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Loading Ambition |
Ambition will begin playing once 30 percent has loaded into your computer. This will take about two minutes with a 56k modem. |
PLAY AMBITION |
Episode #4 "The Tryst" Part 1 Written & directed by Michael Gibson Featuring the voices of Lisa Brown, Allan Stitt and Michael Gibson Executive Producer - Allan J. Stitt Associate Producers - Frank Handy & Lisa Feld (c)2003 Zapdramatic Inc. |
Dr. Raleigh, would you kindly tell the court the result of your psychological assessment. |
I found him to be suffering from delusions. |
Who? |
He believes that his so- called "God" intervened with a mattress truck and… |
That man. |
Who was suffering from delusions? |
I am NOT suffering from delusions you parochial quack!!! |
Ted be quiet! |
I'm just a wretched pawn in your game, Mister and I'm not playing!!! |
Do not use those bourgeois, ignorant contemptuous tones about a blessed miracle! |
She's twisted what I said the sanctimonious sally! |
Ted, please!!! |
You're fired! |
This is a sham! I am the victim here!!! |
COURT SERVICES |
"With each turn of fate the circumstances, like tumblers in a lock, are falling into place and will release my most horrifying potential." |
Order! The prisoner will refrain--- |
Bailiff, remove the prisoner. |
Ok, punk. Let's take a walk. |
If you make me come in and drag you out, I'm gonna be a very unhappy camper. |
Do you know what happens to prisoners of an unhappy camper? |
Yale and Angie are drawn by forces beyond their control to a late night meeting which will have grave consequences for both of them. The outcome is predetermined and there is nothing you can do about it. |
A brutal murder is about to take place. |
A brutal murder is about to take place. Yale and Angie are drawn by forces beyond their control to a late night meeting which will have grave consequences for both of them. The outcome is predetermined and there is nothing you can do about it. |
Continue |
Your challenge will be to help either Yale or Angie conduct themselves in such a way that at the end of the day, they can say in good conscience that they acted with courage and conviction to do the right thing. |
Please choose to advise either Yale or Angie by clicking one of the buttons above. |
Advise Yale |
Advise Angie |
Unfortunately, the Yale negotiation has not yet loaded onto your computer. You can wait, or you can negotiate with Angie or you can go back and play the earlier scenes again while the negotiation loads. |
Negotiate with Angie |
Replay beginning |
Unfortunately, the Angie and Yale negotiations have not yet loaded onto your computer. You can wait, or you can go back and play the earlier scenes again while the negotiations load. |
POLICE |
SKIP |
Yale and I've been getting to know each other exponentially in the past few weeks. Now we've arrived at a cross road. |
As you know, he's married to that, "princess" Helen whose father is the senior partner in his law firm. |
Yale's told me he wants to leave her but he doesn't want to annoy the old man. I understand that but Yale's a good lawyer. |
I'm sure the old man would get over it. I'm not interested in being a mistress. |
I'm at a point in my life where I'm ready to have a child. I think Yale would make a great father. |
So, tonight, I want him to leave his wife and move in with me. What do you think? |
Hint |
Ask her why she's chosen a married man. Suggest she seduce him and when she's got him begging for it insist that she will go no further unless he takes off his wedding ring and throws it out the window. Tell her she's behaving like a home- wrecking tart and she should forget about Yale and set her sights on an un-married man. |
How do you reply? |
Unfortunately you have passed the point of no return. |
Start Again |
Ask if she thinks he loves her. Tell her she's in way too deep and she should just walk away. Ask if she has the patience to wait until he becomes available. Ask what love means to her. |
Say "Exactly. Men have to be pushed. " If she succeeds in getting him to toss his ring, he will have crossed the point of no return and he will be hers. Ask if she thinks he loves her. |
Ask how she knows. Ask what love means to her. |
Tell her if Yale and her are meant to be together, she should wait. Tell her it's the hardest thing to walk away. Marriage is sacred. |
Ask her why not. Tell her "Love is patient and kind" If Yale and her are meant to be together she should wait. Ask what love means to her. |
Say true love makes you feel good in side. It gives you an inner peace. Say you don't know the answer to that question. Ask what love means to her. |
Tell her you believe love is patient and kind and that if she and Yale were meant to be together she should wait. Say if she believes that then she should seduce him and make him toss his wedding ring out the window. Once he's done that he will be hers. |
Tell her good men are made by strong women. Yale will make her miserable and never commit unless she makes him do it. Tell her you believe love is patient and kind and that if she and Yale were meant to be together she should wait. Suggest she will probably feel a lot better if she walks away from him. There are plenty of fish in the sea. |
Tell her you believe love is patient and kind and that if she and Yale were meant to be together she should wait. Ask if she believes that he loves her. Ask if she thinks Yale is happy with the way things are. |
Say sadly it probably isn't. Suggest she will probably feel a lot better if she walks away from him. There are plenty of fish in the sea. |
Suggest if he does that she'll know he's scum and she should walk away and never give him a second thought. Ask if she thinks he might do that? |
Suggest she will probably feel a lot better if she walks away from him. There are plenty of fish in the sea. Suggest that she seduce him and make him toss his wedding ring out the window. Once he's done that he will be hers. Suggest that she seems to you to be a strong smart woman about to make a fool of herself. Ask if she believes that he loves her. |
Congratulate her and ask why she hasn't told him about it. Ask if she thinks it wise to make him commit before telling him about the pregnancy. Take her hand and tell her you now understand the dilemma that she is in and promise that you will see her through this. |
Yes, he should be part of her decision. No the decision is hers alone. |
Tell her a life-long commitment of marriage should not be forced by an un-expected pregnancy. Ask her what she thinks she should do. Ask her what she wants to do. Say no you believe abortion is murder. |
Tell her she's wise not to tell him anything until she knows whether he's prepared to make a real commitment to her. Tell her it's important that she meet with him now be honest and take control. Tell her she should drop the bomb and see how he reacts. If he's happy, she should pursue her marriage plans and if he's not she should dump him |
Tell her because she may force his hand in the wrong direction. He might flee. Say you sympathize with her predicament but don't know the answer. Say if that's what she feels most comfortable with then she should do it. |
I didn't intentionally choose a married man. We started simply as colleagues and then became friends. |
He has a beautiful smile and a sharp mind. I like being with him. |
He's the first man I've met that makes me not feel alone. I love him. |
That's a high-school trick. We all know a man will do or say anything to get his way at that point. |
Yes. |
If I were to walk away right now, I might regret it for the rest of my life. What if, after that, nothing better shows up? |
Yale and I are capable of doing great things together. |
There are no children involved in his marriage with Helen. And they don't love each other. We only have one life. |
No. |
Well. maybe I don't know if he loves me. Maybe that's the problem. I know that I'm falling in love with him and I'm afraid maybe he doesn't love me. |
How do you know if somebody loves you? |
Love is a life force. It fires you up in your center and gives you ambition and confidence. |
It makes you able to see opportunity where others only see problems. |
To be without love is to be without blood. You become weak, anemic and slowly die. |
I tried that. He got so cross with me and said he couldn't do that because Helen would notice right away and the roof would come down. |
That's matinee drivel. I believe in tough love, action and hard work. |
If I sat around and waited for Yale I'd have as much hope as winning the lottery. |
You are wrong and I don't have any confidence in your experience or advice. Ciao. |
Unfortunately you lost Angie's confidence. When dealing with matters of a moral nature you risk alienating the other person if you inject your views. It is best not to share your views unless asked and even then it can be destructive to the negotiation. Remember, your objective here is simply to help Angie make a decision that she will not regret. Start your negotiation again Make a comment Play the next episode |
I think marriage should be sacred but it isn't. It would be sacred if people entered into it with a lot more gravity than most people do. |
I blame society, I blame the churches. |
Your advice is hopelessly idealistic and naïve and not grounded in real experience. Ciao. |
Unfortunately you have lost Angie's confidence. We are often tempted to offer advice based on how we think the world should be rather than how it is. The moral high ground is an objective not a starting point. If you believe you are standing on the moral high ground, chances are you are alone and humanity is moving on without you. If you are interested in Angie and her dilemma then you'll have to climb down and get dirty with the way things are. By all means have a dream of how you would like to change the world but if you want to live that dream you'll need to give Angie some practical advice upon which she can ACT. Start your negotiation again Make a comment Play the next episode of Ambition |
Because I love him. How long would you wait? |
Well, I certainly don't feel an inner peace. Far from it. So are you saying that our love isn't true? |
Well you're not much help, are you? I sense an icy detachment. Don't judge me lest you too be judged. Ciao. |
You essentially gave up on Angie. She felt it and decided to go it alone. Remember your objective is to help her make a decision that she will not regret. Try to help her think her dilemma through. Start your negotiation again Make a comment Play the next episode of Ambition |
That may be true but once he gets his way with me, what would stop him from running outside, grabbing his ring and putting it back on? |
Oh boy is that ever easy for you to say. I bet you've never gone out on a limb for anyone in your entire life. |
You are too cold. I can't listen anymore. |
While your advice may have been very good, it was not welcome. Your objective is to help Angie make a decision that she will not regret. It is dangerous in this type of negotiation to prescribe a course of action. Start your negotiation again Make a comment Play the next episode of Ambition |
Yes! It's possible. I don't know. I need him to make a more decisive gesture. I need him to leave Helen and move in with me. |
I won't accept anything less. You're not much help. Ciao. |
You're definitely on the right track here. You hit a nerve but you had not invested enough in Angie to give her the confidence to work it through with you. Work on establishing a friendly non-judgmental rapport with her. Start your negotiation again Make a comment Play the next episode of Ambition |
Yes, I'm afraid he is. I need him to make a decisive gesture tonight. |
You're right but you see I have a problem. I'm pregnant. He's the father but he doesn't know anything about it. |
What do you think? Should I tell him? |
Are you suggesting that I have an abortion? |
I'm going to tell him. I'm just not sure how he's going to react. |
Geez, you know, you're no help at all. Ciao. |
Angie has told you that she is pregnant. She is terribly confused and full of doubt. Most of all she is afraid. Try to find a course of action that will offer her comfort and help her clarify her own thoughts. |
Go back to where she trusts you. |
Start the negotiation over from the begining. Play the next episode of Ambition |
Make a comment |
Why don't you think I should just drop the bomb and force his hand? |
Alright, I will. Thank you so much for helping me work this out. Here goes. |
No, that's stupid. This situation requires a great deal more finesse then I think you're capable of appreciating. |
Thanks for your help but I've got to do this on my own. |
You suggested a course of action that put her fate totally in the hands of Yale in such a way that discounted the possibility that Yale may not make the right decision in the heat of the moment. Angie realizes that Yale is not a paragon of wisdom and rightly believes that a certain amount of finesse and presentation is in order to help Yale make a decision that he and she will not regret. |
Start the negotiation over from the begining. Play the next episode of Amition |
I'm in a difficult spot here. I really like Angie. She's a major babe: |
beautiful, smart, sexy and when I'm with her... |
I feel like a tiger, you know what I mean. |
Anyway, the problem is, well, I think, two things: One, I think she's trying to get serious and, two... |
I'm already married to my boss's daughter. |
You've met Helen, she's a major pain in the ass but I don't want to rock the boat until I make partner. |
But I don't want to blow Angie off either. |
So it's tricky and if you can suggest a winning strategy, I'm all ears. |
How do you reply? |
Tell him that he is playing with fire and he should break it off with Angie. Ask him why he can't just carry on the way he is going. Ask if he thinks Angie would dump him if he lost his current job. |
Ask if he thinks Angie would dump him if he lost his current job. Suggest that he should then tell Helen that he wants a divorce and move out to his own apartment. Ask if he thinks it's fair to Angie to string her along. |
Tell him that he is playing with fire and he should break it off with Angie. Ask what's more important. True love or career. Ask if he really wants to be with a woman who would ask him to do such a thing. |
Ask if he thinks she would dump him if he lost his current job. Ask if he thinks she would dump him if he told her she had to wait. Suggest that he should then tell Helen that he wants a divorce and move out to his own apartment. Ask if he shouldn't be looking out for number 1 right now even if that means giving Angie the boot. |
Suggest he should have more confidence in his own ability. If he's good the old man won't fire him and if he does he could get another job. Ask if he thinks Angie would dump him if he lost his current job. Ask if he thinks Angie would dump him if he told her she had to wait. |
Ask if he thinks she would dump him if he lost his current job. Ask if he thinks she would dump him if he told her she had to wait. Suggest that sounds very egotistical and if he truly cared about her he would tell her their relationship was doomed. |
Ask if he thinks Angie would dump him if he lost his current job. Ask if he thinks Angie would dump him if he told her she had to wait. Ask how he would feel if she told him she was pregnant. |
Suggest he should have more confidence in his own ability. If he's good the old man won't fire him and if he does he could get another job. Ask how he would feel if she told him she was pregnant? Tell him you think it would be egotistical for him to tell her anything but that her relationship with him is doomed. |
Tell him it wouldn't be the first time a man was railroaded into marriage and he should think about it before it's too late. Ask if it would be such a bad thing to become a father? Tell him if he's not prepared to go there then he should tell her their relationship is doomed. |
Ask if he thinks she would dump him if he lost his current job. Ask how he would feel if she told him she were pregnant. Ask if being with Angie now will help or hinder his prospects. Suggest that he should then tell Helen that he wants a divorce and move out to his own apartment. |
Ask what he thinks would happen. Ask how he would feel if Angie told him she was pregnant. Ask him about his plans for the future. |
Ask if he expects Angie to wait for him until he makes partner. Ask him if he thinks he doesn't have what it takes to be successful on his own without the patronage of his father in law. Ask what would happen if he learned Angie was pregnant. |
Tell him the best thing would be for him to tell her the truth and break off the relationship until the old man dies. Tell him if he should forget about Angie, stick by the old man and go to marriage counseling with Helen. Tell him he's playing a high stakes game with Angie and he shouldn't be too sure she's not holding an ace like pregnancy to force his hand. |
Ask if he intends to take the old man's estate, whether he owes it to him to at least make an effort to save the marriage of his only daughter. Say his best plan is to tell Angie the truth and ask her to give him some space until the old man dies and marry her after that. Tell him he's playing a high stakes game with Angie and he shouldn't be too sure she's not holding an ace like pregnancy to force his hand. |
I know I'm playing with fire but I love Angie. I don't want to break it off. |
Because she's putting the screws to me. The last time we met she wanted me to take off my wedding ring and throw it out the window. |
When I refused she got cross and walked out. |
Both are important. Let's face it, part of the reason that Angie is attracted to me is that I'm a successful lawyer with real career prospects. |
I can't do that. |
Helen would freak. She's vindictive. She'd go straight to Daddy and I'd be out on the street in no time. |
Is it fair to deny her the pleasure we share together just because I'm in a difficult spot? |
No not really. But I can understand why she did it. She's a passionate woman and I'm attracted to that. |
Yes, I think she'd dump me if I made her wait or if I lost my job. She's a passionate woman who wants a man right now who is a winner. |
Oh no! I don't even want to go there. That would be too much! |
I don't see why looking out for number 1 means giving her the boot. I know there're plenty of fish in the sea but she's a beaut. |
That's a good question. I don't know. If Helen caught me with Angie that would certainly not help my prospects. |
I want to make partner. The old man's got a fierce practice and one day it'll be mine if I play my cards right. |
The old man is sick with prostate cancer. The doctors say he's got six months to a year at best. |
Once he's gone, I'm in charge. |
He's been really good to me so the last thing I want to do is upset him in his dying hour. So, yes I do expect her to wait. |
Ha ha, that's pretty funny. Marriage counseling with Helen is like going to cooking school with cannibals. |
You're right. I do owe the old man and he'd be devastated if he knew I was dumping his daughter. |
Helen's a piece of work but I did love her once. Maybe I'm partly responsible for making her into the monster that she's become. |
You're right. I'll call her right now and tell her I want our marriage to work and suggest we go to counseling. |
Hello? |
Hello, me. |
What? |
Say it again. |
Oh Yale, that's the most romantic thing you've said in years. |
Don't move. I'm coming right down! |
Darling, it's me. |
I've been thinking a lot about us and I think we should go to marriage counselling. |
Hello? Helen? |
Did you hear what I said? |
I want to save our marriage, Helen. I think we need to see someone. |
I love you. |
Somebody is about to become a murderer. Somebody is about to die. Find out who, why and how ... In Part 2 of "The Tryst - A Woman Scorned" Go: Available now to Zap Members and July 1 to everyone else. Play from the other character's point of view. Play again from the beginning. Make a comment. |
You are very naïve, my friend. |
More than half of my graduating class at law school are stuck in jobs paying half of what I make now |
and most of them will never make partner in a firm as good as this. |
There's lots of talent out there but what I've got is a kick-ass opportunity and I'm not about to blow it. |
I've got ambition. See ya. |
You were not wrong to pursue that tactic. In so doing you have learned some very important information about Yale and his perception of his reality. Now you can go back with this knowledge and try again. |
Make a comment Play the next episode of Ambition |
Listen to me, friend, |
I've got a rare combination of good cards: brains, brawn and opportunity. |
That makes me very attractive not only to women but also to people with power. |
When you stand in my shoes, the normal rules don't apply. You go ahead and live your normal medium bourgeois life. |
I've got one life and I've got Ambition. My sights are set on something more exciting. See ya. |
Angie is way too smart and way too careful to pull a stunt like that. |
You're obviously the type to take the most boring path just because it has fewer risks. |
If I were to decide not to do something just because I could fail, I wouldn't get anywhere. |
I certainly wouldn't be where I am right now. |
Are you out of your mind??!!! |
I have ambition, friend and this conversation is |
Over!!! |
That assumes a certain sang froid that I'm not sure I'm comfortable with. |
What about loyalty? |
Don't you think if I'm going to inherit the mantle that the old man spent his life creating that I should show him a little gratitude? |
He'd be sickened to know his protégé took everything and then tossed out his only daughter before his body was even cold in the grave. |
I don't like your advice. See ya. |
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}Symbol 497 Buttonon (release) { gotoAndPlay (7147); }Symbol 500 Buttonon (release) { gotoAndPlay (8814); }Symbol 501 Buttonon (release) { gotoAndPlay (9064); }Symbol 503 Buttonon (release) { gotoAndPlay (7288); }Symbol 505 Buttonon (release) { gotoAndPlay (6813); }Symbol 506 Buttonon (release) { gotoAndPlay (7367); }Symbol 508 Buttonon (release) { gotoAndPlay (7439); }Symbol 510 Buttonon (release) { gotoAndPlay (9178); }Symbol 511 Buttonon (release) { gotoAndPlay (7619); }Symbol 513 Buttonon (release) { gotoAndPlay (7705); }Symbol 514 Buttonon (release) { gotoAndPlay (5848); }Symbol 515 Buttonon (release) { gotoAndPlay (6364); }Symbol 518 Buttonon (release) { gotoAndPlay (6374); }Symbol 522 Buttonon (release) { gotoAndPlay (6383); }Symbol 525 Buttonon (release) { gotoAndPlay (6392); }Symbol 531 Buttonon (release) { gotoAndPlay (6403); }Symbol 534 Buttonon (release) { gotoAndPlay (6412); }Symbol 537 Buttonon (release) { gotoAndPlay (6421); }Symbol 540 Buttonon (release) { gotoAndPlay (6429); }Symbol 543 Buttonon (release) { gotoAndPlay (6439); }Symbol 546 Buttonon (release) { gotoAndPlay (6448); }Symbol 549 Buttonon (release) { gotoAndPlay (6458); }Symbol 552 Buttonon (release) { gotoAndPlay (6467); }Symbol 560 Buttonon (release) { gotoAndPlay (6476); }Symbol 607 MovieClip Frame 1stop();Symbol 607 MovieClip Frame 11stopAllSounds();Symbol 607 MovieClip Frame 31tellTarget ("/") { play(); };Symbol 607 MovieClip Frame 32stop();Symbol 607 MovieClip Frame 52tellTarget ("/") { play(); };Symbol 607 MovieClip Frame 53stop();Symbol 607 MovieClip Frame 64tellTarget ("/") { play(); };Symbol 607 MovieClip Frame 65stop();Symbol 607 MovieClip Frame 86tellTarget ("/") { play(); };Symbol 607 MovieClip Frame 87stop();Symbol 607 MovieClip Frame 101tellTarget ("/") { play(); };Symbol 607 MovieClip Frame 102stop();Symbol 607 MovieClip Frame 147tellTarget ("/") { play(); };Symbol 607 MovieClip Frame 148stop();Symbol 607 MovieClip Frame 176tellTarget ("/") { play(); };Symbol 607 MovieClip Frame 181stop();Symbol 629 Buttonon (release) { gotoAndPlay (1716); }Symbol 630 Buttonon (release) { gotoAndPlay (1); }Symbol 631 Buttonon (release) { getURL ("http://www.zap.ca/ambition4replyfin.htm", "_blank"); }Symbol 632 Buttonon (release) { gotoAndStop (8465); }Symbol 649 Buttonon (release) { gotoAndPlay (5848); }
Library Items
Symbol 1 Font | Used by:2 6 22 | |
Symbol 2 Text | Uses:1 | Used by:4 |
Symbol 3 Graphic | Used by:4 | |
Symbol 4 MovieClip | Uses:2 3 | Used by:Timeline |
Symbol 5 Graphic | Used by:Timeline | |
Symbol 6 Text | Uses:1 | Used by:Timeline |
Symbol 7 Graphic | Used by:Timeline | |
Symbol 8 Graphic | Used by:Timeline | |
Symbol 9 Graphic | Used by:12 | |
Symbol 10 Graphic | Used by:12 | |
Symbol 11 Graphic | Used by:12 | |
Symbol 12 MovieClip | Uses:9 10 11 | Used by:Timeline |
Symbol 13 Graphic | Used by:Timeline | |
Symbol 14 Graphic | Used by:Timeline | |
Symbol 15 Graphic | Used by:17 177 178 183 235 236 252 253 254 255 257 260 262 263 265 267 268 271 272 274 277 279 281 282 283 286 288 289 290 344 345 346 476 477 478 485 486 488 489 491 493 495 497 500 501 503 505 506 508 510 511 513 514 629 630 631 649 | |
Symbol 16 Graphic | Used by:17 177 178 183 235 236 252 253 254 255 257 260 262 263 265 267 268 271 272 274 277 279 281 282 283 286 288 289 290 344 345 346 476 477 478 485 486 488 489 491 493 495 497 500 501 503 505 506 508 510 511 513 514 629 630 631 649 | |
Symbol 17 Button | Uses:15 16 | Used by:Timeline |
Symbol 18 Font | Used by:19 120 208 238 248 | |
Symbol 19 Text | Uses:18 | Used by:Timeline |
Symbol 20 Sound | Used by:Timeline | |
Symbol 21 Graphic | Used by:Timeline | |
Symbol 22 Text | Uses:1 | Used by:Timeline |
Symbol 23 Graphic | Used by:Timeline | |
Symbol 24 Graphic | Used by:Timeline | |
Symbol 25 Graphic | Used by:Timeline | |
Symbol 26 Sound | Used by:Timeline | |
Symbol 27 Graphic | Used by:29 | |
Symbol 28 Graphic | Used by:29 | |
Symbol 29 MovieClip | Uses:27 28 | Used by:Timeline |
Symbol 30 Graphic | Used by:Timeline | |
Symbol 31 Graphic | Used by:Timeline | |
Symbol 32 Font | Used by:33 49 52 55 58 79 94 100 105 108 110 111 113 116 125 137 141 153 156 159 171 172 173 174 175 176 179 180 181 182 184 185 217 219 223 227 229 231 241 246 256 259 261 264 266 269 270 273 275 276 278 280 284 285 287 291 292 294 297 299 302 306 309 311 313 316 319 323 326 328 330 333 336 338 340 343 348 350 352 354 356 359 362 364 366 369 371 373 375 377 379 381 384 389 392 395 398 401 402 403 404 406 409 412 414 416 417 443 449 452 457 459 463 466 469 475 516 519 521 523 526 528 532 535 538 541 544 547 550 553 555 557 562 564 566 569 593 595 597 599 601 603 609 611 613 616 618 620 628 633 635 637 641 644 648 650 651 653 655 657 660 663 665 667 669 671 673 676 678 681 683 685 687 | |
Symbol 33 Text | Uses:32 | Used by:Timeline |
Symbol 34 Sound | Used by:Timeline | |
Symbol 35 Graphic | Used by:Timeline | |
Symbol 36 Graphic | Used by:41 48 54 216 222 226 640 Timeline | |
Symbol 37 Graphic | Used by:41 48 54 216 222 226 Timeline | |
Symbol 38 Graphic | Used by:41 | |
Symbol 39 Graphic | Used by:41 48 54 216 222 226 Timeline | |
Symbol 40 Graphic | Used by:41 | |
Symbol 41 MovieClip | Uses:36 37 38 39 40 | Used by:Timeline |
Symbol 42 Graphic | Used by:Timeline | |
Symbol 43 Graphic | Used by:48 54 Timeline | |
Symbol 44 Graphic | Used by:48 54 | |
Symbol 45 Graphic | Used by:48 54 | |
Symbol 46 Graphic | Used by:48 54 | |
Symbol 47 Graphic | Used by:48 54 | |
Symbol 48 MovieClip | Uses:36 37 43 39 44 45 46 47 | Used by:Timeline |
Symbol 49 Text | Uses:32 | Used by:Timeline |
Symbol 50 Sound | Used by:Timeline | |
Symbol 51 Graphic | Used by:Timeline | |
Symbol 52 Text | Uses:32 | Used by:Timeline |
Symbol 53 Sound | Used by:Timeline | |
Symbol 54 MovieClip | Uses:36 37 43 39 44 45 46 47 | Used by:Timeline |
Symbol 55 Text | Uses:32 | Used by:Timeline |
Symbol 56 Sound | Used by:Timeline | |
Symbol 57 Graphic | Used by:Timeline | |
Symbol 58 Text | Uses:32 | Used by:Timeline |
Symbol 59 Sound | Used by:Timeline | |
Symbol 60 Sound | Used by:Timeline | |
Symbol 61 Graphic | Used by:Timeline | |
Symbol 62 Graphic | Used by:Timeline | |
Symbol 63 Graphic | Used by:Timeline | |
Symbol 64 Graphic | Used by:Timeline | |
Symbol 65 Graphic | Used by:Timeline | |
Symbol 66 Graphic | Used by:Timeline | |
Symbol 67 Graphic | Used by:Timeline | |
Symbol 68 Graphic | Used by:Timeline | |
Symbol 69 Graphic | Used by:73 | |
Symbol 70 Graphic | Used by:73 93 104 Timeline | |
Symbol 71 Graphic | Used by:73 | |
Symbol 72 Graphic | Used by:73 | |
Symbol 73 MovieClip | Uses:69 70 71 72 | Used by:Timeline |
Symbol 74 Graphic | Used by:Timeline | |
Symbol 75 Graphic | Used by:Timeline | |
Symbol 76 Graphic | Used by:98 435 442 448 462 640 Timeline | |
Symbol 77 Graphic | Used by:Timeline | |
Symbol 78 Graphic | Used by:Timeline | |
Symbol 79 Text | Uses:32 | Used by:Timeline |
Symbol 80 Sound | Used by:Timeline | |
Symbol 81 Graphic | Used by:Timeline | |
Symbol 82 Graphic | Used by:93 104 Timeline | |
Symbol 83 Graphic | Used by:98 Timeline | |
Symbol 84 Graphic | Used by:98 Timeline | |
Symbol 85 Graphic | Used by:93 Timeline | |
Symbol 86 Graphic | Used by:93 Timeline | |
Symbol 87 Graphic | Used by:Timeline | |
Symbol 88 Graphic | Used by:93 104 Timeline | |
Symbol 89 Graphic | Used by:Timeline | |
Symbol 90 Graphic | Used by:93 | |
Symbol 91 Graphic | Used by:93 104 | |
Symbol 92 Graphic | Used by:93 104 | |
Symbol 93 MovieClip | Uses:85 70 86 82 90 91 92 88 | Used by:Timeline |
Symbol 94 Text | Uses:32 | Used by:Timeline |
Symbol 95 Sound | Used by:Timeline | |
Symbol 96 Graphic | Used by:98 | |
Symbol 97 Graphic | Used by:98 | |
Symbol 98 MovieClip | Uses:83 76 84 96 97 | Used by:Timeline |
Symbol 99 Sound | Used by:Timeline | |
Symbol 100 Text | Uses:32 | Used by:Timeline |
Symbol 101 Graphic | Used by:104 Timeline | |
Symbol 102 Graphic | Used by:104 Timeline | |
Symbol 103 Graphic | Used by:104 | |
Symbol 104 MovieClip | Uses:101 70 102 82 103 91 92 88 | Used by:Timeline |
Symbol 105 Text | Uses:32 | Used by:Timeline |
Symbol 106 Sound | Used by:Timeline | |
Symbol 107 Graphic | Used by:Timeline | |
Symbol 108 Text | Uses:32 | Used by:Timeline |
Symbol 109 Sound | Used by:Timeline | |
Symbol 110 Text | Uses:32 | Used by:Timeline |
Symbol 111 Text | Uses:32 | Used by:Timeline |
Symbol 112 Sound | Used by:Timeline | |
Symbol 113 Text | Uses:32 | Used by:Timeline |
Symbol 114 Sound | Used by:Timeline | |
Symbol 115 Sound | Used by:Timeline | |
Symbol 116 Text | Uses:32 | Used by:Timeline |
Symbol 117 Sound | Used by:Timeline | |
Symbol 118 Graphic | Used by:Timeline | |
Symbol 119 Graphic | Used by:Timeline | |
Symbol 120 Text | Uses:18 | Used by:Timeline |
Symbol 121 Graphic | Used by:Timeline | |
Symbol 122 Sound | Used by:Timeline | |
Symbol 123 Graphic | Used by:Timeline | |
Symbol 124 Sound | Used by:Timeline | |
Symbol 125 Text | Uses:32 | Used by:Timeline |
Symbol 126 Graphic | Used by:Timeline | |
Symbol 127 Graphic | Used by:Timeline | |
Symbol 128 Graphic | Used by:Timeline | |
Symbol 129 Graphic | Used by:Timeline | |
Symbol 130 Graphic | Used by:136 | |
Symbol 131 Graphic | Used by:136 | |
Symbol 132 Graphic | Used by:136 | |
Symbol 133 Graphic | Used by:136 | |
Symbol 134 Graphic | Used by:136 | |
Symbol 135 Graphic | Used by:136 | |
Symbol 136 MovieClip | Uses:130 131 132 133 134 135 | Used by:Timeline |
Symbol 137 Text | Uses:32 | Used by:Timeline |
Symbol 138 Sound | Used by:Timeline | |
Symbol 139 Sound | Used by:Timeline | |
Symbol 140 Sound | Used by:Timeline | |
Symbol 141 Text | Uses:32 | Used by:Timeline |
Symbol 142 Sound | Used by:Timeline | |
Symbol 143 Graphic | Used by:Timeline | |
Symbol 144 Graphic | Used by:152 Timeline | |
Symbol 145 Graphic | Used by:152 158 Timeline | |
Symbol 146 Graphic | Used by:152 158 Timeline | |
Symbol 147 Graphic | Used by:Timeline | |
Symbol 148 Graphic | Used by:Timeline | |
Symbol 149 Graphic | Used by:Timeline | |
Symbol 150 Graphic | Used by:Timeline | |
Symbol 151 Sound | Used by:Timeline | |
Symbol 152 MovieClip | Uses:144 145 146 | Used by:Timeline |
Symbol 153 Text | Uses:32 | Used by:Timeline |
Symbol 154 Sound | Used by:Timeline | |
Symbol 155 Sound | Used by:Timeline | |
Symbol 156 Text | Uses:32 | Used by:Timeline |
Symbol 157 Sound | Used by:Timeline | |
Symbol 158 MovieClip | Uses:145 146 | Used by:Timeline |
Symbol 159 Text | Uses:32 | Used by:Timeline |
Symbol 160 Sound | Used by:Timeline | |
Symbol 161 Graphic | Used by:Timeline | |
Symbol 162 Sound | Used by:Timeline | |
Symbol 163 Sound | Used by:Timeline | |
Symbol 164 Graphic | Used by:168 | |
Symbol 165 Graphic | Used by:168 | |
Symbol 166 Graphic | Used by:168 | |
Symbol 167 Graphic | Used by:168 | |
Symbol 168 MovieClip | Uses:164 165 166 167 | Used by:Timeline |
Symbol 169 Sound | Used by:Timeline | |
Symbol 170 Sound | Used by:Timeline | |
Symbol 171 Text | Uses:32 | Used by:Timeline |
Symbol 172 Text | Uses:32 | Used by:Timeline |
Symbol 173 Text | Uses:32 | Used by:Timeline |
Symbol 174 Text | Uses:32 | Used by:Timeline |
Symbol 175 Text | Uses:32 | Used by:Timeline |
Symbol 176 Text | Uses:32 | Used by:Timeline |
Symbol 177 Button | Uses:15 16 | Used by:Timeline |
Symbol 178 Button | Uses:15 16 | Used by:Timeline |
Symbol 179 Text | Uses:32 | Used by:Timeline |
Symbol 180 Text | Uses:32 | Used by:Timeline |
Symbol 181 Text | Uses:32 | Used by:Timeline |
Symbol 182 Text | Uses:32 | Used by:Timeline |
Symbol 183 Button | Uses:15 16 | Used by:Timeline |
Symbol 184 Text | Uses:32 | Used by:Timeline |
Symbol 185 Text | Uses:32 | Used by:Timeline |
Symbol 186 Graphic | Used by:Timeline | |
Symbol 187 Graphic | Used by:Timeline | |
Symbol 188 Graphic | Used by:Timeline | |
Symbol 189 Graphic | Used by:Timeline | |
Symbol 190 Font | Used by:191 | |
Symbol 191 EditableText | Uses:190 | Used by:Timeline |
Symbol 192 Graphic | Used by:Timeline | |
Symbol 193 Graphic | Used by:Timeline | |
Symbol 194 Graphic | Used by:Timeline | |
Symbol 195 Graphic | Used by:Timeline | |
Symbol 196 Graphic | Used by:Timeline | |
Symbol 197 Graphic | Used by:Timeline | |
Symbol 198 Graphic | Used by:Timeline | |
Symbol 199 Graphic | Used by:Timeline | |
Symbol 200 Graphic | Used by:Timeline | |
Symbol 201 Graphic | Used by:Timeline | |
Symbol 202 Graphic | Used by:Timeline | |
Symbol 203 Graphic | Used by:Timeline | |
Symbol 204 Graphic | Used by:Timeline | |
Symbol 205 Graphic | Used by:Timeline | |
Symbol 206 Graphic | Used by:216 222 226 Timeline | |
Symbol 207 Graphic | Used by:210 293 301 304 308 315 318 325 332 335 347 355 358 361 365 368 374 380 383 388 391 394 397 405 408 411 430 515 518 522 525 531 534 537 540 543 546 549 552 560 632 | |
Symbol 208 Text | Uses:18 | Used by:210 293 301 304 308 315 318 325 332 335 347 355 358 361 365 368 374 380 383 388 391 394 397 405 408 411 430 515 518 522 525 531 534 537 540 543 546 549 552 560 632 |
Symbol 209 Graphic | Used by:210 293 301 304 308 315 318 325 332 335 347 355 358 361 365 368 374 380 383 388 391 394 397 405 408 411 430 515 518 522 525 531 534 537 540 543 546 549 552 560 632 | |
Symbol 210 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 211 Graphic | Used by:216 222 226 | |
Symbol 212 Graphic | Used by:216 222 226 | |
Symbol 213 Graphic | Used by:216 222 226 | |
Symbol 214 Graphic | Used by:216 222 226 | |
Symbol 215 Graphic | Used by:216 222 226 | |
Symbol 216 MovieClip | Uses:36 37 206 39 211 212 213 214 215 | Used by:Timeline |
Symbol 217 Text | Uses:32 | Used by:Timeline |
Symbol 218 Sound | Used by:Timeline | |
Symbol 219 Text | Uses:32 | Used by:Timeline |
Symbol 220 Sound | Used by:Timeline | |
Symbol 221 Graphic | Used by:222 | |
Symbol 222 MovieClip | Uses:36 37 206 39 211 212 221 213 214 215 | Used by:Timeline |
Symbol 223 Text | Uses:32 | Used by:Timeline |
Symbol 224 Sound | Used by:Timeline | |
Symbol 225 Graphic | Used by:226 | |
Symbol 226 MovieClip | Uses:36 37 206 39 211 212 225 213 214 215 | Used by:Timeline |
Symbol 227 Text | Uses:32 | Used by:Timeline |
Symbol 228 Sound | Used by:Timeline | |
Symbol 229 Text | Uses:32 | Used by:Timeline |
Symbol 230 Sound | Used by:Timeline | |
Symbol 231 Text | Uses:32 | Used by:Timeline |
Symbol 232 Sound | Used by:Timeline | |
Symbol 233 Graphic | Used by:Timeline | |
Symbol 234 Graphic | Used by:Timeline | |
Symbol 235 Button | Uses:15 16 | Used by:Timeline |
Symbol 236 Button | Uses:15 16 | Used by:Timeline |
Symbol 237 Graphic | Used by:240 258 473 483 | |
Symbol 238 Text | Uses:18 | Used by:240 258 473 483 |
Symbol 239 Graphic | Used by:240 258 473 483 | |
Symbol 240 Button | Uses:237 238 239 | Used by:Timeline |
Symbol 241 Text | Uses:32 | Used by:Timeline |
Symbol 242 Font | Used by:243 474 484 487 490 492 494 496 498 499 502 504 507 509 512 | |
Symbol 243 Text | Uses:242 | Used by:Timeline |
Symbol 244 Graphic | Used by:251 | |
Symbol 245 Graphic | Used by:251 | |
Symbol 246 Text | Uses:32 | Used by:251 482 |
Symbol 247 Graphic | Used by:250 481 | |
Symbol 248 Text | Uses:18 | Used by:250 481 |
Symbol 249 Graphic | Used by:250 481 | |
Symbol 250 Button | Uses:247 248 249 | Used by:251 |
Symbol 251 MovieClip | Uses:244 245 246 250 | Used by:Timeline |
Symbol 252 Button | Uses:15 16 | Used by:Timeline |
Symbol 253 Button | Uses:15 16 | Used by:Timeline |
Symbol 254 Button | Uses:15 16 | Used by:Timeline |
Symbol 255 Button | Uses:15 16 | Used by:Timeline |
Symbol 256 Text | Uses:32 | Used by:Timeline |
Symbol 257 Button | Uses:15 16 | Used by:Timeline |
Symbol 258 Button | Uses:237 238 239 | Used by:Timeline |
Symbol 259 Text | Uses:32 | Used by:Timeline |
Symbol 260 Button | Uses:15 16 | Used by:Timeline |
Symbol 261 Text | Uses:32 | Used by:Timeline |
Symbol 262 Button | Uses:15 16 | Used by:Timeline |
Symbol 263 Button | Uses:15 16 | Used by:Timeline |
Symbol 264 Text | Uses:32 | Used by:Timeline |
Symbol 265 Button | Uses:15 16 | Used by:Timeline |
Symbol 266 Text | Uses:32 | Used by:Timeline |
Symbol 267 Button | Uses:15 16 | Used by:Timeline |
Symbol 268 Button | Uses:15 16 | Used by:Timeline |
Symbol 269 Text | Uses:32 | Used by:Timeline |
Symbol 270 Text | Uses:32 | Used by:Timeline |
Symbol 271 Button | Uses:15 16 | Used by:Timeline |
Symbol 272 Button | Uses:15 16 | Used by:Timeline |
Symbol 273 Text | Uses:32 | Used by:Timeline |
Symbol 274 Button | Uses:15 16 | Used by:Timeline |
Symbol 275 Text | Uses:32 | Used by:Timeline |
Symbol 276 Text | Uses:32 | Used by:Timeline |
Symbol 277 Button | Uses:15 16 | Used by:Timeline |
Symbol 278 Text | Uses:32 | Used by:Timeline |
Symbol 279 Button | Uses:15 16 | Used by:Timeline |
Symbol 280 Text | Uses:32 | Used by:Timeline |
Symbol 281 Button | Uses:15 16 | Used by:Timeline |
Symbol 282 Button | Uses:15 16 | Used by:Timeline |
Symbol 283 Button | Uses:15 16 | Used by:Timeline |
Symbol 284 Text | Uses:32 | Used by:Timeline |
Symbol 285 Text | Uses:32 | Used by:Timeline |
Symbol 286 Button | Uses:15 16 | Used by:Timeline |
Symbol 287 Text | Uses:32 | Used by:Timeline |
Symbol 288 Button | Uses:15 16 | Used by:Timeline |
Symbol 289 Button | Uses:15 16 | Used by:Timeline |
Symbol 290 Button | Uses:15 16 | Used by:Timeline |
Symbol 291 Text | Uses:32 | Used by:Timeline |
Symbol 292 Text | Uses:32 | Used by:Timeline |
Symbol 293 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 294 Text | Uses:32 | Used by:Timeline |
Symbol 295 Sound | Used by:Timeline | |
Symbol 296 Sound | Used by:Timeline | |
Symbol 297 Text | Uses:32 | Used by:Timeline |
Symbol 298 Sound | Used by:Timeline | |
Symbol 299 Text | Uses:32 | Used by:Timeline |
Symbol 300 Sound | Used by:Timeline | |
Symbol 301 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 302 Text | Uses:32 | Used by:Timeline |
Symbol 303 Sound | Used by:Timeline | |
Symbol 304 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 305 Graphic | Used by:Timeline | |
Symbol 306 Text | Uses:32 | Used by:Timeline |
Symbol 307 Sound | Used by:Timeline | |
Symbol 308 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 309 Text | Uses:32 | Used by:Timeline |
Symbol 310 Sound | Used by:Timeline | |
Symbol 311 Text | Uses:32 | Used by:Timeline |
Symbol 312 Sound | Used by:Timeline | |
Symbol 313 Text | Uses:32 | Used by:Timeline |
Symbol 314 Sound | Used by:Timeline | |
Symbol 315 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 316 Text | Uses:32 | Used by:Timeline |
Symbol 317 Sound | Used by:Timeline | |
Symbol 318 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 319 Text | Uses:32 | Used by:Timeline |
Symbol 320 Sound | Used by:Timeline | |
Symbol 321 Sound | Used by:Timeline | |
Symbol 322 Sound | Used by:Timeline | |
Symbol 323 Text | Uses:32 | Used by:Timeline |
Symbol 324 Sound | Used by:Timeline | |
Symbol 325 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 326 Text | Uses:32 | Used by:Timeline |
Symbol 327 Sound | Used by:Timeline | |
Symbol 328 Text | Uses:32 | Used by:Timeline |
Symbol 329 Sound | Used by:Timeline | |
Symbol 330 Text | Uses:32 | Used by:Timeline |
Symbol 331 Sound | Used by:Timeline | |
Symbol 332 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 333 Text | Uses:32 | Used by:Timeline |
Symbol 334 Sound | Used by:Timeline | |
Symbol 335 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 336 Text | Uses:32 | Used by:Timeline |
Symbol 337 Sound | Used by:Timeline | |
Symbol 338 Text | Uses:32 | Used by:Timeline |
Symbol 339 Sound | Used by:Timeline | |
Symbol 340 Text | Uses:32 | Used by:Timeline |
Symbol 341 Sound | Used by:Timeline | |
Symbol 342 Font | Used by:343 364 416 | |
Symbol 343 Text | Uses:32 342 | Used by:Timeline |
Symbol 344 Button | Uses:15 16 | Used by:Timeline |
Symbol 345 Button | Uses:15 16 | Used by:Timeline |
Symbol 346 Button | Uses:15 16 | Used by:Timeline |
Symbol 347 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 348 Text | Uses:32 | Used by:Timeline |
Symbol 349 Sound | Used by:Timeline | |
Symbol 350 Text | Uses:32 | Used by:Timeline |
Symbol 351 Sound | Used by:Timeline | |
Symbol 352 Text | Uses:32 | Used by:Timeline |
Symbol 353 Sound | Used by:Timeline | |
Symbol 354 Text | Uses:32 | Used by:Timeline |
Symbol 355 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 356 Text | Uses:32 | Used by:Timeline |
Symbol 357 Sound | Used by:Timeline | |
Symbol 358 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 359 Text | Uses:32 | Used by:Timeline |
Symbol 360 Sound | Used by:Timeline | |
Symbol 361 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 362 Text | Uses:32 | Used by:Timeline |
Symbol 363 Sound | Used by:Timeline | |
Symbol 364 Text | Uses:32 342 | Used by:Timeline |
Symbol 365 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 366 Text | Uses:32 | Used by:Timeline |
Symbol 367 Sound | Used by:Timeline | |
Symbol 368 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 369 Text | Uses:32 | Used by:Timeline |
Symbol 370 Sound | Used by:Timeline | |
Symbol 371 Text | Uses:32 | Used by:Timeline |
Symbol 372 Sound | Used by:Timeline | |
Symbol 373 Text | Uses:32 | Used by:Timeline |
Symbol 374 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 375 Text | Uses:32 | Used by:Timeline |
Symbol 376 Sound | Used by:Timeline | |
Symbol 377 Text | Uses:32 | Used by:Timeline |
Symbol 378 Sound | Used by:Timeline | |
Symbol 379 Text | Uses:32 | Used by:Timeline |
Symbol 380 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 381 Text | Uses:32 | Used by:Timeline |
Symbol 382 Sound | Used by:Timeline | |
Symbol 383 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 384 Text | Uses:32 | Used by:Timeline |
Symbol 385 Sound | Used by:Timeline | |
Symbol 386 Sound | Used by:Timeline | |
Symbol 387 Sound | Used by:Timeline | |
Symbol 388 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 389 Text | Uses:32 | Used by:Timeline |
Symbol 390 Sound | Used by:Timeline | |
Symbol 391 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 392 Text | Uses:32 | Used by:Timeline |
Symbol 393 Sound | Used by:Timeline | |
Symbol 394 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 395 Text | Uses:32 | Used by:Timeline |
Symbol 396 Sound | Used by:Timeline | |
Symbol 397 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 398 Text | Uses:32 | Used by:Timeline |
Symbol 399 Sound | Used by:Timeline | |
Symbol 400 Sound | Used by:Timeline | |
Symbol 401 Text | Uses:32 | Used by:Timeline |
Symbol 402 Text | Uses:32 | Used by:Timeline |
Symbol 403 Text | Uses:32 | Used by:Timeline |
Symbol 404 Text | Uses:32 | Used by:Timeline |
Symbol 405 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 406 Text | Uses:32 | Used by:Timeline |
Symbol 407 Sound | Used by:Timeline | |
Symbol 408 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 409 Text | Uses:32 | Used by:Timeline |
Symbol 410 Sound | Used by:Timeline | |
Symbol 411 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 412 Text | Uses:32 | Used by:Timeline |
Symbol 413 Sound | Used by:Timeline | |
Symbol 414 Text | Uses:32 | Used by:Timeline |
Symbol 415 Sound | Used by:Timeline | |
Symbol 416 Text | Uses:32 342 | Used by:Timeline |
Symbol 417 Text | Uses:32 | Used by:Timeline |
Symbol 418 Graphic | Used by:Timeline | |
Symbol 419 Graphic | Used by:Timeline | |
Symbol 420 Graphic | Used by:Timeline | |
Symbol 421 Graphic | Used by:Timeline | |
Symbol 422 Graphic | Used by:Timeline | |
Symbol 423 Graphic | Used by:Timeline | |
Symbol 424 Graphic | Used by:Timeline | |
Symbol 425 Graphic | Used by:Timeline | |
Symbol 426 Graphic | Used by:Timeline | |
Symbol 427 Graphic | Used by:Timeline | |
Symbol 428 Graphic | Used by:Timeline | |
Symbol 429 Graphic | Used by:Timeline | |
Symbol 430 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 431 Graphic | Used by:Timeline | |
Symbol 432 Graphic | Used by:Timeline | |
Symbol 433 Graphic | Used by:435 | |
Symbol 434 Graphic | Used by:435 | |
Symbol 435 MovieClip | Uses:433 76 434 | Used by:Timeline |
Symbol 436 Graphic | Used by:442 | |
Symbol 437 Graphic | Used by:442 | |
Symbol 438 Graphic | Used by:441 | |
Symbol 439 Graphic | Used by:441 | |
Symbol 440 Graphic | Used by:441 | |
Symbol 441 MovieClip | Uses:438 439 440 | Used by:442 448 462 |
Symbol 442 MovieClip | Uses:436 76 437 441 | Used by:Timeline |
Symbol 443 Text | Uses:32 | Used by:Timeline |
Symbol 444 Sound | Used by:Timeline | |
Symbol 445 Sound | Used by:Timeline | |
Symbol 446 Graphic | Used by:448 462 | |
Symbol 447 Graphic | Used by:448 462 | |
Symbol 448 MovieClip | Uses:446 76 447 441 | Used by:Timeline |
Symbol 449 Text | Uses:32 | Used by:Timeline |
Symbol 450 Sound | Used by:Timeline | |
Symbol 451 Sound | Used by:Timeline | |
Symbol 452 Text | Uses:32 | Used by:Timeline |
Symbol 453 Graphic | Used by:Timeline | |
Symbol 454 Sound | Used by:Timeline | |
Symbol 455 Graphic | Used by:Timeline | |
Symbol 456 Graphic | Used by:Timeline | |
Symbol 457 Text | Uses:32 | Used by:Timeline |
Symbol 458 Sound | Used by:Timeline | |
Symbol 459 Text | Uses:32 | Used by:Timeline |
Symbol 460 Sound | Used by:Timeline | |
Symbol 461 Graphic | Used by:Timeline | |
Symbol 462 MovieClip | Uses:446 76 447 441 | Used by:Timeline |
Symbol 463 Text | Uses:32 | Used by:Timeline |
Symbol 464 Sound | Used by:Timeline | |
Symbol 465 Sound | Used by:Timeline | |
Symbol 466 Text | Uses:32 | Used by:Timeline |
Symbol 467 Graphic | Used by:Timeline | |
Symbol 468 Sound | Used by:Timeline | |
Symbol 469 Text | Uses:32 | Used by:Timeline |
Symbol 470 Sound | Used by:Timeline | |
Symbol 471 Sound | Used by:Timeline | |
Symbol 472 Graphic | Used by:Timeline | |
Symbol 473 Button | Uses:237 238 239 | Used by:Timeline |
Symbol 474 Text | Uses:242 | Used by:Timeline |
Symbol 475 Text | Uses:32 | Used by:Timeline |
Symbol 476 Button | Uses:15 16 | Used by:Timeline |
Symbol 477 Button | Uses:15 16 | Used by:Timeline |
Symbol 478 Button | Uses:15 16 | Used by:Timeline |
Symbol 479 Graphic | Used by:482 | |
Symbol 480 Graphic | Used by:482 | |
Symbol 481 Button | Uses:247 248 249 | Used by:482 |
Symbol 482 MovieClip | Uses:479 480 246 481 | Used by:Timeline |
Symbol 483 Button | Uses:237 238 239 | Used by:Timeline |
Symbol 484 Text | Uses:242 | Used by:Timeline |
Symbol 485 Button | Uses:15 16 | Used by:Timeline |
Symbol 486 Button | Uses:15 16 | Used by:Timeline |
Symbol 487 Text | Uses:242 | Used by:Timeline |
Symbol 488 Button | Uses:15 16 | Used by:Timeline |
Symbol 489 Button | Uses:15 16 | Used by:Timeline |
Symbol 490 Text | Uses:242 | Used by:Timeline |
Symbol 491 Button | Uses:15 16 | Used by:Timeline |
Symbol 492 Text | Uses:242 | Used by:Timeline |
Symbol 493 Button | Uses:15 16 | Used by:Timeline |
Symbol 494 Text | Uses:242 | Used by:Timeline |
Symbol 495 Button | Uses:15 16 | Used by:Timeline |
Symbol 496 Text | Uses:242 | Used by:Timeline |
Symbol 497 Button | Uses:15 16 | Used by:Timeline |
Symbol 498 Text | Uses:242 | Used by:Timeline |
Symbol 499 Text | Uses:242 | Used by:Timeline |
Symbol 500 Button | Uses:15 16 | Used by:Timeline |
Symbol 501 Button | Uses:15 16 | Used by:Timeline |
Symbol 502 Text | Uses:242 | Used by:Timeline |
Symbol 503 Button | Uses:15 16 | Used by:Timeline |
Symbol 504 Text | Uses:242 | Used by:Timeline |
Symbol 505 Button | Uses:15 16 | Used by:Timeline |
Symbol 506 Button | Uses:15 16 | Used by:Timeline |
Symbol 507 Text | Uses:242 | Used by:Timeline |
Symbol 508 Button | Uses:15 16 | Used by:Timeline |
Symbol 509 Text | Uses:242 | Used by:Timeline |
Symbol 510 Button | Uses:15 16 | Used by:Timeline |
Symbol 511 Button | Uses:15 16 | Used by:Timeline |
Symbol 512 Text | Uses:242 | Used by:Timeline |
Symbol 513 Button | Uses:15 16 | Used by:Timeline |
Symbol 514 Button | Uses:15 16 | Used by:Timeline |
Symbol 515 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 516 Text | Uses:32 | Used by:Timeline |
Symbol 517 Sound | Used by:Timeline | |
Symbol 518 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 519 Text | Uses:32 | Used by:Timeline |
Symbol 520 Sound | Used by:Timeline | |
Symbol 521 Text | Uses:32 | Used by:Timeline |
Symbol 522 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 523 Text | Uses:32 | Used by:Timeline |
Symbol 524 Sound | Used by:Timeline | |
Symbol 525 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 526 Text | Uses:32 | Used by:Timeline |
Symbol 527 Sound | Used by:Timeline | |
Symbol 528 Text | Uses:32 | Used by:Timeline |
Symbol 529 Sound | Used by:Timeline | |
Symbol 530 Graphic | Used by:Timeline | |
Symbol 531 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 532 Text | Uses:32 | Used by:Timeline |
Symbol 533 Sound | Used by:Timeline | |
Symbol 534 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 535 Text | Uses:32 | Used by:Timeline |
Symbol 536 Sound | Used by:Timeline | |
Symbol 537 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 538 Text | Uses:32 | Used by:Timeline |
Symbol 539 Sound | Used by:Timeline | |
Symbol 540 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 541 Text | Uses:32 | Used by:Timeline |
Symbol 542 Sound | Used by:Timeline | |
Symbol 543 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 544 Text | Uses:32 | Used by:Timeline |
Symbol 545 Sound | Used by:Timeline | |
Symbol 546 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 547 Text | Uses:32 | Used by:Timeline |
Symbol 548 Sound | Used by:Timeline | |
Symbol 549 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 550 Text | Uses:32 | Used by:Timeline |
Symbol 551 Sound | Used by:Timeline | |
Symbol 552 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 553 Text | Uses:32 | Used by:Timeline |
Symbol 554 Sound | Used by:Timeline | |
Symbol 555 Text | Uses:32 | Used by:Timeline |
Symbol 556 Sound | Used by:Timeline | |
Symbol 557 Text | Uses:32 | Used by:Timeline |
Symbol 558 Sound | Used by:Timeline | |
Symbol 559 Sound | Used by:Timeline | |
Symbol 560 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 561 Graphic | Used by:Timeline | |
Symbol 562 Text | Uses:32 | Used by:Timeline |
Symbol 563 Sound | Used by:Timeline | |
Symbol 564 Text | Uses:32 | Used by:Timeline |
Symbol 565 Sound | Used by:Timeline | |
Symbol 566 Text | Uses:32 | Used by:Timeline |
Symbol 567 Sound | Used by:Timeline | |
Symbol 568 Sound | Used by:Timeline | |
Symbol 569 Text | Uses:32 | Used by:Timeline |
Symbol 570 Sound | Used by:Timeline | |
Symbol 571 Graphic | Used by:Timeline | |
Symbol 572 Graphic | Used by:Timeline | |
Symbol 573 Graphic | Used by:Timeline | |
Symbol 574 Graphic | Used by:607 | |
Symbol 575 Graphic | Used by:607 | |
Symbol 576 Graphic | Used by:607 | |
Symbol 577 Graphic | Used by:607 | |
Symbol 578 Graphic | Used by:607 | |
Symbol 579 Sound | Used by:607 | |
Symbol 580 Graphic | Used by:607 | |
Symbol 581 Graphic | Used by:585 | |
Symbol 582 Graphic | Used by:585 591 | |
Symbol 583 Graphic | Used by:585 | |
Symbol 584 Graphic | Used by:585 | |
Symbol 585 MovieClip | Uses:581 582 583 584 | Used by:607 |
Symbol 586 Graphic | Used by:607 | |
Symbol 587 Graphic | Used by:591 | |
Symbol 588 Graphic | Used by:591 | |
Symbol 589 Graphic | Used by:591 | |
Symbol 590 Graphic | Used by:591 | |
Symbol 591 MovieClip | Uses:587 582 588 589 590 | Used by:607 |
Symbol 592 Graphic | Used by:607 | |
Symbol 593 Text | Uses:32 | Used by:607 |
Symbol 594 Sound | Used by:607 | |
Symbol 595 Text | Uses:32 | Used by:607 |
Symbol 596 Sound | Used by:607 | |
Symbol 597 Text | Uses:32 | Used by:607 |
Symbol 598 Sound | Used by:607 | |
Symbol 599 Text | Uses:32 | Used by:607 |
Symbol 600 Sound | Used by:607 | |
Symbol 601 Text | Uses:32 | Used by:607 |
Symbol 602 Sound | Used by:607 | |
Symbol 603 Text | Uses:32 | Used by:607 |
Symbol 604 Sound | Used by:607 | |
Symbol 605 Graphic | Used by:606 | |
Symbol 606 MovieClip | Uses:605 | Used by:607 |
Symbol 607 MovieClip | Uses:574 575 576 577 578 579 580 585 586 591 592 593 594 595 596 597 598 599 600 601 602 603 604 606 | Used by:Timeline |
Symbol 608 Sound | Used by:Timeline | |
Symbol 609 Text | Uses:32 | Used by:Timeline |
Symbol 610 Sound | Used by:Timeline | |
Symbol 611 Text | Uses:32 | Used by:Timeline |
Symbol 612 Sound | Used by:Timeline | |
Symbol 613 Text | Uses:32 | Used by:Timeline |
Symbol 614 Sound | Used by:Timeline | |
Symbol 615 Sound | Used by:Timeline | |
Symbol 616 Text | Uses:32 | Used by:Timeline |
Symbol 617 Sound | Used by:Timeline | |
Symbol 618 Text | Uses:32 | Used by:Timeline |
Symbol 619 Sound | Used by:Timeline | |
Symbol 620 Text | Uses:32 | Used by:Timeline |
Symbol 621 Sound | Used by:Timeline | |
Symbol 622 Sound | Used by:Timeline | |
Symbol 623 Graphic | Used by:Timeline | |
Symbol 624 Sound | Used by:Timeline | |
Symbol 625 Graphic | Used by:Timeline | |
Symbol 626 Graphic | Used by:Timeline | |
Symbol 627 Graphic | Used by:Timeline | |
Symbol 628 Text | Uses:32 | Used by:Timeline |
Symbol 629 Button | Uses:15 16 | Used by:Timeline |
Symbol 630 Button | Uses:15 16 | Used by:Timeline |
Symbol 631 Button | Uses:15 16 | Used by:Timeline |
Symbol 632 Button | Uses:207 208 209 | Used by:Timeline |
Symbol 633 Text | Uses:32 | Used by:Timeline |
Symbol 634 Sound | Used by:Timeline | |
Symbol 635 Text | Uses:32 | Used by:Timeline |
Symbol 636 Sound | Used by:Timeline | |
Symbol 637 Text | Uses:32 | Used by:Timeline |
Symbol 638 Graphic | Used by:Timeline | |
Symbol 639 Graphic | Used by:640 | |
Symbol 640 MovieClip | Uses:36 76 639 | Used by:Timeline |
Symbol 641 Text | Uses:32 | Used by:Timeline |
Symbol 642 Sound | Used by:Timeline | |
Symbol 643 Graphic | Used by:Timeline | |
Symbol 644 Text | Uses:32 | Used by:Timeline |
Symbol 645 Sound | Used by:Timeline | |
Symbol 646 Graphic | Used by:Timeline | |
Symbol 647 Sound | Used by:Timeline | |
Symbol 648 Text | Uses:32 | Used by:Timeline |
Symbol 649 Button | Uses:15 16 | Used by:Timeline |
Symbol 650 Text | Uses:32 | Used by:Timeline |
Symbol 651 Text | Uses:32 | Used by:Timeline |
Symbol 652 Sound | Used by:Timeline | |
Symbol 653 Text | Uses:32 | Used by:Timeline |
Symbol 654 Sound | Used by:Timeline | |
Symbol 655 Text | Uses:32 | Used by:Timeline |
Symbol 656 Sound | Used by:Timeline | |
Symbol 657 Text | Uses:32 | Used by:Timeline |
Symbol 658 Sound | Used by:Timeline | |
Symbol 659 Sound | Used by:Timeline | |
Symbol 660 Text | Uses:32 | Used by:Timeline |
Symbol 661 Sound | Used by:Timeline | |
Symbol 662 Sound | Used by:Timeline | |
Symbol 663 Text | Uses:32 | Used by:Timeline |
Symbol 664 Sound | Used by:Timeline | |
Symbol 665 Text | Uses:32 | Used by:Timeline |
Symbol 666 Sound | Used by:Timeline | |
Symbol 667 Text | Uses:32 | Used by:Timeline |
Symbol 668 Sound | Used by:Timeline | |
Symbol 669 Text | Uses:32 | Used by:Timeline |
Symbol 670 Sound | Used by:Timeline | |
Symbol 671 Text | Uses:32 | Used by:Timeline |
Symbol 672 Sound | Used by:Timeline | |
Symbol 673 Text | Uses:32 | Used by:Timeline |
Symbol 674 Sound | Used by:Timeline | |
Symbol 675 Sound | Used by:Timeline | |
Symbol 676 Text | Uses:32 | Used by:Timeline |
Symbol 677 Sound | Used by:Timeline | |
Symbol 678 Text | Uses:32 | Used by:Timeline |
Symbol 679 Sound | Used by:Timeline | |
Symbol 680 Graphic | Used by:Timeline | |
Symbol 681 Text | Uses:32 | Used by:Timeline |
Symbol 682 Sound | Used by:Timeline | |
Symbol 683 Text | Uses:32 | Used by:Timeline |
Symbol 684 Sound | Used by:Timeline | |
Symbol 685 Text | Uses:32 | Used by:Timeline |
Symbol 686 Sound | Used by:Timeline | |
Symbol 687 Text | Uses:32 | Used by:Timeline |
Symbol 688 Sound | Used by:Timeline |
Instance Names
"screen" | Frame 2549 | Symbol 251 MovieClip |
"screen" | Frame 2559 | Symbol 251 MovieClip |
"screen" | Frame 2569 | Symbol 251 MovieClip |
"screen" | Frame 2579 | Symbol 251 MovieClip |
"screen" | Frame 2589 | Symbol 251 MovieClip |
"screen" | Frame 2600 | Symbol 251 MovieClip |
"screen" | Frame 2611 | Symbol 251 MovieClip |
"screen" | Frame 2623 | Symbol 251 MovieClip |
"screen" | Frame 2634 | Symbol 251 MovieClip |
"screen" | Frame 2645 | Symbol 251 MovieClip |
"screen" | Frame 2655 | Symbol 251 MovieClip |
"screen" | Frame 2666 | Symbol 251 MovieClip |
"screen" | Frame 2677 | Symbol 251 MovieClip |
"screen" | Frame 2687 | Symbol 251 MovieClip |
"screen" | Frame 2698 | Symbol 251 MovieClip |
"screen" | Frame 2709 | Symbol 251 MovieClip |
"screen" | Frame 2720 | Symbol 251 MovieClip |
"screen" | Frame 2732 | Symbol 251 MovieClip |
"screen" | Frame 6360 | Symbol 482 MovieClip |
"screen" | Frame 6370 | Symbol 482 MovieClip |
"screen" | Frame 6380 | Symbol 482 MovieClip |
"screen" | Frame 6389 | Symbol 482 MovieClip |
"screen" | Frame 6398 | Symbol 482 MovieClip |
"screen" | Frame 6409 | Symbol 482 MovieClip |
"screen" | Frame 6418 | Symbol 482 MovieClip |
"screen" | Frame 6427 | Symbol 482 MovieClip |
"screen" | Frame 6435 | Symbol 482 MovieClip |
"screen" | Frame 6445 | Symbol 482 MovieClip |
"screen" | Frame 6454 | Symbol 482 MovieClip |
"screen" | Frame 6464 | Symbol 482 MovieClip |
"screen" | Frame 6473 | Symbol 482 MovieClip |
"screen" | Frame 6482 | Symbol 482 MovieClip |
"screen" | Frame 6491 | Symbol 482 MovieClip |
"split" | Frame 7921 | Symbol 607 MovieClip |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"load1" | Frame 10 |
"ad" | Frame 24 |
"intro" | Frame 30 |
"intro2" | Frame 32 |
"cell4" | Frame 401 |
"cell2" | Frame 467 |
"cell1" | Frame 510 |
"cell3" | Frame 558 |
"cell5" | Frame 678 |
"cell7" | Frame 748 |
"cell9" | Frame 819 |
"cell6" | Frame 1074 |
"cell8" | Frame 1115 |
"choose" | Frame 1716 |
"chooseyale" | Frame 1725 |
"chooseangie" | Frame 1740 |
"chooyale" | Frame 1761 |
"chooangie" | Frame 1780 |
"ak0" | Frame 2027 |
"a1" | Frame 2543 |
"a2" | Frame 2553 |
"a3" | Frame 2563 |
"a4" | Frame 2573 |
"a5" | Frame 2583 |
"a6" | Frame 2594 |
"a7" | Frame 2605 |
"a8" | Frame 2617 |
"a9" | Frame 2628 |
"a10" | Frame 2639 |
"a11" | Frame 2649 |
"a12" | Frame 2660 |
"a13" | Frame 2671 |
"a14" | Frame 2681 |
"a15" | Frame 2692 |
"a16" | Frame 2703 |
"a17" | Frame 2714 |
"a18" | Frame 2726 |
"ak1" | Frame 2750 |
"ak2" | Frame 2998 |
"ak3" | Frame 3081 |
"ak4" | Frame 3099 |
"ak5" | Frame 3342 |
"ak6" | Frame 3359 |
"ak7" | Frame 3505 |
"ak8" | Frame 3714 |
"ak9" | Frame 3817 |
"aend1" | Frame 4026 |
"ak10" | Frame 4037 |
"aend3" | Frame 4258 |
"ak11" | Frame 4269 |
"ak12" | Frame 4310 |
"ak13" | Frame 4388 |
"aend4" | Frame 4483 |
"ak14" | Frame 4496 |
"angieload" | Frame 4528 |
"ak16" | Frame 4609 |
"aend5" | Frame 4735 |
"ak17" | Frame 4747 |
"aend6" | Frame 4900 |
"ak18" | Frame 4912 |
"ak19" | Frame 4981 |
"ak20" | Frame 5088 |
"ak21" | Frame 5129 |
"ak22" | Frame 5169 |
"ak23" | Frame 5232 |
"aend2" | Frame 5289 |
"ak24" | Frame 5306 |
"ak25" | Frame 5354 |
"ak26" | Frame 5450 |
"aend7" | Frame 5563 |
"ak27" | Frame 5575 |
"yalestart" | Frame 5848 |
"y1" | Frame 6354 |
"y2" | Frame 6364 |
"y3" | Frame 6374 |
"y4" | Frame 6383 |
"y5" | Frame 6392 |
"y6" | Frame 6403 |
"y7" | Frame 6412 |
"y8" | Frame 6421 |
"y9" | Frame 6429 |
"y10" | Frame 6439 |
"y11" | Frame 6448 |
"y12" | Frame 6458 |
"y13" | Frame 6467 |
"y14" | Frame 6476 |
"y15" | Frame 6485 |
"yk1" | Frame 6497 |
"yk2" | Frame 6560 |
"yk3" | Frame 6688 |
"yk4" | Frame 6791 |
"yk4a" | Frame 6813 |
"yk5" | Frame 6893 |
"yk6" | Frame 6967 |
"yk7" | Frame 7049 |
"yk8" | Frame 7147 |
"yk13" | Frame 7208 |
"yk14" | Frame 7288 |
"yk15" | Frame 7367 |
"yk16" | Frame 7439 |
"yk18" | Frame 7619 |
"yk19" | Frame 7705 |
"end13" | Frame 8215 |
"yk9" | Frame 8227 |
"yaleload" | Frame 8273 |
"end14" | Frame 8465 |
"yk10" | Frame 8480 |
"yk11" | Frame 8814 |
"yk12" | Frame 9064 |
"yk17" | Frame 9178 |
|