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Loading Ambition |
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PLAY AMBITION |
Episode #8 "The Interrogation - Part 2" Written & directed by Michael Gibson Featuring the voices of Gaye Hardiman, Matt Handy and Michael Gibson Executive Producer - Allan J. Stitt Associate Producers - Frank Handy Recorded at Post Toronto (c)2003 Zapdramatic Inc. |
CONTINUE |
Yale's wife Helen met him at the office and she was upset about his relationship with Angie. They talked and then agreed to go home and have Chinese food. Helen left in her car. After she left Yale discovered that his car had been stolen. |
When you interviewed Yale in episode 6, he told you that the evening of the murder he had met with Angie and saw her leave at around 11pm. |
He says he then walked to the police station and reported his car missing. He made no mention of Ted. Bridget's story differs significantly from Yale's. |
BACK |
In the last episode, you got Bridget to admit that she stole Yale's car and left it in the alley behind Ted's apartment. |
That led to her description of events leading up to the murder. Helen, driving a red car was pursued by Yale and Ted in Yale's silver car. Helen got out of her car and walked. Yale got out of his car and into Helen's car and pursued her. Ted grabbed the tire iron out of Yale's car and chased them both screaming. |
You will need to interview Yale and Helen. But first there are still some inconsistencies in Bridget's story that you need to clear up. |
Bridget is clearly lying about seeing Ted. The pizza delivery boy clearly remembers seeing Ted at his apartment at 11:15 pm. Yet Bridget claims to have seen him with Yale at 11:30. Yale never mentioned anything about seeing Ted and claims to have been at his office with Helen at 11:30. |
If Bridget is lying about seeing Ted is she also lying about seeing Helen and Yale chasing each other up the lake road? |
According to Yale, he and Helen were arguing at that time and Helen left in her car and would have taken the lake road to get to her home. So either Yale is lying about his car being stolen at his office or Bridget made up the part about seeing Yale and Ted pursue Helen. Try to get the truth out of Bridget. |
Ambition is still loading. Please be patient. |
SKIP |
Look, all I can tell you is you've just scratched the surface. It's not as simple as you think. If you want to really know what happened you should talk to the black dude. |
How do you reply? Ask her if she still maintains Ted killed Angie. Ask her if she is suggesting that Yale killed Angie. Ask her if she thinks Helen killed Angie. Ask her if she is suggesting Rolf killed Angie. Go and talk to Yale and Helen. |
I'm not saying another word unless you give me full immunity. |
How do you reply? Explain that immunity is a tool used by prosecutors to induce a small fish to rat on a big fish. From what she's told you she has nothing to do with the murder so why is she asking for immunity? Agree to give her immunity if she has information that will lead to a first degree murder conviction. Tell her you've got her on grand theft auto which is five years jail time. Tell her you can give her a break if she coughs up information that will lead you to the real killer. |
Immunity? No deal! |
That cat is guilty and your police work is shoddy. If I were you I'd head back in there and start again. |
Where the bejiminey do you think you're going? |
I don't trust the police. |
You've already told me you'll charge me for so-called stealing the black dude's car. I want blanket immunity or I zip my mouth shut and take my chances. |
Is that Ted? |
How do you reply? Tell her Ted is in a cell down the hall and if she has nothing to do with the murder she'll save herself a lot of jail time by helping you rule her out as a suspect. Tell her Ted is in a cell down the hall and ask why she left the car in an alley behind Ted's apartment. Agree to give her immunity if she has information that will lead to a first degree murder conviction.. |
I can't hear myself think. |
Ted, shut the hell up! |
Sorry, now what did you …? |
Yes it's me you crazy fool. Now, be quiet! |
Sorry, what were you--- |
Would you shut him up. I can't hear myself think. |
How do you reply? Go down the hall and talk to Ted. Tell her to ignore him and say if she has nothing to do with the murder she'll save herself a lot of jail time by helping you rule her out as a suspect. Tell her to ignore him and ask why she left the car in an alley behind Ted's apartment. |
Bring him over here. I'll make him shut up. |
You don't get paid to sit and listen to the birds, you know. Frank wants to talk with you out in the hall. NOW! |
Your incompetence is costing this force way too many useless man hours. I'm asigning you to crosswalk duty at half pay. |
How precious did that grace appear... |
...The hour I first believed. |
What do you do? Ask him to please be quiet. Tell him if he doesn't stop singing you will have him moved to solitary. Tell him Bridget is upset with him. |
Through many dangers, toils and snares… |
Hello, Ted. |
Long time no see, Bridget. What's up? |
I'm a little weary of all the questions... |
...but apart from that, I'm ok. How're you? |
What are you doing to me, Bridget? |
Ted, I want you to tell the truth about the murder. |
That you killed the woman. |
Oh Ted, nobody believes your fantastic stories. You're insane and you need to be locked up and treated so that you're not a threat to society. |
Shut-up! |
Prove it! |
I saw you with the black dude on the lake road at 11:30. If you deny it, you're a liar! |
They're in it together. I told you the black dude's an operative for my boyfriend Rolf Klink. I can't tell you anything more unless you give me immunity. |
I don't need this. Can I go now? |
What do you do? Ask Bridget to explain how she could have seen Ted and Yale chasing Helen at 11:30pm the night of the murder when you have proof that Ted was eating pizza at his apartment 3 miles away. Tell Bridget you don't believe Ted could have committed the murder and you consider it highly suspicious that she maintains that she saw Ted with Yale that night. Tell Bridget that you have already caught her out on one lie and she isn't helping her credibility if she continues to lie. |
You need to talk to the black dude. Obviously, he was with Ted at Ted's apartment when the pizza was delivered. |
Then the two of them took off in the black dude's car after the red haired woman. |
What truth would that be? |
Geez, Bridget. Who's looking after the kids? |
I didn't kill anyone and you know it. |
This whole thing's been a set up from the beginning. |
She doped me and spread blood all over my apartment and stole the kids. |
She's a cold-blooded manipulative liar! |
Geez, Bridget you're going to fall into the pit you're digging for me. |
I was home all night. |
I polished off a 40 pounder, babe. Even I need more than ten minutes to knock one of those puppies back. |
You should talk to my lawyer, Yale Johnson. He'll back me up. I never saw him that night. |
Imunity??? |
Shut up! Loser! |
What do you do? Agree to give Bridget immunity if she'll provide information that leads to a conviction. Go and interview Yale Ask Bridget why she left the car in the alley behind Ted's apartment. |
Where the bejiminey do you think you're going? |
Immunity?!! No deal!! |
That cat is guilty and your police work is shoddy. If I were you, I'd start again. |
Go back to last mistake Start again from beginning |
Michael Gibson's interactive mystery |
Ambition Episode 10 - The Trial |
Now Playing at Zapdramatic.com |
Michael Gibson's interactive mystery |
Ambition Episode 10 - The Trial |
Now Playing for Zap members View Trailer |
Are you simple or something? I already told you. I didn't think it was smart to be driving a stolen car. |
To think I chose her to be the mother of my children. God help them. |
You're a loser, Ted. |
What the begiddily is going on here? |
I'm not saying anything more without immunity and witness protection. |
Why are you endangering the life of our witness by exposing her to a known violent criminal? |
What do you do? Tell Duke you are employing advanced interrogation techniques and if he'd kindly stand aside and listen he might learn something. Grab Bridget by the arm and pull her away from Ted's cell. Ask Bridget to kindly take two steps away from Ted's cell. Tell Duke he's a meddling creep and punch his lights out. |
Who the bejiminey do you think you are? |
Ow! You've broken my dose! Uncle Frank! Uncle Frank. |
Don't be such a pussy! |
Help help help help! |
Ow! Ow! Ow! Ow! |
Let go of her. That's assault, you flee-brain! Are you out of your mind? |
On my authority, I'm taking you off this case. You better hope she doesn't lay charges. |
What do you do? Tell Duke to stand aside and mind his own business. Apologize to Bridget and explain that you were only trying to help her. Explain to Duke that you believe Bridget is faking and trying to set you up. |
You're a liar!!! |
Calm down, Ma'am. I'll handle this. |
Uncle Frank this investigator has just assaulted our witness. |
You really are dumber than a sack of hammers. |
Your incompetence is costing this force. I'm assigning you to cross-walk duty at half pay. |
TRY AGAIN FROM LAST MISTAKE |
START AT THE BEGINNING |
TRY AGAIN |
What do you do? Grab Bridget by the arms and pull her away from Ted Do nothing and restrain Duke if he tries to interfere. Do nothing and let Duke jump in and compromise himself.. Draw your weapon and order Ted to release her immediately and drop flat on the floor. |
What the heck are you doing?!! |
Hartrup let go of her or I'll blow your brains out. |
I haven't touched her! |
Liar!! |
Uncle Frank this investigator has recklessly placed our witness in harms way and I suggest I take over. |
Help help help help. |
Don't look at me. I warned you she was fruitier than a case of oranges. |
What was that all about Bridget? A bad itch? |
Shut up! |
She's all yours. |
I'm not saying anything more without immunity and witness protection. |
What do you do? Tell her if she doesn't have anything more to say you'll lock her up and charge her with grand theft auto. Ask when she realized that the car belonged to Yale. Agree to give her immunity if she gives you information that will lead to a first degree murder conviction. |
You're going to need to roll up your sleeves and dig a little deeper because the truth is a lot scarier than you think. |
Go back and dig a little deeper. |
When I sat in the luxurious leather seats, Sherlock now, are you going to give me immunity? |
What do you do? Tell her you are going to charge her with grand theft auto. Ask why she parked Yale's car in the alley behind Ted's apartment. Say yes when she tells you who killed Angie. |
No, you're getting all twisted up with the facts. "Facts are the enemy of truth" who said that? |
What do you do? English playwright William Shakespeare Spanish novelist Miguel de Cervantes American president George W. Bush Canadian humourist Stephen Leacock |
You really are an ignorant fool. It was the 16th century Spanish novelist Miguel de Cervantes. |
Very good. You're smarter than you look. |
No it was the 16th century Spanish novelist Miguel de Cervantes and Bush is a leading scholar of his work. |
The wisdom in that quote is that you will never know the truth if you restrict yourself only to the facts. |
What do you do? Correct her saying that Cervantes' wisdom was that those who profess to know the truth are false prophets and their fraud will be exposed by the facts. Ask if the truth is not the sum of all the facts. Tell her that at trial there will be three versions of the truth: her version, the police version and what really happened. Ask her to guess which version will have no bearing on the jury's verdict. |
Amen! |
Please, I'm tired and you're not making any sense. |
I'm totally stressed out by all of this. My children need me. Can I go now? |
What do you do? Thank her for her time and release her and go talk to Helen and Yale. Tell her an innocent person would not have parked Yale's car in Ted's back alley. |
Where the bejiminey do you think you're going? |
That cat is guilty and your police work is shoddy. If I were you, I'd start again. |
Back to last mistake |
You missed a critical inconsistency in her story. Go back in there and nail her. |
Why not? |
What do you do? Say the reason she parked Yale's car in Ted's lane was to try to frame him for the murder. Say the reason she parked Yale's car in Ted's lane was to try to frame him for car theft. Tell her an innocent person would have returned Yale's car to his house or office. |
Alright maybe I did. So book me for mischief. |
What do you do? Book her for mischief and go interview Yale and Helen Book her for murder and go interview Yale and Helen. Release her and go interview Yale and Helen. |
Alright, maybe I did. |
So book me for mischief. |
What do you do? Book her for mischief and go interview Yale and Helen. Release her and go interview Yale and Helen. |
Alright, so I wanted you to think Ted stole the car. |
Murder? You're a fool. I have no motive and you have no evidence. |
You blew it, baby. |
What do you do? Ask her why she wanted to frame Ted for the murder. Tell her you think it's very improbable that Yale was at Ted's apartment at 11:20pm eating pizza and then somehow caught up with Helen on the lake road at 11:30. Tell her that you believe her motive was to pin the murder on Ted so that he would be out of her life for good. |
Because Ted's a no-good dead-beat Dad and he deserves to rot in jail. |
What do you do? Tell her that her problem is that if Ted is in jail he won't be able to pay child support. Tell her that her problem is that Yale has already given evidence that he was not with Ted that evening and Yale's word will have greater weight in court than hers. Tell her that her problem is that according to her story when she parked the car in the alley no murder had been committed. |
Well, it may be improbable but it is possible and that's all I need for an acquittal. |
You're going to need to roll up your sleeves and dig a little deeper because the truth is a lot scarier than you think. |
Geez, you really are stupid. I have two kids to raise and I need support. That creep is legally out of my life. |
I'm not worried about that but the last thing I need is for him to escape his financial responsibility by loafing about in jail. |
Ok, you're right so that pretty well wipes out any motive I might have had, doesn't it? |
You're going to need to roll up your sleeves and dig a little deeper because the truth is a lot scarier than you think. |
That may be true but you still don't have anything to convict me of murder. |
So? |
So the only way you would've known there was a murder to frame me with is if you had something to do with it, baby. |
Oh please, I'm just a pawn. It was Yale working for Rolf. |
I knew it was going down but there was nothing I could do about it. |
DESTROY |
You were right about them wanting to silence the shrink's criticism of the drug. |
5 4 3 2 1 |
What's going on? |
Shhh! Everything you need is strapped around your middle. |
What? |
What the heck? |
Congratulations! You have successfully tied Bridget to the murder. |
Is Bridget the lone killer? Or is she just part of a deeper conspiracy? If she acted alone, what was her motive? Find the answers at The Trial. Now Playing at Zapdramatic.com |
Make a comment |
REPLAY |
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Symbol 95 Graphic | Used by:Timeline | |
Symbol 96 Text | Uses:37 | Used by:Timeline |
Symbol 97 Sound | Used by:Timeline | |
Symbol 98 Text | Uses:63 37 | Used by:Timeline |
Symbol 99 Button | Uses:24 25 | Used by:Timeline |
Symbol 100 Button | Uses:24 25 | Used by:Timeline |
Symbol 101 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 102 Text | Uses:37 | Used by:Timeline |
Symbol 103 Sound | Used by:Timeline | |
Symbol 104 Sound | Used by:Timeline | |
Symbol 105 Text | Uses:63 37 | Used by:Timeline |
Symbol 106 Button | Uses:24 25 | Used by:Timeline |
Symbol 107 Button | Uses:24 25 | Used by:Timeline |
Symbol 108 Graphic | Used by:Timeline | |
Symbol 109 Graphic | Used by:112 116 375 | |
Symbol 110 Graphic | Used by:112 116 375 | |
Symbol 111 Graphic | Used by:112 | |
Symbol 112 MovieClip | Uses:109 110 111 | Used by:Timeline |
Symbol 113 Graphic | Used by:116 | |
Symbol 114 Graphic | Used by:116 375 404 | |
Symbol 115 Graphic | Used by:116 375 404 | |
Symbol 116 MovieClip | Uses:109 110 113 114 115 | Used by:Timeline |
Symbol 117 Text | Uses:37 | Used by:Timeline |
Symbol 118 Sound | Used by:Timeline | |
Symbol 119 Text | Uses:37 | Used by:Timeline |
Symbol 120 Sound | Used by:Timeline | |
Symbol 121 Text | Uses:37 | Used by:Timeline |
Symbol 122 Sound | Used by:Timeline | |
Symbol 123 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 124 Text | Uses:37 | Used by:Timeline |
Symbol 125 Sound | Used by:Timeline | |
Symbol 126 Sound | Used by:Timeline | |
Symbol 127 MovieClip | Uses:82 83 84 85 86 87 88 | Used by:Timeline |
Symbol 128 Text | Uses:37 | Used by:Timeline |
Symbol 129 Sound | Used by:Timeline | |
Symbol 130 Sound | Used by:Timeline | |
Symbol 131 Text | Uses:37 | Used by:Timeline |
Symbol 132 Sound | Used by:Timeline | |
Symbol 133 Text | Uses:63 37 | Used by:Timeline |
Symbol 134 Button | Uses:24 25 | Used by:Timeline |
Symbol 135 Sound | Used by:Timeline | |
Symbol 136 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 137 Text | Uses:37 | Used by:Timeline |
Symbol 138 Sound | Used by:Timeline | |
Symbol 139 Sound | Used by:Timeline | |
Symbol 140 Graphic | Used by:141 | |
Symbol 141 MovieClip | Uses:140 | Used by:142 152 155 260 261 |
Symbol 142 MovieClip | Uses:82 83 84 85 86 87 91 141 92 | Used by:Timeline |
Symbol 143 Text | Uses:37 | Used by:Timeline |
Symbol 144 Sound | Used by:Timeline | |
Symbol 145 Text | Uses:37 | Used by:Timeline |
Symbol 146 Sound | Used by:Timeline | |
Symbol 147 Sound | Used by:Timeline | |
Symbol 148 Text | Uses:37 | Used by:Timeline |
Symbol 149 Sound | Used by:Timeline | |
Symbol 150 Text | Uses:37 | Used by:Timeline |
Symbol 151 Sound | Used by:Timeline | |
Symbol 152 MovieClip | Uses:82 83 84 85 86 87 91 141 92 | Used by:Timeline |
Symbol 153 Text | Uses:37 | Used by:Timeline |
Symbol 154 Sound | Used by:Timeline | |
Symbol 155 MovieClip | Uses:82 83 84 85 86 87 141 88 | Used by:Timeline |
Symbol 156 Text | Uses:63 37 | Used by:Timeline |
Symbol 157 Button | Uses:24 25 | Used by:Timeline |
Symbol 158 Button | Uses:24 25 | Used by:Timeline |
Symbol 159 Sound | Used by:Timeline | |
Symbol 160 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 161 MovieClip | Uses:82 83 84 85 86 87 88 | Used by:Timeline |
Symbol 162 Text | Uses:37 | Used by:Timeline |
Symbol 163 Sound | Used by:Timeline | |
Symbol 164 Button | Uses:24 25 | Used by:Timeline |
Symbol 165 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 166 Sound | Used by:Timeline | |
Symbol 167 Sound | Used by:Timeline | |
Symbol 168 Text | Uses:37 | Used by:Timeline |
Symbol 169 Sound | Used by:Timeline | |
Symbol 170 Graphic | Used by:Timeline | |
Symbol 171 Graphic | Used by:Timeline | |
Symbol 172 Graphic | Used by:Timeline | |
Symbol 173 Graphic | Used by:Timeline | |
Symbol 174 Graphic | Used by:Timeline | |
Symbol 175 Graphic | Used by:Timeline | |
Symbol 176 Graphic | Used by:Timeline | |
Symbol 177 Graphic | Used by:Timeline | |
Symbol 178 Graphic | Used by:182 187 384 | |
Symbol 179 Graphic | Used by:182 187 384 | |
Symbol 180 Graphic | Used by:182 187 384 | |
Symbol 181 Graphic | Used by:182 187 | |
Symbol 182 MovieClip | Uses:178 179 180 181 | Used by:Timeline |
Symbol 183 Graphic | Used by:184 Timeline | |
Symbol 184 MovieClip | Uses:183 | Used by:Timeline |
Symbol 185 Graphic | Used by:187 384 | |
Symbol 186 Graphic | Used by:187 384 | |
Symbol 187 MovieClip | Uses:178 179 180 185 186 181 | Used by:Timeline |
Symbol 188 Text | Uses:37 | Used by:Timeline |
Symbol 189 Sound | Used by:Timeline | |
Symbol 190 Sound | Used by:Timeline | |
Symbol 191 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 192 Sound | Used by:Timeline | |
Symbol 193 Text | Uses:37 | Used by:Timeline |
Symbol 194 Graphic | Used by:Timeline | |
Symbol 195 Sound | Used by:Timeline | |
Symbol 196 Graphic | Used by:Timeline | |
Symbol 197 Graphic | Used by:201 212 227 305 Timeline | |
Symbol 198 Graphic | Used by:201 212 227 291 305 Timeline | |
Symbol 199 Graphic | Used by:201 212 227 305 Timeline | |
Symbol 200 Graphic | Used by:201 212 227 305 | |
Symbol 201 MovieClip | Uses:197 198 199 200 | Used by:Timeline |
Symbol 202 Graphic | Used by:Timeline | |
Symbol 203 Sound | Used by:Timeline | |
Symbol 204 Sound | Used by:Timeline | |
Symbol 205 Sound | Used by:Timeline | |
Symbol 206 Graphic | Used by:Timeline | |
Symbol 207 Graphic | Used by:Timeline | |
Symbol 208 Graphic | Used by:Timeline | |
Symbol 209 Graphic | Used by:Timeline | |
Symbol 210 Graphic | Used by:212 227 305 | |
Symbol 211 Graphic | Used by:212 227 305 | |
Symbol 212 MovieClip | Uses:197 198 199 210 211 200 | Used by:Timeline |
Symbol 213 Text | Uses:37 | Used by:Timeline |
Symbol 214 Sound | Used by:Timeline | |
Symbol 215 Graphic | Used by:Timeline | |
Symbol 216 Text | Uses:63 37 | Used by:Timeline |
Symbol 217 Button | Uses:24 25 | Used by:Timeline |
Symbol 218 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 219 Text | Uses:37 | Used by:Timeline |
Symbol 220 Graphic | Used by:Timeline | |
Symbol 221 Graphic | Used by:224 Timeline | |
Symbol 222 Graphic | Used by:224 | |
Symbol 223 Graphic | Used by:224 | |
Symbol 224 MovieClip | Uses:221 222 223 | Used by:Timeline |
Symbol 225 Text | Uses:37 | Used by:Timeline |
Symbol 226 Sound | Used by:Timeline | |
Symbol 227 MovieClip | Uses:197 198 199 210 211 200 | Used by:Timeline |
Symbol 228 Text | Uses:37 | Used by:Timeline |
Symbol 229 Sound | Used by:Timeline | |
Symbol 230 Text | Uses:37 | Used by:Timeline |
Symbol 231 Sound | Used by:Timeline | |
Symbol 232 Graphic | Used by:234 239 254 269 359 363 Timeline | |
Symbol 233 Graphic | Used by:234 | |
Symbol 234 MovieClip | Uses:83 84 85 232 87 233 | Used by:Timeline |
Symbol 235 Graphic | Used by:239 269 359 | |
Symbol 236 Graphic | Used by:239 269 359 | |
Symbol 237 Graphic | Used by:239 269 359 | |
Symbol 238 Graphic | Used by:239 | |
Symbol 239 MovieClip | Uses:83 84 85 232 235 236 237 238 | Used by:Timeline |
Symbol 240 Text | Uses:37 | Used by:Timeline |
Symbol 241 Sound | Used by:Timeline | |
Symbol 242 Text | Uses:37 | Used by:Timeline |
Symbol 243 Sound | Used by:Timeline | |
Symbol 244 Text | Uses:37 | Used by:Timeline |
Symbol 245 Sound | Used by:Timeline | |
Symbol 246 Text | Uses:37 | Used by:Timeline |
Symbol 247 Sound | Used by:Timeline | |
Symbol 248 Text | Uses:37 | Used by:Timeline |
Symbol 249 Sound | Used by:Timeline | |
Symbol 250 Graphic | Used by:251 389 395 | |
Symbol 251 MovieClip | Uses:82 83 84 85 250 87 91 92 | Used by:Timeline |
Symbol 252 Graphic | Used by:254 | |
Symbol 253 Graphic | Used by:254 | |
Symbol 254 MovieClip | Uses:83 84 85 232 252 87 253 | Used by:Timeline |
Symbol 255 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 256 Text | Uses:37 | Used by:Timeline |
Symbol 257 Sound | Used by:Timeline | |
Symbol 258 Text | Uses:37 | Used by:Timeline |
Symbol 259 Sound | Used by:Timeline | |
Symbol 260 MovieClip | Uses:82 83 84 85 86 87 141 88 | Used by:Timeline |
Symbol 261 MovieClip | Uses:82 83 84 85 86 87 91 141 92 | Used by:Timeline |
Symbol 262 Text | Uses:37 | Used by:Timeline |
Symbol 263 Sound | Used by:Timeline | |
Symbol 264 Text | Uses:37 | Used by:Timeline |
Symbol 265 Sound | Used by:Timeline | |
Symbol 266 Sound | Used by:Timeline | |
Symbol 267 Sound | Used by:Timeline | |
Symbol 268 Graphic | Used by:269 | |
Symbol 269 MovieClip | Uses:83 84 85 232 235 236 237 268 | Used by:Timeline |
Symbol 270 Text | Uses:37 | Used by:Timeline |
Symbol 271 Sound | Used by:Timeline | |
Symbol 272 Text | Uses:63 37 | Used by:Timeline |
Symbol 273 Button | Uses:24 25 | Used by:Timeline |
Symbol 274 Text | Uses:37 | Used by:Timeline |
Symbol 275 Sound | Used by:Timeline | |
Symbol 276 Sound | Used by:Timeline | |
Symbol 277 Text | Uses:37 | Used by:Timeline |
Symbol 278 Text | Uses:37 | Used by:Timeline |
Symbol 279 Sound | Used by:Timeline | |
Symbol 280 Text | Uses:37 | Used by:Timeline |
Symbol 281 Sound | Used by:Timeline | |
Symbol 282 Text | Uses:37 | Used by:Timeline |
Symbol 283 Sound | Used by:Timeline | |
Symbol 284 Graphic | Used by:291 Timeline | |
Symbol 285 Graphic | Used by:291 Timeline | |
Symbol 286 Graphic | Used by:291 Timeline | |
Symbol 287 Graphic | Used by:291 | |
Symbol 288 Graphic | Used by:291 | |
Symbol 289 Graphic | Used by:291 | |
Symbol 290 Graphic | Used by:291 Timeline | |
Symbol 291 MovieClip | Uses:284 198 285 286 287 288 289 290 | Used by:Timeline |
Symbol 292 Text | Uses:37 | Used by:Timeline |
Symbol 293 Sound | Used by:Timeline | |
Symbol 294 Graphic | Used by:Timeline | |
Symbol 295 Text | Uses:37 | Used by:Timeline |
Symbol 296 Sound | Used by:Timeline | |
Symbol 297 Text | Uses:37 | Used by:Timeline |
Symbol 298 Sound | Used by:Timeline | |
Symbol 299 Text | Uses:37 | Used by:Timeline |
Symbol 300 Sound | Used by:Timeline | |
Symbol 301 Text | Uses:37 | Used by:Timeline |
Symbol 302 Sound | Used by:Timeline | |
Symbol 303 Text | Uses:37 | Used by:Timeline |
Symbol 304 Sound | Used by:Timeline | |
Symbol 305 MovieClip | Uses:197 198 199 210 211 200 | Used by:Timeline |
Symbol 306 Text | Uses:37 | Used by:Timeline |
Symbol 307 Sound | Used by:Timeline | |
Symbol 308 Text | Uses:37 | Used by:Timeline |
Symbol 309 Sound | Used by:Timeline | |
Symbol 310 Text | Uses:37 | Used by:Timeline |
Symbol 311 Sound | Used by:Timeline | |
Symbol 312 Text | Uses:63 37 | Used by:Timeline |
Symbol 313 Button | Uses:24 25 | Used by:Timeline |
Symbol 314 Button | Uses:24 25 | Used by:Timeline |
Symbol 315 Button | Uses:24 25 | Used by:Timeline |
Symbol 316 Text | Uses:37 | Used by:Timeline |
Symbol 317 Text | Uses:37 | Used by:Timeline |
Symbol 318 Text | Uses:37 | Used by:Timeline |
Symbol 319 Sound | Used by:Timeline | |
Symbol 320 Text | Uses:37 | Used by:Timeline |
Symbol 321 Button | Uses:24 25 | Used by:Timeline |
Symbol 322 Graphic | Used by:352 415 | |
Symbol 323 Graphic | Used by:352 415 | |
Symbol 324 Graphic | Used by:352 415 | |
Symbol 325 Graphic | Used by:335 352 415 | |
Symbol 326 Graphic | Used by:335 352 415 | |
Symbol 327 Graphic | Used by:335 352 415 | |
Symbol 328 Graphic | Used by:335 352 415 | |
Symbol 329 Graphic | Used by:335 352 415 | |
Symbol 330 Graphic | Used by:335 352 415 | |
Symbol 331 Graphic | Used by:335 352 415 | |
Symbol 332 Graphic | Used by:335 | |
Symbol 333 Graphic | Used by:335 | |
Symbol 334 Graphic | Used by:335 | |
Symbol 335 MovieClip | Uses:325 326 327 328 329 330 331 332 333 334 | Used by:352 415 |
Symbol 336 Graphic | Used by:342 352 415 | |
Symbol 337 Graphic | Used by:342 352 415 | |
Symbol 338 Graphic | Used by:342 352 415 | |
Symbol 339 Graphic | Used by:342 352 415 | |
Symbol 340 Graphic | Used by:342 | |
Symbol 341 Graphic | Used by:342 | |
Symbol 342 MovieClip | Uses:336 83 84 85 337 338 339 340 341 | Used by:352 415 |
Symbol 343 Font | Used by:344 345 348 349 | |
Symbol 344 Text | Uses:343 | Used by:352 415 |
Symbol 345 Text | Uses:343 | Used by:352 415 |
Symbol 346 Font | Used by:347 350 | |
Symbol 347 Text | Uses:346 | Used by:352 415 |
Symbol 348 Text | Uses:343 | Used by:352 415 |
Symbol 349 Text | Uses:343 | Used by:352 415 |
Symbol 350 Text | Uses:346 | Used by:352 415 |
Symbol 351 Graphic | Used by:352 415 | |
Symbol 352 Button | Uses:322 21 323 324 335 22 342 344 345 347 348 349 350 351 18 19 20 325 326 327 328 329 330 331 336 83 84 85 337 338 339 | Used by:Timeline |
Symbol 353 Text | Uses:37 | Used by:Timeline |
Symbol 354 Button | Uses:78 79 45 | Used by:Timeline |
Symbol 355 Sound | Used by:Timeline | |
Symbol 356 Text | Uses:37 | Used by:Timeline |
Symbol 357 Sound | Used by:Timeline | |
Symbol 358 Graphic | Used by:359 | |
Symbol 359 MovieClip | Uses:83 84 85 232 235 236 237 358 | Used by:Timeline |
Symbol 360 Text | Uses:37 | Used by:Timeline |
Symbol 361 Sound | Used by:Timeline | |
Symbol 362 Graphic | Used by:363 | |
Symbol 363 MovieClip | Uses:83 84 85 232 87 362 | Used by:Timeline |
Symbol 364 Text | Uses:37 | Used by:Timeline |
Symbol 365 Sound | Used by:Timeline | |
Symbol 366 Text | Uses:37 | Used by:Timeline |
Symbol 367 Sound | Used by:Timeline | |
Symbol 368 Text | Uses:37 | Used by:Timeline |
Symbol 369 Sound | Used by:Timeline | |
Symbol 370 Text | Uses:63 37 | Used by:Timeline |
Symbol 371 Button | Uses:24 25 | Used by:Timeline |
Symbol 372 Button | Uses:24 25 | Used by:Timeline |
Symbol 373 Button | Uses:24 25 | Used by:Timeline |
Symbol 374 Graphic | Used by:375 | |
Symbol 375 MovieClip | Uses:109 110 374 114 115 | Used by:Timeline |
Symbol 376 Text | Uses:37 | Used by:Timeline |
Symbol 377 Sound | Used by:Timeline | |
Symbol 378 Graphic | Used by:Timeline | |
Symbol 379 Sound | Used by:Timeline | |
Symbol 380 Graphic | Used by:Timeline | |
Symbol 381 Text | Uses:37 | Used by:Timeline |
Symbol 382 Sound | Used by:Timeline | |
Symbol 383 Graphic | Used by:384 | |
Symbol 384 MovieClip | Uses:178 179 180 383 185 186 | Used by:Timeline |
Symbol 385 Text | Uses:37 | Used by:Timeline |
Symbol 386 Sound | Used by:Timeline | |
Symbol 387 Graphic | Used by:388 | |
Symbol 388 MovieClip | Uses:387 | Used by:Timeline |
Symbol 389 MovieClip | Uses:82 83 84 85 250 87 91 92 | Used by:Timeline |
Symbol 390 Text | Uses:37 | Used by:Timeline |
Symbol 391 Sound | Used by:Timeline | |
Symbol 392 Text | Uses:37 | Used by:Timeline |
Symbol 393 Text | Uses:37 | Used by:Timeline |
Symbol 394 Sound | Used by:Timeline | |
Symbol 395 MovieClip | Uses:82 83 84 85 250 87 88 | Used by:Timeline |
Symbol 396 Text | Uses:37 | Used by:Timeline |
Symbol 397 Sound | Used by:Timeline | |
Symbol 398 Text | Uses:63 37 | Used by:Timeline |
Symbol 399 Button | Uses:24 25 | Used by:Timeline |
Symbol 400 Button | Uses:24 25 | Used by:Timeline |
Symbol 401 Text | Uses:37 | Used by:Timeline |
Symbol 402 Sound | Used by:Timeline | |
Symbol 403 Graphic | Used by:404 | |
Symbol 404 MovieClip | Uses:403 114 115 | Used by:Timeline |
Symbol 405 Text | Uses:37 | Used by:Timeline |
Symbol 406 Sound | Used by:Timeline | |
Symbol 407 Text | Uses:37 | Used by:Timeline |
Symbol 408 Sound | Used by:Timeline | |
Symbol 409 Sound | Used by:Timeline | |
Symbol 410 Text | Uses:37 | Used by:Timeline |
Symbol 411 Sound | Used by:Timeline | |
Symbol 412 Text | Uses:37 | Used by:Timeline |
Symbol 413 Text | Uses:37 | Used by:Timeline |
Symbol 414 Text | Uses:37 | Used by:Timeline |
Symbol 415 Button | Uses:322 21 323 324 335 22 342 344 345 347 348 349 350 351 18 19 20 325 326 327 328 329 330 331 336 83 84 85 337 338 339 | Used by:Timeline |
Symbol 416 Text | Uses:37 | Used by:Timeline |
Symbol 417 Sound | Used by:Timeline | |
Symbol 418 Text | Uses:63 37 | Used by:Timeline |
Symbol 419 Button | Uses:24 25 | Used by:Timeline |
Symbol 420 Button | Uses:24 25 | Used by:Timeline |
Symbol 421 Button | Uses:24 25 | Used by:Timeline |
Symbol 422 Graphic | Used by:Timeline | |
Symbol 423 Graphic | Used by:Timeline | |
Symbol 424 Text | Uses:37 | Used by:Timeline |
Symbol 425 Sound | Used by:Timeline | |
Symbol 426 Text | Uses:37 | Used by:Timeline |
Symbol 427 Sound | Used by:Timeline | |
Symbol 428 Text | Uses:37 | Used by:Timeline |
Symbol 429 Sound | Used by:Timeline | |
Symbol 430 Text | Uses:37 | Used by:Timeline |
Symbol 431 Sound | Used by:Timeline | |
Symbol 432 Text | Uses:37 | Used by:Timeline |
Symbol 433 Sound | Used by:Timeline | |
Symbol 434 Text | Uses:37 | Used by:Timeline |
Symbol 435 Text | Uses:37 | Used by:Timeline |
Symbol 436 Sound | Used by:Timeline | |
Symbol 437 Text | Uses:37 | Used by:Timeline |
Symbol 438 Sound | Used by:Timeline | |
Symbol 439 Text | Uses:37 | Used by:Timeline |
Symbol 440 Text | Uses:37 | Used by:Timeline |
Symbol 441 Sound | Used by:Timeline | |
Symbol 442 Text | Uses:37 | Used by:Timeline |
Symbol 443 Text | Uses:63 37 | Used by:Timeline |
Symbol 444 Button | Uses:24 25 | Used by:Timeline |
Symbol 445 Text | Uses:37 | Used by:Timeline |
Symbol 446 Sound | Used by:Timeline | |
Symbol 447 Text | Uses:37 | Used by:Timeline |
Symbol 448 Text | Uses:37 | Used by:Timeline |
Symbol 449 Sound | Used by:Timeline | |
Symbol 450 Text | Uses:63 37 | Used by:Timeline |
Symbol 451 Button | Uses:24 25 | Used by:Timeline |
Symbol 452 Button | Uses:24 25 | Used by:Timeline |
Symbol 453 Text | Uses:37 | Used by:Timeline |
Symbol 454 Sound | Used by:Timeline | |
Symbol 455 Sound | Used by:Timeline | |
Symbol 456 Text | Uses:63 37 | Used by:Timeline |
Symbol 457 Button | Uses:24 25 | Used by:Timeline |
Symbol 458 Button | Uses:24 25 | Used by:Timeline |
Symbol 459 Button | Uses:24 25 | Used by:Timeline |
Symbol 460 Text | Uses:37 | Used by:Timeline |
Symbol 461 Sound | Used by:Timeline | |
Symbol 462 Text | Uses:37 | Used by:Timeline |
Symbol 463 Sound | Used by:Timeline | |
Symbol 464 Graphic | Used by:467 | |
Symbol 465 Graphic | Used by:467 | |
Symbol 466 Graphic | Used by:467 | |
Symbol 467 MovieClip | Uses:82 83 84 85 464 465 466 | Used by:Timeline |
Symbol 468 Text | Uses:37 | Used by:Timeline |
Symbol 469 Sound | Used by:Timeline | |
Symbol 470 Text | Uses:37 | Used by:Timeline |
Symbol 471 Sound | Used by:Timeline | |
Symbol 472 Text | Uses:63 37 | Used by:Timeline |
Symbol 473 Button | Uses:24 25 | Used by:Timeline |
Symbol 474 Text | Uses:37 | Used by:Timeline |
Symbol 475 Sound | Used by:Timeline | |
Symbol 476 Text | Uses:37 | Used by:Timeline |
Symbol 477 Sound | Used by:Timeline | |
Symbol 478 Text | Uses:37 | Used by:Timeline |
Symbol 479 Sound | Used by:Timeline | |
Symbol 480 Text | Uses:63 37 | Used by:Timeline |
Symbol 481 Button | Uses:24 25 | Used by:Timeline |
Symbol 482 Text | Uses:37 | Used by:Timeline |
Symbol 483 Text | Uses:37 | Used by:Timeline |
Symbol 484 Button | Uses:24 25 | Used by:Timeline |
Symbol 485 Text | Uses:37 | Used by:Timeline |
Symbol 486 Text | Uses:37 | Used by:Timeline |
Symbol 487 Sound | Used by:Timeline | |
Symbol 488 Button | Uses:24 25 | Used by:Timeline |
Symbol 489 Button | Uses:24 25 | Used by:Timeline |
Symbol 490 Text | Uses:37 | Used by:Timeline |
Symbol 491 Sound | Used by:Timeline | |
Symbol 492 Text | Uses:63 37 | Used by:Timeline |
Symbol 493 Button | Uses:24 25 | Used by:Timeline |
Symbol 494 Button | Uses:24 25 | Used by:Timeline |
Symbol 495 Text | Uses:37 | Used by:Timeline |
Symbol 496 Sound | Used by:Timeline | |
Symbol 497 Text | Uses:63 37 | Used by:Timeline |
Symbol 498 Button | Uses:24 25 | Used by:Timeline |
Symbol 499 Button | Uses:24 25 | Used by:Timeline |
Symbol 500 Text | Uses:37 | Used by:Timeline |
Symbol 501 Sound | Used by:Timeline | |
Symbol 502 Text | Uses:37 | Used by:Timeline |
Symbol 503 Sound | Used by:Timeline | |
Symbol 504 Text | Uses:63 37 | Used by:Timeline |
Symbol 505 Text | Uses:37 | Used by:Timeline |
Symbol 506 Sound | Used by:Timeline | |
Symbol 507 Text | Uses:37 | Used by:Timeline |
Symbol 508 Sound | Used by:Timeline | |
Symbol 509 Text | Uses:37 | Used by:Timeline |
Symbol 510 Sound | Used by:Timeline | |
Symbol 511 Text | Uses:63 37 | Used by:Timeline |
Symbol 512 Button | Uses:24 25 | Used by:Timeline |
Symbol 513 Button | Uses:24 25 | Used by:Timeline |
Symbol 514 Button | Uses:24 25 | Used by:Timeline |
Symbol 515 Text | Uses:37 | Used by:Timeline |
Symbol 516 Sound | Used by:Timeline | |
Symbol 517 Text | Uses:63 37 | Used by:Timeline |
Symbol 518 Button | Uses:24 25 | Used by:Timeline |
Symbol 519 Button | Uses:24 25 | Used by:Timeline |
Symbol 520 Button | Uses:24 25 | Used by:Timeline |
Symbol 521 Text | Uses:37 | Used by:Timeline |
Symbol 522 Sound | Used by:Timeline | |
Symbol 523 Text | Uses:37 | Used by:Timeline |
Symbol 524 Sound | Used by:Timeline | |
Symbol 525 Text | Uses:37 | Used by:Timeline |
Symbol 526 Sound | Used by:Timeline | |
Symbol 527 Sound | Used by:Timeline | |
Symbol 528 Sound | Used by:Timeline | |
Symbol 529 Text | Uses:37 | Used by:Timeline |
Symbol 530 Sound | Used by:Timeline | |
Symbol 531 Text | Uses:37 | Used by:Timeline |
Symbol 532 Sound | Used by:Timeline | |
Symbol 533 Sound | Used by:Timeline | |
Symbol 534 Text | Uses:37 | Used by:Timeline |
Symbol 535 Text | Uses:37 | Used by:Timeline |
Symbol 536 Sound | Used by:Timeline | |
Symbol 537 Text | Uses:37 | Used by:Timeline |
Symbol 538 Sound | Used by:Timeline | |
Symbol 539 Text | Uses:37 | Used by:Timeline |
Symbol 540 Sound | Used by:Timeline | |
Symbol 541 Text | Uses:37 | Used by:Timeline |
Symbol 542 Sound | Used by:Timeline | |
Symbol 543 Text | Uses:37 | Used by:Timeline |
Symbol 544 Sound | Used by:Timeline | |
Symbol 545 Graphic | Used by:Timeline | |
Symbol 546 Graphic | Used by:Timeline | |
Symbol 547 Font | Used by:548 556 | |
Symbol 548 Text | Uses:547 | Used by:Timeline |
Symbol 549 Text | Uses:37 | Used by:Timeline |
Symbol 550 Sound | Used by:Timeline | |
Symbol 551 Graphic | Used by:573 | |
Symbol 552 Graphic | Used by:573 | |
Symbol 553 Graphic | Used by:573 | |
Symbol 554 Graphic | Used by:573 | |
Symbol 555 Graphic | Used by:573 | |
Symbol 556 Text | Uses:547 | Used by:573 |
Symbol 557 Graphic | Used by:573 | |
Symbol 558 Graphic | Used by:573 | |
Symbol 559 Graphic | Used by:573 | |
Symbol 560 Graphic | Used by:573 | |
Symbol 561 Graphic | Used by:573 | |
Symbol 562 Graphic | Used by:573 | |
Symbol 563 Graphic | Used by:573 | |
Symbol 564 Graphic | Used by:573 | |
Symbol 565 Graphic | Used by:573 | |
Symbol 566 Graphic | Used by:573 | |
Symbol 567 Graphic | Used by:573 | |
Symbol 568 Graphic | Used by:573 | |
Symbol 569 Graphic | Used by:573 | |
Symbol 570 Graphic | Used by:573 | |
Symbol 571 Graphic | Used by:573 | |
Symbol 572 Graphic | Used by:573 | |
Symbol 573 MovieClip | Uses:551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 | Used by:Timeline |
Symbol 574 Graphic | Used by:Timeline | |
Symbol 575 Graphic | Used by:Timeline | |
Symbol 576 Sound | Used by:Timeline | |
Symbol 577 Sound | Used by:Timeline | |
Symbol 578 Text | Uses:37 | Used by:Timeline |
Symbol 579 Text | Uses:37 | Used by:Timeline |
Symbol 580 Sound | Used by:Timeline | |
Symbol 581 Text | Uses:37 | Used by:Timeline |
Symbol 582 Sound | Used by:Timeline | |
Symbol 583 Text | Uses:37 | Used by:Timeline |
Symbol 584 Sound | Used by:Timeline | |
Symbol 585 Text | Uses:37 | Used by:Timeline |
Symbol 586 Text | Uses:37 | Used by:Timeline |
Symbol 587 Graphic | Used by:590 | |
Symbol 588 Text | Uses:8 | Used by:590 |
Symbol 589 Graphic | Used by:590 | |
Symbol 590 Button | Uses:587 588 589 | Used by:Timeline |
Symbol 591 Text | Uses:8 | Used by:592 |
Symbol 592 Button | Uses:33 591 35 | Used by:Timeline |
Instance Names
"need" | Frame 7115 | Symbol 573 MovieClip |
Special Tags
Protect (24) | Timeline Frame 1 | 0 bytes "" |
Labels
"login" | Frame 27 |
"load1" | Frame 34 |
"ad" | Frame 50 |
"intro" | Frame 56 |
"intro2" | Frame 58 |
"t1" | Frame 263 |
"t2" | Frame 267 |
"t3" | Frame 272 |
"t4" | Frame 276 |
"t5" | Frame 283 |
"start" | Frame 295 |
"q1" | Frame 462 |
"mk11" | Frame 469 |
"q2" | Frame 522 |
"end6" | Frame 529 |
"end5" | Frame 534 |
"end5a" | Frame 580 |
"end6a" | Frame 644 |
"fadeout1" | Frame 667 |
"mk12" | Frame 690 |
"q3" | Frame 926 |
"mk12a" | Frame 933 |
"q4" | Frame 1196 |
"mk12b" | Frame 1203 |
"q5" | Frame 1333 |
"mk12b1" | Frame 1340 |
"q6" | Frame 1606 |
"mk12c" | Frame 1813 |
"q6a" | Frame 2046 |
"mk12c1" | Frame 2053 |
"zap0" | Frame 2325 |
"zap1" | Frame 2364 |
"zap2" | Frame 2388 |
"zap13a" | Frame 2533 |
"zap13b" | Frame 2553 |
"zap13c" | Frame 2568 |
"zap13d" | Frame 2647 |
"zap3" | Frame 2781 |
"q8" | Frame 2814 |
"mk13" | Frame 2821 |
"zip1" | Frame 2948 |
"mk12c3" | Frame 2973 |
"zip2" | Frame 3014 |
"zip3" | Frame 3137 |
"zip13a" | Frame 3182 |
"zip13b" | Frame 3232 |
"zip13c" | Frame 3252 |
"zip13d" | Frame 3337 |
"zip13e" | Frame 3405 |
"q9" | Frame 3461 |
"end11" | Frame 3473 |
"end14" | Frame 3517 |
"skipend11" | Frame 3545 |
"mk14" | Frame 3610 |
"q10" | Frame 3873 |
"mk14a1" | Frame 3882 |
"mk14b" | Frame 3996 |
"mk14b2" | Frame 4185 |
"mk14b1" | Frame 4228 |
"skip14b" | Frame 4237 |
"skip14bb" | Frame 4278 |
"end2" | Frame 4384 |
"end1" | Frame 4390 |
"mk14a1end" | Frame 4418 |
"mk14a" | Frame 4533 |
"mk14e" | Frame 4572 |
"mk14d" | Frame 4582 |
"skip14e" | Frame 4621 |
"mk14c" | Frame 4742 |
"deep" | Frame 4990 |
"mk16" | Frame 5070 |
"mk17" | Frame 5160 |
"mk17b" | Frame 5257 |
"mk17c" | Frame 5340 |
"mk17d" | Frame 5400 |
"mk17e" | Frame 5496 |
"mk18" | Frame 5575 |
"mk18a" | Frame 5590 |
"end18" | Frame 5703 |
"end18a" | Frame 5806 |
"end18b" | Frame 5871 |
"mk19" | Frame 5944 |
"mk20" | Frame 5977 |
"mk21" | Frame 6038 |
"mk21a" | Frame 6062 |
"mk22" | Frame 6086 |
"mk23" | Frame 6132 |
"mk23a" | Frame 6218 |
"mk23b" | Frame 6308 |
"mk23c" | Frame 6446 |
"mk23d" | Frame 6635 |
"mk23e" | Frame 6772 |
"mk23f" | Frame 6894 |
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