STORY LOOP FURRY PORN GAMES C SERVICES [?] [R] RND POPULAR | Archived flashes: 229595 |
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This is the info page for Flash #26975 |
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Preview The Vagabond |
Altered States |
An Interactive Dramatic Series |
Welcome to Zap Dramatic's |
Please make sure your sound is turned on. If you don't have sound on your computer, turn on the subtitle button on the lower right hand corner after the drama begins. |
For optimal viewing you need a 200mhz processor or better and the flash 4 plug -in. |
In each episode of you will encounter a disturbed individual. Your challenge will be to explore the labyrinth of this person's psyche and emerge unhurt. |
In Altered States your knowledge of human nature and your intuition will serve you better than logic. Know your opponent! While logic is a useful tool, it may not help you here. Know your opponent! |
States |
An Adventure of the Mind |
Episode #1 "The Lusty Barfly" written and produced by Michael Gibson (c)1999,2000 Zapdramatic Inc. All rights reserved |
You became feverishly curious about what might be on the tape and decided to quickly nip home to have a look on your own camcorder.. |
CONFIDENTIAL |
It's Tuesday evening. Earlier today your boss sent you out to fetch a videotape from his lawyer. |
You called work and left a message that you were going to be late because your car just got a flat tire. |
Unfortunately the tape jammed in your machine before you could see anything. It took you an hour to dismantle your machine and extract the tape. |
An hour later, as you were leaving the bar you realize you'd lost the tape. |
You smoothed out the creases on the tape and began fretting about how you would explain the damage. You decide to pop into a bar for a quick drink to settle your nerves. |
The Negotiator is loading into your computer. A continue button will appear when enough data is loaded to proceed. This make take up to 30 seconds. |
You are now sitting at the bar nursing another drink praying for a miracle. In just a moment your prayers will be answered ....sort of. |
You raced back to discover there was no sign of your tape and the bar-tender didn't know what you were talking about. |
Realizing that you are now in really serious trouble you order another drink and try to figure out what you're going to tell your boss. |
Say again |
Ask if she'd mind if you buried your face in her breasts to retrieve it. |
Say it's none of her business and demand that she hand over the tape right now. |
Tell her it's confidential information and heads will roll if you don't get it back. |
What are you going to do? |
SUBTITLES |
SUBTITLES |
off |
on |
Looking for this? |
So, what's on the tape? |
Oh, this sounds interesting. What kind of confidential information |
Hey, don't get your knickers in a twist. Why don't you buy me a drink? |
Relax! You're not even at first base, sweetie and if you try to steal home; I'll blow your head off. |
You think you can hurt me? Go ahead, I dare you. |
Don't worry sweetie, I'm packing heat. If anybody tries to mess with us they'll be whistling through their navel. |
Ha ha. If there's one thing I can't stand it's a liar. Tell me the truth. |
Keep your money. I'd rather hear you sing. It's my birthday today and if you would sing me a birthday song; I'd be so happy. |
I think you deserve to lose your job. You've been careless and you know what? You bore me. |
Oh you like it? Thank you. I made it myself. I am an individualist and refuse to be branded by corporate America. |
Why don't you go powder your nose. I'm counting to 3. 1... 2... |
Death to all liars! |
Thank you! Let's dance. |
I didn't take your tape to enhance my value. Geez you're stupid! I'm going to walk out of here and throw it down a manhole. |
Well Whoopty do for you! But it's my birthday today. Let's dance. |
If you dance well; you'll get your tape. |
Offer to pay her $20 to return the tape. |
Tell her it's top secret military information and her life is in danger as long as it's between her breasts. |
Plead with her that you will lose your job if you don't get the tape back. |
Tell her if she doesn't want to get hurt she better hand the tape over right away. No fooling! |
Say you'd be delighted to buy her a drink after she gives you back the tape. |
Tell her that you will lose your job if you don't get the tape back. |
Tell her if she doesn't want to get hurt she better hand the tape over right away. |
You put fifty dollars on the table and ask for the tape. |
Say she seems like a nice person and you know she's just having fun but if she doesn't give back the tape, you'll lose your job. |
You glare at her with menace in your eyes and count to 3. |
Assure her that it's not you who would hurt her. Tell her the people who own the tape would think nothing about putting a bullet in both of your heads. |
Other |
You warn that the tape will self destruct. It's rigged with a mini explosive which could off any time. |
Put your wallet on the table and ask her to name her price. |
Laugh and say you'd really like to enjoy this conversation but you are so worried you're going to lose your job. |
Tell her she can't expect to know the truth if she uses other people's property as blackmail. |
Compliment her on her beautiful dress |
Assure her that you are telling the truth. |
You wish her happy birthday and tell her that you're a lousy singer and that you'll get fired if you don't get the tape back. |
You glare at her with menace in your eyes and tell her that you are going to grab the tape on the count of 3. 1.... 2... |
You start singing happy birthday to her. |
Tell her the tape isn't as important to you as getting to know her better. You tell you're fascinated with her. |
You grab the house phone and call the police |
Tell her you're going to count to 3 and then physically get the tape. You start counting... |
You congratulate her and tell her you feel the same way and have devoted your career to preserving the rights of individuals such as her. |
You argue if she were a true individualist; she wouldn't steal the property of others to enhance her value. |
You call her bluff and reach for the tape. |
You shout for help. |
You take off for the washroom as fast as you can. |
You ask her how dancing will help you get your tape back. |
You ask how she would feel if a grand piano we're dangling by a thread over her head. You tell her that's going to be the fate of your career if you don't get the tape back. |
You reach for the bar phone and call the cops. |
Tell her you're going to count to 3 and if she doesn't hand you the tape you're going to grab it and to hell with the consequences. |
Apologize and say what you meant was that she was a fascinating person in her own right, period. |
You say you sprained your ankle at a Civil liberty demonstration. |
You ask how dancing will help you get your tape back. |
You say you're sorry, you can't dance and you're going to lose your job if you don't get the tape back. |
You say you want your tape back and on the count of 3 you're going to take it. 1... 2... |
You say you will only slow dance with her. You're a good slow dancer. |
You say you're not a good dancer but you'll give it a go. |
(c)2000 ZapDramatic All rights reserved |
Written and Produced By Michael Gibson |
The Lusty Barfly |
The Lusty Barfly |
Too bad! When you get back, she's gone and so is your tape. Try Again? Upcoming episodes/make a comment |
Continue |
Too bad You're a gonner. Try again Continue Other episodes |
You really are a lousy dancer. She dusted you on the dance floor. Now she's gone and so is your tape. Good luck with your boss! Try Again Continue Go to a new episode. |
Congratulations! You have successfully negotiated the return of your tape. Play Again Continue |
Restart the Lusty Barfly |
Bridget |
Bridget |
She's |
She's smart, |
sexy... |
and a liar. |
(Trailer is loading) |
Can you catch her out? |
Presented by www.Zap.ca |
Only $5 for 30 days unlimited play of all the dramas |
NOW PLAYING |
The Interrogation |
The Interrogation |
REPLAY |
ActionScript [AS1/AS2]
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Symbol 218 Graphic | Used by:Timeline | |
Symbol 219 Sound | Used by:Timeline | |
Symbol 220 Sound | Used by:Timeline | |
Symbol 221 Sound | Used by:Timeline | |
Symbol 222 Sound | Used by:Timeline | |
Symbol 223 Sound | Used by:Timeline | |
Symbol 224 Font | Used by:225 | |
Symbol 225 Text | Uses:224 | Used by:Timeline |
Symbol 226 Sound | Used by:Timeline | |
Symbol 227 Font | Used by:228 | |
Symbol 228 Text | Uses:227 | Used by:Timeline |
Symbol 229 Button | Uses:75 76 | Used by:Timeline |
Symbol 230 Button | Uses:75 76 | Used by:Timeline |
Symbol 231 Button | Uses:75 76 | Used by:Timeline |
Symbol 232 Graphic | Used by:Timeline | |
Symbol 233 Sound | Used by:Timeline | |
Symbol 234 Graphic | Used by:238 | |
Symbol 235 Graphic | Used by:238 | |
Symbol 236 Graphic | Used by:238 | |
Symbol 237 Graphic | Used by:238 | |
Symbol 238 MovieClip | Uses:234 235 236 237 | Used by:Timeline |
Symbol 239 Graphic | Used by:Timeline | |
Symbol 240 Graphic | Used by:Timeline | |
Symbol 241 Sound | Used by:Timeline | |
Symbol 242 Graphic | Used by:Timeline | |
Symbol 243 Graphic | Used by:Timeline | |
Symbol 244 Button | Uses:75 76 | Used by:Timeline |
Symbol 245 Text | Uses:40 | Used by:Timeline |
Symbol 246 Sound | Used by:Timeline | |
Symbol 247 Sound | Used by:Timeline | |
Symbol 248 Sound | Used by:Timeline | |
Symbol 249 Graphic | Used by:253 | |
Symbol 250 Graphic | Used by:253 | |
Symbol 251 Graphic | Used by:253 | |
Symbol 252 Graphic | Used by:253 | |
Symbol 253 MovieClip | Uses:249 250 191 181 182 2 62 192 251 252 | Used by:Timeline |
Symbol 254 Sound | Used by:Timeline | |
Symbol 255 Sound | Used by:Timeline | |
Symbol 256 Sound | Used by:Timeline | |
Symbol 257 MovieClip | Uses:60 61 2 62 63 | Used by:258 Timeline |
Symbol 258 MovieClip | Uses:180 257 186 187 197 189 | Used by:Timeline |
Symbol 259 Graphic | Used by:Timeline | |
Symbol 260 Graphic | Used by:261 | |
Symbol 261 MovieClip | Uses:260 | Used by:Timeline |
Symbol 262 Text | Uses:46 | Used by:Timeline |
Symbol 263 Sound | Used by:Timeline | |
Symbol 264 Graphic | Used by:Timeline | |
Symbol 265 Graphic | Used by:Timeline | |
Symbol 266 Graphic | Used by:Timeline | |
Symbol 267 Graphic | Used by:Timeline | |
Symbol 268 Graphic | Used by:Timeline | |
Symbol 269 Graphic | Used by:Timeline | |
Symbol 270 Text | Uses:46 | Used by:Timeline |
Symbol 271 Text | Uses:40 | Used by:Timeline |
Symbol 272 Button | Uses:75 76 | Used by:Timeline |
Symbol 273 Graphic | Used by:Timeline | |
Symbol 274 Text | Uses:37 | Used by:Timeline |
Symbol 275 Text | Uses:37 | Used by:Timeline |
Symbol 276 Graphic | Used by:Timeline | |
Symbol 277 Graphic | Used by:Timeline | |
Symbol 278 Graphic | Used by:Timeline | |
Symbol 279 Sound | Used by:Timeline | |
Symbol 280 Text | Uses:37 | Used by:Timeline |
Symbol 281 Text | Uses:37 | Used by:Timeline |
Symbol 282 Text | Uses:37 | Used by:Timeline |
Symbol 283 Text | Uses:37 | Used by:Timeline |
Symbol 284 Text | Uses:27 | Used by:Timeline |
Symbol 285 Text | Uses:37 | Used by:Timeline |
Symbol 286 Font | Used by:288 289 304 | |
Symbol 287 Font | Used by:288 | |
Symbol 288 Text | Uses:286 287 | Used by:Timeline |
Symbol 289 Text | Uses:286 | Used by:Timeline |
Symbol 290 Font | Used by:291 | |
Symbol 291 Text | Uses:290 | Used by:Timeline |
Symbol 292 Graphic | Used by:Timeline | |
Symbol 293 Text | Uses:37 | Used by:Timeline |
Symbol 294 Text | Uses:37 | Used by:Timeline |
Symbol 295 Graphic | Used by:Timeline | |
Symbol 296 Graphic | Used by:Timeline | |
Symbol 297 Graphic | Used by:Timeline | |
Symbol 298 Graphic | Used by:Timeline | |
Symbol 299 Graphic | Used by:Timeline | |
Symbol 300 Graphic | Used by:Timeline | |
Symbol 301 Graphic | Used by:302 | |
Symbol 302 Button | Uses:301 | Used by:Timeline |
Symbol 303 Graphic | Used by:306 | |
Symbol 304 Text | Uses:286 | Used by:306 |
Symbol 305 Graphic | Used by:306 | |
Symbol 306 Button | Uses:303 304 305 | Used by:Timeline |
Symbol 307 Button | Uses:75 76 | Used by:Timeline |
Symbol 308 Graphic | Used by:Timeline | |
Symbol 309 Graphic | Used by:Timeline | |
Symbol 310 MovieClip | Uses:181 182 2 62 183 | Used by:Timeline |
Symbol 311 Graphic | Used by:Timeline | |
Symbol 312 Graphic | Used by:Timeline | |
Symbol 313 Graphic | Used by:Timeline | |
Symbol 314 Graphic | Used by:Timeline | |
Symbol 315 Sound | Used by:Timeline | |
Symbol 316 Graphic | Used by:Timeline | |
Symbol 317 Graphic | Used by:320 | |
Symbol 318 Graphic | Used by:320 | |
Symbol 319 Graphic | Used by:320 | |
Symbol 320 MovieClip | Uses:181 317 2 318 319 | Used by:Timeline |
Symbol 321 Graphic | Used by:Timeline | |
Symbol 322 Graphic | Used by:Timeline | |
Symbol 323 Graphic | Used by:Timeline | |
Symbol 324 Graphic | Used by:Timeline | |
Symbol 325 Graphic | Used by:Timeline | |
Symbol 326 Graphic | Used by:Timeline | |
Symbol 327 Graphic | Used by:329 | |
Symbol 328 Graphic | Used by:329 | |
Symbol 329 MovieClip | Uses:181 327 2 328 | Used by:Timeline |
Instance Names
"subtitlemov" | Frame 168 | Symbol 112 MovieClip |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"q1" | Frame 168 |
"q2" | Frame 172 |
"q3" | Frame 176 |
"q4" | Frame 180 |
"q5" | Frame 184 |
"q6" | Frame 188 |
"q7" | Frame 192 |
"q8" | Frame 196 |
"q9" | Frame 200 |
"q10" | Frame 204 |
"q11" | Frame 209 |
"q12" | Frame 214 |
"q13" | Frame 219 |
"q14" | Frame 224 |
"q15" | Frame 229 |
"win" | Frame 234 |
"lose" | Frame 239 |
"start" | Frame 248 |
"mk1" | Frame 370 |
"mk2" | Frame 444 |
"mk3" | Frame 535 |
"mk4" | Frame 663 |
"mk5" | Frame 744 |
"mk6" | Frame 846 |
"mk7" | Frame 909 |
"mk8" | Frame 1036 |
"mk9" | Frame 1089 |
"mk10" | Frame 1240 |
"mk11" | Frame 1370 |
"mk12" | Frame 1376 |
"mk13" | Frame 1410 |
"mk16" | Frame 1480 |
"mk17" | Frame 1533 |
"mk18" | Frame 1640 |
"mk19" | Frame 1728 |
"mk20" | Frame 1758 |
"mk21" | Frame 1863 |
"loop" | Frame 2056 |
"yup" | Frame 2070 |
"wait" | Frame 2152 |
"end" | Frame 2167 |
"topic" | Frame 2266 |
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