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YES |
PLAY AMBITION |
CONGRATULATIONS! You have learned information that conflicts significantly with what Yale told you. Somebody is lying. Find out who in the next episode of Ambition - The Interrogation Part Two. |
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REPLAY |
NEXT EPISODE |
Episode #7 "The Interrogation" Written & directed by Michael Gibson Featuring the voices of Gaye Hardiman and Michael Gibson Executive Producer - Allan J. Stitt Associate Producers - Frank Handy Recorded at Post Toronto (c)2003 Zapdramatic Inc. |
CONTINUE |
Angie was last seen alive leaving her office at around 11pm. |
From your investigation you have pieced together the following facts: |
She was found dead about 3 miles away in a wooded area near the lake. Her time of death was approximately 12pm. Her cause of death was a blunt trauma to the top of the skull. |
There was no sign of a struggle and forensics believe she was hit only once from behind. |
The murder weapon was the tire iron from Yale's car which was stolen between the hours of 10:15 and 11:30pm. |
A bracelet was found at the scene of the crime, which was originally given to Ted by his wife Bridget but, according to her mother, was reclaimed by Bridget and was in her possession at the time of the murder. |
Yale's car was found the next day by police in an alley behind Ted's apartment. |
The day after the murder you entered Ted's apartment and discovered evidence indicating that he had been there, had drunk a full bottle of whiskey, changed his clothes and ordered a pizza at 10:21 pm which was delivered at 11:15pm. |
BACK |
The only information released to the media about the murder was: - Ted escaped from police custody around 2pm the night of the murder. - Angie was murdered at midnight by the lake, killed by a blunt trauma to the head caused by a tire iron. - The papers showed a picture of the bracelet and asked the public for help identifying it. |
The crime experts have determined that it would be impossible for Ted to leave his apartment and steal Yale's car in only 15 minutes and so Ted was ruled out as a suspect. Your interview with Rolf revealed that he was attending a right- wing fund-raising dinner the night of the murder. His girlfriend, Bridget accompanied him. |
And now without further ado, I would like to welcome our friend and benefactor, Mr. Rolf Klink. |
Knock'em dead, Tiger. |
Indeed! |
This is such a provocative affair-- of the mind --of ideas, what? |
Take a cold shower, loverboy and keep your eyes on your plate. |
Thank you, Peter for your introduction and inspiring call for sedation. |
Thank you, Peter for your introduction and inspiring call for sedation. |
Errr, um, I mean sedition. |
Our two enemies are taxes and government regulation. |
Both can be slaughtered by inspiring fear in the general population. |
A nation in fear is a nation willing to accept drastic measures. |
Ambition is still loading. Click here to replay scene 1 |
You spoke with other attendees who could all vouch for Rolf but interestingly none of them remembers seeing Bridget between the hours of 9:30 and 1am when the party broke up. They did say they saw her leave with him and she seemed composed. You did a little research and discovered an interesting fact. The night of the murder, a car was demolished when it hit a moose at about 11:45pm on the only road that connects the murder scene with Ted's apartment where Yale's car was abandoned. You checked and found that there was no mention of it in any of the papers. Traffic was reduced to one lane for about an hour. You need to extract a confession from Bridget. |
Oh boy, I can see you are a person on a mission. So are you interested in the truth or acquiring enough evidence to insure a conviction? |
How do you reply? Tell her that you are interested in the truth. Tell her that you want evidence to insure a conviction. Remark that that is an interesting question and ask her to explain what she means. Tell her that you are a little rattled due to an accident you had on the way to the station. |
How do you reply? Ask where she was at 11:30pm the night of the murder. Ask her about the bracelet. Ask if she drives a car. Ask her about her relationship with Ted. Ask her what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Tell her that you've made some inquiries and while everyone can vouch for Rolf being at the function all evening, no one can remember seeing her between the hours of 9:30 and 1pm. Tell her that you understand Rolf made a faux pas in his speech and ask if she knows what it was. (mk1a2) Ask her what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Kid with her that you bet she's done a lot worse than that. Ask if there is anyone who can vouch for her being there at around 10:30pm. Tell her that you understand Rolf made a faux pas in his speech and ask if she knows what it was. |
How do you reply? Ask if she drives a car. Ask her about her relationship with Ted. Ask her what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Tell her you find her very attractive. Ask her about her relationship with Ted. Ask her what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Ask her about her relationship with Ted Ask her what she knows about Rolf's interest in the drug Paxwic. Ask if she drives a car. |
How do you reply? Ask her why she is afraid of Ted. Ask if she drives a car. Ask her what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Ask where she was at 11:30pm the night of the murder. Ask her about her relationship with Ted. Ask her what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Explain Paxwic is a drug in which her boyfriend Rolf has a large financial interest. The murdered woman was in the process of presenting a damaging report on the drug to the government regulator. Ask where she was at 11:30pm the night of the murder. Ask her about her relationship with Ted. |
How do you reply? Ask where she was at 11:30pm the night of the murder. Ask if she drives a car. Ask her if Rolf had ever mentioned anything about Angie's report. |
How do you reply? Ask her to explain what she means. Ask where she was at 11:30pm the night of the murder. Ask if she drives a car. |
How do you reply? Ask where she was at 11:30pm the night of the murder. Ask if she drives a car. Ask her to describe her relationship with Ted. |
How do you reply? Ask her about the bracelet found at the murder scene. Ask where she was at 11:30 pm the night of the murder. Ask why she didn't call the police if he beat her. |
How do you reply? Ask where she was at 11:30 pm the night of the murder. Ask what she knows about Rolf's interest in the drug Paxwic. Tell her that you think she is lying. Ask when she left the bracelet under the mat. |
How do you reply? Tell her if she wants to avoid a first degree murder charge she better start telling the truth because her friend Rolf is in the other interrogation room pinning the whole thing on her. Tell her there is no way Ted could have picked up the bracelet where she said she left it without encountering the police. Ask where she was at 11:30 pm the night of the murder. |
How do you reply? Tell her the day before the murder, Ted was in jail so how did she think he was going to get it. Ask how she knows the bracelet was found at the murder scene? Tell her you think she is lying. |
How do you reply? Ask how she knows the bracelet was found at the murder scene? Tell her you think she is lying. Ask what she knows about the drug, Paxwic. |
How do you reply? Tell her there is no way Ted could have picked up the bracelet where she said she left it without encountering the police. Ask where she was at 11:30 pm the night of the murder. Ask if she drives a car. |
How do you reply? Tell her there is no way Ted could have picked up the bracelet where she said she left it without encountering the police. Ask where she was at 11:30 pm the night of the murder |
How do you reply? Tell her if she wants to avoid a first degree murder charge she better start telling the truth because her friend Rolf is in the other interrogation room pinning the whole thing on her. Ask her how she knows the bracelet was found at the murder scene. Ask where she was at 11:30 pm the night of the murder. |
How do you reply? Ask where she was at 11:30 pm the night of the murder. Ask her about the bracelet found at the murder scene. Ask what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Ask where she was at 11:30pm the night of the murder. Tell her your intent is to get a conviction. Tell her your intent is to discover the truth. |
How do you reply? Ask where she was at 11:30pm the night of the murder. Ask if she drives a car. Ask her about her relationship with Ted. Ask her what she knows about Rolf's interest in the drug Paxwic. |
How do you reply? Tell her that Ted is locked up safely in jail and is no threat to her or anyone else. Ask her to explain why you shouldn't suspect her for the murder of Dr. Raleigh. Ask her if she believes that Ted is a murderer. |
How do you reply? Ask her if she believes that Ted is a murderer. Ask her to explain why you shouldn't suspect her for the murder of Dr. Raleigh. Assure her that Ted is in maximum security. |
How do you reply? Remind her of the bracelet found at the scene. Tell her that her boyfriend Rolf had a motive. The circumstantial evidence at the scene could have been left by either Ted or her and she certainly appears to have motive to frame Ted for the deed and finally, her whereabouts for three and a half hours the night of the murder are a mystery apparently giving her opportunity. Ask if she believes Ted is a murderer. |
How do you reply? Explain that the tire iron belonged to a stolen car and Ted could not have stolen the car between 10:15 and 11:30 which is the window of time in which the car was stolen because during that time he ordered a pizza and received it at his apartment during that time. Ask how she knows Angie was killed with a tire iron. Ask if she thinks Ted intended to kill Angie or just bumped into her and decided to kill her. |
How do you reply? Ask if she thinks Ted intended to kill her or just bumped into her and decided to kill her. Ask how she knows the car was left behind Ted's apartment. Say that's plausible except why would Ted take a tire iron unless he was planning to kill her and if he were planning to kill her, how would he know to find her by the lake? |
How do you reply? Ask if she thinks Ted intended to kill her or just bumped into her and decided to kill her. Tell her that this conversation is being recorded and at no time did you tell her where the stolen car was found. Say that's plausible except why would Ted take a tire iron unless he was planning to kill her and if he were planning to kill her, how would he know to find her by the lake? |
How do you reply? Ask if she thinks Ted intended to kill her or just bumped into her and decided to kill her. Tell her that one effective tactic police use is to withhold crucial bits of information from the media that only the guilty person would know about and the whereabouts of the stolen car was one such piece of information. Say that's plausible except why would Ted take a tire iron unless he was planning to kill her and if he were planning to kill her, how would he know to find her by the lake? |
How do you reply? Ask her why anyone on the police force would want to put their life and career on the line to help Ted. Ask why she believes Ted is the murderer. Tell her that Ted being "allowed to escape" is about as likely as a moose in this town. |
How do you reply? Ask her to answer the question. Ask why she believes Ted is the murderer. Tell her that Ted being "allowed to escape" is about as likely as a moose in this town. |
How do you reply? Ask who she was with. Tell her that is about as likely as a moose in this town. |
How do you reply? Tell her she better tell you who she was with because she's in desperate need of an alibi. Tell her that is about as likely as a moose in this town. |
How do you reply? Ask how she knows that. Tell her there hasn't been a moose in this town for over ten years. Arrest her for the murder of Angie. |
How do you reply? Arrest her for the murder of Angie. Let her leave. Tell her you think she is lying |
Unfortunately, you don't have enough evidence to make the arrest. The Prosecutor drops the charges and you are replaced by Supt. Crabtree's nephew. |
Back to last correct answer. |
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A day after the arrest, her lawyer presents you with a young man named Wade Wilerton, an attractive lad who works at the convention center where Rolf spoke as a waiter. Wade tells you that he and Bridget were drinking wine and making out in one of the storage rooms from 10:30 to 12:30. The Prosecutor drops the charges and you are replaced by Supt. Crabtree's nephew. |
Back to last correct answer. |
Please rate this episode. Your feedback is extremely important. (Thanks) |
Bridget is not telling you the whole truth. There are holes in her story which you need to expose. Crabtree knows it and when you let her go he re-arrests her pulls you off the case and replaces you with his nephew. |
She clams up and you do not have enough information to hold her. Her alibi checks out. Bridget is not telling you the whole truth. There are holes in her story which you need to expose. Crabtree knows it and when you let her go he re-arrests her pulls you off the case and replaces you with his nephew. |
Alright, then that's what you'll get. What do you want to know? |
Then you'll want to ask me about my relationship with my ex-husband, Ted. |
Ted is a violent man. He is extremely dangerous. He's a cold blooded killer but he can be very charming and deceptive. |
He beat me throughout our marriage but nobody believed me. |
He's crazy! |
Sweetie, if you asked me to describe an egg I could tell you that it's hard, brown and comes out the back of a chicken. |
Or, I could tell you that it's light and fluffy and absolutely delicious served with toast. Both descriptions are true but only one would be helpful if you were planning a menu, wouldn't you agree? |
You see, sweetie your intent is what's important. |
Once you've declared your intent then maybe I'll be able to help you. |
You're not as rattled as I am. |
This is absurd to be dragged out of my home like a common criminal. Let's get this over with. What do you want to know? |
I was with my boyfriend Rolf Klink at a fundraising dinner for the Fascist party. |
I was there all night. I left our table and wandered about. |
There's only so many times you can listen to someone confess about their childhood guilt of pulling wings off flies. |
Yes, the poor dear accused his predecessor of inspiring sedation rather than sedition. I had to laugh. He likes to use big words but you know, he never finished highschool. |
You're as bad as they are. You have a small-town lust to connect cruelty with sexual foreplay. |
I don't know. I had a bit too much to drink. I don't remember who I spoke with. Surely, if you interview all 200 of them you'll find somebody who remembers speaking with me. |
Then please help me. I'm terrified that Ted is going to escape again and he's going to come after me and the children. |
No, I drive a motorcycle. I hate cars. Rolf's limo is the only car I'll sit in. |
What's Paxwic? I've never heard of it. |
So, what's your point? |
Rolf never bored me with talk about business. |
Whenever he was with me he focused on my interests in order to satisfy his interests if you know what I mean. |
You seem a little hot and bothered. I don't mind if you want to make yourself a little more comfortable. |
I gave it to him when we were dating. When we split I asked for it back. |
I kept it in a box up in my room. |
Then I started getting these hellish nightmares, visions of torture and despairosity. When Ted escaped he called and said he wanted it back and it was then I realized that the nightmares were coming from that bracelet. |
I left it under the mat on the stairs of his apartment. It's an evil token. |
I'm not surprised he dropped it at the scene of the murder. |
If you don't trust me, sweetie then there's no reason to continue this conversation, is there? |
The day before the murder. |
I didn't expect him to get it. I just didn't want to have it myself and it was too expensive to throw away. So it was correct karma that I should give it back to him. |
Because you just told me, stupid. You really should go back to writing parking tickets. I don't think you've got the intelligosity to be conducting a murder investigation. |
You're so sweet. Unfortunately, I spoke with Rolf just before you picked me up. He was having tea in Manchester, England. So you see, I'm afraid you're the one who's verily challenged. |
Oh come on! You are constantly underestimating this guy. How many times does he have to escape and make fools of you before you rethink your procedures? |
I did call the police but he has friends there. Only one officer came. They had words. They laughed and he left. Ted beat me and said if I ever called the police again, he'd kill me. |
That's when I knew my only hope was to get out with the kids. |
But look, I'm scared to death Ted is going to escape again and the next dead person is going to be me. |
Please, I'm begging you. I need police protection. |
Yeah well he was locked up the day of the murder and he escaped didn't he? |
Why would you suspect me? I have no motive. I didn't even know the woman. |
Obviously, I didn't see him do it. But banging a woman over the head with a tire iron is certainly in character. He's mean- spirited, violent and anti-feministic. |
So maybe he didn't steal the car. Maybe he just stole the tire iron. |
Didn't you say the car was found outside his apartment? |
So, he ate his pizza and left his apartment at let's say, 11:30 ... |
...grabbed a tire iron out of the first car he saw... |
...which just happened to be a stolen car... |
...and went down to the lake where he ran into that woman. |
I don't know. Isn't that your job to find out? Aren't you the smart detective? |
Because you just told me. |
Because it was written all over the papers that's how. |
Then I must have read it somewhere or heard it on the news. |
You just don't get it, do you? Ted escaped because he was allowed to escape. Come on, you can do it. Connect the dots. |
Good question. |
I don't know anything about any of that. |
Besides, I was… I was with someone at the time of the murder. |
I'm afraid I can't say at the moment. It's not a liaison I wish to advertise, if you know what I mean. |
Huh, well as a matter of fact, there are moose in this town. |
I will produce my alibi if I need it, otherwise |
I have nothing further to say. I want to leave now unless I'm under arrest. |
I don't know. |
That's a load of crap. Just the other day… |
Somebody said something about seeing a moose. I don't know. |
Congratulations! You caught her out. You are now proceeding to level 2 Good luck! |
Alright, yeah, I parked it outside his apartment. So what? How was I to know he stole it? I thought it was his. |
How do you reply? Ask her to explain how she got the car. Ask when she parked it outside his apartment. Ask her to explain why she was driving a stolen car. |
I was at the dinner, you know and went out for a smoke. |
I was walking up the lake road when I saw this red car. Coming straight at me, |
trying to kill me. |
How do you reply? Ask her to continue. Ask who was driving the car. Ask if there are any witnesses. |
This woman with short red hair was driving. |
She was hysterical. |
She jumps out of the car and starts walking ahead of me up the lake road. |
The next thing I see Ted driving this black dude in another car. The black dude gets out, gets into the red car and then starts trolling for the red haired woman. |
How do you reply? Ask her to continue. Ask her to explain trolling. Ask her what time it was. |
She crosses the road and starts walking real fast. He crosses over and starts driving real slow beside her on the wrong side of the road. He leans his arm out, you know and they're arguing. |
How do you reply? Ask her what time it was. Ask her to continue. Ask her what Ted was doing. Ask what they were arguing about. |
I don't know. |
Ted jumped out of the silver car, grabbed a tire iron out of the trunk and started running after the dude in the red car screaming bloody murder. |
How do you reply? Ask how she came to be driving the silver car. Ask her to continue. Ask her if Ted caught up with Yale and Helen. |
So I went to have a look at this silver car. Like I said, I thought it belonged to Ted and he owes me child support. |
How do you reply? Ask what happened to the red car. Ask her to continue. Ask if Ted caught up with the people in the red car. |
The last thing I saw was the woman gets into the red car and they speed off together and Ted chases them on foot and disappears with the tire iron. |
Like I said, Ted owes me child support so I got into the silver car and took off. |
How do you reply? Ask where she went. Ask her to continue. Tell her that you are recording this conversation and she has just admitted to Grand theft. |
Well, I realized what I was doing was stealing and stealing is wrong... |
So, I drove back to Ted's and left it there in the alley and grabbed a cab back to the dinner. That's it. |
How do you reply? Ask if she'd ever seen either the woman or the man before. Show her pictures of Yale and Helen and ask her if they were the people. |
Yeah, I've seen the black dude before. He's an operative for my boyfriend Rolf. |
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}Symbol 293 Buttonon (release) { gotoAndPlay (4926); }Symbol 294 Buttonon (release) { gotoAndPlay (5002); }Symbol 296 Buttonon (release) { gotoAndPlay (5661); }Symbol 298 Buttonon (release) { gotoAndPlay (5782); }Symbol 300 Buttonon (release) { gotoAndPlay (5147); }Symbol 301 Buttonon (release) { gotoAndPlay (5561); }Symbol 302 Buttonon (release) { gotoAndPlay (5454); }Symbol 304 Buttonon (release) { gotoAndPlay (5526); }Symbol 306 Buttonon (release) { gotoAndPlay (5609); }Symbol 308 Buttonon (release) { gotoAndPlay (6281); }Symbol 310 Buttonon (release) { gotoAndPlay (5756); }Symbol 311 Buttonon (release) { gotoAndPlay (5955); }Symbol 314 Buttonon (release) { gotoAndPlay (5869); }Symbol 316 Buttonon (release) { gotoAndPlay (6000); }Symbol 318 Buttonon (release) { gotoAndPlay (6114); }Symbol 319 Buttonon (release) { gotoAndPlay (6166); }Symbol 320 Buttonon (release) { gotoAndPlay (1458); }Symbol 322 Buttonon (release) { gotoAndPlay (1467); }Symbol 323 Buttonon (release) { gotoAndPlay (1475); }Symbol 324 Buttonon (release) { if ("1" < x) { gotoAndPlay (1483); } else { gotoAndPlay (6052); } }Symbol 327 Buttonon (release) { gotoAndPlay (4724); }Symbol 329 Buttonon (release) { getURL ("http://www.zap.ca/ambition7reply.htm", "_blank"); }Symbol 330 Buttonon (release) { getURL ("http://www.zap.ca", "_blank"); }Symbol 359 MovieClip Frame 21stop();Symbol 464 MovieClip Frame 20stop();Symbol 485 Buttonon (release) { gotoAndPlay (6441); }Symbol 493 Buttonon (release) { gotoAndPlay (6577); }Symbol 503 Buttonon (release) { gotoAndPlay (6821); }Symbol 504 Buttonon (release) { gotoAndPlay (6963); }Symbol 508 Buttonon (release) { gotoAndPlay (6981); }Symbol 514 Buttonon (release) { gotoAndPlay (7184); }Symbol 515 Buttonon (release) { gotoAndPlay (7084); }Symbol 524 Buttonon (release) { gotoAndPlay (7368); }Symbol 530 Buttonon (release) { gotoAndPlay (7511); }
Library Items
Symbol 1 Font | Used by:2 5 48 | |
Symbol 2 Text | Uses:1 | Used by:4 |
Symbol 3 Graphic | Used by:4 | |
Symbol 4 MovieClip | Uses:2 3 | Used by:Timeline |
Symbol 5 Text | Uses:1 | Used by:Timeline |
Symbol 6 Graphic | Used by:Timeline | |
Symbol 7 Graphic | Used by:15 | |
Symbol 8 Font | Used by:9 27 41 44 51 72 162 168 | |
Symbol 9 Text | Uses:8 | Used by:15 |
Symbol 10 Graphic | Used by:14 | |
Symbol 11 Font | Used by:12 | |
Symbol 12 Text | Uses:11 | Used by:14 |
Symbol 13 Graphic | Used by:14 | |
Symbol 14 Button | Uses:10 12 13 | Used by:15 |
Symbol 15 MovieClip | Uses:7 9 14 | Used by:Timeline |
Symbol 16 Graphic | Used by:Timeline | |
Symbol 17 Graphic | Used by:Timeline | |
Symbol 18 Graphic | Used by:21 | |
Symbol 19 Graphic | Used by:21 | |
Symbol 20 Graphic | Used by:21 | |
Symbol 21 MovieClip | Uses:18 19 20 | Used by:Timeline |
Symbol 22 Graphic | Used by:Timeline | |
Symbol 23 Graphic | Used by:Timeline | |
Symbol 24 Graphic | Used by:26 39 196 238 239 240 241 243 244 245 246 247 249 250 252 253 256 263 266 268 270 274 276 277 279 280 282 283 292 293 294 296 298 300 301 302 304 306 308 310 311 314 316 318 319 320 322 323 324 327 329 330 485 493 503 504 508 514 515 524 530 | |
Symbol 25 Graphic | Used by:26 39 196 238 239 240 241 243 244 245 246 247 249 250 252 253 256 263 266 268 270 274 276 277 279 280 282 283 292 293 294 296 298 300 301 302 304 306 308 310 311 314 316 318 319 320 322 323 324 327 329 330 485 493 503 504 508 514 515 524 530 | |
Symbol 26 Button | Uses:24 25 | Used by:Timeline |
Symbol 27 Text | Uses:8 | Used by:Timeline |
Symbol 28 Sound | Used by:Timeline | |
Symbol 29 Font | Used by:30 38 53 56 57 60 61 63 65 68 75 77 118 137 141 154 159 178 181 183 190 195 197 232 242 248 251 254 255 257 262 264 265 267 269 271 273 275 278 281 284 285 286 287 288 289 290 291 295 297 299 303 305 307 309 312 313 315 317 321 325 326 328 331 333 334 335 336 337 338 340 343 345 348 350 352 354 360 362 367 370 372 374 376 378 380 382 384 386 388 390 392 394 396 398 400 403 405 407 409 411 413 415 417 419 421 423 425 427 429 431 433 437 439 441 443 445 447 449 451 453 455 457 459 461 465 467 469 471 473 475 477 482 484 486 488 490 492 494 496 498 500 502 505 507 509 511 513 516 518 519 521 523 525 527 529 531 | |
Symbol 30 Text | Uses:29 | Used by:Timeline |
Symbol 31 Graphic | Used by:33 | |
Symbol 32 Graphic | Used by:33 | |
Symbol 33 Button | Uses:31 32 | Used by:Timeline |
Symbol 34 Font | Used by:35 237 242 248 251 254 255 257 262 264 265 267 269 271 273 275 278 281 284 285 286 287 288 289 290 291 295 297 299 303 305 307 309 312 313 315 317 321 332 484 492 502 507 513 518 523 529 | |
Symbol 35 Text | Uses:34 | Used by:Timeline |
Symbol 36 Graphic | Used by:Timeline | |
Symbol 37 Graphic | Used by:Timeline | |
Symbol 38 Text | Uses:29 | Used by:Timeline |
Symbol 39 Button | Uses:24 25 | Used by:Timeline |
Symbol 40 Graphic | Used by:43 45 | |
Symbol 41 Text | Uses:8 | Used by:43 |
Symbol 42 Graphic | Used by:43 45 52 | |
Symbol 43 Button | Uses:40 41 42 | Used by:Timeline |
Symbol 44 Text | Uses:8 | Used by:45 |
Symbol 45 Button | Uses:40 44 42 | Used by:Timeline |
Symbol 46 Graphic | Used by:Timeline | |
Symbol 47 Graphic | Used by:Timeline | |
Symbol 48 Text | Uses:1 | Used by:Timeline |
Symbol 49 Graphic | Used by:Timeline | |
Symbol 50 Graphic | Used by:52 | |
Symbol 51 Text | Uses:8 | Used by:52 |
Symbol 52 Button | Uses:50 51 42 | Used by:Timeline |
Symbol 53 Text | Uses:29 | Used by:Timeline |
Symbol 54 Bitmap | Used by:55 | |
Symbol 55 Graphic | Uses:54 | Used by:Timeline |
Symbol 56 Text | Uses:29 | Used by:Timeline |
Symbol 57 Text | Uses:29 | Used by:Timeline |
Symbol 58 Bitmap | Used by:59 | |
Symbol 59 Graphic | Uses:58 | Used by:Timeline |
Symbol 60 Text | Uses:29 | Used by:Timeline |
Symbol 61 Text | Uses:29 | Used by:Timeline |
Symbol 62 Graphic | Used by:Timeline | |
Symbol 63 Text | Uses:29 | Used by:Timeline |
Symbol 64 Graphic | Used by:Timeline | |
Symbol 65 Text | Uses:29 | Used by:Timeline |
Symbol 66 Bitmap | Used by:67 | |
Symbol 67 Graphic | Uses:66 | Used by:Timeline |
Symbol 68 Text | Uses:29 | Used by:Timeline |
Symbol 69 Bitmap | Used by:70 | |
Symbol 70 Graphic | Uses:69 | Used by:Timeline |
Symbol 71 Graphic | Used by:74 76 | |
Symbol 72 Text | Uses:8 | Used by:74 76 |
Symbol 73 Graphic | Used by:74 76 | |
Symbol 74 Button | Uses:71 72 73 | Used by:Timeline |
Symbol 75 Text | Uses:29 | Used by:Timeline |
Symbol 76 Button | Uses:71 72 73 | Used by:Timeline |
Symbol 77 Text | Uses:29 | Used by:Timeline |
Symbol 78 Bitmap | Used by:79 | |
Symbol 79 Graphic | Uses:78 | Used by:Timeline |
Symbol 80 Sound | Used by:Timeline | |
Symbol 81 Graphic | Used by:Timeline | |
Symbol 82 Graphic | Used by:Timeline | |
Symbol 83 Graphic | Used by:Timeline | |
Symbol 84 Graphic | Used by:Timeline | |
Symbol 85 Graphic | Used by:91 | |
Symbol 86 Graphic | Used by:91 | |
Symbol 87 Graphic | Used by:91 | |
Symbol 88 Graphic | Used by:91 | |
Symbol 89 Graphic | Used by:91 | |
Symbol 90 Graphic | Used by:91 | |
Symbol 91 MovieClip | Uses:85 86 87 88 89 90 | Used by:Timeline |
Symbol 92 Graphic | Used by:Timeline | |
Symbol 93 Graphic | Used by:Timeline | |
Symbol 94 Graphic | Used by:Timeline | |
Symbol 95 Graphic | Used by:Timeline | |
Symbol 96 Graphic | Used by:Timeline | |
Symbol 97 Graphic | Used by:Timeline | |
Symbol 98 Graphic | Used by:Timeline | |
Symbol 99 Graphic | Used by:Timeline | |
Symbol 100 Graphic | Used by:Timeline | |
Symbol 101 Graphic | Used by:Timeline | |
Symbol 102 Graphic | Used by:Timeline | |
Symbol 103 Graphic | Used by:188 203 215 226 231 236 261 272 342 347 359 366 369 464 Timeline | |
Symbol 104 Graphic | Used by:188 203 215 226 231 236 261 272 342 347 359 366 369 464 Timeline | |
Symbol 105 Graphic | Used by:Timeline | |
Symbol 106 Graphic | Used by:188 203 215 226 236 261 272 342 347 366 369 464 Timeline | |
Symbol 107 Graphic | Used by:115 120 | |
Symbol 108 Graphic | Used by:114 175 | |
Symbol 109 Graphic | Used by:112 177 | |
Symbol 110 Graphic | Used by:112 | |
Symbol 111 Graphic | Used by:112 | |
Symbol 112 MovieClip | Uses:109 110 111 | Used by:114 175 |
Symbol 113 Graphic | Used by:114 174 | |
Symbol 114 MovieClip | Uses:108 112 113 | Used by:115 120 |
Symbol 115 MovieClip | Uses:107 114 | Used by:Timeline |
Symbol 116 Graphic | Used by:184 Timeline | |
Symbol 117 Graphic | Used by:184 Timeline | |
Symbol 118 Text | Uses:29 | Used by:Timeline |
Symbol 119 Sound | Used by:Timeline | |
Symbol 120 MovieClip | Uses:107 114 | Used by:Timeline |
Symbol 121 Graphic | Used by:Timeline | |
Symbol 122 Graphic | Used by:136 Timeline | |
Symbol 123 Graphic | Used by:Timeline | |
Symbol 124 Graphic | Used by:Timeline | |
Symbol 125 Graphic | Used by:Timeline | |
Symbol 126 Graphic | Used by:Timeline | |
Symbol 127 Graphic | Used by:Timeline | |
Symbol 128 Graphic | Used by:Timeline | |
Symbol 129 Graphic | Used by:133 | |
Symbol 130 Graphic | Used by:133 | |
Symbol 131 Graphic | Used by:133 Timeline | |
Symbol 132 Graphic | Used by:133 | |
Symbol 133 MovieClip | Uses:129 130 131 132 | Used by:Timeline |
Symbol 134 Graphic | Used by:136 | |
Symbol 135 Graphic | Used by:136 | |
Symbol 136 MovieClip | Uses:122 134 135 | Used by:Timeline |
Symbol 137 Text | Uses:29 | Used by:Timeline |
Symbol 138 Sound | Used by:Timeline | |
Symbol 139 Graphic | Used by:Timeline | |
Symbol 140 Graphic | Used by:Timeline | |
Symbol 141 Text | Uses:29 | Used by:Timeline |
Symbol 142 Sound | Used by:Timeline | |
Symbol 143 Graphic | Used by:Timeline | |
Symbol 144 Graphic | Used by:Timeline | |
Symbol 145 Graphic | Used by:Timeline | |
Symbol 146 Graphic | Used by:Timeline | |
Symbol 147 Graphic | Used by:Timeline | |
Symbol 148 Graphic | Used by:Timeline | |
Symbol 149 Graphic | Used by:Timeline | |
Symbol 150 Graphic | Used by:153 | |
Symbol 151 Graphic | Used by:153 | |
Symbol 152 Graphic | Used by:153 | |
Symbol 153 MovieClip | Uses:150 151 152 | Used by:Timeline |
Symbol 154 Text | Uses:29 | Used by:Timeline |
Symbol 155 Sound | Used by:Timeline | |
Symbol 156 Graphic | Used by:188 203 261 272 342 347 359 366 369 Timeline | |
Symbol 157 Graphic | Used by:188 203 272 347 366 369 Timeline | |
Symbol 158 Graphic | Used by:342 347 366 Timeline | |
Symbol 159 Text | Uses:29 | Used by:Timeline |
Symbol 160 Sound | Used by:Timeline | |
Symbol 161 Graphic | Used by:342 347 366 Timeline | |
Symbol 162 Text | Uses:8 | Used by:Timeline |
Symbol 163 Graphic | Used by:166 192 | |
Symbol 164 Graphic | Used by:166 192 | |
Symbol 165 Graphic | Used by:166 192 | |
Symbol 166 MovieClip | Uses:163 164 165 | Used by:Timeline |
Symbol 167 Sound | Used by:Timeline | |
Symbol 168 Text | Uses:8 | Used by:Timeline |
Symbol 169 Graphic | Used by:Timeline | |
Symbol 170 Graphic | Used by:174 | |
Symbol 171 Graphic | Used by:174 | |
Symbol 172 Graphic | Used by:174 | |
Symbol 173 Graphic | Used by:174 | |
Symbol 174 MovieClip | Uses:113 170 171 172 173 | Used by:175 |
Symbol 175 MovieClip | Uses:108 174 112 | Used by:Timeline |
Symbol 176 Graphic | Used by:177 | |
Symbol 177 MovieClip | Uses:109 176 | Used by:Timeline |
Symbol 178 Text | Uses:29 | Used by:Timeline |
Symbol 179 Sound | Used by:Timeline | |
Symbol 180 Graphic | Used by:Timeline | |
Symbol 181 Text | Uses:29 | Used by:Timeline |
Symbol 182 Sound | Used by:Timeline | |
Symbol 183 Text | Uses:29 | Used by:184 |
Symbol 184 MovieClip | Uses:116 117 183 | Used by:Timeline |
Symbol 185 Graphic | Used by:Timeline | |
Symbol 186 Graphic | Used by:188 203 272 369 | |
Symbol 187 Graphic | Used by:188 | |
Symbol 188 MovieClip | Uses:156 103 104 157 106 186 187 | Used by:Timeline |
Symbol 189 Sound | Used by:Timeline | |
Symbol 190 Text | Uses:29 | Used by:Timeline |
Symbol 191 Sound | Used by:Timeline | |
Symbol 192 MovieClip | Uses:163 164 165 | Used by:Timeline |
Symbol 193 Graphic | Used by:Timeline | |
Symbol 194 Graphic | Used by:Timeline | |
Symbol 195 Text | Uses:29 | Used by:Timeline |
Symbol 196 Button | Uses:24 25 | Used by:Timeline |
Symbol 197 Text | Uses:29 | Used by:Timeline |
Symbol 198 Graphic | Used by:Timeline | |
Symbol 199 Graphic | Used by:Timeline | |
Symbol 200 Graphic | Used by:Timeline | |
Symbol 201 Graphic | Used by:Timeline | |
Symbol 202 Graphic | Used by:Timeline | |
Symbol 203 MovieClip | Uses:156 103 104 157 106 186 | Used by:Timeline |
Symbol 204 Graphic | Used by:Timeline | |
Symbol 205 Graphic | Used by:Timeline | |
Symbol 206 Graphic | Used by:Timeline | |
Symbol 207 Graphic | Used by:Timeline | |
Symbol 208 Graphic | Used by:Timeline | |
Symbol 209 Graphic | Used by:Timeline | |
Symbol 210 Graphic | Used by:Timeline | |
Symbol 211 Sound | Used by:Timeline | |
Symbol 212 Graphic | Used by:Timeline | |
Symbol 213 Graphic | Used by:215 231 236 464 | |
Symbol 214 Graphic | Used by:215 | |
Symbol 215 MovieClip | Uses:103 104 213 106 214 | Used by:Timeline |
Symbol 216 Graphic | Used by:Timeline | |
Symbol 217 Graphic | Used by:Timeline | |
Symbol 218 Graphic | Used by:Timeline | |
Symbol 219 Graphic | Used by:Timeline | |
Symbol 220 Graphic | Used by:Timeline | |
Symbol 221 Graphic | Used by:Timeline | |
Symbol 222 Graphic | Used by:Timeline | |
Symbol 223 Graphic | Used by:Timeline | |
Symbol 224 Graphic | Used by:226 | |
Symbol 225 Graphic | Used by:226 | |
Symbol 226 MovieClip | Uses:224 103 104 225 106 | Used by:Timeline |
Symbol 227 Graphic | Used by:231 | |
Symbol 228 Graphic | Used by:231 | |
Symbol 229 Graphic | Used by:231 | |
Symbol 230 Graphic | Used by:231 | |
Symbol 231 MovieClip | Uses:103 104 213 227 228 229 230 | Used by:Timeline |
Symbol 232 Text | Uses:29 | Used by:Timeline |
Symbol 233 Sound | Used by:Timeline | |
Symbol 234 Graphic | Used by:236 | |
Symbol 235 Graphic | Used by:236 | |
Symbol 236 MovieClip | Uses:103 104 213 234 106 235 | Used by:Timeline |
Symbol 237 Text | Uses:34 | Used by:Timeline |
Symbol 238 Button | Uses:24 25 | Used by:Timeline |
Symbol 239 Button | Uses:24 25 | Used by:Timeline |
Symbol 240 Button | Uses:24 25 | Used by:Timeline |
Symbol 241 Button | Uses:24 25 | Used by:Timeline |
Symbol 242 Text | Uses:34 29 | Used by:Timeline |
Symbol 243 Button | Uses:24 25 | Used by:Timeline |
Symbol 244 Button | Uses:24 25 | Used by:Timeline |
Symbol 245 Button | Uses:24 25 | Used by:Timeline |
Symbol 246 Button | Uses:24 25 | Used by:Timeline |
Symbol 247 Button | Uses:24 25 | Used by:Timeline |
Symbol 248 Text | Uses:34 29 | Used by:Timeline |
Symbol 249 Button | Uses:24 25 | Used by:Timeline |
Symbol 250 Button | Uses:24 25 | Used by:Timeline |
Symbol 251 Text | Uses:34 29 | Used by:Timeline |
Symbol 252 Button | Uses:24 25 | Used by:Timeline |
Symbol 253 Button | Uses:24 25 | Used by:Timeline |
Symbol 254 Text | Uses:34 29 | Used by:Timeline |
Symbol 255 Text | Uses:34 29 | Used by:Timeline |
Symbol 256 Button | Uses:24 25 | Used by:Timeline |
Symbol 257 Text | Uses:34 29 | Used by:Timeline |
Symbol 258 Graphic | Used by:Timeline | |
Symbol 259 Graphic | Used by:261 342 | |
Symbol 260 Graphic | Used by:261 | |
Symbol 261 MovieClip | Uses:156 103 104 259 106 260 | Used by:Timeline |
Symbol 262 Text | Uses:34 29 | Used by:Timeline |
Symbol 263 Button | Uses:24 25 | Used by:Timeline |
Symbol 264 Text | Uses:34 29 | Used by:Timeline |
Symbol 265 Text | Uses:34 29 | Used by:Timeline |
Symbol 266 Button | Uses:24 25 | Used by:Timeline |
Symbol 267 Text | Uses:34 29 | Used by:Timeline |
Symbol 268 Button | Uses:24 25 | Used by:Timeline |
Symbol 269 Text | Uses:34 29 | Used by:Timeline |
Symbol 270 Button | Uses:24 25 | Used by:Timeline |
Symbol 271 Text | Uses:34 29 | Used by:Timeline |
Symbol 272 MovieClip | Uses:156 103 104 157 106 186 | Used by:Timeline |
Symbol 273 Text | Uses:34 29 | Used by:Timeline |
Symbol 274 Button | Uses:24 25 | Used by:Timeline |
Symbol 275 Text | Uses:34 29 | Used by:Timeline |
Symbol 276 Button | Uses:24 25 | Used by:Timeline |
Symbol 277 Button | Uses:24 25 | Used by:Timeline |
Symbol 278 Text | Uses:34 29 | Used by:Timeline |
Symbol 279 Button | Uses:24 25 | Used by:Timeline |
Symbol 280 Button | Uses:24 25 | Used by:Timeline |
Symbol 281 Text | Uses:34 29 | Used by:Timeline |
Symbol 282 Button | Uses:24 25 | Used by:Timeline |
Symbol 283 Button | Uses:24 25 | Used by:Timeline |
Symbol 284 Text | Uses:34 29 | Used by:Timeline |
Symbol 285 Text | Uses:34 29 | Used by:Timeline |
Symbol 286 Text | Uses:34 29 | Used by:Timeline |
Symbol 287 Text | Uses:34 29 | Used by:Timeline |
Symbol 288 Text | Uses:34 29 | Used by:Timeline |
Symbol 289 Text | Uses:34 29 | Used by:Timeline |
Symbol 290 Text | Uses:34 29 | Used by:Timeline |
Symbol 291 Text | Uses:34 29 | Used by:Timeline |
Symbol 292 Button | Uses:24 25 | Used by:Timeline |
Symbol 293 Button | Uses:24 25 | Used by:Timeline |
Symbol 294 Button | Uses:24 25 | Used by:Timeline |
Symbol 295 Text | Uses:34 29 | Used by:Timeline |
Symbol 296 Button | Uses:24 25 | Used by:Timeline |
Symbol 297 Text | Uses:34 29 | Used by:Timeline |
Symbol 298 Button | Uses:24 25 | Used by:Timeline |
Symbol 299 Text | Uses:34 29 | Used by:Timeline |
Symbol 300 Button | Uses:24 25 | Used by:Timeline |
Symbol 301 Button | Uses:24 25 | Used by:Timeline |
Symbol 302 Button | Uses:24 25 | Used by:Timeline |
Symbol 303 Text | Uses:34 29 | Used by:Timeline |
Symbol 304 Button | Uses:24 25 | Used by:Timeline |
Symbol 305 Text | Uses:34 29 | Used by:Timeline |
Symbol 306 Button | Uses:24 25 | Used by:Timeline |
Symbol 307 Text | Uses:34 29 | Used by:Timeline |
Symbol 308 Button | Uses:24 25 | Used by:Timeline |
Symbol 309 Text | Uses:34 29 | Used by:Timeline |
Symbol 310 Button | Uses:24 25 | Used by:Timeline |
Symbol 311 Button | Uses:24 25 | Used by:Timeline |
Symbol 312 Text | Uses:34 29 | Used by:Timeline |
Symbol 313 Text | Uses:34 29 | Used by:Timeline |
Symbol 314 Button | Uses:24 25 | Used by:Timeline |
Symbol 315 Text | Uses:34 29 | Used by:Timeline |
Symbol 316 Button | Uses:24 25 | Used by:Timeline |
Symbol 317 Text | Uses:34 29 | Used by:Timeline |
Symbol 318 Button | Uses:24 25 | Used by:Timeline |
Symbol 319 Button | Uses:24 25 | Used by:Timeline |
Symbol 320 Button | Uses:24 25 | Used by:Timeline |
Symbol 321 Text | Uses:34 29 | Used by:Timeline |
Symbol 322 Button | Uses:24 25 | Used by:Timeline |
Symbol 323 Button | Uses:24 25 | Used by:Timeline |
Symbol 324 Button | Uses:24 25 | Used by:Timeline |
Symbol 325 Text | Uses:29 | Used by:Timeline |
Symbol 326 Text | Uses:29 | Used by:Timeline |
Symbol 327 Button | Uses:24 25 | Used by:Timeline |
Symbol 328 Text | Uses:29 | Used by:Timeline |
Symbol 329 Button | Uses:24 25 | Used by:Timeline |
Symbol 330 Button | Uses:24 25 | Used by:Timeline |
Symbol 331 Text | Uses:29 | Used by:Timeline |
Symbol 332 Text | Uses:34 | Used by:Timeline |
Symbol 333 Text | Uses:29 | Used by:Timeline |
Symbol 334 Text | Uses:29 | Used by:Timeline |
Symbol 335 Text | Uses:29 | Used by:Timeline |
Symbol 336 Text | Uses:29 | Used by:Timeline |
Symbol 337 Text | Uses:29 | Used by:Timeline |
Symbol 338 Text | Uses:29 | Used by:Timeline |
Symbol 339 Sound | Used by:Timeline | |
Symbol 340 Text | Uses:29 | Used by:Timeline |
Symbol 341 Sound | Used by:Timeline | |
Symbol 342 MovieClip | Uses:156 103 104 259 106 158 161 | Used by:Timeline |
Symbol 343 Text | Uses:29 | Used by:Timeline |
Symbol 344 Sound | Used by:Timeline | |
Symbol 345 Text | Uses:29 | Used by:Timeline |
Symbol 346 Sound | Used by:Timeline | |
Symbol 347 MovieClip | Uses:156 103 104 157 106 158 161 | Used by:Timeline |
Symbol 348 Text | Uses:29 | Used by:Timeline |
Symbol 349 Sound | Used by:Timeline | |
Symbol 350 Text | Uses:29 | Used by:Timeline |
Symbol 351 Sound | Used by:Timeline | |
Symbol 352 Text | Uses:29 | Used by:Timeline |
Symbol 353 Sound | Used by:Timeline | |
Symbol 354 Text | Uses:29 | Used by:Timeline |
Symbol 355 Sound | Used by:Timeline | |
Symbol 356 Graphic | Used by:359 | |
Symbol 357 Graphic | Used by:359 | |
Symbol 358 Graphic | Used by:359 | |
Symbol 359 MovieClip | Uses:156 103 104 356 357 358 | Used by:Timeline |
Symbol 360 Text | Uses:29 | Used by:Timeline |
Symbol 361 Sound | Used by:Timeline | |
Symbol 362 Text | Uses:29 | Used by:Timeline |
Symbol 363 Sound | Used by:Timeline | |
Symbol 364 Graphic | Used by:365 | |
Symbol 365 MovieClip | Uses:364 | Used by:366 369 |
Symbol 366 MovieClip | Uses:156 103 104 157 106 158 365 161 | Used by:Timeline |
Symbol 367 Text | Uses:29 | Used by:Timeline |
Symbol 368 Sound | Used by:Timeline | |
Symbol 369 MovieClip | Uses:156 103 104 157 106 365 186 | Used by:Timeline |
Symbol 370 Text | Uses:29 | Used by:Timeline |
Symbol 371 Sound | Used by:Timeline | |
Symbol 372 Text | Uses:29 | Used by:Timeline |
Symbol 373 Sound | Used by:Timeline | |
Symbol 374 Text | Uses:29 | Used by:Timeline |
Symbol 375 Sound | Used by:Timeline | |
Symbol 376 Text | Uses:29 | Used by:Timeline |
Symbol 377 Sound | Used by:Timeline | |
Symbol 378 Text | Uses:29 | Used by:Timeline |
Symbol 379 Sound | Used by:Timeline | |
Symbol 380 Text | Uses:29 | Used by:Timeline |
Symbol 381 Sound | Used by:Timeline | |
Symbol 382 Text | Uses:29 | Used by:Timeline |
Symbol 383 Sound | Used by:Timeline | |
Symbol 384 Text | Uses:29 | Used by:Timeline |
Symbol 385 Sound | Used by:Timeline | |
Symbol 386 Text | Uses:29 | Used by:Timeline |
Symbol 387 Sound | Used by:Timeline | |
Symbol 388 Text | Uses:29 | Used by:Timeline |
Symbol 389 Sound | Used by:Timeline | |
Symbol 390 Text | Uses:29 | Used by:Timeline |
Symbol 391 Sound | Used by:Timeline | |
Symbol 392 Text | Uses:29 | Used by:Timeline |
Symbol 393 Sound | Used by:Timeline | |
Symbol 394 Text | Uses:29 | Used by:Timeline |
Symbol 395 Sound | Used by:Timeline | |
Symbol 396 Text | Uses:29 | Used by:Timeline |
Symbol 397 Sound | Used by:Timeline | |
Symbol 398 Text | Uses:29 | Used by:Timeline |
Symbol 399 Sound | Used by:Timeline | |
Symbol 400 Text | Uses:29 | Used by:Timeline |
Symbol 401 Sound | Used by:Timeline | |
Symbol 402 Sound | Used by:Timeline | |
Symbol 403 Text | Uses:29 | Used by:Timeline |
Symbol 404 Sound | Used by:Timeline | |
Symbol 405 Text | Uses:29 | Used by:Timeline |
Symbol 406 Sound | Used by:Timeline | |
Symbol 407 Text | Uses:29 | Used by:Timeline |
Symbol 408 Sound | Used by:Timeline | |
Symbol 409 Text | Uses:29 | Used by:Timeline |
Symbol 410 Sound | Used by:Timeline | |
Symbol 411 Text | Uses:29 | Used by:Timeline |
Symbol 412 Sound | Used by:Timeline | |
Symbol 413 Text | Uses:29 | Used by:Timeline |
Symbol 414 Sound | Used by:Timeline | |
Symbol 415 Text | Uses:29 | Used by:Timeline |
Symbol 416 Sound | Used by:Timeline | |
Symbol 417 Text | Uses:29 | Used by:Timeline |
Symbol 418 Sound | Used by:Timeline | |
Symbol 419 Text | Uses:29 | Used by:Timeline |
Symbol 420 Sound | Used by:Timeline | |
Symbol 421 Text | Uses:29 | Used by:Timeline |
Symbol 422 Sound | Used by:Timeline | |
Symbol 423 Text | Uses:29 | Used by:Timeline |
Symbol 424 Sound | Used by:Timeline | |
Symbol 425 Text | Uses:29 | Used by:Timeline |
Symbol 426 Sound | Used by:Timeline | |
Symbol 427 Text | Uses:29 | Used by:Timeline |
Symbol 428 Sound | Used by:Timeline | |
Symbol 429 Text | Uses:29 | Used by:Timeline |
Symbol 430 Sound | Used by:Timeline | |
Symbol 431 Text | Uses:29 | Used by:Timeline |
Symbol 432 Sound | Used by:Timeline | |
Symbol 433 Text | Uses:29 | Used by:Timeline |
Symbol 434 Sound | Used by:Timeline | |
Symbol 435 Sound | Used by:Timeline | |
Symbol 436 Graphic | Used by:Timeline | |
Symbol 437 Text | Uses:29 | Used by:Timeline |
Symbol 438 Sound | Used by:Timeline | |
Symbol 439 Text | Uses:29 | Used by:Timeline |
Symbol 440 Sound | Used by:Timeline | |
Symbol 441 Text | Uses:29 | Used by:Timeline |
Symbol 442 Sound | Used by:Timeline | |
Symbol 443 Text | Uses:29 | Used by:Timeline |
Symbol 444 Sound | Used by:Timeline | |
Symbol 445 Text | Uses:29 | Used by:Timeline |
Symbol 446 Sound | Used by:Timeline | |
Symbol 447 Text | Uses:29 | Used by:Timeline |
Symbol 448 Sound | Used by:Timeline | |
Symbol 449 Text | Uses:29 | Used by:Timeline |
Symbol 450 Sound | Used by:Timeline | |
Symbol 451 Text | Uses:29 | Used by:Timeline |
Symbol 452 Sound | Used by:Timeline | |
Symbol 453 Text | Uses:29 | Used by:Timeline |
Symbol 454 Sound | Used by:Timeline | |
Symbol 455 Text | Uses:29 | Used by:Timeline |
Symbol 456 Sound | Used by:Timeline | |
Symbol 457 Text | Uses:29 | Used by:Timeline |
Symbol 458 Sound | Used by:Timeline | |
Symbol 459 Text | Uses:29 | Used by:Timeline |
Symbol 460 Sound | Used by:Timeline | |
Symbol 461 Text | Uses:29 | Used by:Timeline |
Symbol 462 Sound | Used by:Timeline | |
Symbol 463 Graphic | Used by:464 | |
Symbol 464 MovieClip | Uses:103 104 213 106 463 | Used by:Timeline |
Symbol 465 Text | Uses:29 | Used by:Timeline |
Symbol 466 Sound | Used by:Timeline | |
Symbol 467 Text | Uses:29 | Used by:Timeline |
Symbol 468 Sound | Used by:Timeline | |
Symbol 469 Text | Uses:29 | Used by:Timeline |
Symbol 470 Sound | Used by:Timeline | |
Symbol 471 Text | Uses:29 | Used by:Timeline |
Symbol 472 Sound | Used by:Timeline | |
Symbol 473 Text | Uses:29 | Used by:Timeline |
Symbol 474 Sound | Used by:Timeline | |
Symbol 475 Text | Uses:29 | Used by:Timeline |
Symbol 476 Sound | Used by:Timeline | |
Symbol 477 Text | Uses:29 | Used by:Timeline |
Symbol 478 Sound | Used by:Timeline | |
Symbol 479 Font | Used by:480 | |
Symbol 480 Text | Uses:479 | Used by:Timeline |
Symbol 481 Sound | Used by:Timeline | |
Symbol 482 Text | Uses:29 | Used by:Timeline |
Symbol 483 Sound | Used by:Timeline | |
Symbol 484 Text | Uses:34 29 | Used by:Timeline |
Symbol 485 Button | Uses:24 25 | Used by:Timeline |
Symbol 486 Text | Uses:29 | Used by:Timeline |
Symbol 487 Sound | Used by:Timeline | |
Symbol 488 Text | Uses:29 | Used by:Timeline |
Symbol 489 Sound | Used by:Timeline | |
Symbol 490 Text | Uses:29 | Used by:Timeline |
Symbol 491 Sound | Used by:Timeline | |
Symbol 492 Text | Uses:34 29 | Used by:Timeline |
Symbol 493 Button | Uses:24 25 | Used by:Timeline |
Symbol 494 Text | Uses:29 | Used by:Timeline |
Symbol 495 Sound | Used by:Timeline | |
Symbol 496 Text | Uses:29 | Used by:Timeline |
Symbol 497 Sound | Used by:Timeline | |
Symbol 498 Text | Uses:29 | Used by:Timeline |
Symbol 499 Sound | Used by:Timeline | |
Symbol 500 Text | Uses:29 | Used by:Timeline |
Symbol 501 Sound | Used by:Timeline | |
Symbol 502 Text | Uses:34 29 | Used by:Timeline |
Symbol 503 Button | Uses:24 25 | Used by:Timeline |
Symbol 504 Button | Uses:24 25 | Used by:Timeline |
Symbol 505 Text | Uses:29 | Used by:Timeline |
Symbol 506 Sound | Used by:Timeline | |
Symbol 507 Text | Uses:34 29 | Used by:Timeline |
Symbol 508 Button | Uses:24 25 | Used by:Timeline |
Symbol 509 Text | Uses:29 | Used by:Timeline |
Symbol 510 Sound | Used by:Timeline | |
Symbol 511 Text | Uses:29 | Used by:Timeline |
Symbol 512 Sound | Used by:Timeline | |
Symbol 513 Text | Uses:34 29 | Used by:Timeline |
Symbol 514 Button | Uses:24 25 | Used by:Timeline |
Symbol 515 Button | Uses:24 25 | Used by:Timeline |
Symbol 516 Text | Uses:29 | Used by:Timeline |
Symbol 517 Sound | Used by:Timeline | |
Symbol 518 Text | Uses:34 29 | Used by:Timeline |
Symbol 519 Text | Uses:29 | Used by:Timeline |
Symbol 520 Sound | Used by:Timeline | |
Symbol 521 Text | Uses:29 | Used by:Timeline |
Symbol 522 Sound | Used by:Timeline | |
Symbol 523 Text | Uses:34 29 | Used by:Timeline |
Symbol 524 Button | Uses:24 25 | Used by:Timeline |
Symbol 525 Text | Uses:29 | Used by:Timeline |
Symbol 526 Sound | Used by:Timeline | |
Symbol 527 Text | Uses:29 | Used by:Timeline |
Symbol 528 Sound | Used by:Timeline | |
Symbol 529 Text | Uses:34 29 | Used by:Timeline |
Symbol 530 Button | Uses:24 25 | Used by:Timeline |
Symbol 531 Text | Uses:29 | Used by:Timeline |
Symbol 532 Sound | Used by:Timeline |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"load1" | Frame 26 |
"ad" | Frame 40 |
"intro" | Frame 46 |
"intro2" | Frame 48 |
"congrats" | Frame 138 |
"hiphop" | Frame 155 |
"t1" | Frame 253 |
"t2" | Frame 266 |
"t3" | Frame 271 |
"cold" | Frame 734 |
"steady" | Frame 874 |
"pause" | Frame 882 |
"q1" | Frame 1170 |
"q2" | Frame 1178 |
"q3" | Frame 1185 |
"q4" | Frame 1193 |
"q5" | Frame 1200 |
"q6" | Frame 1208 |
"q7" | Frame 1216 |
"q8" | Frame 1223 |
"q9" | Frame 1231 |
"q10" | Frame 1238 |
"q11" | Frame 1246 |
"q12" | Frame 1254 |
"q13" | Frame 1261 |
"q14" | Frame 1269 |
"q15" | Frame 1276 |
"q16" | Frame 1285 |
"q17" | Frame 1293 |
"q18" | Frame 1300 |
"q19" | Frame 1308 |
"q19a" | Frame 1315 |
"q20" | Frame 1324 |
"q21" | Frame 1332 |
"q22" | Frame 1340 |
"q23" | Frame 1347 |
"q24" | Frame 1355 |
"q25" | Frame 1362 |
"q26" | Frame 1370 |
"q27" | Frame 1378 |
"q28" | Frame 1385 |
"q29" | Frame 1393 |
"q30" | Frame 1400 |
"q31" | Frame 1408 |
"q32" | Frame 1416 |
"q33" | Frame 1423 |
"q34" | Frame 1431 |
"q35" | Frame 1438 |
"q36" | Frame 1447 |
"end1" | Frame 1458 |
"end2" | Frame 1467 |
"end3" | Frame 1475 |
"end4" | Frame 1483 |
"mk1" | Frame 1504 |
"mk2" | Frame 1566 |
"mk2a" | Frame 1637 |
"jump1" | Frame 1651 |
"jump2" | Frame 1659 |
"mk3" | Frame 1844 |
"mk4" | Frame 2254 |
"mk1a" | Frame 2379 |
"mk1a1" | Frame 2453 |
"mk1a2" | Frame 2608 |
"mk1a3" | Frame 2756 |
"mk1a4" | Frame 2852 |
"mk1a5" | Frame 2986 |
"mk1b" | Frame 3081 |
"mk1c" | Frame 3171 |
"mk1c1" | Frame 3220 |
"mk1c2" | Frame 3266 |
"mk1c3" | Frame 3408 |
"mk2b" | Frame 3501 |
"mk2b1" | Frame 3850 |
"mk2b1a" | Frame 3933 |
"mk2b1b" | Frame 3982 |
"mk2b1c" | Frame 4095 |
"mk2b2" | Frame 4236 |
"mk2b3" | Frame 4390 |
"mk2c" | Frame 4526 |
"mk5" | Frame 4724 |
"mk5a" | Frame 4863 |
"mk5b" | Frame 4926 |
"mk5c" | Frame 5002 |
"mk5c1" | Frame 5147 |
"mk5c2" | Frame 5454 |
"mk5c3" | Frame 5526 |
"mk5c4" | Frame 5561 |
"mk5c5" | Frame 5609 |
"mk5d" | Frame 5661 |
"mk5d1" | Frame 5756 |
"mk5e" | Frame 5782 |
"mk5ea" | Frame 5817 |
"mk5e1" | Frame 5869 |
"mk5e2" | Frame 5955 |
"mk5e3" | Frame 6000 |
"mk5e3a" | Frame 6052 |
"mk5e4" | Frame 6114 |
"mk5e5" | Frame 6166 |
"mk6" | Frame 6281 |
"q37" | Frame 6431 |
"mk6a" | Frame 6441 |
"q38" | Frame 6570 |
"mk6a1" | Frame 6577 |
"q39" | Frame 6813 |
"mk6a2" | Frame 6821 |
"q40" | Frame 6956 |
"mk6a3" | Frame 6963 |
"mk6a3a" | Frame 6981 |
"q41" | Frame 7077 |
"mk6a4" | Frame 7084 |
"q42" | Frame 7177 |
"mk6a5" | Frame 7184 |
"q43" | Frame 7360 |
"mk6a6" | Frame 7368 |
"q44" | Frame 7504 |
"mk7" | Frame 7511 |
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