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You will rely on logic and your knowledge of human nature in order to successfully negotiate yourself out of a difficult spot. |
You will rely on logic and your knowledge of human nature in order to successfully negotiate yourself out of a difficult spot. |
The Negotiator An Interactive, dramatic series. |
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Preview The Vagabond |
For optimal viewing you need a 200mhz processor or better and the flash 4 plug -in. |
Please make sure your sound is turned on. If you don't have sound on your computer, turn on the subtitle button on the lower right hand corner after the drama begins. |
In each episode of you will enounter a difficult person with whom you will have to negotiate. Your challenge will be to navigate the minefield of this person's psyche and emerge a winner. |
The |
The |
Negotiator |
Negotiator |
Win a free video: Mediation-An Introduction |
If you negotiate successfully through this game, click on the "Free Video" button to find out more. |
About the Video |
Mediation-An Introduction |
"This video provides an excellent introduction to the process of interest-based Mediation.... [parties will] learn how the intervention of the Mediator can turn opposing positions into issues for discussion; how respective needs can be explored and satisfied by one or more options of settlement...,how the process works, and my colleagues and I at ADR Chambers are pleased to endorse its instructive value." The Hon. W. David Griffiths, Q.C., LL.D., ADR Chambers, a Dispute Resolution Group, Toronto. |
20 minutes/Colour US$70.00 |
How quickly can you resolve this conflict? Try to make the choices that you would normally make in this situation and then observe yourself as you play. Is your gut reaction to avoid conflict? If you are confronted, do you ignore the aggressor and try to escape? Do you put on a strong offense or do you engage the person in conversation? What is the winning strategy? |
The Negotiator is loading into your computer. A "Continue" button will appear when enough data is loaded to proceed. It may take up to 30 seconds |
An interactive dramatic series of logic and intuition |
Can you prevail? |
Episode 3 The Raise Written & Directed by Michael Gibson Executive Producer: Allan J. Stitt (c)2000 Zapdramatic Inc. All rights reserved |
Visit ZapDramatic.com |
You are about to speak to your boss about getting a raise. You have been working for just over a year as a copywriter for a medium sized public- relations company. Your principal task has been to write text for annual reports, which you hate. Recently you've also been asked to write text for web site pages. Your best experience over the year was writing a humorous speech for a CEO at an annual stockholders' meeting. Your worst experience was a press release you wrote that had the client confronted with a libel suit. It wasn't entirely your fault though; you relied on confidential information provided by the client which you assumed was accurate. |
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Overall you believe your performance has been above average. You work longer hours than the other two writers, James and Sharon. |
James has been with the company three years and gets the plum accounts and makes twice as much as you. |
Sharon has been with the company only six months but makes more than you because of her previous awards as a newspaper columnist. |
Last month, you maxed out your credit with the purchase of a new car, and your loan payments eat up all of your discretionary income. You need a raise simply to maintain your current standard of living. |
Two days ago your financial situation hit a crisis because you discovered a tumour growing on your beloved cat "Mr. Whiskers". He requires a six hundred dollar operation to have it removed. You need a 20% raise in pay!!! |
Review background Information |
Review background Information |
Review background Information |
Say: traditionally one gives china for the twentieth. |
Suggest a horse. |
Say: You haven't a clue and that you need to discuss a pressing matter. |
Suggest it's his anniversary too and perhaps he should get her something that they could enjoy together. |
What are you going to do? |
Say Again |
Say:"Speaking of cats..." and launch into a heart- felt sob story about your cat. |
Say you need to discuss a pressing matter. |
Suggest it's his anniversary too and perhaps he should get her something that they could enjoy together. |
Suggest he hold a yard sale. |
Tell him you have a pressing matter to discuss. |
Suggest it's his anniversary too and perhaps he should get her something that they could enjoy together. |
Ask him if he has a pet. |
Apologize and get to the point. Tell him you want a raise. |
Say no, and launch into your sob story about your poor cat. |
Say no and ask if he has a pet. |
Tell him that you have a pressing matter of your own to discuss. |
Launch into a heart-felt sob story about your poor cat. |
Ask him why he feels it necessary to acknowledge his anniversary. |
Other |
Look behind you to see if there is indeed somebody taking of their clothes. |
Tell him that you believe that you deserve a raise. |
Ask him if he is satisfied with the quality of your work. |
Ask him if he thinks it's fair that you are the lowest paid writer on staff. |
Say "Yes" and ask what he would do. |
Say no, you don't want to bother him about it. You simply require a raise to do the right thing. |
Ask him if he has a family pet? |
Other |
Excuse yourself for being nosey and say that you would like to discuss the possibility of a raise. |
Ask him if he has a pet. |
Ask if he has prepared a speech. |
Suggest if he really does love his wife then some meaningful gift would be appropriate. Then acknowledge that your are digressing. |
Ask if he is satisfied with the quality of your work. |
Ask whether he thinks it's fair that you are the lowest paid writer on staff. |
Tell him that you've been here for over a year and that everyone gets a raise after a year. |
Tell him that you've done some research and that writers with your experience are paid twice as much at the competition. |
Say nothing and apologize for digressing. |
Ask if his wife were in need of an expensive medical attention whether he would do whatever necessary to provide it for her. |
Cut to the chase and say that you deserve a raise. |
Ask if he has a pet. |
Ask if he has invited 200 of his closest friends to celebrate his anniversary. |
Ask if he is satisfied with the quality of your work. |
Say you think you deserve a raise. |
Ask if he is prepared to invest in your excellence. |
Ask how he would compare your work with the other two writers that he has on staff. |
Tell him you'll deliver excellence when he pays what it costs. |
Ask if his wife were in need of expensive medical treatment whether he would do whatever it takes to provide it for her. |
State that you know for a fact that James and Sharon are paid more than you. |
Ask who is paid less that you. |
Tell him that you think you deserve a raise. |
Ask if his wife were in need of expensive medical treatment whether he would do whatever it takes to provide it for her. |
Tell him you believe you deserve a raise. |
Ask if he is satisfied with the quality of your work. |
Ask if his wife were in need of expensive medical treatment whether he would do whatever it takes to provide it for her. |
Tell him that if he doesn't give you a raise you will be forced to seek employment elsewhere. |
Tell him that if he doesn't give you a raise you will be forced to seek employment elsewhere. |
Beg him to give you an advance so that your cat won't die. |
Ask if he is satisfied with the quality of your work. |
Explain your cat's condition and the financial cost required to nurse him back to health. |
Explain your cat's condition and ask what he would do. |
Ask if he has a pet. |
Say: No, you see where a greater investment is needed. |
Other. |
Say: Yes but you think he could do more. |
Argue that was your only mistake in an otherwise excellent year. |
Say you've learned from that mistake and you now deserve a raise. |
Tell him that pay equity boosts morale and productivity and you would like to be paid on par with the other two writers. |
Tell him that if he doesn't at least match what the competition pays he is liable to lose his valuable human resources. |
Tell him that you would like to take a web development course in the evening and you would like a raise and a bonus for doing so. |
SKIP |
SKIP |
SKIP |
ENTER |
ENTER |
ENTER |
It's my wife's twentieth wedding anniversary. |
No, please don't embarass us both with congratulations. |
As long as there's enough money, marriage is not that difficult. |
But I would like to acknowledge the event with a gift of some kind. |
But what on earth do you give a woman who's got everything? |
China! Oh my goodness! We're wading knee deep in china! |
My goodness you can't swing a cat in our house for knocking down some precious piece of china! |
Mouse: Psst! Get right to the point. |
The Negotiator is still loading into your computer. Please be patient. We will continue as soon as enough data is loaded to proceed. |
Ahh, you're making light of my problems. |
Well, if you'll excuse me for troubling you, I'll excuse your sardonic grin. |
What do you want? |
The Negotiator is still loading into your computer. Please be patient. We will continue as soon as enough data is loaded to proceed. |
I'm afraid my wife and I enjoy very separate lives. |
Mouse: "Psst! Get right to the point!" |
What do you want? |
The Negotiator is still loading into your computer. Please be patient. We will continue as soon as enough data is loaded to proceed. |
0 |
A pressing matter, eh? |
Mouse: "There's a woman taking off her clothes behind you!" |
What is it? |
The Negotiator is still loading into your computer. Please be patient. We will continue as soon as enough data is loaded to proceed. |
Don't just stare at me like some glazed pig. What do you want? |
Hey! Look at me when I'm talking to you! |
Hey!!!!! |
Hello!!!!! |
Turn around when I'm talking to you!!!! |
Turn around or I'll have you removed!!! |
Betty, would you please send in the security guard. |
Thank you. |
Alright, you pervert, you're coming with me!! |
Too bad. You lose. When negotiating with your boss it's a very poor idea to pay any attention to talking mice. Hint: Mice don't talk. Next time take your medication. |
Play Again |
Go to erotic drama. |
Too bad. You lose. While it is good practice to engage in polite banter at the outset of a negotiation to establish rapport, you must get to the point or run the risk of being sidelined and appearing weak and unfocused. |
Play again |
Web tour on Negotiation |
Too bad. You lose. While it is appropriate to use objective criteria to establish your worth; you should make sure the criteria you select will be persuasive. It was dangerous to challenge his truthfulness about the salaries of your colleagues. Not a good plan. |
Too bad. You lose. Arguing that you should get more simply because you make less than everybody else is unlikely to be persuasive. Maybe you are indeed worth less than everybody else. |
Too bad. You lose. If you had lined up another job, this tactic may have been appropriate. Now, though, you have nothing. When you make threats you must be prepared for the possibility that your bluff will be called or, that the threats will lead to more threats. |
Too bad. You lose. Your mistake was that you miscalculated your worth in the eyes of your boss. If you had discovered earlier in the negotiation how precarious your position was at the firm; you might not have been so cheeky to him. |
Ok, not bad. Although, you could have done better had you looked beyond your own objectives. However, you've negotiated a little job security and at least now you know where you stand with the firm. Sorry about your cat, though. |
Are you on drugs? |
The Negotiator is still loading into your computer. Please be patient. We will continue as soon as enough data is loaded to proceed. |
I see. Your geriatric cat requires a ludicrously expensive operation. |
No doubt you're unable to afford it and you're seeking my advice. |
Yes? |
Yes, but what on earth business is that of yours? |
Oh you do do you? What makes you think that? |
No, I think it's deplorably unsanitary to willingly invite a live beast into your home. |
But what the heck does that have to do with my wife's anniversary? |
Ahh, because despite our broad differences, I do love her. |
To wit: my heart sometimes beats to the point of suffocation at just the sight of her! |
Oh, I wish that I could properly articulate the depth of my feelings. |
But why am I telling you this? We both have work to do. What is it you want? |
Your work is adequate. However, this is a firm that prides itself on excellence. |
So, I believe you have room for development. |
You're not the lowest paid writer on staff. |
Now, get out of my office before I lose my temper! |
I'd put the bloody beast out of its misery. |
Now, if you don't mind; I'm sure we both have work to do. |
Remuneration in this firm is based on merit not length of stay or financial need. |
Now I suggest if you expect any remuneration at all you should go back to your cubicle and earn it!!! |
Really? Then perhaps you should go work for the competition. |
Digressing? You are a flagrant time waster! |
I'm afraid that after careful consideration, I've concluded that your services are no longer needed. |
Please remove your belongings by the end of the day. Goodbye. |
I find it offensive that you would imply a comparison between my wife and your cat! |
Yes of course. But what the heck does that have to do with you? |
A raise?!!! You're bloody lucky to have a job! |
A speech? No, I don't want to... |
You wrote the howler for the shareholders' meeting. |
You could write me a speech. |
Look, I'll pay you $1500. Will you do it? |
Play Again |
Other Episodes |
Congratulations! You were successful because during your opening banter you learned: 1) In your boss's eyes you are not a candidate for a raise (no matter how persuasive your argument) and, 2) information that enabled you to tie your strengths to your boss's needs: You're a good speech writer and your boss needs a speech to present at his anniversary dinner. |
What do you mean, would I be prepared? I bleed myself white to produce excellence around here. Isn't it obvious? |
I don't like making comparisons, but if you insist, your work is inferior. |
Your judgement is impaired. Have you forgotton the near catastrophe with the leaked documents? |
They are paid more because they are worth more. |
You are worth less. In fact, you are a liability. In fact.... |
... You're fired! |
My mouse is paid less than you because I don't have to pay him severance. |
Let me make this easy for you: You're fired. Go! Good bye! Good luck! |
You're a pathetic excuse for a human being! |
As of this moment you are in charge of cleaning the toilets. |
Now run along before I find something even lovelier for you to do. |
Is that so? And just where should this investment be made, hmmm? |
Oh yes, we could always do more but there comes a point of diminishing returns... |
And I believe we've met that point with you. |
Alright you can take the web development course. |
I'll consider a raise in 6 months if you start to bring in business. |
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Symbol 117 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 118 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 119 Text | Uses:3 | Used by:Timeline |
Symbol 120 Text | Uses:1 | Used by:Timeline |
Symbol 121 Text | Uses:1 | Used by:Timeline |
Symbol 122 Text | Uses:1 | Used by:Timeline |
Symbol 123 Text | Uses:1 | Used by:Timeline |
Symbol 124 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 125 Text | Uses:1 | Used by:Timeline |
Symbol 126 Text | Uses:1 | Used by:Timeline |
Symbol 127 Text | Uses:1 | Used by:Timeline |
Symbol 128 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 129 Text | Uses:1 | Used by:Timeline |
Symbol 130 Text | Uses:1 | Used by:Timeline |
Symbol 131 Text | Uses:1 | Used by:Timeline |
Symbol 132 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 133 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 134 Text | Uses:1 | Used by:Timeline |
Symbol 135 Text | Uses:1 | Used by:Timeline |
Symbol 136 Text | Uses:1 | Used by:Timeline |
Symbol 137 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 138 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 139 Text | Uses:1 | Used by:Timeline |
Symbol 140 Text | Uses:1 | Used by:Timeline |
Symbol 141 Text | Uses:1 | Used by:Timeline |
Symbol 142 Text | Uses:1 | Used by:Timeline |
Symbol 143 Text | Uses:1 | Used by:Timeline |
Symbol 144 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 145 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 146 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 147 Text | Uses:1 | Used by:Timeline |
Symbol 148 Text | Uses:1 | Used by:Timeline |
Symbol 149 Text | Uses:1 | Used by:Timeline |
Symbol 150 Text | Uses:1 | Used by:Timeline |
Symbol 151 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 152 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 153 Text | Uses:1 | Used by:Timeline |
Symbol 154 Text | Uses:1 | Used by:Timeline |
Symbol 155 Text | Uses:1 | Used by:Timeline |
Symbol 156 Text | Uses:1 | Used by:Timeline |
Symbol 157 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 158 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 159 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 160 Text | Uses:1 | Used by:Timeline |
Symbol 161 Text | Uses:1 | Used by:Timeline |
Symbol 162 Text | Uses:1 | Used by:Timeline |
Symbol 163 Text | Uses:1 | Used by:Timeline |
Symbol 164 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 165 Text | Uses:1 | Used by:Timeline |
Symbol 166 Text | Uses:1 | Used by:Timeline |
Symbol 167 Text | Uses:1 | Used by:Timeline |
Symbol 168 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 169 Text | Uses:1 | Used by:Timeline |
Symbol 170 Text | Uses:1 | Used by:Timeline |
Symbol 171 Text | Uses:1 | Used by:Timeline |
Symbol 172 Text | Uses:1 | Used by:Timeline |
Symbol 173 Text | Uses:1 | Used by:Timeline |
Symbol 174 Text | Uses:1 | Used by:Timeline |
Symbol 175 Text | Uses:1 | Used by:Timeline |
Symbol 176 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 177 Text | Uses:1 | Used by:Timeline |
Symbol 178 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 179 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 180 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 181 Text | Uses:1 | Used by:Timeline |
Symbol 182 Text | Uses:1 | Used by:Timeline |
Symbol 183 Text | Uses:1 | Used by:Timeline |
Symbol 184 Text | Uses:1 | Used by:Timeline |
Symbol 185 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 186 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 187 Text | Uses:1 | Used by:Timeline |
Symbol 188 Text | Uses:1 | Used by:Timeline |
Symbol 189 Text | Uses:1 | Used by:Timeline |
Symbol 190 Text | Uses:1 | Used by:Timeline |
Symbol 191 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 192 Text | Uses:1 | Used by:Timeline |
Symbol 193 Text | Uses:1 | Used by:Timeline |
Symbol 194 Text | Uses:1 | Used by:Timeline |
Symbol 195 Text | Uses:1 | Used by:Timeline |
Symbol 196 Text | Uses:1 | Used by:Timeline |
Symbol 197 Text | Uses:1 | Used by:Timeline |
Symbol 198 Text | Uses:1 | Used by:Timeline |
Symbol 199 Text | Uses:1 | Used by:Timeline |
Symbol 200 Text | Uses:1 | Used by:Timeline |
Symbol 201 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 202 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 203 Text | Uses:1 | Used by:Timeline |
Symbol 204 Text | Uses:1 | Used by:Timeline |
Symbol 205 Text | Uses:1 | Used by:Timeline |
Symbol 206 Text | Uses:1 | Used by:Timeline |
Symbol 207 Text | Uses:1 | Used by:Timeline |
Symbol 208 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 209 Graphic | Used by:Timeline | |
Symbol 210 Graphic | Used by:Timeline | |
Symbol 211 EditableText | Uses:77 | Used by:215 275 284 295 302 383 387 394 397 400 405 417 422 427 432 438 466 469 489 492 |
Symbol 212 EditableText | Uses:77 | Used by:215 275 284 295 302 383 387 394 397 400 405 417 422 427 432 438 466 469 489 492 |
Symbol 213 Graphic | Used by:215 275 284 295 302 383 387 394 397 400 405 417 422 427 432 438 466 469 489 492 | |
Symbol 214 EditableText | Uses:77 | Used by:215 275 284 295 302 383 387 394 397 400 405 417 422 427 432 438 466 469 489 492 |
Symbol 215 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 216 Sound | Used by:Timeline | |
Symbol 217 Graphic | Used by:Timeline | |
Symbol 218 Graphic | Used by:Timeline | |
Symbol 219 Graphic | Used by:Timeline | |
Symbol 220 Graphic | Used by:Timeline | |
Symbol 221 Graphic | Used by:Timeline | |
Symbol 222 Sound | Used by:Timeline | |
Symbol 223 Sound | Used by:Timeline | |
Symbol 224 Graphic | Used by:230 | |
Symbol 225 Graphic | Used by:230 | |
Symbol 226 EditableText | Uses:77 | Used by:230 |
Symbol 227 EditableText | Uses:77 | Used by:230 |
Symbol 228 Graphic | Used by:230 | |
Symbol 229 EditableText | Uses:77 | Used by:230 |
Symbol 230 Button | Uses:224 225 226 227 228 229 | Used by:Timeline |
Symbol 231 Graphic | Used by:Timeline | |
Symbol 232 Graphic | Used by:Timeline | |
Symbol 233 Graphic | Used by:310 Timeline | |
Symbol 234 Graphic | Used by:Timeline | |
Symbol 235 Graphic | Used by:Timeline | |
Symbol 236 Graphic | Used by:Timeline | |
Symbol 237 Graphic | Used by:238 | |
Symbol 238 MovieClip | Uses:10 237 14 15 | Used by:Timeline |
Symbol 239 Graphic | Used by:249 | |
Symbol 240 Graphic | Used by:249 | |
Symbol 241 Graphic | Used by:249 | |
Symbol 242 Graphic | Used by:249 | |
Symbol 243 Graphic | Used by:249 | |
Symbol 244 Sound | Used by:249 | |
Symbol 245 Graphic | Used by:249 | |
Symbol 246 Graphic | Used by:249 | |
Symbol 247 Graphic | Used by:249 | |
Symbol 248 Graphic | Used by:249 | |
Symbol 249 MovieClip | Uses:239 240 241 242 243 244 245 246 247 248 | Used by:Timeline |
Symbol 250 Graphic | Used by:Timeline | |
Symbol 251 EditableText | Uses:77 | Used by:Timeline |
Symbol 252 Graphic | Used by:259 | |
Symbol 253 Graphic | Used by:257 | |
Symbol 254 Graphic | Used by:257 | |
Symbol 255 Graphic | Used by:257 | |
Symbol 256 Graphic | Used by:257 | |
Symbol 257 MovieClip | Uses:15 253 254 255 256 | Used by:259 262 |
Symbol 258 Graphic | Used by:259 | |
Symbol 259 MovieClip | Uses:252 10 14 257 258 | Used by:Timeline |
Symbol 260 Sound | Used by:Timeline | |
Symbol 261 Graphic | Used by:Timeline | |
Symbol 262 MovieClip | Uses:10 257 14 | Used by:Timeline |
Symbol 263 Sound | Used by:Timeline | |
Symbol 264 EditableText | Uses:77 | Used by:Timeline |
Symbol 265 Graphic | Used by:Timeline | |
Symbol 266 Sound | Used by:Timeline | |
Symbol 267 Graphic | Used by:Timeline | |
Symbol 268 EditableText | Uses:77 | Used by:Timeline |
Symbol 269 Sound | Used by:Timeline | |
Symbol 270 Graphic | Used by:Timeline | |
Symbol 271 EditableText | Uses:77 | Used by:Timeline |
Symbol 272 Sound | Used by:Timeline | |
Symbol 273 EditableText | Uses:77 | Used by:Timeline |
Symbol 274 Sound | Used by:Timeline | |
Symbol 275 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 276 EditableText | Uses:77 | Used by:Timeline |
Symbol 277 Sound | Used by:Timeline | |
Symbol 278 EditableText | Uses:77 | Used by:Timeline |
Symbol 279 Sound | Used by:Timeline | |
Symbol 280 EditableText | Uses:77 | Used by:Timeline |
Symbol 281 Sound | Used by:Timeline | |
Symbol 282 Graphic | Used by:Timeline | |
Symbol 283 EditableText | Uses:77 | Used by:Timeline |
Symbol 284 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 285 EditableText | Uses:77 | Used by:Timeline |
Symbol 286 Sound | Used by:Timeline | |
Symbol 287 EditableText | Uses:77 | Used by:Timeline |
Symbol 288 Sound | Used by:Timeline | |
Symbol 289 Graphic | Used by:290 | |
Symbol 290 MovieClip | Uses:11 289 | Used by:Timeline |
Symbol 291 Graphic | Used by:Timeline | |
Symbol 292 EditableText | Uses:77 | Used by:Timeline |
Symbol 293 Sound | Used by:Timeline | |
Symbol 294 EditableText | Uses:77 | Used by:Timeline |
Symbol 295 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 296 EditableText | Uses:77 | Used by:Timeline |
Symbol 297 Sound | Used by:Timeline | |
Symbol 298 EditableText | Uses:77 | Used by:Timeline |
Symbol 299 Sound | Used by:Timeline | |
Symbol 300 EditableText | Uses:77 | Used by:Timeline |
Symbol 301 EditableText | Uses:77 | Used by:Timeline |
Symbol 302 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 303 EditableText | Uses:77 | Used by:Timeline |
Symbol 304 EditableText | Uses:77 | Used by:Timeline |
Symbol 305 Sound | Used by:Timeline | |
Symbol 306 EditableText | Uses:77 | Used by:Timeline |
Symbol 307 Sound | Used by:Timeline | |
Symbol 308 Sound | Used by:Timeline | |
Symbol 309 Graphic | Used by:310 | |
Symbol 310 MovieClip | Uses:11 233 309 | Used by:Timeline |
Symbol 311 EditableText | Uses:77 | Used by:Timeline |
Symbol 312 Sound | Used by:Timeline | |
Symbol 313 EditableText | Uses:77 | Used by:Timeline |
Symbol 314 EditableText | Uses:77 | Used by:Timeline |
Symbol 315 Sound | Used by:Timeline | |
Symbol 316 Sound | Used by:Timeline | |
Symbol 317 EditableText | Uses:77 | Used by:Timeline |
Symbol 318 Sound | Used by:Timeline | |
Symbol 319 Graphic | Used by:Timeline | |
Symbol 320 Graphic | Used by:Timeline | |
Symbol 321 Graphic | Used by:324 326 | |
Symbol 322 Graphic | Used by:324 326 | |
Symbol 323 Graphic | Used by:324 | |
Symbol 324 MovieClip | Uses:321 322 323 | Used by:326 |
Symbol 325 Graphic | Used by:326 | |
Symbol 326 Button | Uses:324 325 321 322 | Used by:Timeline |
Symbol 327 Graphic | Used by:Timeline | |
Symbol 328 EditableText | Uses:77 | Used by:Timeline |
Symbol 329 Sound | Used by:Timeline | |
Symbol 330 EditableText | Uses:77 | Used by:Timeline |
Symbol 331 Sound | Used by:Timeline | |
Symbol 332 Graphic | Used by:Timeline | |
Symbol 333 Sound | Used by:Timeline | |
Symbol 334 EditableText | Uses:77 | Used by:Timeline |
Symbol 335 Graphic | Used by:Timeline | |
Symbol 336 EditableText | Uses:77 | Used by:Timeline |
Symbol 337 Sound | Used by:Timeline | |
Symbol 338 Graphic | Used by:Timeline | |
Symbol 339 Graphic | Used by:342 | |
Symbol 340 Graphic | Used by:342 | |
Symbol 341 Graphic | Used by:342 | |
Symbol 342 MovieClip | Uses:339 340 341 | Used by:Timeline |
Symbol 343 EditableText | Uses:77 | Used by:Timeline |
Symbol 344 Sound | Used by:Timeline | |
Symbol 345 Graphic | Used by:Timeline | |
Symbol 346 Graphic | Used by:Timeline | |
Symbol 347 EditableText | Uses:77 | Used by:Timeline |
Symbol 348 Sound | Used by:Timeline | |
Symbol 349 Graphic | Used by:353 | |
Symbol 350 Graphic | Used by:353 | |
Symbol 351 Graphic | Used by:353 | |
Symbol 352 Graphic | Used by:353 | |
Symbol 353 MovieClip | Uses:349 350 351 352 | Used by:Timeline |
Symbol 354 Graphic | Used by:Timeline | |
Symbol 355 Graphic | Used by:359 Timeline | |
Symbol 356 Graphic | Used by:359 Timeline | |
Symbol 357 Graphic | Used by:359 | |
Symbol 358 Graphic | Used by:359 | |
Symbol 359 MovieClip | Uses:357 355 356 358 | Used by:Timeline |
Symbol 360 Graphic | Used by:364 | |
Symbol 361 Graphic | Used by:364 | |
Symbol 362 Graphic | Used by:363 | |
Symbol 363 MovieClip | Uses:362 | Used by:364 |
Symbol 364 MovieClip | Uses:360 361 363 | Used by:Timeline |
Symbol 365 EditableText | Uses:77 | Used by:Timeline |
Symbol 366 Sound | Used by:Timeline | |
Symbol 367 Graphic | Used by:Timeline | |
Symbol 368 EditableText | Uses:75 | Used by:Timeline |
Symbol 369 EditableText | Uses:75 | Used by:Timeline |
Symbol 370 EditableText | Uses:75 | Used by:Timeline |
Symbol 371 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 372 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 373 EditableText | Uses:75 | Used by:Timeline |
Symbol 374 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 375 EditableText | Uses:77 | Used by:Timeline |
Symbol 376 EditableText | Uses:75 | Used by:Timeline |
Symbol 377 EditableText | Uses:75 | Used by:Timeline |
Symbol 378 EditableText | Uses:75 | Used by:Timeline |
Symbol 379 EditableText | Uses:75 | Used by:Timeline |
Symbol 380 EditableText | Uses:75 | Used by:Timeline |
Symbol 381 Graphic | Used by:Timeline | |
Symbol 382 EditableText | Uses:75 | Used by:Timeline |
Symbol 383 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 384 EditableText | Uses:77 | Used by:Timeline |
Symbol 385 Sound | Used by:Timeline | |
Symbol 386 EditableText | Uses:77 | Used by:Timeline |
Symbol 387 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 388 EditableText | Uses:77 | Used by:Timeline |
Symbol 389 Sound | Used by:Timeline | |
Symbol 390 EditableText | Uses:77 | Used by:Timeline |
Symbol 391 Sound | Used by:Timeline | |
Symbol 392 EditableText | Uses:77 | Used by:Timeline |
Symbol 393 Sound | Used by:Timeline | |
Symbol 394 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 395 EditableText | Uses:77 | Used by:Timeline |
Symbol 396 Sound | Used by:Timeline | |
Symbol 397 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 398 EditableText | Uses:77 | Used by:Timeline |
Symbol 399 Sound | Used by:Timeline | |
Symbol 400 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 401 EditableText | Uses:77 | Used by:Timeline |
Symbol 402 Sound | Used by:Timeline | |
Symbol 403 EditableText | Uses:77 | Used by:Timeline |
Symbol 404 Sound | Used by:Timeline | |
Symbol 405 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 406 EditableText | Uses:77 | Used by:Timeline |
Symbol 407 Sound | Used by:Timeline | |
Symbol 408 EditableText | Uses:77 | Used by:Timeline |
Symbol 409 Sound | Used by:Timeline | |
Symbol 410 Graphic | Used by:Timeline | |
Symbol 411 Graphic | Used by:412 | |
Symbol 412 MovieClip | Uses:11 411 13 | Used by:Timeline |
Symbol 413 EditableText | Uses:77 | Used by:Timeline |
Symbol 414 Sound | Used by:Timeline | |
Symbol 415 EditableText | Uses:77 | Used by:Timeline |
Symbol 416 Sound | Used by:Timeline | |
Symbol 417 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 418 EditableText | Uses:77 | Used by:Timeline |
Symbol 419 Sound | Used by:Timeline | |
Symbol 420 EditableText | Uses:77 | Used by:Timeline |
Symbol 421 Sound | Used by:Timeline | |
Symbol 422 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 423 EditableText | Uses:77 | Used by:Timeline |
Symbol 424 Sound | Used by:Timeline | |
Symbol 425 EditableText | Uses:77 | Used by:Timeline |
Symbol 426 Sound | Used by:Timeline | |
Symbol 427 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 428 EditableText | Uses:77 | Used by:Timeline |
Symbol 429 Sound | Used by:Timeline | |
Symbol 430 EditableText | Uses:77 | Used by:Timeline |
Symbol 431 Sound | Used by:Timeline | |
Symbol 432 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 433 EditableText | Uses:77 | Used by:Timeline |
Symbol 434 Sound | Used by:Timeline | |
Symbol 435 Font | Used by:436 465 | |
Symbol 436 Text | Uses:77 435 | Used by:Timeline |
Symbol 437 Sound | Used by:Timeline | |
Symbol 438 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 439 EditableText | Uses:77 | Used by:Timeline |
Symbol 440 Sound | Used by:Timeline | |
Symbol 441 EditableText | Uses:77 | Used by:Timeline |
Symbol 442 Sound | Used by:Timeline | |
Symbol 443 EditableText | Uses:77 | Used by:Timeline |
Symbol 444 Sound | Used by:Timeline | |
Symbol 445 EditableText | Uses:77 | Used by:Timeline |
Symbol 446 Sound | Used by:Timeline | |
Symbol 447 EditableText | Uses:77 | Used by:Timeline |
Symbol 448 Sound | Used by:Timeline | |
Symbol 449 EditableText | Uses:77 | Used by:Timeline |
Symbol 450 Sound | Used by:Timeline | |
Symbol 451 EditableText | Uses:77 | Used by:Timeline |
Symbol 452 Sound | Used by:Timeline | |
Symbol 453 EditableText | Uses:77 | Used by:Timeline |
Symbol 454 Sound | Used by:Timeline | |
Symbol 455 EditableText | Uses:77 | Used by:Timeline |
Symbol 456 Sound | Used by:Timeline | |
Symbol 457 EditableText | Uses:77 | Used by:Timeline |
Symbol 458 EditableText | Uses:77 | Used by:Timeline |
Symbol 459 Sound | Used by:Timeline | |
Symbol 460 Graphic | Used by:Timeline | |
Symbol 461 Graphic | Used by:Timeline | |
Symbol 462 Button | Uses:110 113 111 112 | Used by:Timeline |
Symbol 463 EditableText | Uses:77 | Used by:Timeline |
Symbol 464 EditableText | Uses:77 | Used by:Timeline |
Symbol 465 Text | Uses:77 435 | Used by:Timeline |
Symbol 466 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 467 EditableText | Uses:77 | Used by:Timeline |
Symbol 468 Sound | Used by:Timeline | |
Symbol 469 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 470 EditableText | Uses:77 | Used by:Timeline |
Symbol 471 Sound | Used by:Timeline | |
Symbol 472 EditableText | Uses:77 | Used by:Timeline |
Symbol 473 Sound | Used by:Timeline | |
Symbol 474 EditableText | Uses:77 | Used by:Timeline |
Symbol 475 Sound | Used by:Timeline | |
Symbol 476 EditableText | Uses:77 | Used by:Timeline |
Symbol 477 Sound | Used by:Timeline | |
Symbol 478 EditableText | Uses:77 | Used by:Timeline |
Symbol 479 EditableText | Uses:77 | Used by:Timeline |
Symbol 480 Sound | Used by:Timeline | |
Symbol 481 Sound | Used by:Timeline | |
Symbol 482 EditableText | Uses:77 | Used by:Timeline |
Symbol 483 Sound | Used by:Timeline | |
Symbol 484 EditableText | Uses:77 | Used by:Timeline |
Symbol 485 Sound | Used by:Timeline | |
Symbol 486 EditableText | Uses:77 | Used by:Timeline |
Symbol 487 Sound | Used by:Timeline | |
Symbol 488 EditableText | Uses:77 | Used by:Timeline |
Symbol 489 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 490 EditableText | Uses:77 | Used by:Timeline |
Symbol 491 Sound | Used by:Timeline | |
Symbol 492 Button | Uses:211 212 213 214 | Used by:Timeline |
Symbol 493 EditableText | Uses:77 | Used by:Timeline |
Symbol 494 Sound | Used by:Timeline | |
Symbol 495 EditableText | Uses:77 | Used by:Timeline |
Symbol 496 EditableText | Uses:77 | Used by:Timeline |
Symbol 497 Sound | Used by:Timeline | |
Symbol 498 EditableText | Uses:77 | Used by:Timeline |
Symbol 499 Sound | Used by:Timeline |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"loop5" | Frame 53 |
"load1" | Frame 62 |
"load2" | Frame 69 |
"video" | Frame 76 |
"vidreview" | Frame 82 |
"load3" | Frame 93 |
"load4" | Frame 100 |
"load7" | Frame 218 |
"t1" | Frame 228 |
"loop1" | Frame 231 |
"t1go" | Frame 238 |
"t2" | Frame 242 |
"loop2" | Frame 246 |
"t2go" | Frame 254 |
"t3" | Frame 259 |
"loop3" | Frame 263 |
"t3go" | Frame 271 |
"q1" | Frame 279 |
"q2" | Frame 283 |
"q3" | Frame 287 |
"q3a" | Frame 292 |
"q4" | Frame 298 |
"q5" | Frame 303 |
"q6" | Frame 308 |
"q7" | Frame 313 |
"q8" | Frame 318 |
"q9" | Frame 323 |
"q10" | Frame 328 |
"q11" | Frame 333 |
"q12" | Frame 338 |
"q13" | Frame 343 |
"q14" | Frame 348 |
"q15" | Frame 353 |
"q15a" | Frame 358 |
"q16" | Frame 364 |
"q17" | Frame 369 |
"q18" | Frame 374 |
"q19" | Frame 379 |
"start" | Frame 415 |
"mk1" | Frame 708 |
"loop11" | Frame 831 |
"mk2" | Frame 847 |
"loop12" | Frame 947 |
"mk3" | Frame 956 |
"loop13" | Frame 1077 |
"mk4" | Frame 1098 |
"loop14" | Frame 1183 |
"mk4a" | Frame 1192 |
"end1" | Frame 1488 |
"end2" | Frame 1495 |
"end3" | Frame 1502 |
"end4" | Frame 1509 |
"end5" | Frame 1515 |
"end6" | Frame 1521 |
"mk4b" | Frame 1550 |
"loop16" | Frame 1578 |
"mk5" | Frame 1586 |
"mk6" | Frame 1707 |
"mk7" | Frame 1756 |
"mk8" | Frame 1799 |
"mk9" | Frame 1922 |
"mk10" | Frame 2134 |
"mk11" | Frame 2230 |
"mk12" | Frame 2300 |
"mk13" | Frame 2382 |
"mk14" | Frame 2550 |
"mk15" | Frame 2600 |
"mk16" | Frame 2762 |
"mk16a" | Frame 2835 |
"mk17" | Frame 2884 |
"mk18" | Frame 2934 |
"mk19" | Frame 3081 |
"mk20" | Frame 3164 |
"mk21" | Frame 3286 |
"mk22" | Frame 3404 |
"mk23" | Frame 3491 |
"mk24" | Frame 3551 |
"mk25" | Frame 3669 |
"mk26" | Frame 3727 |
"mk27" | Frame 3820 |
|