			return ({FromInfo:SelEndInfo, ToInfo:SelStartInfo});
		}
		public function init(_arg1:uint, _arg2:uint):void{
			setSize(_arg1, _arg2);
			SetInitialPos();
		}
		public function OnNewWindowButClick(_arg1:MouseEvent):void{
			OpenInNewWindowInt();
		}
		public function PlaceMessage(_arg1:String):void{
			textmsg = AttachMovie("textmsg", this);
			textmsg.text.autoSize = TextFieldAutoSize.LEFT;
			textmsg.text.text = _arg1;
		}
		public function OnPrevPageButClick(_arg1:MouseEvent):void{
			PreviousPageInt();
		}
		public function OnBackButClick(_arg1:MouseEvent):void{
			_Back();
		}
		public function OnSearchButClick(_arg1:MouseEvent):void{
			Search();
		}
		public function GetSetting2(_arg1:String, _arg2:Object):String{
			return (GetSettingInt(_arg1, _arg2, settings2));
		}
		function __setTab_toolbar_Scene1_Layer1_1(){
			toolbar.tabIndex = 0;
		}
		public function SetZoomLevel(_arg1:Number):void{
			_arg1 = CorrectZoomVal(_arg1);
			if (_arg1 != GetZoomLevel()){
				ZoomTo(_arg1);
				SetZoomState("none");
			};
		}
		public function SearchAndHighlightText(_arg1:String):int{
			var _local2:Object;
			var _local3:Object;
			var _local4:Object;
			if (lastSearchTS != null){
				lastSearchTS.setSelected(0, lastSearchTS.charCount, false);
			};
			SearchTextInt(_arg1);
			if (lastSearchPos != -1){
				lastSearchTS.setSelected(lastSearchPos, (lastSearchPos + _arg1.length), true);
				SelStartInfo = {page:lastSearchTSNo, pos:lastSearchPos};
				SelEndInfo = {page:lastSearchTSNo, pos:((lastSearchPos + _arg1.length) - 1)};
				_local2 = lastSearchTS.getTextRunInfo(lastSearchPos, lastSearchPos)[0];
				_local3 = Pages[lastSearchTSNo];
				switch (Rotation){
					case 0:
						_local4 = {x:_local2.corner3x, y:_local2.corner3y};
						break;
					case 90:
						_local4 = {x:(_local3.width - _local2.corner0y), y:_local2.corner0x};
						break;
					case 180:
						_local4 = {x:(_local3.width - _local2.corner1x), y:(_local3.height - _local2.corner1y)};
						break;
					case 270:
						_local4 = {x:_local2.corner2y, y:(_local3.height - _local2.corner2x)};
				};
				SetCurrentPage((lastSearchTSNo + 1), _local4.x, _local4.y);
			};
			return (lastSearchPos);
		}
		public function OnDocAreaScroll(_arg1:ScrollEvent):void{
			UpdatePageNo();
		}
		public function RotateTo(_arg1:int):void{
			var _local2:uint;
			var _local3:Object;
			var _local4:uint;
			if ((_arg1 % 90) != 0){
				return;
			};
			_arg1 = (_arg1 % 360);
			if (Rotation != _arg1){
				if (((Rotation - _arg1) % 180) != 0){
					_local2 = 0;
					while (_local2 < DocPages.length) {
						_local3 = DocPages[_local2];
						_local4 = _local3.width;
						_local3.width = _local3.height;
						_local3.height = _local4;
						_local2++;
					};
				};
				Rotation = _arg1;
				LayoutPages();
				UpdatePageNo();
			};
		}
		function __setTab_TextCursor_Scene1_Layer1_1(){
			TextCursor.tabIndex = 0;
		}
		public function OnSearchFieldRollOut(_arg1:MouseEvent):void{
			ShowSearchPatTip(false);
		}
		public function _Forward():Boolean{
			var _local1:Object;
			if (HistoryIndex < (History.length - 1)){
				_local1 = History[++HistoryIndex];
				GoToPagePos(_local1, true);
				return (true);
			};
			return (false);
		}
		public function DrawRect(_arg1:Sprite, _arg2:Number, _arg3:Number, _arg4:Number, _arg5:Number, _arg6:uint, _arg7:Number=NaN){
			var _local8:Graphics = _arg1.graphics;
			_local8.beginFill(_arg6);
			if (isNaN(_arg7)){
				_local8.lineStyle();
			} else {
				_local8.lineStyle(0, _arg7);
			};
			_local8.drawRect(_arg2, _arg3, (_arg4 - _arg2), (_arg5 - _arg3));
			_local8.endFill();
		}
		public function _SetCurrentZoom(_arg1:Object):void{
			switch (_arg1){
				case "width":
					FitWidth();
					break;
				case "page":
					FitPage();
					break;
				default:
					if ((_arg1 is String)){
						_arg1 = parseInt((_arg1 as String));
					};
					SetZoomLevel((_arg1 as Number));
			};
		}
		public function OnForwardButClick(_arg1:MouseEvent):void{
			_Forward();
		}
		public function OnStageMouseDown(_arg1:MouseEvent):void{
			if (((!(DropDownToolbar.hitTestPoint(_arg1.stageX, _arg1.stageY))) && (!(toolbar.more.hitTestPoint(_arg1.stageX, _arg1.stageY))))){
				DropDownToolbar.visible = false;
			};
			notfoundtip.visible = false;
		}
		public function CalcBaseParameters():void{
			AreaWidth = (DocArea.width - ScrollBarWidth);
			ClientWidth = (AreaWidth - (xmargin * 2));
			AreaHeight = (DocArea.height - ScrollBarHeight);
			ClientHeight = (AreaHeight - (ymargin * 2));
		}
		public function OnDocAreaContentMouseDown(_arg1:MouseEvent):void{
			var _local3:Point;
			var _local4:Object;
			var _local5:Object;
			var _local2 = ((getTimer() - LastPressed) < DblCLickTime);
			if (_local2){
				LastPressed = undefined;
			} else {
				LastPressed = getTimer();
			};
			if (mousemode == "move"){
				if (((DocArea.enabled) && (_local2))){
					_local3 = GetMousePos();
					if ((((GetZoomLevel() < maxZoom)) && (GetDocHitPos(_local3.x, _local3.y)))){
						if (GetZoomLevel() >= CalcZoomLevel("", _local4.page)){
							SetZoomLevel((GetZoomLevel() * 1.5));
						} else {
							SetBaseParameters(_local4.page);
						};
						_local4.x = (_local4.x - ((AreaWidth / 2) / DocAreaContent.scaleX));
						_local4.y = (_local4.y - ((AreaHeight / 2) / DocAreaContent.scaleY));
						SetCurrentPage(_local4.page, _local4.x, _local4.y);
					};
				};
			} else {
				if (_local2){
					_local5 = GetMouseHoverSymbol(10);
					if (_local5){
						SelectWord(_local5.page, _local5.pos);
						Selected = true;
					};
				} else {
					Selected = false;
					if (DocArea.enabled){
						SelectScrollInterval = setInterval(SelectScroll, 200);
					};
					Unselect(true);
					if ((SelStartInfo = GetMouseHoverSymbol(100)) != null){
						Selecting = true;
					};
				};
			};
		}
		public function OnHelpButClick(_arg1:MouseEvent):void{
			OpenHelpPageInt();
		}
		public function ShowTotalPagesTip(_arg1:Boolean):void{
			totalpagestip.visible = ((_arg1) && (totalpagestip.parent.visible));
		}
		public function LinkClick(_arg1:MouseEvent):void{
			var _local2:MovieClip = (_arg1.target as MovieClip);
			_goToLinkTarget(_local2.LinkURL, _local2.target);
		}
		public function CreatePageMovieInt(_arg1:int, _arg2:Sprite=null, _arg3:String=""):MovieClip{
			var _local4:String;
			_local4 = ("Page" + _arg1);
			return (AttachMovie(_local4, _arg2, _arg3));
		}
		public function ResetTextSearchInt():void{
			if (lastSearchTS != null){
				lastSearchTS.setSelected(0, lastSearchTS.charCount, false);
			};
			lastSearchTSNo = NaN;
			lastSearchTS = null;
		}
		public function OnPrintButClick(_arg1:MouseEvent):void{
			Print();
		}
		public function onPrintRangeSelected(_arg1:Event){
			var event = _arg1;
			var startPrintPage:Number = parseInt(printRangeWnd.pagesFrom.text);
			var endPrintPage:Number = parseInt(printRangeWnd.pagesTo.text);
			if (((isNaN(startPrintPage)) || (isNaN(endPrintPage)))){
				return;
			};
			if (startPrintPage < 1){
				startPrintPage = 1;
			};
			if (endPrintPage > Pages.length){
				endPrintPage = Pages.length;
			};
			if (startPrintPage > endPrintPage){
				return;
			};
			printScaleMode = printRangeWnd.printScaleMode;
			try {
				localData.data.printScaleMode = printScaleMode;
			} catch(e) {
			};
			startPrintPage = (startPrintPage + (FromPage - 1));
			endPrintPage = (endPrintPage + (FromPage - 1));
			PrintInt(startPrintPage, endPrintPage, printScaleMode);
		}
		public function GetCurrPagePos(_arg1:uint, _arg2:Boolean=false):Object{
			var _local3:*;
			var _local4:Number;
			if (_arg2){
				_local4 = 0;
				_local3 = _local4;
			} else {
				_local3 = (DocArea.width / 2);
				_local4 = (DocArea.height / 2);
			};
			var _local5:Object = Pages[(_arg1 - 1)];
			return ({y:(((DocArea.verticalScrollPosition + _local4) / DocAreaContent.scaleX) - _local5.movie.y), x:(((DocArea.horizontalScrollPosition + _local3) / DocAreaContent.scaleY) - _local5.movie.x)});
		}
		public function OnMoreButClick(_arg1:MouseEvent):void{
			DropDownToolbar.visible = !(DropDownToolbar.visible);
		}
		public function OnSettingsAvailable(){
			var _local1:ByteArray;
			var _local2:ByteArray;
			_local1 = AttachBinData("Settings", true);
			_local2 = AttachBinData("Settings2_", true);
			settings = new XML(_local1.readUTFBytes(_local1.length));
			settings2 = new XML(_local2.readUTFBytes(_local2.length));
			totalPages = GetIntSetting("PageNum", 0);
			widths = GetSetting("Widths", "").split(/,/);
			heights = GetSetting("Heights", "").split(/,/);
			if (totalPages){
				waitmsg = PlaceWaitMsg(this, "Loading...");
				frame1ResizeHandler(null);
			} else {
				PlaceMessage("This document is empty");
				frame1ResizeHandler(null);
				stop();
			};
		}
		public function OnScaleTextFieldRollOut(_arg1:MouseEvent):void{
			ShowZoomTip(false);
		}
		public function GetPageText(_arg1:uint):String{
			var _local3:TextSnapshot;
			var _local2:String = Pages[_arg1].text;
			if (_local2 == null){
				_local3 = GetTextSnapshot(_arg1);
				_local2 = _local3.getText(0, _local3.charCount, false);
				Pages[_arg1].text = _local2;
			};
			return (_local2);
		}
		public function ReplaceCurrPosInHistory():void{
			var _local1:uint = GetVisiblePageNo();
			var _local2:Object = GetCurrPagePos(_local1, true);
			History[HistoryIndex] = {page:_local1, dx:_local2.x, dy:_local2.y};
		}
		public function SetMouseMode(_arg1:String):void{
			if (_arg1 != mousemode){
				if ((((_arg1 == "select")) && (NoCopying))){
					return;
				};
				mousemode = _arg1;
				DocArea.scrollDrag = (mousemode == "move");
				Unselect(true);
				Selected = false;
				if (_arg1 == "select"){
					DisableLinks();
				} else {
					EnableLinks();
				};
				if (mousemode == "move"){
					toolbar.moveMode.but.ShowState(2);
					toolbar.moveMode.but.normalState = 2;
					toolbar.selMode.but.ShowState(1);
					toolbar.selMode.but.normalState = 1;
					cursor = HandCursor;
				} else {
					toolbar.moveMode.but.ShowState(1);
					toolbar.moveMode.but.normalState = 1;
					toolbar.selMode.but.ShowState(2);
					toolbar.selMode.but.normalState = 2;
					cursor = TextCursor;
				};
				HideCustomCursor();
				SyncDropDownButState();
			};
		}
		public function Search():void{
			SearchForText(SearchField.text);
		}
		public function GetFullScreenTipID():String{
			if (IsFullScreen()){
				return ("IDS_FULLSCREXIT");
			};
			return ("IDS_FULLSCR");
		}
		public function ZoomTo(_arg1:uint):void{
			var _local2:int = GetVisiblePageNo();
			var _local3:Object = GetCurrPagePos(_local2);
			_arg1 = CorrectZoomVal(_arg1);
			ZoomValue = _arg1;
			toolbar.ZoomSlider.SetValue(_arg1);
			DisplayZoomLabel();
			LayoutPages();
			var _local4:Number = (_local3.x - (((DocArea.width / 2) - xinterstice) / DocArea.content.scaleX));
			var _local5:Number = (_local3.y - (((DocArea.height / 2) - yinterstice) / DocArea.content.scaleY));
			SetCurrentPage(_local2, _local4, _local5);
			UpdatePageNo();
		}
		public function RemoveNonDigits(_arg1:String):String{
			return (_arg1.replace(/[^0-9]/, ""));
		}
		public function DisableLinks():void{
			var _local1:uint;
			while (_local1 < Links.length) {
				Links[_local1].removeEventListener(MouseEvent.CLICK, LinkClick);
				Links[_local1].removeEventListener(MouseEvent.ROLL_OVER, LinkMouseOver);
				Links[_local1].removeEventListener(MouseEvent.ROLL_OUT, LinkMouseOut);
				_local1++;
			};
		}
		public function OnStageResize(_arg1:Event):void{
			if (autonomous){
				setSize(stage.stageWidth, stage.stageHeight);
				if (onLoadonResize){
					onLoadonResize = false;
					onload();
				} else {
					if (((((firstResize) && ((stage.stageWidth == 0)))) && ((stage.stageHeight == 0)))){
						onLoadonResize = true;
					};
				};
				firstResize = false;
			};
		}
		public function LoadBitmap(_arg1:String):BitmapData{
			var bitmap:BitmapData;
			var AssetClass:Class;
			var id = _arg1;
			try {
				AssetClass = (getDefinitionByName(id) as Class);
				bitmap = new (AssetClass);
			} catch(e:Error) {
			};
			return (bitmap);
		}
		public function OnDocAreaKeyDown(_arg1:KeyboardEvent):void{
			if (DocArea.enabled){
				switch (_arg1.keyCode){
					case Keyboard.UP:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							PreviousPageInt();
						} else {
							ScrollTo(NaN, (DocArea.verticalScrollPosition - DocArea.verticalLineScrollSize));
						};
						break;
					case Keyboard.DOWN:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							NextPageInt();
						} else {
							ScrollTo(NaN, (DocArea.verticalScrollPosition + DocArea.verticalLineScrollSize));
						};
						break;
					case Keyboard.LEFT:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							_Back();
						} else {
							ScrollTo((DocArea.horizontalScrollPosition - DocArea.horizontalLineScrollSize), NaN);
						};
						break;
					case Keyboard.RIGHT:
						_arg1.stopImmediatePropagation();
						if (_arg1.ctrlKey){
							_Forward();
						} else {
							ScrollTo((DocArea.horizontalScrollPosition + DocArea.horizontalLineScrollSize), NaN);
						};
						break;
					case Keyboard.BACKSPACE:
						_Back();
						break;
					case 85:
						if (_arg1.ctrlKey){
							NextPageInt();
						};
						break;
					case 89:
						if (_arg1.ctrlKey){
							PreviousPageInt();
						};
						break;
					case 107:
						if (_arg1.ctrlKey){
							SetZoomLevel((ZoomValue + 10));
						};
						break;
					case 109:
						if (_arg1.ctrlKey){
							SetZoomLevel((ZoomValue - 10));
						};
						break;
				};
			} else {
				_arg1.stopImmediatePropagation();
			};
			if ((((_arg1.keyCode == 80)) && (_arg1.ctrlKey))){
				Print();
			};
		}
		public function ShowTotalPages():void{
			TotalPagesField.text = ("/ " + new String(Pages.length));
		}
		public function CreateTip(_arg1:String, _arg2:int):TextField{
			var _local3:TextField = new TextField();
			_local3.accessibilityProperties = new AccessibilityProperties();
			_local3.accessibilityProperties.silent = true;
			_local3.y = toppanelheight;
			_local3.visible = false;
			_local3.border = true;
			_local3.borderColor = 0;
			_local3.background = true;
			_local3.backgroundColor = 16777185;
			_local3.selectable = false;
			_local3.defaultTextFormat = new TextFormat("Tahoma", 12, 0);
			_local3.autoSize = TextFieldAutoSize.LEFT;
			_local3.text = _arg1;
			_local3.x = (_arg2 - (_local3.width / 2));
			toolbar.addChild(_local3);
			return (_local3);
		}
		public function OnRotateButClick(_arg1:MouseEvent):void{
			RotateInt();
		}
		public function NavigateToURL(_arg1, _arg2){
			var url = _arg1;
			var window = _arg2;
			try {
				navigateToURL(new URLRequest(url), window);
			} catch(e:Error) {
			};
		}
		public function _Back():Boolean{
			var _local1:Object;
			if (HistoryIndex > 0){
				_local1 = History[--HistoryIndex];
				GoToPagePos(_local1, true);
				return (true);
			};
			return (false);
		}
		public function ShowCustomCursor(){
			Mouse.hide();
			cursor.visible = true;
			root.addEventListener(MouseEvent.MOUSE_MOVE, mouseMoveHandler, false, 0, true);
		}
		public function OnNextPageButClick(_arg1:MouseEvent):void{
			NextPageInt();
		}
		public function frame1ResizeHandler(_arg1:Event):void{
			CenterMsg(waitmsg);
		}
		public function AttachBtnImage(_arg1:MovieClip, _arg2:uint, _arg3:Boolean):void{
			var _local4:* = ("TBImage" + _arg2);
			if (_arg1.image){
				_arg1.removeChild(_arg1.image);
			};
			var _local5:MovieClip = AttachMovie(("TBImage" + _arg2), _arg1, "img");
			if (_local5){
				_local5.mouseEnabled = false;
				_local5.x = Math.round(((_arg1.width - _local5.width) / 2));
				_local5.y = Math.round(((_arg1.height - _local5.height) / 2));
				_arg1.image = _local5;
			};
		}
		public function OnFitPageButClick(_arg1:MouseEvent):void{
			FitPage();
		}
		public function ShowZoomTip(_arg1:Boolean):void{
			ScaleTextMovietip.visible = ((((_arg1) && (toolbar.ScaleTextMovie.visible))) && (!((stage.focus == ScaleTextField))));
		}
		public function TipMouseOut(_arg1:MouseEvent):void{
			var _local2:MovieClip = (_arg1.currentTarget as MovieClip);
			var _local3:TextField = _local2.tip;
			_local3.visible = false;
			_local3.x = _local2.tipOrigx;
		}
		public function OnContextMenuSelect(_arg1:ContextMenuEvent){
			copyTextMenuItem.visible = ((!(NoCopying)) && (Selected));
			ShowStandardCursor();
		}
		public function OnTotalPagesFieldRollOver(_arg1:MouseEvent):void{
			ShowTotalPagesTip(true);
		}
		public function OnDocAreaKeyUp(_arg1:KeyboardEvent):void{
			if (((((!(NoCopying)) && (_arg1.ctrlKey))) && ((((_arg1.keyCode == 67)) || ((_arg1.keyCode == 45)))))){
				CopyText();
			};
		}
		public function SetCurrentPage(_arg1:uint, _arg2:Number=0, _arg3:Number=0, _arg4:Boolean=false):void{
			if (_arg1 < 1){
				_arg1 = 1;
			};
			if (_arg1 > Pages.length){
				_arg1 = Pages.length;
			};
			_arg2 = (_arg2 * DocAreaContent.scaleX);
			_arg3 = (_arg3 * DocAreaContent.scaleY);
			var _local5:Number = ((Pages[(_arg1 - 1)].movie.y * DocAreaContent.scaleY) + _arg3);
			var _local6:Number = ((Pages[(_arg1 - 1)].movie.x * DocAreaContent.scaleX) + _arg2);
			if (!_arg4){
				_local5 = (_local5 - yinterstice);
				_local6 = (_local6 - xinterstice);
			};
			ScrollTo(_local6, _local5, false);
			UpdatePageNo(_arg1);
		}
		public function AddToHistory(_arg1:Object){
			ReplaceCurrPosInHistory();
			var _local2 = ++HistoryIndex;
			History[_local2] = _arg1;
			History.splice((HistoryIndex + 1), History.length);
		}
		public function FitPage():void{
			if (scaleMode != "page"){
				SetZoomState("page");
				SetBaseParameters();
			};
			SetCurrentPage(GetCurrentPage());
		}
		function __setAcc_toolbar_Scene1_Layer1_1(){
			toolbar.accessibilityProperties = new AccessibilityProperties();
			toolbar.accessibilityProperties.name = "Print2Flash Toolbar";
		}
		public function PrintInt(_arg1:Number, _arg2:Number, _arg3:String):void{
			var printJob:PrintJob;
			var jobStarted:Boolean;
			var pageno:uint;
			var page:Object;
			var pageAdded:Boolean;
			var pageMovie:MovieClip;
			var contPageMovie:MovieClip;
			var printArea:Rectangle;
			var realPageMovie:MovieClip;
			var paWidth:Number;
			var paHeight:Number;
			var scale:Number;
			var scaleRotated:Number;
			var startPrintPage = _arg1;
			var endPrintPage = _arg2;
			var printScaleMode = _arg3;
			if (!NoPrinting){
				printJob = new PrintJob();
				try {
					jobStarted = printJob.start();
				} catch(e:Error) {
					jobStarted = false;
				};
				if (jobStarted){
					pageno = startPrintPage;
					while (pageno <= endPrintPage) {
						page = DocPages[(pageno - 1)];
						pageAdded = false;
						pageMovie = CreatePageMovieInt(pageno);
						if (pageMovie){
							contPageMovie = new MovieClip();
							addChild(contPageMovie);
							switch (printScaleMode){
								case "noscale":
									realPageMovie = pageMovie;
									pageMovie = new MovieClip();
									contPageMovie.addChild(pageMovie);
									paWidth = ((printJob.pageWidth / 72) * Resolution);
									paHeight = ((printJob.pageHeight / 72) * Resolution);
									DrawRect(pageMovie, 0, 0, (paWidth * 1.1), (paHeight * 1.1), 0xFFFFFF, 0xFFFFFF);
									pageMovie.addChild(realPageMovie);
									realPageMovie.x = ((paWidth - ((printJob.paperWidth / 72) * Resolution)) / 2);
									realPageMovie.y = ((paHeight - ((printJob.paperHeight / 72) * Resolution)) / 2);
									printArea = new Rectangle(0, 0, paWidth, paHeight);
									pageMovie.scaleX = (pageMovie.scaleY = (72 / Resolution));
									break;
								default:
									contPageMovie.addChild(pageMovie);
									scale = Math.min((printJob.pageWidth / page.realWidth), (printJob.pageHeight / page.realHeight));
									scaleRotated = Math.min((printJob.pageWidth / page.realHeight), (printJob.pageHeight / page.realWidth));
									if (scaleRotated > scale){
										scale = scaleRotated;
										pageMovie.rotation = 270;
										pageMovie.y = (page.realWidth * scale);
									};
									pageMovie.scaleX = (pageMovie.scaleY = scale);
									printArea = new Rectangle(0, 0, (page.realWidth - 1), (page.realHeight - 1));
									break;
							};
							scale = Math.min((MovieWidth / contPageMovie.width), (MovieHeight / contPageMovie.height));
							contPageMovie.scaleX = (contPageMovie.scaleY = scale);
							try {
								printJob.addPage(pageMovie, printArea, new PrintJobOptions(PrintAsBitmap));
								pageAdded = true;
							} catch(e:Error) {
							};
							removeChild(contPageMovie);
						};
						if (!pageAdded){
							break;
						};
						pageno = (pageno + 1);
					};
					printJob.send();
					printJob = null;
				};
			};
		}
		public function GetFullScreenButID():int{
			if (IsFullScreen()){
				return (21);
			};
			return (20);
		}
		public function _goToLinkTarget(_arg1:String, _arg2:String):Boolean{
			if (_arg1.substr(0, 7) == "anchor:"){
				return (GoToBookmark(_arg1.substr(7)));
			};
			NavigateToURL(_arg1, _arg2);
			return (true);
		}
		public function getSelectedTextInt():String{
			var _local3:TextSnapshot;
			var _local4:String;
			var _local1 = "";
			var _local2:uint;
			while (_local2 < Pages.length) {
				_local3 = Pages[_local2].ts;
				if (_local3 != null){
					_local4 = _local3.getSelectedText(true);
					if (_local4 != ""){
						_local1 = (_local1 + (_local4 + String.fromCharCode(13, 10)));
					};
				};
				_local2++;
			};
			return (_local1);
		}
		public function GetSetting(_arg1:String, _arg2:Object):String{
			return (GetSettingInt(_arg1, _arg2, settings));
		}
		public function GoToPagePos(_arg1:Object, _arg2:Boolean){
			var _local3:Number;
			var _local4:Number;
			var _local5:Object = Pages[(_arg1.page - 1)];
			switch (Rotation){
				case 90:
					_local3 = (_local5.realHeight - _arg1.dy);
					_local4 = _arg1.dx;
					break;
				case 180:
					_local3 = (_local5.realWidth - _arg1.dx);
					_local4 = (_local5.realHeight - _arg1.dy);
					break;
				case 270:
					_local3 = _arg1.dy;
					_local4 = (_local5.realWidth - _arg1.dx);
					break;
				default:
					_local3 = _arg1.dx;
					_local4 = _arg1.dy;
			};
			SetCurrentPage(_arg1.page, _local3, _local4, _arg2);
		}
		public function SelectWord(_arg1:uint, _arg2:uint){
			var _local4:*;
			var _local5:int;
			var _local3:String = GetPageText(_arg1);
			if (IsWordSym(_local3.substr(_arg2, 1))){
				_local5 = FindNonWord(_local3, _arg2);
				if (_local5 == -1){
					_local5 = _local3.length;
				};
				_local4 = FindLastNonWord(_local3, _arg2);
				if (_local4 == -1){
					_local4 = 0;
				} else {
					_local4++;
				};
			} else {
				_local4 = _arg2;
				_local5 = (_arg2 + 1);
			};
			Unselect();
			var _local6:TextSnapshot = GetTextSnapshot(_arg1);
			_local6.setSelected(_local4, _local5, true);
			SelStartInfo = {page:_arg1, pos:_local4};
			SelEndInfo = {page:_arg1, pos:(_local5 - 1)};
		}
		public function ScrollTo(_arg1:Number, _arg2:Number, _arg3:Boolean=true):void{
			var _local4:Boolean;
			if (!isNaN(_arg1)){
				if (_arg1 > DocArea.maxHorizontalScrollPosition){
					_arg1 = DocArea.maxHorizontalScrollPosition;
				} else {
					if (_arg1 < 0){
						_arg1 = 0;
					};
				};
				if (_arg1 != DocArea.horizontalScrollPosition){
					DocArea.horizontalScrollPosition = _arg1;
					_local4 = true;
				};
			};
			if (!isNaN(_arg2)){
				if (_arg2 > DocArea.maxVerticalScrollPosition){
					_arg2 = DocArea.maxVerticalScrollPosition;
				} else {
					if (_arg2 < 0){
						_arg2 = 0;
					};
				};
				if (_arg2 != DocArea.verticalScrollPosition){
					DocArea.verticalScrollPosition = _arg2;
					_local4 = true;
				};
			};
			if (_arg3){
				UpdatePageNo();
			};
		}
		public function SetInitialPage():void{
			SetCurrentPage(GetInitParam("INITIAL_PAGE", "1"));
		}
		public function SetInitialPos():void{
			var _local1:String = GetInitParam("INITIAL_BOOKMARK", "");
			if (_local1){
				if (!GoToBookmark(_local1, false)){
					SetInitialPage();
				};
			} else {
				SetInitialPage();
			};
		}
		public function SetZoomState(_arg1:String):void{
			scaleMode = _arg1;
			if (scaleMode == "page"){
				toolbar.scalePage.but.ShowState(2);
				toolbar.scalePage.but.normalState = 2;
			} else {
				toolbar.scalePage.but.ShowState(1);
				toolbar.scalePage.but.normalState = 1;
			};
			if (scaleMode == "width"){
				toolbar.scaleWidth.but.ShowState(2);
				toolbar.scaleWidth.but.normalState = 2;
			} else {
				toolbar.scaleWidth.but.ShowState(1);
				toolbar.scaleWidth.but.normalState = 1;
			};
			SyncDropDownButState();
		}
		public function CopyText():void{
			var _local1:String = getSelectedTextInt();
			if (_local1 != ""){
				System.setClipboard(_local1);
			};
		}
		public function OnStageKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.keyCode != 13){
				notfoundtip.visible = false;
			};
		}
		public function SetInitialView():void{
			_SetCurrentZoom(GetInitParam("INITIAL_VIEW", "width"));
			RotateTo(GetInitParam("INITIAL_ROTATE", "0"));
		}
		public function CreateTips():void{
			var _local2:Object;
			var _local3:MovieClip;
			var _local4:TextField;
			var _local1:uint;
			while (_local1 < TBButtons.length) {
				_local2 = TBButtons[_local1];
				if (_local2.tip){
					_local3 = _local2.movie;
					_local4 = CreateTip(locale.loadString(_local2.tip), (_local3.x + (_local3.width / 2)));
					_local3.tip = _local4;
					if (!_local2.notiphandler){
						_local3.addEventListener(MouseEvent.ROLL_OVER, TipMouseOver, false, 0, true);
						_local3.addEventListener(MouseEvent.ROLL_OUT, TipMouseOut, false, 0, true);
					};
					if (_local3 == toolbar.searchPatternmc){
						searchPatternmctip = _local4;
					};
					if (_local3 == toolbar.ScaleTextMovie){
						ScaleTextMovietip = _local4;
					};
				};
				_local1++;
			};
			notfoundtip = CreateTip(locale.loadString("IDS_NOTFOUND"), (toolbar.searchPatternmc.x + (toolbar.searchPatternmc.width / 2)));
			pagenotip = CreateTip(locale.loadString("IDS_GOTOPAGE"), ((toolbar.PageNoMovie.x + toolbar.PageNoMovie.PageNoFieldMC.x) + (toolbar.PageNoMovie.PageNoFieldMC.width / 2)));
			totalpagestip = CreateTip(locale.loadString("IDS_TOTPAGES"), ((toolbar.PageNoMovie.x + toolbar.PageNoMovie.TotalPagesMC.x) + (toolbar.PageNoMovie.TotalPagesMC.width / 2)));
			SetupFSButton();
			if (Accessibility.active){
				Accessibility.updateProperties();
			};
		}
		public function OnPageNoFieldKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.charCode == 13){
				ProcessPageNo();
			};
		}
		public function GetDocHitPos(_arg1:Number, _arg2:Number):Object{
			var _local4:MovieClip;
			var _local5:Point;
			var _local3:uint;
			while (_local3 < Pages.length) {
				if (Pages[_local3].movie.hitTestPoint(_arg1, _arg2)){
					_local4 = Pages[_local3].movie;
					_local5 = new Point(_local4.x, _local4.y);
					_local5 = _local4.parent.localToGlobal(_local5);
					return ({page:(_local3 + 1), x:((_arg1 - _local5.x) / DocArea.content.scaleX), y:((_arg2 - _local5.y) / DocArea.content.scaleY)});
				};
				_local3++;
			};
			return (null);
		}
		public function Print(_arg1:Number=1, _arg2:Number=0, _arg3:String=""){
			if (!NoPrinting){
				if (!_arg2){
					_arg2 = Pages.length;
				};
				if (_arg3 == ""){
					_arg3 = printScaleMode;
				};
				DropDownToolbar.visible = false;
				printRangeWnd.show(this, MovieWidth, MovieHeight, _arg1, _arg2, _arg3);
			};
		}
		public function ShowPageNoFieldTip(_arg1:Boolean):void{
			pagenotip.visible = ((((_arg1) && (pagenotip.parent.visible))) && (!((stage.focus == PageNoField))));
		}
		public function GetCurrentPage():uint{
			return (PageNo);
		}
		public function OnScaleTextFieldRollOver(_arg1:MouseEvent):void{
			ShowZoomTip(true);
		}
		public function LayoutPages():void{
			var _local6:Object;
			var _local7:MovieClip;
			var _local8:MovieClip;
			var _local9:int;
			var _local10:Number;
			var _local11:uint;
			var _local12:uint;
			var _local13:int;
			var _local14:int;
			var _local1:int = xmargin;
			var _local2:int = ymargin;
			var _local3:int;
			ScaleFactor = ((ZoomValue / 100) * zoomCorr);
			DocAreaContent.scaleX = (DocAreaContent.scaleY = ScaleFactor);
			var _local4:uint;
			var _local5:int;
			while (_local5 < Pages.length) {
				_local6 = Pages[_local5];
				_local7 = _local6.movie;
				_local8 = _local6.realMovie;
				if (((_local1 + (_local6.width * ScaleFactor)) + xmargin) > AreaWidth){
					if (_local3 > 0){
						_local2 = (_local2 + ((_local3 * ScaleFactor) + yinterstice));
					};
					_local1 = xmargin;
					_local3 = 0;
				};
				_local6.y = _local2;
				_local7.x = (_local1 / ScaleFactor);
				_local7.y = (_local2 / ScaleFactor);
				_local8.rotation = Rotation;
				switch (Rotation){
					case 0:
						_local8.x = (_local8.y = 0);
						break;
					case 90:
						_local8.x = _local6.width;
						_local8.y = 0;
						break;
					case 180:
						_local8.x = _local6.width;
						_local8.y = _local6.height;
						break;
					case 270:
						_local8.x = 0;
						_local8.y = _local6.height;
						break;
				};
				_local1 = (_local1 + ((_local6.width * ScaleFactor) + xinterstice));
				if (_local6.height > _local3){
					_local3 = _local6.height;
				};
				_local4 = Math.max(_local1, _local4);
				_local5++;
			};
			_local5 = 0;
			while (_local5 < Pages.length) {
				_local9 = _local5;
				_local10 = Pages[_local5].movie.y;
				_local11 = uint.MAX_VALUE;
				_local12 = uint.MIN_VALUE;
				do  {
					_local6 = Pages[_local5];
					_local11 = Math.min(_local11, _local6.movie.x);
					_local12 = Math.max(_local12, (_local6.movie.x + _local6.width));
					_local5++;
				} while ((((_local5 < Pages.length)) && ((_local10 == Pages[_local5].movie.y))));
				_local13 = (((ClientWidth / ScaleFactor) - (_local12 - _local11)) / 2);
				if (_local13 > 0){
					_local14 = _local9;
					while (_local14 < _local5) {
						Pages[_local14].movie.x = (Pages[_local14].movie.x + _local13);
						_local14++;
					};
				};
			};
			BottomArea.y = (((_local2 + yinterstice) + (_local3 * ScaleFactor)) / ScaleFactor);
			BottomArea.height = (ymargin / ScaleFactor);
			BottomArea.x = (_local4 / ScaleFactor);
			BottomArea.width = (xmargin / ScaleFactor);
			DocArea.update();
		}
		public function mouseOutHandler(_arg1:MouseEvent):void{
			ShowStandardCursor();
		}
		public function LinkMouseOut(_arg1:MouseEvent):void{
			ShowCustomCursor();
		}
		public function CorrectZoomVal(_arg1:Number):uint{
			if (_arg1 > maxZoom){
				_arg1 = maxZoom;
			};
			if (_arg1 < minZoom){
				_arg1 = minZoom;
			};
			return (Math.floor(_arg1));
		}
		public function CalcScrollSteps():void{
			DocArea.verticalLineScrollSize = (DocArea.height / 20);
			DocArea.verticalPageScrollSize = (DocArea.height - DocArea.verticalLineScrollSize);
			DocArea.horizontalLineScrollSize = (DocArea.width / 20);
			DocArea.horizontalPageScrollSize = (DocArea.width - DocArea.horizontalLineScrollSize);
		}
		public function OnStageMouseLeave(_arg1:Event):void{
			mouseOutHandler(new MouseEvent(MouseEvent.MOUSE_OUT));
		}
		function __setAcc_HandCursor_Scene1_Layer1_1(){
			HandCursor.accessibilityProperties = new AccessibilityProperties();
			HandCursor.accessibilityProperties.silent = true;
		}
		public function IsWordSym(_arg1:String):Boolean{
			var _local2:Number = _arg1.charCodeAt(0);
			return ((((((((((_arg1 >= "A")) && ((_arg1 <= "Z")))) || ((((_arg1 >= "a")) && ((_arg1 <= "z")))))) || ((((_arg1 >= "0")) && ((_arg1 <= "9")))))) || ((((((((_local2 >= 128)) && (!((((_local2 >= 0x2000)) && ((_local2 <= 8303))))))) && (!((((_local2 >= 160)) && ((_local2 <= 191))))))) && (!((((_local2 >= 0x2E00)) && ((_local2 <= 11903)))))))));
		}
		public function SearchForText(_arg1:String):Boolean{
			return ((notfoundtip.visible = (SearchAndHighlightText(_arg1) == -1)));
		}
		public function SyncDropDownButState():void{
			var _local1:*;
			var _local2:MovieClip;
			if (DropDownToolbar){
				_local1 = 0;
				while (_local1 < DropDownToolbar.Buttons.length) {
					_local2 = DropDownToolbar.Buttons[_local1];
					_local2.but.normalState = _local2.button.movie.but.normalState;
					_local2.but.ShowState(_local2.but.normalState);
					_local1++;
				};
			};
		}
		public function OnPageNoFieldRollOver(_arg1:MouseEvent):void{
			ShowPageNoFieldTip(true);
		}
		public function OnDocAreaContentRollOver(_arg1:MouseEvent):void{
			cursor.x = _arg1.stageX;
			cursor.y = _arg1.stageY;
			ShowCustomCursor();
		}
		public function GetInitParam(_arg1:String, _arg2:Object){
			var _local3:* = loaderInfo.parameters[_arg1];
			if (_local3 == null){
				_local3 = _arg2;
			};
			return (_local3);
		}
		public function CenterMsg(_arg1:MovieClip){
			if (_arg1){
				_arg1.x = ((stage.stageWidth - _arg1.width) / 2);
				_arg1.y = ((stage.stageHeight - _arg1.height) / 2);
			};
		}
		public function ProcessZoomEntry():void{
			SetZoomLevel(new Number(RemoveNonDigits(ScaleTextField.text)));
		}
		public function PlaceWaitMsg(_arg1:Sprite, _arg2:String):MovieClip{
			var _local3 = "waitmsg";
			var _local4:MovieClip = AttachMovie(_local3, _arg1, _local3);
			_local4.msg.autoSize = TextFieldAutoSize.LEFT;
			_local4.msg.text = _arg2;
			return (_local4);
		}
		public function OpenInNewWindowInt():void{
			DropDownToolbar.visible = false;
			NavigateToURL(loaderInfo.url, "_blank");
		}
		public function OnScaleTextFieldFocusOut(_arg1:FocusEvent):void{
			ProcessZoomEntry();
		}
		public function OnPageNoFieldFocusIn(_arg1:FocusEvent):void{
			PageNoInitVal = PageNoField.text;
			ShowPageNoFieldTip(false);
		}
		public function OnFitWidthButClick(_arg1:MouseEvent):void{
			FitWidth();
		}
		public function SelectScroll(){
			if (DocArea.mouseY > DocArea.height){
				ScrollTo(undefined, (DocArea.verticalScrollPosition + interpolate((DocArea.verticalLineScrollSize * MinSelVScrollRatio), (DocArea.verticalLineScrollSize * MaxSelVScrollRatio), DocArea.height, (DocArea.height * 2), DocArea.mouseY)));
			} else {
				if (DocArea.mouseY < 0){
					ScrollTo(undefined, (DocArea.verticalScrollPosition - interpolate((DocArea.verticalLineScrollSize * MinSelVScrollRatio), (DocArea.verticalLineScrollSize * MaxSelVScrollRatio), 0, -(DocArea.height), DocArea.mouseY)));
				} else {
					if (DocArea.mouseX > DocArea.width){
						ScrollTo((DocArea.horizontalScrollPosition + interpolate((DocArea.horizontalLineScrollSize * MinSelHScrollRatio), (DocArea.horizontalLineScrollSize * MaxSelHScrollRatio), DocArea.width, (DocArea.width * 2), DocArea.mouseX)), undefined);
					} else {
						if (DocArea.mouseX < 0){
							ScrollTo((DocArea.horizontalScrollPosition - interpolate((DocArea.horizontalLineScrollSize * MinSelHScrollRatio), (DocArea.horizontalLineScrollSize * MaxSelHScrollRatio), 0, -(DocArea.width), DocArea.mouseX)), undefined);
						};
					};
				};
			};
		}
		public function AttachBtnImages(){
			var _local4:*;
			var _local1:* = 0;
			while (_local1 < TBButtons.length) {
				_local4 = TBButtons[_local1];
				if (_local4.id){
					AttachBtnImage(_local4.movie, _local4.id, _local4.nocoladj);
				};
				_local1++;
			};
			AttachBtnImage(toolbar.more, 16, false);
			toolbar.ZoomSlider.SetRange(minZoom, maxZoom);
			toolbar.ZoomSlider.y = Math.round(((Deftoppanelheight - toolbar.ZoomSlider.height) / 2));
			toolbar.ZoomSlider.Init();
			var _local2:MovieClip = toolbar.ZoomSlider.getChildByName("img");
			if (_local2){
				toolbar.ZoomSlider.swapChildren(_local2, toolbar.ZoomSlider.SliderHandle);
				toolbar.ZoomSlider.SliderHandleBtn.y = Math.round(((-((toolbar.ZoomSlider.SliderHandleBtn.height - _local2.height)) / 2) + GetIntSetting("ZoomHandleOffset", 0)));
			};
			var _local3:MovieClip = toolbar.logo.getChildByName("img");
			if (_local3){
				_local3.y = Math.round(((29 - _local3.height) / 2));
			};
		}
		public function UpdateMaxPageParams(_arg1:Object):void{
			if (_arg1.width > MaxPageWidth){
				MaxPageWidth = _arg1.width;
			};
			if (_arg1.height > MaxPageHeight){
				MaxPageHeight = _arg1.height;
			};
		}
		public function UpdatePageNo(_arg1:Number=0):void{
			if (!_arg1){
				_arg1 = GetVisiblePageNo();
			};
			PageNoField.text = _arg1.toString();
			if (PageNo != _arg1){
				PageNo = _arg1;
			};
		}
		function __setTab_HandCursor_Scene1_Layer1_1(){
			HandCursor.tabIndex = 0;
		}
		public function OnPageNoFieldFocusOut(_arg1:FocusEvent):void{
			if (PageNoInitVal != PageNoField.text){
				ProcessPageNo();
			};
		}
		public function OnTotalPagesFieldRollOut(_arg1:MouseEvent):void{
			ShowTotalPagesTip(false);
		}
		public function ScanPages(_arg1:uint):void{
			var _local3:*;
			var _local4:*;
			var _local5:*;
			var _local6:*;
			var _local7:*;
			var _local8:*;
			var _local9:*;
			var _local10:*;
			var _local11:*;
			var _local12:*;
			var _local2:uint = _arg1;
			do  {
				_local3 = DocPages[(_local2 - 1)].movie;
				_local4 = DocPages[(_local2 - 1)].realMovie;
				_local5 = _local3.x;
				_local6 = _local3.y;
				_local7 = _local4.x;
				_local8 = _local4.y;
				_local9 = _local4.rotation;
				_local10 = AttachPageMovie(_local2);
				_local11 = !((_local10 == null));
				if (_local11){
					if ((((_local2 < FromPage)) || ((_local2 > ToPage)))){
						DocAreaContent.removeChild(_local10);
					} else {
						_local10.x = _local5;
						_local10.y = _local6;
						_local12 = _local10.getChildByName("realMovie");
						_local12.x = _local7;
						_local12.y = _local8;
						_local12.rotation = _local9;
					};
					loadedPages = _local2;
					UpdateWaitMsg();
				};
				_local2++;
			} while (((_local11) && ((_local2 <= totalPages))));
		}
		public function AttachBinData(_arg1:String, _arg2:Boolean=false):ByteArray{
			var ba:ByteArray;
			var AssetClass:Class;
			var id = _arg1;
			var fromExtDoc = _arg2;
			try {
				AssetClass = (getDefinitionByName(id) as Class);
				ba = new (AssetClass);
			} catch(e) {
			};
			return (ba);
		}
		public function GetIntSetting(_arg1:String, _arg2:Object):int{
			return (parseInt(GetSetting(_arg1, _arg2)));
		}
		public function OnFullScreen(_arg1:FullScreenEvent):void{
			if (((!(_arg1.fullScreen)) && (!(isNaN(beforeFSWidth))))){
				setSize(beforeFSWidth, beforeFSHeight);
				beforeFSWidth = NaN;
			};
			SetupFSButton();
			LayoutToolbar();
		}
		public function onload():void{
			SetMouseMode("move");
			SetInitialView();
			if (autonomous){
				stage.dispatchEvent(new Event(Event.RESIZE));
			} else {
				setSize(550, 400);
			};
			SetInitialPos();
			ShowTotalPages();
		}
		public function GetSettingInt(_arg1:String, _arg2:Object, _arg3:XML, _arg4:XML=null):String{
			var _local5:String = _arg3.attribute(_arg1);
			if (((!(_local5)) && (_arg4))){
				_local5 = _arg4.attribute(_arg1);
			};
			if (!_local5){
				_local5 = String(_arg2);
			};
			return (_local5);
		}
		public function OnLogoClick(_arg1:MouseEvent):void{
			NavigateToURL(LogoURL, "_blank");
		}
		public function GetMouseHoverSymbol(_arg1:Number):Object{
			var _local3:*;
			var _local4:TextSnapshot;
			var _local5:Number;
			var _local2:uint;
			while (_local2 < Pages.length) {
				_local3 = GetMousePos();
				if (Pages[_local2].realMovie.hitTestPoint(_local3.x, _local3.y)){
					_local4 = GetTextSnapshot(_local2);
					_local5 = _local4.hitTestTextNearPos(Pages[_local2].realMovie.mouseX, Pages[_local2].realMovie.mouseY, _arg1);
					if (_local5 != -1){
						return ({page:_local2, pos:_local5});
					};
				};
				_local2++;
			};
			return (null);
		}
		public function OnSearchFieldKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.charCode == 13){
				Search();
			};
		}
		public function FindNonWord(_arg1:String, _arg2:uint):int{
			var _local3:int = _arg2;
			while (_local3 < _arg1.length) {
				if (!IsWordSym(_arg1.charAt(_local3))){
					return (_local3);
				};
				_local3++;
			};
			return (-1);
		}
		public function setSize(_arg1:uint, _arg2:uint):void{
			DocArea.y = toppanelheight;
			MovieWidth = _arg1;
			MovieHeight = _arg2;
			DocArea.width = MovieWidth;
			DocArea.height = (MovieHeight - toppanelheight);
			CalcScrollSteps();
			SetBaseParameters();
			LayoutPages();
			LayoutToolbar();
			ModalScreen.resizeContainer(_arg1, _arg2);
		}
		function __setTab_DocArea_Scene1_Layer1_1(){
			DocArea.tabIndex = 17;
		}
		public function OnSliderChange(_arg1:Event):void{
			ZoomTo(toolbar.ZoomSlider.GetValue());
			SetZoomState("none");
		}
		public function OpenHelpPageInt():void{
			DropDownToolbar.visible = false;
			NavigateToURL(HelpPageURL, "_blank");
		}
		public function FillWithBitmap(_arg1:MovieClip, _arg2:BitmapData, _arg3:int, _arg4:int, _arg5:int, _arg6:int, _arg7:Boolean):void{
			var matrix:*;
			var movie = _arg1;
			var bitmap = _arg2;
			var x1 = _arg3;
			var y1 = _arg4;
			var x2 = _arg5;
			var y2 = _arg6;
			var scaleToFit = _arg7;
			var _local9 = movie.graphics;
			with (_local9) {
				if (scaleToFit){
					matrix = new Matrix();
					matrix.scale(((x2 - x1) / bitmap.width), ((y2 - y1) / bitmap.height));
				};
				beginBitmapFill(bitmap, matrix, true);
				moveTo(x1, y1);
				lineTo(x1, y2);
				lineTo(x2, y2);
				lineTo(x2, y1);
				lineTo(x1, y1);
				endFill();
			};
		}
		public function DropDowbButHandler(_arg1:MouseEvent):void{
			_arg1.currentTarget.button.movie.but.dispatchEvent(new MouseEvent(MouseEvent.CLICK));
		}
		public function SetupFSButton():void{
			var _local1:* = toolbar.fullscreen;
			AttachBtnImage(_local1, GetFullScreenButID(), false);
			var _local2:TextField = _local1.tip;
			_local2.visible = false;
			_local2.text = locale.loadString(GetFullScreenTipID());
			_local1.tipOrigx = (_local2.x = ((_local1.x + (_local1.width / 2)) - (_local2.width / 2)));
		}
		public function OnScaleTextFieldKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.charCode == 13){
				ProcessZoomEntry();
			};
		}
		public function PreviousPageInt():void{
			SetCurrentPage((GetCurrentPage() - 1));
		}
		public function AttachMovie(_arg1:String, _arg2:Sprite=null, _arg3:String=""):MovieClip{
			var movie:MovieClip;
			var AssetClass:Class;
			var id = _arg1;
			var parent = _arg2;
			var name = _arg3;
			try {
				AssetClass = (getDefinitionByName(id) as Class);
				movie = new (AssetClass);
				if (name.length){
					movie.name = name;
				};
				if (parent){
					parent.addChild(movie);
				};
			} catch(e:Error) {
			};
			return (movie);
		}
		public function EnableLinks():void{
			var _local1:uint;
			while (_local1 < Links.length) {
				Links[_local1].addEventListener(MouseEvent.CLICK, LinkClick, false, 0, true);
				Links[_local1].addEventListener(MouseEvent.ROLL_OVER, LinkMouseOver, false, 0, true);
				Links[_local1].addEventListener(MouseEvent.ROLL_OUT, LinkMouseOut, false, 0, true);
				_local1++;
			};
		}
		public function ProcessPageNo(){
			var _local1:String = PageNoField.text;
			SetCurrentPage(new Number(_local1));
			PageNoInitVal = PageNoField.text;
		}
		public function OnCopyMenuItemSelect(_arg1:ContextMenuEvent){
			if (!NoCopying){
				CopyText();
			};
		}
		public function OnSearchFieldFocusIn(_arg1:FocusEvent):void{
			ShowSearchPatTip(false);
		}
		public function GoToBookmark(_arg1:String, _arg2:Boolean=true){
			var _local3:Object = BMDef[_arg1];
			if (((((_local3) && ((_local3.page >= 1)))) && ((_local3.page <= totalPages)))){
				if (_arg2){
					AddToHistory(_local3);
				};
				GoToPagePos(_local3, false);
				return (true);
			};
			return (false);
		}
		public function CreateLinks(_arg1:uint):void{
			var _local3:uint;
			var _local4:Object;
			var _local5:MovieClip;
			var _local6:MovieClip;
			var _local2:Object = LinkDef[("p" + _arg1)];
			if (_local2){
				_local3 = 0;
				while (_local3 < _local2.length) {
					_local4 = _local2[_local3];
					_local5 = DocPages[(_arg1 - 1)].realMovie;
					_local6 = (_local5.getChildByName(_local4.name) as MovieClip);
					_local6.LinkURL = _local4.url;
					_local6.target = _local4.target;
					_local6.pageno = _arg1;
					_local6.useHandCursor = true;
					_local6.buttonMode = true;
					_local6.addEventListener(MouseEvent.CLICK, LinkClick, false, 0, true);
					_local6.addEventListener(MouseEvent.ROLL_OVER, LinkMouseOver, false, 0, true);
					_local6.addEventListener(MouseEvent.ROLL_OUT, LinkMouseOut, false, 0, true);
					Links.push(_local6);
					_local3++;
				};
			};
		}

	}
}//package print2flash_fla 
Section 26
//MCSlider_47 (print2flash_fla.MCSlider_47)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class MCSlider_47 extends MovieClip {

		public var SliderHandleBtn:ImgButton;

		public function MCSlider_47(){
			__setAcc_SliderHandleBtn_MCSlider_Layer1_0();
			__setTab_SliderHandleBtn_MCSlider_Layer1_0();
		}
		function __setTab_SliderHandleBtn_MCSlider_Layer1_0(){
			SliderHandleBtn.tabIndex = 0;
		}
		function __setAcc_SliderHandleBtn_MCSlider_Layer1_0(){
			SliderHandleBtn.accessibilityProperties = new AccessibilityProperties();
			SliderHandleBtn.accessibilityProperties.silent = true;
		}

	}
}//package print2flash_fla 
Section 27
//Timeline_30 (print2flash_fla.Timeline_30)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_30 extends MovieClip {

		public var ScaleTextField:TextField;

		public function Timeline_30(){
			__setAcc_ScaleTextField_();
			__setTab_ScaleTextField_();
		}
		function __setTab_ScaleTextField_(){
			ScaleTextField.tabIndex = 5;
		}
		function __setAcc_ScaleTextField_(){
			ScaleTextField.accessibilityProperties = new AccessibilityProperties();
			ScaleTextField.accessibilityProperties.name = "Zoom";
		}

	}
}//package print2flash_fla 
Section 28
//Timeline_31 (print2flash_fla.Timeline_31)
package print2flash_fla {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class Timeline_31 extends MovieClip {

		public var PageNoFieldMC:MovieClip;
		public var TotalPagesMC:MovieClip;

		public function Timeline_31(){
			__setAcc_TotalPagesMC_();
			__setTab_TotalPagesMC_();
			__setTab_PageNoFieldMC_();
		}
		function __setAcc_TotalPagesMC_(){
			TotalPagesMC.accessibilityProperties = new AccessibilityProperties();
			TotalPagesMC.accessibilityProperties.silent = true;
		}
		function __setTab_PageNoFieldMC_(){
			PageNoFieldMC.tabIndex = 0;
		}
		function __setTab_TotalPagesMC_(){
			TotalPagesMC.tabIndex = 0;
		}

	}
}//package print2flash_fla 
Section 29
//Timeline_32 (print2flash_fla.Timeline_32)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_32 extends MovieClip {

		public var TotalPages:TextField;

		public function Timeline_32(){
			__setAcc_TotalPages_();
			__setTab_TotalPages_();
		}
		function __setTab_TotalPages_(){
			TotalPages.tabIndex = 0;
		}
		function __setAcc_TotalPages_(){
			TotalPages.accessibilityProperties = new AccessibilityProperties();
			TotalPages.accessibilityProperties.silent = true;
		}

	}
}//package print2flash_fla 
Section 30
//Timeline_33 (print2flash_fla.Timeline_33)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_33 extends MovieClip {

		public var PageNoField:TextField;

		public function Timeline_33(){
			__setAcc_PageNoField_();
			__setTab_PageNoField_();
		}
		function __setTab_PageNoField_(){
			PageNoField.tabIndex = 9;
		}
		function __setAcc_PageNoField_(){
			PageNoField.accessibilityProperties = new AccessibilityProperties();
			PageNoField.accessibilityProperties.name = "Go to page";
		}

	}
}//package print2flash_fla 
Section 31
//Timeline_50 (print2flash_fla.Timeline_50)
package print2flash_fla {
	import flash.display.*;
	import flash.text.*;
	import flash.accessibility.*;

	public dynamic class Timeline_50 extends MovieClip {

		public var searchPattern:TextField;

		public function Timeline_50(){
			__setAcc_searchPattern_();
			__setTab_searchPattern_();
		}
		function __setTab_searchPattern_(){
			searchPattern.tabIndex = 11;
		}
		function __setAcc_searchPattern_(){
			searchPattern.accessibilityProperties = new AccessibilityProperties();
			searchPattern.accessibilityProperties.name = "Search";
		}

	}
}//package print2flash_fla 
Section 32
//button (button)
package {
	import flash.display.*;

	public dynamic class button extends SimpleButton {

	}
}//package 
Section 33
//Button_disabledSkin (Button_disabledSkin)
package {
	import flash.display.*;

	public dynamic class Button_disabledSkin extends MovieClip {

	}
}//package 
Section 34
//Button_downSkin (Button_downSkin)
package {
	import flash.display.*;

	public dynamic class Button_downSkin extends MovieClip {

	}
}//package 
Section 35
//Button_emphasizedSkin (Button_emphasizedSkin)
package {
	import flash.display.*;

	public dynamic class Button_emphasizedSkin extends MovieClip {

	}
}//package 
Section 36
//Button_overSkin (Button_overSkin)
package {
	import flash.display.*;

	public dynamic class Button_overSkin extends MovieClip {

	}
}//package 
Section 37
//Button_selectedDisabledSkin (Button_selectedDisabledSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedDisabledSkin extends MovieClip {

	}
}//package 
Section 38
//Button_selectedDownSkin (Button_selectedDownSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedDownSkin extends MovieClip {

	}
}//package 
Section 39
//Button_selectedOverSkin (Button_selectedOverSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedOverSkin extends MovieClip {

	}
}//package 
Section 40
//Button_selectedUpSkin (Button_selectedUpSkin)
package {
	import flash.display.*;

	public dynamic class Button_selectedUpSkin extends MovieClip {

	}
}//package 
Section 41
//Button_upSkin (Button_upSkin)
package {
	import flash.display.*;

	public dynamic class Button_upSkin extends MovieClip {

	}
}//package 
Section 42
//def_back (def_back)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_back extends MovieClip {

		public var but:manualbutton;

		public function def_back(){
			__setAcc_but_def_back_Layer2_0();
			__setTab_but_def_back_Layer2_0();
		}
		function __setAcc_but_def_back_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Back";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_back_Layer2_0(){
			but.tabIndex = 1;
		}

	}
}//package 
Section 43
//def_bgr (def_bgr)
package {
	import flash.display.*;

	public dynamic class def_bgr extends MovieClip {

	}
}//package 
Section 44
//def_forward (def_forward)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_forward extends MovieClip {

		public var but:manualbutton;

		public function def_forward(){
			__setAcc_but_def_forward_Layer2_0();
			__setTab_but_def_forward_Layer2_0();
		}
		function __setTab_but_def_forward_Layer2_0(){
			but.tabIndex = 2;
		}
		function __setAcc_but_def_forward_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Forward";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 45
//def_fullscreen (def_fullscreen)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_fullscreen extends MovieClip {

		public var but:manualbutton;

		public function def_fullscreen(){
			__setAcc_but_def_fullscreen_Layer2_0();
			__setTab_but_def_fullscreen_Layer2_0();
		}
		function __setTab_but_def_fullscreen_Layer2_0(){
			but.tabIndex = 1;
		}
		function __setAcc_but_def_fullscreen_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Back";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 46
//def_help (def_help)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_help extends MovieClip {

		public var but:manualbutton;

		public function def_help(){
			__setAcc_but_def_help_Layer2_0();
			__setTab_but_def_help_Layer2_0();
		}
		function __setAcc_but_def_help_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Help";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_help_Layer2_0(){
			but.tabIndex = 16;
		}

	}
}//package 
Section 47
//def_more (def_more)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_more extends MovieClip {

		public var but:manualbutton;

		public function def_more(){
			__setAcc_but_def_more_Layer3_0();
			__setTab_but_def_more_Layer3_0();
		}
		function __setTab_but_def_more_Layer3_0(){
			but.tabIndex = 0;
		}
		function __setAcc_but_def_more_Layer3_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.silent = true;
		}

	}
}//package 
Section 48
//def_moveMode (def_moveMode)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_moveMode extends MovieClip {

		public var but:manualbutton;

		public function def_moveMode(){
			__setAcc_but_def_moveMode_Layer2_0();
			__setTab_but_def_moveMode_Layer2_0();
		}
		function __setTab_but_def_moveMode_Layer2_0(){
			but.tabIndex = 3;
		}
		function __setAcc_but_def_moveMode_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Drag";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 49
//def_newwindow (def_newwindow)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_newwindow extends MovieClip {

		public var but:manualbutton;

		public function def_newwindow(){
			__setAcc_but_def_newwindow_Layer2_0();
			__setTab_but_def_newwindow_Layer2_0();
		}
		function __setAcc_but_def_newwindow_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Open in New Window";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_newwindow_Layer2_0(){
			but.tabIndex = 15;
		}

	}
}//package 
Section 50
//def_nextpage (def_nextpage)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_nextpage extends MovieClip {

		public var but:manualbutton;

		public function def_nextpage(){
			__setAcc_but_def_nextpage_Layer2_0();
			__setTab_but_def_nextpage_Layer2_0();
		}
		function __setTab_but_def_nextpage_Layer2_0(){
			but.tabIndex = 10;
		}
		function __setAcc_but_def_nextpage_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Next page";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 51
//def_prevpage (def_prevpage)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_prevpage extends MovieClip {

		public var but:manualbutton;

		public function def_prevpage(){
			__setAcc_but_def_prevpage_Layer2_0();
			__setTab_but_def_prevpage_Layer2_0();
		}
		function __setTab_but_def_prevpage_Layer2_0(){
			but.tabIndex = 8;
		}
		function __setAcc_but_def_prevpage_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Previous page";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 52
//def_print (def_print)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_print extends MovieClip {

		public var but:manualbutton;

		public function def_print(){
			__setAcc_but_def_print_Layer2_0();
			__setTab_but_def_print_Layer2_0();
		}
		function __setTab_but_def_print_Layer2_0(){
			but.tabIndex = 14;
		}
		function __setAcc_but_def_print_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Print";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 53
//def_rotate (def_rotate)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_rotate extends MovieClip {

		public var but:manualbutton;

		public function def_rotate(){
			__setAcc_but_def_rotate_Layer2_0();
			__setTab_but_def_rotate_Layer2_0();
		}
		function __setTab_but_def_rotate_Layer2_0(){
			but.tabIndex = 13;
		}
		function __setAcc_but_def_rotate_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Rotate";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 54
//def_scalePage (def_scalePage)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_scalePage extends MovieClip {

		public var but:manualbutton;

		public function def_scalePage(){
			__setAcc_but_def_scalePage_Layer2_0();
			__setTab_but_def_scalePage_Layer2_0();
		}
		function __setAcc_but_def_scalePage_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Fit page";
			but.accessibilityProperties.forceSimple = true;
		}
		function __setTab_but_def_scalePage_Layer2_0(){
			but.tabIndex = 7;
		}

	}
}//package 
Section 55
//def_scaleWidth (def_scaleWidth)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_scaleWidth extends MovieClip {

		public var but:manualbutton;

		public function def_scaleWidth(){
			__setAcc_but_def_scaleWidth_Layer2_0();
			__setTab_but_def_scaleWidth_Layer2_0();
		}
		function __setTab_but_def_scaleWidth_Layer2_0(){
			but.tabIndex = 6;
		}
		function __setAcc_but_def_scaleWidth_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Fit width";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 56
//def_selMode (def_selMode)
package {
	import flash.display.*;
	import flash.accessibility.*;

	public dynamic class def_selMode extends MovieClip {

		public var but:manualbutton;

		public function def_selMode(){
			__setAcc_but_def_selMode_Layer2_0();
			__setTab_but_def_selMode_Layer2_0();
		}
		function __setTab_but_def_selMode_Layer2_0(){
			but.tabIndex = 4;
		}
		function __setAcc_but_def_selMode_Layer2_0(){
			but.accessibilityProperties = new AccessibilityProperties();
			but.accessibilityProperties.name = "Select Text";
			but.accessibilityProperties.forceSimple = true;
		}

	}
}//package 
Section 57
//focusRectSkin (focusRectSkin)
package {
	import flash.display.*;

	public dynamic class focusRectSkin extends MovieClip {

	}
}//package 
Section 58
//ImgButton (ImgButton)
package {
	import flash.display.*;

	public class ImgButton extends SimpleButton {

		private var upImageID;
		private var downImageID:String;

		public function SetImages(_arg1, _arg2:String){
			var _local3:MovieClip = MovieClip(root);
			upState = new ImgButtonDisplayState(_arg1, _local3);
			downState = new ImgButtonDisplayState(_arg2, _local3);
			overState = new ImgButtonDisplayState(_arg2, _local3);
			hitTestState = new Sprite();
			_local3.DrawRect(hitTestState, 0, 0, Math.max(upState.width, downState.width), Math.max(upState.height, downState.height), 0);
		}

	}
}//package 
Section 59
//ImgButtonDisplayState (ImgButtonDisplayState)
package {
	import flash.display.*;

	public class ImgButtonDisplayState extends Sprite {

		public function ImgButtonDisplayState(_arg1:String, _arg2:MovieClip){
			_arg2.AttachMovie(_arg1, this);
		}
	}
}//package 
Section 60
//manualbutton (manualbutton)
package {
	import flash.display.*;
	import flash.events.*;

	public class manualbutton extends MovieClip {

		private var canvas:Sprite;
		public var normalState:uint;// = 1

		public function manualbutton(){
			useHandCursor = (buttonMode = true);
			mouseChildren = false;
			addEventListener(MouseEvent.ROLL_OVER, onRollOver, false, 0, true);
			addEventListener(MouseEvent.ROLL_OUT, onRollOut, false, 0, true);
			addEventListener(MouseEvent.MOUSE_DOWN, onMouseDown, false, 0, true);
			addEventListener(MouseEvent.MOUSE_UP, onMouseUp, false, 0, true);
		}
		public function onMouseUp(_arg1:MouseEvent):void{
			ShowState(2);
		}
		public function onRollOut(_arg1:MouseEvent):void{
			var _local2:MovieClip = MovieClip(root);
			ShowState(normalState);
		}
		public function onRollOver(_arg1:MouseEvent):void{
			ShowState(2);
		}
		public function ShowState(_arg1:uint):void{
			var _local2:MovieClip = MovieClip(root);
			if (canvas){
				removeChild(canvas);
			};
			canvas = new Sprite();
			addChild(canvas);
			switch (_arg1){
				case 2:
					_local2.DrawRect(canvas, 0, 0, (width / scaleX), height, _local2.OverButColor, _local2.OverRectColor);
					break;
				case 3:
					_local2.DrawRect(canvas, 0, 0, (width / scaleX), height, _local2.DownButColor, _local2.DownRectColor);
					break;
			};
		}
		public function onMouseDown(_arg1:MouseEvent):void{
			ShowState(3);
		}

	}
}//package 
Section 61
//ModalScreen (ModalScreen)
package {
	import flash.display.*;

	public class ModalScreen {

		private static var container:DisplayObjectContainer;
		private static var sprite:Sprite;
		private static var object:DisplayObject;

		private static function DrawSprite(_arg1, _arg2:uint){
			sprite.graphics.beginFill(0);
			sprite.graphics.drawRect(container.x, container.y, _arg1, _arg2);
			sprite.graphics.endFill();
		}
		public static function resizeContainer(_arg1, _arg2:uint):void{
			if (sprite){
				sprite.graphics.clear();
				DrawSprite(_arg1, _arg2);
				center(_arg1, _arg2, object);
			};
		}
		public static function close(){
			container.removeChild(sprite);
			sprite = null;
		}
		private static function center(_arg1:uint, _arg2:uint, _arg3:DisplayObject):void{
			_arg3.x = ((_arg1 / 2) - (_arg3.width / 2));
			_arg3.y = ((_arg2 / 2) - (_arg3.height / 2));
		}
		public static function show(_arg1:DisplayObjectContainer, _arg2:DisplayObject, _arg3:uint, _arg4:uint){
			_arg1 = DisplayObjectContainer(_arg1.root);
			ModalScreen.container = _arg1;
			ModalScreen.object = _arg2;
			sprite = new Sprite();
			DrawSprite(_arg3, _arg4);
			sprite.addChild(_arg2);
			sprite.alpha = 0.5;
			_arg2.alpha = 2;
			_arg1.addChild(sprite);
			_arg1.setChildIndex(sprite, (_arg1.numChildren - 1));
			ModalScreen.center(_arg3, _arg4, _arg2);
		}

	}
}//package 
Section 62
//P2FLocale (P2FLocale)
package {
	import flash.system.*;

	public class P2FLocale {

		var Strings:Object;

		static var DefLanguage = "en";
		public static var LocaleArray:Object = {bs:{IDS_DRAG:"Ruka", IDS_SELTEXT:"Selektuj tekst", IDS_ZOOM:"Priblizi", IDS_FITWIDTH:"Po sirini", IDS_FITPAGE:"Po stranici", IDS_PREVPAGE:"Prosla stranica", IDS_GOTOPAGE:"Idi na stranicu", IDS_TOTPAGES:"Ukupno stranica", IDS_NEXTPAGE:"Sljedeca stranica", IDS_SCHHINT:"Kucaj ovdje da trazis", IDS_SEARCH:"Trazi", IDS_NOTFOUND:"Nije pronadjeno", IDS_ROTATE:"Rotiraj", IDS_PRINT:"Printaj", IDS_NEWWND:"Otvori u novom prozoru", IDS_HELP:"Pomoc", IDS_BACK:"Nazad", IDS_FORWARD:"Naprijed", IDS_FULLSCR:"Prikaz preko cijelog ekrana", IDS_FULLSCREXIT:"Prekini prikaz preko cijelog ekrana"}, cs:{IDS_DRAG:"Posouvání", IDS_SELTEXT:"Vybrat text", IDS_ZOOM:"Zvětšení", IDS_FITWIDTH:"Šířka stránky", IDS_FITPAGE:"Celá stránka", IDS_PREVPAGE:"Předchozí stránka", IDS_GOTOPAGE:"Přejít na stránku", IDS_TOTPAGES:"Celkem stránek", IDS_NEXTPAGE:"Další stránka", IDS_SCHHINT:"Vložte hledaný text", IDS_SEARCH:"Hledat", IDS_NOTFOUND:"Nenalezeno", IDS_ROTATE:"Otočit", IDS_PRINT:"Tisk", IDS_NEWWND:"Otevřít v novém okně", IDS_HELP:"Nápověda", IDS_BACK:"Zpět", IDS_FORWARD:"Vpřed", IDS_FULLSCR:"Celá obrazovka", IDS_FULLSCREXIT:"Ukončit režim celé obrazovky", IDS_PDTITLE:"Nastavení tisku", IDS_PDPAGES:"Strany:", IDS_PDFROM:"Od", IDS_PDTO:"Do", IDS_PDSCALING:"Měřítko stránky:", IDS_PDNOSCALE:"Žádné", IDS_PDAUTOR:"Automaticky otočit a přizpůsobit", IDS_OK:"OK", IDS_CANCEL:"Storno"}, da:{IDS_DRAG:"Træk", IDS_SELTEXT:"Vælg tekst", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Tilpas bredde", IDS_FITPAGE:"Tilpas side", IDS_PREVPAGE:"Forrige side", IDS_GOTOPAGE:"Gå til side", IDS_TOTPAGES:"Antal sider", IDS_NEXTPAGE:"Næste side", IDS_SCHHINT:"Angiv søgeord", IDS_SEARCH:"Søg", IDS_NOTFOUND:"Ikke fundet", IDS_ROTATE:"Rotér", IDS_PRINT:"Udskriv", IDS_NEWWND:"Åbn i nyt vindue", IDS_HELP:"Hjælp", IDS_BACK:"Tilbage", IDS_FORWARD:"Fremad", IDS_FULLSCR:"Fuldskærm", IDS_FULLSCREXIT:"Afslut fuldskærmstilstand"}, de:{IDS_DRAG:"Schwenken", IDS_SELTEXT:"Text auswählen", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Breite anpassen", IDS_FITPAGE:"An Ansicht anpassen", IDS_PREVPAGE:"Vorherige Seite", IDS_GOTOPAGE:"Springen zu Seite", IDS_TOTPAGES:"Gesamtseiten", IDS_NEXTPAGE:"Nächste Seite", IDS_SCHHINT:"Geben Sie hier ein um Text zu suchen", IDS_SEARCH:"Suche", IDS_NOTFOUND:"Nicht gefunden", IDS_ROTATE:"Drehen", IDS_PRINT:"Drucken", IDS_NEWWND:"In neuem Browser öffnen", IDS_HELP:"Hilfe", IDS_BACK:"Zurück", IDS_FORWARD:"Vor", IDS_FULLSCR:"Vollbild", IDS_FULLSCREXIT:"Vollbildmodus beenden", IDS_PDTITLE:"Druckeinstellungen", IDS_PDPAGES:"Seiten:", IDS_PDFROM:"Von", IDS_PDTO:"Bis", IDS_PDSCALING:"Seitenanpassung:", IDS_PDNOSCALE:"Keine", IDS_PDAUTOR:"Automatisch drehen und einpassen", IDS_OK:"OK", IDS_CANCEL:"Abbrechen"}, en:{IDS_DRAG:"Drag", IDS_SELTEXT:"Select Text", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Fit Width", IDS_FITPAGE:"Fit Page", IDS_PREVPAGE:"Previous Page", IDS_GOTOPAGE:"Go To Page", IDS_TOTPAGES:"Total Pages", IDS_NEXTPAGE:"Next Page", IDS_SCHHINT:"Type here to search", IDS_SEARCH:"Search", IDS_NOTFOUND:"Not Found", IDS_ROTATE:"Rotate", IDS_PRINT:"Print", IDS_NEWWND:"Open In New Window", IDS_HELP:"Help", IDS_BACK:"Back", IDS_FORWARD:"Forward", IDS_FULLSCR:"Full Screen", IDS_FULLSCREXIT:"Exit Full Screen Mode", IDS_PDTITLE:"Print Options", IDS_PDPAGES:"Pages:", IDS_PDFROM:"From", IDS_PDTO:"To", IDS_PDSCALING:"Scaling:", IDS_PDNOSCALE:"No scale", IDS_PDAUTOR:"Auto-Rotate and Fit", IDS_OK:"OK", IDS_CANCEL:"Cancel"}, es:{IDS_DRAG:"Desplazar", IDS_SELTEXT:"Seleccionar", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Ajustar al ancho", IDS_FITPAGE:"Ajustar al visor", IDS_PREVPAGE:"Página Anterior", IDS_GOTOPAGE:"Vaya A paginar", IDS_TOTPAGES:"Páginas Totales", IDS_NEXTPAGE:"Página Siguiente", IDS_SCHHINT:"Mecanografíe aquí a búsqueda", IDS_SEARCH:"Buscar", IDS_NOTFOUND:"No encontrado", IDS_ROTATE:"Rote", IDS_PRINT:"Imprimir", IDS_NEWWND:"Abrir en nuevo navegador", IDS_HELP:"Ayuda", IDS_BACK:"Anterior", IDS_FORWARD:"Siguiente", IDS_FULLSCR:"Pantalla completa", IDS_FULLSCREXIT:"Salir del modo pantalla completa", IDS_PDTITLE:"Imprimir", IDS_PDPAGES:"Páginas:", IDS_PDFROM:"De", IDS_PDTO:"A", IDS_PDSCALING:"Escala:", IDS_PDNOSCALE:"Sin escala", IDS_PDAUTOR:"Auto-rotar y Ajustar", IDS_OK:"OK", IDS_CANCEL:"Cancelar"}, fr:{IDS_DRAG:"Panorama", IDS_SELTEXT:"Sélectionner le texte", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Ajuster la largeur", IDS_FITPAGE:"Ajuster dans la visionneuse", IDS_PREVPAGE:"Page précédente", IDS_GOTOPAGE:" Aller a la page", IDS_TOTPAGES:"Nombre de pages", IDS_NEXTPAGE:"Prochaine page", IDS_SCHHINT:"Entrez votre question ici", IDS_SEARCH:"Rechercher", IDS_NOTFOUND:"Non trouvé", IDS_ROTATE:"Rotation", IDS_PRINT:"Imprimer", IDS_NEWWND:"Ouvrir dans une nouvelle fenêtre", IDS_HELP:"Aide", IDS_BACK:"Page précédente", IDS_FORWARD:"Page suivante", IDS_FULLSCR:"Plein écran", IDS_FULLSCREXIT:"Quitter le mode plein écran"}, hr:{IDS_DRAG:"Ruka", IDS_SELTEXT:"Selektiraj tekst", IDS_ZOOM:"Zumiraj", IDS_FITWIDTH:"Po sirini", IDS_FITPAGE:"Po stranici", IDS_PREVPAGE:"Prethodna stranica", IDS_GOTOPAGE:"Idi na stranicu", IDS_TOTPAGES:"Svega stranica", IDS_NEXTPAGE:"Sljedeca stranica", IDS_SCHHINT:"Upisi ovdje za pretragu", IDS_SEARCH:"Pretraga", IDS_NOTFOUND:"Nema rezultata", IDS_ROTATE:"Zarotiraj", IDS_PRINT:"Stampaj", IDS_NEWWND:"Otvori u novom prozoru", IDS_HELP:"Pomoc", IDS_BACK:"Nazad", IDS_FORWARD:"Naprijed", IDS_FULLSCR:"Potpuni ekran", IDS_FULLSCREXIT:"Izađi iz prikaza potpunog ekrana"}, it:{IDS_DRAG:"Trascina", IDS_SELTEXT:"Seleziona testo", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Adatta larghezza", IDS_FITPAGE:"Adatta pagina", IDS_PREVPAGE:"Pagina precedente", IDS_GOTOPAGE:"Vai a pagina", IDS_TOTPAGES:"Pagine totali", IDS_NEXTPAGE:"Pagina successiva", IDS_SCHHINT:"Testo da cercare", IDS_SEARCH:"Trova", IDS_NOTFOUND:"Testo non trovato", IDS_ROTATE:"Ruota", IDS_PRINT:"Stampa", IDS_NEWWND:"Apri in una nuova finestra", IDS_HELP:"Aiuto", IDS_BACK:"Indietro", IDS_FORWARD:"Avanti", IDS_FULLSCR:"Schermo intero", IDS_FULLSCREXIT:"Esci da schermo intero"}, ja:{IDS_DRAG:"ドラッグ", IDS_SELTEXT:"テキスト選択", IDS_ZOOM:"ズーム", IDS_FITWIDTH:"幅に合わせる", IDS_FITPAGE:"ページに合わせる", IDS_PREVPAGE:"前頁", IDS_GOTOPAGE:"ページへ", IDS_TOTPAGES:"総ページ数", IDS_NEXTPAGE:"次頁", IDS_SCHHINT:"検索する文字列を入力してください", IDS_SEARCH:"検索", IDS_NOTFOUND:"指定のものは見つかりません", IDS_ROTATE:"回転", IDS_PRINT:"印刷", IDS_NEWWND:"新しいウィンドウで開く", IDS_HELP:"ヘルプ", IDS_BACK:"前へ", IDS_FORWARD:"次へ", IDS_FULLSCR:"全画面表示", IDS_FULLSCREXIT:"全画面表示モードを閉じる", IDS_PDTITLE:"印刷オプション", IDS_PDPAGES:"ページ指定", IDS_PDFROM:"開始", IDS_PDTO:"終了", IDS_PDSCALING:"スケーリング", IDS_PDNOSCALE:"スケール無し", IDS_PDAUTOR:"自動回転とページに合わせる", IDS_OK:"印刷", IDS_CANCEL:"キャンセル"}, nl:{IDS_DRAG:"Slepen", IDS_SELTEXT:"Selecteer tekst", IDS_ZOOM:"Vergroten", IDS_FITWIDTH:"Aanpassen breedte", IDS_FITPAGE:"Aanpassen pagina", IDS_PREVPAGE:"Vorige pagina", IDS_GOTOPAGE:"Ga naar", IDS_TOTPAGES:"Totaal aantal pagina's", IDS_NEXTPAGE:"Volgende pagina", IDS_SCHHINT:"Zoekargument", IDS_SEARCH:"Zoeken", IDS_NOTFOUND:"Niet gevonden", IDS_ROTATE:"Roteren", IDS_PRINT:"Afdrukken", IDS_NEWWND:"Open in nieuw window", IDS_HELP:"Help", IDS_BACK:"Terug", IDS_FORWARD:"Vooruit", IDS_FULLSCR:"Volledig scherm", IDS_FULLSCREXIT:"Volledigschermmodus verlaten", IDS_PDTITLE:"Print Opties", IDS_PDPAGES:"Pagina’s:", IDS_PDFROM:"Van", IDS_PDTO:"Tot", IDS_PDSCALING:"Schalen:", IDS_PDNOSCALE:"Niet schalen", IDS_PDAUTOR:"Passend maken", IDS_OK:"OK", IDS_CANCEL:"Annuleer"}, pl:{IDS_DRAG:"Przeciągnij", IDS_SELTEXT:"Zaznacz tekst", IDS_ZOOM:"Zmień rozmiar", IDS_FITWIDTH:"Dopasuj szerokość", IDS_FITPAGE:"Dopasuj stronę", IDS_PREVPAGE:"Poprzednia strona", IDS_GOTOPAGE:"Przejdź do strony", IDS_TOTPAGES:"Suma stron", IDS_NEXTPAGE:"Następna strona", IDS_SCHHINT:"Wpisz tekst", IDS_SEARCH:"Szukaj", IDS_NOTFOUND:"Nie znalezionio", IDS_ROTATE:"Obróć", IDS_PRINT:"Drukuj", IDS_NEWWND:"Otwórz w nowym oknie", IDS_HELP:"Pomoc", IDS_BACK:"Do tyłu", IDS_FORWARD:"Do przodu", IDS_FULLSCR:"Tryb pełnoekranowy", IDS_FULLSCREXIT:"Opuść tryb pełnoekranowy", IDS_PDTITLE:"Opcje wydruku", IDS_PDPAGES:"Strony:", IDS_PDFROM:"Od", IDS_PDTO:"Do", IDS_PDSCALING:"Skalowanie:", IDS_PDNOSCALE:"Nie skaluj", IDS_PDAUTOR:"Autorotacja i dopasowanie", IDS_OK:"OK", IDS_CANCEL:"Anuluj"}, pt:{IDS_DRAG:"Arrastar", IDS_SELTEXT:"Selecionar Texto", IDS_ZOOM:"Zoom", IDS_FITWIDTH:"Ajustar Largura", IDS_FITPAGE:"Ajustar Página", IDS_PREVPAGE:"Página Anterior", IDS_GOTOPAGE:"Ir para Página", IDS_TOTPAGES:"Total de Páginas", IDS_NEXTPAGE:"Próxima Página", IDS_SCHHINT:"Digite aqui para Procurar", IDS_SEARCH:"Procurar", IDS_NOTFOUND:"Não Encontrado", IDS_ROTATE:"Girar", IDS_PRINT:"Imprimir", IDS_NEWWND:"Abrir em uma Nova Janela", IDS_HELP:"Ajuda", IDS_BACK:"Retroceder", IDS_FORWARD:"Avançar", IDS_FULLSCR:"Ecrã inteiro", IDS_FULLSCREXIT:"Sair de Modo de Ecrã Inteiro", IDS_PDTITLE:"Opções de Impressão", IDS_PDPAGES:"Páginas:", IDS_PDFROM:"De", IDS_PDTO:"Para", IDS_PDSCALING:"Escala:", IDS_PDNOSCALE:"Sem escala", IDS_PDAUTOR:"Rotação Automática e Ajuste", IDS_OK:"OK", IDS_CANCEL:"Cancelar"}, ru:{IDS_DRAG:"Перемещение", IDS_SELTEXT:"Выбор текста", IDS_ZOOM:"Масштаб", IDS_FITWIDTH:"По ширине страницы", IDS_FITPAGE:"Страница целиком", IDS_PREVPAGE:"Предыдущая страница", IDS_GOTOPAGE:"Перейти к странице", IDS_TOTPAGES:"Всего страниц", IDS_NEXTPAGE:"Следующая страница", IDS_SCHHINT:"Введите здесь текст для поиска", IDS_SEARCH:"Поиск", IDS_NOTFOUND:"Не найдено", IDS_ROTATE:"Поворот", IDS_PRINT:"Печать", IDS_NEWWND:"Открыть в новом окне", IDS_HELP:"Помощь", IDS_BACK:"Назад", IDS_FORWARD:"Вперёд", IDS_FULLSCR:"Полный экран", IDS_FULLSCREXIT:"Выйти из полноэкранного режима", IDS_PDTITLE:"Параметры печати", IDS_PDPAGES:"Страницы:", IDS_PDFROM:"С", IDS_PDTO:"По", IDS_PDSCALING:"Масштабирование:", IDS_PDNOSCALE:"Без масштабирования", IDS_PDAUTOR:"Повернуть и подогнать", IDS_OK:"OK", IDS_CANCEL:"Отмена"}, sr:{IDS_DRAG:"Ruka", IDS_SELTEXT:"Selektuj tekst", IDS_ZOOM:"Ublizi", IDS_FITWIDTH:"Po sirini", IDS_FITPAGE:"Po stranici", IDS_PREVPAGE:"Prethodna stranica", IDS_GOTOPAGE:"Idi na stranicu", IDS_TOTPAGES:"Svega stranica", IDS_NEXTPAGE:"Sledeca stranica", IDS_SCHHINT:"Upisi ovde za pretragu", IDS_SEARCH:"Pretraga", IDS_NOTFOUND:"Nema", IDS_ROTATE:"Zarotiraj", IDS_PRINT:"Stampa", IDS_NEWWND:"Otvori u novom prozoru", IDS_HELP:"Pomoc", IDS_BACK:"Nazad", IDS_FORWARD:"Napred", IDS_FULLSCR:"Full Screen", IDS_FULLSCREXIT:"Exit Full Screen Mode"}, sv:{IDS_DRAG:"Dra", IDS_SELTEXT:"Välj text", IDS_ZOOM:"Zooma", IDS_FITWIDTH:"Anpassa bredd", IDS_FITPAGE:"Anpassa sida", IDS_PREVPAGE:"Föregående sida", IDS_GOTOPAGE:"Gå till sidan", IDS_TOTPAGES:"Alla sidor", IDS_NEXTPAGE:"Nästa sida", IDS_SCHHINT:"Skriv in sökord här", IDS_SEARCH:"Sök", IDS_NOTFOUND:"Kan inte hittas", IDS_ROTATE:"Rotera", IDS_PRINT:"Skriv ut", IDS_NEWWND:"Öppna i nytt fönster", IDS_HELP:"Hjälp", IDS_BACK:"Tillbaka", IDS_FORWARD:"Framåt", IDS_FULLSCR:"Helskärm", IDS_FULLSCREXIT:"Avsluta helskärmsläget", IDS_PDTITLE:"Skriv ut", IDS_PDPAGES:"Sidor:", IDS_PDFROM:"Från", IDS_PDTO:"Till", IDS_PDSCALING:"Anpassningsalternativ", IDS_PDNOSCALE:"Ingen anpassning", IDS_PDAUTOR:"Auto-rotering och anpassning", IDS_OK:"OK", IDS_CANCEL:"Avbryt"}, tr:{IDS_DRAG:"Sürükle", IDS_SELTEXT:"Seç", IDS_ZOOM:"Yaklaştır", IDS_FITWIDTH:"Enine Sığdır", IDS_FITPAGE:"Sayfayı Sığdır", IDS_PREVPAGE:"Önceki Sayfa", IDS_GOTOPAGE:"Sayfaya Git", IDS_TOTPAGES:"Toplam Sayfa", IDS_NEXTPAGE:"Sonraki Sayfa", IDS_SCHHINT:"Aramak istediğiniz kelimeyi giriniz", IDS_SEARCH:"Ara", IDS_NOTFOUND:"Bulunamadı", IDS_ROTATE:"Döndür", IDS_PRINT:"Bas", IDS_NEWWND:"Yeni Pencerede Aç", IDS_HELP:"Yardım", IDS_BACK:"Geri", IDS_FORWARD:"İleri", IDS_FULLSCR:"Tam Ekran", IDS_FULLSCREXIT:"Tam Ekrandan çık", IDS_PDTITLE:"Baskı Seçenekleri", IDS_PDPAGES:"Sayfalar:", IDS_PDFROM:"", IDS_PDTO:"-", IDS_PDSCALING:"Boyutlandırma:", IDS_PDNOSCALE:"Yok", IDS_PDAUTOR:"Otomatik çevir ve sığdır", IDS_OK:"Tamam", IDS_CANCEL:"Vazgeç"}};

		public function P2FLocale(){
			var _local1:* = {IDS_DRAG:"拖曳页面", IDS_SELTEXT:"选择文本", IDS_ZOOM:"缩放", IDS_FITWIDTH:"适合宽度", IDS_FITPAGE:"适合页面", IDS_PREVPAGE:"前一页", IDS_GOTOPAGE:"前往页", IDS_TOTPAGES:"总页数", IDS_NEXTPAGE:"下一页", IDS_SCHHINT:"此处输入查询内容", IDS_SEARCH:"查询", IDS_NOTFOUND:"没有找到", IDS_ROTATE:"旋转", IDS_PRINT:"打印", IDS_NEWWND:"在新窗口打开", IDS_HELP:"帮助", IDS_BACK:"返回", IDS_FORWARD:"向前", IDS_FULLSCR:"全屏", IDS_FULLSCREXIT:"退出全屏模式", IDS_PDTITLE:"打印设置", IDS_PDPAGES:"页面:", IDS_PDFROM:"从", IDS_PDTO:"到", IDS_PDSCALING:"缩放:", IDS_PDNOSCALE:"不缩放", IDS_PDAUTOR:"自动旋转并适合页面缩放", IDS_OK:"确定", IDS_CANCEL:"取消"};
			var _local2:* = {IDS_DRAG:"拖曳頁面", IDS_SELTEXT:"選擇文字", IDS_ZOOM:"縮放", IDS_FITWIDTH:"頁面符合視窗寬度", IDS_FITPAGE:"符合完整頁面", IDS_PREVPAGE:"前一頁", IDS_GOTOPAGE:"前往頁", IDS_TOTPAGES:"總頁數", IDS_NEXTPAGE:"下一頁", IDS_SCHHINT:"輸入查詢內容", IDS_SEARCH:"查詢", IDS_NOTFOUND:"沒有找到", IDS_ROTATE:"旋轉", IDS_PRINT:"列印", IDS_NEWWND:"開啟於新視窗", IDS_HELP:"幫助", IDS_BACK:"往後", IDS_FORWARD:"往前", IDS_FULLSCR:"全螢幕", IDS_FULLSCREXIT:"離開全螢幕", IDS_PDTITLE:"列印選項", IDS_PDPAGES:"頁面:", IDS_PDFROM:"從", IDS_PDTO:"到", IDS_PDSCALING:"縮放:", IDS_PDNOSCALE:"不縮放", IDS_PDAUTOR:"自動旋轉符合頁面大小", IDS_OK:"確定", IDS_CANCEL:"取消"};
			LocaleArray["zh-CN"] = _local1;
			LocaleArray["zh-TW"] = _local2;
		}
		public function setLanguage(_arg1:String){
			if (_arg1 == "auto"){
				_arg1 = Capabilities.language;
			};
			Strings = LocaleArray[_arg1];
			if (Strings == null){
				Strings = LocaleArray[DefLanguage];
			};
		}
		public function loadString(_arg1:String):String{
			var _local2:String = Strings[_arg1];
			if (_local2 == null){
				_local2 = LocaleArray[DefLanguage][_arg1];
			};
			return (_local2);
		}

	}
}//package 
Section 63
//Page1 (Page1)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page1 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 64
//Page10 (Page10)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page10 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 65
//Page100 (Page100)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page100 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 66
//Page101 (Page101)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page101 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 67
//Page102 (Page102)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page102 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 68
//Page103 (Page103)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page103 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 69
//Page104 (Page104)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page104 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 70
//Page105 (Page105)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page105 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 71
//Page106 (Page106)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page106 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 72
//Page107 (Page107)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page107 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 73
//Page108 (Page108)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page108 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 74
//Page109 (Page109)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page109 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 75
//Page11 (Page11)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page11 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 76
//Page110 (Page110)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page110 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 77
//Page111 (Page111)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page111 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 78
//Page112 (Page112)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page112 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 79
//Page113 (Page113)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page113 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 80
//Page114 (Page114)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page114 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 81
//Page115 (Page115)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page115 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 82
//Page116 (Page116)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page116 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 83
//Page117 (Page117)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page117 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 84
//Page118 (Page118)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page118 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 85
//Page119 (Page119)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page119 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 86
//Page12 (Page12)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page12 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 87
//Page120 (Page120)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page120 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 88
//Page121 (Page121)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page121 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 89
//Page13 (Page13)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page13 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 90
//Page14 (Page14)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page14 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 91
//Page15 (Page15)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page15 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 92
//Page16 (Page16)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page16 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 93
//Page17 (Page17)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page17 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 94
//Page18 (Page18)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page18 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 95
//Page19 (Page19)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page19 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 96
//Page2 (Page2)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page2 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 97
//Page20 (Page20)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page20 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 98
//Page21 (Page21)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page21 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 99
//Page22 (Page22)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page22 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 100
//Page23 (Page23)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page23 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 101
//Page24 (Page24)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page24 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 102
//Page25 (Page25)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page25 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 103
//Page26 (Page26)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page26 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 104
//Page27 (Page27)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page27 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 105
//Page28 (Page28)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page28 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 106
//Page29 (Page29)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page29 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 107
//Page3 (Page3)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page3 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 108
//Page30 (Page30)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page30 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 109
//Page31 (Page31)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page31 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 110
//Page32 (Page32)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page32 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 111
//Page33 (Page33)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page33 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 112
//Page34 (Page34)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page34 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 113
//Page35 (Page35)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page35 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 114
//Page36 (Page36)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page36 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 115
//Page37 (Page37)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page37 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 116
//Page38 (Page38)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page38 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 117
//Page39 (Page39)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page39 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 118
//Page4 (Page4)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page4 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 119
//Page40 (Page40)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page40 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 120
//Page41 (Page41)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page41 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 121
//Page42 (Page42)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page42 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 122
//Page43 (Page43)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page43 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 123
//Page44 (Page44)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page44 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 124
//Page45 (Page45)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page45 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 125
//Page46 (Page46)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page46 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 126
//Page47 (Page47)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page47 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 127
//Page48 (Page48)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page48 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 128
//Page49 (Page49)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page49 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 129
//Page5 (Page5)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page5 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 130
//Page50 (Page50)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page50 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 131
//Page51 (Page51)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page51 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 132
//Page52 (Page52)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page52 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 133
//Page53 (Page53)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page53 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 134
//Page54 (Page54)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page54 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 135
//Page55 (Page55)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page55 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 136
//Page56 (Page56)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page56 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 137
//Page57 (Page57)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page57 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 138
//Page58 (Page58)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page58 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 139
//Page59 (Page59)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page59 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 140
//Page6 (Page6)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page6 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 141
//Page60 (Page60)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page60 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 142
//Page61 (Page61)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page61 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 143
//Page62 (Page62)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page62 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 144
//Page63 (Page63)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page63 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 145
//Page64 (Page64)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page64 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 146
//Page65 (Page65)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page65 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 147
//Page66 (Page66)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page66 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 148
//Page67 (Page67)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page67 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 149
//Page68 (Page68)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page68 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 150
//Page69 (Page69)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page69 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 151
//Page7 (Page7)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page7 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 152
//Page70 (Page70)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page70 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 153
//Page71 (Page71)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page71 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 154
//Page72 (Page72)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page72 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 155
//Page73 (Page73)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page73 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 156
//Page74 (Page74)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page74 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 157
//Page75 (Page75)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page75 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 158
//Page76 (Page76)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page76 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 159
//Page77 (Page77)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page77 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 160
//Page78 (Page78)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page78 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 161
//Page79 (Page79)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page79 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 162
//Page8 (Page8)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page8 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 163
//Page80 (Page80)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page80 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 164
//Page81 (Page81)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page81 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 165
//Page82 (Page82)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page82 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 166
//Page83 (Page83)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page83 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 167
//Page84 (Page84)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page84 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 168
//Page85 (Page85)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page85 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 169
//Page86 (Page86)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page86 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 170
//Page87 (Page87)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page87 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 171
//Page88 (Page88)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page88 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 172
//Page89 (Page89)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page89 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 173
//Page9 (Page9)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page9 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 174
//Page90 (Page90)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page90 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 175
//Page91 (Page91)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page91 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 176
//Page92 (Page92)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page92 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 177
//Page93 (Page93)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page93 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 178
//Page94 (Page94)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page94 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 179
//Page95 (Page95)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page95 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 180
//Page96 (Page96)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page96 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 181
//Page97 (Page97)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page97 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 182
//Page98 (Page98)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page98 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 183
//Page99 (Page99)
package {
	import flash.display.*;
	import flash.text.*;

	public class Page99 extends MovieClip {

		public var CR:TextField;

	}
}//package 
Section 184
//PrintRangeWnd (PrintRangeWnd)
package {
	import fl.controls.*;
	import flash.display.*;
	import flash.events.*;
	import fl.managers.*;
	import flash.text.*;
	import flash.ui.*;
	import flash.accessibility.*;

	public class PrintRangeWnd extends MovieClip {

		public var cancelBtn;
		private var active:Boolean;
		public var scalingtxt:TextField;
		public var fromtxt:TextField;
		public var pagesFrom;
		public var totxt:TextField;
		public var pagestxt:TextField;
		public var closeBtn:SimpleButton;
		private var fm:FocusManager;
		private var tabArray:Array;
		public var optNoScale;
		public var title:TextField;
		public var locale:P2FLocale;
		public var optFit:RadioButton;
		public var pagesTo:TextField;
		public var OKBtn:Button;
		public var printScaleMode:String;

		public function PrintRangeWnd(){
			pagesFrom.restrict = (pagesTo.restrict = "0-9");
			tabArray = new Array(pagesFrom, pagesTo, optNoScale, optFit, OKBtn, cancelBtn);
			addEventListener(FocusEvent.KEY_FOCUS_CHANGE, OnFocusChange, false, 0, true);
			addEventListener(KeyboardEvent.KEY_DOWN, OnKeyDown, false, 0, true);
			closeBtn.addEventListener(MouseEvent.CLICK, onCloseBtnClick, false, 0, true);
			cancelBtn.addEventListener(MouseEvent.CLICK, onCloseBtnClick, false, 0, true);
			OKBtn.addEventListener(MouseEvent.CLICK, onOKBtnClick, false, 0, true);
			__setTab_title_PrintRangeWnd_Layer1_0();
			__setTab_pagesFrom_PrintRangeWnd_Layer1_0();
			__setTab_pagesTo_PrintRangeWnd_Layer1_0();
			__setTab_OKBtn_PrintRangeWnd_Layer1_0();
			__setTab_cancelBtn_PrintRangeWnd_Layer1_0();
			__setAcc_pagesFrom_PrintRangeWnd_Layer1_0();
			__setAcc_pagesTo_PrintRangeWnd_Layer1_0();
			__setAcc_OKBtn_PrintRangeWnd_Layer1_0();
			__setAcc_cancelBtn_PrintRangeWnd_Layer1_0();
			__setProp_OKBtn_PrintRangeWnd_Layer1_0();
			__setProp_cancelBtn_PrintRangeWnd_Layer1_0();
			__setProp_optNoScale_PrintRangeWnd_Layer1_0();
			__setProp_optFit_PrintRangeWnd_Layer1_0();
		}
		private function onCloseBtnClick(_arg1:MouseEvent){
			close();
		}
		function __setProp_cancelBtn_PrintRangeWnd_Layer1_0(){
			try {
				cancelBtn["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			cancelBtn.emphasized = false;
			cancelBtn.enabled = true;
			cancelBtn.label = "";
			cancelBtn.labelPlacement = "right";
			cancelBtn.selected = false;
			cancelBtn.toggle = false;
			cancelBtn.visible = true;
			try {
				cancelBtn["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		function __setTab_pagesFrom_PrintRangeWnd_Layer1_0(){
			pagesFrom.tabIndex = 0;
		}
		function __setProp_optNoScale_PrintRangeWnd_Layer1_0(){
			try {
				optNoScale["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			optNoScale.enabled = true;
			optNoScale.groupName = "Scaling";
			optNoScale.label = "";
			optNoScale.labelPlacement = "right";
			optNoScale.selected = false;
			optNoScale.value = "";
			optNoScale.visible = true;
			try {
				optNoScale["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		function __setAcc_OKBtn_PrintRangeWnd_Layer1_0(){
			OKBtn.accessibilityProperties = new AccessibilityProperties();
			OKBtn.accessibilityProperties.name = "OK";
			OKBtn.accessibilityProperties.forceSimple = true;
		}
		function __setTab_title_PrintRangeWnd_Layer1_0(){
			title.tabIndex = 0;
		}
		function __setTab_pagesTo_PrintRangeWnd_Layer1_0(){
			pagesTo.tabIndex = 0;
		}
		private function OnKeyDown(_arg1:KeyboardEvent):void{
			if (_arg1.keyCode == Keyboard.ESCAPE){
				onCloseBtnClick(null);
			};
		}
		function __setTab_cancelBtn_PrintRangeWnd_Layer1_0(){
			cancelBtn.tabIndex = 0;
		}
		function __setAcc_pagesFrom_PrintRangeWnd_Layer1_0(){
			pagesFrom.accessibilityProperties = new AccessibilityProperties();
			pagesFrom.accessibilityProperties.name = "Pages From";
		}
		private function onOKBtnClick(_arg1:MouseEvent){
			close();
			dispatchEvent(new Event("OKResult"));
		}
		private function OnFocusChange(_arg1:FocusEvent):void{
			var _local2:int;
			if (active){
				_arg1.preventDefault();
				_local2 = tabArray.indexOf(_arg1.target);
				if (_local2 != -1){
					if (_arg1.shiftKey){
						_local2--;
					} else {
						_local2++;
					};
					if (_local2 < 0){
						_local2 = (tabArray.length - 1);
					} else {
						if (_local2 >= tabArray.length){
							_local2 = 0;
						};
					};
					fm.setFocus(tabArray[_local2]);
				};
			};
		}
		function __setAcc_cancelBtn_PrintRangeWnd_Layer1_0(){
			cancelBtn.accessibilityProperties = new AccessibilityProperties();
			cancelBtn.accessibilityProperties.name = "Cancel";
			cancelBtn.accessibilityProperties.forceSimple = true;
		}
		function __setAcc_pagesTo_PrintRangeWnd_Layer1_0(){
			pagesTo.accessibilityProperties = new AccessibilityProperties();
			pagesTo.accessibilityProperties.name = "Pages To";
		}
		function __setProp_OKBtn_PrintRangeWnd_Layer1_0(){
			try {
				OKBtn["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			OKBtn.emphasized = false;
			OKBtn.enabled = true;
			OKBtn.label = "";
			OKBtn.labelPlacement = "right";
			OKBtn.selected = false;
			OKBtn.toggle = false;
			OKBtn.visible = true;
			try {
				OKBtn["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		public function close(){
			printScaleMode = (optNoScale.selected) ? "noscale" : "fit";
			fm.deactivate();
			ModalScreen.close();
			active = false;
		}
		function __setProp_optFit_PrintRangeWnd_Layer1_0(){
			try {
				optFit["componentInspectorSetting"] = true;
			} catch(e:Error) {
			};
			optFit.enabled = true;
			optFit.groupName = "Scaling";
			optFit.label = "";
			optFit.labelPlacement = "right";
			optFit.selected = false;
			optFit.value = "";
			optFit.visible = true;
			try {
				optFit["componentInspectorSetting"] = false;
			} catch(e:Error) {
			};
		}
		public function show(_arg1:DisplayObjectContainer, _arg2:uint, _arg3:uint, _arg4:uint, _arg5:uint, _arg6:String){
			title.text = locale.loadString("IDS_PDTITLE");
			pagestxt.text = locale.loadString("IDS_PDPAGES");
			fromtxt.text = locale.loadString("IDS_PDFROM");
			totxt.text = locale.loadString("IDS_PDTO");
			scalingtxt.text = locale.loadString("IDS_PDSCALING");
			optNoScale.label = locale.loadString("IDS_PDNOSCALE");
			optFit.label = locale.loadString("IDS_PDAUTOR");
			OKBtn.label = locale.loadString("IDS_OK");
			cancelBtn.label = locale.loadString("IDS_CANCEL");
			pagesFrom.text = _arg4.toString();
			pagesTo.text = _arg5.toString();
			optNoScale.selected = (optFit.selected = false);
			if (_arg6 == "noscale"){
				optNoScale.selected = true;
			} else {
				optFit.selected = true;
			};
			ModalScreen.show(_arg1, this, _arg2, _arg3);
			if (!fm){
				fm = new FocusManager(this);
				fm.defaultButton = OKBtn;
			};
			fm.activate();
			fm.setFocus(pagesFrom);
			active = true;
		}
		function __setTab_OKBtn_PrintRangeWnd_Layer1_0(){
			OKBtn.tabIndex = 0;
		}

	}
}//package 
Section 185
//RadioButton_disabledIcon (RadioButton_disabledIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_disabledIcon extends MovieClip {

	}
}//package 
Section 186
//RadioButton_downIcon (RadioButton_downIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_downIcon extends MovieClip {

	}
}//package 
Section 187
//RadioButton_overIcon (RadioButton_overIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_overIcon extends MovieClip {

	}
}//package 
Section 188
//RadioButton_selectedDisabledIcon (RadioButton_selectedDisabledIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedDisabledIcon extends MovieClip {

	}
}//package 
Section 189
//RadioButton_selectedDownIcon (RadioButton_selectedDownIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedDownIcon extends MovieClip {

	}
}//package 
Section 190
//RadioButton_selectedOverIcon (RadioButton_selectedOverIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedOverIcon extends MovieClip {

	}
}//package 
Section 191
//RadioButton_selectedUpIcon (RadioButton_selectedUpIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_selectedUpIcon extends MovieClip {

	}
}//package 
Section 192
//RadioButton_upIcon (RadioButton_upIcon)
package {
	import flash.display.*;

	public dynamic class RadioButton_upIcon extends MovieClip {

	}
}//package 
Section 193
//ScrollArea (ScrollArea)
package {
	import flash.display.*;

	public dynamic class ScrollArea extends MovieClip {

		public var BottomArea:MovieClip;

	}
}//package 
Section 194
//ScrollArrowDown_disabledSkin (ScrollArrowDown_disabledSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_disabledSkin extends MovieClip {

	}
}//package 
Section 195
//ScrollArrowDown_downSkin (ScrollArrowDown_downSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_downSkin extends MovieClip {

	}
}//package 
Section 196
//ScrollArrowDown_overSkin (ScrollArrowDown_overSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_overSkin extends MovieClip {

	}
}//package 
Section 197
//ScrollArrowDown_upSkin (ScrollArrowDown_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowDown_upSkin extends MovieClip {

	}
}//package 
Section 198
//ScrollArrowUp_disabledSkin (ScrollArrowUp_disabledSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_disabledSkin extends MovieClip {

	}
}//package 
Section 199
//ScrollArrowUp_downSkin (ScrollArrowUp_downSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_downSkin extends MovieClip {

	}
}//package 
Section 200
//ScrollArrowUp_overSkin (ScrollArrowUp_overSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_overSkin extends MovieClip {

	}
}//package 
Section 201
//ScrollArrowUp_upSkin (ScrollArrowUp_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollArrowUp_upSkin extends MovieClip {

	}
}//package 
Section 202
//ScrollBar_thumbIcon (ScrollBar_thumbIcon)
package {
	import flash.display.*;

	public dynamic class ScrollBar_thumbIcon extends MovieClip {

	}
}//package 
Section 203
//ScrollPain (ScrollPain)
package {
	import flash.events.*;
	import fl.containers.*;

	public class ScrollPain extends ScrollPane {

		override protected function endDrag(_arg1:MouseEvent):void{
			if (stage){
				stage.removeEventListener(MouseEvent.MOUSE_MOVE, doDrag);
			};
		}

	}
}//package 
Section 204
//ScrollPane_disabledSkin (ScrollPane_disabledSkin)
package {
	import flash.display.*;

	public dynamic class ScrollPane_disabledSkin extends MovieClip {

	}
}//package 
Section 205
//ScrollPane_upSkin (ScrollPane_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollPane_upSkin extends MovieClip {

	}
}//package 
Section 206
//ScrollThumb_downSkin (ScrollThumb_downSkin)
package {
	import flash.display.*;

	public dynamic class ScrollThumb_downSkin extends MovieClip {

	}
}//package 
Section 207
//ScrollThumb_overSkin (ScrollThumb_overSkin)
package {
	import flash.display.*;

	public dynamic class ScrollThumb_overSkin extends MovieClip {

	}
}//package 
Section 208
//ScrollThumb_upSkin (ScrollThumb_upSkin)
package {
	import flash.display.*;

	public dynamic class ScrollThumb_upSkin extends MovieClip {

	}
}//package 
Section 209
//ScrollTrack_skin (ScrollTrack_skin)
package {
	import flash.display.*;

	public dynamic class ScrollTrack_skin extends MovieClip {

	}
}//package 
Section 210
//Settings (Settings)
package {
	import flash.utils.*;

	public class Settings extends ByteArray {

	}
}//package 
Section 211
//Settings2_ (Settings2_)
package {
	import flash.utils.*;

	public class Settings2_ extends ByteArray {

	}
}//package 
Section 212
//Slider (Slider)
package {
	import flash.display.*;
	import flash.events.*;
	import flash.utils.*;
	import flash.geom.*;
	import flash.accessibility.*;

	public dynamic class Slider extends MovieClip {

		private var Max;
		public var SliderHandle:MovieClip;
		private var oldValue:int;
		public var SliderHandleBtn:ImgButton;
		private var Width;
		private var DragUpdateInt;
		private var Min;
		private var HandleOffset;

		public function Slider(){
			SliderHandleBtn = SliderHandle.SliderHandleBtn;
			SliderHandleBtn.tabEnabled = false;
			addEventListener(MouseEvent.MOUSE_DOWN, onMouseDown, false, 0, true);
			SliderHandleBtn.addEventListener(MouseEvent.MOUSE_DOWN, onHandlePress, false, 0, true);
			__setAcc_SliderHandle_();
			__setTab_SliderHandle_();
		}
		public function SetValue(_arg1:int):void{
			if (_arg1 > Max){
				_arg1 = Max;
			} else {
				if (_arg1 < Min){
					_arg1 = Min;
				};
			};
			SliderHandle.x = (((_arg1 - Min) / (Max - Min)) * Width);
		}
		function __setAcc_SliderHandle_(){
			SliderHandle.accessibilityProperties = new AccessibilityProperties();
			SliderHandle.accessibilityProperties.silent = true;
		}
		public function onMouseDown(_arg1:MouseEvent):void{
			var _local2:int;
			if (_arg1.target == this){
				_local2 = Math.round((Min + (((_arg1.localX - (SliderHandleBtn.width / 2)) / Width) * (Max - Min))));
				if (_local2 != GetValue()){
					SetValue(_local2);
					dispatchEvent(new Event("change"));
				};
			};
		}
		public function SetRange(_arg1:int, _arg2:int):void{
			this.Min = _arg1;
			this.Max = _arg2;
		}
		function onHandlePress(_arg1:MouseEvent):void{
			oldValue = GetValue();
			SliderHandle.startDrag(false, new Rectangle(0, HandleOffset, Width, HandleOffset));
			DragUpdateInt = setInterval(DragUpdate, 100);
			stage.addEventListener(MouseEvent.MOUSE_UP, onHandleRelease, false, 0, true);
		}
		function onHandleRelease(_arg1:MouseEvent):void{
			stage.removeEventListener(MouseEvent.MOUSE_UP, onHandleRelease);
			clearInterval(DragUpdateInt);
			SliderHandle.stopDrag();
			if (oldValue != GetValue()){
				dispatchEvent(new Event("change"));
			};
		}
		public function GetValue():int{
			return (Math.round((Min + ((SliderHandle.x / Width) * (Max - Min)))));
		}
		function __setTab_SliderHandle_(){
			SliderHandle.tabIndex = 0;
		}
		public function Init():void{
			SliderHandleBtn.SetImages("TBImage6", "TBImage5");
			Width = Math.floor((width - SliderHandleBtn.width));
			HandleOffset = SliderHandleBtn.y;
		}
		function DragUpdate():void{
			if (oldValue != GetValue()){
				oldValue = GetValue();
				dispatchEvent(new Event("change"));
			};
		}

	}
}//package 
Section 213
//TBImage1 (TBImage1)
package {
	import flash.display.*;

	public class TBImage1 extends MovieClip {

	}
}//package 

import flash.display.*;

class TBImage2 extends MovieClip {

	public function TBImage2(){
	}
}
class TBImage3 extends MovieClip {

	public function TBImage3(){
	}
}
class TBImage4 extends MovieClip {

	public function TBImage4(){
	}
}
class TBImage5 extends MovieClip {

	public function TBImage5(){
	}
}
class TBImage6 extends MovieClip {

	public function TBImage6(){
	}
}
class TBImage7 extends MovieClip {

	public function TBImage7(){
	}
}
class TBImage8 extends MovieClip {

	public function TBImage8(){
	}
}
class TBImage9 extends MovieClip {

	public function TBImage9(){
	}
}
class TBImage10 extends MovieClip {

	public function TBImage10(){
	}
}
class TBImage11 extends MovieClip {

	public function TBImage11(){
	}
}
class TBImage12 extends MovieClip {

	public function TBImage12(){
	}
}
class TBImage13 extends MovieClip {

	public function TBImage13(){
	}
}
class TBImage14 extends MovieClip {

	public function TBImage14(){
	}
}
class TBImage15 extends MovieClip {

	public function TBImage15(){
	}
}
class TBImage16 extends MovieClip {

	public function TBImage16(){
	}
}
class TBImage18 extends MovieClip {

	public function TBImage18(){
	}
}
class TBImage19 extends MovieClip {

	public function TBImage19(){
	}
}
class TBImage20 extends MovieClip {

	public function TBImage20(){
	}
}
class TBImage21 extends MovieClip {

	public function TBImage21(){
	}
}
class TBImage22 extends MovieClip {

	public function TBImage22(){
	}
}
Section 214
//textmsg (textmsg)
package {
	import flash.display.*;
	import flash.text.*;

	public dynamic class textmsg extends MovieClip {

		public var text:TextField;

	}
}//package 
Section 215
//waitmsg (waitmsg)
package {
	import flash.display.*;
	import flash.text.*;

	public dynamic class waitmsg extends MovieClip {

		public var msg:TextField;

	}
}//package

Library Items

Symbol 156 Bitmap	Used by:157
Symbol 157 Graphic	Uses:156	Used by:158
Symbol 158 MovieClip {TBImage1}	Uses:157
Symbol 159 Bitmap	Used by:160
Symbol 160 Graphic	Uses:159	Used by:161
Symbol 161 MovieClip {TBImage2}	Uses:160
Symbol 162 Bitmap	Used by:163
Symbol 163 Graphic	Uses:162	Used by:164
Symbol 164 MovieClip {TBImage3}	Uses:163
Symbol 165 Bitmap	Used by:166
Symbol 166 Graphic	Uses:165	Used by:167
Symbol 167 MovieClip {TBImage4}	Uses:166
Symbol 168 Bitmap	Used by:169
Symbol 169 Graphic	Uses:168	Used by:170
Symbol 170 MovieClip {TBImage5}	Uses:169
Symbol 171 Bitmap	Used by:172
Symbol 172 Graphic	Uses:171	Used by:173
Symbol 173 MovieClip {TBImage6}	Uses:172
Symbol 174 Bitmap	Used by:175
Symbol 175 Graphic	Uses:174	Used by:176
Symbol 176 MovieClip {TBImage7}	Uses:175
Symbol 177 Bitmap	Used by:178
Symbol 178 Graphic	Uses:177	Used by:179
Symbol 179 MovieClip {TBImage8}	Uses:178
Symbol 180 Bitmap	Used by:181
Symbol 181 Graphic	Uses:180	Used by:182
Symbol 182 MovieClip {TBImage9}	Uses:181
Symbol 183 Bitmap	Used by:184
Symbol 184 Graphic	Uses:183	Used by:185
Symbol 185 MovieClip {TBImage10}	Uses:184
Symbol 186 Bitmap	Used by:187
Symbol 187 Graphic	Uses:186	Used by:188
Symbol 188 MovieClip {TBImage11}	Uses:187
Symbol 189 Bitmap	Used by:190
Symbol 190 Graphic	Uses:189	Used by:191
Symbol 191 MovieClip {TBImage12}	Uses:190
Symbol 192 Bitmap	Used by:193
Symbol 193 Graphic	Uses:192	Used by:194
Symbol 194 MovieClip {TBImage13}	Uses:193
Symbol 195 Bitmap	Used by:196
Symbol 196 Graphic	Uses:195	Used by:197
Symbol 197 MovieClip {TBImage14}	Uses:196
Symbol 198 Bitmap	Used by:199
Symbol 199 Graphic	Uses:198	Used by:200
Symbol 200 MovieClip {TBImage15}	Uses:199
Symbol 201 Bitmap	Used by:202
Symbol 202 Graphic	Uses:201	Used by:203
Symbol 203 MovieClip {TBImage16}	Uses:202
Symbol 204 Bitmap	Used by:205
Symbol 205 Graphic	Uses:204	Used by:206
Symbol 206 MovieClip {TBImage18}	Uses:205
Symbol 207 Bitmap	Used by:208
Symbol 208 Graphic	Uses:207	Used by:209
Symbol 209 MovieClip {TBImage19}	Uses:208
Symbol 210 Bitmap	Used by:211
Symbol 211 Graphic	Uses:210	Used by:212
Symbol 212 MovieClip {TBImage20}	Uses:211
Symbol 213 Bitmap	Used by:214
Symbol 214 Graphic	Uses:213	Used by:215
Symbol 215 MovieClip {TBImage21}	Uses:214
Symbol 216 Bitmap	Used by:217
Symbol 217 Graphic	Uses:216	Used by:218
Symbol 218 MovieClip {TBImage22}	Uses:217
Symbol 219 BinaryData {Settings}
Symbol 220 BinaryData {Settings2_}
Symbol 1 Font	Used by:2
Symbol 2 EditableText	Uses:1	Used by:6
Symbol 3 Graphic	Used by:4
Symbol 4 MovieClip	Uses:3	Used by:5
Symbol 5 MovieClip	Uses:4	Used by:6
Symbol 6 MovieClip {waitmsg}	Uses:2 5
Symbol 7 Font	Used by:8 50 51 52 53 54 74 75 143 146 148 152
Symbol 8 EditableText	Uses:7	Used by:9
Symbol 9 MovieClip {textmsg}	Uses:8
Symbol 10 Graphic	Used by:11
Symbol 11 MovieClip	Uses:10	Used by:12
Symbol 12 MovieClip {ScrollArea}	Uses:11
Symbol 13 Graphic	Used by:14
Symbol 14 MovieClip	Uses:13	Used by:33 73 77 134
Symbol 15 MovieClip {fl.core.ComponentShim}	Used by:33 73 77 133 134
Symbol 16 Graphic	Used by:17
Symbol 17 MovieClip {RadioButton_upIcon}	Uses:16	Used by:33
Symbol 18 Graphic	Used by:19 28
Symbol 19 MovieClip {RadioButton_overIcon}	Uses:18	Used by:33
Symbol 20 Graphic	Used by:21 29
Symbol 21 MovieClip {RadioButton_downIcon}	Uses:20	Used by:33
Symbol 22 Graphic	Used by:23 30
Symbol 23 MovieClip {RadioButton_disabledIcon}	Uses:22	Used by:33
Symbol 24 Graphic	Used by:27
Symbol 25 Graphic	Used by:26
Symbol 26 MovieClip	Uses:25	Used by:27 28 29 30
Symbol 27 MovieClip {RadioButton_selectedUpIcon}	Uses:24 26	Used by:33
Symbol 28 MovieClip {RadioButton_selectedOverIcon}	Uses:18 26	Used by:33
Symbol 29 MovieClip {RadioButton_selectedDownIcon}	Uses:20 26	Used by:33
Symbol 30 MovieClip {RadioButton_selectedDisabledIcon}	Uses:22 26	Used by:33
Symbol 31 Graphic	Used by:32
Symbol 32 MovieClip {focusRectSkin}	Uses:31	Used by:33 73 133
Symbol 33 MovieClip {fl.controls.RadioButton}	Uses:14 15 17 19 21 23 27 28 29 30 32	Used by:76
Symbol 34 Graphic	Used by:35
Symbol 35 MovieClip	Uses:34	Used by:76
Symbol 36 Graphic	Used by:37
Symbol 37 MovieClip	Uses:36	Used by:42
Symbol 38 Graphic	Used by:39
Symbol 39 MovieClip	Uses:38	Used by:42
Symbol 40 Graphic	Used by:41
Symbol 41 MovieClip	Uses:40	Used by:42
Symbol 42 MovieClip	Uses:37 39 41	Used by:76
Symbol 43 Graphic	Used by:44
Symbol 44 MovieClip	Uses:43	Used by:49
Symbol 45 Graphic	Used by:46
Symbol 46 MovieClip	Uses:45	Used by:49
Symbol 47 Graphic	Used by:48 49
Symbol 48 MovieClip	Uses:47	Used by:49
Symbol 49 Button	Uses:44 46 48 47	Used by:76
Symbol 50 EditableText	Uses:7	Used by:76
Symbol 51 EditableText	Uses:7	Used by:76
Symbol 52 EditableText	Uses:7	Used by:76
Symbol 53 EditableText	Uses:7	Used by:76
Symbol 54 EditableText	Uses:7	Used by:76
Symbol 55 Graphic	Used by:56
Symbol 56 MovieClip {Button_disabledSkin}	Uses:55	Used by:73
Symbol 57 Graphic	Used by:58
Symbol 58 MovieClip {Button_downSkin}	Uses:57	Used by:73
Symbol 59 Graphic	Used by:60
Symbol 60 MovieClip {Button_emphasizedSkin}	Uses:59	Used by:73
Symbol 61 Graphic	Used by:62
Symbol 62 MovieClip {Button_overSkin}	Uses:61	Used by:73
Symbol 63 Graphic	Used by:64
Symbol 64 MovieClip {Button_selectedDisabledSkin}	Uses:63	Used by:73
Symbol 65 Graphic	Used by:66
Symbol 66 MovieClip {Button_selectedDownSkin}	Uses:65	Used by:73
Symbol 67 Graphic	Used by:68
Symbol 68 MovieClip {Button_selectedOverSkin}	Uses:67	Used by:73
Symbol 69 Graphic	Used by:70
Symbol 70 MovieClip {Button_selectedUpSkin}	Uses:69	Used by:73
Symbol 71 Graphic	Used by:72
Symbol 72 MovieClip {Button_upSkin}	Uses:71	Used by:73
Symbol 73 MovieClip {fl.controls.Button}	Uses:14 15 56 58 60 62 64 66 68 70 72 32	Used by:76
Symbol 74 EditableText	Uses:7	Used by:76
Symbol 75 EditableText	Uses:7	Used by:76
Symbol 76 MovieClip {PrintRangeWnd}	Uses:35 42 49 50 51 52 53 54 73 33 74 75
Symbol 77 MovieClip {fl.controls.Label}	Uses:14 15
Symbol 78 Graphic	Used by:79
Symbol 79 MovieClip {def_bgr}	Uses:78
Symbol 80 Graphic	Used by:81
Symbol 81 Button {button}	Uses:80
Symbol 82 Graphic	Used by:83
Symbol 83 MovieClip {manualbutton}	Uses:82	Used by:84 88 89 90 91 92 93 94 95 96 97 98 99 100 141
Symbol 84 MovieClip {def_fullscreen}	Uses:83	Used by:155
Symbol 85 Button {ImgButton}	Used by:86
Symbol 86 MovieClip {print2flash_fla.MCSlider_47}	Uses:85	Used by:87
Symbol 87 MovieClip {Slider}	Uses:86	Used by:155
Symbol 88 MovieClip {def_forward}	Uses:83	Used by:155
Symbol 89 MovieClip {def_back}	Uses:83	Used by:155
Symbol 90 MovieClip {def_nextpage}	Uses:83	Used by:155
Symbol 91 MovieClip {def_more}	Uses:83	Used by:155
Symbol 92 MovieClip {def_selMode}	Uses:83	Used by:155
Symbol 93 MovieClip {def_newwindow}	Uses:83	Used by:155
Symbol 94 MovieClip {def_help}	Uses:83	Used by:155
Symbol 95 MovieClip {def_rotate}	Uses:83	Used by:155
Symbol 96 MovieClip {def_prevpage}	Uses:83	Used by:155
Symbol 97 MovieClip {def_scalePage}	Uses:83	Used by:155
Symbol 98 MovieClip {def_scaleWidth}	Uses:83	Used by:155
Symbol 99 MovieClip {def_moveMode}	Uses:83	Used by:155
Symbol 100 MovieClip {def_print}	Uses:83	Used by:155
Symbol 101 Graphic	Used by:102
Symbol 102 MovieClip	Uses:101	Used by:105 106
Symbol 103 Graphic	Used by:104
Symbol 104 MovieClip	Uses:103	Used by:105 106
Symbol 105 MovieClip {ScrollPane_disabledSkin}	Uses:102 104	Used by:134
Symbol 106 MovieClip {ScrollPane_upSkin}	Uses:102 104	Used by:134
Symbol 107 Graphic	Used by:108
Symbol 108 MovieClip {ScrollTrack_skin}	Uses:107	Used by:133
Symbol 109 Graphic	Used by:112
Symbol 110 Graphic	Used by:111 114 118 127
Symbol 111 MovieClip	Uses:110	Used by:112 122 124
Symbol 112 MovieClip {ScrollArrowUp_downSkin}	Uses:109 111	Used by:133
Symbol 113 Graphic	Used by:114
Symbol 114 MovieClip {ScrollArrowDown_downSkin}	Uses:113 110	Used by:133
Symbol 115 Graphic	Used by:116
Symbol 116 MovieClip {ScrollThumb_downSkin}	Uses:115	Used by:133
Symbol 117 Graphic	Used by:118
Symbol 118 MovieClip {ScrollArrowDown_overSkin}	Uses:117 110	Used by:133
Symbol 119 Graphic	Used by:120
Symbol 120 MovieClip {ScrollThumb_overSkin}	Uses:119	Used by:133
Symbol 121 Graphic	Used by:122
Symbol 122 MovieClip {ScrollArrowUp_overSkin}	Uses:121 111	Used by:133
Symbol 123 Graphic	Used by:124 127
Symbol 124 MovieClip {ScrollArrowUp_upSkin}	Uses:123 111	Used by:133
Symbol 125 Graphic	Used by:126
Symbol 126 MovieClip {ScrollThumb_upSkin}	Uses:125	Used by:133
Symbol 127 MovieClip {ScrollArrowDown_upSkin}	Uses:123 110	Used by:133
Symbol 128 Graphic	Used by:129 130
Symbol 129 MovieClip {ScrollArrowDown_disabledSkin}	Uses:128	Used by:133
Symbol 130 MovieClip {ScrollArrowUp_disabledSkin}	Uses:128	Used by:133
Symbol 131 Graphic	Used by:132
Symbol 132 MovieClip {ScrollBar_thumbIcon}	Uses:131	Used by:133
Symbol 133 MovieClip {fl.controls.ScrollBar}	Uses:108 15 32 112 114 116 118 120 122 124 126 127 129 130 132	Used by:134
Symbol 134 MovieClip {ScrollPain}	Uses:14 15 105 106 133	Used by:Timeline
Symbol 135 MovieClip {fl.containers.ScrollPane}
Symbol 136 Graphic	Used by:137
Symbol 137 MovieClip	Uses:136	Used by:Timeline
Symbol 138 Graphic	Used by:139
Symbol 139 MovieClip	Uses:138	Used by:Timeline
Symbol 140 MovieClip	Used by:155
Symbol 141 MovieClip {print2flash_fla.def_searchbut_27}	Uses:83	Used by:155
Symbol 142 Graphic	Used by:144
Symbol 143 EditableText	Uses:7	Used by:144
Symbol 144 MovieClip {print2flash_fla.Timeline_30}	Uses:142 143	Used by:155
Symbol 145 Graphic	Used by:150
Symbol 146 EditableText	Uses:7	Used by:147
Symbol 147 MovieClip {print2flash_fla.Timeline_32}	Uses:146	Used by:150
Symbol 148 EditableText	Uses:7	Used by:149
Symbol 149 MovieClip {print2flash_fla.Timeline_33}	Uses:148	Used by:150
Symbol 150 MovieClip {print2flash_fla.Timeline_31}	Uses:145 147 149	Used by:155
Symbol 151 Graphic	Used by:153
Symbol 152 EditableText	Uses:7	Used by:153
Symbol 153 MovieClip {print2flash_fla.Timeline_50}	Uses:151 152	Used by:155
Symbol 154 MovieClip	Used by:155
Symbol 155 MovieClip {print2flash_fla._toolbar_25}	Uses:140 141 100 144 150 99 98 97 96 95 94 93 92 91 90 89 88 87 84 153 154	Used by:Timeline
Symbol 221 Graphic	Used by:234 244 259 268 276 285 293 303 311 320 329 338 347 355 363 371 379 387 395 404 412 421 430 438 524 533 541 550 562 574 586 594 603 612 624 633 642 651 660 669 678 687 696 705 713 722 731 740 749 758 767 776 784 793 802 810 836 862 880 891 900 909 918 927 936 945 953 962 971 980 989 998 1007 1016 1025 1034 1043 1052 1062 1070 1079 1088 1097 1106 1115 1124 1133 1142 1151 1160 1169 1178 1187 1196 1205 1214 1223 1232 1241 1250 1259 1267 1275 1284 1293 1302 1311 1319 1328 1337 1346 1355 1364 1372 1380 1389 1398 1407 1417 1426 1434
Symbol 222 Font	Used by:224
Symbol 223 Graphic	Used by:234
Symbol 224 EditableText	Uses:222	Used by:234
Symbol 225 Bitmap	Used by:226
Symbol 226 Graphic	Uses:225	Used by:234
Symbol 227 Font	Used by:231
Symbol 228 Font	Used by:230
Symbol 229 Graphic	Used by:234
Symbol 230 EditableText	Uses:228	Used by:234
Symbol 231 Text	Uses:227 232 233	Used by:234
Symbol 232 Font	Used by:231 821 825 826 832 834
Symbol 233 Font	Used by:231 300 336 402 522 593 658 729 756 925 1005 1113 1194 1221 1257 1309 1405
Symbol 234 MovieClip {Page1}	Uses:221 223 224 226 229 230 231
Symbol 235 Font	Used by:237
Symbol 236 Graphic	Used by:244
Symbol 237 EditableText	Uses:235	Used by:244
Symbol 238 Font	Used by:242 254 266 275 283 292 300 310 318 327 336 345 354 362 370 378 386 394 402 411 419 428 437 522 531 540 548 558 570 582 593 601 610 620 631 640 649 658 659 667 676 685 694 703 712 720 729 730 738 747 756 765 774 783 791 800 809 832 846 849 872 876 889 898 907 916 925 934 943 952 960 969 978 987 996 1005 1014 1023 1032 1041 1050 1060 1069 1077 1086 1095 1104 1113 1122 1131 1140 1149 1158 1167 1176 1185 1194 1203 1212 1221 1230 1239 1248 1249 1257 1266 1274 1282 1291 1292 1300 1309 1318 1326 1335 1344 1353 1362 1371 1379 1387 1396 1405 1414 1424 1433
Symbol 239 Font	Used by:241
Symbol 240 Graphic	Used by:244
Symbol 241 EditableText	Uses:239	Used by:244
Symbol 242 Text	Uses:238 243	Used by:244
Symbol 243 Font	Used by:242 254 378 394 411 531 532 620 621 631 756 1141 1257 1414
Symbol 244 MovieClip {Page2}	Uses:221 236 237 240 241 242
Symbol 245 Font	Used by:247
Symbol 246 Graphic	Used by:259
Symbol 247 EditableText	Uses:245	Used by:259
Symbol 248 Bitmap	Used by:250
Symbol 249 Bitmap	Used by:250
Symbol 250 Graphic	Uses:248 249	Used by:259
Symbol 251 Font	Used by:253
Symbol 252 Graphic	Used by:259
Symbol 253 EditableText	Uses:251	Used by:259
Symbol 254 Text	Uses:238 255 256 243 257 258	Used by:259
Symbol 255 Font	Used by:254 266 283
Symbol 256 Font	Used by:254 266 275 318 319 327 328 345 346 419 428 429 437 531 548 570 571 601 611 640 641 649 667 668 694 695 703 712 720 721 729 738 747 756 757 765 766 783 791 792 800 809 876 889 890 898 899 907 925 960 961 978 979 987 996 997 1023 1024 1032 1041 1042 1050 1051 1060 1061 1077 1078 1086 1087 1131 1132 1140 1141 1149 1158 1159 1185 1186 1194 1195 1221 1222 1230 1239 1240 1257 1282 1283 1291 1309 1318 1326 1327 1344 1345 1362 1396 1414 1416
Symbol 257 Font	Used by:254 266 275 283 292 300 302 310 318 327 336 337 345 354 362 370 378 386 394 402 411 419 420 428 437 522 523 531 540 548 549 558 570 573 582 583 593 601 602 610 620 631 632 640 649 650 658 659 667 676 677 685 694 703 704 712 720 729 730 738 739 747 756 765 774 775 783 791 800 801 809 821 826 832 846 849 853 855 857 860 874 876 889 898 907 908 916 917 925 926 934 935 943 944 952 960 969 970 978 987 988 996 1005 1006 1014 1015 1023 1032 1033 1041 1050 1060 1069 1077 1086 1095 1096 1104 1105 1113 1114 1122 1123 1131 1140 1149 1150 1158 1167 1168 1176 1177 1185 1194 1203 1204 1212 1213 1221 1230 1231 1239 1248 1249 1257 1258 1266 1274 1282 1291 1292 1300 1301 1309 1310 1318 1326 1335 1336 1344 1353 1354 1362 1363 1371 1379 1387 1388 1396 1397 1405 1414 1424 1433
Symbol 258 Font	Used by:254 275 327 345 354 362 370 378 386 394 402 403 411 419 428 522 531 540 558 560 561 570 573 582 585 601 620 623 631 658 676 685 686 694 703 712 720 729 747 748 756 826 846 874 876 1005 1041 1060 1069 1113 1149 1176 1203 1212 1266 1282 1344 1353 1405 1414 1424 1425 1433
Symbol 259 MovieClip {Page3}	Uses:221 246 247 250 252 253 254
Symbol 260 Font	Used by:262
Symbol 261 Graphic	Used by:268
Symbol 262 EditableText	Uses:260	Used by:268
Symbol 263 Font	Used by:265
Symbol 264 Graphic	Used by:268
Symbol 265 EditableText	Uses:263	Used by:268
Symbol 266 Text	Uses:238 255 267 257 256	Used by:268
Symbol 267 Font	Used by:266 283 292 310 336 345 354 362 370 386 394 419 428 531 548 558 582 601 610 620 631 649 667 676 694 703 712 738 747 774 783 791 800 889 898 907 916 925 943 960 969 987 996 1005 1023 1032 1041 1050 1069 1077 1086 1095 1104 1113 1131 1140 1158 1212 1221 1239 1248 1257 1282 1291 1300 1326 1335 1353 1362 1371 1379 1387 1396 1414 1424
Symbol 268 MovieClip {Page4}	Uses:221 261 262 264 265 266
Symbol 269 Font	Used by:271
Symbol 270 Graphic	Used by:276
Symbol 271 EditableText	Uses:269	Used by:276
Symbol 272 Font	Used by:274
Symbol 273 Graphic	Used by:276
Symbol 274 EditableText	Uses:272	Used by:276
Symbol 275 Text	Uses:257 256 238 258	Used by:276
Symbol 276 MovieClip {Page5}	Uses:221 270 271 273 274 275
Symbol 277 Font	Used by:279
Symbol 278 Graphic	Used by:285
Symbol 279 EditableText	Uses:277	Used by:285
Symbol 280 Font	Used by:282
Symbol 281 Graphic	Used by:285
Symbol 282 EditableText	Uses:280	Used by:285
Symbol 283 Text	Uses:238 255 267 284 257	Used by:285
Symbol 284 Font	Used by:283 370
Symbol 285 MovieClip {Page6}	Uses:221 278 279 281 282 283
Symbol 286 Font	Used by:288
Symbol 287 Graphic	Used by:293
Symbol 288 EditableText	Uses:286	Used by:293
Symbol 289 Font	Used by:291
Symbol 290 Graphic	Used by:293
Symbol 291 EditableText	Uses:289	Used by:293
Symbol 292 Text	Uses:238 267 257	Used by:293
Symbol 293 MovieClip {Page7}	Uses:221 287 288 290 291 292
Symbol 294 Font	Used by:296
Symbol 295 Graphic	Used by:303
Symbol 296 EditableText	Uses:294	Used by:303
Symbol 297 Font	Used by:299
Symbol 298 Graphic	Used by:303
Symbol 299 EditableText	Uses:297	Used by:303
Symbol 300 Text	Uses:238 301 233 257	Used by:303
Symbol 301 Font	Used by:300 756
Symbol 302 Text	Uses:257	Used by:303
Symbol 303 MovieClip {Page8}	Uses:221 295 296 298 299 300 302
Symbol 304 Font	Used by:306
Symbol 305 Graphic	Used by:311
Symbol 306 EditableText	Uses:304	Used by:311
Symbol 307 Font	Used by:309
Symbol 308 Graphic	Used by:311
Symbol 309 EditableText	Uses:307	Used by:311
Symbol 310 Text	Uses:257 238 267	Used by:311
Symbol 311 MovieClip {Page9}	Uses:221 305 306 308 309 310
Symbol 312 Font	Used by:314
Symbol 313 Graphic	Used by:320
Symbol 314 EditableText	Uses:312	Used by:320
Symbol 315 Font	Used by:317
Symbol 316 Graphic	Used by:320
Symbol 317 EditableText	Uses:315	Used by:320
Symbol 318 Text	Uses:257 238 256	Used by:320
Symbol 319 Text	Uses:256	Used by:320
Symbol 320 MovieClip {Page10}	Uses:221 313 314 316 317 318 319
Symbol 321 Font	Used by:323
Symbol 322 Graphic	Used by:329
Symbol 323 EditableText	Uses:321	Used by:329
Symbol 324 Font	Used by:326
Symbol 325 Graphic	Used by:329
Symbol 326 EditableText	Uses:324	Used by:329
Symbol 327 Text	Uses:257 238 258 256	Used by:329
Symbol 328 Text	Uses:256	Used by:329
Symbol 329 MovieClip {Page11}	Uses:221 322 323 325 326 327 328
Symbol 330 Font	Used by:332
Symbol 331 Graphic	Used by:338
Symbol 332 EditableText	Uses:330	Used by:338
Symbol 333 Font	Used by:335
Symbol 334 Graphic	Used by:338
Symbol 335 EditableText	Uses:333	Used by:338
Symbol 336 Text	Uses:257 238 267 233	Used by:338
Symbol 337 Text	Uses:257	Used by:338
Symbol 338 MovieClip {Page12}	Uses:221 331 332 334 335 336 337
Symbol 339 Font	Used by:341
Symbol 340 Graphic	Used by:347
Symbol 341 EditableText	Uses:339	Used by:347
Symbol 342 Font	Used by:344
Symbol 343 Graphic	Used by:347
Symbol 344 EditableText	Uses:342	Used by:347
Symbol 345 Text	Uses:257 238 258 267 256	Used by:347
Symbol 346 Text	Uses:256	Used by:347
Symbol 347 MovieClip {Page13}	Uses:221 340 341 343 344 345 346
Symbol 348 Font	Used by:350
Symbol 349 Graphic	Used by:355
Symbol 350 EditableText	Uses:348	Used by:355
Symbol 351 Font	Used by:353
Symbol 352 Graphic	Used by:355
Symbol 353 EditableText	Uses:351	Used by:355
Symbol 354 Text	Uses:257 238 258 267	Used by:355
Symbol 355 MovieClip {Page14}	Uses:221 349 350 352 353 354
Symbol 356 Font	Used by:358
Symbol 357 Graphic	Used by:363
Symbol 358 EditableText	Uses:356	Used by:363
Symbol 359 Font	Used by:361
Symbol 360 Graphic	Used by:363
Symbol 361 EditableText	Uses:359	Used by:363
Symbol 362 Text	Uses:257 238 267 258	Used by:363
Symbol 363 MovieClip {Page15}	Uses:221 357 358 360 361 362
Symbol 364 Font	Used by:366
Symbol 365 Graphic	Used by:371
Symbol 366 EditableText	Uses:364	Used by:371
Symbol 367 Font	Used by:369
Symbol 368 Graphic	Used by:371
Symbol 369 EditableText	Uses:367	Used by:371
Symbol 370 Text	Uses:267 238 257 258 284	Used by:371
Symbol 371 MovieClip {Page16}	Uses:221 365 366 368 369 370
Symbol 372 Font	Used by:374
Symbol 373 Graphic	Used by:379
Symbol 374 EditableText	Uses:372	Used by:379
Symbol 375 Font	Used by:377
Symbol 376 Graphic	Used by:379
Symbol 377 EditableText	Uses:375	Used by:379
Symbol 378 Text	Uses:257 238 258 243	Used by:379
Symbol 379 MovieClip {Page17}	Uses:221 373 374 376 377 378
Symbol 380 Font	Used by:382
Symbol 381 Graphic	Used by:387
Symbol 382 EditableText	Uses:380	Used by:387
Symbol 383 Font	Used by:385
Symbol 384 Graphic	Used by:387
Symbol 385 EditableText	Uses:383	Used by:387
Symbol 386 Text	Uses:267 238 257 258	Used by:387
Symbol 387 MovieClip {Page18}	Uses:221 381 382 384 385 386
Symbol 388 Font	Used by:390
Symbol 389 Graphic	Used by:395
Symbol 390 EditableText	Uses:388	Used by:395
Symbol 391 Font	Used by:393
Symbol 392 Graphic	Used by:395
Symbol 393 EditableText	Uses:391	Used by:395
Symbol 394 Text	Uses:257 238 267 243 258	Used by:395
Symbol 395 MovieClip {Page19}	Uses:221 389 390 392 393 394
Symbol 396 Font	Used by:398
Symbol 397 Graphic	Used by:404
Symbol 398 EditableText	Uses:396	Used by:404
Symbol 399 Font	Used by:401
Symbol 400 Graphic	Used by:404
Symbol 401 EditableText	Uses:399	Used by:404
Symbol 402 Text	Uses:257 238 233 258	Used by:404
Symbol 403 Text	Uses:258	Used by:404
Symbol 404 MovieClip {Page20}	Uses:221 397 398 400 401 402 403
Symbol 405 Font	Used by:407
Symbol 406 Graphic	Used by:412
Symbol 407 EditableText	Uses:405	Used by:412
Symbol 408 Font	Used by:410
Symbol 409 Graphic	Used by:412
Symbol 410 EditableText	Uses:408	Used by:412
Symbol 411 Text	Uses:238 257 258 243	Used by:412
Symbol 412 MovieClip {Page21}	Uses:221 406 407 409 410 411
Symbol 413 Font	Used by:415
Symbol 414 Graphic	Used by:421
Symbol 415 EditableText	Uses:413	Used by:421
Symbol 416 Font	Used by:418
Symbol 417 Graphic	Used by:421
Symbol 418 EditableText	Uses:416	Used by:421
Symbol 419 Text	Uses:256 238 258 257 267	Used by:421
Symbol 420 Text	Uses:257	Used by:421
Symbol 421 MovieClip {Page22}	Uses:221 414 415 417 418 419 420
Symbol 422 Font	Used by:424
Symbol 423 Graphic	Used by:430
Symbol 424 EditableText	Uses:422	Used by:430
Symbol 425 Font	Used by:427
Symbol 426 Graphic	Used by:430
Symbol 427 EditableText	Uses:425	Used by:430
Symbol 428 Text	Uses:257 238 258 267 256	Used by:430
Symbol 429 Text	Uses:256	Used by:430
Symbol 430 MovieClip {Page23}	Uses:221 423 424 426 427 428 429
Symbol 431 Font	Used by:433
Symbol 432 Graphic	Used by:438
Symbol 433 EditableText	Uses:431	Used by:438
Symbol 434 Font	Used by:436
Symbol 435 Graphic	Used by:438
Symbol 436 EditableText	Uses:434	Used by:438
Symbol 437 Text	Uses:257 238 256	Used by:438
Symbol 438 MovieClip {Page24}	Uses:221 432 433 435 436 437
Symbol 439 Font	Used by:441
Symbol 440 Graphic	Used by:524
Symbol 441 EditableText	Uses:439	Used by:524
Symbol 442 Bitmap	Used by:518
Symbol 443 Bitmap	Used by:518
Symbol 444 Bitmap	Used by:518
Symbol 445 Bitmap	Used by:518
Symbol 446 Bitmap	Used by:518
Symbol 447 Bitmap	Used by:518
Symbol 448 Bitmap	Used by:518
Symbol 449 Bitmap	Used by:518
Symbol 450 Bitmap	Used by:518
Symbol 451 Bitmap	Used by:518
Symbol 452 Bitmap	Used by:518
Symbol 453 Bitmap	Used by:518
Symbol 454 Bitmap	Used by:518
Symbol 455 Bitmap	Used by:518
Symbol 456 Bitmap	Used by:518
Symbol 457 Bitmap	Used by:518
Symbol 458 Bitmap	Used by:518
Symbol 459 Bitmap	Used by:518
Symbol 460 Bitmap	Used by:518
Symbol 461 Bitmap	Used by:518
Symbol 462 Bitmap	Used by:518
Symbol 463 Bitmap	Used by:518
Symbol 464 Bitmap	Used by:518
Symbol 465 Bitmap	Used by:518
Symbol 466 Bitmap	Used by:518
Symbol 467 Bitmap	Used by:518
Symbol 468 Bitmap	Used by:518
Symbol 469 Bitmap	Used by:518
Symbol 470 Bitmap	Used by:518
Symbol 471 Bitmap	Used by:518
Symbol 472 Bitmap	Used by:518
Symbol 473 Bitmap	Used by:518
Symbol 474 Bitmap	Used by:518
Symbol 475 Bitmap	Used by:518
Symbol 476 Bitmap	Used by:518
Symbol 477 Bitmap	Used by:518
Symbol 478 Bitmap	Used by:518
Symbol 479 Bitmap	Used by:518
Symbol 480 Bitmap	Used by:518
Symbol 481 Bitmap	Used by:518
Symbol 482 Bitmap	Used by:518
Symbol 483 Bitmap	Used by:518
Symbol 484 Bitmap	Used by:518
Symbol 485 Bitmap	Used by:518
Symbol 486 Bitmap	Used by:518
Symbol 487 Bitmap	Used by:518
Symbol 488 Bitmap	Used by:518
Symbol 489 Bitmap	Used by:518
Symbol 490 Bitmap	Used by:518
Symbol 491 Bitmap	Used by:518
Symbol 492 Bitmap	Used by:518
Symbol 493 Bitmap	Used by:518
Symbol 494 Bitmap	Used by:518
Symbol 495 Bitmap	Used by:518
Symbol 496 Bitmap	Used by:518
Symbol 497 Bitmap	Used by:518
Symbol 498 Bitmap	Used by:518
Symbol 499 Bitmap	Used by:518
Symbol 500 Bitmap	Used by:518
Symbol 501 Bitmap	Used by:518
Symbol 502 Bitmap	Used by:518
Symbol 503 Bitmap	Used by:518
Symbol 504 Bitmap	Used by:518
Symbol 505 Bitmap	Used by:518
Symbol 506 Bitmap	Used by:518
Symbol 507 Bitmap	Used by:518
Symbol 508 Bitmap	Used by:518
Symbol 509 Bitmap	Used by:518
Symbol 510 Bitmap	Used by:518
Symbol 511 Bitmap	Used by:518
Symbol 512 Bitmap	Used by:518
Symbol 513 Bitmap	Used by:518
Symbol 514 Bitmap	Used by:518
Symbol 515 Bitmap	Used by:518
Symbol 516 Bitmap	Used by:518
Symbol 517 Bitmap	Used by:518
Symbol 518 Graphic	Uses:442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517	Used by:524
Symbol 519 Font	Used by:521
Symbol 520 Graphic	Used by:524
Symbol 521 EditableText	Uses:519	Used by:524
Symbol 522 Text	Uses:238 257 233 258	Used by:524
Symbol 523 Text	Uses:257	Used by:524
Symbol 524 MovieClip {Page25}	Uses:221 440 441 518 520 521 522 523
Symbol 525 Font	Used by:527
Symbol 526 Graphic	Used by:533
Symbol 527 EditableText	Uses:525	Used by:533
Symbol 528 Font	Used by:530
Symbol 529 Graphic	Used by:533
Symbol 530 EditableText	Uses:528	Used by:533
Symbol 531 Text	Uses:238 267 257 258 256 243	Used by:533
Symbol 532 Text	Uses:243	Used by:533
Symbol 533 MovieClip {Page26}	Uses:221 526 527 529 530 531 532
Symbol 534 Font	Used by:536
Symbol 535 Graphic	Used by:541
Symbol 536 EditableText	Uses:534	Used by:541
Symbol 537 Font	Used by:539
Symbol 538 Graphic	Used by:541
Symbol 539 EditableText	Uses:537	Used by:541
Symbol 540 Text	Uses:258 238 257	Used by:541
Symbol 541 MovieClip {Page27}	Uses:221 535 536 538 539 540
Symbol 542 Font	Used by:544
Symbol 543 Graphic	Used by:550
Symbol 544 EditableText	Uses:542	Used by:550
Symbol 545 Font	Used by:547
Symbol 546 Graphic	Used by:550
Symbol 547 EditableText	Uses:545	Used by:550
Symbol 548 Text	Uses:238 267 256 257	Used by:550
Symbol 549 Text	Uses:257	Used by:550
Symbol 550 MovieClip {Page28}	Uses:221 543 544 546 547 548 549
Symbol 551 Font	Used by:553
Symbol 552 Graphic	Used by:562
Symbol 553 EditableText	Uses:551	Used by:562
Symbol 554 Graphic	Used by:562
Symbol 555 Font	Used by:557
Symbol 556 Graphic	Used by:562
Symbol 557 EditableText	Uses:555	Used by:562
Symbol 558 Text	Uses:257 238 267 258	Used by:562
Symbol 559 Graphic	Used by:562
Symbol 560 Text	Uses:258	Used by:562
Symbol 561 Text	Uses:258	Used by:562
Symbol 562 MovieClip {Page29}	Uses:221 552 553 554 556 557 558 559 560 561
Symbol 563 Font	Used by:565
Symbol 564 Graphic	Used by:574
Symbol 565 EditableText	Uses:563	Used by:574
Symbol 566 Graphic	Used by:574
Symbol 567 Font	Used by:569
Symbol 568 Graphic	Used by:574
Symbol 569 EditableText	Uses:567	Used by:574
Symbol 570 Text	Uses:258 256 238 257	Used by:574
Symbol 571 Text	Uses:256	Used by:574
Symbol 572 Graphic	Used by:574
Symbol 573 Text	Uses:258 257	Used by:574
Symbol 574 MovieClip {Page30}	Uses:221 564 565 566 568 569 570 571 572 573
Symbol 575 Font	Used by:577
Symbol 576 Graphic	Used by:586
Symbol 577 EditableText	Uses:575	Used by:586
Symbol 578 Graphic	Used by:586
Symbol 579 Font	Used by:581
Symbol 580 Graphic	Used by:586
Symbol 581 EditableText	Uses:579	Used by:586
Symbol 582 Text	Uses:257 238 258 267	Used by:586
Symbol 583 Text	Uses:257	Used by:586
Symbol 584 Graphic	Used by:586
Symbol 585 Text	Uses:258	Used by:586
Symbol 586 MovieClip {Page31}	Uses:221 576 577 578 580 581 582 583 584 585
Symbol 587 Font	Used by:589
Symbol 588 Graphic	Used by:594
Symbol 589 EditableText	Uses:587	Used by:594
Symbol 590 Font	Used by:592
Symbol 591 Graphic	Used by:594
Symbol 592 EditableText	Uses:590	Used by:594
Symbol 593 Text	Uses:257 238 233	Used by:594
Symbol 594 MovieClip {Page32}	Uses:221 588 589 591 592 593
Symbol 595 Font	Used by:597
Symbol 596 Graphic	Used by:603
Symbol 597 EditableText	Uses:595	Used by:603
Symbol 598 Font	Used by:600
Symbol 599 Graphic	Used by:603
Symbol 600 EditableText	Uses:598	Used by:603
Symbol 601 Text	Uses:267 238 257 258 256	Used by:603
Symbol 602 Text	Uses:257	Used by:603
Symbol 603 MovieClip {Page33}	Uses:221 596 597 599 600 601 602
Symbol 604 Font	Used by:606
Symbol 605 Graphic	Used by:612
Symbol 606 EditableText	Uses:604	Used by:612
Symbol 607 Font	Used by:609
Symbol 608 Graphic	Used by:612
Symbol 609 EditableText	Uses:607	Used by:612
Symbol 610 Text	Uses:238 257 267	Used by:612
Symbol 611 Text	Uses:256	Used by:612
Symbol 612 MovieClip {Page34}	Uses:221 605 606 608 609 610 611
Symbol 613 Font	Used by:615
Symbol 614 Graphic	Used by:624
Symbol 615 EditableText	Uses:613	Used by:624
Symbol 616 Graphic	Used by:624
Symbol 617 Font	Used by:619
Symbol 618 Graphic	Used by:624
Symbol 619 EditableText	Uses:617	Used by:624
Symbol 620 Text	Uses:238 258 257 267 243	Used by:624
Symbol 621 Text	Uses:243	Used by:624
Symbol 622 Graphic	Used by:624
Symbol 623 Text	Uses:258	Used by:624
Symbol 624 MovieClip {Page35}	Uses:221 614 615 616 618 619 620 621 622 623
Symbol 625 Font	Used by:627
Symbol 626 Graphic	Used by:633
Symbol 627 EditableText	Uses:625	Used by:633
Symbol 628 Font	Used by:630
Symbol 629 Graphic	Used by:633
Symbol 630 EditableText	Uses:628	Used by:633
Symbol 631 Text	Uses:243 238 257 258 267	Used by:633
Symbol 632 Text	Uses:257	Used by:633
Symbol 633 MovieClip {Page36}	Uses:221 626 627 629 630 631 632
Symbol 634 Font	Used by:636
Symbol 635 Graphic	Used by:642
Symbol 636 EditableText	Uses:634	Used by:642
Symbol 637 Font	Used by:639
Symbol 638 Graphic	Used by:642
Symbol 639 EditableText	Uses:637	Used by:642
Symbol 640 Text	Uses:238 257 256	Used by:642
Symbol 641 Text	Uses:256	Used by:642
Symbol 642 MovieClip {Page37}	Uses:221 635 636 638 639 640 641
Symbol 643 Font	Used by:645
Symbol 644 Graphic	Used by:651
Symbol 645 EditableText	Uses:643	Used by:651
Symbol 646 Font	Used by:648
Symbol 647 Graphic	Used by:651
Symbol 648 EditableText	Uses:646	Used by:651
Symbol 649 Text	Uses:257 238 267 256	Used by:651
Symbol 650 Text	Uses:257	Used by:651
Symbol 651 MovieClip {Page38}	Uses:221 644 645 647 648 649 650
Symbol 652 Font	Used by:654
Symbol 653 Graphic	Used by:660
Symbol 654 EditableText	Uses:652	Used by:660
Symbol 655 Font	Used by:657
Symbol 656 Graphic	Used by:660
Symbol 657 EditableText	Uses:655	Used by:660
Symbol 658 Text	Uses:238 257 258 233	Used by:660
Symbol 659 Text	Uses:238 257	Used by:660
Symbol 660 MovieClip {Page39}	Uses:221 653 654 656 657 658 659
Symbol 661 Font	Used by:663
Symbol 662 Graphic	Used by:669
Symbol 663 EditableText	Uses:661	Used by:669
Symbol 664 Font	Used by:666
Symbol 665 Graphic	Used by:669
Symbol 666 EditableText	Uses:664	Used by:669
Symbol 667 Text	Uses:257 238 267 256	Used by:669
Symbol 668 Text	Uses:256	Used by:669
Symbol 669 MovieClip {Page40}	Uses:221 662 663 665 666 667 668
Symbol 670 Font	Used by:672
Symbol 671 Graphic	Used by:678
Symbol 672 EditableText	Uses:670	Used by:678
Symbol 673 Font	Used by:675
Symbol 674 Graphic	Used by:678
Symbol 675 EditableText	Uses:673	Used by:678
Symbol 676 Text	Uses:257 238 258 267	Used by:678
Symbol 677 Text	Uses:257	Used by:678
Symbol 678 MovieClip {Page41}	Uses:221 671 672 674 675 676 677
Symbol 679 Font	Used by:681
Symbol 680 Graphic	Used by:687
Symbol 681 EditableText	Uses:679	Used by:687
Symbol 682 Font	Used by:684
Symbol 683 Graphic	Used by:687
Symbol 684 EditableText	Uses:682	Used by:687
Symbol 685 Text	Uses:257 238 258	Used by:687
Symbol 686 Text	Uses:258	Used by:687
Symbol 687 MovieClip {Page42}	Uses:221 680 681 683 684 685 686
Symbol 688 Font	Used by:690
Symbol 689 Graphic	Used by:696
Symbol 690 EditableText	Uses:688	Used by:696
Symbol 691 Font	Used by:693
Symbol 692 Graphic	Used by:696
Symbol 693 EditableText	Uses:691	Used by:696
Symbol 694 Text	Uses:258 238 257 267 256	Used by:696
Symbol 695 Text	Uses:256	Used by:696
Symbol 696 MovieClip {Page43}	Uses:221 689 690 692 693 694 695
Symbol 697 Font	Used by:699
Symbol 698 Graphic	Used by:705
Symbol 699 EditableText	Uses:697	Used by:705
Symbol 700 Font	Used by:702
Symbol 701 Graphic	Used by:705
Symbol 702 EditableText	Uses:700	Used by:705
Symbol 703 Text	Uses:257 238 267 256 258	Used by:705
Symbol 704 Text	Uses:257	Used by:705
Symbol 705 MovieClip {Page44}	Uses:221 698 699 701 702 703 704
Symbol 706 Font	Used by:708
Symbol 707 Graphic	Used by:713
Symbol 708 EditableText	Uses:706	Used by:713
Symbol 709 Font	Used by:711
Symbol 710 Graphic	Used by:713
Symbol 711 EditableText	Uses:709	Used by:713
Symbol 712 Text	Uses:257 238 267 258 256	Used by:713
Symbol 713 MovieClip {Page45}	Uses:221 707 708 710 711 712
Symbol 714 Font	Used by:716
Symbol 715 Graphic	Used by:722
Symbol 716 EditableText	Uses:714	Used by:722
Symbol 717 Font	Used by:719
Symbol 718 Graphic	Used by:722
Symbol 719 EditableText	Uses:717	Used by:722
Symbol 720 Text	Uses:257 238 256 258	Used by:722
Symbol 721 Text	Uses:256	Used by:722
Symbol 722 MovieClip {Page46}	Uses:221 715 716 718 719 720 721
Symbol 723 Font	Used by:725
Symbol 724 Graphic	Used by:731
Symbol 725 EditableText	Uses:723	Used by:731
Symbol 726 Font	Used by:728
Symbol 727 Graphic	Used by:731
Symbol 728 EditableText	Uses:726	Used by:731
Symbol 729 Text	Uses:257 238 233 258 256	Used by:731
Symbol 730 Text	Uses:238 257	Used by:731
Symbol 731 MovieClip {Page47}	Uses:221 724 725 727 728 729 730
Symbol 732 Font	Used by:734
Symbol 733 Graphic	Used by:740
Symbol 734 EditableText	Uses:732	Used by:740
Symbol 735 Font	Used by:737
Symbol 736 Graphic	Used by:740
Symbol 737 EditableText	Uses:735	Used by:740
Symbol 738 Text	Uses:256 238 257 267	Used by:740
Symbol 739 Text	Uses:257	Used by:740
Symbol 740 MovieClip {Page48}	Uses:221 733 734 736 737 738 739
Symbol 741 Font	Used by:743
Symbol 742 Graphic	Used by:749
Symbol 743 EditableText	Uses:741	Used by:749
Symbol 744 Font	Used by:746
Symbol 745 Graphic	Used by:749
Symbol 746 EditableText	Uses:744	Used by:749
Symbol 747 Text	Uses:257 238 267 256 258	Used by:749
Symbol 748 Text	Uses:258	Used by:749
Symbol 749 MovieClip {Page49}	Uses:221 742 743 745 746 747 748
Symbol 750 Font	Used by:752
Symbol 751 Graphic	Used by:758
Symbol 752 EditableText	Uses:750	Used by:758
Symbol 753 Font	Used by:755
Symbol 754 Graphic	Used by:758
Symbol 755 EditableText	Uses:753	Used by:758
Symbol 756 Text	Uses:243 238 258 257 301 233 256	Used by:758
Symbol 757 Text	Uses:256	Used by:758
Symbol 758 MovieClip {Page50}	Uses:221 751 752 754 755 756 757
Symbol 759 Font	Used by:761
Symbol 760 Graphic	Used by:767
Symbol 761 EditableText	Uses:759	Used by:767
Symbol 762 Font	Used by:764
Symbol 763 Graphic	Used by:767
Symbol 764 EditableText	Uses:762	Used by:767
Symbol 765 Text	Uses:257 238 256	Used by:767
Symbol 766 Text	Uses:256	Used by:767
Symbol 767 MovieClip {Page51}	Uses:221 760 761 763 764 765 766
Symbol 768 Font	Used by:770
Symbol 769 Graphic	Used by:776
Symbol 770 EditableText	Uses:768	Used by:776
Symbol 771 Font	Used by:773
Symbol 772 Graphic	Used by:776
Symbol 773 EditableText	Uses:771	Used by:776
Symbol 774 Text	Uses:257 238 267	Used by:776
Symbol 775 Text	Uses:257	Used by:776
Symbol 776 MovieClip {Page52}	Uses:221 769 770 772 773 774 775
Symbol 777 Font	Used by:779
Symbol 778 Graphic	Used by:784
Symbol 779 EditableText	Uses:777	Used by:784
Symbol 780 Font	Used by:782
Symbol 781 Graphic	Used by:784
Symbol 782 EditableText	Uses:780	Used by:784
Symbol 783 Text	Uses:238 257 256 267	Used by:784
Symbol 784 MovieClip {Page53}	Uses:221 778 779 781 782 783
Symbol 785 Font	Used by:787
Symbol 786 Graphic	Used by:793
Symbol 787 EditableText	Uses:785	Used by:793
Symbol 788 Font	Used by:790
Symbol 789 Graphic	Used by:793
Symbol 790 EditableText	Uses:788	Used by:793
Symbol 791 Text	Uses:256 238 257 267	Used by:793
Symbol 792 Text	Uses:256	Used by:793
Symbol 793 MovieClip {Page54}	Uses:221 786 787 789 790 791 792
Symbol 794 Font	Used by:796
Symbol 795 Graphic	Used by:802
Symbol 796 EditableText	Uses:794	Used by:802
Symbol 797 Font	Used by:799
Symbol 798 Graphic	Used by:802
Symbol 799 EditableText	Uses:797	Used by:802
Symbol 800 Text	Uses:257 238 267 256	Used by:802
Symbol 801 Text	Uses:257	Used by:802
Symbol 802 MovieClip {Page55}	Uses:221 795 796 798 799 800 801
Symbol 803 Font	Used by:805
Symbol 804 Graphic	Used by:810
Symbol 805 EditableText	Uses:803	Used by:810
Symbol 806 Font	Used by:808
Symbol 807 Graphic	Used by:810
Symbol 808 EditableText	Uses:806	Used by:810
Symbol 809 Text	Uses:257 238 256	Used by:810
Symbol 810 MovieClip {Page56}	Uses:221 804 805 807 808 809
Symbol 811 Font	Used by:813
Symbol 812 Graphic	Used by:836
Symbol 813 EditableText	Uses:811	Used by:836
Symbol 814 Bitmap	Used by:816
Symbol 815 Bitmap	Used by:816
Symbol 816 Graphic	Uses:814 815	Used by:836
Symbol 817 Graphic	Used by:836
Symbol 818 Font	Used by:820
Symbol 819 Graphic	Used by:836
Symbol 820 EditableText	Uses:818	Used by:836
Symbol 821 Text	Uses:232 822 257	Used by:836
Symbol 822 Font	Used by:821 825 830 832 851 853 874
Symbol 823 Font	Used by:824 829 831 835 850 852 859 873 878
Symbol 824 Text	Uses:823	Used by:836
Symbol 825 Text	Uses:822 232	Used by:836
Symbol 826 Text	Uses:232 258 257 827 828	Used by:836
Symbol 827 Font	Used by:826 846 874
Symbol 828 Font	Used by:826 832
Symbol 829 Text	Uses:823	Used by:836
Symbol 830 Text	Uses:822	Used by:836
Symbol 831 Text	Uses:823	Used by:836
Symbol 832 Text	Uses:822 257 232 828 238	Used by:836
Symbol 833 Graphic	Used by:836
Symbol 834 Text	Uses:232	Used by:836
Symbol 835 Text	Uses:823	Used by:836
Symbol 836 MovieClip {Page57}	Uses:221 812 813 816 817 819 820 821 824 825 826 829 830 831 832 833 834 835
Symbol 837 Font	Used by:839
Symbol 838 Graphic	Used by:862
Symbol 839 EditableText	Uses:837	Used by:862
Symbol 840 Bitmap	Used by:841
Symbol 841 Graphic	Uses:840	Used by:862
Symbol 842 Graphic	Used by:862
Symbol 843 Font	Used by:845
Symbol 844 Graphic	Used by:862
Symbol 845 EditableText	Uses:843	Used by:862
Symbol 846 Text	Uses:238 258 827 257	Used by:862
Symbol 847 Font	Used by:848 854 858 861 875 879
Symbol 848 Text	Uses:847	Used by:862
Symbol 849 Text	Uses:257 238	Used by:862
Symbol 850 Text	Uses:823	Used by:862
Symbol 851 Text	Uses:822	Used by:862
Symbol 852 Text	Uses:823	Used by:862
Symbol 853 Text	Uses:822 257	Used by:862
Symbol 854 Text	Uses:847	Used by:862
Symbol 855 Text	Uses:257	Used by:862
Symbol 856 Graphic	Used by:862
Symbol 857 Text	Uses:257	Used by:862
Symbol 858 Text	Uses:847	Used by:862
Symbol 859 Text	Uses:823	Used by:862
Symbol 860 Text	Uses:257	Used by:862
Symbol 861 Text	Uses:847	Used by:862
Symbol 862 MovieClip {Page58}	Uses:221 838 839 841 842 844 845 846 848 849 850 851 852 853 854 855 856 857 858 859 860 861
Symbol 863 Font	Used by:865
Symbol 864 Graphic	Used by:880
Symbol 865 EditableText	Uses:863	Used by:880
Symbol 866 Bitmap	Used by:867
Symbol 867 Graphic	Uses:866	Used by:880
Symbol 868 Graphic	Used by:880
Symbol 869 Font	Used by:871
Symbol 870 Graphic	Used by:880
Symbol 871 EditableText	Uses:869	Used by:880
Symbol 872 Text	Uses:238	Used by:880
Symbol 873 Text	Uses:823	Used by:880
Symbol 874 Text	Uses:822 258 827 257	Used by:880
Symbol 875 Text	Uses:847	Used by:880
Symbol 876 Text	Uses:257 238 258 256	Used by:880
Symbol 877 Graphic	Used by:880
Symbol 878 Text	Uses:823	Used by:880
Symbol 879 Text	Uses:847	Used by:880
Symbol 880 MovieClip {Page59}	Uses:221 864 865 867 868 870 871 872 873 874 875 876 877 878 879
Symbol 881 Font	Used by:883
Symbol 882 Graphic	Used by:891
Symbol 883 EditableText	Uses:881	Used by:891
Symbol 884 Bitmap	Used by:885
Symbol 885 Graphic	Uses:884	Used by:891
Symbol 886 Font	Used by:888
Symbol 887 Graphic	Used by:891
Symbol 888 EditableText	Uses:886	Used by:891
Symbol 889 Text	Uses:238 257 267 256	Used by:891
Symbol 890 Text	Uses:256	Used by:891
Symbol 891 MovieClip {Page60}	Uses:221 882 883 885 887 888 889 890
Symbol 892 Font	Used by:894
Symbol 893 Graphic	Used by:900
Symbol 894 EditableText	Uses:892	Used by:900
Symbol 895 Font	Used by:897
Symbol 896 Graphic	Used by:900
Symbol 897 EditableText	Uses:895	Used by:900
Symbol 898 Text	Uses:257 238 256 267	Used by:900
Symbol 899 Text	Uses:256	Used by:900
Symbol 900 MovieClip {Page61}	Uses:221 893 894 896 897 898 899
Symbol 901 Font	Used by:903
Symbol 902 Graphic	Used by:909
Symbol 903 EditableText	Uses:901	Used by:909
Symbol 904 Font	Used by:906
Symbol 905 Graphic	Used by:909
Symbol 906 EditableText	Uses:904	Used by:909
Symbol 907 Text	Uses:257 238 256 267	Used by:909
Symbol 908 Text	Uses:257	Used by:909
Symbol 909 MovieClip {Page62}	Uses:221 902 903 905 906 907 908
Symbol 910 Font	Used by:912
Symbol 911 Graphic	Used by:918
Symbol 912 EditableText	Uses:910	Used by:918
Symbol 913 Font	Used by:915
Symbol 914 Graphic	Used by:918
Symbol 915 EditableText	Uses:913	Used by:918
Symbol 916 Text	Uses:257 238 267	Used by:918
Symbol 917 Text	Uses:257	Used by:918
Symbol 918 MovieClip {Page63}	Uses:221 911 912 914 915 916 917
Symbol 919 Font	Used by:921
Symbol 920 Graphic	Used by:927
Symbol 921 EditableText	Uses:919	Used by:927
Symbol 922 Font	Used by:924
Symbol 923 Graphic	Used by:927
Symbol 924 EditableText	Uses:922	Used by:927
Symbol 925 Text	Uses:256 238 257 267 233	Used by:927
Symbol 926 Text	Uses:257	Used by:927
Symbol 927 MovieClip {Page64}	Uses:221 920 921 923 924 925 926
Symbol 928 Font	Used by:930
Symbol 929 Graphic	Used by:936
Symbol 930 EditableText	Uses:928	Used by:936
Symbol 931 Font	Used by:933
Symbol 932 Graphic	Used by:936
Symbol 933 EditableText	Uses:931	Used by:936
Symbol 934 Text	Uses:257 238	Used by:936
Symbol 935 Text	Uses:257	Used by:936
Symbol 936 MovieClip {Page65}	Uses:221 929 930 932 933 934 935
Symbol 937 Font	Used by:939
Symbol 938 Graphic	Used by:945
Symbol 939 EditableText	Uses:937	Used by:945
Symbol 940 Font	Used by:942
Symbol 941 Graphic	Used by:945
Symbol 942 EditableText	Uses:940	Used by:945
Symbol 943 Text	Uses:238 267 257	Used by:945
Symbol 944 Text	Uses:257	Used by:945
Symbol 945 MovieClip {Page66}	Uses:221 938 939 941 942 943 944
Symbol 946 Font	Used by:948
Symbol 947 Graphic	Used by:953
Symbol 948 EditableText	Uses:946	Used by:953
Symbol 949 Font	Used by:951
Symbol 950 Graphic	Used by:953
Symbol 951 EditableText	Uses:949	Used by:953
Symbol 952 Text	Uses:257 238	Used by:953
Symbol 953 MovieClip {Page67}	Uses:221 947 948 950 951 952
Symbol 954 Font	Used by:956
Symbol 955 Graphic	Used by:962
Symbol 956 EditableText	Uses:954	Used by:962
Symbol 957 Font	Used by:959
Symbol 958 Graphic	Used by:962
Symbol 959 EditableText	Uses:957	Used by:962
Symbol 960 Text	Uses:257 238 267 256	Used by:962
Symbol 961 Text	Uses:256	Used by:962
Symbol 962 MovieClip {Page68}	Uses:221 955 956 958 959 960 961
Symbol 963 Font	Used by:965
Symbol 964 Graphic	Used by:971
Symbol 965 EditableText	Uses:963	Used by:971
Symbol 966 Font	Used by:968
Symbol 967 Graphic	Used by:971
Symbol 968 EditableText	Uses:966	Used by:971
Symbol 969 Text	Uses:257 238 267	Used by:971
Symbol 970 Text	Uses:257	Used by:971
Symbol 971 MovieClip {Page69}	Uses:221 964 965 967 968 969 970
Symbol 972 Font	Used by:974
Symbol 973 Graphic	Used by:980
Symbol 974 EditableText	Uses:972	Used by:980
Symbol 975 Font	Used by:977
Symbol 976 Graphic	Used by:980
Symbol 977 EditableText	Uses:975	Used by:980
Symbol 978 Text	Uses:257 238 256	Used by:980
Symbol 979 Text	Uses:256	Used by:980
Symbol 980 MovieClip {Page70}	Uses:221 973 974 976 977 978 979
Symbol 981 Font	Used by:983
Symbol 982 Graphic	Used by:989
Symbol 983 EditableText	Uses:981	Used by:989
Symbol 984 Font	Used by:986
Symbol 985 Graphic	Used by:989
Symbol 986 EditableText	Uses:984	Used by:989
Symbol 987 Text	Uses:257 238 267 256	Used by:989
Symbol 988 Text	Uses:257	Used by:989
Symbol 989 MovieClip {Page71}	Uses:221 982 983 985 986 987 988
Symbol 990 Font	Used by:992
Symbol 991 Graphic	Used by:998
Symbol 992 EditableText	Uses:990	Used by:998
Symbol 993 Font	Used by:995
Symbol 994 Graphic	Used by:998
Symbol 995 EditableText	Uses:993	Used by:998
Symbol 996 Text	Uses:257 238 267 256	Used by:998
Symbol 997 Text	Uses:256	Used by:998
Symbol 998 MovieClip {Page72}	Uses:221 991 992 994 995 996 997
Symbol 999 Font	Used by:1001
Symbol 1000 Graphic	Used by:1007
Symbol 1001 EditableText	Uses:999	Used by:1007
Symbol 1002 Font	Used by:1004
Symbol 1003 Graphic	Used by:1007
Symbol 1004 EditableText	Uses:1002	Used by:1007
Symbol 1005 Text	Uses:257 238 267 258 233	Used by:1007
Symbol 1006 Text	Uses:257	Used by:1007
Symbol 1007 MovieClip {Page73}	Uses:221 1000 1001 1003 1004 1005 1006
Symbol 1008 Font	Used by:1010
Symbol 1009 Graphic	Used by:1016
Symbol 1010 EditableText	Uses:1008	Used by:1016
Symbol 1011 Font	Used by:1013
Symbol 1012 Graphic	Used by:1016
Symbol 1013 EditableText	Uses:1011	Used by:1016
Symbol 1014 Text	Uses:257 238	Used by:1016
Symbol 1015 Text	Uses:257	Used by:1016
Symbol 1016 MovieClip {Page74}	Uses:221 1009 1010 1012 1013 1014 1015
Symbol 1017 Font	Used by:1019
Symbol 1018 Graphic	Used by:1025
Symbol 1019 EditableText	Uses:1017	Used by:1025
Symbol 1020 Font	Used by:1022
Symbol 1021 Graphic	Used by:1025
Symbol 1022 EditableText	Uses:1020	Used by:1025
Symbol 1023 Text	Uses:238 257 267 256	Used by:1025
Symbol 1024 Text	Uses:256	Used by:1025
Symbol 1025 MovieClip {Page75}	Uses:221 1018 1019 1021 1022 1023 1024
Symbol 1026 Font	Used by:1028
Symbol 1027 Graphic	Used by:1034
Symbol 1028 EditableText	Uses:1026	Used by:1034
Symbol 1029 Font	Used by:1031
Symbol 1030 Graphic	Used by:1034
Symbol 1031 EditableText	Uses:1029	Used by:1034
Symbol 1032 Text	Uses:257 238 256 267	Used by:1034
Symbol 1033 Text	Uses:257	Used by:1034
Symbol 1034 MovieClip {Page76}	Uses:221 1027 1028 1030 1031 1032 1033
Symbol 1035 Font	Used by:1037
Symbol 1036 Graphic	Used by:1043
Symbol 1037 EditableText	Uses:1035	Used by:1043
Symbol 1038 Font	Used by:1040
Symbol 1039 Graphic	Used by:1043
Symbol 1040 EditableText	Uses:1038	Used by:1043
Symbol 1041 Text	Uses:257 238 258 267 256	Used by:1043
Symbol 1042 Text	Uses:256	Used by:1043
Symbol 1043 MovieClip {Page77}	Uses:221 1036 1037 1039 1040 1041 1042
Symbol 1044 Font	Used by:1046
Symbol 1045 Graphic	Used by:1052
Symbol 1046 EditableText	Uses:1044	Used by:1052
Symbol 1047 Font	Used by:1049
Symbol 1048 Graphic	Used by:1052
Symbol 1049 EditableText	Uses:1047	Used by:1052
Symbol 1050 Text	Uses:257 238 267 256	Used by:1052
Symbol 1051 Text	Uses:256	Used by:1052
Symbol 1052 MovieClip {Page78}	Uses:221 1045 1046 1048 1049 1050 1051
Symbol 1053 Font	Used by:1055
Symbol 1054 Graphic	Used by:1062
Symbol 1055 EditableText	Uses:1053	Used by:1062
Symbol 1056 Graphic	Used by:1062
Symbol 1057 Font	Used by:1059
Symbol 1058 Graphic	Used by:1062
Symbol 1059 EditableText	Uses:1057	Used by:1062
Symbol 1060 Text	Uses:257 238 258 256	Used by:1062
Symbol 1061 Text	Uses:256	Used by:1062
Symbol 1062 MovieClip {Page79}	Uses:221 1054 1055 1056 1058 1059 1060 1061
Symbol 1063 Font	Used by:1065
Symbol 1064 Graphic	Used by:1070
Symbol 1065 EditableText	Uses:1063	Used by:1070
Symbol 1066 Font	Used by:1068
Symbol 1067 Graphic	Used by:1070
Symbol 1068 EditableText	Uses:1066	Used by:1070
Symbol 1069 Text	Uses:257 238 258 267	Used by:1070
Symbol 1070 MovieClip {Page80}	Uses:221 1064 1065 1067 1068 1069
Symbol 1071 Font	Used by:1073
Symbol 1072 Graphic	Used by:1079
Symbol 1073 EditableText	Uses:1071	Used by:1079
Symbol 1074 Font	Used by:1076
Symbol 1075 Graphic	Used by:1079
Symbol 1076 EditableText	Uses:1074	Used by:1079
Symbol 1077 Text	Uses:257 238 267 256	Used by:1079
Symbol 1078 Text	Uses:256	Used by:1079
Symbol 1079 MovieClip {Page81}	Uses:221 1072 1073 1075 1076 1077 1078
Symbol 1080 Font	Used by:1082
Symbol 1081 Graphic	Used by:1088
Symbol 1082 EditableText	Uses:1080	Used by:1088
Symbol 1083 Font	Used by:1085
Symbol 1084 Graphic	Used by:1088
Symbol 1085 EditableText	Uses:1083	Used by:1088
Symbol 1086 Text	Uses:257 238 267 256	Used by:1088
Symbol 1087 Text	Uses:256	Used by:1088
Symbol 1088 MovieClip {Page82}	Uses:221 1081 1082 1084 1085 1086 1087
Symbol 1089 Font	Used by:1091
Symbol 1090 Graphic	Used by:1097
Symbol 1091 EditableText	Uses:1089	Used by:1097
Symbol 1092 Font	Used by:1094
Symbol 1093 Graphic	Used by:1097
Symbol 1094 EditableText	Uses:1092	Used by:1097
Symbol 1095 Text	Uses:257 238 267	Used by:1097
Symbol 1096 Text	Uses:257	Used by:1097
Symbol 1097 MovieClip {Page83}	Uses:221 1090 1091 1093 1094 1095 1096
Symbol 1098 Font	Used by:1100
Symbol 1099 Graphic	Used by:1106
Symbol 1100 EditableText	Uses:1098	Used by:1106
Symbol 1101 Font	Used by:1103
Symbol 1102 Graphic	Used by:1106
Symbol 1103 EditableText	Uses:1101	Used by:1106
Symbol 1104 Text	Uses:257 238 267	Used by:1106
Symbol 1105 Text	Uses:257	Used by:1106
Symbol 1106 MovieClip {Page84}	Uses:221 1099 1100 1102 1103 1104 1105
Symbol 1107 Font	Used by:1109
Symbol 1108 Graphic	Used by:1115
Symbol 1109 EditableText	Uses:1107	Used by:1115
Symbol 1110 Font	Used by:1112
Symbol 1111 Graphic	Used by:1115
Symbol 1112 EditableText	Uses:1110	Used by:1115
Symbol 1113 Text	Uses:257 238 267 258 233	Used by:1115
Symbol 1114 Text	Uses:257	Used by:1115
Symbol 1115 MovieClip {Page85}	Uses:221 1108 1109 1111 1112 1113 1114
Symbol 1116 Font	Used by:1118
Symbol 1117 Graphic	Used by:1124
Symbol 1118 EditableText	Uses:1116	Used by:1124
Symbol 1119 Font	Used by:1121
Symbol 1120 Graphic	Used by:1124
Symbol 1121 EditableText	Uses:1119	Used by:1124
Symbol 1122 Text	Uses:257 238	Used by:1124
Symbol 1123 Text	Uses:257	Used by:1124
Symbol 1124 MovieClip {Page86}	Uses:221 1117 1118 1120 1121 1122 1123
Symbol 1125 Font	Used by:1127
Symbol 1126 Graphic	Used by:1133
Symbol 1127 EditableText	Uses:1125	Used by:1133
Symbol 1128 Font	Used by:1130
Symbol 1129 Graphic	Used by:1133
Symbol 1130 EditableText	Uses:1128	Used by:1133
Symbol 1131 Text	Uses:257 238 267 256	Used by:1133
Symbol 1132 Text	Uses:256	Used by:1133
Symbol 1133 MovieClip {Page87}	Uses:221 1126 1127 1129 1130 1131 1132
Symbol 1134 Font	Used by:1136
Symbol 1135 Graphic	Used by:1142
Symbol 1136 EditableText	Uses:1134	Used by:1142
Symbol 1137 Font	Used by:1139
Symbol 1138 Graphic	Used by:1142
Symbol 1139 EditableText	Uses:1137	Used by:1142
Symbol 1140 Text	Uses:257 238 267 256	Used by:1142
Symbol 1141 Text	Uses:256 243	Used by:1142
Symbol 1142 MovieClip {Page88}	Uses:221 1135 1136 1138 1139 1140 1141
Symbol 1143 Font	Used by:1145
Symbol 1144 Graphic	Used by:1151
Symbol 1145 EditableText	Uses:1143	Used by:1151
Symbol 1146 Font	Used by:1148
Symbol 1147 Graphic	Used by:1151
Symbol 1148 EditableText	Uses:1146	Used by:1151
Symbol 1149 Text	Uses:257 238 256 258	Used by:1151
Symbol 1150 Text	Uses:257	Used by:1151
Symbol 1151 MovieClip {Page89}	Uses:221 1144 1145 1147 1148 1149 1150
Symbol 1152 Font	Used by:1154
Symbol 1153 Graphic	Used by:1160
Symbol 1154 EditableText	Uses:1152	Used by:1160
Symbol 1155 Font	Used by:1157
Symbol 1156 Graphic	Used by:1160
Symbol 1157 EditableText	Uses:1155	Used by:1160
Symbol 1158 Text	Uses:257 238 267 256	Used by:1160
Symbol 1159 Text	Uses:256	Used by:1160
Symbol 1160 MovieClip {Page90}	Uses:221 1153 1154 1156 1157 1158 1159
Symbol 1161 Font	Used by:1163
Symbol 1162 Graphic	Used by:1169
Symbol 1163 EditableText	Uses:1161	Used by:1169
Symbol 1164 Font	Used by:1166
Symbol 1165 Graphic	Used by:1169
Symbol 1166 EditableText	Uses:1164	Used by:1169
Symbol 1167 Text	Uses:257 238	Used by:1169
Symbol 1168 Text	Uses:257	Used by:1169
Symbol 1169 MovieClip {Page91}	Uses:221 1162 1163 1165 1166 1167 1168
Symbol 1170 Font	Used by:1172
Symbol 1171 Graphic	Used by:1178
Symbol 1172 EditableText	Uses:1170	Used by:1178
Symbol 1173 Font	Used by:1175
Symbol 1174 Graphic	Used by:1178
Symbol 1175 EditableText	Uses:1173	Used by:1178
Symbol 1176 Text	Uses:257 238 258	Used by:1178
Symbol 1177 Text	Uses:257	Used by:1178
Symbol 1178 MovieClip {Page92}	Uses:221 1171 1172 1174 1175 1176 1177
Symbol 1179 Font	Used by:1181
Symbol 1180 Graphic	Used by:1187
Symbol 1181 EditableText	Uses:1179	Used by:1187
Symbol 1182 Font	Used by:1184
Symbol 1183 Graphic	Used by:1187
Symbol 1184 EditableText	Uses:1182	Used by:1187
Symbol 1185 Text	Uses:257 238 256	Used by:1187
Symbol 1186 Text	Uses:256	Used by:1187
Symbol 1187 MovieClip {Page93}	Uses:221 1180 1181 1183 1184 1185 1186
Symbol 1188 Font	Used by:1190
Symbol 1189 Graphic	Used by:1196
Symbol 1190 EditableText	Uses:1188	Used by:1196
Symbol 1191 Font	Used by:1193
Symbol 1192 Graphic	Used by:1196
Symbol 1193 EditableText	Uses:1191	Used by:1196
Symbol 1194 Text	Uses:257 238 256 233	Used by:1196
Symbol 1195 Text	Uses:256	Used by:1196
Symbol 1196 MovieClip {Page94}	Uses:221 1189 1190 1192 1193 1194 1195
Symbol 1197 Font	Used by:1199
Symbol 1198 Graphic	Used by:1205
Symbol 1199 EditableText	Uses:1197	Used by:1205
Symbol 1200 Font	Used by:1202
Symbol 1201 Graphic	Used by:1205
Symbol 1202 EditableText	Uses:1200	Used by:1205
Symbol 1203 Text	Uses:257 238 258	Used by:1205
Symbol 1204 Text	Uses:257	Used by:1205
Symbol 1205 MovieClip {Page95}	Uses:221 1198 1199 1201 1202 1203 1204
Symbol 1206 Font	Used by:1208
Symbol 1207 Graphic	Used by:1214
Symbol 1208 EditableText	Uses:1206	Used by:1214
Symbol 1209 Font	Used by:1211
Symbol 1210 Graphic	Used by:1214
Symbol 1211 EditableText	Uses:1209	Used by:1214
Symbol 1212 Text	Uses:257 238 267 258	Used by:1214
Symbol 1213 Text	Uses:257	Used by:1214
Symbol 1214 MovieClip {Page96}	Uses:221 1207 1208 1210 1211 1212 1213
Symbol 1215 Font	Used by:1217
Symbol 1216 Graphic	Used by:1223
Symbol 1217 EditableText	Uses:1215	Used by:1223
Symbol 1218 Font	Used by:1220
Symbol 1219 Graphic	Used by:1223
Symbol 1220 EditableText	Uses:1218	Used by:1223
Symbol 1221 Text	Uses:257 238 267 256 233	Used by:1223
Symbol 1222 Text	Uses:256	Used by:1223
Symbol 1223 MovieClip {Page97}	Uses:221 1216 1217 1219 1220 1221 1222
Symbol 1224 Font	Used by:1226
Symbol 1225 Graphic	Used by:1232
Symbol 1226 EditableText	Uses:1224	Used by:1232
Symbol 1227 Font	Used by:1229
Symbol 1228 Graphic	Used by:1232
Symbol 1229 EditableText	Uses:1227	Used by:1232
Symbol 1230 Text	Uses:257 238 256	Used by:1232
Symbol 1231 Text	Uses:257	Used by:1232
Symbol 1232 MovieClip {Page98}	Uses:221 1225 1226 1228 1229 1230 1231
Symbol 1233 Font	Used by:1235
Symbol 1234 Graphic	Used by:1241
Symbol 1235 EditableText	Uses:1233	Used by:1241
Symbol 1236 Font	Used by:1238
Symbol 1237 Graphic	Used by:1241
Symbol 1238 EditableText	Uses:1236	Used by:1241
Symbol 1239 Text	Uses:257 238 267 256	Used by:1241
Symbol 1240 Text	Uses:256	Used by:1241
Symbol 1241 MovieClip {Page99}	Uses:221 1234 1235 1237 1238 1239 1240
Symbol 1242 Font	Used by:1244
Symbol 1243 Graphic	Used by:1250
Symbol 1244 EditableText	Uses:1242	Used by:1250
Symbol 1245 Font	Used by:1247
Symbol 1246 Graphic	Used by:1250
Symbol 1247 EditableText	Uses:1245	Used by:1250
Symbol 1248 Text	Uses:257 238 267	Used by:1250
Symbol 1249 Text	Uses:238 257	Used by:1250
Symbol 1250 MovieClip {Page100}	Uses:221 1243 1244 1246 1247 1248 1249
Symbol 1251 Font	Used by:1253
Symbol 1252 Graphic	Used by:1259
Symbol 1253 EditableText	Uses:1251	Used by:1259
Symbol 1254 Font	Used by:1256
Symbol 1255 Graphic	Used by:1259
Symbol 1256 EditableText	Uses:1254	Used by:1259
Symbol 1257 Text	Uses:257 238 256 243 267 233	Used by:1259
Symbol 1258 Text	Uses:257	Used by:1259
Symbol 1259 MovieClip {Page101}	Uses:221 1252 1253 1255 1256 1257 1258
Symbol 1260 Font	Used by:1262
Symbol 1261 Graphic	Used by:1267
Symbol 1262 EditableText	Uses:1260	Used by:1267
Symbol 1263 Font	Used by:1265
Symbol 1264 Graphic	Used by:1267
Symbol 1265 EditableText	Uses:1263	Used by:1267
Symbol 1266 Text	Uses:257 238 258	Used by:1267
Symbol 1267 MovieClip {Page102}	Uses:221 1261 1262 1264 1265 1266
Symbol 1268 Font	Used by:1270
Symbol 1269 Graphic	Used by:1275
Symbol 1270 EditableText	Uses:1268	Used by:1275
Symbol 1271 Font	Used by:1273
Symbol 1272 Graphic	Used by:1275
Symbol 1273 EditableText	Uses:1271	Used by:1275
Symbol 1274 Text	Uses:257 238	Used by:1275
Symbol 1275 MovieClip {Page103}	Uses:221 1269 1270 1272 1273 1274
Symbol 1276 Font	Used by:1278
Symbol 1277 Graphic	Used by:1284
Symbol 1278 EditableText	Uses:1276	Used by:1284
Symbol 1279 Font	Used by:1281
Symbol 1280 Graphic	Used by:1284
Symbol 1281 EditableText	Uses:1279	Used by:1284
Symbol 1282 Text	Uses:267 238 257 256 258	Used by:1284
Symbol 1283 Text	Uses:256	Used by:1284
Symbol 1284 MovieClip {Page104}	Uses:221 1277 1278 1280 1281 1282 1283
Symbol 1285 Font	Used by:1287
Symbol 1286 Graphic	Used by:1293
Symbol 1287 EditableText	Uses:1285	Used by:1293
Symbol 1288 Font	Used by:1290
Symbol 1289 Graphic	Used by:1293
Symbol 1290 EditableText	Uses:1288	Used by:1293
Symbol 1291 Text	Uses:257 238 267 256	Used by:1293
Symbol 1292 Text	Uses:238 257	Used by:1293
Symbol 1293 MovieClip {Page105}	Uses:221 1286 1287 1289 1290 1291 1292
Symbol 1294 Font	Used by:1296
Symbol 1295 Graphic	Used by:1302
Symbol 1296 EditableText	Uses:1294	Used by:1302
Symbol 1297 Font	Used by:1299
Symbol 1298 Graphic	Used by:1302
Symbol 1299 EditableText	Uses:1297	Used by:1302
Symbol 1300 Text	Uses:257 238 267	Used by:1302
Symbol 1301 Text	Uses:257	Used by:1302
Symbol 1302 MovieClip {Page106}	Uses:221 1295 1296 1298 1299 1300 1301
Symbol 1303 Font	Used by:1305
Symbol 1304 Graphic	Used by:1311
Symbol 1305 EditableText	Uses:1303	Used by:1311
Symbol 1306 Font	Used by:1308
Symbol 1307 Graphic	Used by:1311
Symbol 1308 EditableText	Uses:1306	Used by:1311
Symbol 1309 Text	Uses:238 257 256 233	Used by:1311
Symbol 1310 Text	Uses:257	Used by:1311
Symbol 1311 MovieClip {Page107}	Uses:221 1304 1305 1307 1308 1309 1310
Symbol 1312 Font	Used by:1314
Symbol 1313 Graphic	Used by:1319
Symbol 1314 EditableText	Uses:1312	Used by:1319
Symbol 1315 Font	Used by:1317
Symbol 1316 Graphic	Used by:1319
Symbol 1317 EditableText	Uses:1315	Used by:1319
Symbol 1318 Text	Uses:238 257 256	Used by:1319
Symbol 1319 MovieClip {Page108}	Uses:221 1313 1314 1316 1317 1318
Symbol 1320 Font	Used by:1322
Symbol 1321 Graphic	Used by:1328
Symbol 1322 EditableText	Uses:1320	Used by:1328
Symbol 1323 Font	Used by:1325
Symbol 1324 Graphic	Used by:1328
Symbol 1325 EditableText	Uses:1323	Used by:1328
Symbol 1326 Text	Uses:238 267 257 256	Used by:1328
Symbol 1327 Text	Uses:256	Used by:1328
Symbol 1328 MovieClip {Page109}	Uses:221 1321 1322 1324 1325 1326 1327
Symbol 1329 Font	Used by:1331
Symbol 1330 Graphic	Used by:1337
Symbol 1331 EditableText	Uses:1329	Used by:1337
Symbol 1332 Font	Used by:1334
Symbol 1333 Graphic	Used by:1337
Symbol 1334 EditableText	Uses:1332	Used by:1337
Symbol 1335 Text	Uses:257 238 267	Used by:1337
Symbol 1336 Text	Uses:257	Used by:1337
Symbol 1337 MovieClip {Page110}	Uses:221 1330 1331 1333 1334 1335 1336
Symbol 1338 Font	Used by:1340
Symbol 1339 Graphic	Used by:1346
Symbol 1340 EditableText	Uses:1338	Used by:1346
Symbol 1341 Font	Used by:1343
Symbol 1342 Graphic	Used by:1346
Symbol 1343 EditableText	Uses:1341	Used by:1346
Symbol 1344 Text	Uses:238 257 258 256	Used by:1346
Symbol 1345 Text	Uses:256	Used by:1346
Symbol 1346 MovieClip {Page111}	Uses:221 1339 1340 1342 1343 1344 1345
Symbol 1347 Font	Used by:1349
Symbol 1348 Graphic	Used by:1355
Symbol 1349 EditableText	Uses:1347	Used by:1355
Symbol 1350 Font	Used by:1352
Symbol 1351 Graphic	Used by:1355
Symbol 1352 EditableText	Uses:1350	Used by:1355
Symbol 1353 Text	Uses:257 238 258 267	Used by:1355
Symbol 1354 Text	Uses:257	Used by:1355
Symbol 1355 MovieClip {Page112}	Uses:221 1348 1349 1351 1352 1353 1354
Symbol 1356 Font	Used by:1358
Symbol 1357 Graphic	Used by:1364
Symbol 1358 EditableText	Uses:1356	Used by:1364
Symbol 1359 Font	Used by:1361
Symbol 1360 Graphic	Used by:1364
Symbol 1361 EditableText	Uses:1359	Used by:1364
Symbol 1362 Text	Uses:257 238 256 267	Used by:1364
Symbol 1363 Text	Uses:257	Used by:1364
Symbol 1364 MovieClip {Page113}	Uses:221 1357 1358 1360 1361 1362 1363
Symbol 1365 Font	Used by:1367
Symbol 1366 Graphic	Used by:1372
Symbol 1367 EditableText	Uses:1365	Used by:1372
Symbol 1368 Font	Used by:1370
Symbol 1369 Graphic	Used by:1372
Symbol 1370 EditableText	Uses:1368	Used by:1372
Symbol 1371 Text	Uses:238 257 267	Used by:1372
Symbol 1372 MovieClip {Page114}	Uses:221 1366 1367 1369 1370 1371
Symbol 1373 Font	Used by:1375
Symbol 1374 Graphic	Used by:1380
Symbol 1375 EditableText	Uses:1373	Used by:1380
Symbol 1376 Font	Used by:1378
Symbol 1377 Graphic	Used by:1380
Symbol 1378 EditableText	Uses:1376	Used by:1380
Symbol 1379 Text	Uses:238 267 257	Used by:1380
Symbol 1380 MovieClip {Page115}	Uses:221 1374 1375 1377 1378 1379
Symbol 1381 Font	Used by:1383
Symbol 1382 Graphic	Used by:1389
Symbol 1383 EditableText	Uses:1381	Used by:1389
Symbol 1384 Font	Used by:1386
Symbol 1385 Graphic	Used by:1389
Symbol 1386 EditableText	Uses:1384	Used by:1389
Symbol 1387 Text	Uses:267 238 257	Used by:1389
Symbol 1388 Text	Uses:257	Used by:1389
Symbol 1389 MovieClip {Page116}	Uses:221 1382 1383 1385 1386 1387 1388
Symbol 1390 Font	Used by:1392
Symbol 1391 Graphic	Used by:1398
Symbol 1392 EditableText	Uses:1390	Used by:1398
Symbol 1393 Font	Used by:1395
Symbol 1394 Graphic	Used by:1398
Symbol 1395 EditableText	Uses:1393	Used by:1398
Symbol 1396 Text	Uses:256 238 267 257	Used by:1398
Symbol 1397 Text	Uses:257	Used by:1398
Symbol 1398 MovieClip {Page117}	Uses:221 1391 1392 1394 1395 1396 1397
Symbol 1399 Font	Used by:1401
Symbol 1400 Graphic	Used by:1407
Symbol 1401 EditableText	Uses:1399	Used by:1407
Symbol 1402 Font	Used by:1404
Symbol 1403 Graphic	Used by:1407
Symbol 1404 EditableText	Uses:1402	Used by:1407
Symbol 1405 Text	Uses:238 1406 233 257 258	Used by:1407
Symbol 1406 Font	Used by:1405
Symbol 1407 MovieClip {Page118}	Uses:221 1400 1401 1403 1404 1405
Symbol 1408 Font	Used by:1410
Symbol 1409 Graphic	Used by:1417
Symbol 1410 EditableText	Uses:1408	Used by:1417
Symbol 1411 Font	Used by:1413
Symbol 1412 Graphic	Used by:1417
Symbol 1413 EditableText	Uses:1411	Used by:1417
Symbol 1414 Text	Uses:258 238 256 243 1415 257 267	Used by:1417
Symbol 1415 Font	Used by:1414
Symbol 1416 Text	Uses:256	Used by:1417
Symbol 1417 MovieClip {Page119}	Uses:221 1409 1410 1412 1413 1414 1416
Symbol 1418 Font	Used by:1420
Symbol 1419 Graphic	Used by:1426
Symbol 1420 EditableText	Uses:1418	Used by:1426
Symbol 1421 Font	Used by:1423
Symbol 1422 Graphic	Used by:1426
Symbol 1423 EditableText	Uses:1421	Used by:1426
Symbol 1424 Text	Uses:238 257 267 258	Used by:1426
Symbol 1425 Text	Uses:258	Used by:1426
Symbol 1426 MovieClip {Page120}	Uses:221 1419 1420 1422 1423 1424 1425
Symbol 1427 Font	Used by:1429
Symbol 1428 Graphic	Used by:1434
Symbol 1429 EditableText	Uses:1427	Used by:1434
Symbol 1430 Font	Used by:1432
Symbol 1431 Graphic	Used by:1434
Symbol 1432 EditableText	Uses:1430	Used by:1434
Symbol 1433 Text	Uses:238 257 258	Used by:1434
Symbol 1434 MovieClip {Page121}	Uses:221 1428 1429 1431 1432 1433

Instance Names

"DocArea"	Frame 2	Symbol 134 MovieClip {ScrollPain}
"HandCursor"	Frame 2	Symbol 137 MovieClip
"TextCursor"	Frame 2	Symbol 139 MovieClip
"toolbar"	Frame 2	Symbol 155 MovieClip {print2flash_fla._toolbar_25}
"msg"	Symbol 6 MovieClip {waitmsg} Frame 1	Symbol 2 EditableText
"text"	Symbol 9 MovieClip {textmsg} Frame 1	Symbol 8 EditableText
"BottomArea"	Symbol 12 MovieClip {ScrollArea} Frame 1	Symbol 11 MovieClip
"l_mc"	Symbol 42 MovieClip Frame 1	Symbol 37 MovieClip
"m_mc"	Symbol 42 MovieClip Frame 1	Symbol 39 MovieClip
"r_mc"	Symbol 42 MovieClip Frame 1	Symbol 41 MovieClip
"closeBtn"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 49 Button
"title"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 50 EditableText
"pagestxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 51 EditableText
"pagesFrom"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 52 EditableText
"totxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 53 EditableText
"pagesTo"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 54 EditableText
"OKBtn"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 73 MovieClip {fl.controls.Button}
"cancelBtn"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 73 MovieClip {fl.controls.Button}
"optNoScale"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 33 MovieClip {fl.controls.RadioButton}
"optFit"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 33 MovieClip {fl.controls.RadioButton}
"scalingtxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 74 EditableText
"fromtxt"	Symbol 76 MovieClip {PrintRangeWnd} Frame 1	Symbol 75 EditableText
"but"	Symbol 84 MovieClip {def_fullscreen} Frame 1	Symbol 83 MovieClip {manualbutton}
"SliderHandleBtn"	Symbol 86 MovieClip {print2flash_fla.MCSlider_47} Frame 1	Symbol 85 Button {ImgButton}
"SliderHandle"	Symbol 87 MovieClip {Slider} Frame 1	Symbol 86 MovieClip {print2flash_fla.MCSlider_47}
"but"	Symbol 88 MovieClip {def_forward} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 89 MovieClip {def_back} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 90 MovieClip {def_nextpage} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 91 MovieClip {def_more} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 92 MovieClip {def_selMode} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 93 MovieClip {def_newwindow} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 94 MovieClip {def_help} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 95 MovieClip {def_rotate} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 96 MovieClip {def_prevpage} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 97 MovieClip {def_scalePage} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 98 MovieClip {def_scaleWidth} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 99 MovieClip {def_moveMode} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 100 MovieClip {def_print} Frame 1	Symbol 83 MovieClip {manualbutton}
"but"	Symbol 141 MovieClip {print2flash_fla.def_searchbut_27} Frame 1	Symbol 83 MovieClip {manualbutton}
"ScaleTextField"	Symbol 144 MovieClip {print2flash_fla.Timeline_30} Frame 1	Symbol 143 EditableText
"TotalPages"	Symbol 147 MovieClip {print2flash_fla.Timeline_32} Frame 1	Symbol 146 EditableText
"PageNoField"	Symbol 149 MovieClip {print2flash_fla.Timeline_33} Frame 1	Symbol 148 EditableText
"TotalPagesMC"	Symbol 150 MovieClip {print2flash_fla.Timeline_31} Frame 1	Symbol 147 MovieClip {print2flash_fla.Timeline_32}
"PageNoFieldMC"	Symbol 150 MovieClip {print2flash_fla.Timeline_31} Frame 1	Symbol 149 MovieClip {print2flash_fla.Timeline_33}
"searchPattern"	Symbol 153 MovieClip {print2flash_fla.Timeline_50} Frame 1	Symbol 152 EditableText
"toolbarbgr"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 140 MovieClip
"searchbut"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 141 MovieClip {print2flash_fla.def_searchbut_27}
"print"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 100 MovieClip {def_print}
"ScaleTextMovie"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 144 MovieClip {print2flash_fla.Timeline_30}
"PageNoMovie"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 150 MovieClip {print2flash_fla.Timeline_31}
"moveMode"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 99 MovieClip {def_moveMode}
"scaleWidth"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 98 MovieClip {def_scaleWidth}
"scalePage"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 97 MovieClip {def_scalePage}
"prevpage"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 96 MovieClip {def_prevpage}
"rotate"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 95 MovieClip {def_rotate}
"help"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 94 MovieClip {def_help}
"newwindow"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 93 MovieClip {def_newwindow}
"selMode"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 92 MovieClip {def_selMode}
"more"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 91 MovieClip {def_more}
"nextpage"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 90 MovieClip {def_nextpage}
"back"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 89 MovieClip {def_back}
"forward"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 88 MovieClip {def_forward}
"ZoomSlider"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 87 MovieClip {Slider}
"fullscreen"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 84 MovieClip {def_fullscreen}
"searchPatternmc"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 153 MovieClip {print2flash_fla.Timeline_50}
"logo"	Symbol 155 MovieClip {print2flash_fla._toolbar_25} Frame 1	Symbol 154 MovieClip
"CR"	Symbol 234 MovieClip {Page1} Frame 1	Symbol 224 EditableText
"CR"	Symbol 234 MovieClip {Page1} Frame 1	Symbol 230 EditableText
"CR"	Symbol 244 MovieClip {Page2} Frame 1	Symbol 237 EditableText
"CR"	Symbol 244 MovieClip {Page2} Frame 1	Symbol 241 EditableText
"CR"	Symbol 259 MovieClip {Page3} Frame 1	Symbol 247 EditableText
"CR"	Symbol 259 MovieClip {Page3} Frame 1	Symbol 253 EditableText
"CR"	Symbol 268 MovieClip {Page4} Frame 1	Symbol 262 EditableText
"CR"	Symbol 268 MovieClip {Page4} Frame 1	Symbol 265 EditableText
"CR"	Symbol 276 MovieClip {Page5} Frame 1	Symbol 271 EditableText
"CR"	Symbol 276 MovieClip {Page5} Frame 1	Symbol 274 EditableText
"CR"	Symbol 285 MovieClip {Page6} Frame 1	Symbol 279 EditableText
"CR"	Symbol 285 MovieClip {Page6} Frame 1	Symbol 282 EditableText
"CR"	Symbol 293 MovieClip {Page7} Frame 1	Symbol 288 EditableText
"CR"	Symbol 293 MovieClip {Page7} Frame 1	Symbol 291 EditableText
"CR"	Symbol 303 MovieClip {Page8} Frame 1	Symbol 296 EditableText
"CR"	Symbol 303 MovieClip {Page8} Frame 1	Symbol 299 EditableText
"CR"	Symbol 311 MovieClip {Page9} Frame 1	Symbol 306 EditableText
"CR"	Symbol 311 MovieClip {Page9} Frame 1	Symbol 309 EditableText
"CR"	Symbol 320 MovieClip {Page10} Frame 1	Symbol 314 EditableText
"CR"	Symbol 320 MovieClip {Page10} Frame 1	Symbol 317 EditableText
"CR"	Symbol 329 MovieClip {Page11} Frame 1	Symbol 323 EditableText
"CR"	Symbol 329 MovieClip {Page11} Frame 1	Symbol 326 EditableText
"CR"	Symbol 338 MovieClip {Page12} Frame 1	Symbol 332 EditableText
"CR"	Symbol 338 MovieClip {Page12} Frame 1	Symbol 335 EditableText
"CR"	Symbol 347 MovieClip {Page13} Frame 1	Symbol 341 EditableText
"CR"	Symbol 347 MovieClip {Page13} Frame 1	Symbol 344 EditableText
"CR"	Symbol 355 MovieClip {Page14} Frame 1	Symbol 350 EditableText
"CR"	Symbol 355 MovieClip {Page14} Frame 1	Symbol 353 EditableText
"CR"	Symbol 363 MovieClip {Page15} Frame 1	Symbol 358 EditableText
"CR"	Symbol 363 MovieClip {Page15} Frame 1	Symbol 361 EditableText
"CR"	Symbol 371 MovieClip {Page16} Frame 1	Symbol 366 EditableText
"CR"	Symbol 371 MovieClip {Page16} Frame 1	Symbol 369 EditableText
"CR"	Symbol 379 MovieClip {Page17} Frame 1	Symbol 374 EditableText
"CR"	Symbol 379 MovieClip {Page17} Frame 1	Symbol 377 EditableText
"CR"	Symbol 387 MovieClip {Page18} Frame 1	Symbol 382 EditableText
"CR"	Symbol 387 MovieClip {Page18} Frame 1	Symbol 385 EditableText
"CR"	Symbol 395 MovieClip {Page19} Frame 1	Symbol 390 EditableText
"CR"	Symbol 395 MovieClip {Page19} Frame 1	Symbol 393 EditableText
"CR"	Symbol 404 MovieClip {Page20} Frame 1	Symbol 398 EditableText
"CR"	Symbol 404 MovieClip {Page20} Frame 1	Symbol 401 EditableText
"CR"	Symbol 412 MovieClip {Page21} Frame 1	Symbol 407 EditableText
"CR"	Symbol 412 MovieClip {Page21} Frame 1	Symbol 410 EditableText
"CR"	Symbol 421 MovieClip {Page22} Frame 1	Symbol 415 EditableText
"CR"	Symbol 421 MovieClip {Page22} Frame 1	Symbol 418 EditableText
"CR"	Symbol 430 MovieClip {Page23} Frame 1	Symbol 424 EditableText
"CR"	Symbol 430 MovieClip {Page23} Frame 1	Symbol 427 EditableText
"CR"	Symbol 438 MovieClip {Page24} Frame 1	Symbol 433 EditableText
"CR"	Symbol 438 MovieClip {Page24} Frame 1	Symbol 436 EditableText
"CR"	Symbol 524 MovieClip {Page25} Frame 1	Symbol 441 EditableText
"CR"	Symbol 524 MovieClip {Page25} Frame 1	Symbol 521 EditableText
"CR"	Symbol 533 MovieClip {Page26} Frame 1	Symbol 527 EditableText
"CR"	Symbol 533 MovieClip {Page26} Frame 1	Symbol 530 EditableText
"CR"	Symbol 541 MovieClip {Page27} Frame 1	Symbol 536 EditableText
"CR"	Symbol 541 MovieClip {Page27} Frame 1	Symbol 539 EditableText
"CR"	Symbol 550 MovieClip {Page28} Frame 1	Symbol 544 EditableText
"CR"	Symbol 550 MovieClip {Page28} Frame 1	Symbol 547 EditableText
"CR"	Symbol 562 MovieClip {Page29} Frame 1	Symbol 553 EditableText
"CR"	Symbol 562 MovieClip {Page29} Frame 1	Symbol 557 EditableText
"CR"	Symbol 574 MovieClip {Page30} Frame 1	Symbol 565 EditableText
"CR"	Symbol 574 MovieClip {Page30} Frame 1	Symbol 569 EditableText
"CR"	Symbol 586 MovieClip {Page31} Frame 1	Symbol 577 EditableText
"CR"	Symbol 586 MovieClip {Page31} Frame 1	Symbol 581 EditableText
"CR"	Symbol 594 MovieClip {Page32} Frame 1	Symbol 589 EditableText
"CR"	Symbol 594 MovieClip {Page32} Frame 1	Symbol 592 EditableText
"CR"	Symbol 603 MovieClip {Page33} Frame 1	Symbol 597 EditableText
"CR"	Symbol 603 MovieClip {Page33} Frame 1	Symbol 600 EditableText
"CR"	Symbol 612 MovieClip {Page34} Frame 1	Symbol 606 EditableText
"CR"	Symbol 612 MovieClip {Page34} Frame 1	Symbol 609 EditableText
"CR"	Symbol 624 MovieClip {Page35} Frame 1	Symbol 615 EditableText
"CR"	Symbol 624 MovieClip {Page35} Frame 1	Symbol 619 EditableText
"CR"	Symbol 633 MovieClip {Page36} Frame 1	Symbol 627 EditableText
"CR"	Symbol 633 MovieClip {Page36} Frame 1	Symbol 630 EditableText
"CR"	Symbol 642 MovieClip {Page37} Frame 1	Symbol 636 EditableText
"CR"	Symbol 642 MovieClip {Page37} Frame 1	Symbol 639 EditableText
"CR"	Symbol 651 MovieClip {Page38} Frame 1	Symbol 645 EditableText
"CR"	Symbol 651 MovieClip {Page38} Frame 1	Symbol 648 EditableText
"CR"	Symbol 660 MovieClip {Page39} Frame 1	Symbol 654 EditableText
"CR"	Symbol 660 MovieClip {Page39} Frame 1	Symbol 657 EditableText
"CR"	Symbol 669 MovieClip {Page40} Frame 1	Symbol 663 EditableText
"CR"	Symbol 669 MovieClip {Page40} Frame 1	Symbol 666 EditableText
"CR"	Symbol 678 MovieClip {Page41} Frame 1	Symbol 672 EditableText
"CR"	Symbol 678 MovieClip {Page41} Frame 1	Symbol 675 EditableText
"CR"	Symbol 687 MovieClip {Page42} Frame 1	Symbol 681 EditableText
"CR"	Symbol 687 MovieClip {Page42} Frame 1	Symbol 684 EditableText
"CR"	Symbol 696 MovieClip {Page43} Frame 1	Symbol 690 EditableText
"CR"	Symbol 696 MovieClip {Page43} Frame 1	Symbol 693 EditableText
"CR"	Symbol 705 MovieClip {Page44} Frame 1	Symbol 699 EditableText
"CR"	Symbol 705 MovieClip {Page44} Frame 1	Symbol 702 EditableText
"CR"	Symbol 713 MovieClip {Page45} Frame 1	Symbol 708 EditableText
"CR"	Symbol 713 MovieClip {Page45} Frame 1	Symbol 711 EditableText
"CR"	Symbol 722 MovieClip {Page46} Frame 1	Symbol 716 EditableText
"CR"	Symbol 722 MovieClip {Page46} Frame 1	Symbol 719 EditableText
"CR"	Symbol 731 MovieClip {Page47} Frame 1	Symbol 725 EditableText
"CR"	Symbol 731 MovieClip {Page47} Frame 1	Symbol 728 EditableText
"CR"	Symbol 740 MovieClip {Page48} Frame 1	Symbol 734 EditableText
"CR"	Symbol 740 MovieClip {Page48} Frame 1	Symbol 737 EditableText
"CR"	Symbol 749 MovieClip {Page49} Frame 1	Symbol 743 EditableText
"CR"	Symbol 749 MovieClip {Page49} Frame 1	Symbol 746 EditableText
"CR"	Symbol 758 MovieClip {Page50} Frame 1	Symbol 752 EditableText
"CR"	Symbol 758 MovieClip {Page50} Frame 1	Symbol 755 EditableText
"CR"	Symbol 767 MovieClip {Page51} Frame 1	Symbol 761 EditableText
"CR"	Symbol 767 MovieClip {Page51} Frame 1	Symbol 764 EditableText
"CR"	Symbol 776 MovieClip {Page52} Frame 1	Symbol 770 EditableText
"CR"	Symbol 776 MovieClip {Page52} Frame 1	Symbol 773 EditableText
"CR"	Symbol 784 MovieClip {Page53} Frame 1	Symbol 779 EditableText
"CR"	Symbol 784 MovieClip {Page53} Frame 1	Symbol 782 EditableText
"CR"	Symbol 793 MovieClip {Page54} Frame 1	Symbol 787 EditableText
"CR"	Symbol 793 MovieClip {Page54} Frame 1	Symbol 790 EditableText
"CR"	Symbol 802 MovieClip {Page55} Frame 1	Symbol 796 EditableText
"CR"	Symbol 802 MovieClip {Page55} Frame 1	Symbol 799 EditableText
"CR"	Symbol 810 MovieClip {Page56} Frame 1	Symbol 805 EditableText
"CR"	Symbol 810 MovieClip {Page56} Frame 1	Symbol 808 EditableText
"CR"	Symbol 836 MovieClip {Page57} Frame 1	Symbol 813 EditableText
"CR"	Symbol 836 MovieClip {Page57} Frame 1	Symbol 820 EditableText
"CR"	Symbol 862 MovieClip {Page58} Frame 1	Symbol 839 EditableText
"CR"	Symbol 862 MovieClip {Page58} Frame 1	Symbol 845 EditableText
"CR"	Symbol 880 MovieClip {Page59} Frame 1	Symbol 865 EditableText
"CR"	Symbol 880 MovieClip {Page59} Frame 1	Symbol 871 EditableText
"CR"	Symbol 891 MovieClip {Page60} Frame 1	Symbol 883 EditableText
"CR"	Symbol 891 MovieClip {Page60} Frame 1	Symbol 888 EditableText
"CR"	Symbol 900 MovieClip {Page61} Frame 1	Symbol 894 EditableText
"CR"	Symbol 900 MovieClip {Page61} Frame 1	Symbol 897 EditableText
"CR"	Symbol 909 MovieClip {Page62} Frame 1	Symbol 903 EditableText
"CR"	Symbol 909 MovieClip {Page62} Frame 1	Symbol 906 EditableText
"CR"	Symbol 918 MovieClip {Page63} Frame 1	Symbol 912 EditableText
"CR"	Symbol 918 MovieClip {Page63} Frame 1	Symbol 915 EditableText
"CR"	Symbol 927 MovieClip {Page64} Frame 1	Symbol 921 EditableText
"CR"	Symbol 927 MovieClip {Page64} Frame 1	Symbol 924 EditableText
"CR"	Symbol 936 MovieClip {Page65} Frame 1	Symbol 930 EditableText
"CR"	Symbol 936 MovieClip {Page65} Frame 1	Symbol 933 EditableText
"CR"	Symbol 945 MovieClip {Page66} Frame 1	Symbol 939 EditableText
"CR"	Symbol 945 MovieClip {Page66} Frame 1	Symbol 942 EditableText
"CR"	Symbol 953 MovieClip {Page67} Frame 1	Symbol 948 EditableText
"CR"	Symbol 953 MovieClip {Page67} Frame 1	Symbol 951 EditableText
"CR"	Symbol 962 MovieClip {Page68} Frame 1	Symbol 956 EditableText
"CR"	Symbol 962 MovieClip {Page68} Frame 1	Symbol 959 EditableText
"CR"	Symbol 971 MovieClip {Page69} Frame 1	Symbol 965 EditableText
"CR"	Symbol 971 MovieClip {Page69} Frame 1	Symbol 968 EditableText
"CR"	Symbol 980 MovieClip {Page70} Frame 1	Symbol 974 EditableText
"CR"	Symbol 980 MovieClip {Page70} Frame 1	Symbol 977 EditableText
"CR"	Symbol 989 MovieClip {Page71} Frame 1	Symbol 983 EditableText
"CR"	Symbol 989 MovieClip {Page71} Frame 1	Symbol 986 EditableText
"CR"	Symbol 998 MovieClip {Page72} Frame 1	Symbol 992 EditableText
"CR"	Symbol 998 MovieClip {Page72} Frame 1	Symbol 995 EditableText
"CR"	Symbol 1007 MovieClip {Page73} Frame 1	Symbol 1001 EditableText
"CR"	Symbol 1007 MovieClip {Page73} Frame 1	Symbol 1004 EditableText
"CR"	Symbol 1016 MovieClip {Page74} Frame 1	Symbol 1010 EditableText
"CR"	Symbol 1016 MovieClip {Page74} Frame 1	Symbol 1013 EditableText
"CR"	Symbol 1025 MovieClip {Page75} Frame 1	Symbol 1019 EditableText
"CR"	Symbol 1025 MovieClip {Page75} Frame 1	Symbol 1022 EditableText
"CR"	Symbol 1034 MovieClip {Page76} Frame 1	Symbol 1028 EditableText
"CR"	Symbol 1034 MovieClip {Page76} Frame 1	Symbol 1031 EditableText
"CR"	Symbol 1043 MovieClip {Page77} Frame 1	Symbol 1037 EditableText
"CR"	Symbol 1043 MovieClip {Page77} Frame 1	Symbol 1040 EditableText
"CR"	Symbol 1052 MovieClip {Page78} Frame 1	Symbol 1046 EditableText
"CR"	Symbol 1052 MovieClip {Page78} Frame 1	Symbol 1049 EditableText
"CR"	Symbol 1062 MovieClip {Page79} Frame 1	Symbol 1055 EditableText
"CR"	Symbol 1062 MovieClip {Page79} Frame 1	Symbol 1059 EditableText
"CR"	Symbol 1070 MovieClip {Page80} Frame 1	Symbol 1065 EditableText
"CR"	Symbol 1070 MovieClip {Page80} Frame 1	Symbol 1068 EditableText
"CR"	Symbol 1079 MovieClip {Page81} Frame 1	Symbol 1073 EditableText
"CR"	Symbol 1079 MovieClip {Page81} Frame 1	Symbol 1076 EditableText
"CR"	Symbol 1088 MovieClip {Page82} Frame 1	Symbol 1082 EditableText
"CR"	Symbol 1088 MovieClip {Page82} Frame 1	Symbol 1085 EditableText
"CR"	Symbol 1097 MovieClip {Page83} Frame 1	Symbol 1091 EditableText
"CR"	Symbol 1097 MovieClip {Page83} Frame 1	Symbol 1094 EditableText
"CR"	Symbol 1106 MovieClip {Page84} Frame 1	Symbol 1100 EditableText
"CR"	Symbol 1106 MovieClip {Page84} Frame 1	Symbol 1103 EditableText
"CR"	Symbol 1115 MovieClip {Page85} Frame 1	Symbol 1109 EditableText
"CR"	Symbol 1115 MovieClip {Page85} Frame 1	Symbol 1112 EditableText
"CR"	Symbol 1124 MovieClip {Page86} Frame 1	Symbol 1118 EditableText
"CR"	Symbol 1124 MovieClip {Page86} Frame 1	Symbol 1121 EditableText
"CR"	Symbol 1133 MovieClip {Page87} Frame 1	Symbol 1127 EditableText
"CR"	Symbol 1133 MovieClip {Page87} Frame 1	Symbol 1130 EditableText
"CR"	Symbol 1142 MovieClip {Page88} Frame 1	Symbol 1136 EditableText
"CR"	Symbol 1142 MovieClip {Page88} Frame 1	Symbol 1139 EditableText
"CR"	Symbol 1151 MovieClip {Page89} Frame 1	Symbol 1145 EditableText
"CR"	Symbol 1151 MovieClip {Page89} Frame 1	Symbol 1148 EditableText
"CR"	Symbol 1160 MovieClip {Page90} Frame 1	Symbol 1154 EditableText
"CR"	Symbol 1160 MovieClip {Page90} Frame 1	Symbol 1157 EditableText
"CR"	Symbol 1169 MovieClip {Page91} Frame 1	Symbol 1163 EditableText
"CR"	Symbol 1169 MovieClip {Page91} Frame 1	Symbol 1166 EditableText
"CR"	Symbol 1178 MovieClip {Page92} Frame 1	Symbol 1172 EditableText
"CR"	Symbol 1178 MovieClip {Page92} Frame 1	Symbol 1175 EditableText
"CR"	Symbol 1187 MovieClip {Page93} Frame 1	Symbol 1181 EditableText
"CR"	Symbol 1187 MovieClip {Page93} Frame 1	Symbol 1184 EditableText
"CR"	Symbol 1196 MovieClip {Page94} Frame 1	Symbol 1190 EditableText
"CR"	Symbol 1196 MovieClip {Page94} Frame 1	Symbol 1193 EditableText
"CR"	Symbol 1205 MovieClip {Page95} Frame 1	Symbol 1199 EditableText
"CR"	Symbol 1205 MovieClip {Page95} Frame 1	Symbol 1202 EditableText
"CR"	Symbol 1214 MovieClip {Page96} Frame 1	Symbol 1208 EditableText
"CR"	Symbol 1214 MovieClip {Page96} Frame 1	Symbol 1211 EditableText
"CR"	Symbol 1223 MovieClip {Page97} Frame 1	Symbol 1217 EditableText
"CR"	Symbol 1223 MovieClip {Page97} Frame 1	Symbol 1220 EditableText
"CR"	Symbol 1232 MovieClip {Page98} Frame 1	Symbol 1226 EditableText
"CR"	Symbol 1232 MovieClip {Page98} Frame 1	Symbol 1229 EditableText
"CR"	Symbol 1241 MovieClip {Page99} Frame 1	Symbol 1235 EditableText
"CR"	Symbol 1241 MovieClip {Page99} Frame 1	Symbol 1238 EditableText
"CR"	Symbol 1250 MovieClip {Page100} Frame 1	Symbol 1244 EditableText
"CR"	Symbol 1250 MovieClip {Page100} Frame 1	Symbol 1247 EditableText
"CR"	Symbol 1259 MovieClip {Page101} Frame 1	Symbol 1253 EditableText
"CR"	Symbol 1259 MovieClip {Page101} Frame 1	Symbol 1256 EditableText
"CR"	Symbol 1267 MovieClip {Page102} Frame 1	Symbol 1262 EditableText
"CR"	Symbol 1267 MovieClip {Page102} Frame 1	Symbol 1265 EditableText
"CR"	Symbol 1275 MovieClip {Page103} Frame 1	Symbol 1270 EditableText
"CR"	Symbol 1275 MovieClip {Page103} Frame 1	Symbol 1273 EditableText
"CR"	Symbol 1284 MovieClip {Page104} Frame 1	Symbol 1278 EditableText
"CR"	Symbol 1284 MovieClip {Page104} Frame 1	Symbol 1281 EditableText
"CR"	Symbol 1293 MovieClip {Page105} Frame 1	Symbol 1287 EditableText
"CR"	Symbol 1293 MovieClip {Page105} Frame 1	Symbol 1290 EditableText
"CR"	Symbol 1302 MovieClip {Page106} Frame 1	Symbol 1296 EditableText
"CR"	Symbol 1302 MovieClip {Page106} Frame 1	Symbol 1299 EditableText
"CR"	Symbol 1311 MovieClip {Page107} Frame 1	Symbol 1305 EditableText
"CR"	Symbol 1311 MovieClip {Page107} Frame 1	Symbol 1308 EditableText
"CR"	Symbol 1319 MovieClip {Page108} Frame 1	Symbol 1314 EditableText
"CR"	Symbol 1319 MovieClip {Page108} Frame 1	Symbol 1317 EditableText
"CR"	Symbol 1328 MovieClip {Page109} Frame 1	Symbol 1322 EditableText
"CR"	Symbol 1328 MovieClip {Page109} Frame 1	Symbol 1325 EditableText
"CR"	Symbol 1337 MovieClip {Page110} Frame 1	Symbol 1331 EditableText
"CR"	Symbol 1337 MovieClip {Page110} Frame 1	Symbol 1334 EditableText
"CR"	Symbol 1346 MovieClip {Page111} Frame 1	Symbol 1340 EditableText
"CR"	Symbol 1346 MovieClip {Page111} Frame 1	Symbol 1343 EditableText
"CR"	Symbol 1355 MovieClip {Page112} Frame 1	Symbol 1349 EditableText
"CR"	Symbol 1355 MovieClip {Page112} Frame 1	Symbol 1352 EditableText
"CR"	Symbol 1364 MovieClip {Page113} Frame 1	Symbol 1358 EditableText
"CR"	Symbol 1364 MovieClip {Page113} Frame 1	Symbol 1361 EditableText
"CR"	Symbol 1372 MovieClip {Page114} Frame 1	Symbol 1367 EditableText
"CR"	Symbol 1372 MovieClip {Page114} Frame 1	Symbol 1370 EditableText
"CR"	Symbol 1380 MovieClip {Page115} Frame 1	Symbol 1375 EditableText
"CR"	Symbol 1380 MovieClip {Page115} Frame 1	Symbol 1378 EditableText
"CR"	Symbol 1389 MovieClip {Page116} Frame 1	Symbol 1383 EditableText
"CR"	Symbol 1389 MovieClip {Page116} Frame 1	Symbol 1386 EditableText
"CR"	Symbol 1398 MovieClip {Page117} Frame 1	Symbol 1392 EditableText
"CR"	Symbol 1398 MovieClip {Page117} Frame 1	Symbol 1395 EditableText
"CR"	Symbol 1407 MovieClip {Page118} Frame 1	Symbol 1401 EditableText
"CR"	Symbol 1407 MovieClip {Page118} Frame 1	Symbol 1404 EditableText
"CR"	Symbol 1417 MovieClip {Page119} Frame 1	Symbol 1410 EditableText
"CR"	Symbol 1417 MovieClip {Page119} Frame 1	Symbol 1413 EditableText
"CR"	Symbol 1426 MovieClip {Page120} Frame 1	Symbol 1420 EditableText
"CR"	Symbol 1426 MovieClip {Page120} Frame 1	Symbol 1423 EditableText
"CR"	Symbol 1434 MovieClip {Page121} Frame 1	Symbol 1429 EditableText
"CR"	Symbol 1434 MovieClip {Page121} Frame 1	Symbol 1432 EditableText

Special Tags

FileAttributes (69)	Timeline Frame 1	Access local files only, Metadata not present, AS3.
FileAttributes (69)	Timeline Frame 1	Access local files only, Metadata not present, AS3.
ScriptLimits (65)	Timeline Frame 1	MaxRecursionDepth: 256, ScriptTimeout: 65535 seconds